#There may be other examples but this is all I can remember

[thesomebodywho]

Even if we have to make a deal with the devil and harness the dark powers of capitalism, I think we need more types of CPR training dolls. In my mind there could be demand for those.

There are countless different body types, yet we only have CPR dolls for lean men, babies and dogs. (After the quickest Google-search in the west.)

Quality first aid should not be a privilege reserved only for thin people.

To add a few more CPR (and first aid) tips I remember:

Defibrillators in public places, (at least in Finland), are almost always capable of giving instructions. Never be afraid of using one in an emergency.

During CPR mouth-to-mouth is not necessary. Interrupting the chest compressions can actually increase the chances of death. The secondary benefit is that this lowers the threshold of giving CPR. (I myself would feel pretty disappointed to receive herpes as a prize for attempting to save a life.)

Everyone should learn the recovery position (aka. NATO-position/semi-prone). Unconscious people are at a risk of choking on their own fluids or due to not being able to keep their airways open. (This is especially critical if someone passes out after heavy drinking.)

If you are the first person to take initiative during an emergency do not ask "someone" to do anything. Always give orders to specific people. Many people may be in shock and respond better to specific orders instead of vague suggestions others might just be passive and think that someone else will do it. You could, for example, point at someone and tell them to call the emergency number. In addition, you could identify them by a piece of clothing. "Hey! You in the red coat, fetch the defibrillator from under the escalator!"

Last but not least when the EMTs arrive, follow their orders, answer any questions they have and give them all the space they need.

(These are from memory. Feel free to correct me.)

This is not like a fully completed thought but yk

So I've done my first aid + CPR a few times. And every single time I try and bring up scenarios for fat folks

Specifically like 'what if someone is too large for me to wrap my arms around then to do the heimleich'

And its incredibly rare I get a decent answer.

How absolutely insane is it that me, as a fat person, is asking how to have MY life saved or to save ANOTHER life, is an impossible feat if someone is fat.

Most of the time they tell me to 'just try anyways uwu'

There has got to be a better option.

[stillness-in-green]

Some thoughts on The Discourse about the last BNHA cover

(Note: This Discourse was on Twitter. I don’t know how much of this may have been said here on Tumblr, so consider this either my contribution or just me reporting back on drama from other fronts.)

So, I saw a lot of back and forth over there between people who didn’t like the cover and people who did, and I spent a little while mulling it over. It seemed to me that the people who didn’t like it had a good point, but one they were not articulating particularly well, possibly thanks to the character limit and possibly also because the people talking about it tended to phrase their objections in sarcastic, consciously exaggerated terms because that’s the language months and months of dealing with the truly insufferable Horikoshi Defense Squad on Twitter primed them to use.

So what is the point?  Basically this: In going for the lazy/easy callback in both the cover design and Dai (plate-hair kid)'s role in the final chapter more generally, Horikoshi landed on an "everything comes full circle" ending when what the story desperately needed was an indicator of change.

We didn't need to know that a kid with low self-confidence and nothing to speak of in the quirk department can still become a Pro Hero if he[1] wants to.  We already knew that because it's what the whole story of BNHA was about!  Deku passing the torch/paying it forward is nice if all you care about is Deku's personal arc, but it's sheer reductiveness if you care about literally anything else.  If there was going to be a kid getting Deku's encouragement and help at the end, if that's the ending Hori was absolutely set on, it shouldn't have been the Deku Redux kid; it shouldn't have been the weak kid who has already been metaphorically proven capable of becoming a Hero.

1: And of course it would be a boy.

It should have been the troubled kid, the one from the bad family situation, the one who isn't sure whether he even believes in this Hero thing.  It should have been the kid who, if nothing about Hero Society had changed, would’ve been rejected by the whole corrupt system—in so many words, the Tenko Redux kid.  That's the one who we saw could not become a Hero under the previous system.  That's who we needed to demonstrate the system's improvement.

Instead, all we get is Deku helping himself.  And it fits, I guess, because “himself” is the only sort of person Deku ever wanted to save anyway—remember that in the very first chapter, Deku tells All Might that he wants to be a Hero because he was never “saved” as a kid and so he thinks saving is the coolest thing ever.  Implicitly, then, Deku wanted to be the kind of Hero who could have saved the kid he was, and that tendency to reserve his compassion for people he can recognize himself in—the crying children and the Hero wannabes—is consistent throughout the series.  Dai, then, simply becomes the very last of these examples, the chance for Deku to tell his middle school self that he, too, can be a great Hero.

And that’s quite a choice, isn’t it?  Take a second to consider the implications there. The metaphorical parallel Deku helps is his middle school self, not his childhood self—there’s no evidence that Dai was bullied on the same level young Izuku was, and we sure didn’t see anyone telling him to jump off a roof.  So, who does save those children, then, in this grand, improved version of Hero Society?  Does anyone?

Well, not really. Not that we’re shown. Indeed, the child who was the closest analogue to young Izuku—a weak and seemingly quirkless boy who stuck his neck out for other rejected children, who still stubbornly wanted to be a Hero despite a parent's disapproval—was Tenko, and Deku pointedly did not save him.

To be clear, I don’t mean that just in the sense that Deku failed to save the adult Tenko became, but even in the emotional sense that the series clearly wants me to believe Deku succeeded at, the saving of the boy's heart? I don’t think Deku even managed that.  Sure, he might have protected the echo of that child from a few memories, might have held his hands for a few exchanges of dialogue, but then the boy transformed back into the form of the Villain he'd become and was swallowed down the spiritual maw of the man from whom society failed to save Tenko to begin with! And what was Deku doing as this happened? Absolutely nothing but yelling impotently as he got blown backward and out of the mindscape.

