#That's part of what makes their relationship so compelling to me - they really are the only motherfuckers who can handle one another

[msfbgraves]

Fanfic authors have been getting increasingly horribly exploited in the past five years especially. Our work stolen to feed AI that is then being used to put other writers out of work. Wattpad antics. The reselling of plagiarised works published for free. And then this trend of not including an author in the gushing about the works. That is like holding a birthday party for a person to share how much you love them, only not inviting them. Because your love for that person is personal to you and your other friends and none of the celebrated person's business. You're shy! You don't know what to say!

I have been incredibly lucky on having had a lot of engagement on Tumblr in the Silverusso fandom, but I have been in other fandoms whose works are still on Ao3 and also still being clicked on, for what purpose I don't know. But with the current climate, I don't feel like adding much more to other fandoms there especially. There's a few Cherik fics I have toyed with updating, but haven't been inspired enough for, knowing that it's like a lottery nowadays. Sure, the effort could pay off, but what is more likely to happen, at least when posting on Ao3 alone, is mocking silence. Deep in my heart I know that some people will be made happier if I did do it, but knowing that others will use it only to enrich themselves is not a joyful thought at all.

Love will get your fanfic authors a long way in sharing their stories, but if they get nothing at all in return, while knowing that people may even be stealing it for their own ends; that is not an environment conducive to writing. It's an abusive relationship, and we all know that not doing anything beats being in an abusive relationship.

I mean, theoretically my works and other works are being enjoyed because there is an outcry when Ao3 is down. But there is a reason people applaud after live performances. If they didn't, people would stop doing it! Even when the reasons to start doing it are mostly altruistic on the artist's part. Everybody tells you in life to stop putting your efforts where they're not actively appreciated. I mean, did Cinderella's stepfamily enjoy the efforts of her labour? Did it enrich them? Likely yes! Would you have encouraged her to keep providing it, even if she may have started out of love for her family's home? Girl no! Even this kind hearted girl left, because that is what you do when your efforts are unappreciated and exploited, even when they're clearly of value.

If I simply posted and got zero response - no engagement even, I could say the fault was mine. Either for being in the wrong place or doing the wrong thing. But when there is engagement, but no appreciation and people are hawking it somewhere, which I now know they are through the mere existence of AI, adding more is an actively stupid thing to do.

I'm not blaming readers exactly, I'm just pointing out that when you're getting no appreciation and are being exploited, continuing to do something isn't wise and stopping an activity (in this case, writing fic) is a rational decision to make! There's more rewarding things anyone could be doing, even if the activity itself is of much value!

Maybe I will post more in some old fandoms or even new ones, but right now, the only thing that could really compel me to post anything when I am not 100% certain there already is an active audience is an obsession so strong it overrides logic. And that will get you some fic, but not multiple longfics, I assure you.

And no updates. Things that aren't nourished die.

A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.

My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.

My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.

This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.

Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.

I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.

So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.

[rewatching-sam-and-dean]

In Defence of Sam Winchester

(Or alternately titled)

Two Times Sam Actually Made Pretty Big Mistakes and Several Times When He Did Not (But was Blamed Anyway)

I have two sort of random thoughts on this scene, followed by a long-ass rant about Sam’s Alleged Screw-ups under the cut. This is me, so of course it got long.

1. “Sam, I want Gadreal to pay as much as you do, but nothing is worth losing you.”

Truth. Here we have one of the few times I can unreservedly agree with Castiel.

2. “Being human didn’t just change my view of food, it changed my view of you.”

I don’t ship on this show, both brothers are implied to be straight, and I don’t want to see either of them in a long term relationships while the other is around because it would just suck to be Sam or Dean’s significant other, as you’d always be a distant second to their brother.

But … if Castiel had to fall for one of the brothers (we are not discussing whatever that was in Despair), it should have been Sam. First, Sam treated him with a ton more courtesy, respect and forgiveness than Dean (and more than he ever deserved), and the arc could have been really compelling. Seeing an angel going from seeing Sam as an abomination, to protecting him for Dean’s sake, to protecting him for his Sam’s own sake, to learning to empathize and relate to Sam after being human himself, to loving him for overcoming his own flaws and guilt could have been pretty epic. Again, I’m fine with it not actually happening because Supernatural is not about romance for me, but they could have done something similar and made Sam and Cas' friendship more rich if they’d given them more screen time. There are moments where Sam and Cas are quite sweet with each other, just fond; meanwhile, Dean is cursing Cas out every other episode, and Cas is backstabbing Dean (and Sam) while they call each other friend. And Jared and Misha have good chemistry, so if Cas had to stick around longer than his character warranted, they should have had the characters who can relate to each other actually have opportunities to, well, relate more. And I don’t buy that line that Jared and Misha couldn’t get through a scene together because the gags and bloopers have to be exaggerated or no one could have gotten through scenes on set, and none of them would have gotten jobs after the show ended.

Anyway, on to what truly sparked this post..

3. “The only person who has screwed things up more consistently than you, is me.”

So, this is the part of the scene where my Sam and Cas interaction fondness evaporates. The basic statement is correct, Castiel has in fact “screwed things up” more than Sam, but the implication is that Sam is this constant screw-up, and with this I take issue. Much issue.

This scene is located in Season 9, a season where Sam has in fact not screwed up, but has rather been screwed over. Dean has screwed up here, you know, the other Winchester brother who makes mistakes but doesn’t get the “consistent” blame for it that Sam does by the show (or characters. Or many fans). This is not in anyway anti Dean, but both brothers screw up a lot and the Sam scapegoating is out of control.

On that note, when has Sam consistently screwed up (in a big way, not smaller things), with him solely responsible for doing the “screwing,” and when is it a result of actions outside of his control?

Season 1: Sam going to college was treated like he committed murder, when it was actually normal and justifiable thing to do, so I’m not counting that. Next, Sam discovered he’s been fed demon blood as a baby, so he’s monster adjacent. This is not something he did wrong, but was done to him. He also failed to kill Azazrl, but he did so because he couldn’t kill his own dad who was possessed at the time (especially with Dean begging him not to). No major failures or screw-ups here.

Season 2: Sam is possessed by a demon, who kills and attacks people while wearing his body. Sam didn’t chose this, but it is another thing that was done to him. Later, be gets killed (if you can call that screwing something up) because he showed compassion to another “Soecisl Child.” His reward for his goodness was being stabbed in the back. He didn’t screw anything up on a grad scale this season, but was too good.

Season 3: Sam fails to save Dean from his Demon Deal. Again, Sam didn’t make this deal, so Dean dying was his own fault (as sad and awful as it is). Sam could have saved Dean (we know this from Season. 4’s arc), but Dean would not let him work with Ruby to do so. Again, Dean died because of Dean, not Sam. Though, I will never forgive the show for not letting Sam save him here, it still isn’t a Sam scew-up.

Season 4: Ah, here is the major time that Sam did in fact screw up. Drinking the demon blood and trusting Ruby were no bueno (though she did do the work to make herself look trustworthy and Sam was mad with grief, he still fuckrd up). Then, his “greatest” mistake: he killed Lilith, freeing Lucifer from the cage and starting the apocalypse. This was a major screw up too, but he also didn’t know what was going to happen, and if he didn’t do it, Dean was planning to do the same, so I don’t think he deserved actual blame for killing a demon (without knowing the consequences), when everyone from angels to demons was suggesting she needed to die. My tally: 1.5 Sam screw-ups.

Season 5: All Sam does this whole Season is be honest, atone, redeem himself, and Save the world (with Dean’s help). Sam is perfect in Season 5. Fight me.

Season 6: Sam does a lot of bad shit: kills a lot of people, tries to dad-icide Bobby, brings the Campbells on screen by hunting with them (snd they suck), and hurts Dean pretty repeatedly. Except Sam, the real Sam, didn’t do any of these things by choice. “He lost his soul” which Dean even blmaes him for in Season 8, but that’s giving Sam too much agency in this problem. He didn’t “lose” his soul like he “lost his shoe.” No. His soul was left behind, deliberately or not, by Castiel (lead screw-up himself) to be tortured by Lucifer in the cage. Sam’s actions in Season 6 were not “just another Sam screw-up” because he didn’t actually do anything wrong because the Real Sam wasn’t even steering the ship. So, smy Soulless Sam mistakes in Season 6 are Castiel’s Fault.

