#The children of darkness

[ladycerise]

EL VALLE DE LA INQUIETUD POR EDGAR ALLAN POE

Hubo aquí un valle antaño, callado y sonriente, donde nadie habitaba: partiéronse las gentes a la guerra, dejando a los luceros, de ojos dulces, que velaran, de noche, desde azuladas torres, las flores, y en el centro del valle, cada día, la roja luz del sol se posaba, indolente. Mas ya quien lo visite advertiría la inquietud de ese valle melancólico. No hay en él nada quieto, sino el aire, que ampara aquella soledad de maravilla. ¡Ah! Ningún viento mece aquellos árboles, que palpitan al modo de los helados mares en torno de las Hébridas brumosas. ¡Ah! Ningún viento arrastra aquellas nubes, que crujen levemente por el cielo intranquilo, turbadas desde el alba hasta la noche, sobre las violetas que allí yacen, como ojos humanos de mil suertes, sobre ondulantes lirios, que lloran en las tumbas ignoradas. Ondulan, y de sus fragantes cimas cae eterno rocío, gota a gota. Lloran, y por sus tallos delicados, como aljófar, van lágrimas perennes.

w/ @entropiasgift

Paréntesis: Me los imagino hablando de asesinatos o en cómo deshacerse de un cuerpo con un té y/o alcohol. Bien chillin’ los dos. Asies.

[biggest-gaudiest-patronuses]

Gaston is such a funny choice for a disney villain. everyone else is a ruthless despot or a dark sorcerer being evil on purpose. and then there's just this guy, the village asshole

[clanlasombrasp]

US...

the children of darkness

[starry-bi-sky]

I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt

“Woah. You look like shit."

Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.

The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.

"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."

And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.

The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.

If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.

"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.

"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.

"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.

The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.

He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."

There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.

"Daniel? Quit your games, badger, Gotham is dangerous for children."

Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"

"Daniel? Is that you?"

His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.

[literaryvein-reblogs]

Writing Notes: Children's Dialogue

Language is extremely complex, yet children already know most of the grammar of their native language(s) before they are 5 years old.

BABBLING

Babbling begins at about 6 months and is considered the earliest stage of language acquisition

By 1 year babbles are composed only of the phonemes used in the language(s) they hear

Deaf babies babble with their hands like hearing babies babble using sounds

FIRST WORDS

After the age of one, children figure out that sounds are related to meanings and start to produce their first words

Usually children go through a holophrastic stage, where their one-word utterances may convey more meaning

Example: "Up" is used to indicate something in the sky or to mean “pick me up”

Most common first words (among the first 10 words uttered in many languages): “mommy,” “daddy,” “woof woof,” “no,” “bye,” “hi,” “yes,” “vroom,” “ball” and “banana”

WORD MEANINGS

When learning words, children often overextend a word’s meaning

Example: Using the word dog to refer to any furry, four-legged animal (overextensions tend to be based on shape, size, or texture, but never color)

They may also underextend a word’s meaning

Example: Using the word dog to refer only to the family pet, as if dog were a proper noun

The Whole Object Principle: When a child learns a new word, (s)he is likely to interpret the word to refer to a whole object rather than one of its parts

SYNTAX

At about two years of age, children start to put words together to form two-word utterances

The intonation contour extends over the two words as a unit, and the two-word utterances can convey a range of meanings:

Example: "mommy sock" = subject + object or possessive

NOTE: Chronological age is NOT a good measure of linguistic development due to individual differences, so instead linguists use the child’s mean length of utterance (MLU) to measure development

The telegraphic stage describes a phase when children tend to omit function morphemes such as articles, subject pronouns, auxiliaries, and verbal inflection

Examples: "He play little tune" or "Andrew want that"

Between 2;6 and 3;6 a language explosion occurs and children undergo rapid development

By the age of 3, most children consistently use function morphemes and can produce complex syntactic structures:

Examples: "He was stuck and I got him out" / "It’s too early for us to eat"

After 3;6 children can produce wh-questions, and relative pronouns

Sometime after 4;0 children have acquired most of the adult syntactic competence

PRAGMATICS

Deixis: Children often have problems with the shifting reference of pronouns

Children may refer to themselves as "you"