Imagine that Deku had found some way to cheer up Izumi Kouta only for Muscular to kill the kid thirty seconds later.  No one would be saying, “I think Deku still saved him—his heart, anyway,” if Deku got Kouta to smile and admit that Heroes were actually pretty cool only to do nothing but scream helplessly as he watched Muscular pulverize Kouta’s ribcage with one gentle squeeze.[2]

2: Mind you, this comparison is flawed!  Unlike AFO’s vestige, Muscular doesn’t turn up to kill a child as a direct result of Deku’s own actions. Also unlike the events of the final battle, Deku doesn't jump up and personally administer the killing blow to the still-screaming victim, either.

It just leaves me thinking about some of the stuff @codenamesazanka has said about how the narrative treats Shigaraki and Deku helping him: not as something Deku has a duty to do, not something Hero Society on the whole owes Shigaraki (and all the other metaphorical expy/future Shigarakis), but rather a bonus, a nice extra, a demonstration to shine up Deku's Hero cred because he's making efforts no one else would bother with and that no one would reasonably expect him to make. It's not Deku’s job to save the Tenkos or the young Izukus of the world; apparently that just falls to society at large.

So then, what was the point of making Tenko/Tomura such an extreme case of someone who started in a similar place to Deku?  Why make him, also, a weak kid who was told he couldn't be a Hero, if you're not going to have Deku save him in the way no one saved Deku himself?

From where I'm sitting, the answer is, "It seemed like a good idea to Horikoshi at the time, but proved to be poorly thought out."  But if Deku failing to save his own closest childhood analogue was where the story was going the whole time, then Shigaraki should never have been used to parallel Deku to begin with.  It's just a damned waste of Shigaraki as a character, an insult to everything he represented, to use him for ~the parallels~ throughout the entirety of the story except the very beginning and the very end.

Anyway, Pro Heroes are bullshit and the ending should have been them being radically reconceived from the ground up with input from all the people they failed to save.  But again, if you have to still have Heroes-qua-Heroes at the end, and you have to have some stupid thematic echo because you as an author think callbacks are the single most compelling storytelling tool of all time, then everything we got on Dai should have been for Scissors-kun instead, and here I am very much including Dai's scene before the first war. An unsettling scene of a strange child with his mouth sewn shut, stuck in a straitjacket in a dark room should have been the last thing we saw before launching into the day of the raids, an apparent element for the future in the same way that so many future Villains were first shown in the wake of Stain's arrest.

See, Shigaraki’s own destructiveness is what ultimately frees Scissors-kun from the basement, “saving” this rejected, abused child in a way no Hero ever managed or even knew to try, just as Shigaraki brought light and a strange sort of hope to the lives of so many others whom Heroes failed.  However, Shigaraki couldn't carry his ambitions through to the end. He was never able to meet the kid he indirectly saved, never able to offer that appallingly abused victim an avenue for his signature brand of rough justice. Heroes stopped him from doing so. So then, who will help Scissors-kun?

If we’re to believe that the story's protagonist has made a real difference, that Deku and his classmates have changed the world for the better, then we don't need to see them helping a kid who we already know is going to turn out fine because “he” aleady did. We need to see them help the people that previously only Villains would have helped, picking up the torch they struck from Shigaraki’s hands.

So sure, keep the scene with Granny Evil and Scissors-kun if you must, to show that it’s not only Heroes but also the broader Hero Society that’s changed. After that, though, show Deku stepping in.  Show him taking an interest in this kid as a way to keep his promises—to Shigaraki, that the rejection and obliviousness that he sought to destroy have indeed been destroyed and will remain so, and to Spinner, that Deku will remember Shigaraki for the rest of his life. 

When Deku is older and in a position to give advice to a kid who’s floundering and uncertain of what to do with his life because of what people around him say about him, make that character echo the characters the old system failed to save, not the character who the entire story proved would do just fine.

For god's sake, ditch Deku Redux.

Now, I know the obvious rejoinder here: We can’t use Deku’s story to say that BNHA already showed us that Dai would be fine because Dai has a quirk where Deku did not, therefore Deku’s path would not be open to Dai.  To this, I would reply that neither Deku nor Dai specify that Dai wants/is able to be a top Hero, merely that he be the kind of Hero people can admire—which the story has also already proven true!

Ojiro got into UA with nothing but one (1) extra limb.

Manual has a perfectly middling quirk that turned out to be absolutely crucial in two different wars because it was the right quirk at the right time.

Wash’s quirk makes strong bubbles. 

Like, this list is not short.  Manifest Plates might or might not make Dai Hero Billboard material, but one of the major points of the endgame was the sublime and noble value of helping when you can, in the way that you can.  So to reiterate, we didn’t need that to be proven again in the epilogue.

If anything, going the route of retreading the same story makes the epilogue much worse! Not only do we not get to see how this society is helping the people the old society most profoundly failed—victims who fall through the cracks and become Villains—but in seeing yet another a weak kid being mocked for his heroic aspirations, we find that we’ve barely moved a step beyond the exact same place we started.

That’s the message Horikoshi chose to go with, for both the closing chapters of the story and the story’s final volume cover.  Truly, as art that summarizes the story goes, it’s a masterful choice!  And that's the whole problem. The cover of Volume 42 is a perfect illustration of the self-absorbed, cynical, cyclical nature of BNHA's endgame. Little wonder, then, that it's hated by the same people who hated said endgame.

[bridgetoesoteria]

🌛Empowering Messages From Hecate🌜

(top to bottom)

I have been wanting to post a spirit guide messages reading for awhile, but this idea really clicked for me.

For those of you not familiar with the goddess Hecate, she is one of the bad ass goddesses. She has a really interesting story for anyone that is into greek mythology.

Pile 1

You have more options than you realize. You are more powerful that you allow yourself to be. Some of you may have a domineering figure in your life that you are trying to separate from. I think you will probably know who or what this is, because it is a chapter you know you need to close out. If you have been fighting some kind of uphill battle it is okay to walk away. There are good things waiting on the other side of this decision. Amazing things that you deserve. There's nothing wrong with being your own person. Sometimes you will have to go it alone.

