#The style of the drawings is quite different now....

[aroaessidhe]

metal from heaven fans i have character design sketches for most of the cast I would love if anyone has Thoughts Ideas or Suggestions (gay sketches as a reward if you read to the bottom)

i did..... not quite every on page character, but pretty much everyone who's there more than once and at least vaguely described (or like. I'd do gwyar if it wouldn't be a spoiler)

all the character descriptions I have recorded are here by the way !!

some of the characters are described a lot but most are like.....their face/hair but nothing about their clothes, or the other way around, so for a lot of them I just winged it - part of the reason I wanted to do so many characters roughly was so get a sense of the overall styles and vibes? august said they were thinking about john galliano for fashion so I took a lot of inspo from that and also a heavy dose of western vibes.....fashion is not my strong point though. truly just stuck it all in a blender and slapped it on.

and also for most of these it's sort of first-or-second-pass designs - basically just getting an initial feel rather than really solidly Designed. so likely to change. I could definitely push a lot of them further!!!

fingerbluffs/choir etc!

sisphe is described with having sunlight trapped in her hair and then also a dark curtain of hair and it's PROBABLY dark but I did imagine her blonde initially because of that. going with blonde hair as a kid that got darker to compromise...

her disguise outfit isn't really described other than gloves but I kinda matched it to marney disguise (below)

harlow took me so long to figure out getting her face like I imagined and also like how I described....I'm not sure still. i love her sm

amon is accidentally giving victor arcane. the character archetype + colour palette I guess. I specifically made it blue/black with pink highlights because of the tullian gender colours though..

tbh I still haven't figured out how their bandit hoods work. I think they pull over from the back of the head but I can't figure out how to draw that in a way that works so they're bandanas for now

not pictured but what are we imagining the lurchers like. just fun punky sff motorbikes?

aristrocrats !!

i am pretty happy with my marney and goss (though goss could be shorter...)

wanna do more vikare outfits

yann i. chauncey supposed to be quite boring and nondescript but also. sure does like Like A Random Dude in this lineup huh

basically all of the bottom row are only lightly described so I just went with the initial vague mental image I had tbh!

could I put more effort into giving them more cultural distinctions / make the areas they're from more visually distinct? yes probably. it's hard to get a sense of some of that when some of the places are within ignavia and some are like.. separate continents - and there's no map to sort it out in my head. (you may notice i wrote where they're from in blue by the names though)

description: 'detailed traditional tullian/drustish/etc embroidery' me: here's some vague scribbles

could deffo get some more body diversity in here

anyway genuinely very interested if anyone is like 'I imagined x to be completely different in y way' or fancasts or anything else! i am so open to and interested in making changes if other people have thoughts (and like if you're not an artist so can't draw it yourself) (or even if you are an artist but don't have the time and want to make me draw it instead. i know the feeling)

----

thanks for reading here's sketches:

I promise I will post these properly on my art blog sometime. also if anyone has ideas for little sketches like these, of any particular interactions or whatever....

[haruka-636]

Old art ☀️🌙💕

[unriding]

EVIE !!!!!

I SAW U USE MY ART AS UR THEME SO I WANNA DO A REMAKE !!! mostly cause the other one was full of mistaks hurrrrr orz

keeping the color palette the same so itd still fit + use softer shading so convey how soft u are + moze is now IN UR HAND !!!! >:3

oh nick :’)

[dawnthefluffyduck]

It's cooling down now, happy fall :3

Next on the bucket list; planning for borders before the final stage of the drawing haha. I might do more to this later w/ the background but I think it's done for now

[sysig]

Guess who :3c (Patreon)

[averlym]

@remylong :

[purpldawne]

for an akifuyu stan i sure do struggle to draw autumn and winter troupe

[ittybittybumblebee]

Ive decided trying to draw foreshortening in realism is hell actually

[taoistyuri]

ok, it isnt the 1st of march in my timezone just yet but im gonna pretend it is...

ill be 20 years old in 1 month now.... kind of crazy to go into a new decade of age... O_O

its definitely a more 'adult' sounding age than before... (though of course in the bigger picture, its all still in the baby stage of adulthood)

[quirkle2]

OBSESSED with how you draw sans,,, he's so lovely and shaped!!!! and the expressions are beautiful, and that art has the Quirkle Thing where it's all soft and warm and like a visual hug. and the details are beautiful, you've converted me to the "sans has reading glasses" agenda and I'm stoked about it. anyway I love you, I love your art, I hope 2023 is gentle to you!

