#The other books I'm reading are

[ashleybenlove]

I might read some of The Book of Bill tomorrow (depends on if I can squeeze it in between The Dragon Prince season 6, Opening Ceremonies of the Olympics, and the other two books I'm reading) but damn this book looks so creepy and spooky scary. Like, opening it is gonna unleash Weirdmaggedon AGAIN.

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[owlbelly]

so. i understand where the sentiment "listening to an audiobook is the same thing as reading the book" is coming from - i mean, yes, the bottom line is you are taking in the same words in what is possibly a more accessible (or maybe just more enjoyable) format for you! and i'm 100% in agreement that "book snobs" who say "no you didn't really read it" if you listened to the audiobook are full of shit. ofc you should engage with stories in whatever way works for you, there is no moral or intellectual superiority to reading words off a page vs. listening to them

but it also is different? an audiobook is a performance. choices a narrator makes about line readings can drastically influence the meaning of the lines. even just different voices, accents, etc. - there are creative choices being made by the person delivering the words to you, and that affects your experience of the story in a different way than if you were making those choices in your own head. it might even change the way you visualize what's going on!

this isn't a bad thing it's just An Actual Thing & i think it's worth talking about. it rubs me the wrong way when people act like accommodations (and for many people audiobooks are an accommodation) always result in a completely identical experience, or even that they should, & if you suggest that people accessing media in different ways are having different experiences it's somehow ableist

anyway on rare occasions i really enjoy audiobooks but mostly they are much less accessible to me than words on a page (i need to be able to reread, flip back and forth, go at my own pace) & i also just really strongly prefer to encounter a text on my own before hearing someone else's performance of it, if possible! again i don't think it's "better" to read a physical book i just think it is a Distinct form of experiencing a story & acting like the two things are entirely the same is sort of doing a disservice to both

[crustaceousfaggot]

Shout out to Cishet White Teenager Christopher Paolini for realizing that if you give people infinite time, a completely non-judgemental society, and the power to change their bodies any way they want, lots of people are gonna start doing Freaky Anthro Transgenderism on themselves.

Like yeah, if I had the option I'd probably turn myself into a bizzare eldritch creature too

[benevolenterrancy]

I'm on chpt20 and I want to study SQQ like a bug. My man is flushed, hair down, robes literally falling off his shoulders, LBH on his lap playing with his hair and kissing him... and he finally cottons on to the fact that maybe this isn't how you have a platonic and important discussion. Enforces it for all of five seconds at which point LBH starts massaging his waist and SQQ is back to being like "yeah this is fine and normal". Amazing. Can't believe he insults the IQ of SQH's characters.

[aceredshirt13]

if there's one thing about classic literary detectives it's that they are not conventionally attractive. doyle told sidney paget to stop drawing holmes so pretty. christie was like "let me introduce you to this short pudgy balding man who is retirement age and i hate him." sayers compares wimsey to maggots on literally the FIRST PAGE

i love it. i love them. stop casting hot people in these roles. we need our detectives to be Charmingly Weird-Looking

[soracities]

i dont know how else to put this but to approach books (or any media, really) solely for the sake of relatability is genuinely incredibly heartbreaking......to have such little (or such unwilling) imaginative scope that you cannot stretch yourself, even marginally, in a different direction to what you’ve known or are used to knowing when the very POINT of stories is to transport you somewhere else, into someone else, so you can do just that........when fran lebowiz said a book “is supposed to be a door!” and george saunders said good prose “is like empathy training wheels” they were right!!! they were so so so SO absolutely entirely right!!!!!

[violent138]

Tim, looking around the darkened corridor: "You think it's a good idea to be breaking into random places right now?"

Jason said nothing, fumbling in his pockets.

Dick: "You live here, don't you?" Which gets everyone's attention laser-focused.

Jason just cast him a look, getting the door open.

Steph entered first, smacking into something that falls over. "Jeez." She complained, stumbling backward until Cass steadied her by the shoulders. "Sorry, that's my bad."