Affirmation Card: Today I am resourceful; Today I will turn anything into an opportunity.

Pile 2

You should stand in your power fully. I'm not sure what that means but the vibe I am getting is that you have a lot of internal strength you can rely on. I think right now would be a good time to manifest some bigger things, because I keep hearing "ask and it is given". For some of you, this could be you milking a certain situation and getting what you can out of it. For example, your job didn't appreciate you much before, but now you have another offer from a different company. The ball is in your court now. If you wanted to stay at your current job, you could ask for anything you want and probably get most of it. So, I think this kind of energy is surrounding you at this time. This could honestly be your energy in general but you don't tap into it often enough. Start using your gifts and connections to benefit you!

Affirmation Card: Today I am adventurous; Today I will get out of my comfort zone and try something I've never tried before.

Pile 3

All piles kind of had a theme of "standing in your power", but I guess that makes sense given the topic. This pile seems to have more fear. Fear of letting go. Some of you want a divorce or to back out of a wedding? That is what the imagery looks like. For others of you it's like someone is coming back around, trying to make you second guess leaving them behind? You are being encouraged to remember who you are, and who you are becoming. Don't regress to past versions of yourself or let the pain of the past keep you chained up. If there is happiness and ease entering your life, embrace it. It doesn't mean something is wrong, it means things are going right! Finally, you don't owe anyone shit. You have new, amazing things to look forward to. You have every right to move on.

Affirmation Card: Today I am brave; Today I will step up to every challenge with courage. (Accidentally pulled two cards! I confused myself). Today I live in the present; Today I will start with a smile. I am in control of my attitude

I hope you enjoyed your reading! If you would like a personal reading, check the pinned post for info.

~ K

[triptychofvoids]

Could you give us a fun fact about Archimedes or any of your other doves (or maybe just doves in general)? I love how you draw them btw, they're so squishy and cute!!!

oh, i can give you quite a lot! but i will restrain myself so the post doesnt get too long..

for my birds, you may be curious to know that while archimedes is bonded to me, most of the other birds have their own bonds with each other. they are all my flock of course but its interesting to see how they form their own little pairs and so. you may also be interested to know each of my doves have fairly distinct personalities and treat preferences. archimedes specifically has an affinity for cranberries and for taking seeds from my trail mixes.

as for pigeons in general, anytime i get the chance i like to share how intelligent they are (just as an example, theyre one of the few species of birds that can pass the mirror test, and they have the ability to recognize faces and remember somewhat complex routes and tasks!) and how they are much cleaner than people seem to think they are (they are naturally fairly dusty birds but they value regularly washing and preening their feathers anytime they get the chance) :]

and.. well, originally i wanted to draw something more for this ask but unfortunately i havent had so much time lately, so enjoy this small archimedes doodle instead

[bleue-flora]

speaking of lore inaccuracy I have been seeing people saying that c!sapnap dragged c!tommy into the first war with c!dream because c!sapnap stole c!tommys stuff and I can't find the clip for that but I take their word for it but c!tommy would have attacked c!dream regardless of that or not. Like if i remember correctly, c!tommy was talking about how he's sick of wars and doesn't want to be involved only to then go ahead and steal a bunch of stuff and kill people without giving back gear. c!sapnap may have dragged him into that fight with c!dream where they end up 2v1ing him but I think in the grand scheme of events it doesn't matter because he would have attacked him in another time somewhere else, nothing changes

[context]

Anon, please. I’m so triggered as it is but I also have like 700+ something pictures of dsmp map and I’d like to talk about some more of it before we hop subjects. I know, I’ve seen, I’m going do a post on it soon as I feel like someone needs to set the record straight and apparently my first [post] wasn’t enough (in fact, I may or may not have actually spent the better part of yesterday rewatching those streams). But I plead mercy, I have a Lot of different brain rots going on all at once from the time dilation we talked about the other week [post], to finally knowing what these maps are [post] [post] and the enchants of Quackity’s tools [post], to learning more about the prison [post], staged duo note [post], Dream’s hand writing and the letter to Techno [post]… etc… I am losing it… please send a medic, the brain rot is too strong.

Having said that though, I’m answering this incase you are in an ongoing debate with someone and need it, here is the [clip] you are talking about I believe. The argument that Sapnap pulled him into it only goes so far as Tommy can make his own decisions the same way Tubbo can. Also some of what made that conflict bigger was specific things Tommy did so blaming it on Sapnap is kinda ridiculous. It’s not like that’s even his first war or something anyways, Tommy is always down to kill Dream all on his own (and if you need proof of that, here is just one example [clip]).

Plus in this instance - as in the instance that starts the disc saga - Tommy is high off of his kill and says ‘we should kill more people whilst we’re at it’ and Dream just logged log on so Sapnap is like ‘should we kill Dream?’ and Tommy answers ‘Yeah let’s kill Dream!’ which hardly seems like Sapnap pulled him in to it. And if they are referring to the war prior to Dream logging on, that doesn’t matter anyways. The disc saga didn’t start when they went after Alyssa and Ponk, the disc saga started when they killed Dream unprovoked and refused to give back his stuff afterward [clip] [clip].

[damnfandomproblems]

Agreed with most of #6472 until the race, mental disability and height thing.

1. As a POC woman, just do your research if you're making a POC character. I'm not personally offended, but I don't speak for everyone.

2. As someone with autism and anxiety; DO YOUR RESEARCH. PLEASE. Like as long as the portrayal is accurate and research was done, I think a lot of disabled people would appreciate representation but idk. I dont speak for everyone.

3. SHORT PEOPLE EXIST. JUST BECAUSE SOMEONE IS SHORT, IT DOES NOT MEAN THEY ARE A MINOR OR "MINOR CODED" HEIGHT DIFFERENCES SHOULD NOT BE AN ICK.