CRIES???? oh mgygod thank you,,, it's rly fun seein what aspects of sans meld w my style and which ones dont. the more cartoony facial structure lets me play around w it a lil bit and i can mess w clothing hanging off thin bones instead of muscles n skin ! so so glad u like it im always worried abt people not likin non-lu art of mine GVEYIAV

[alicenpai]

princess tutu: die jahreszeiten 🌸

kind of a companion piece to my 2022 ptutu drawing | it's on inprnt

this print was at anime north; next con is otakuthon!

oops so my hand slipped and i made another princess tutu drawing. i admittedly don't watch that much anime so my catalogue of work is gonna be the same 5 animes LMAO. what can i say, i love "dark" fairy tales, and i've been really enjoying the more fine art approach to a lot of my drawings as of late (and the watercolour brush i've been using has been so perfect for that...!)

as my first princess tutu drawing is now 2 years old, there are some areas i've grown to have ... qualms with... although both drawings as a whole are pretty much exactly what i envisioned, and that's always satisfying!

both of these were drawn in roughly a week's time (yes really...) for con crunch period (and i went back to this drawing after the con to touch up some areas that were a bit rough!). i wanted a different approach to this new pt drawing, with the focus on the line work, rather than on colours and lighting in the 2022 drawing.

this drawing had 2 goals: to continue the style i adopted in my witch hat atelier "lantern bearers" drawing (which i promise i'll post in full soon as soon as all of the zine artists get their go-ahead to post their pieces!), and to emulate the art nouveau movement's heavy emphasis on line work, albeit not a 1:1 style replication of course.

the seasons also aren't a 1:1 representation, as i didn't necessarily pick flowers or colours that are most strongly associated with the season (e.g. summer being a dark tone is a bold choice?). but it's kinda whatever, as i said before i drew this in a week, there may be more appropriate flowers with better meanings. i couldn't spend too too much time drafting and researching.

FLOWER SYMBOLISM:

- spring: apple blossoms, tulips - the apple blossom is a quintessential spring flower, and thus symbolize the arrival of spring. spring is a season of change, which ahiru/princess tutu is a force of, instigating change in her friends and unravelling the story around her. the flowers below her are tulips, and there are many meanings to tulips depending on the colour, due to their ubiquitous nature. i narrowed on one, and intended for them to symbolize happiness. princess tutu's pose is one in which that is open, inviting, and warm - reflecting her nurturing nature in the series, and her willingness to help others achieve happiness.

- summer: deadly nightshade flower, yellow rose - i chose for rue/princess kraehe to symbolize a fiery summer's night instead of the typical dazzling heat of a summer's day, a rather bold and unusual choice. the warmth of sunshine didn't quite fit, as the character is quite dramatic and passionate, with her intentions often hidden in shadow. next, the deadly nightshade - atropa belladonna - has a lot of mythological associations, a lot to do with poisoning, as the flower is toxic. the flowers bloom at night (another reason why i picked a nighttime backdrop for "summer") and also outwardly match rue's dark design scheme, as the cherry on top. yellow roses, at the bottom of her frame, are the archetypal flower depicting jealousy (as with many yellow flowers are), and at one point in the story, rue only wished for her own happiness at the misfortune of others.

- autumn: douglas fir needles, orange calla lily - autumn is another season of change - although much more tumultuous, as this season is traditionally taken to prepare for a long winter ahead - fitting for fakir as the role of the storyteller. the douglas fir is not a flower of course, but is a tree - with many different parts of this tree offering many benefits in advance of the winter season. i wanted the versatile nature of the douglas fir to reflect on fakir's dependable personality. next up, the calla lily is a flower with a dual meaning - on one hand you have life, on the other you have death. a storyteller quite literally can grant both at the tip of their fingers.