Problems with the context-dependent nature of deictic words: Children often assume the hearer knows who s/he is talking about

AUXILIARIES

In the telegraphic stage, children often omit auxiliaries from their speech but can form questions (with rising intonation) and negative sentences

Examples: "I ride train?" / "I not like this book"

As children acquire auxiliaries in questions and negative sentences, they generally use them correctly

SIGNED LANGUAGES

Deaf babies acquire sign language in the same way that hearing babies acquire spoken language: babbling, holophrastic stage, telegraphic stage

When deaf babies are not exposed to sign language, they will create their own signs, complete with systematic rules

IMITATION, REINFORCEMENT, ANALOGY

Children do imitate the speech heard around them to a certain extent, but language acquisition goes beyond imitation

Children produce utterances that they never hear from adults around them, such as "holded" or "tooths"

Children cannot imitate adults fully while acquiring grammar

Example:

Adult: "Where can I put them?" Child: "Where I can put them?"

Children who develop the ability to speak later in their childhood can understand the language spoken around them even if they cannot imitate it

NOTE: Children May Resist Correction

Example: Cazden (1972) (observation attributed to Jean Berko Gleason) – My teacher holded the baby rabbits and we patted them. – Did you say your teacher held the baby rabbits? – Yes. – What did you say she did? – She holded the baby rabbits and we patted them. – Did you say she held them tightly? – No, she holded them loosely.

Another theory asserts that children hear a sentence and then use it as a model to form other sentences by analogy

But while analogy may work in some situations, certainly not in all situations:

– I painted a red barn. – I painted a barn red. – I saw a red barn. – I saw a barn red.

Children never make mistakes of this kind based on analogy which shows that they understand structure dependency at a very young age

BIRTH ORDER

Children’s birth order may affect their speech.

Firstborns often speak earlier than later-born children, most likely because they get more one-on-one attention from parents.

They favor different words than their siblings. 

Whereas firstborns gabble on about animals and favorite colors, the rest of the pack cut to the chase with “brother,” “sister,” “hate” and such treats as “candy,” “popsicles” and “donuts.” 

The social dynamics of siblings, it would appear, prime their vocabularies for a reality different than the firstborns’ idyllic world of sheep, owls, the green of the earth and the blue of the sky.

MOTHER'S LEVEL OF EDUCATION

Children may adopt vocabulary quite differently depending on their mother’s level of education.

In American English, among the words disproportionately favored by the children of mothers who have not completed secondary education are: “so,” “walker,” “gum,” “candy,” “each,” “could,” “wish,” “but,” “penny” and “be” (ordered starting with the highest frequency).

The words favored by the children of mothers in the “college and above” category are: “sheep,” “giraffe,” “cockadoodledoo,” “quack quack,” the babysitter’s name, “gentle,” “owl,” “zebra,” “play dough” and “mittens.” 

BOYS / GIRLS

One area of remarkable consistency across language groups is the degree to which the language of children is gendered.

The words more likely to be used by American girls than by boys are: “dress,” “vagina,” “tights,” “doll,” “necklace,” “pretty,” “underpants,” “purse,” “girl” and “sweater.”

Whereas those favored by boys are “penis,” “vroom,” “tractor,” “truck,” “hammer,” “bat,” “dump,” “firetruck,” “police” and “motorcycle.”

Tips for Writing Children's Dialogue (compiled from various sources cited below):

Milestones - The dialogue you write should be consistent with the child's developmental milestones for their age. Of course, other factors should be considered such as if the child has any speech or intellectual difficulties. Also note that developmental milestones are not set in stone and each child is unique in their own way.

Too "Cutesy" - If your child characters are going to be cute, they must be cute naturally through the force of their personality, not because the entire purpose of their existence is to be adorable.

Too Wise - It’s true kids have the benefit of seeing some situations a little more objectively than adults. But when they start calmly and unwittingly spouting all the answers, the results often seem more clichéd and convenient than impressive or ironic.

Unintelligent - Don’t confuse a child’s lack of experience with lack of intelligence. 