Season 7: Sam goes insane. Even though some of the characters seems to blame Sam for this (or at least resent him for it), as though MHI are something for which we should blame the affected person, Sam is not to blame here. Having a bout of insanity after being tortured in hell for 150+ years is not a screw-up. It’s not an oopsie. It’s both reasonable and not Sam’s fault. It is in fact Castiel’s fault (again) for breaking Sam’ hell wall. So, much like last season, in Season 7, Sam even more so did nothing wrong. I really will fight you on that one.

Season 8: And here’s the crux of what Castiel was probably actually more directly referring to. Sam didn’t save Dean from Purgatory. He committed the cardinal sin of codependent brother husbands (I don’t ship, but I do call them this to amuse myself). He didn’t save Dean from Purgatory: he didn’t sell his soul; lose himself in grief, pursuit of revenge, or self-destruction (like in Mysety Spot or Season 4); or try to kill himself to make a deal to get this brother back. What a monster! Never mind that he didn’t know that Dean was in Purgatory at all, or that he thought he was doing what Dean would have wanted in case of his death, and try to live (like he told Dean to do when he sacrifices himself in Sean Sing).

If we need to count this as one of Sam’s big screw-ups (as opposed to weak and/or out of character writing), we are now at two major mistakes (or 2.5). Sam had “consistently” actively screwed things up on a large-Castiel-like scale twice in 9 seasons. The other screw-ups were because he was too good of a person or because someone else has done something to him that has lead to terrible consequences.

Actually, I guess we have to count Sam not closing the gates of hell, as if that would have worked out in our favour on this never ending tragedy of a show even if he’d done it. Still, I guess he didn’t “succeed” in dying on an errand thst probably would have backfired on the world anyway. But, in this case he actually would have succeeded (and did in the first 3 trials) if Dean hadn’t stopped him. Dean begged him not to complete the last trial so he wouldn't kill himsrlf, so if this is one of Sam’s screw-ups, it’s Dean’s too. And I’m not even inclined to count it as one because, as I said, it probably wouldn’t have had the resulted in anything good if the gates were closed. But, if I must add it, Sam’s tally is 3.5 large mistakes in 9 + years.

Castiel, you’re kind of an asshole.

(Before anyone comes at me, if you bother to read this far, I know Sam (and Dean, and everyone) makes lots of smaller mistakes, but for the purposes of my rebuttal to Castiel’s point, I’m only focused on big world-ending, or in other ways personally devastating, mistakes.)

[chronurgy]

I think that before Gortash and Durge started working together, they were both very lonely. And part of why their relationship is so intense is that they both see the other as the only person in the world who can handle them. The only other person in the world who could possibly understand them or be on their level, and to some degree, chosen as they are by evil gods, they're not really wrong.

Because as worshipers of dark gods, both Gortash and Durge have very specific paths laid out before them. As a worshiper of bane, gortash needs to become a tyrant - he needs to end up on top of the world. And as they said in the Prayer for Forgiveness, Durge is well aware that Bhaal created them to be the last soul alive.

But both of those things, being on top of the world and being the last soul alive, are very lonely ways to be. And I think both Gortash and Durge have both had periods in their lives where they were very lonely - Gortash in the house of hope (or frankly even before that, his parents hardly seemed loving) and Durge was likely treated more as an instrument than a person in the Bhaal cult. Neither of them want to be alone again, and after meeting the only other person in this world who can possibly be on their level, they seem to immediately set out to find ways to work the other person into their rigidly planned out lives.

Gortash genuinely plans to share power with with Durge, to rule alongside them. He gives you, his co-conspirator, his partner in crime, half the credit for the plans - calling them "our" plans. He's happy to hear you're alive, he's genuinely pleased to see you again, and he's ready pick right back up where you left off. He tests your resolve with the netherstones because he very specifically doesn't want another flunky, he wants an equal. He doesn't want to be alone up there on top of the world, with no one who could ever hope to understand him. He wants Durge right there with him and he's willing to commit a Banite sin (sharing power! the horror!) to get it.

And Durge, well, we saw the Prayer for Forgiveness. Durge plans to kill Gortash on Bhaal's altar, the same place they hope to die. I do think that Durge intended to kill Gortash last, and kill him slow. So that when they kill themselves he'll still be there. So they can die together, hand in bloody hand on that altar. Because being created to be the last soul alive is such a lonely fate, to know that you'll die completely alone, without even someone to hold your hand. And that is Durge's sin, the one small comfort they'd allow themselves - not dying alone, but dying with Gortash, holding his hand, knowing that there was someone there who loved them as they both breathed their last. Imagining dying in a loving embrace instead of alone in a cold world.

It's interesting to see how they both can't escape their gods plans for them (ruling and dying), can't bring themselves to imagine any other ending, but also go on to explicitly sin against their respective gods in the name of their relationship (ruling together, dying together). They're both drowning and they know they can't escape but goddammit they're going to go down together, the only two people in this world who can handle each other, the only two people who matter.

[maybe-boys-do-love]

Everyone’s mad because His Man 3 popped the BL bubble

[sskk-manifesto]

Ep 9 ! :)

[claitea]

just finished watching a xenoblade 3 playthrough. i am So sad

[playingonedchess]

is it just me who finds the kissing as part of romantic fanfics like confession scenes totally boring and anticlimatic. like it usually feels like a scapeout, cant think of what to put there so just resolve it like that. it just isnt compelling writing when it uses that as a device, it isnt narratively satisfying, lacks interesting tension and actually well thought out romance as a concept

[xviruserrorx]

Nothing like having to rework a 15k fic because you realize the story would tell better in a different pov 🫠

[siriuslylantsov]

home

pairing: spencer reid x fem!reader

description: in which spencer gets home and he needs you.

tags: MDNI smut! and fluff, established relationship, sleepy sex, pinv, little praise, brief nipple stuff (im a creature of habit), cockwarming, aftercare, this is just sweet and quiet.

a/n: anon who sent in the req, this is for you :) little gilmore girls adjacent line there at the end because i have that show memorised and i think its silly. smut is slowly getting easier for me to right and im really happy about that. happy reading! tell me what you think

wc: 1.3k

you feel the all so familiar lips on your shoulder and you know. you stir awake. with a groggy groan, you open your eyes and turn your head around. the strap of your tank top is peeled down to your arm and a messy mop of curls is tucked into your neck. he's home.

“hey,” you whisper. “you're home.”

spencer lifts his head up, “yeah, baby.”

you scoot back into him, needing him to be closer. chuckling, when you feel an unmistakable hardness against your ass. you nudge your nose against his. 

“you okay?”

“mhm. you're just so pretty,” he responds, lip caught between his teeth, eyes glistening even in the low light. you could see the need in his eyes, and even barely awake, you felt compelled to tease him.

you turn to face him, subtly wedging a leg between his. action ever so slightly causing some friction, just enough that it seemed innocuous. you scrunch your nose up appreciatively, muttering a quiet “thank you”, pressing your thigh more firmly against him. 

he pouts, knowing what you're doing. “please,” he mumbles.

“please, what?” you taunt, playing dumb.

“i need you, please angel,” he whines, hand finding your waist.

you caress his cheek lightly with your knuckles, the gentleness making him shiver, so sensitive. you smile at him and he returns it. “you have me, spence. whenever you want.”

he leans into your touch, eyebrows furrowed in mild exasperation. “why tease me then?” he implores. 

“it's fun,” you offer up uselessly with a shrug. everytime you do, it draws something whiny from him and you find it so endearing. 

he huffs, in disbelief and amusement. “you're impossible.”

“you love me,” you retort, melting into the pillow.

“i do,” he confirms with a nod, leaning in to kiss your lips, lingering for a moment to see if you'll kiss him back.

you do, it's a little sloppy but he's okay taking the lead. his tongue slips into your mouth as he slowly pushes you to lay on your back. finding the waistband of your shorts, he pulls them down along with your underwear. your legs instinctively part as he lifts himself to settle between them. he dips his head down to capture your lips again, the kiss more frenzied this time. his hand trails up to your shoulder pulling the other strap of your tank top too and bunching the fabric at your waist so your tits were out. you weakly paw at his t-shirt and he takes it off, kicking his pants and underwear off in the process, clothes in a tangled mess somewhere under the duvet.

he mouths at your neck, sucking lightly. his hand trails over your breast, kneading the flesh. his thumb grazes your nipple and it stiffens. he rolls the bud between his fingers, making you quiver, causing arousal to pool between your thighs.

