#The Stories we tell ourselves matter.

[adventism-atheism-orthodoxy-me]

Disagree.

It's easy to say that people reject Christianity because they want to sin.

Sometimes the "God" represented by many Christians is so reprehensible, that nihilism or absurdism looks better.

Stoicism and even Hedonist Epicureanism maintain very high codes of conduct in absence of a God.

Christians need to step up and do better.

Sorry - (Not sorry.)

“Atheism is not the knowledge that God does not exist, but only the wish that He did not, in order that one could sin without reproach or exalt one’s ego without challenge. The pillars upon which atheism mounts are sensuality and pride.” - Ven. Fulton J. Sheen

[poorly-drawn-mdzs]

Behold, a Bunny!

(for @alliechickfic on twitter)

[introvertgoat]

hc that throughout the years, jude takes leaves of absences form being high queen to go spend a couple months w vivi heather n oak !!! madoc too ig while he’s still exiled lol. ( vehemently ignoring the stolen heir’s canon sorry not sorry.) family bonding time, far away from the hubbub n chaos of the folk, n also the realization that jude doesn’t mind the mortal world all that much. yes it’s not faerieland, but it’s smth alright n she finds it soothing at times. she’s less unhinged n paranoid compared to when she was younger n the ptsd from her past has decreased in its intensity thanks to heather-mandated therapy ( heather only had to hear a couple times abt the duarte sisters’ fucked up childhood for her to plead jude to go to therapy—vivi alrdy has— n jude relented after 5 yrs of honest-to-god begging. big slay heather our mental health queen 🫂) and so that’s why she can even leave faerieland in someone else’s hands. these visits aren’t too frequent but they r long in their duration. 3-4 months tops. sometimes cardan comes along bcs the bed feels empty w/o jude n— Okay he’s js lonely w/o his wife. sue him. some poor hapless councilor advisor is forced to be in charge in their place (they send letters weekly. ‘please your majesties, when will you be returning home ?’ #urgent LOL) one day jude (age:37) notices grey hairs appearing on her head n she sort of freaks out. not in an entirely vain way either. more like:. oh fuck aren’t i supposed to not age as long as im in faeirieland ?? 3 long discussions later w cardan n the royal folk-human specialist, the conclusion that is reached is that bcs of jude’s visits to the mortal word, as infrequent as they r, theyve seemed to affect the way her body ages. or more aptly put, doesn’t age lol. jude gets some grey hair n lines on her face while still technically NOT aging. n she feels less panicky abt it bcs hey she’s not aging. sort of. meanwhile, cardan finds himself deeply enamored w jude’s grey hair n the subtle creases on her face that multiply slowly. he tells jude js so n she’s like i am not susceptible to flattery cardan greenbriar. hes Serious abt it tho n tells her that he isn’t saying that bcs it’ll make her feel better or wtv but bcs her aging evidently is actually beautiful to him. cue jude sour pursed lips for a bit as she gets these days when it comes to cardan being unbearably earnest towards her but she feels less weird abt the hair n lines so :)

anyways this was a long-winded niche asf hc that appeals to exactly only 2 ppl on this site n im not even confident in THAT estimate lol

[edge-oftheworld]

when I was in high school there was a tendency whenever there was an attractive boy to simply fan over him. in a way that talked over everything he might say for himself and created a narrative that completely ignored, the fact in some cases, that he was really struggling—or if he was struggling, to pin all the blame on the girl he’s dating and completely ignore the thousands of other factors (no it can’t be mental illness or unaccommodated disability or systemic abuse or exploitation and if he is in an abusive relationship we won’t ever consider the factors that put him at risk for that)

and I’m not saying this fandom is like that. I get the need for privacy around some things and how in public conversations sometimes it’s a lot more respectful to stick to the positives (everyone who does that, I admire you) or even the struggles that are talked about publicly, show respect by not reading too far into them. there’s a time and place for that. but sometimes I feel like our only options are shitty and ableist gossip or totally ignoring the systemic and structural issues we know exist in something like the music industry until someone dies and then we’re looking for someone to blame. friends, there is a point where the respectful thing is to listen to what someone says and come together to make things better. and you can learn how to have that conversation respectfully. please do

[seaofreverie]

We should normalize bringing these sort of "small talk ideas" cards to meetings with other people so that it's possible to avoid the awkwardness of not knowing what to talk about to kick things off or if it's considered normal to talk about this specific thing and AUGHGHFCG all this stuff.

[usercelestial]

*through clenched teeth* no matter how hard i try i will never change the minds of the purposefully misguided because they are choosing to look at things from one bad faith perspective to convince themselves that they are right and no matter how many times they're proven wrong, they will turn a blind eye and continue to claim a false moral high ground

[psalmsofpsychosis]

yeah so i dont get the "wasn't that some fucked up shit? anyway i'm Rod Sterling" mentality some people have towards different narrative reads. It's all sweet and cool to want to explore all the different variations of a fucked up scenario, but i'm gonna need the reasons for it. I need the "why"; why are we exploring this thing? Why is it important to explore this story? what am i getting out of it? and no it's not about morality.