Baby Talk - Don’t make a habit of letting them misuse words. Children are more intelligent than most people think.

Unique Individuals - Adults often tend to lump all children into a single category: cute, small, loud, and occasionally annoying. Look beyond the stereotype.

Personal Goals - The single ingredient that transforms someone from a static character to a dynamic character is a goal. It can be easy to forget kids also have goals. Kids are arguably even more defined by their goals than are adults. Kids want something every waking minute. Their entire existence is wrapped up in wanting something and figuring out how to get it.

Don't Forget your Character IS a Child - Most of the pitfalls in how to write child characters have to do with making them too simplistic and childish. But don’t fall into the opposite trap either: don’t create child characters who are essentially adults in little bodies.

Your Personal Observation - To write dialogue that truly sounds like it could come from a child, start by being an attentive listener. Spend time around children and observe how they interact with their peers and adults. You can also study other pieces of media that show/write about children's behaviour (e.g., documentaries, films, TV shows, even other written works like novels and scripts).

Context - The context in which children speak is crucial to creating realistic dialogue. Consider their environment, who they're speaking to, and what's happening around them. Dialogue can change drastically depending on whether a child is talking to a friend, a parent, or a teacher. Additionally, children's language can be influenced by their cultural background, family dynamics, and personal experiences. Make sure the context informs the dialogue, lending credibility to your characters' voices.

Sources and other related articles: 1 2 3 4 5 6 7 8 9 10

Writing Notes: On Children ⚜ Childhood Bilingualism More: Writing Notes & References ⚜ Writing Resources PDFs

[somnoir]

How to pull a Batman by J. Constantine

John Constantine wouldn't say he was quite fond of children. He's not fatherly by any means so he knows that he's not suitable for raising children. It's just that he somehow ends up with a young girl at his front door (how she found the house of mystery, he's not sure). The little girl looked normal but she felt off. Too drenched in death to be a run-of-the-mill child. Her red hair seemed to turn into flames at the tips, and her eyes were eerily teal and glowed. Everything about her seemed wrong.

"Hello." She murmured, "Clockwork told me to come find you."

And she was just blinking, looking utterly uncanny as John reluctantly welcomed her into the house. "Master of Time?" He hesitated, knowing that amongst the many powerful beings he'd met the ancient of time had been one of them. A mirthful entity who seemed amused by the chaos and order of the multiverse. 

"He told me to give you this!" The girl fished out a glowing green paper from... y'know, he's not sure. 

And in mocking calligraphy the words:

"You owe me :). p.s. there's more."

was directed at John like a fucking signal. 

Great... Being indebted to the cosmic entity of time has made him a father.

He thought it'd happen one time. Just once. Little Jasmine was adept at the occult and got along well with ghosts, often playing peacemaker when one of them tried bothering Constantine. She was concerningly liminal for a twelve-year-old child, but she brushed it of for the fact that her siblings were either halfas or very liminal. Was he concerned, admittedly yes. 

It wasn't until there was a pounding at the door again did he start praying to any god willing to listen. But no. The sentient house practically dragged him through the halls and led him to where Jazz was eagerly waiting, a grin on her face. 

"My baby brothers are here!" She excitedly says, eyes practically sparkling as she grabs him by the hand. 

"Slow down, darlin'. They won't bloody leave if we slow down." He sighed in exasperation, before pulling the door open. Two pairs of eyes stared into his very soul, making his breath hitch.

Fuck. Fuck. Fuck. What the hell was Clockwork sending him?!

"Danny! Dan" Jazz squealed, dragging the two halfas into the house. One with green eyes and another with red. 

"Clockie wasn't kidding when he said he's a sad guy in a trench coat." The one with green eyes muttered, still floating and staying close to Jazz and his twin. 

"Clockwork slept with that?" The red-eyed one unabashedly judged. "Another fruitloop..." The boy snarled.

John Constantine could already predict the future at this point.

Daniel and Dante take to the house immediately, haunting it to their hearts content.

In the course of four years, the hellblazer drowns in the depths of fatherhood, making sure that no one could find out about his children. No. Not even Batman.

He'd be damned (even more) than let anyone involve the best parts of his life in contingency plans and whatnot. 