- winter: birch tree, snowdrop - winter is a rather still and unchanging season, a lull in the passage of time. this symbolizes mytho's passive nature at the start of the series, especially with his doleful pose here, as if almost in hibernation. to contrast, mytho is perched on the branches of a birch tree, which means new beginnings and renewal - as mytho is one of the characters that undergo the most change throughout the series (i'd argue the most?), regaining pieces of his heart. under mytho's frame is the snowdrop flower - and if you've read my witch hat atelier: seasons piece symbolisms, one of the snowdrop's meanings is rebirth, with connotations to the bible, bringing hope, when all had forsaken eve. the snowdrop is one of the first flowers to bloom even when the snow has not yet fully melted, further echoing mytho as an analogy for rebirth.

[sysig]

Sweet dreams, for a time (Patreon)

[girliism]

having art and patrick as your boy best friends.

you met them in kindergarten. the three of you sat at the same table with another boy. said other boy was writing bad words on your drawing when art and patrick sprayed glue all over him.

they had to sit out of recess watching the other kids play. you brought them both flowers as a thank you and ever since then the three of you were inseparable.

so inseparable that when third grade came around and patrick saw that the three of you weren’t in the same class he brought his parents up to the school and demanded that you all be in the same class every year. middle and high school were no different.

you loved them but hated the gross tendencies they came with. “you have to sit in between us so we don’t fight over who sits next to you.” art says. but you hate sitting in between them cause it ended up with you getting caught in their burping matches. “you guys are so gross.”

but art and patrick really did care for you. so much so that at 11 when you got your first period and ignored them for a week they made it their duty to learn all about menstruation.

you were at lunch eating with your girl friends when art places a drink in front of you. “it’s a green smoothie full of iron rich vegetables so you can replenish after losesing so much blood. my mom made it.” the blonde smiles at you very proud of himself but your faces heats up in embarrassment. “also you can get pregnant now so like don’t do that.” patrick adds quite loudly and everyone is looking at you and your other friends are snickering at the interaction. you wanted to die.

watching art and patrick go though growth spurts was actually terrifying. and not to mention they ate everything. “can we get five home style burger plates two for us and one for her. with oreo milkshakes. oh and apple pie” patrick orders. you watch as the both of them clear their plates with ease now deciding if you all should go for ice cream.

it was the summer before freshman year and you had spent most of it with your grandparents but you made in back in time for the zweig end of summer party. “guys! did you miss me” you pull them in for a hug before you walk ahead of them into the zweig house. the two of the watch you with confusion. when did you become a girl?

art and patrick never really saw you as “girlish” the way they saw other girls as girlish cause they’ve known you for so long. but something changed when you were at your grandparents house. you changed.

“dude you see that right.” patrick says. him and art watch you in the pool talking to your other friends. “she has boobs.” art groans at his friends perverted observation. “can you like not stare at her chest. that’s weird.” “what, all i’m saying is that she has boobs now guys like boobs. boobs and guys are no good match. horny assholes will try to get with her all year.” “can you stop saying boobs” art whispers “they’ll break her heart and get her pregnant. we have to protect her.” patrick says sternly.

the first two years of high school boys avoided you like the plague.

“do you guys think i’m ugly?” you blurt out one night the three of you laying on your bed watching juno. both of them sputter out a slue of what’s and why would you think that. “it’s just no one’s asked me to the formal. i’m literally the only person i know who doesn’t have a date.”

patrick looks at you before shrugging. “you can come with us duh. me and art will be your date we can make it a group thing.” art nods in agreement. this makes you feel worse. “i don’t want to be your guys pity date. plus your girlfriends hate me.” art sits up turning to you. “it’s not a pity date. formals are supposed to be about having fun with you friends. and our girlfriends don’t hate you.” oh but they totally did.

you end up going to formal with art, patrick and their girlfriends and have a surprisingly good time. the night is ending and patrick’s ditch the two of you so you and art sit on the empty football field just the two of you.