I dont need a story to teach me "good" life lessons, though that'd be lovely. I dont need it to be an exceptional and exemplary narrative even, but i need my discoveries to be purposeful and meaningful. Sometimes the aim for an exploration of say, a very tragic story, is to simply experiences the different flavours and nuances and complexities of a deeply held personal emotion; sometimes it helps us find the mirroring and connection and relatedness that we need to feel seen and heard and understood. Sometimes it helps you parse out your own bullshit by taking it out of your head and putting it in front of you– i dont care what the reason is, but there's a reason. There's a purpose for every single endeavour you take on, even if you haven't discovered the reason yet. "i just want to experience a fucked up shit" lazy superficial thinking, dig deeper. I hate superficial and purposeless shit; and no i'm not gonna explore the 863796373th trending trauma porn piece of the day because "wouldn't that be fucked up?" nah. I dont care, it's got no use to me. I will absolutely respect the endeavour and make space for it if someone tells me something as simple as "it is relevant to me and my interests and experiences and my mental preoccupations, and helps me refine my humanity and my understanding of humanity in general", that is a lovely and true statement. But if someone keeps churning out worst possible fucked up sad scenarios one after another under the "wouldn't that be fucked up?" flag, i'm out, i dont give a fuck. take your sad shit somewhere else, i have absolutely zero space for purposeless horrible narratives that positively add nothing to my life and dont help me navigate it in any meaningful way.

[sunsetzer]

Hello I am not dead I've just been sucked irrevocably into Stardew Valley by my friend who bought it for my birthday (and also Christmas, because my birthday is three days after Christmas, which is usually the way presents go for me and I don't mind). I've already put like 42 hours into my little farm in the forest and making friends with the residents and I'm having the most delightful time. Also my friend's boyfriend is purchasing a copy for my girlfriend so we can play together. What really sold her was when I told her we could get gay married in co-op. 10/10

[amerasdreams]

I think there are infinite combinations and everyone's mind and experience are unique. Of course there is roughly the same material we had for millennia. Similar templates. Because we are human and there are certain things we like to talk about. Tales are told over and over and we enjoy the familiarity of them. Because we know we are part of the fabric of the human race. We enjoy the familiar taste of a story while savoring thr tan about what's new about it, new combinations of words or characters.

neil, do you think humanity will ever run out of original stories to tell? that one day there will be no more new books or movies, because every single plot has been wrote or filmed?

I think we ran out of original stories 100,000 years ago telling tales around our fires. But that's okay. We tell the old stories new, and there's always an audience on the way who have never heard them before.

[idiopathicsmile]

School Gymnastics: A Tragicomedy

So one day when we were in third grade, our P.E. teacher divided us into girls and boys. (I don’t remember what the boys had to do. Wrestling? Tackle football? I don’t know, probably not at age nine, but that’s not the point. Gladiatorial combat? I still don’t really understand kids’ sports.)

What matters for this story is that all the girls had to do gymnastics. Now—and I suspect this won’t surprise you if you know literally anything about me—I was always terrible at any form of school athletics. I am intensely, almost impressively uncoordinated. This doesn’t affect my life much at 36, but it was often a miserable way to be a kid. The only playground game I liked was playing pretend, because when you are playing pretend, you don’t have a bunch of people ostensibly on your side screaming in your ear, “Pretend faster! Pretend over there! Pretend with greater accuracy!”

Anyway, gymnastics and my clumsy, doughy little body. I couldn’t do a cartwheel. I couldn’t do a backwards somersault. I couldn't do any of it. We had an entire unit on this business and I literally did not learn how to even safely attempt a single move besides the log roll (lie flat and roll sideways on your belly). In retrospect, this seems like maybe it was in part a teaching problem, not a me problem, but that’s actually not the point either.

The point is, at the end of the unit, we were told to divide ourselves into little teams and choreograph a group gymnastics routine. My group, faced with my long list of limitations (more limitation than girl, really) decide my role will be to just forwards-somersault around the rest of the group as they do their moves. (This is itself kind of embarrassing but trust me, it is but the appetizer.) My friend Ashley has the Lion King soundtrack and we all agree that it is a great choice. The movie has only come out a couple of years earlier, and it of course features some funny, peppy options. 'Hakuna Matata'? 'I Just Can't Wait to Be King'? It's all coming together.

Carried on a wave of youthful enthusiasm, none of us even think to double-check which track Ashley has picked. Foreshadowing!

So the day of the performance comes. Another group goes right before us. They had picked “Wannabe” by the Spice Girls, which was a huge hit at the time. I mean, it still is because it’s a classic, but then it was big and new. They step onto the mat and immediately begin to do choreographed dance moves, which they have worked into their routine. We had not thought of this. Oops. Dance moves, of course! So they incorporate the necessary gymnastics, it goes over really well, the energy is high, and now it’s my group’s turn.

I take my place at the edge of the mat, the mat we are required to stay on for the length of the piece. Ashley cues up the track she’d chosen.

A song starts up. Instantly, I recognize it from the movie. It is the very slow instrumental music that plays when Simba realizes his dad is dead.

‘Well, this is not optimal,’ I think. I've been on this planet for nine years; I can see that much. But it’s too late to change the track, and so I tell myself, ‘It’s okay. I’m a performer. I can sell this.’ I put on an extremely solemn face and begin to execute a series of the world’s saddest somersaults.

Friends, when I say “sad” I mean it, in every possible sense of the word. Picture a nine year old with the gravest possible affect, determinedly doing somersaults to the slowest, most serious music she can imagine, in a careful ring around her friends who have actually learned any gymnastics whatsoever. Okay, now as the music starts to pick up and get more hopeful, imagine she gets real dizzy and in front of everyone, she rolls all the way directly off the mat, careening dangerously towards the assembled students.