His kids grow up to be a rowdy and peculiar bunch.

His eldest, Jazz, was turning out to be one hell of a magician. Especially in necromantic arts that he's tried not to touch many times.

The twins, Danny and Dante were little hellions that made him want to tear his hair out. Its later on when Clockwork comes to visit their children (because its joint custody now) that he's informed that one is the crown prince of the realms and to be king upon the expiration of his mortality, and the other was an alternate version of him and was dubbed the world destroyer. 

His fourth child and second daughter had come in the form of Sam, who had popped up in the house and was decorating it with plants he from different dimensions. Also, she was apparently a green witch that now had the powers of the spirit known as undergrowth. The house was green.

His fifth child came in the form of a boy with a red hat and a laptop clutched against his chest. Tucker had seemed so harmless and sweet compared to his older siblings... until John found him performing ancient egyptian rituals and casually hacking into the Pentagon for fun. 

His last (Thank god) daughter was a zoomie toddler. Little Elle had arrived three years after Jazz did. A five year old with such intense wanderlust that he was tempted to buy one of those harness leash thingies parents had their children wear. Also, like the twins in which she was the clone of, she was one hell of a child being directly connected to the speed force.

So in conclusion, John Constantine was the father of three children on the verge of becoming Ancients, a highly intelligent girl with a very deep connection to death, the successor of fucking Undergrowth, and a boy who could effortlessly hack into government systems whilst being a pharao-in-training. 

Batman must never know.

In the far future, John Constantine battles it out with Bruce Wayne, who's children thought it was a good idea to start flirting with his hellions.

Constantine: TO HELL WITH YOU IF YOU THINK IM LETTING MY PERFECT JAZZY PANTS DATE YOUR FLIPPY SON!

Bruce: SHE'S GOOD FOR HIM!

Constantine: YEAH WILL IS HE GOOD FOR HER?!

And then it gets worse once John catches the Red Hood displaying some ghostly courting behaviour towards Dan. And he's just.

Constantine: Tell your children to back off.

Bruce: You think I haven't tried???

Then comes Danny and Tim with their unhinged behavior. Constantine isn't even mad about the fact that his son is dating one of the Bats. He's just concerned about the chaos with these two.

Bruce: okay, that one is not allowed. How do we get them to break up?

Constantine who's already witnessed Danny making plans to brutally murder Ra's for some spleen: Yeah, no. Good luck with that one.

By the time it's just Sam, Tucked, and Elle, he's praying it's not one of the Bats.

He really is.

Tucked is emmersed in his work but that didn't stop him from befriending Bart Allen and the current Kid Flash. Time travel is the one they usually discuss. (Dante and Constantine were very much on the same page when it came to keeping them just friends.)

And then Sam somehow ends up catching the attention of a daughter of Zeus. By this point, Constantine was preparing to fight god again and would have to ask his ex for a favor.

He's just so happy his precious princess Elle was being a sweet fifteen years old and wasn't daring crazy people.

(Damian was being rather suspicious...)

[lilislegacy]

*percy controlling akhlys’ poison to use it against her and choking her on her own tears and saliva*

annabeth: never do it again. never do anything like it again. i’m begging you

many years later

*percy and annabeth’s teenage children being held at knifepoint by enemies, seconds away from being killed*

annabeth: percy, do it

[linkedin-offficial]

me when i get the opportunity to think about speculative biology and non-existent game mechanics in media i like

⠀

[cuppajj]

rough wippy of an animatic i want to do with shadow milk cookie! i wanted to make them shapeshift because messing with PV's mind is fun like that

[kettlefire]

Prepare for the unexpected. (DPxDC)

Everyone knew about the reign of Pariah Dark. Even those who did not dabble in those realms have heard the tale of the tyrant. A power-hungry man who ruled over the dead with an iron fist.

Following the rise of Pariah Dark, his realm had been effectively cut off from communication. Many mystics and magic users knew better than to open the door of nightmares that could arise if Pariah Dark's reach went further than his own realm.

Except, the universe had plans to bring the realm of the dead back into the cards.

A new opponent, one that had all of Earth's heroes scrambling for options. A being with powers of a god over weather, destruction was on the horizon. A world ending threat.