I think the last three could be rage bait, but idk. Just my opinion.

Posting as a response to a previous problem.

Going to include a few more responses to the same problem below:

Anon:

...is this a parody?

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Anon:

"If your ocs looks young, they are a child." I am 25, last week someone asked me if I was in high school. Some of us just look young idk what to tell you.

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Anon:

Bait used to be believable

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@theofficialkai517:

I'm not a regular OC maker, but I feel like there will be some mixed-bag responses. But in most cases that I've seen "actual [way older than teenager] looks to be way younger than they are" has been a canon thing, not an OC thing. Aang from Avatar and Elena from Elena of Avalor instantly come to mind. It's not just teenage-appearing characters, either, there are several adult characters that don't appear to age past their 30s despite being millenia old, or can change their age and appearance almost as they please. The gods from Percy Jackson (though some of them may not be the best examples to prove a point against you, LOL), many dragons from fantasy & sci-fi novels, vampires, so many different archetypes... I am not standing for or against this-- though the specific ones that I mentioned were trapped at their ages and don't remember much of anything during their times of not aging, and I do ship them both with teenagers they are friends with in their shows; and the archetypes/character designs I listed... Is a mixed bag, to be fair-- but it's not just about OCs, and you can't fault OC designers for following a pattern that has been their for a long long time, whether or not that character has a romantic bond with another character, or has friends who are all the age that the character appears to be.

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Anon:

what the hell does that mean, anyone 5'7 or under is minor-coded and shouldn't be shipped?! lots of adults, females especially (and including myself) aren't anywhere close to that height in real life. and it's okay to ship minors with other minors; there are millions of high-school love stories out there. besides, are we supposed to know a character's height right off the top of our fucking head or something? even if it's an oc. like, most of my ocs if i ever were to create more would probably be closer to my height because that's what i find "normal," or i just want somebody to dump all of my struggles on. it's literally not pedophilia to ship fix-it felix and calhoun together (first ship to come to mind, sorry), despite him being very very short. not much of this shit even happens with ocs, i've seen most of what you're bringing up in the media that's actually put in front of us.

------------------------------------------------------------------------------

Anon:

re 6472, specifically this line: "Anyone under 5'7" is minor coded and shouldn't be shipped." What the metric fuck are you smoking? I swear I'm gonna short-circuit.

------------------------------------------------------------------------------

Anon:

Okay, so many things. And I am sure others have probably brought this up too, but hey.

The "1000 year old dragon/immortal being with the body of a child trope" isn't just used by fans and makers of OCs. It is often a "trope" used by creators themselves; if it makes you look like a creep/has inherently pedophilic tones/only creeps are okay with this kind of thing, then call me a fucking creep. So many wonderful medias have characters who are older than they look, even going to J.M. Barrie with Peter Pan. Not many people seem to mind that they don't know how chronologically old Peter is, they just find whimsy in the fact that he will never grow up. The same goes for Avatar: the Last Airbender's titular character, Aang, who is chronologically 112 but has the appearance and mannerisms of a 12-year-old. It is meant to portray his redemption and his friends' hope, not to be creepy or pedophilic.

I can't quite help you there. There are some executions of that trope that work, and some that don't. But please know that most of this was perpetuated by actual creators and authors than us fans and our OCs. If you want to raise a fuss, try and go to Stephanie Meyers first before pointing your finger in our faces.

"if your ocs looks young, they are a child [...] it is simpler that way. You do not need to overcomplicate your ocs." First off... Completely false. I cannot be the only person who still looks 14 but is actually far older than that... If it happens in real life, it can happen in fiction and with OCs. We are not children, those characters are not children. It is not "overcomplicating" an OC. Besides, some people don't want simple with their OCs, they are putting their hearts and souls into them and just having fun.

Nobody should have to ask "approval" to write a character that is a different race than them. Yes, it can end disastrously... But it also couldn't. If people had to ask approval to write a character who is Latino or black or East Asian when the writer is white, or any other variation of one race creating a character of another, there would never be any diversity in anything ever.

There was need for you to elaborate on that. Some of the best ADHD/autism representation I have seen in characters has come from neurotypicals. I have a loved one who has never had anxiety or depression before but can spot-on name most of the signs and symptoms just from watching me live through it. As long as you're not adding harmful traits to one mental disability or another, I have no reason to be offended. Maybe just try and do your research, but even then, nobody is allowed to police you. Again, nobody should have to ask approval or be worried that they're not writing a character good. Also, it's easy for signs of one mental disability or other to slip through in a character without it being openly stated. Sometimes things happen unintentionally, it was never meant as a slight towards someone who has the mental disability strongly hinted at.

"Short characters are basically minors"... Ex-fucking-scuse me? What the fuck? "Anyone under 5'7" is minor coded and shouldn't be shipped"... Just stop. Stop it right here. 5'7" is a major ask, especially in a fictional world where heights often aren't known to viewers/readers, and your OC can be whatever height you wish on them. It's a major ask even in the real world. Because why the fuck are only tall people allowed to be shipped? When hobbits exist, dwarves exist, elves (like, Christmas elves) exist... Some fictional species aren't designed to grow taller than, like, 4'10", let alone 8 inches taller than that. Half of the females I went to school with didn't make it past that height; it is unreasonable to tell people that they cannot create characters to be shorter than a certain height if they want to be able to ship them.

Sorry for the long rambles, but most of that was BS and needed to be called. Yes, there is room for a lot of moral ambiguity when it comes to characters who are coded one way or another... Especially when it comes to age/immortality/disguising oneself as another age/etc. But if someone is doing any of these things and it drives you nuts, either block/mute/ignore them or, in the cases of 4 and 5, maybe gently message them with "hey... I wanted to let you know that I have/am [insert mental disability or race here] and that [character] doesn't quite match up to what they're supposed to be. Can I offer you some guidance in writing them?" and if they say no... Just leave it be. This is fandom, not politics.

