#The theme is relationship

[kuswanrudi]

Take That! R1999 [OPEN] MAP

Hello everyone, just like I promised I am hosting a reverse 1999 map and it's theme will be about relationship (friendship & ships).

I decided on making it an open MAP so that anyone could try and participate it, even you have experience on making or just a beginner.

To submit and so easily see others, I'm going to make a tag #TakeThatR199MAP and please use it on YouTube, Tumblr and or X (Twitter) or reblog this post or chat me if it's easier for you.

Of course in every MAP there will be a few set of ground rules to follow even if it's an open MAP.

If there's any questions then please contact me :)

Rules :

Don't make something inappropriate! For example, don't try shipping a minor character with an older character.

The characters in this MAP must be from reverse 1999, please don't add oc or other characters from different fandoms. If you're new and haven't played it then you could still join but please look it up.

Just like in the video said, AMV, PMV or animation are also allowed if that is what you're good at.

Watermark for the apps that you're using are allowed but at least make it less than 2, also if you want to add your own then please make it subtle and don't make it too distracting.

Keep in mind that is an open MAP, which means there might be a chance that someone would've taken your part first without you knowing, if that ever happens then please try take any other part.

This also applies with the 5 rule as if there's nothing that could be done then please be respectful and accept it, this is supposed to be a fun map and I don't wish for any conflict for just a part.

This may be a somewhat compromise for 5 & 6, lyrics are not needed as there might be a chance that they'll be a few people who have the same part and I wanted to try to include them even though the music on that part might be different.

[fatedtime]

the immense psychological damage I have taken seeing multiple people claim wholeheartedly that Marcille barely tolerates Laios, much less likes him. I’m sorry but even if you’re anime only did you MISS the scene where she frantically was checking for his heartbeat or

[ash-and-starlight]

humble contribution

[dyleeart]

How s4ep11 should have ended

[katabay]

someone’s hands have always been inside of you

⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app / tip jar!

[eastgaysian]

the specific frustration with dungeon meshi is that there's been a very distinct shift in fan content and a very clear reason for it. it was one of the rare cases of a decently popular work where the vast majority of fan content you saw was gen or f/f; m/m ships existed but they were not anywhere near as overwhelming as in other fan spaces, and people who heard about dunmeshi by word of mouth often came in knowing about farcille. the anime started airing after the manga was completed and is a pretty faithful adaptation, it's not as if it added any more fanservice/sexualization/shipping fodder. the only difference is that it made dunmeshi more mainstream/popular, and that's when the focus started shifting towards m/m ships and away from gen and f/f. for the people who enjoyed being in a fan space that unlike 99% of fandoms wasn't m/m focused, that fucking sucks, and there's nothing you can do about it because you are always flat out outnumbered

[yardsards]

people are pushing against the overly ~wholesome~ fandom culture of the 2010s but they're going too hard and swinging in the opposite direction. now for something to be considered *good* it has to be Dark and Edgy and Complicated and Toxic. and ppl feel the need to justify their liking something with "no it's actually like suuuper dark".

...and that's how you get people calling farcille "toxic yuri".

[wisteriasymphony]

every time a tumblr post mlb rewrite mentions the fact that they're taking out marinette's 'obsessive stalker' characteristics an angel gets run over by a steamroller and fucking dies

[wolfisblank]

People who think the party forgives Siffrin too easily at the end of the game confuse me. Tbh I think their reactions were really realistic. Yeah if my friend said some really hurtful and deep-cutting shit I'd be upset but they were literally in the torture labyrinth for months where they died over and over and experienced catastrophic levels of OCD and had an abandonment issues mental breakdown of a cosmic scale... Like yeah I'm a little mad but I can be mad later??? I'm worried about my friend :(

[tidetower]

The Prince of the Hightower and the Heir to High Tide

Artist: erchitos

[aventurineswife]

hello! platonic aventurine,blade,jing yuan and sunday with a teen!reader like akane kurokawa?

reader is a genius actress specializing in theater, but theyre also like a detective, theyre able to accurately psychoanalyse and understand what happened

The Art of Perception

Tags: Aventurine x Reader, Sunday x Reader, Blade x Reader, Jing Yuan x Reader, Teen!Reader, Actor/Actress and Detective!Reader, Akane Kurosawa based Reader, Platonic Relationships, Mentorship, Psychological Insights, Mystery Solving, Mutual Respect.

Warnings: Themes of moral ambiguity, mentorship dynamic, light tension.

In the dazzling world of high-stakes gambling, where the clatter of roulette wheels and the shuffle of cards formed the rhythm of life, you—a teen with an uncanny gift for psychoanalysis—had caught the eye of none other than Aventurine.

You weren’t just a rising star in the theater world; your ability to dissect human behavior and unravel complex situations had earned you comparisons to seasoned detectives. Aventurine wasn’t drawn by your fame—he was intrigued by your mind. A meeting between the two of you was inevitable.

The setting was an exclusive gala hosted by the IPC. You were invited to entertain the guests, performing an intricate one-act play. Aventurine, lounging by the roulette table, observed you with mild curiosity as you captivated the audience with a performance that seemed almost too real.