It's the only reason the Justice League was doing this. In a deep bunker, far from close civilization as a precaution, the heroes looked on with grim expressions.

The world was already being threatened. It would be destroyed regardless of what the league did. So it only made sense to make the last ditch effort. To summon someone strong enough to defeat the threat.

No one wanted to do it. No one wanted to be the one to pull the realm of the dead back to the living. The consequences were untold if this succeeded. If Pariah Dark was freed and defeated the threat, whose to say he won't want control?

That was a problem for later. For the aftermath. For now, the league could only watch on with bated breath as Constantine completely the summon ritual.

They watched on as the shadows in the room seemed to darken and grow. As the sigil sputtered to life with a glow that was growing increasingly brighter. A sudden gust of wind rushed through the room, the temperature began to drop with eaching ticking second.

And then it was all gone.

The room stood perfectly still. Just as it had been moments before. Nothing changed. No giant king standing before them, no sign that the ritual worked.

The room stood deadly still for another beat before the murmurs started. The team trying to make sense of the situation, figure out what went wrong.

Constantine swore up and down that this was the correct ritual, taking offense that they would even think the problem was on his end. It only made it better when it finally happened.

A loud sound ripped through the room, pulling everyone's attention back to the summoning circle. Just in time to see a tear appear in the space above the circle.

A thin tear that ran the length of eight feet. The fabric of the dimension seems to curl at the edges, pulling back to reveal a deep glowing swirl of greens. A dark gloved hand reached through, fingers curling around the edge of the tear, stretching it even further.

A portal. The ritual had worked, but there had been a delay. A delay that had every hero nerves on edge. Each team member tensed, weapons at the ready as they watched the being stretch the portal to the right size.

Then, a foot stepped out with a heavy thud. A dark boot that looked otherworldly despite its similarity to mortal clothing. A deep black that seemed never-ending. A second foot quickly followed before a full body emerged from the portal.

Not many people in the room have ever seen Pariah Dark, let alone know what to expect. Based on what Constantine and Zatara had said, this wasn't Pariah Dark.

A man had stepped out of the portal, standing at almost seven feet tall, and built like a brick house. One glance at the glowing white hair, deadly red eyes, and shard teeth was enough to know this being was not to be messed with.

But there was no giant show of armor or royal garbs. There is no large crown at the top of his head or jewelry from the infinite realms laced around his neck.

Instead, the man stood before them in combat boots, worn-in ripped jeans, a graphic t-shirt, and a spiked leather jacket. Despite his almost normal clothing choice, the man's jacket seemed to be a never-ending depth of the dark night sky. If one was to look closely enough, the cosmos could almost be made out in the sea of darkness.

None of that would have prepared them for when the man spoke. His tone sounded more bored than anything as he took a step forward.

"Oh, so now you need the help of the dead." The man had spoken, running a hand through his hair. When Batman took a step forward to speak, the man raised a hand. Immediately commanding silence in the single gesture. "I'm on babysitting duty and have yet to have a cup of coffee. I'll be right back."

Just like that, both the man and portal vanished into thin air. Leaving behind a group of stunned heroes. Not only was the man not Pariah Dark, but he was also supposedly babysitting.

"Did that just-"

The Flash had been the first voice to speak up, his eyes trained on where the man had once stood. Except he had barely made it through the first few words before the man was suddenly back.

The man that now had a child hanging off his shoulders and another teen being held up by his scruff. Unlike the man, these kids looked human.

Too human for Bruce's liking. The dark black hair and bright blue eyes had every heroes eyes flickering to Batman for just the briefest moment.

"This isn't fair! I'm not even the king. Why do I have to be here!" The teenager had been complaining the moment the man had reappeared. Arms crossed tight over his chest and seemingly used to being held dangling. "Besides, who brings kids to a show down! Wait til I tell mom about this."

"Aw, come on, Danny. This is gonna be fun!!" The younger girl seemed in much better spirits than the teen, Danny. She had climbed up the large man, sitting on his shoulders and resting her arms on the mess of glowing hair. "It's like take your kids to work day! Ooo, Dan! Can we fight too!?"