“spence,” you whimper.

“i got you,” he responds quickly, dipping his fingers between your folds. groaning when he feels the wetness there. “always so wet for me,” he murmurs. your eyes flutter shut as he gently circles your clit.

“do you need my fingers first? or are you ready?” he inquires.

 “‘m okay. i can take it,” you reassure him, your tone a little petulant because of the lingering sleep. 

you look so unbelievably soft, he's afraid that he might break you. “i know you can, angel, but it's been a week.”

“need you inside me,” you slur.

your gaze meets his, equally clouded in lust. he takes the plunge, guiding the tip of his cock to your entrance. he pushes in slowly, matching your sigh when he bottoms out. 

he stays there for a moment, relishing in the way you wrap around him. it's warm and soft and wet and overwhelmingly you, he couldn’t imagine being anywhere else. 

you seem just as content as him when you don't urge him to move immediately, raising your arms to pull him closer. your fingers trace the subtle lines of muscle on his shoulder blades, hallowed paths that you’re well accustomed to. 

your walls flutter around him and he buries his head into the crook of your neck, whispering sweet nothings into your skin, lips pressed firmly against you because he wants you to have it all, to absorb it, to take it. 

“perfect girl, you feel so good. so so good for me,” his words are muffled but heard by you all the same as he draws his hips back, only to somehow push in deeper. 

it goes like this. languid thrusts by him and soothing passes over his spine by you. it’s tranquil, the way that he fucks you–for a lack of a less crude word. it isn't making love either, in the sense that it isn't passionate or intense. but it's sweet, done with ease. practised motions of his hips has him dragging against your sweet spot incessantly. he can hear the hushed ah’s you let out, and god does he love how you sound. 

“i missed you,” he drawls into your neck, lips pressing feathery kisses to your skin.

your hand snakes into his hair, lightly scratching his scalp. “i missed you too, sweet boy.”

his pace quickens, ever so slightly, in mollified desperation. you almost feel a little bad that he's doing all the work, but you're too tired to think about it–and he feels fucking incredible inside you–so you happily let him. he lurks his hand between your bodies to rub at your clit again, angling his thrusts higher.

“fuck, baby, like that,” you keen.

“yeah?” he pants.

just like that. your orgasm washes over you in a wave of bliss–high, high and higher. the feel of you squeezing around him, drives him over the edge too. his hips snap as he fucks you through it, once, twice, and then he stills. 

he raises his head from your shoulder, “hi pretty,” he whispers, soft smile gracing his lips.

you hum in acknowledgement, the post orgasmic haze lulling you back to sleep. he chuckles quietly, brushing his lips over your forehead. he cautiously pulls out as to not wake you, corners of his mouth twitching when you make an incoherent noise at the feeling. 

he grabs a damp towel, warily cleaning the mess. he's careful when he redresses you, slipping on a clean pair of underwear and pulling the straps of your top over your shoulders, kissing either joint before lying down next to you. he pulls the covers up, starkly reminded of how cold you keep the room, holding your hand as he falls asleep too. 

your eyes flit open hours later at the feel of his fingers skimming over your face. rays of sunlight peek through the gap in the curtain. you look up at him, already staring down at you.

“creep,” you rasp, though there's no malice behind your words.

“i'm sorry, i didn’t mean to wake you,” he apologises.

“which time?”

“both,” he lets out sheepishly.

“it’s okay, i'm not,” you counter as you throw an arm over him and tuck yourself into his side.

he wraps his around you in turn, smiling into your hair. you rest your chin on his chest, half-lidded eyes staring into his wide eyed brown ones.

“what time is it?” you inquire, too lazy to check the clock that sat atop your bedside table.

“late,” he says, running his hand down your arm and up again.

“i’m hungry, i want pancakes. can we make pancakes?”

“we can make whatever you want, sweetheart,” he answers, prompting you to grin and spring upright.

you notice the clothes on your body and you stick your bottom lip out, “you’re sweet.” you look at him a moment longer, eyes following the features of his face in awe. you pull him up to hug him tightly.

“oh, i’m so happy you’re home.” you chirp giddily.

he squeezes you, “they say absence makes the heart grow fonder.”

you let go of him, jumping out of the bed. “yeah, well. sex does that too.”

m.list

[sanguineterrain]

smut 18+ only, fucking jason on the kitchen floor, feral horny afab reader who wants to maul jason, unprotected sex, breeding kink, submissive jaytodd!!! rock on!!!

The first time you go absolutely batshit feral over Jason, he's cleaning the apartment.

He's done nothing to provoke your ferality (he never does), and usually, you keep it to yourself. Thoughts like if I were a vampire I'd suck his blood and I need my boyfriend to hold me down until I orgasm or pass out, whichever comes first, are inside thoughts, and you do a great job at keeping them as such.

So you're not quite sure what compels you to act the way that you do.

First, Jason's in clothes that don't help your insanity. The shirt is Dick's (Jason insists that he did NOT have an emo phase, thank you), so the cropped quality of the My Immortal t-shirt isn't by design. Jason's just big.

Yes, yep, your boyfriend sure is a big boy. That's all you can think about as you watch him over the top of your open book while he attacks the kitchen floor with his Swiffer Jet. He's humming a song you don't recognize.

You love him so much. The thought hits you square in the chest. You love Jason Todd. A lot. A lot a lot a lot.

The next thought that hits you is how soft and squishy your boyfriend is. Jason's sweatpants are baggy, the baggiest he could find, and they still can't hide how humongous his thighs are. His thighs are pure muscle, but when not in the middle of a fight, they are soft. Bitable. Very bitable.

Your gazes moves to the strip of belly that flexes and flutters with every movement. Jason's stomach isn't perfectly flat, a fact that you know sometimes bothers him. You take care to treat it delicately, not wanting him to be self-conscious even though every part of him makes you rabid.

You want to kiss Jason's stomach. Feel it twitch under your hand as you do, uh... other stuff besides kissing. You love watching Jason in action, love watching him wield his powerful body. But you also love him like this: using his body to take care of himself, his space, and you.

Jason's arms. You could write prose poetry on such magnificent creations. More than once you've had the urge to wrap one of Jason's arms around your neck and let him squeeze until you lose consciousness. Another inside thought! Jason would staunchly refuse and probably get you checked for head trauma if you requested such a thing, but you can dream.

Once or twice, Jason's flexed for you, silly and smiley. You've managed to hide just how fucking hot you found it. It's been well over a year and you still want to jump your boyfriend. You try to keep it to a manageable level, not wanting to startle or overwhelm him. You know Jason's complicated relationship with his body. You respect his boundaries.

But still, the thoughts linger...

Your feet carry you to the kitchen before you can think about it. Jason's done with the mop and has moved to wiping the counters. You seize the opportunity to get behind him.

"Hey, baby," Jason says before you reach him. He keeps wiping. And that's another thing: Jason is highly competent. His training makes him hear you before you've reached him. If you were an evil goon, you'd be on the floor before you could inhale. You also find that concerningly hot.

You stick yourself to his back and wrap your arms around his stomach. You grab handfuls of the layer of fat that covers his muscles, brushing your thumbs over where his hair thickens below his bellybutton.

"What's up, hm?" Jason asks, patting your hand.

"You're really hot," you say.

He snorts, glances behind at you. "I'm what now?"

"Hot. Juicy. I wanna maul you."

"Is that so?"

"Yeah," you say peacefully, groping his waist. "Soon as possible."

"I'm free for a mauling in ten minutes. That work for you?"

"I don't know if I can wait that long." You slip your hands up his shirt. "Mind if I feel you up while I wait?"

Jason laughs but it comes out a little airy. "You're a menace."

"I'm crazy about you."

"Mm, I've noticed. Feeling's mutual."

"No, no." You move your head so that your mouth is on his exposed bicep. You feel the hot flesh in your mouth, lave your tongue over it for some time. As soon as it flexes, you bite the hard muscle.

Jason drops his dishcloth. You soothe your teeth marks with your tongue.

"You don't understand," you say, shifting so you're pressing Jason against the counter edge. He lets you keep him there. "I'm crazy about you. I wanna eat you, Jay. Let me eat you."

"Jesus, what's gotten into ya?" he asks, turning his head to look at you.

"Hopefully you," you say, unrepentant.