Duke turned on the lights in one motion, making everyone blink and wince.

"Get off me." Damian snapped, and Dick carefully let him go, letting him limp angrily into a chair. He frowned, scrutinizing the place. "You live here? Why would anyone--"

"Guys." Dick rubbed his eyes over the mask, cutting off Damian and Jason’s sharp answer. "First aid kit?" Dick asked Jason tiredly.

Jason nodded, moving to get it and heard Damian ask "What?" in response to a patented glare he must be getting.

Tim had made a beeline for the kitchen. "Dude, why do you have a singular set of dishes? And why are there just guns in this cabinet?"

Jason scoffed, handing Dick the kit. "Didn't realize I was running a fucking bed and breakfast."

"There's guns in this cabinet too!" Tim shook his head, opening and closing two more. "Oh good, just large knives in this one."

At Tim's raised eyebrows, Jason went into the kitchen and shooed Cass down the counter she was perched on, grabbing the paper plates he kept in a drawer and shoving them into Tim's chest.

Glancing at the way Steph was rubbing her neck, slouched at the table, Jason grabbed two ice packs, sliding one her way and throwing the other to Damian.

Duke, taking a book off Jason's meticulously organized shelf: "Why do you have seven copies of Pride and Prejudice? Did you keep forgetting you bought it, or--?"

Jason, storming over to put the book back. "Stop."

Dick looked up from the wound he was stitching. "Are they different at at all?"

"Are they in different languages?" Steph asked.

"Did you barter them for food? Because your fridge is fucking empty." Tim reported.

Jason groaned, realizing that they weren't going to drop it. "One has a different introduction and one is the zombies version. And yes, the rest are the same, now could you all stop touching stuff?"

"Why do you have five copies of the same book?"

[hedgehog-moss]

as a "beginner" dipping g his toes into nonfiction but as someone who otherwise enjoys pretty much any genre (and as such is open to anything, from educational to biographical), what would you recommend?

Oh, that's vast! You are forcing me to cast a wide net and give a thousand suggestions... I'm going to limit myself to 3 ideas per category so I don't go overboard.

Nature / environment: Carl Safina's Beyond Words: What Animals Think and Feel; Paul Kingsnorth's Confessions of a Recovering Environmentalist and Other Essays; Robin Wall Kimmerer's Gathering Moss

Science / medicine: Holly Tucker's Blood Work: A Tale of Medicine and Murder in the Scientific Revolution, Richard Preston's The Hot Zone, Paul Lockhart's A Mathematician's Lament (I mostly enjoyed the first part in which he rants about the current state of maths education and says maths deserves better) or Carl Sagan's Cosmos (if I write "or" between two book recs it only counts as one)

Language: I liked Arika Okrent's In the Land of Invented Languages so much that I won't even nominate anyone else in this category. ... But I'll make up for it by allowing myself additional titles in the next one:

Politics / society / culture: Jodi Kantor's She Said, Frederik & Bastian Obermayer's The Panama Papers, Caroline Criado-Pérez's Invisible Women, Patrick Keefe's Empire of Pain, Michael Meyer's The Last Days of Old Beijing, Barbara Demick's Nothing to Envy: Ordinary Lives in North Korea

History: I'm realising that everything that comes to mind is horribly bleak: Jack London's The People of the Abyss, Timothy Egan's The Worst Hard Time, Svetlana Alexievich's Voices from Chernobyl... I've read some fun historical nonfiction in French but right now the only thing I can think of in English that's not depressing is Matthew Goodman's The Sun and the Moon, the subtitle of which is: The Remarkable True Account of Hoaxers, Showmen, Dueling Journalists, and Lunar Man-Bats in Nineteenth-Century New York.

About literature: Wisława Szymborska's Nonrequired Reading, Alexandra Johnson's The Hidden Writer: Diaries and the Creative Life, Alberto Manguel's The Library at Night.