Somehow, I roll myself back onto the mat, we survive what feels like hours of humiliation, we stagger away, and I blessedly avoid adding “puking my guts out in front of all of my peers” to my very short list of gymnastics tricks.

Later, I asked Ashley what in the world possessed her to choose that song.

“It didn’t have any words,” she said.

(There was absolutely no rule against using songs that had lyrics.)

Anyway, that’s why being an adult is better than being a kid.

I may have to do laundry and make my own dinner and wrestle with more complex existential angst, but you know what I haven’t been asked to do in like 26 years? Somersault for three minutes straight to the musical shorthand for “this cartoon lion cub has no choice but to process the weight of unimaginable grief for his dead dad.” And you know what? If I live another 50 years, I can be pretty confident nobody will ask me to do it then, either.

[neon-sunsets]

okay. let’s talk about jayce’s monologue, since people are calling him ableist.

for context, not that it matters: I have a significant mobility disability and a progressive chronic illness which, even when managed, can kill me. I’m not in exactly the same boat as viktor since my disease isn’t terminal, but I’ve had very similar experiences to him. this shapes my perception of him and of this storyline.

this is the monologue:

You’ve always wanted to cure what you thought were weaknesses. Your leg. Your disease. But you were never broken, Viktor. There’s beauty in imperfections. They made you what you are. An inseparable piece of everything I admired about you.

first, it should be noted that “what you thought were weaknesses” is not the same thing as “things that are good.” jayce is not saying that viktor’s disease is or was a good thing. what he is saying is that he admired (loved) everything that viktor was, which included the things viktor thought made him a burden or a problem. remember also that jayce almost doomed the world because he couldn’t let viktor die; he would never imply that viktor dying was a good thing.

the next question, then, is whether viktor sees himself as a burden or not. I think it’s implied that he does — it’s certainly not unrealistic to think that viktor might have come to view himself, or at least his disease, as a burden and a flaw. disabled people often view ourselves that way either because of internalized ableism or because society constantly tells us that we’re burdens and that our bodies are abnormal and wrong. viktor displays behaviors that indicate internalized ableism, including hiding the fact that he’s coughing up blood from jayce the first few times it happens and generally refusing to be in the public eye in a way that is self-effacing and not just him being private. yes, he says in act 1 of season 1 that he believes in himself, but he does also call himself a cripple in a dismissive way in that same scene; also, he doesn’t have the disease at that point. arguably the entire scene where he runs despite clearly being in pain is an example of his internalized ableism, but that’s another post.

more evidence for viktor’s perception of himself being negative is that he clearly has a sense that he doesn’t deserve to be loved (specifically by jayce, but maybe also in general). we see this when he asks jayce why he’s still persisting in saving him. we see this with his generally self-effacing behavior. we see this with the fact that in all of season 1, the only person he allows to touch him is jayce, and that the only person he actively touches in the entire show is jayce. viktor is reserved and not good with his emotions, which is a huge part of his arc this season. all of these behaviors point to him having a negative self-perception.

I think it’s important to really consider how jayce perceives viktor and how viktor perceives himself. I don’t think this season handled everything perfectly, but I think they handled this very well. viktor has been written with a fullness and complexity that most disabled characters don’t ever get. him being morally grey doesn’t mean he’s “problematic” or “bad representation.” obviously I’m only one disabled person, but I really love jayce and viktor and I think their story is beautifully written.

[dragimal]

once again thinking abt ORV as one of the most brilliant and self-aware genre commentaries ever, cus' isekai/transmigration is-- in my experience-- a deeply lonely genre. the yearning to be plucked from the stress and apparent dead spiral of real life and dropped into a setting where you matter somehow. the fact that this transmigration is often by way of death, completely abandoning the real world, is particularly telling and... bleak. but whether it's a recognition of being 'the most baddass dude', the narrative satisfaction of trying to 'fix' the plot of a doomed story, or even just befriending characters we've laughed and cried for, we want so badly to be a part of something more.

and the way ORV recognizes that and doesn't mock it, but gently reminds us that... real life isn't removed from that. it may not be as straightforward and 'narratively' satisfying as a constructed story, but we can enact change in the world around us, and we can find connection and solidarity in others. the things we want from escapism are things we often can achieve in real life, at least on a small scale. if only we recognize the inherent depth and complexity of others as, y'know, fully-realized human individuals. hell, if we recognize ourselves as more than simple characters with set paths and tropes.

ORV takes every opportunity to remind us that we are not alone, no matter how bleak and isolated we feel. our lives are constantly touching others and vis-versa, and we leaves marks on the world we can't possibly predict. we matter, we always always matter

[includedisco]

You know what dear fanfic writers?

it's okay to cry because you can't put your character's emotions into words. Dry your tears and write it however the hell you can. It's your story and it's still art

It's okay to take 5 days away because you failed to adequately describe a fight scene. Write it in two sentences if you want. You'll do better next time.

It's okay to use the same word 25 times in one chapter. It's not that deep

It's okay to have too long or too short chapters.

It's okay to be brief or to be as detailed and colourful as you want with your kiss scene. Whether they just "kiss tenderly" or you tell us all about how "his tongue tastes like honey", it's okay and we get it. You've still successfully told us that they kiss

It's okay to have 7% emotions and 300% dialogue or vice versa in your story

While dreaming of writing or working on that awesome work that's better than anything you've written so far, it's okay to allow yourself to write a few pieces that are just YOU and YOUR style, whatever that might be.