Jason's eyes widen. You adore how squirmy he gets whenever you're bold about wanting him. Despite how long you've known each other, Jason never fails to get flustered. Perhaps that's half the fun.

"C'mon, Jay, let me fuck you. I wanna fuck you on the kitchen floor," you say, past coyness.

He full-body shudders. "I jus' cleaned."

You grin against his arm, pawing at his hip. "I'll help you mop again, honey pie. Deal?" You're eyeing his stomach next, ready to suck his skin there.

Jason can't deny you for long. You both know that.

"You're persuasive," he says, eyelids fluttering.

You hum. "Didn't take much, though, did it? Is your dick hard already?" You squeeze him through his sweats. Jason whines, bracing himself against the counter. "Never takes long, huh? You're always ready for me in no time, stud. Ready to fill me up, right?"

"Oh m'God," he says, looking at you like you're divine. That look swells your ego every time.

"Is that a yes?" You cup his balls like you're choosing a bull for breeding. Jason buckles under your brazenness. "Yes, you want me to let you fuck my pussy? Yes, you want me to fuck you on the floor?"

"Yeah, yeah, please."

So Jason lets you push him down onto the tiles. You yank his sweats down first, then his underwear. He's already leaking onto his stomach.

"Fuck," you say, grabbing and holding Jason's wrists on either side of his head. "You gonna give me what I want, sweetie? Love of my life, handsomest guy I've ever seen?"

Jason nods vigorously. "Yeah, yes, an-anything y'want. Oh my God, I'm s-so hard. I love you. Y'so nice to me."

You smile gently.

"I'm nice for taking you on the kitchen floor, huh?" you ask, bending your knees and lining up his cock to your cunt. "What if I make you wait until I come first?"

Jason nods again, already breathing hard. "I want to, I wanna wait. You should come first. I want you to come first. I don't have ta come at all."

You raise an eyebrow. That's new. New, but not unwelcome.

"So even when I..." You sink down on his cock, just the tip. Jason whimpers in the back of his throat. "Do that? You don't need to come?"

You feel him flex under your hands but he's good and stays put. He doesn't break your hold even though he could. You grin.

"Oh-oh. Sweet boy. My best guy. Look at you, big and hard. You could take me if you wanted, but you don't want that, do you? You want me to take what I want from you. All that muscle and strength, but what d'you need, Jaybee? Hm? Tell me."

"Need you," he says, voice strained. "Need you to do whatever y'want."

You kiss under his jaw and dig your nails into his wrists. Then you sink further onto Jason's cock. His hips twitch but he doesn't thrust like he usually does.

"Will you kiss me?" he asks when he bottoms out, body strung tight like a bow.

"I did kiss you," you say, smiling into his neck.

"On th'lips," Jason says, fingers shaking. "Please? Please."

You thread your fingers with his to steady them. Then you lean in to kiss his mouth. Jason moans, greedily kissing you back. You begin to move. Jason's shoulders tense.

"You're so perfect," you say against his lips. "You'd be so perfect at knocking me up. Any time I wanted, you'd be hard and ready to come in me, right?"

"Ah-ah," Jason says, voice wrecked. "Y-yeah, yeah. As much as y'want. Do anything y'want. I'd do anything."

"Yeah, I know," you say, grunting as you slide back onto him. "I know, sweetheart. Pretty boy. Y'dunno what you got with this fat cock. Can barely speak when your dick's wet."

You do a particularly hard grind and growl against Jason's sweaty throat. You lick the salt from his Adam's apple, feel it bob against your tongue. Then you bite.

"Oh, oh," he whines, and your gut tightens further at his sounds.

"Don't come," you snarl, pussy like a vice. "I come first."

Jason shakes his head, lips parted. His pulse throbs against your mouth. "No, no, won't. I won't. I'm good. I'll be good. 'M I good?"

You pet his hair, voice softening. "You're good, Jason. So good, baby. So good that I gotta take you right here on the floor. You understand, right? I was aching over there, watching you. I had to fuck you. Had to use your big dick for something."

"Uh-huh," he says, voice wet and sticky with pleasure. "Y'had to. I can do it. I wanna be good for you."

He looks up at you, and you're struck again by your difference in size, and how easy Jason gets when he's inside of you. You feel that familiar tightness, the edge of your impending orgasm.

"Rub my clit," you say, letting go of his right hand, and Jason obeys instantly, locating and deftly rubbing your clit.

"Harder," you tell him, and he rubs harder. Your mouth falls open as the pleasure swells. "Yeah. This is what you're made for. Pleasing me."

One of these days, you'll broach the subject of Jason putting those muscles to good use and fucking you doggy-style, whining in your ear as he shoots load after load into you.

"I'm gonna come," you say, cunt tightening. "Are you gonna come?"

Jason shakes his head desperately. "No. No, no, y'said not to. Not gonna come!"

"A-are you sure?" you ask, grinning as Jason makes uh-uh's in the back of his throat.

"Won't come, I promise, won't come," he says, near tears.

You come, tightening hard around Jason's cock. He nearly howls, the corners of his eyes wet, tendons pulled taut in his neck.

But he doesn't come, true to his word.

Sloppily, you kiss him. Jason kisses you back, but it's frenzied. You know his brain must be soup with the effort it's taking to not come.

"Look at you," you say, gaze hungrily roving over Jason's swollen nipples, his red face, his drawn eyebrows. "You listened so well. Y'wanna touch me? Wanna hold me?"

Jason nods frantically. "Yeah, yeah, please, baby, please, can I?"

"Go ahead, sweetheart. Hold me how you want and make yourself come. Don't be gentle."

Jason hesitates at the last direction. "Don't be gentle? Are y'sure?"

You pinch his nipple lightly. Jason bucks his hips. Your eyes narrow.

"I'm sure. Gimme everything you got, big guy."

You bite your lip as Jason's body comes alive, strength kicking in as he draws your thighs up over his hips, plants his feet, and drives into you. He punches the air out of you with each thrust, sobbing as he does. You hold on to his arms as he moves.

It only takes him a few thrusts before hot cum fills your pussy. Your eyes roll back at the feeling, nails scratching Jason's biceps.

"I want more," you say, grinding shallowly against his cock. Jason cries out, and more cum fills you.

"Was that good?" Jason asks, holding you closer.

You grin. "We're definitely doing that again."

Except, maybe not right after Jason's cleaned. You're not that mean.

[gurugirl]

The Babysitter | dad!harry x babysitter!reader

Based on this request (changed some things - hope you still like it anon!)

Summary: The cute babysitter Harry's wife hired has always tempted him, but now that his wife is away for the evening Harry might just give in.

Word Count: 2,011

Warning: smut, cheating, implied age gap (your call on how large), inappropriate relationship (both consenting adults)

|main masterlist|

. . .

Harry was so fucked.

He knew better. A married man on the brink of ruining it all just for a taste of his kid’s babysitter. Truly, outrageously fucked.

He arrived home that day, knowing he’d have the house to himself all night with his wife gone out of town for a work trip. Knowing the cute babysitter would still be there, all doe-eyed and shy smiles. She definitely had a crush on him and he couldn’t stop thinking about that.

All day at work he went back and forth with the idea of it. The whole ‘fuck around and find out’ thing was more compelling when he might be able to get away with it. But it wouldn’t be worth it, he told himself even though he continued imagining what she’d feel like underneath him.

His actions completely contradicted that sound internal advice.

Because when he saw Y/n all cuddled up on his couch, a sweater draped over her shoulders and her bare legs stretched out long he allowed himself to stare for a moment. He shouldn’t have been thinking what he was but he couldn’t stop the blood rushing to his cock. He was going straight to hell for the kind of thoughts that were running through his head right then.

She slowly blinked her eyes opened and sat up with a sweet smile, “Hi. How was work?”

God, the cute, bubbly personality on her, even after just waking up from a nap… She hadn’t been tainted by years of grueling workplace drama and a sad and lonely marriage like he had and he found it refreshing.

“Was good. Uh,” he scratched the back of his neck, keeping his eyes on hers, “Everything go all right today here?”

She nodded and moved her legs off the couch, feet hitting the floor as she nodded, “He’s the sweetest. It was a good day. He kept asking for mom so I think he’s upset that she wasn’t here this morning but I told him she’d be back tomorrow night. Fast asleep now.”