Unlike the two kids, the man looked purely exhausted and annoyed. The man, Dan, dropped Danny like a sack of potatoes as he took a long drink from the travel cup in his hand.

It didn't take a genius to recognize the look of an exhausted parent in Dan's expression. A look many of the league members were well acquainted to. A look that even had Batman grimacing with sympathy.

"Can it, little shits. You two were grounded, remember." Dan had growled at the kids before shifting his focus back on the team of heroes before them. His glowing eyes set in a deadly glare. "Pariah Dark isn't coming, and he never will. He's been dethroned and banished. We're the best you've got."

A summoning that started with a group of on edge and scared heroes looking for the ghost king, ended in a way no one expected.

No one was even sure if it made any sense. They weren't sure if they should feel hopeful or in despair.

Because truly, what was a ghostly man with two seemingly human children against a godlike foe with the control over the weather?

The unspoken question of power and ability seemed to vanish following Dan downing the metal travel cup of coffee, and crushing it in his fist.

He tossed it to the side, straighting up his posture as he looked over the heroes. Dan might not be a hero, but he's been playing family for too long.

An almost feral, bloodhungry grin spread across the man's face, sharp fangs on full display. The look made the man suddenly look even less human. He looked closer to a demon from the pits of hell rather than the exhausted parent he looked just a few seconds ago.

"Point me in the direction of this bastard. It's been too long since I let loose and had some fun."

[radiance1]

"Where in the infinite-" Danny rubbed his head slowly, feeling as if he got hit by multiple trains one after the other. Which... Okay yea considering who he was punched by that was probably the equivalent.

Note to self, when sparring with the Ghost King probably don't tell him to punch you so hard you would feel it next week.

Actually. Wait.

Danny touched the spot where he was punched, tentatively.

It didn't hurt.

Okay so maybe it was being punched through dimensions that hurt so much.

Noted.

Okay, now where-

"Excuse me, mister?" Danny whipped his head around so fast that if he didn't have his ghostly powers he would have probably snapped it. "Are you a fairy?"

Okay- Okay that's a child-

One who looks like he's been crying. A lot.

"Uh, what-" It took a second for Danny to actually register the question, but his mouth went off before it finished actually. "Oh, me? Huh, yea I'm a fairy. Totally. Don't tell anyone else though-"

"Woah..." The kid's eyes sparkled which, okay yea Danny preferred this over the dull ones he had seen a moment prior even though he only just met this kid-

===

An entire week later, Bruce Wayne bore witness to his new fairy friend kneeling over in pain as if he just took the hardest punch in his life.

Safe to say, he was not amused. So not amused, that he broke his promise to not show Phantom to anyone else because he was under the assumption his new friend was dying.

Safe to say, Alfred was, also, not exactly amused.

[javsarts]

Good End~

.

.

Totally unrelated-ish but fic below cut if u want lol :D

https://archiveofourown.org/works/55994872/chapters/142207756

[fabcreature]

you know what, since we've been talking about how annoying it is when people react like "what drugs were they on when they wrote this 🤪" when someone is creative, i just wanna say

everyone who says "HOW IS THIS A KIDS' MOVIE 😱😱", when a kids' movie is a little bit out of the box and features dark or deep imagery and meanings, owes me one thousand euros

[iphigeniacomplex]

it’s very easy to tell the good satires and pastiches from the bad ones because the bad ones are too afraid to live within the form. like if you are doing work with fairy tales and you are refusing to look closer at the underlying logic and unspoken rules of what can seem at first to be a senseless form, you are not going to create meaningful work. to borrow a turn of phrase originally used by maria tatar, if you refuse to enter “the house of fairy tale” as anything more than a gawking tourist, you will miss the particular order to the way the table is set, the rooms that are locked vs the rooms that are simply difficult to enter, the set of the floorboards and the position of the furniture. whatever you build will then be a gilded imitation of how you believe the house of fairy tale ought to look, the table set according to your educated specifications and every door open. there can be no interrogation of themes from a writer who views the form as beneath them!