I'm not saying we shouldn't grow and improve as writers. What I'm saying is that we shouldn't punish ourselves. At the very least, let's do better because it's what we want and not because we feel pressured by anyone else to do so. You always have an audience no matter what sort of author you are.

Look, nobody is paying us to be this hard on ourselves. If anyone comes at you about your writing, tell them to show you how it's done then. Tell them to politely excuse themselves from your "bad writing". Better yet, give them your bank details so they can pay you for stepping so way out of your writing comfort zone to please them. You'll see how quickly they'll shut the fuck up

[vintagetvstars]

Nichelle Nichols Vs. Eartha Kitt

Final

Propaganda

Eartha Kitt - (Batman) - No text propaganda

Nichelle Nichols - (Star Trek) - She speaks for herself. Legendary, iconic, at the forefront of feminism and civil rights in the 60s, she is a triple threat who did so much more. She volunteered from 1977 to promote recruitment diversity within NASA, including some of the first female and ethnic minority astronauts. Martin Luther King Jr. compared her work on Star Trek as a 'vital role model' to the civil rights marches. She refused to be dismissed, fought for visibility and shone whilst doing so. As a woman in stem, and simply a woman she means the world and stars above to me.

Master Poll List of the Hot Vintage TV Ladies Bracket

Additional propaganda below the cut

Nichelle Nichols:

She is the original badass babe. She was a black woman in a leading role on TV in the 60s, a trailblazer for black actresses for years to come. She is so beautiful and so awesome.

she's fantastic. have you seen her? paved the way for black actresses on TV even while her lines and scenes were being cut and improvised the most iconic uhura line in the series. (sulu: "I'll save you, fair maiden!" uhura, pushing him away: "sorry, neither!") she's incredibly talented and it's a crime the show didn't give her more screen time (or make her sing more often because she also has a beautiful voice!)

“Sorry, neither” in response to “fair maiden” was ad libbed by her. There’s a lot more I could say but what else do you need??

A sci-fi icon!

She was such a trailblazer, and Uhura was such an important character for so many people to be able to see on TV. Apparently Mae Jemison (the first African American woman to go into space) cited her as a reason she wanted to become an astronaut. She was just an absolute legend!

The story of Martin Luther King telling her not to quit Star Trek gives me chills. Representation matters. “Thank you so much, Dr. King. I’m really going to miss my co-stars.” Dr. King's smile, Nichols recalled, vanished from his face. "He said, 'What are you talking about?'" the actress explained. "I told him. He said, 'You cannot,' and so help me, this man practically repeated verbatim what Gene said. He said, 'Don’t you see what this man is doing, who has written this? This is the future. He has established us as we should be seen. 300 years from now, we are here. We are marching. And this is the first step. When we see you, we see ourselves, and we see ourselves as intelligent and beautiful and proud.' He goes on and I’m looking at him and my knees are buckling. I said, 'I…, I…' And he said, 'You turn on your television and the news comes on and you see us marching and peaceful, you see the peaceful civil disobedience, and you see the dogs and see the fire hoses, and we all know they cannot destroy us because we are there in the 23rd Century.'"

She shared the first interracial kiss on Star Trek, helped propel real life African American women into space-related careers, and looks divine in a mini skirt.

HOW DID UHURA WALK BACKWARDS SO FAR??? WOW!

[grandwitchbird]

Dragon Age has been doing a really clever thing with its protagonists and the heroic power fantasy that only fully comes together when you look at the series as a whole, so let’s do another ramble. Under a cut to save your dash.

Origins is a traditional RPG power fantasy. It likes to tell you that it’s not by gesturing at Loghain and alluding to unreliable narratives, but what it shows is the power fantasy. No matter what your warden does, they’re the hero. Are you a casual genocide enthusiast? No problem you can still ride off into the sunset looking for a cure. Also hey you have a critical weakness/flaw (the calling) that kind of dooms you or gives you cause to vaguely ride of into the sunset. Very heroic indeed. There’s a layer of textual interest added by the presence of unreliable narratives, but ultimately it’s the hero’s choices that shape and determine the world and story, right down to very gamified relationships. The origins system itself, the fact that your warden could have been anyone, is the actual textual proof that this isn’t all that’s going on. It just only really gets paid off by later games, and that’s pretty important given where this franchise ended up.

—

Enter DA2. Hawke is a champion, not a hero. Hawke fights for those who can’t fight themselves. Hawke can’t save the world. They can’t even save their family or city. It’s a battle of attrition that sees them somehow worse off no matter what. The still-gamified but now more nuanced and challenging relationships become the focus because they’re really all Hawke has. Now the power fantasy is still lurking around the edges. It’s just challenged at every turn. You can free Kirkwall, but Anders is always going to blow up a church.

—

Which brings us to Inquisition. Somehow, you’re both as much of a nobody as Hawke and you’re responsible for more than the Warden. And it’s miserable. The power fantasy is constantly undermined. No matter who your inquisitor was, by the end of the game they’ve been completely subsumed by their role: turns out power has teeth.