[shmowder]

The depressed teen to enthusiastic adult pipeline is far too real

[wonder-worker]

Margaret of Anjou’s visit to Coventry [in 1456], which was part of her dower and that of her son, Edward of Lancaster, was much more elaborate. It essentially reasserted Lancastrian power. The presence of Henry and the infant Edward was recognised in the pageantry. The ceremonial route between the Bablake gate and the commercial centre was short, skirting the area controlled by the cathedral priory, but it made up for its brevity with no fewer than fourteen pageants. Since Coventry had an established cycle of mystery plays, there were presumably enough local resources and experience to mount an impressive display; but one John Wetherby was summoned from Leicester to compose verses and stage the scenes. As at Margaret’s coronation the iconography was elaborate, though it built upon earlier developments.

Starting at Bablake gate, next to the Trinity Guild church of St. Michael, Bablake, the party was welcomed with a Tree of Jesse, set up on the gate itself, with the prophets Isaiah and Jeremiah explaining the symbolism. Outside St. Michael’s church the party was greeted by Edward the Confessor and St. John the Evangelist; and proceeding to Smithford Street, they found on the conduit the four Cardinal Virtues—Righteousness (Justice?), Prudence, Temperance, and Fortitude. In Cross Cheaping wine flowed freely, as in London, and angels stood on the cross, censing Margaret as she passed. Beyond the cross was pitched a series of pageants, each displaying one of the Nine Worthies, who offered to serve Margaret. Finally, the queen was shown a pageant of her patron saint, Margaret, slaying the dragon [which 'turned out to be strictly an intercessor on the queen's behalf', as Helen Maurer points out].

The meanings here are complex and have been variously interpreted. An initial reading of the programme found a message of messianic kingship: the Jesse tree equating royal genealogy with that of Christ had been used at the welcome for Henry VI on his return from Paris in 1432. A more recent, feminist view is that the symbolism is essentially Marian, and to be associated with Margaret both as queen and mother of the heir rather than Henry himself. The theme is shared sovereignty, with Margaret equal to her husband and son. Ideal kingship was symbolised by the presence of Edward the Confessor, but Margaret was the person to whom the speeches were specifically addressed and she, not Henry, was seen as the saviour of the house of Lancaster. This reading tips the balance too far the other way: the tableau of Edward the Confessor and St. John was a direct reference to the legend of the Ring and the Pilgrim, one of Henry III’s favourite stories, which was illustrated in Westminster Abbey, several of his houses, and in manuscript. It symbolised royal largesse, and its message at Coventry would certainly have encompassed the reigning king. Again, the presence of allegorical figures, first used for Henry, seems to acknowledge his presence. Yet, while the message of the Coventry pageants was directed at contemporary events it emphasised Margaret’s motherhood and duties as queen; and it was expressed as a traditional spiritual journey from the Old Testament, via the incarnation represented by the cross, to the final triumph over evil, with the help of the Virgin, allegory, and the Worthies. The only true thematic innovation was the commentary by the prophets.

[...] The messages of the pageants firmly reminded the royal women of their place as mothers and mediators, honoured but subordinate. Yet, if passive, these young women were not without significance. It is clear from the pageantry of 1392 and 1426 in London and 1456 in Coventry that when a crisis needed to be resolved, the queen (or regent’s wife) was accorded extra recognition. Her duty as mediator—or the good aspect of a misdirected man—suddenly became more than a pious wish. At Coventry, Margaret of Anjou was even presented as the rock upon which the monarchy rested. [However,] a crisis had to be sensed in order to provoke such emphasis [...]."

-Nicola Coldstream, "Roles of Women in Late Medieval Civic Pageantry", Reassessing the Roles of Women as 'Makers' of Medieval Art and Culture

[mars-ipan]

this post is not going to be very well planned out so i’d like you all to be niceys to me if i bungle the wording but i feel like the moment people understand that certain forms of bigotry stem from hatred for certain groups but can affect people not belonging to those groups and hurt them just the same is the moment a lot of our conversations about diversity, oppression, and how to combat marginalization stop going so hard in circles and start being productive

[nomairuins]

also i admire dws refusal ever to engage with language barriers

[musiquesduciel]

While we are at the topic of foundations, I tier-ranked all the foundations I’ve ever used. (This does not include Makeup Forever, Lakmé and the Bobbi Brown Weightless Powder I don't remember the finish of anymore/need to give a second try now that I know how to do makeup better).

[teaboot]

I've never had a cat before and I'm hoping to get one soon. Do you have any advice?

Treat a new cat as you would a new roommate. Give them space and time to settle, establish a pattern and a rhythm, and in time they may choose to become friends and spend time with you. Dont force a friendship.

Use simple words and repetition to establish communication. Words like breakfast, treat, snack, lunch, supper, dinner, food, and eat all basically mean, "I am feeding you; expect to be fed", but it's a lot for a little guy to remember. I just say "Dinner" when I mean "cat food is coming", and so my boy knows exactly what I mean when I say it. As a plus, using only one word for snack time means he has no idea what the other words mean, so I can talk about food in front of him without ruling him up.

Pay attention to body language. Cats all have different personalities, and you'll learn their likes, dislikes, and messages over time this way. Son boy here loves anything with plumbing but dislikes getting wet- his favourite blanket to chew and snuggle goes on his favourite chair, and he gives me a specific gesture when he wants me to kneel down so he can jump onto my shoulder.

Read into problematic behaviour. Cats pee in weird places when they're hurting, in distress, or have insufficient of unclean litter box space. Biting, attacking feet , and knocking things off tables often means they're understimulated and need you to play with them, or at least need some kind of enrichment or puzzle to tackle. Tail flicking can be frustration or irritation. Purring is usually good, but may also be self-soothing behaviour to alleviate pain, encourage healing, and relieve anxiety, like over-grooming.

