#The Writer - Pictures

[emuanon34]

[anniilaugh]

”There was cute, like Carrot or Chopper, and then there was cute like a certified killing machine snuggling three babies at once.

Sanji had never in his life wished so hard for a snail, he needed a picture of this more than he had ever needed a picture of anything before. ”

Me: ME! I’LL BE THE SNAIL FOR YOU!🐌✏️📸

Fanart of Thirty Thousand (& Three) Nautical Miles by @brunetta6blog & Springtime4Persephone 💚

[kamydrawstuffs]

Deadpool's Ship Dynamics (According to Fanfics read by Deadpool)

Truth be told, I never considered Poolverine until after watching Deadpool & Wolverine.

[fortunatelyperfectcreator]

[clarkgriffon]

BUFFY THE VAMPIRE SLAYER 6x12 | “Doublemeat Palace” 

[reesoliloquy]

“The aim of life is self-development. To realize one’s nature perfectly,—that is what each of us is here for. People are afraid of themselves nowadays. They have forgotten the highest of all duties, the duty that one owes to one’s self. Of course they are charitable. They feed the hungry, and clothe the beggar. But their own souls starve, and are naked. Courage has gone out of our race. Perhaps we never really had it. The terror of society, which is the basis of morals, the terror of God, which is the secret of religion, —these are the two things that govern us.”

-Oscar Wilde, The Picture of Dorian Gray

-Painting: The Fall of the Titans ( A queda dos titãs ) 1588 by Cornelis Van Haarlem

[luciferslilith7]

"I'm a woman written in a cryptic dead language."

Source : 📍 pinterest

[puckspoetry]

“Saturdays are for the boys”

me and the boys:

[pensivepeach]

GIRL ONE PODIUM TOGETHER AND YOU’RE ALREADY SHOWING HIM YOUR PUSSY???

[stainedpoetry]

I really love the idea of romanticising life but not in a way perceived on social media where it all feels like a compulsion of looking cute, clicking cute pictures and loving things. Honestly romanticising doesn't mean any of that, it's not about loving things forcefully but about appreciating things. It's about finding beauty in the chaos and celebrating it instead of waiting for a perfect moment or a perfect place. The idea of romanticising life is more about finding moments of peace in your daily life instead of wishing to escape your life. It could be you just drinking a cup of coffee on a morning but without any anxiety in your gut, it could be the colourful sky at the time of sunset, it could be you journaling in your cute diary, it could be the whispers of gentle breeze, it could be a mere look at the sky. Romanticism saves people by actually filling people up with so much of gratitude for everything and everyone.

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[x10x]

I still kiss your picture before I leave the house everyday.

[fortunatelyperfectcreator]

[philosophybits]

Poets, prophets, and reformers are all picture-makers — and this ability is the secret of their power and of their achievements. They see what ought to be by the reflection of what is, and endeavor to remove the contradiction.

Frederick Douglass, "Pictures and Progress (1864-65)"

[fandomimaginewasteland]

"Oh, um... Thanks, Jason..."

Please like, reblog & credit if you use!