In a move that delivers on the unreliable narrative throughline that Origins established and DA2 strengthened, the Inquisitor must play the hero and save the world. It doesn’t matter if your Inquisitor is a kind person doing their best or a racist power-hungry asshole, and that is now a systemic issue within the world itself. The erosion of your character’s personhood is explicit within the text as characters struggle to see you as more than your role and you’re asked to shape the faith of an entire world even if you don’t share that faith. The cost of this erosion is made incredibly literal with Ameridan’s story and then in Trespasser, where the anchor, both cause and symbol of the Inquisitor’s role and power, is killing them. Relationships become somewhat less gamified but more importantly, you’re given an explicit textual mirror in Solas. He’s there to reflect your behavior but also your loss of personhood to a role. It’s essential that he’s the one to save your life at the end of Trespasser. Even if you’ve never shown him a moment’s grace, here is your mirror to see you as a person one last time.

—

And then there’s Rook. Now we play a mirror to Solas, a character who has been the hero, Mythal’s champion, and a man subsumed by his role/s. He’s really the narrative gift that keeps giving.

We walk the dreadwolf’s path this time, and the dreadwolf is a classic tragic hero. He’s stuck in a story where he must save the world and where a critical flaw will always be his downfall. We’re Varric’s second who must step up to champion his cause after the events of the introduction. And we’re barely keeping ourselves together under the burden of leadership. And here is where Veilguard finally delivers everything this franchise ever promised. Because under all that we’re truly just some guy. Just like Solas is just a guy who got stuck in situations he never wanted. His response was to become the hero or play the villain (depending on the story) because that’s easier. But if Rook can truly choose the ‘hard truth’ that the world is never going to “stay fixed” (oh hi Inquisitor… and Hawke… and Warden) and that other people can have better ideas and make hard calls and their own choices? If we don’t have to ‘win’? Rook can reconcile the inevitable tragedies of this kind of story with their very human needs and escape the story altogether. The cost, of course, is the power fantasy.

[hintsofhoney]

Mine

Paring(s): Alpha!Dean Winchester x F!Omega!Reader

Summary: When Dean is forced to mark Y/N in order to not blow their cover on a case, it leads him to reveal a secret that he's been keeping since they met.

Square(s) Filled: biting for @anyfandomkinkbingo

Tags: 18+, true mates, smut, p in v, marking, a/b/o if that wasn't already obvious lmao, knotting

Word Count: 3.7k

A/N: Helloooo, it's been a minute. If I'm being honest, I have about 10-15 finished works just sitting in my "ready to post" folder, but posting is always such an ordeal, so they just stay there until I feel like dealing with Tumblr. But, this one I did write over the last two days after I finished reading Bride by Ali Hazelwood, which I loved so much that it made me want to dip my toes into the Omegaverse! That being said, I don't know how much in here is actually in line with A/B/O "rules", but I know I needed to twist some things to fit the story (e.g. in this specific A/B/O fic/universe, claiming marks will fade if they're not true mates). Huge thank you to my A/B/O girlies, @makeadealwithdean and @emoryhemsworth, for reading it over, I love you both to the moon and back! I hope you all enjoy!

You can also read me on Ao3!

DEAN WINCHESTER MASTERLIST | ��SUPERNATURAL MASTERLIST |  MAIN MASTERLIST

“We get in, find the knife, get out, got it?” Dean asks, looking between Sam in the front seat and Y/N in the back, making sure everyone is on the same page. They both nod once in understanding, before the three of them make their way out of the car, their doors slamming shut simultaneously. 

Y/N stares up at the mansion before them, the music loud, the party raging. It’s some charity event thrown by the wealthiest Alpha in the state, and he just happens to have the weapon they need to finish out this hunt. Y/N stumbles a bit, tripping over the cobblestone driveway in her heels, and she catches the sleeve of Dean’s suit to steady herself. He shoots her a glare that tells her to pull it together. They need to blend in.

“Sorry,” she whispers.

“Here,” Dean replies, grabbing her wrist and pulling it through the crook formed by his bent elbow, forcing them to walk arm-in-arm.

“I don’t need –”

“You are an Omega, Y/N. And there are upwards of a hundred Alphas here who can all smell it. So what you need to do is start acting like one. Just because I’m not some asshole Alpha who demands your respect doesn’t mean they aren’t, and we can’t risk drawing attention to ourselves.”

Y/N takes a deep breath and plasters on a fake smile as they move slowly up the driveway. “Anyone who demands my respect just because of some bullshit biological hierarchy doesn’t deserve it,” she grits out.

Dean stops, turning to face her, one of his hands on either side of her biceps. “Do you want to be on this case or not?” 

His voice is lower than usual, demanding and gruff. A voice he only uses when he wants to remind her that he is an Alpha, and bullshit biological hierarchy aside, her body is wired to listen to him. 

She gulps, and he tries not to focus on the bob in her throat, the pulse in her neck near her gland, the scent of her. The moment he met her he knew who she was, what they were. Are. He’s been taking scent blockers since before he met her, finding it far easier to interact with other Alphas when investigating cases if they couldn’t scent him out, but the moment he met her, he knew he had to start taking rut blockers too. Though, it feels like the longer he’s around her, the more immune he becomes to the pills. Like she’s going to send him into a rut any fucking second, and she has no idea. He’s thought about telling her so many times, but mates come with strings. Strings that aren’t conducive to the life of a hunter.

“Yes,” she answers his question meekly, almost submissively, and he nods to cover the hormones he forces himself to swallow down. Rejecting your biology is not easy, no matter how many pills you take.