After the applause subsided, Aventurine approached you with his trademark grin.

"Bravo! That was a performance worth betting on. But tell me, little star, how much of that was acting, and how much was you?"

You tilted your head, studying him for a moment. "Both," you replied with a small smile. "Acting is just another way of understanding people, isn’t it? And you—" Your gaze narrowed. "—you’re a gambler, but you’re not here to win money. You’re here because the stakes are higher than anyone realizes."

Aventurine chuckled, the sound as smooth as a well-played bluff. "Impressive. Few can read me like an open book. What gave it away?"

"The way you observe people," you replied. "You’re not watching for their weaknesses. You’re watching to see if they’ll play the way you want them to."

For the first time in years, Aventurine felt genuinely caught off-guard. He saw potential in you—a spark that reminded him of his own strategic brilliance. What began as a chance encounter turned into a mentorship of sorts, with Aventurine teaching you the art of calculated risk, while you offered him insights into human nature he hadn’t considered before.

A dimly lit alley on a forgotten world was no place for a theater prodigy, but you weren’t here for a performance. You were here to solve a mystery—the disappearance of several citizens. What you didn’t expect was to cross paths with Blade, the Stellaron Hunter.

You had been tracking clues all day, your sharp mind piecing together fragments of the puzzle. When you finally encountered Blade, standing amidst the ruins of an old theater, your first instinct wasn’t fear but curiosity.

"You’re not the one taking them." you said, your voice calm despite Blade’s menacing aura.

Blade turned, his eyes narrowing. "And you’re not afraid of me. Why?"

You stepped closer, your gaze unwavering. "Because you’re not here to harm me. You’re here because you’re looking for someone."

Blade remained silent, intrigued by your audacity. You continued, "You carry guilt. It’s written all over you—in the way you stand, the way you avoid looking at me directly. You think saving these people will make up for something, don’t you?"

Blade’s fist tightened. "You talk too much."

"And you don’t talk enough," you countered. "But that’s okay. I don’t need words to understand you."

Despite himself, Blade found a reluctant respect for your insight. As you worked together to uncover the true culprit behind the disappearances, Blade began to see you as more than just a curious child—you were a mirror, reflecting parts of himself he thought he’d buried long ago.

The grand chambers of the Xianzhou Luofu were no stranger to visitors, but a teen with the reputation of a genius actor/actress was a rare sight. Jing Yuan had invited you personally after hearing of your knack for solving mysteries.

He reclined in his seat, eyes half-lidded as you entered. "Ah, the prodigy arrives. Tell me, do you only act on stage, or is this entire visit a performance?"

You smirked. "That depends. Are you genuinely curious, or are you testing me?"

Jing Yuan chuckled, impressed by your sharpness. "I see the rumors didn’t exaggerate. Let’s skip the pleasantries. I have a problem—someone within the Cloud Knights has been leaking information. I’d like you to uncover who."

You accepted the challenge, diving into the task with meticulous care. As you interviewed suspects and analyzed behavior, Jing Yuan observed you closely, marveling at your ability to draw conclusions from the smallest details.

In the end, you revealed the culprit with a flourish, your explanation as captivating as any play. Jing Yuan smiled, a rare expression of genuine admiration. "You’ve done well. Perhaps the next time we meet, I’ll challenge you to a game of chess."

"I’ll win." you replied confidently, earning another chuckle from the general.

The Charmony Festival was in full swing, a celebration of art and music orchestrated by Sunday himself. Among the performers was you, a teen actor/actress whose fame had reached even the distant skies of Penacony.

Sunday approached you after your performance, his eyes gleaming with interest. "Your talent is remarkable," he said. "But I sense there’s more to you than what you show on stage."

You regarded him carefully, noticing the subtle tension behind his serene demeanor. "And you’re not just a festival organizer. You’re hiding something, aren’t you?"

Sunday’s smile faltered for a moment before he recovered. "Perceptive. I see why they call you a genius."

As the festival continued, you found yourself drawn into Sunday’s world, uncovering the truth behind the Sweetdream Paradise. Your sharp mind clashed with Sunday’s idealism, leading to long debates about humanity’s capacity for growth and the morality of.

Despite your differences, Sunday grew to respect your unwavering determination and intellect. In you, he saw a kindred spirit—someone unafraid to challenge the status quo, even if it meant standing against him.

[littlefankingdom]

Simple observation I made from reading these comics. DC, stop making their dad an asshole and make him hug them more.

Also, the hugs in these comics:

Tim's hug is not in Red Robin but it's during the run and when Bruce comes back in time.

Cass' hug is weird because they're suicidal freaks who think fighting is therapy. They fought while being drugged, and blew up a brigde. It makes sense for them only.

Jason's first hug (Outlaws) is after he tries to apologize for his crimes and Bruce refuses to let him to do it, because his boy is innocent for him 🥺 (and then, they fucked it up with Ethiopia because they cannot let them have nice things 🙄). The second one (Red Hood & Arsenal) is started by Jason, who is just very happy to see that Bruce is alive, even if he has lost his memory.