[bet-on-me-13]

The Bat-Adoption Papers are literal Magic Contracts

So! In the Deified Batman AU (the AU where the Belief of the peoples of Gotham accidentally Ascended Batman to minor godhood), the Bat Adoption Papers would be a fun concept.

Batman is a God of The Night, Fear, and Protection. Specifically, the protection of Children, which is one of his biggest motivators. Meaning, it's a big part of his Divine Domain.

So when he, a God of Protection and Children, adopts his own Child? It's kind of a big deal.

His Adoption Papers basically become Magical Contracts that claim Dick to him as his own Son, basically turning Dick into a Demigod by the fact that he is the Son of a God.

Then each time Batman adopts a kid, they become a Demigod as well. Maybe after enough time, and after they forge their own Identities, they could become Minor Gods of their own? Idk, fun idea

Why do I bring this up?

Well, when Danny eventually joins the JLA, and runs into Batman, all he sees in a God of the Night, who takes one look at him, and then pulls out a Magical Binding Contract from his Belt.

Needless to say, he books it.

[literaryvein-reblogs]

Writing Notes: Speech & Language

Milestones Related to Speech and Language

Birth to 5 months

Coos

Vocalizes pleasure and displeasure sounds differently (laughs, giggles, cries, or fusses)

Makes noise when talked to

6 to 11 months

Understands "no-no"

Babbles (says "ba-ba-ba")

Says "ma-ma" or "da-da" without meaning

Tries to communicate by actions or gestures

Tries to repeat your sounds

Says first word

2 to 17 months

Answers simple questions nonverbally

Says 2-3 words to label a person/object (pronunciation may not be clear)

Tries to imitate simple words

Vocabulary of 4-6 words

18 to 23 months

Vocabulary of 50 words, pronunciation is often unclear

Asks for common foods by name

Makes animal sounds ("moo")

Starting to combine words ("more milk")

Begins to use pronouns ("mine")

Uses 2-word phrases

2 to 3 years

Knows some spatial concepts ("in" or "on")

Knows pronouns ("you," "me" or "her")

Knows descriptive words ("big" or "happy")

Uses 3-word sentences

Speech becomes more accurate, but may still leave off-ending sounds. Strangers may not understand much of what is said.

Answers simple questions

Begins to use more pronouns ("you" or "I")

Uses question inflection to ask for something ("my ball?")

Begins to use plurals ("shoes" or "socks"; regular past tense verbs, "jumped")

3 to 4 years

Groups objects, such as foods or clothes

Identifies colors

Uses most speech sounds, but may distort some of the more difficult sounds, such as l, r, s, sh, ch, y, v, z, th. These sounds may not be fully mastered until age 7 or 8.

Uses consonants in the beginning, middle, and ends of words.

Some of the more difficult consonants may be distorted, but attempts to say them

Strangers are able to understand much of what is said

Able to describe the use of objects ("fork" or "car")

Has fun with language; enjoys poems and recognizes language absurdities ("Is that an elephant on your head?")

Expresses ideas and feelings rather than just talking about the world around him or her

Uses verbs that end in "ing" ("walking" or "talking")

Answers simple questions ("What do you do when you are hungry?")

Repeats sentences

4 to 5 years

Understands spatial concepts ("behind" or "next to")

Understands complex questions

Speech is understandable, but makes mistakes pronouncing long, difficult, or complex words ("hippopotamus")

Uses some irregular past tense verbs ("ran" or "fell")

Describes how to do things (e.g., painting a picture)

Lists items that belong in a category (e.g., animals or vehicles)

Answers "why" questions

5 years

Understands time sequences (e.g., what happened first, second...)

Carries out a series of 3 directions

Understands rhyming

Engages in conversation

Sentences can be 8 or more words in length

Uses compound and complex sentences

Describes objects

Uses imagination to create stories

NOTE

The ability to hear is essential for proper speech and language development.

Hearing problems may be suspected in children who are not responding to sounds or who are not developing their language skills appropriately.

The above are some age-related guidelines that may help to decide if your child is experiencing hearing problems.

It's important to remember that not every child is the same.

Children reach milestones at different ages.

Source ⚜ More: References ⚜ On Children ⚜ Hearing ⚜ Children's Dialogue