Like children, "bad" behaviour isn't malicious- it usually means there's something you aren't seeing.

Learn how your cat expresses love. Loads of people think cats are uncaring, cruel, and indifferent, but the truth is, they're just not dogs. Spending time near you, showing an interest in tools you're using or projects you're working on, sitting the way you sit, laying on their back, rubbing on your legs, wiping their face on your shoes when you get home- these are signs that your cat is enamored with you. You're their family, they feel safe and protected around you, they're curious about things you enjoy and want everyone to know you're family.

Set reasonable expectations. Again, cats are not dogs.We bred dogs to desire our approval- cats walked into our lives themselves. They have no human-programmed need to fulfill a duty or perform a task to your standards.

Training cats to do tricks isn't as hard as people say, but the willingness or interest in doing the trick is more heavily reliant on personality and mood. Some cats will refuse all but the most basic requests- I'm lucky in that Ollie understands and is willing to do several, provided I don't abuse his trust and he's not crowded or overwhelmed or just bored of doing it over and over in a short period.

Ollie, for example, knows Up to stand on his back legs and hold my hand, Down to get to a surface I indicate, Out to emerge from a closed space, Come to find me where I am, Help? when I'm offering to let him use me as an elevator, Dinner when I understand he's hungry and am getting food, and when I put on his collar he knows to climb into his carrier 'cause we're going somewhere. And he'll do any of these about 90% of the time, either ignoring me or phoning it in when there's something interesting somewhere else, or if he's feeling anxious.

Lead by example. If you dread taking them to the vet, they'll see the anxiety in your body language and behaviour and likely learn to hate it, too. Again using my guy an example, I starred taking him on walks long before his first vet appointment, just to get used to his carrier and leash. Then his first checkup was relaxed and informal, with plenty of treats, and I let him explore the examination room with permission from the tech. Now he loves going, so I'm not stressed about taking him, so I don't stress him out in turn, and the vest doesn't have to deal with a stressed out cat slowing things down and fighting with them.

Make sure your sources are good ones, and also good ones for you. I will recommend Jackson Galaxy's YouTube channel for cat advice because a lot of what he does matches up with what I've learned and know to be true. I don't personally recommend Ceasar Milan because I personally find his methods distressing to recreate regardless of efficacy, so even if that advice was useful, *I'd* be miserable, and it'd just be trading one issue for another.

Have a person who can help. You never know when you might end up out of town overnight unexpectedly, or when your place may need serviced or fumigated, or if you may be called out of town. Before getting a cat, research reliable pet sitters, house sitters, pet daycares, whatever, just in case.

Consider pet insurance. No long spiel here, just think about it. Especially if you don't know your cats ancestry or potenyial health risks. An on top of that, fucking vaccinate them.

Dont let them free roam. At all.

I grew up on a farm with free-roaming barn cats. Do you know how many times child-me cried over having to bury them? Illness, disease, pregnancy, vehicles, other territorial cats, ticks, fleas, litter, poisoned prey, malicious humans, local wildlife, predatory birds, scrap metal, extreme heat, freezing temperatures, tainted water sources, poisonous or venomous critters, getting stuck in small or high places, tapeworms, loose nails, old equipment, falling branches...

I've seen some truly body-horror slasher-movie shit- just truly nauseating visual fuckery- and I'm telling you not to let your cat free-roam.

Leash training isn't hard. Supervised walks aren't hard. Even keeping your cat physically fit and entertained indoors isn't an impossible feat. Don't let your fucking cat fucking free-roam. Fuck

Also read up on foods and plants cats can't do, like every houseplant in existence is toxic it's insane

Anyhow yeah that's like. A couple things I guess

Here, have an Ollie Pic

[fromevertonow]

Suzanne Collins is one of the few contemporary writers who realizes the importance of names in her stories and the significance they bear. They add so many layers to the story, additional meanings that otherwise would not have existed.

The original trilogy:

Katniss: named after a plant of which you can eat the roots. Her father taught her where to find it and told her that “as long as you can find yourself, you’ll survive” (quote may be a little bit off, but it’s from one of the early chapters in THG). Additionally, the leaves are in the shape of an arrowhead, referencing her skills with the bow which her father also taught her how to use.

Peeta: literally bread lmao. But bread is one of the basic nutritions humans need, a little bit goes a long way to keep you alive. Peeta’s presence in Katniss’s life also kept her alive, literally and figuratively—the burned bread he threw her in the flashback and their complicated relationship.

Primrose: a plant with medicinal purposes, even more significant in light of her work as a medic in Mockingjay.

Gale: literally means “strong wind” and considering that in every encounter with Katniss he’s caused some reaction, he pulls her into directions she maybe initially doesn’t want to go in. Additionally, his name also represents his determination and steadfastness in his beliefs.

TBOSAS

Lucy Gray: named after William Wordsworth’s poem “Lucy Gray” which is about the titular character of the poem who got lost during a blizzard. She literally got lost in snow. Rachel Zegler sang this poem in two parts on the original soundtrack of the movie. When Snow asked who the girl in the song is, Lucy answers that she’s a mystery, just like her.

Snow: aside from the obvious snow references, I think his name is most significant in relation to Lucy and the poem. The only one who knows what caused her disappearance is Snow. He is the reason that Lucy is gone. But her traces in the snow are still visible. He will always remember her because the memory of Lucy has manifested itself in every part of his life.

Coriolanus: named after the Roman general (and also the titular character of Shakespeare’s play), Coriolanus wanted to attack Rome and become its ruler. He was scorned and celebrated by the people, only to be later exiled from the city by them. In TBOSAS, Coriolanus is the star pupil at the Capitol’s academy but sent into exile to the districts after he won the Games with Lucy through cheating.

Volumnia: Coriolanus mother who played a part in his ascent to power. In TBOSAS, she almost serves like a mentor to Coriolanus, teaching him how to think in terms of power.