[di-daynamic]

No, but the Hunger Games did need the romance plotline. See, Snow got it all wrong for the cause of the districts' rebellion. He thought an act of love is entirely separate and different from an act of rebellion, that the two are mutually exclusive. But we saw even in Katniss' though process that the two are mixed. And for the districts, the two are the same thing. For seventy-four years they've been forced to watch their children, grandchildren, siblings, niblings, friends die in the Games or through exploitation, are told it's an honour for them to die for the Capitol and are not allowed to grieve. And then suddenly this girl comes up and plants her feet and says 'no'. She survives through illegal hunting, avoiding the miserable death via starvation or the terrible community home. She doesn't stand by to watch her sister die, she volunteers. She doesn't treat her friend's death as one of a tribute to the Capitol, but as the horrible killing of an innocent little girl who deserves to be memorialized. She thanks and humanizes another district's people. She gives another tribute a merciful death. She refuses to give up on the man she loves, repeatedly. Defying all sense and establishment.

That is rebellion, for the Districts. Love, loyalty, grief, kindness, mercy - they're all rebellious sentiments.

And romantic love is an integral part of that. Not the be all end all, but an intrinsic part. We see sisterhood with Prim, we see friendship with Rue and Finnick and Johanna (and Gale and Madge a little bit), we see mentorship and connection with Haymitch and Boggs, so of course we need the romantic angle with Peeta. Of course we need the dandelion that grows after the war, the dandelion that started it all through one act of kindness to the starving girl he loves.

[lgbtlunaverse]

I feel like too often people frame Nie Mingjue's issues as ignorance borne from safety. Like, they think that because of his privilege as a sect leader he doesn't know what it's like to be in danger and forced to make hard choices to survive. And I disagree. Strongly.

First of all, Nie Mingjue is very familiar with death not only from war but from. You know. Actively dying since the age of fourteen. Let us not forget Nie Mingjue is dead! Super dead! And maybe he didn't die the exact way he expected to but he did, absolutely, know he was going to die. To act like Nie Mingjue is unfamiliar with the scenario of "do something you find morally reprehensible or die" is to ignore that he has been living that exact scenario and chose death.

Nie Mingjue knows death is a risk for someone like Jin guangyao, in fact he explicitly acknowledges it even in his worst moments like the stairs in chapter 49. Had his issue been ignorance, then he would've responded to Jin Guangyao saying that he's in danger and has to sacrifice others for his own safety with "No you aren't you'll be fine." But he doesn't. He accepts the fact that jgy is in danger with no qualms and says: then you should die.

That's not him betraying his values, those are his values. He is, essentially, pro-suicide. Jgy is like hey I have a moral dilemma what should I do and nmj straight up goes "Kill yourself" and earlier that same chapter when he was faced with a moral dilemma he went "I'm gonna kill myself." He believes the solution to moral dilemmas is suicide! He is extremely consistent about this! When it's pointed out to him that it would have been dangerous for Wen Qing to oppose Wen Ruohan it doesn't phase him because he thinks putting yourself at risk to do the right thing is the only moral choice. The idea that he can only hold this belief because he is himself somehow not in danger, again, requires you to ignore that he is dying the whole time. And it doesn't deter him. He is the idea of self-sacrifice as a moral good taken to its absolute logical extreme. Someone who is ready to die and demands the same from everyone else.

It makes him a very fun case study for fandom, because a lot of fandom spaces also tend to revere self-sacrifice as the ultimate good, and yet we get very uncomfortable when someone starts demanding it of characters we love. Like woah, hold on, that's a bit too far isn't it? Only we the audience get to do that!

[evelynpr]

The Fontaine main cast are all so thematically, emotionally, and narratively connected to each other that you can ship them in nearly every way and it somehow works.

I'm talking Furina, Neuvillette, Arlecchino, Clorinde, Navia, and Wriothesley here.

Wriolette? The upholders of the order of Fontaine. One on the surface, and one in the depths.

Clorivia? Childhood friendship, betrayal, and now healing with the truth and past resolved.

Neuvifuri? 500 years of closeness and understanding, mixed with distance and regret. Only after her sacrifice are they finally both free.

Arlefuri? Changing their fates through sheer force of will. Protecting the people who need on them, while accepting nothing in return.

Wriolinde? They were going to protect Fontaine together if its the last thing they do. Their trust is unbreakable.

Arlevia? Protecting their loved ones beyond the law. With a system and world that did not care for them, they care for their family their own way.

Knavilette? The seemingly cold and distant with bleeding hearts. They always keep their distance for fear of what would happen in a moment of weakness, especially with their overwhelming power.

Navilette? Personal regret with injustice and loss, now healing with compassion and understanding.

Furinde? The selfless princess and her loyal champion. She has always been by her side, protecting her with her blade, but only now does she get to know the real "Furina"

There are even more I haven't touched on (lemme know if you'd appreciate it ig?). These characters are just so...so interconnected through Fontaine with its themes on justice, order, love, loyalty, and more. They really knocked it out of the park with creating such a beautiful and complex cast of characters.

[sexy-sapphic-sorcerer]

BBC Merlin being about 'magic' for 7 minutes gay