But there was something in the way she was looking at him. Like she was just waiting for him to pounce. Rounded eyes, with that shy smile as she bit the edge of her bottom lip. Like she knew what he was thinking, her own mind filled with the same filthy scenarios.

It was late. Harry always got home late on Thursdays. After dark. After his son was already asleep, and usually it was his wife greeting him.

She parted her lips as she let her gaze lower to just below the buckle on his pants and then back up to his eyes.

“Yeah. We’ll be okay without her for a night,” Harry swallowed thickly as he sat his briefcase down and moved deeper into the living room next to the couch where Y/n was still seated. “What about you?”

“What about me?” She raised her brows as she craned her head to look up at him.

“I mean… you alright too? Still seated like you’re tired. You can stay if you want.”

She blinked her eyes and then did it again, letting her pupils connect with the space at his crotch before quickly bringing them back upward to his face, “Oh… I can go. I’m sorry…”

Y/n stood up quickly but Harry caught her by her arm, “It’s okay. You don’t have to go. I just wanted to make sure you’re alright. Was really helpful having you stay late tonight.”

If she kept looking at him like that, those fuck-me eyes and plush parted lips, he wasn’t going to be able to stop himself.

“Oh. I’m glad. Was happy to help you out, Harry. I’d do it as often as you needed me to.”

He grinned and watched her moisten her soft lips when she poked her tongue out and looked up at him through her lashes. If she wasn’t begging for it he didn’t know what this was.

“You gonna stay?”

She nodded, still looking up at him as she tucked her bottom lip into her mouth.

In a moment of weakness, of sheer insanity, he raised his hand up to her face and thumbed at her bottom lip, “What’s going on, Y/n? You got something to tell me?”

She fluttered her lashes and leaned into his touch as she kept her pupils aimed right at him. But then her lips parted again and Harry found himself sliding the tip of his thumb between her lips before she wrapped her mouth around it and he felt her tongue gently lave against his pad.

Now he was the one with parted lips as he watched his kid’s babysitter suck his thumb into her mouth, eyes pinned to his still.

And before he knew it, he found himself fucked in the figurative and literal sense as he had her face down on his mattress with his cock nudged into her so deep she was keening and hissing at the bite of pain his fat length was causing.

“Shhh… be a good girl and keep quiet, yeah?”

“Mmmm!”

It was so good. It was so fucking good. He hadn’t been laid in a couple of months and the babysitter’s pussy was better than he imagined it would be. She was wet for him right away. When he got her very short shorts off her legs and buried his face between her soft thighs she was already so sensitive and dripping, wiggling and moaning like she was just as pent up as he’d been. Like she wanted it just as bad. She’d made a big mess of him and the sheets but he’d deal with clean up later.

Because when he finally pushed his throbbing dick inside of her welcoming pussy it was game over. He had her hips in both hands, tightly gripping the meat at her sides as he buried in over and over again, letting her juice coat every inch and wet his pubes with her fragrance. He watched as he stuffed her with his cock, her cute ass perked upward and she pushed back on every one of his thrusts. So pretty.

Everything was slick and gushy as he plowed into her guts, slapping his hips into her ass. He kept looking at the bedroom door (which was closed and locked) out of habit just in case, but now he was out of his mind as she trembled and drooled against the pillow his wife used.

He slowed his plunges and watched his shaft as he pulled out, “Fuck… got me all creamy, baby. Why don’t you flip over so I can see your pretty face?”

She was shaky as she dropped down to the bed, scooting herself to adjust and then spreading her thighs as he tucked right back inside of her, pelvis dipping against her own.

“Harry…” Y/n quietly breathed as she watched him. He was so thick and long, just like she knew he’d be. She never thought he’d ever step out on his wife but here he was, with his big cock driving into her, making her squelch and stretch wide for him. She almost couldn’t believe it was happening.

Harry groped at her tit, still on his knees as he steadied himself, his thighs working in, “Oh sweet girl…” he panted, quads and glutes flexing with every motion. He picked up her hand and brought her fingertips to his mouth, kissing as he pumped himself through her walls and then dragging his lips down to her palm and then wrist.

“Oh my god…” she whined before draping her arm over her mouth to keep her volume down.

“Who knew you were so filthy? Look at you letting a married man fuck your brains out.”

A muffled moan sounded from her throat as she felt him jerk into her harder, the coarse hair at the base of his dick scratched at her clit before he began to grind his hips against her, adding friction like he knew that was what she was searching for with her hips rising to meet him with every thrust.

“But look at how lucky I am. So pretty… Hot little pussy, fuckin’ drenched, baby. How long were thinking about this, hmm?”

Harry did feel lucky too. Y/n was a hot little thing that he’d had some pretty dirty thoughts about since they first hired her. It was his wife’s choice. Y/n was in her senior year of university with long smooth legs and an adorable shy smile that caught him off guard the first time he saw her. So he always looked forward to seeing her every morning before leaving for work, or in the early evenings when he’d come home to relieve her.

Harry grabbed her other hand, moving her arm from her mouth as he brought those fingers up to his lips to kiss every one of them as he threaded their fingers together on her other hand, never stopping the movement of his hips.

With the back of her hand pressed into the blanket next to her shoulder, she inhaled sharply, trying to catch her breath. “Since I first met you…” she admitted.

Harry grunted, running his tongue along her wrist before folding his fingers into hers like her other hand and then pressing it down to the bed as he leaned over her, pelvis grinding against hers, his balls squeezing against her bum. And that was fucking deep.

“Oh yeah? Fuck, coulda been fucking this pretty pussy for the last few months. Making you come for being such a good girl and just for looking so fucking cute all the time.”

She moaned softly, “It feels so good…”

Harry grinned down at her, feeling her start to squeeze and pulse, “It does doesn’t it? Such a bad thing to feel this good. Might be trouble for us.”

“Mmmm…” she panted and then gasped as she was thrown over the edge, walls gripping and milking his cock.

Harry watched Y/n as she fell apart, “There you go, such a good girl, so pretty, baby…”

Harry gritted his teeth as he fucked her through her orgasm.

He was already leaking precome and practically shaking by the time he pulled himself out and pumped his fat cock right over her tummy. He’d have loved to have just come inside Y/n’s pussy but what he was doing was already dumb as it was.

He grunted and sucked in through his teeth, “Oh fuck…”

He’d gotten a little come on his knuckles as he ran his fist down his shaft, letting the last bits drip out onto the girl below him. A pretty sight. She was all fucked out and dazed, tits rising and falling with every breath, his come marking her tummy and her pussy freshly fucked, still soaked.

He was a gentleman, helped her clean up, and kissed her a little bit more before sending her on her way with a playful swat to her ass. He’d have loved to ask her to stay all night but he worried that that would just confuse things further. She promised she wouldn’t tell anyone and Harry said it wouldn’t affect her job and that it would be their secret. Though he did hope he’d have another chance to feel her again one day, he didn’t count on it. His wife was returning the following day and Y/n was soon to finish off her last year of college and she wouldn’t be needing a babysitting gig anymore.

Did he regret cheating on his wife? In that moment, he couldn’t say he did. He had fun and it felt so good to have sex with someone who wanted his cock as bad as Y/n did. He only hoped he didn’t get found out and as long as Y/n kept up her end of the bargain (he was sure she would) he figured the whole thing was a win.

He’d just need to keep himself in check around her when his wife was present. But when his wife wasn’t around he couldn’t promise anything.

. . .