“so where’s your girlfriend?” you ask. “making out with the quarterback under the bleachers.” art sighs out looking up at the sky. you wince. “sorry” art mumbles out a whatever picking at the trimmed grass.

“her loss right.” you bump your shoulder with his. art scoffs “yeah, now at least she’ll have someone to grope her.” “wait wait is big shot tennis man too scared to grope his girlfriend.” art shoves you. “shut up ok, guys get nervous too.” humming you say. “if a guy so much as wanted to kiss me i’d just do it.” eyes looking up.

arts head snaps towards you. “have you never been kissed before?” you shake your head no. “but we’re almost juniors, how have you never been kissed?” “maybe because you and pat intimidate any guy that’s has interest in me. which is really fucking annoying by the way.” you huff. “sorry about that, pat just doesn’t want you to end up on teen mom.”

the two of you sit in silence for a while. “i could kiss you.” art says. you look over to him heart beat picking up. art is a good looking guy obviously, but he was your best friend. “wouldn’t that be weird?” you bite your lip out of nervousness. “doesn’t have to be.”

you get your first kiss that night. on the football field under the night sky. it was nice, art’s lips felt nice. moving slowly against yours his hand tenderly holding your cheek. you both break away from the kiss to breathe. “thanks” you whisper.

you guys never talk about what happened that night. not to patrick and not to each other. the same way you don’t talk about the kiss you and patrick share in his treehouse at his family’s goodbye summer party before junior year.

part two

[ranticore]

some more horse guy fashions, specifically historical

erased the mandolin for this one goodbye mandolin i couldn't be bothered drawing you

so my thought process for this is like what would a society of, lbr, british ppl who are horses value and how would that translate into what they wear if they specifically don't have a taboo against nudity. these fashions are pre-florian conversion (florian was the guy who gave them all government-mandated shame) and considered traditional (the full coverage dresses are also traditional but to a post-florian period so those would be called like. idk. classical). they were still in use in the enclaves north of ironwall for quite a while. anyway returning to the point, the answer to 'what they value' is movement. in actual horses, herd hierarchy and social function is based off movement - free movement for animals for whom the flight response is so strong is an incredibly important thing. dominance in horses is expressed and reinforced by controlling and curtailing the movement of subordinates. for these people, free movement was enhanced by kinetic fashion - free-flowing garments like capes, loosely-pinned headgear with feathers and floaty cloth, and noise-generating devices like bells and chimes were all used to elaborate and enhance the appearance of somebody's gait. the overall look was mostly based off of morris dancers (pheasant feathers, bells on the legs, handkerchiefs) because i like the tie-in to suppression of folk dance by puritans. i think these guys would have some great folk dances

in much the same way trainers are just normal everyday footwear now, game kerchiefs/flags were worn in non-sports contexts because it suffused into the mainstream and became Cool. the flags were used in a game similar to tag rugby if you've ever seen that played (where snatching people's flags is used instead of full contact tackling, forcing someone who's been 'tagged' to stand still until the flags are returned). as i said before somewhere, centaur team sports go incredibly hard.

the tail ornaments were status symbols and in appearance a bit like the traditional show turnout of shire horses. woven grass and straw could be used for a temporary ornament like these, but metal or carved wood were really impressive, and very common gifts of favour between romantic partners. more flags could be hung there if you wanted to be really cool

variations of this style of mane décor were also employed (they loved their ribbons)