“Then I’m going to need you to take my arm, put on a smile, and act like being an Omega is the greatest joy of your life. That means –”

“I know how to be a good little Omega, Dean,” she interrupts, dragging the words ‘good little Omega’ through a sarcastic tone.

He tenses slightly at her words, sarcastic or not. Good little Omega.

“I’m only bad for you,” she continues with a cheeky wink, and fuck, he might explode. Hell, he might take her into the bushes right now and mark her, claim her, before parading her around in front of this entire fucking party with his teeth marks on her neck. He’s rigid, trying to keep himself under control, and she gives him a playful pat on his shoulder. “Lighten up, Alpha,” she teases. “I’ll be a good girl.”

Jesus fucking Christ. He gives her biceps a squeeze that he hopes comes off as reassuring as he’s trying to make it seem, before linking his arm with hers once more and catching up to Sam at the front of the driveway.

The trio is greeted by the owner of the mansion himself, one Jim Myers, who welcomes them in with a smile on his face and a cigar in his hand. 

“How Gatsby-esque,” Y/N mutters under her breath, watching as Myers shakes Sam’s hand.

Dean nods in agreement. “You definitely wore the right outfit.”

Y/N blushes as she looks down at her dress; a black, semi body-hugging cocktail dress bedazzled with gold sequins in some sort of art deco pattern. All she’s missing is a cigarette holder and a feather in her hair. 

“Only because I read the invitation. Unlike some of us,” she mumbles in reply.

“Watch it, Omega,” Dean grits out, plastering on a smile as soon as Myers comes over to greet him.

“Jim Myers, pleasure,” he says, shaking Dean’s hand.

“Dean. And this is Y/N.”

She keeps the cordial smile on her face as Jim takes her hand and brings it to his lips, kissing it gently before inhaling her scent. 

“Pleasure, Miss Y/N,” he says with a feral grin, his eyes darkening with unmistakable lust as he lets her hand fall back to her side. 

Dean takes a step forward, unable to stop himself. “Mine,” he practically growls, and Jim takes a step back, throwing his hands up in surrender. 

“My apologies. I didn’t see a mark, so I just assumed.”

Dean falters, clearing his throat, suddenly reminded of the reason they’re all here in the first place. “No, that’s alright. It’s my fault for not putting it in a visible place.” His eyes dart over to Y/N’s. “I think I’m gonna fix that.”

She ducks her head but can’t hide the red flush that creeps up into her cheeks, reminding herself that it’s just her biology, and that this is all for show anyway. They’re here to do a job, and sometimes those jobs involve… well, whatever the hell just happened. And clearly, Dean is a better actor than she gives him credit for.

Jim chuckles, clasping his hands together. “Well, you three have fun, the drinks are free, the food is good, and if you,” he points at Sam, “good sir, are in search of an Omega, there are plenty to choose from.”

Sam blushes. “Right.” He nods. “Thanks.”

And with that, Jim disappears into the crowd.

“I’ll keep an eye on him,” Sam says. “You two go. Upstairs, down the hall, third door on the right. If I got the right blueprints.”

“If you got the right blueprints?” Dean asks.

“Just go.” He taps his ear to indicate that he’ll drop in on Dean’s earpiece if anything goes wrong. 

Dean sighs, taking Y/N by the hand and leading her up the stairs. He weaves in and out of the crowd, the scents of everyone mixing together, making it impossible to decipher who is what. Y/N’s never been more glad to be on heat suppressors; knowing full well the scents of this many Alphas invading her nostrils would send her body into a major one.

Dean quickly finds the door, and they slip into the room unnoticed, closing the barrier and switching on the light. It’s a bedroom — the master, from the looks of it — and the knife is right in front of them in the middle of the room, across from the foot of the bed. It’s in a glass case, on display, and likely armed with a million alarms, but right in front of them nonetheless. 

“Son of a bitch,” Dean mutters, running a hand through his hair as he thinks about what the next move should be.

“We could find something that weighs the same? Lift the glass and replace it super fast?” Y/N offers.

“Unfortunately, I think it’s the glass that’s probably set to trip an alarm. But the fact that you’re applying Indiana Jones to real life scenarios is making me want to —” 

He stops himself, realizing what he was about to say. He needs to get himself under control but Y/N in that dress with her smart fucking mouth, with other Alphas eyeing her, he really shouldn’t be here, with her, alone, and —

“Making you want to what?” she asks.

Shit. “Making me want to… make you watch more of them,” he replies, opting to circle the display case, searching it for a way in to distract himself from her. 

“Oh, goody. Can’t wait.” She’s as monotone and sarcastic as ever, and every time something smart comes out of her mouth he has to resist the urge to bend her over and fuck her right then.

“Get out of there now,” Sam’s voice comes in on Dean’s earpiece. “Lost track of him for a few seconds, just found him again. He’s making his way upstairs.”

“Shit,” Dean says. “Shit, shit, shit.” He looks around the room frantically. If they go out the door, Myers will without a doubt see them leaving his room. “Myers is coming,” he explains to a confused-looking Y/N.

“Fucking — God dammit.” She looks around too, for a hiding spot, for a weapon, and then she spots herself in the mirror hanging on the wall and an idea comes to her. “Mark me,” she orders.

“What?” Dean snaps, his attention fully on her.