(Edit) Sejanus: a roman soldier who was betrayed by the roman emperor Tiberius, just like the future president betrayed him.

(Edit) Plinth: got this info from here, but it was too good not to include here. A plinth is a base for a statue or vase to stand on. After Sejanus’s death, all of the Plinth fortune was given to Snow for being such a good to friend him. It was this money that skyrocketed the Snow family from poverty to filthy rich. The Plinth money was the foundation upon which Snow built his power.

There are so many other names that have historical (mostly Roman and Greek) connotations—Plutarch, Seneca, Cinna—but also regular names like Trinket and Beetee bear meanings that represent the character beautifully.

Names are important. For any lover of literature or (aspiring) writers, please look closely at them. They can shape your story into something unique.

Feel free to correct me if I’ve said something wrong. I know there are many names missing, but I can only add so many examples ✊🏻😔

[hxney-lemcn]

Mine, Only Mine — Mr. Crawling, Gap, Silvair, Chopped, Hugeface, and Scarletella x gn! reader

summery: how jealous do some of the Homicipher boys get?

tw: unhealthy relationships (Mr. Hugeface & Scarletella)

wc: 1.2k

Master List

˚₊· ͟͟͞͞➳❥ Mr. Crawling

❥I know people have written about how he gets jealous…but I don’t really think he does? Or at least not terribly. The scene with Mr. Chopped and the cat ears show that Mr. Crawling won’t pout or get sad at you showing affection to others, just that he wants to gain the same attention (the ear scene…). So jealousy with Mr. Crawling isn’t too bad, just be prepared to shower him with more affection than the person you originally did. 

❥On the other hand, I do think his jealousy may increase if you ignore him. Say you give more attention to Mr. Scarletella, Mr. Crawling would get a bit sad and pouty, thinking you don’t like him anymore. If this happens, give him lots and lots of attention and reassurance, he’ll be super grateful. I mean he loves your affection anyways, so might as well give him some extra headpats and kisses. Even better if you only show certain signs of affection with him, it makes him feel special. 

❥Overall, not the most jealous, but not completely unaffected either. Make sure he gets his daily dose of attention/quality time and he’ll be as right as rain.

˚₊· ͟͟͞͞➳❥ Mr. Gap

❥Uh, he gets more jealous than you’d think. Like…his whole thing is he wants to be special to you…in his own strange way. Doesn’t like the thought of someone taking his place as a jokester to you. Also why he brings you things he’d think you like from time to time, just to make sure you still have that special place in your heart for him <3

❥Hates hate hates when you call him bad or not good. He’s good! He swears! Remember how he’s helped you before! Gets all frowny when you call him not good and then call someone else good. He’s good too! Guess he has to prove it, AGAIN. It’s honestly kind of endearing how he has no clue how he actually kind of does like you? But not exactly in a romantic way? It’s honestly hard to label his feelings towards you, so why should I?

❥I’d say he’s the second most jealous in this list of characters, watching on angrily as you praise someone that isn’t him. Be prepared for magazines and books galore when he’s in this mood, trying to prove his worth to you. Kind of strange for someone to try so hard when they claim to not like you…

˚₊· ͟͟͞͞➳❥ Mr. Silvair

❥Definitely the chillest one here. Doesn’t really get jealous at all :/ If anything, he finds it entertaining when you’re affectionate with others. Gives him more insight to his lab rats. Yes, he sees everyone as a lab rat. Idk, I can’t really see him get jealous.

❥Maybe…MAYBE if someone else tries doing research on you, or if Ms. Nurse treats you instead he’ll feel a bit off. Like…you’re his test subject, he knows you from the inside out…literally and not in the fun sense. Why would you go to someone who doesn’t know as much about you and how this world affects you? It’s very hard to spot his jealousy, doesn’t even notice it/recognize it himself. He just doesn’t want anyone to mess up his data…that’s all…totally.

❥In conclusion, not really jealous. Doesn’t feel like he needs to be. You’re ‘friends’, doctor and patient, mad scientist and lab rat not many others threaten that balance between you. 

˚₊· ͟͟͞͞➳❥ Mr. Chopped

❥Honestly…Mr. Chopped I’m kinda mixed on how he’d be. Like on one hand, I could totally see him getting jealous if you call others cute or pay too much attention to them. On the other…he could probably care less. He loves himself, you love him, why does he need to get jealous? It’s clear how much you like him with the way you pamper him. I mean we get so many examples where you’re affectionate to Mr. Crawling in front of Mr. Chopped and he doesn’t really bat an eye. 

❥Now, I can see if he gets a bit insecure he might get more jealous. Whether it be because Mr. Crawling pats your head or tucks you into bed, Mr. Chopped feels a bit sad. He’d like to tuck you in, you look so comfy. Might be just a bit pouty, eyeing you like a dissatisfied cat. Easily rectified with head pats or even cuddles. Gets side tracked from his jealousy as soon as you give him a sliver of attention honestly.

❥Mr. Chopped is fifty fifty when it comes to jealousy, but it’s never too bad. He’s pretty comfortable with what you both have and doesn’t really feel threatened by others. After all, you did call him cute.

˚₊· ͟͟͞͞➳❥ Mr. Hugeface

❥I wouldn’t say he gets jealous? More possessive than anything. Like that scene when Mr. Machete stumbles into his little makeshift dollhouse that he made for you and gets all angry that he’s there. It’s more of a ‘you’re not supposed to be here, this is our playtime’ more than actual jealousy. Throws a little fit whenever someone messes up your playtime. Very accusatory lmao.

❥Does not like when you try to escape. Was he not providing enough for you? Were you unhappy? You’re not allowed to leave! You’re his cute human! He can’t just find another one y’know. Mr. Hugeface may be lenient if he sees you happier, you need enrichment after all. Feels extra happy if you come back on your own violation. 