PART 2

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[gristlegrinder]

#HES SO INTERESTING TO ME……. he lost so much of his memories and he’s genuinely bothered by it. because it’s all so CLOSE#also he’s just really cool#when I’m in a haunting the narrative competition and my opponent is Rand dwarfhusband….#it’s so!!!!!#a lot of the other wizards either don’t remember at all/don’t care to remember their past.#but Lhyr is almost. defined by the loss of his culture as his people and his own personhood. was ough#first time I played the meta I was like oh these wizards be fucked up for real…#SotO spoilers

@coollizzylou PERFECT ADDITION 10/10 THIS IS WHAT I'M TALKING ABOUT

doing the skywatch meta for the first time in a hot minute for the weekly like i love lyhr i love lyhr i love lyhr i love lyhr i love l

[butchvamp]

i did Lucanis's inner demons quest last night and have some thoughts [everyone groans in unison]

i admit that i definitely have a bias for Lucanis, i really like the crows (or i should say the crows from previous games & the lore around them) and my Rook is a crow so i'm inclined towards him in general.

that being said i feel i'm just. missing huge bits of information about him. he exists entirely in a void. i don't really know anything about his relationships with Illario or Caterina, the game glosses over so much of his role and what exactly he does within the crows (beyond just talking about how he was the Demon and the Magekiller) i suppose it's just too icky for the game to truly acknowledge outside of a few jokes about Lucanis poisoning the gang's food...

i know from seeing people posting excerpts from his novel that Caterina did, in fact, physically abuse him; i figured this was the case considering she's a high ranking member of the crows and thus no doubt had a role in torturing recruits, even if the game pretends like this is a thing that doesn't happen. you get a bit of banter early on where Lucanis, talking about Illario's behavior, says something along the lines of "My relationship with Caterina was complicated, too, and I was her favorite." implying some level of friction between them as well as conflicting feelings about her death.

but then that's it. we get nothing else. this should be a major piece of his story, a part of why he feels the way he does, and exploring Caterina's role in his and Illario's abuse would better expand upon Illario's resentment and make his and Lucanis's relationship more compelling beyond "Illario is a big jealous meanie."

i really wanted to like the inner demons quest more than i did, because conceptually i enjoy going into the fade/Lucanis's memories with Spite, so far Lucanis's quests have felt the most Dragon Age to me (fighting a naked woman in a giant pool of blood + seeing Spite lose control, him and Illario butting heads and having a competitive relationship before this (as the crows all should...), etc. these are fun!) but just like the rest of the game it's still holding back.

when you confront the memory of Caterina all you get are these choices:

none of these are particularly satisfying if you actually know the things Caterina has done... "Your love for him" is actually vile lol

this entire questline is a linear walk through fragments of the Ossuary & Lucanis's memories, there is nothing interesting here, Rook just plays therapist for about twenty minutes and then you make a nothing choice at the end that has no affect on anything at all... and most egregiously, we have learned literally Nothing new about Lucanis that the game hasn't already made an effort to tell us repeatedly (a real problem the game has in general, constant hand-holding and repetition).

there's Quite a bold choice to compare this quest to the Fade section in origins right at the start, with Rook and Spite joking about getting past the guards: "What did you expect, to turn into a mouse or something?" like yes, actually, i did expect something a bit more! even if you want to say the warden does the exact same thing with their companions in that quest, their dialogue is FAR better-- again, Rook's is all clinical therapy-speak (where did she even learn this shit? did the crows pay for her to get a degree in psych and become a licensed counselor?) and in origins, we do actually learn something new about each companion as well as getting to see them interact with their fantasies and/or nightmares. we get nothing here...

we could have seen him and Illario training together, being competitive, the early seeds of resentment being planted between them by Caterina's goading and abuse. we could have seen the guilt Lucanis feels about this, about Caterina's favoritism and how it's affected his relationship with Illario. we could have actually seen what happened to him when he was captured and in the Ossuary, we could have seen some of the horrible things he's had done to him and that he himself has done to become the Demon of Vyrantium, we could have learned more about why the demon inside of him became spite specifically-- because if what Zara's echo said is true, it started as an Envy demon-- so it was influenced by Lucanis in some way. what makes him spiteful? why is it spite that keeps him alive in the Ossuary...? is it spite as in defiance-- defiance of the Venatori, of Caterina's expectations and abuse, in defiance of Illario's betrayal...? unfortunately, Lucanis never really feels spiteful at all. determined to survive the Ossuary, but afterwards, never has he come across as spiteful (Spite is mostly just petty and a bit bitchy).

in my opinion the Envy demon fails because Lucanis was never envious of Illario or the First Talon position, only crushed by the loss of their relationship and guilty over Caterina's favoritism. obviously Caterina's expectations weigh heavily on him, but he knows he's the favorite, and he doesn't envy Illario for not being so-- he seems very aware of the fact that it doesn't equate to Illario having it "easier." but the game barely addresses this, only in weak voice-overs, while the majority of the quest is spent convincing Lucanis that he's not actually a demon. Lucanis is wholly a good guy that only kills blood mages and loves his poor grandma and his inner demon is entirely Literal and just him feeling bad about being an abomination :(

nevermind all that yucky complicated stuff. Illario is Bad and Jealous and deserves to be punished for... doing exactly what crows have always done.

of course it's easy to make Illario look bad when all of the other crows are treated like a found family, when we know that's not the case at all. crows have been competing and scheming and killing each other since origins. this isn't meant to make light of Illario's betrayal (in fact i still think it's quite significant given their history and the two of them being the last of their family) but instead Illario is very obviously suspicious from the start, the reveal of his betrayal was not surprising, it's predictable because, again, he is presented very differently from all the other crows we've seen in this game-- he's the Bad one, and Lucanis is the Good one. no nuance!

in his short story, The Wake, Illario is actually depicted as being extremely remorseful, getting very drunk and reminiscing on old childhood memories of Lucanis while Viago has to carry him home... of course there's no way of knowing the exact intent behind this story or what changed since (published in 2020 and written by Mary Kirby, after all) but either way, we don't get anything like that here. somewhere along the way we lost the depth and complexity of both characters; we don't get to confront this big ugly thing between them because the game refuses to engage with anything ugly at all.

[meanbossart]

A personal headcanon of mine is that Cazador had a special interest in Astarion before turning him into a vampire possibly a romantic obsession.

I was curious about what your personal thoughts were on the relationship between Cazador and Astarion?

Let me stop you right there - Yes.

Now, I'm a little reluctant to elaborate on this one, because I think it can be seen as a little reductive of the characters and their stories to condense what could be a political plot into something as superficial as another "if I can't have you, no one will" storyline - not only would that be less interesting to some people, but it once again reduces Astarion's character to his attractiveness - while the former, for once, actually made him "desirable" for his achievements and influence - even if it doomed him after all.

But at the same time, this theory compels me for that reason exactly. It sets the origins of the whole issue and what would, overtime, erupt into this complex he has of himself and how others perceive him.

I'm not a stickler for details as long as you can tell me a good story, but it's notable to me that the reasons why Cazador set his eyes on Astarion so early in his reign are never really elaborated on further. How much influence did he really have as a young magistrate, and what kind of rulings could he be passing that would affect Cazador so much for him to take such a risk in abducting someone of his standing right as he had himself come into power? Cazador is an idiot, but he's an idiot who managed to say alive and hidden for two centuries - this move was either exceptionally well thought-out, or Astarion wasn't that liked as a magistrate, or Cazador had far pettier motives to take such a risk.

Not to mention, Astarion is awfully elusive whenever you inquire about the hows and whys of his abduction. Dismissive, even. Like it's something he doesn't want to talk about. I could take that down the boring route and say "oh, the writers just didn't care to develop this part of his story", or I could do the far more fun thing and read into it.

Then, of course, there's the vague suggestions that Astarion stood out among the spawn for one reason or another - he's referred to as the runt of the litter, and yet as Cazador's favorite as well. Going through Cazador's journal following Astarion's disappearance, there seems to be something besides frustration about him leaving just as he's about to ascend - there's resentment, there's desperation. Why the fuck does Petras act as if Cazador would ever do anything good for them if they were treated as Astarion describes? How the fuck were any of them under the impression that this ritual would benefit them whatsoever, while Astarion seems to have always known better? While I have no doubt that they all suffered under Cazador's control, there seems to be indication that Astarion suffered specially badly. The question left is why.

I don't think they were ever lovers or anything like that, I don't think Astarion ever even knew Cazador well enough to give him a passing thought, but I think it would be absolutely rich for a newly born, still spite-fuelled vampire lord to make very emotionally-driven decisions. The type of decisions that he looks back on and curses himself for. For having ever had such a weak mind.

Think of it, you come into all this power after years of pain, sorrow and suffering. You set your hungry, lonely little eyes on the prettiest girl at the ball - she turns you down spectacularly. She laughs you off under thinly veiled pleasantries. You are beside yourself - you were supposed to have everything you ever wanted, to be untouchable, to be desirable, to have some sort of supernatural allure about yourself - you were under the impression that now, all of your problems had been solved and everything that life has to offer would be thrown at your feet, like you perceived it to be like to your own, deceased masted; then the rug gets ripped from under your feet. But, a moment after, you realize: when you want something very badly, you can now just take it.