“Get over here and mark me. You told him you were going to make it visible.” She continues before Dean can protest. “Who knows if it’ll even stay, it’s not like we’re mates, right? And if it does, I don’t mind being bound to you for the rest of ever. It’s not like I’m having much luck in the relationship department anyway. But we need that knife, and we’re not going to get it if we don’t –”

“Fuck,” he says under his breath with a quick shake of his head, before he strides across the room and pushes her up against the wall just in time to hear the door click. He inhales her scent, his mouth trailing from the base of her jaw all the way down to her mating gland where it hovers as the door opens all the way. Then he bites down.

Y/N throws her head back, her fingers digging into Dean’s shoulders as his teeth sink into her, and none of it is for show. The pain is euphoric, and her senses heighten, and she suddenly wishes she hadn’t been so stringent on taking her fucking pills, because whatever this feeling is, coursing through her veins, settling in her core, she needs to feel it more. She can’t stand how dulled it is, how it just stays there, simmering underneath the surface. She wants to erupt. 

“Mm, fuck, Alpha!” she cries out, no trace of sarcasm in her voice, and Dean’s hands grip her hips tight enough to bruise them. 

“Oh, I’m so sorry!” Jim exclaims. “Got an alert that someone was in here, there’s some very valuable things in here, you see, and I just wanted to make sure —”

Dean pulls away from her neck long enough to shoot him a glare that translates to “get out or I’m going to kill you”, and Jim gets the message, backing out the door and shutting it behind him. 

“Fuck,” Dean breathes, letting his forehead fall to Y/N’s shoulder. He shouldn’t be so close to her. He should back away, give himself some space to breathe. But her scent keeps him rooted in place. It’s her usual scent; something like freshly baked sugar cookies and vanilla, sweet and enticing, but there’s something else, something —

“Are you guys okay?” Sam’s voice in his damn ear again.

Dean lifts his head and presses the button on his earpiece to reply. “Fine, Sam. Give us a second.” Then he takes the earpiece out and tosses it over his shoulder, more agitated than he should be at his brother just trying to check in.

“Dean,” she breathes, and she sounds absolutely wrecked. She brings her hands to his cheeks, forcing him to look at her. “Are you okay?” 

He nods. Her touch is like fire on his skin. He needs her. 

Y/N squeezes her thighs together. She’s never been able to scent Dean before, but he’s never been this close for this long. He’s never marked her, either. Right now his scent is breaking through the suppressants, little by little. It’s bits of cedar and leather and whiskey, and she’s never smelt anything like it, yet it is so familiar somehow. It invades her senses, and if this is what he smells like with suppressants, she’s terrified of what would happen without them.

“Dean… your scent.” She closes her eyes and inhales deeply.

“Fuck, my pills must’ve worn off, I —”

She shakes her head. “It’s dulled but… but it’s there.” Her thighs clench together again, and she needs him back on her skin. “It’s there and it’s so fucking good.”

Dean’s eyes fall to the gland on her neck, and the severity of what he’s done comes crashing into him like a wrecking ball. It’s enough to force him to take a step away from her, panic rising in his chest. “I – fuck. I marked you. I fucking marked you.”

Y/N’s fingers come up to graze the indent on her neck, and she shudders at the touch. “I told you to.”

“No, you don’t understand, Y/N –”

“I know what happens when mates get marked, Dean,” she interrupts matter-of-factly. “I’m sure this’ll fade.”

“It won’t. I – I shouldn’t have done that. Fuck. Fuck!” He turns to the wall next to him, hitting it with the side of his closed fist. 

“Dean.” Her touch on his arm is gentle and comforting, but he doesn’t turn to face her. “You need to calm down. It’s really not a big deal, I –”

Dean takes a deep breath, both hands on the wall now as he collects himself. He can’t even bring himself to look at her when he says, “You’re my mate, Y/N.”

She takes a step back, and her fading scent is what makes him finally face her. She’s halfway across the room by the time he does. 

“W-what do you mean?”

“You’re my mate, Y/N,” he repeats.

She shakes her head, her hand coming to her neck again, the teeth marks seared into her skin. “N-no. H-how? When? How – how long have you known?”

Dean takes another long, deep breath. He could lose her tonight. She could run and never come back and he wouldn’t blame her. “Since we met.”

“THREE YEARS!?” she roars. “YOU’VE KNOWN FOR THREE FUCKING YEARS!?”

“Y/N, I –”

She stalks toward him, one finger outstretched, one fist clenched by her side. She points at him as she backs him into a wall, and he’s incredibly turned on and incredibly scared at the same time. 

“You’ve known that we’re fucking mates for three years, and you didn’t feel as though that was pertinent fucking information to tell me!?”

Dean swallows. “I – it’s – there are… strings with mates. You know that. I didn’t want to ball and chain you. I didn’t want to keep you anywhere you didn’t want to be. And if – fuck – we’re hunters, Y/N. If something had happened to me, and you knew… I didn’t want you to have to live with that. With the pain that comes with losing a true mate.”

Y/N stops half a foot away and drops her accusatory finger. “What did you say?” she whispers.

“True… mates,” Dean breathes.

“We’re…? But… We never – I don’t –”

“With me on my pills, and you on your pills, I think it was enough to… so we just never…”

“But you knew,” she says, closing the gap between them, her hand coming up to caress his cheek. “You knew for so long and you watched me go on dates, had to listen about the… things I did with other Alphas… if I had mated with one of them, you –”

“You deserved to have a choice. Regardless of what I wanted, you deserved to have a choice.” 