(I was going to include a philosophy section but I realised I p much exclusively read philosophy in French or Spanish, and it's usually recent stuff that's not been translated... But if you've never read philosophy I recommend Jostein Gaarder's Sophie's World, it's a novel about the history of philosophy so it straddles the line between fiction and nonfiction)

Biographies / memoirs: that's the majority of the nonfiction I read so it could be a whole post, but some I've really enjoyed are: Beryl Markham's West with the Night; Gerald Durrell's My Family & Other Animals; Fatema Mernissi's Dreams of Trespass, Ryszard Kapuściński's Travels with Herodotus, Mary S. Lovell's The Sisters (about the six Mitford sisters; if you enjoy it I'd recommend reading their correspondence next—Charlotte Mosley's "The Mitfords: Letters Between Six Sisters")

Miscellaneous: Emmanuel Carrère's The Adversary; Alexandra Horowitz's On Looking. Currently I'm reading Joan Druett's Island of the Lost because it's nice to relativise your own problems in life by reminding yourself that at least you're not stuck on a subantarctic island having to bludgeon sea lions and eat your own crewmates for survival.

[mobydyke]

[sexting] no live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood for eighty years and might stand for eighty more. within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

[giantkillerjack]

Me: hm, I want something to put on the TV as background noise... Huh. Looks like YouTube is recommending something called The Last Unicorn. That's perfect, it's probably some old shitty animation that has aged poorly! I can watch it ironically!

Me, 2 hours later as the credits roll: *crying, cheering, buying the book, composing the songs*

Me, 2 weeks later: So I have compiled all of the quotes from the book that I think could make good tattoos, and also, HOW HAVE I NEVER LEARNED ABOUT HOW THE LAST UNICORN FUCKING SLAPS??? This gay-ass little fairytale fed my soul! Watered my crops! Transed my gender! Can't believe I heard of this story from youtube recommendations, of all places!!

[egophiliac]

he did it! 🐍 and it only took...uhhh...well, there probably could've been less punches, but why hold back!

PUNCHES FOR EVERYONE

[sparrowlucero]

this is the iconic dinosaur horror jurassic park wishes it was

[elephantlovemedleys]

After the initial hugs and greetings from the lathered-up welcoming committee, including yours truly, putting on my most convincing friendly face, the hunky actor asked if he and I could step outside so he could have a moment alone with me. He [Patrick] took my hand and led me down the hall a little ways. Once out of earshot, we turned to face each other, Patrick scanned me in my cut-off black tights, dance briefs rolled down, a sports bra and vintage blue satin high heels, and said, “Whoa. You clean up good, girl.” “This is a great part for you. Congratulations.” “I know, right? It’s crazy.” This was softening me up. It felt good to be able to share my news with someone I knew. “I know, you’re probably thinkin’, ‘Aw, no, not this idiot again.’ ” Then his eyes started to well up. Real tears. And with the most earnest delivery imaginable, said, “You know I’ve always loved you.” He stared into my eyes. “And I’ve been really workin’ on gettin’ my shit together. So, if I get the chance, I swear I’m gonna make it up to you. You will not be sorry.” I said, “Uh-huh.” He smiled and was working hard on getting me to smile back. “C’mon, you know if we did this together, we’d kill it.” There was no question that our bodies liked each other, in spite of what my head was saying. There has never been anyone with Patrick’s combination of grace, brawn, sensitivity, and fearless, reckless gusto. - From Out of the Corner: A Memoir by Jennifer Grey (2022) PATRICK SWAYZE and JENNIFER GREY in DIRTY DANCING (1987) dir. EMILE ARDOLINO

[benevolenterrancy]

Scholarly peak is catching up on recent literature

[uncanny-tranny]

I love love love when trans women* give advice to trans men* about """manly""" things and when trans men* return that kindness with advice about """womanly""" things. I love the intracommunity commitment to supporting each other <<3