❥The most childish out of all the characters on this list. Isn’t afraid to throw tantrums, will also punish you by putting you in a solid concrete cube if he’s really upset. Yeah…not the most healthy of relationships to have…BUT! I do think you could convince him to be a bit better…? Maybe? Only if you put enough work in communicating with him though. Maybe punish him in your own way like leaving for longer if he threatens to trap you.

˚₊· ͟͟͞͞➳❥ Mr. Scarletella

❥Uhhhhhhhhhhh. Top of the list when it comes to jealousy. Watches your every move with curiosity and spite. Why are you doing that to Mr. Crawling? Do it to him instead. Why do you look so happy braiding Mr. Chopped’s hair? Style his hair instead. Why are you looking so fondly amused at Mr. Gap? Don’t you find him amusing? You do like him, right? He likes you. He likes you a lot, and he thought he was enough…was he not?

❥Will stare through your skull. It is so intimidating. His smile? Strained, it makes your skin crawl. You have to make sure he doesn’t hurt your friends, he’s so close to snapping, but he knows that would upset you and that’s not his goal. So instead he stands ominously in the background, body staticing in and out while his hand clenches the handle of his umbrella. 

❥Not that easily mended. Likes to monopolize all your time and affection. Needs constant reassurance as well, he’s quite needy. If you like constant validation and no social life go for it, just don’t get too upset if he threatens your other monster friends…he can’t stand that you could like someone that wasn’t him.

[what-even-is-thiss]

Sometimes even if you think you can deal with an injury or sickness you should still deal with it properly for the sake of those around you or your work.

The most obvious example I can give of this has to do with sewing. I used to be an assistant in a university costume shop and part of my job was to train and help people working in the shop for college credit.

And so many times I saw people accidentally stab themselves with needles or cut themselves on something. And they always insisted they didn’t need the first aid kit. They could tough it out. And I always told them the same thing.

“Even if I didn’t care about your health, which I do, I still wouldn’t want you bleeding all over the clothes you’re working on.”

And this had never occurred to most of them. They were so caught up in the mindset of toughing everything out that they didn’t notice they were literally bleeding all over their work. Sometimes staining their own projects. Sometimes other people’s costumes or projects. And then they always accepted the first aid kit.

You may be numb to your circumstances or think you can tough it out. But remember to ask yourself. Am I bleeding all over the fabric? And if so, take the time you need to deal with the situation.

[tellafairy]

get anything you desire overnight; what is SATS? how do i use it? — a quick guide.

STATS is short for “state akin to sleep,” a phrase used by neville goddard several times.

for example, one of neville's most popular experiments utilizing SATS is called the "ladder experiment". this experiement demonstrates how useful sats is.

what was the experiment?

1. During one of his lectures, Neville instructed his students to visualize themselves climbing a ladder vividly. He asked them to repeatedly imagine this scenario in detail each night before going to bed. They were to feel themselves climbing the ladder, using all their senses to make it as real as possible.

2. on top of this, Neville told them to write down or say affirmations throughout the day such as, "I will not climb a ladder." This was meant to consciously contradict their nightly visualizations, creating a sense of disbelief in the process. The challenge was to see whether their repeated visualization of the ladder would override the conscious denial of the event.

3. Many of the participants reported that within a few days, despite their daily affirmation of "I will not climb a ladder," they ended up encountering situations in which they physically climbed a ladder. The experiment was intended to show that the subconscious mind, which was being impressed by the vivid visualization during the SATS state, was far more powerful than their conscious thoughts or affirmations.

essentially, Neville wanted to show that imagination, particularly when focused in the relaxed state akin to sleep, could create real-life outcomes, aka — attract your desires instantly.

so . . . how do i use SATS?

1. relax. sit or lie down, and relax your mind and body. this method does not need to be used at night. many people have used it during the day and have gone to sleep for only a few moments before waking up with their desire. This is basically just a form of meditation. A similar mental state occurs naturally in the morning right after awakening, and in the evening before bed, hence why some may prefer to do this method at night despite it not being mandatory.

2. embody the feeling. now while in this state, visualize your goal. Feel your desire completely. want someone to text you? imagine yourself opening your phone to that text message. want a new car? imagine yourself feeling the interior, smelling the new car freshener, testing out the radio. whatever it is, fully immerse yourself in the desire.

3. focus and persist. loop this desire on repeat as you fall asleep, it should be the only focus on your mind. quickly shift any other thoughts that may appear, back onto your desire. the more you do this, the more you'll feel the desire completely.

brief comments;

1. over time, it becomes more and more natural. it's very easy to get into the habit of using SATS to manifest whatever you desire. i often find myself using it without even intending to, just randomly deciding i want something and it becomes all i think about as i fall asleep. it's a very natural method that's easy to custom to.

2. yes, you can use this for shifting realities. there's a reason why so many people "randomly" shift when they stop using long complicated methods and just go to sleep with their DR in mind.

3. you don't need to take action. you don't necessarily need to do anything when manifesting. this doesn't just apply for SATS, but any other form of manifestation. you don't need to take action or do anything further to get your desires if you don't feel like it. remember; they're already yours. they can fall into your hands out of the blue. you don't need to put in effort.

i used several different articles and videos for this to explain it in the most simple way possible, since i know a lot of people tend to struggle with understanding this stuff to the maximum!! so i hope this is easy to read! ૮ ◞ ⸝⸝ ◟ ྀིა

4. does this mean affirmations don't work?

no, it does not. affirmations DO still work for LOA. you CAN achieve anything through affirmations, it was never stated that you couldn't or that SATS is the only way. this only states that according to neville goddards experiement, sats appears to be a more powerful method than affirmations and that's how he viewed it. more powerful doesn't equate to the other method being completely incorrect or impossible. i also personally find this method to work a lot quicker as well.. similar to the void state.

edit; i didn't realize i wrote stats in the title and not sats lol, my mistake it was autocorrect