So you do. You get a shiny new toy. Fresh off your dull, painful past-experiences it seems like this toy is all you need to bring the long-lost zest back into your life, it is your first taste of true power and control, your dear beloved, your reluctant companion, and you paint a picture of what life will be alongside it (though slightly stooped beneath you - you can't be equals, of course) decades, no, centuries into the future.

But the toy doesn't ever grow to like you. In fact, it hates you for what you are, what you chose to become and what you chose to make of, and to it. For a few years, you try. Then eventually you get bored of it.

In a few more, you begin to not be able to stand the sight of it. It reminds you of a time when you were naive, when you were stupid. Worse yet, it is now your ball and chain as you made it. The only use you see remaining for it is to tear it apart again and again and again until you've forgotten why you're even doing it. You don't even want to touch it yourself, you get others to do it for you.

I don't think Cazador harbored anything but that indifferent resentment towards Astarion through the vast majority of those two centuries, and, horrifically enough, I don't think Astarion even knew why for a good deal of it himself. I can picture him going over and over any passing interactions they ever had (if they even had any) desperately trying to piece together why me, what could I have done differently, how could I have avoided this hell.

Then, at some point, in the brief moments when his mind is somewhat cleared and after he has heard enough vague, cryptic remarks out of Cazador's mouth about his looks, about his attitude, about how he must think he's too good to do what he does, it hits him: If I had just said yes, none of this would have happened. It would have been a brief moment of disgust, but then it would have been over.

And you beat yourself over it almost much as you feel shame. You're embarrassed. Because you've now had to endure all this torment just because you said no to the wrong man - a matter of picking the bad choice at 50/50 odds. Not only that - but you were apparently so worthless to the world that this small mistake was enough to doom you for all eternity: It was, apparently, all you were worth. And he has made that abundantly clear by what he puts you up to now.

So, when someone asks you why it happened, you give them a better reason. One that at least highlights other things you were good at. They probably wouldn't believe you if you told them the truth, anyways.

[fatalism-and-villainy]

This is a bigger problem in the fanfic realm as well, because I have recently frequently been running into the problem of being drawn in by shippy fanfics that involve things like captivity, enslavement, and other scenarios that inherently constitute reduced autonomy and thus dubious (at best) consent, but actively refuse to engage with those implications.

And it's frustrating, because these are scenarios that I find compelling, and that have the potential for very rich emotional work. I like the juxtaposition of physical pleasure or emotional fulfillment with feelings of fear and violation, and the shame and self-blame that those feelings bring about. And I like digging into an experience of love and desire that is frighteningly selfish in its negligence towards the personhood of its object.

But I see so many of these fics that are explicitly framed as seeking to avoid these story elements - they'll have an author's note or something at the beginning with something like "I know this is problematic, but I've tried to mitigate the dubcon elements as much as I can!" And I find this... deeply frustrating! Because it's seeking to ameliorate the very dynamics that make this sort of story interesting to me!

And by the refusal to engage with the inherently nonconsensual aspects of these premises, I'm not necessarily referring to fantasy romance plot scenarios in which the characters overcome the violence of their initial dynamic to live happily ever after in a more egalitarian relationship. I can understand that these plots are living inside a sort of non-diegetic BDSM fantasy bubble, and they are still engaging with and deriving their initial eroticism and intimacy from violence implicit in their premises, while using the fantasy aspect to mitigate the actual "realistic" consequences of that violence. (I read some danmei novels that did this in ways I found really enjoyable; I think Hannigram also arguably fits into this mold in certain ways, especially considering that it is a fantasy about the parts of abuse that can feel intensely thrilling and that can make you feel recognized and known in ways no one else can.) What I'm referring to is, well, a refusal to engage at all with that violence and violation; an implementation of these premises that feels like just another pretext for introducing the characters and getting them into a relationship, without attentiveness to the implications of the specific pretext in play.

And there's something worth probing at with these kinds of authors' notes in the sense that... there's a lot of concern in fandom nowadays about "romanticizing" rape and abuse, and the seeming necessity of portraying perfect negotiation and consent in fanfic. And yet these sorts of paratextual framings seem to me to be dangerously mistaken about what consent even is - to be conceiving of it as a magic script with no interpersonal or situational antecedents, one that intrinsically smooths over systemic power differentials or lack of personal trust.

I wonder also if that's actually related to the simplistic approach to textual criticism that I sometimes call "checklist criticism" - the idea that a text can be deemed harmful or not, problematic or not, -ist or not, simply by going through a list of "is x present? check yes or no" bullet points, rather than taking a more holistic approach to the relationship between textual production and broader systems of power, being attentive to the specific premises and genre/stylistic aims of a text, etc. Possibly that's too much of a reach for what is ultimately a complaint about the difficulty of finding really juicy darkfic, but it's worth considering.

[lu-is-not-ok]

two in one theory... i am listening very intently if you ever feel up to share it!!

Alright, so this is gonna be... as close to an Abridged explanation of the theory as I can make, because if I went off on everything about it I would end up writing a whole dissertation or five hour video essay script on this shit.

There are gonna be three main sections to this post - Hong Lu's Daiyuisms, Hong Lu's Themes of Identity and how that connects to the concept of Two in One, and the Daiyu-Baoyu theory itself.

Strap in folks.

Hong Lu's Daiyuisms

If you know anything about my theories in the earlier days of Limbus, you might know that I'm one of the very few people who was convinced Hong Lu is actually Daiyu, due to some evidence I found personally compelling. This has not changed, as we've only gotten just as much extra evidence to this as we have to him being Baoyu. So let me just speedrun through some of these points.

The Fucking Jade Eye

Ok hear me out. This is maybe the least important piece of evidence but I can never stop thinking about it. Hong Lu's jade eye? Not actually fully blue! If you look closely on most of his sprites, you can see that he actually has sectoral heterochromia, meaning his jade eye is both blue and black.

Daiyu's name, quite literally, translates to blue-black jade.

Now, you could claim that this is merely meant to be an easter egg reference to her, but... is that really Project Moon's style? After all, when people speculated on Don Quixote being Sancho or a Bloodfiend partially based on her appearance all the way back since near launch, they turned out to be right.

Hong Lu's Father

As of now, there is only one instance of Hong Lu referencing his Father in Limbus, and it's a voiceline from his Base Identity:

Now, if you know anything about DOTRC, this should already be raising some flags, because if Hong Lu was just Baoyu, he would not fucking talk like that about his Father.

In the book, Baoyu is consistently shown to be afraid of his Father, for a good reason mind you, as he's his main abuser. Baoyu would not be looking forward to introducing his friends to that man.

Even if Hong Lu was trying to downplay the abuse he's recieved, this would still not fit his pattern of behavior. When topics that genuinely bother Hong Lu come up, such as what could make him distort or how rich people would enjoy gifts made of humans, he immediately pivots and tries to avoid the topic at all cost. He would not bring up his main abuser in such a lighthearted manner, he would avoid bringing him up at all cost.

However, there is a character in DOTRC which does in fact have a more positive relationship to her Father, and would likely be the one with an opinion such as that - Daiyu. Daiyu loves her Father, and when he dies she completely disappears from the story for a bit to attend his funeral. If there was anyone who would be excited to introduce their friends to their Father, it'd be Daiyu.

Lasso Hong Lu's Corrosion

I made a whole seperate post about this, but I might as well mention it here as well for the sake of completion. The design choices made for Hong Lu which are missing for Faust are very, very Daiyu-coded.

For one, not only does Hong Lu completely turn into a flower, unlike Faust, his horse also gains a flower in its mouth. For those whose knowledge of DOTRC is zero to none, Daiyu is a reincarnation of a Flower given sentience due to being watered by the Jade. I don't think I have to be the one to connect the dots between those two pieces of info for you.

The second is how the halters become a noose for Hong Lu. This, too, is a very Daiyu thing - Rose Hunter as an Abnormality represents the inability to escape one's fate, and Daiyu's fate is to die - the Jia Family arranging a marriage between Baoyu and Baochai leads to Daiyu falling deathly ill, which in itself could be considered a part of her repaying her Debt of Tears - the debt she swore to repay to the Jade/Baoyu when she was still a Flower.

The hilarity of the fact that this E.G.O came out in the same update as Hong Lu being called Baoyu in-story is not lost on me.

Rose Sign Abnormality Log

The third Log for Rose Sign ends in a very peculiar way.