in the same time period, Ironwall fashion was a little bit different. These expensive caparisons were usually purchased secondhand after a real horse was done wearing them, with distinct front and back halves of different length. The garments would usually have the original liveries removed and replaced by generic religious iconography as few centaurs would ever have their own heraldry. Later, in the Georgian and Victorian eras, full coverage to the pasterns with a single undergarment was the only acceptable option (that's the classical style now) The rest of the picture is self-evident, but centaurs at the time wore additional... equipment on the withers which were called a variety of very colourful names but mostly referred to as gelding bars (as in, they will geld you if you sit on them). they were metal and spiked. these were introduced by the florian government to discourage the grossly inappropriate contact of one person's legs around another. previously there was no great taboo against riding on a centaur's back, it wasn't super common but nobody was like "this is basically public sex" until our pal centaur cromwell i mean florian came along and decided this was the work of the devil. young people were also made to wear these to discourage the homosocial behaviour very common to the mid-20s age groups of both sexes, and they also had a place in preventing stallions from wrestling (ironically increasing the danger of their fights because well now all we can do is stand back and kick). the wearing of these devices was mandatory. headcoverings were not strictly necessary, and neither were fully-wrapped tails, but some especially devout citizens took to it quite well.

[abby-howard]

I'm going to be asking a lot of artists I follow this question, but how did you develop your style? It SEEMS like most people find their style and stick with it forever, just making improvements and iterations. I tend to work in a lot of different styles because I enjoy doing that, though I know there are things I gravitate towards as well. But I wonder what your journey was and how you got feedback and improved while staying true to what you enjoyed?

Hi there!

I definitely wouldn't say that I've found my style and stuck with it forever-- I feel like each of my projects has asked for a certain kind of art, and has presented new challenges that push me in new directions.

Some of that comes from seeing someone else's work and having something click into place that might fix errors/faults in my own, and then I might try to incorporate that, such as bigger outlines on my characters to help distinguish them from the background, or maybe a way someone else simplifies eyes that can help make mine look less weird.

When I first started drawing, I can see where I encountered certain influences because my sketchbooks suddenly switch to incorporating some new stylistic element that I liked from whatever I was reading/watching at the time. But it was never QUITE right, it was never just copying, there was always something ~wrong~ with it. And that wrongness was my style! As much as I hated it, that was what distinguished my art from being just a copy of someone else's. I hate it less now, and understand that other people see something there that maybe I don't, because it's just what happens when I filter other people's work through my head. My soul, if you will.

There are definitely through-lines with my work, driven by what I like drawing and what comes easily to me-- hatching is almost always a major component, and I like making expressive characters. Here's some of my earliest available stuff, from my old webcomic:

Then not long after that, I started The Last Halloween, which pushed me to challenge myself in both layout and style:

And here's the same comic, years later:

And here's a series I did for kids, where I had to use full color and lay off on the hatching, as well as learn how to reconstruct animals that we have no photo references for, which is definitely a place where style comes majorly into play, whether I wanted it to or not:

Then there was the horror book I did, where I tried to push my work to be less cartoony overall, and to work very hard on improving my hatching:

Then I started work on Scarlet Hollow, where I incorporated a limited/muted palette and had to once again push myself to make less-cartoony art, as well as learn more consistency so I could draw sprite sets. This was a big challenge for me, and has helped me grow as an artist so much!

And most recently, I wrapped up work on Slay the Princess, which required that I go back in the cartoony direction, but in a very different way than I was used to. This took a lot of sketching to figure out, and there's still a decent amount of artistic stumbling in Chapter 1 while I settled into it.

She's drawing on anime/Disney influence, but each Princess required a bit of stylistic variability. Some are more anime, while some are more realistic than even the Scarlet Hollow characters.

So I wouldn't worry too much, honestly! A person's style is often something that reveals itself over the course of their career, rather than something they choose and then try to stick to forever.

Even if you don't think you have a style, you do. It might vary a lot piece by piece, especially if you're trying to closely imitate another person's art, but the more work you do, the more you'll figure out your own strengths and interests!

[unknownanomoly]

I have decided to continue the trend!~ but cats instead! I personally think the cats came out better but that's only because I have drawn cats my entire life and I never drew lambs before joining the cult of the lamb fandom. Also I wanna say a few things. I'm sorry for anyone's lambs I misgendered in the last post, also for aveloka this took me about 2 hours, one hour rough draft sketch another hour for full sketch/outline. And I think that's it for now... anyways, cats!