“My choice could’ve left you depressed and alone and celibate forever, you fucking dumbass.” 

He shrugs, and her hand falls to rest over his heart. She stares at it as she continues.

“When you… marked me… I felt… I don’t know what I felt. Nothing’s ever been so intense.”

She looks up at him through her eyelashes, and he smiles softly.

“That’s the bond,” he explains, his large palm coming to rest over the hand on his chest. 

“And if we weren’t on… our blockers?”

“If we weren’t on our blockers, there’s no fucking telling how many pups we’d have running around by now.”

Y/N shivers as the thought of being bred settles in her core, and for once she’s not cursing her biology. Dean chuckles faintly at her reaction, dropping his forehead to hers. 

“We can practice in the meantime. Until you decide you want off of them.”

She inhales deeply, taking in as much of his scent as she can. “Oh, I –” another deep breath, “I’m getting off of them for sure.”

Dean lets out a borderline animalistic growl, thinking about how many times he’ll get to fuck her through that first heat. “I’m gonna stop taking my pills, too,” he says breathily.

“Yeah?”

“I had to get on rut blockers when you moved into the Bunker because I knew I wouldn’t be able to control myself. But now,” he says, spinning them both around and pinning Y/N against the wall, “now I don’t fuckin’ have to.”

“Dean,” she half gasps, half moans. He kisses the mark on her neck before licking all the way up to her jaw line and pulling back. 

“You drive me fuckin’ crazy, Omega.”

She meets his feral gaze with one of her own, a glint of mischief in her eyes. “Prove it.” 

And it might be an incredibly stupid thing to say to a horny Alpha, but it’s also Dean. And he’d never hurt her.

“Mm, fuck.” His voice is raspy and wrecked and they haven’t even done anything yet. Before Y/N can process what’s happening, he’s picking her up and throwing her onto the bed. He climbs over her, hovering for a moment, taking in her flushed cheeks, the warmth radiating off of her, her scent. “You’re beautiful,” he states plainly, like it’s the one fact in the world that he knows without a doubt to be true. 

Y/N blushes. “Thank you, Alpha.” She says it because she knows what it does to him. 

“You’re beautiful, and I’m gonna fuckin’ ruin you.” 

A gasp leaves her lips as he pushes her dress up her hips and moves down her body to the foot of the mattress, his fingertips dancing along the hem of her panties before his eyes meet with hers. She gives him a nod, and it’s all the confirmation he needs before pulling them down her legs and tossing them aside. 

He watches hungrily as she spreads her thighs, her core damn near dripping with her wetness, and if this is what it’s like when she’s on heat blockers, he can’t even begin to imagine what it’ll look like covered in her slick. His cock grows hard in his slacks at the thought, and he has to step off the bed to take off his pants and boxers before the containment grows painful. He shrugs off his suit jacket and white dress shirt too, and when he’s standing in front of the bed, fully naked, Y/N is propping herself up on her elbows to take him in.

“Holy – fuck,” is all she can get out. 

Dean chuckles deeply, one knee coming up onto the mattress as he fists his cock. “Fuck, sweetheart.” He looks her over again, pussy glistening, nipples peaked through her dress. “Fuck, I want you to – would you present for me?”

A smirk spreads across her lips, but she doesn’t say anything before flipping over and assuming the position. Ass up, legs shoulder width apart, chest resting on the mattress. 

Dean lets out a low and guttural, “Fuuuuck,” and it’s enough to make her pussy clench around nothing. She feels the mattress dip behind her, and when his cock starts to move through her folds, she almost cums right then and there. 

“I know you you wish you weren’t an Omega,” he starts, “but you’re a fuckin’ perfect one, baby.” 

She shakes her head, soft whimpers escaping her as he continues to tease her with his dick. “I’m glad I’m an Omega, because I’m yours.” 

With that, Dean loses what little self control he has left. He lines himself up with her entrance and sinks into her heat, and she feels so fucking perfect, the way she molds around his cock. The noises leaving her throat spur him on as he thrusts into her, setting a bruising pace. He wraps his hand around her shoulder for leverage, his other gripping her ass.

“Oh my fuck!” she practically screams, and he can feel how close she is, can smell it. 

“You’re gonna be a good little Omega and cum for me, aren’t you baby?” he pants, and he couldn’t be thrusting deeper if he tried.

She nods frantically. “Yesyesyes, please, Alpha, I wanna to cum. I wanna — mm, fuck — on your —”

She’s too fucked out to even finish her sentence, and Dean can feel himself about to fall over the edge. “What’s that, sweetheart? Speak up.”

“I wanna cum — oh, God! — on your knot. Fucking fill me up, Dean, please.”

He barely manages another thrust before he buries himself to the hilt, the base of his cock swelling inside her as he pumps her full of his seed.

The feeling of him filling her sends her over the edge, her pussy clenching around his cock, his knot, and she feels so full and fucked and sated.

“Oh my fucking fuuuuck,” he groans, feeling her pulse around him. “Fuck, everyone and this fuckin’ party is gonna be able to smell me inside of you.”

She moans at his words.

“Gonna have me dripping down your thighs ‘til we get back home.” His hand squeezes the globe of her ass before he leans over, getting as close to her ear as he can. “And then I’m gonna fuck you again. And again. And again. Because we got three years to make up for.” He nips at her ear playfully. “And now you’re finally mine.”