@oneofthosenightbees I love Narinder's cloak so much! very creative! and also thank you for the picture of my lamb! I squealed so loud i thought I woke my family @bamsara the face was hard but I loved drawing them so much, again cloak was really fun, the cloak on like all of these Nari's were really fun to draw tbh @cotl-flower-crown I love the fluffy cloak thing, and just how angry they look! @melled42 your lamb sadly didn't get into my last post since I started following you after I made that, but I drew your Nari! I love them very much and having them as a hairless cat is very creative! I love the idea!

@ballad-of-the-lamb I love how annoyed your Nari looks! and also their outfit was really fun! Also sorry about the lamb thing, idk which lamb to chose so i choose the first one i saw! but still, I love your Nari very much! @xmajordumps I drew them from when shamura was threatening them, I hope I did it well since you know, they were kinda covered in blood and all! but really fun shaped and all! they look so angry! (why are all the narinders so angy?) @slate021 I love drawing fluffy cats so much! I love drawing fluff in general and your Nari satisfied the fluff meter. @faery-the-diamond Yours is so simple and yet somehow so complicated, I love your AU and how the lamb is a crown and Nari pretty much needs to tend to everything in the cult, its kinda funny tbh, I love your Nari!

@acis-arts so adorable! They look like a child, I just wanna pick them up and kidnap them! (im gonna kidnap them) @neon-virus yours looks so nice, and such like a gentleman, so handsome! Can I adopt them? And if not can I kidnap them? And if not well too bad, their mine now @seffen yours looks like it's gonna take your eyes out and then watch you slowly die of blood loss... so in other words adorable demon that I wanna hold even if it hates me! @voidheartkisses Adorable! so innocent looking! I loved drawing them, their fluff, the ears also, I've never drawn ears like that before! @alllgator-blood Just like the lamb I love the shapes and I love how your Narinder's personality is like! It's so funny! @foxritz Yours looks grumpy, maybe it's just how I drew them? but the fluff was fun and also the ears were also quite different from what I'm used to so It was also fun to draw those!

@plenty-sheep-in-the-sea from what I know you don't have a lamb that is posted yet so sadly I couldn't draw a lamb for you in my last post! But your traumatized young Narinder is adorable! @unwri-ten I loved drawing them, they give such a sassy drag queen kinda vibe, if that make sense (?) @aubeezz Yours is adorable and fits with how I drew your lamb very well! I love the cheek fluffs! Adorable! @skyartworkzzz thank you for pointing out the gender thing, again I'm sorry about that! but moving on! Your Narinder was really fun to draw, the little cheek fluffs on the side remind me of my own narinders cheek fluffs! I also love the cloak! @rampantram Yours is absolutely lovely, I love your art style a lot! Just as fun as drawing your lamb! I look up to you a lot!

@ghosts-and-glory can yours age or does their fur just fall out? anyways! I love your AU, the storyline is amazing and when I first found you I sat there rereading like every comic kinda thing I could find on your account like 50 different times! @aveloka-draws Yes I'm ok. No it does not take long. I loved drawing your Nari, they look confused but pissed, and yet again all Nari's look pissed no matter what, the outfit is also really fun! I love drawing your style of characters, their so pointy and fun... if that also makes sense in anyway...?

Here is my Narinder! He's based off of a mink color point cat! So instead of being black, he's a brown cat with black smoked patterns, or known as the Siamese markings! He lost all memory of the bishops being killed and himself defeated, so Lamb helped him through it until he gained his memory back, and when he did he became a lot like Shimura. He was pretty much mindless in a way... I just wondered around aimlessly and wouldn't respond, sometimes he comes back but very rarely, Lamb worries about him a lot. the cloak was made by lamb as a welcome gift to make Nari feel for comfortable in the cult! Also the thing on Nari's finger is a butterfly! It's his butterfly friend! No name yet but if you have ideas but tell me, I'm terrible with names! Sometimes he has panic attacks which make his eyes cry blood, plus whenever he opens his third eye it instantly starts bleeding. He also has eyes on the palms of his hands but you can't see them at the moment, he can see how people die with them!