There's multiple ways one can tie Hong Lu's odd reluctance to talk about flowers and the petals. One is the obvious "he's being reminded of Daiyu because she was a Flower" connection, but there's another one.

One of the most commonly potrayed images of Daiyu relates to a scene in DOTRC where she buries fallen flower petals, weeping for and lamenting the mortality of the flowers and herself. Hong Lu's reaction here to his fellow Sinners being reduced to nothing but petals upon Rose Sign's death feels like a notable parallel to Daiyu's flower burial scene.

Like literally everything about Kurokumo Hong Lu

The title for this is a bit of an exaggeration, but at the same time. I'm serious. Kurokumo Hong Lu is perhaps the most Daiyu Identity out of all the Hong Lu Identities we have, and the way he is designed to stand out among them further makes me go insane.

Kurokumo Hong Lu's most defining trait is his attitude - he often complains about his position and how authority treats him, though he doesn't really act out against them in any major way outside of making snarky or sarcastic remarks.

This is, frankly, an extremely Daiyu thing to do. Daiyu is one of the few characters who audibly complains about her treatment in the household. For example she complains about not being given as many opportunities to show off her poetry skills as her male peers are, and she recognises how, when all the girls in the family are given flowers, she's the last one to recieve them and thus is stripped of the ability to pick, being only given the leftovers.

Then there's the whole. Everything about Kurokumo Hong Lu's visual design. Because once you realize just how Daiyu-like the Identity is, you realize just how weird he is compared to other Hong Lu Identities. I mean just look how he compares to his other Identities.

He's the only Hong Lu Identity with a blue tint to his hair in the combat sprite rather than the usual purple.

He's the only Hong Lu Identity whose hairtie is a ribbon rather than a jade ring (Liu Hong Lu technically has the ribbon in his post-uptie art, but he doesn't have it in his combat sprite so I'm not counting him).

He's the only Hong Lu Identity to not be smiling in his combat sprites.

And he's the only Hong Lu Identity (and one of only four Identities in the game) whose Idle sprite has its body facing away from the opponent rather than facing towards them.

All of those combine to make him stand out like a sore thumb in a Hong Lu Identity lineup in a way that makes it feel intentional, especially since he's also the only Hong Lu Identity with that kind of notable attitude towards authority. Other Hong Lu Identities are either obedient, don't express any opinion, or just straight up are the authority.

The Baoyu reveal is framed in a very weird way

This is, admittedly, less of a Daiyuism and more of a not-Baoyuism, but I thought it'd be important to mention nonetheless.

There are a lot of things about Canto 7's reveal of Hong Lu's name being Baoyu that are very strange, especially compared to how the Canto frames Don Quixote's own reveal of actually being Sancho.

For one, the timing itself - why is such an important piece of info being revealed so early? Again, compare to Donqui - she was revealed to be a Bloodfiend in the Intervallo right before Canto 7, and the Sancho reveal only came in the second half of the Canto.

For two, the framing - Donqui's reveals are treated as what they are, Major Reveals. The Baoyu reveal on the other hand happens in a single off-handed line, with nobody reacting to it in any way. Neither Hong Lu nor the other Sinners seem to hear it after all.

And mind you, it's not like Limbus is opposed to giving us important information in off-handed lines - far from it in fact. Project Moon loves shoving little bits of foreshadowing and reveals you don't realize are reveals until way later in these kinds of off-handed lines. But the way those lines are treated is still very different to how the Baoyu reveal is treated.

Usually, when there's foreshadowing in off-handed lines, it's usually either vague enough to be something a character could say regardless of context (see Yi Sang getting hung up on the Sedatives bit in Canto 2 or Ishmael's comment about Syndicates pretending to be Families foreshadowing her own history with the Middle via Queequeg) or something that is in the middle of a scene that distracts from what is actually being said (like Hong Lu's distortion foreshadowing being in the middle of an important infodump or most of everything in Canto 2 being surrounded by a comedic tone).

None of this is present for the Baoyu reveal. There's nothing to distract you from this information, as the scene is already focused on discussing Hong Lu, meaning you're already likely to be paying attention to what is being said about him. There's also no vagueness about it, there's no way you can brush it off since not only are Wei and Xichun newly introduced characters, but it's a whole ass clearcut namedrop.

The only way I can justify that reveal being there in the form it takes is that it in itself is the distraction. Think about it. Didn't I point it out earlier that this reveal came in the same update as the E.G.O with an extremely Daiyu-coded corrosion design? Wouldn't it make sense for that reveal to be there to lower your guard, make you think you resolved that mystery, only to later on reveal it wasn't the whole story after all?

Hong Lu's Themes of Identity

So this section is a bit more vague than the Daiyuism section, because Hong Lu is the type of guy to just Say Shit all the time. It's basically just. Anything that I find relevant to the idea of Hong Lu's Identity being more complex than him just being a random guy using a pseudonym, with some (but maybe not all) of them directly tying to the idea of Two in One.

"Which one is the real you?"

There are currently two seperate scenes where Hong Lu muses on the idea of someone's identity being in some way vague or obscured.

Is Dante the person or the clock? Is the dreamer the one in the dream or the one who wakes from it? Which you is the real you? Does it even matter if that you will flutter away in the end?

This idea of there being one true self. That even if there are two, there is only one of them that is actually you. Curious, right?

Face-changing dance

During the Canto 2 scene where everyone gives their reasons for whether or not they'd be a good pick for being the one to dance, Hong Lu says this.

Bian lian is a kind of dance literally translated as "face-changing". It involves rapid changes between various masks and make-up to represent different emotions or characters.

Now, it's no secret that Hong Lu is a great actor, as we see in Canto 4, and Canto 7 shows how the comparison to theatre and actors can be used to symbolize one's performance of identity, as it does for Sancho and her Don Quixote persona.

Mind you, this reveal comes in the same scene as Sinclair's dance invoking the image of a bonfire burning all through the night according to the Mariachis, a clear foreshadowing to Canto 3 and the Literal burning down of Sinclair's home.

Hong Lu knowing bian lian could be further foreshadowing to his own skills in deception, and how he too is a sort of actor, not unlike Don Quixote. On the other hand however, it could also be a more literal foreshadowing, that he (Baoyu) Quite Literally changed his face. We won't know until Canto 8, but it is an option you know.

The HamHamPangPang dish(es)

For those who don't know, here is a list of the Sinner-themed dishes that were available at HamHamPangPang.

Now, chances are, not all of them have deep meanings. I don't think there's much of a deep meaning to Heathcliff and Ishmael's dishes, I think PJM just legit don't know much about British/American cuisine so they just picked something recogniseable.

However, not all of them are meaningless picks either. Ryoshu, likely a mother, has a meal literally called "parent-and-child donburi". Don Quixote, a Bloodfiend, has a garlic-based dish. These were clearly done on purpose.

So, what does it say that Hong Lu's dish is actually two different dishes? That he's the only one whose dish is two different dishes? And it's not like the two are in some way inherently connected, since they're of completely different cuisines. Japchae is a Korean dish, not Chinese like the Mandarin rolls.

And just in case you weren't convinced that Hong Lu's choice of dishes is purposeful - another name for Mandarin rolls is flower buns, and one of the special occasions japchae is commonly served for is weddings. If you had read through the Daiyuisms section and somehow have no idea what the significance of that is, I don't know what to tell you.

The Daiyu-Baoyu Theory (finally)

So. I gave some evidence for why I think Hong Lu could still be Daiyu despite being revealed as Baoyu. I gave some evidence for why I think Hong Lu could be a Two in One deal, or that at the very least there's something more complex going on with his identity. But let's discuss the theory itself, how it would recontextualize certain things, and why I think it's an extremely fitting an thematically resonant direction for Hong Lu's Canto to go in.

The Theory

Here's what I speculate is going on.

Daiyu, just like in DOTRC, is someone who was taken in into the Jia Household rather than born in it, and who strongly connected with Baoyu upon meeting him. The two would end up forming a bond strong enough that they would be willing to die for one another (or, if they're in particularly argumentative moods, to kill themselves just to force the other to have to live a long life grieving over them - this is an actual argument they have in DOTRC and I pray to god this is adapted into Limbus because it's too fucking funny).

At some point, Baoyu either dies or is brought to near death, likely through the same circumstances as in DOTRC - being beaten by his Father. To save him, his memories and consciousness would be transferred to his eye, a process not dissimilar to the one Xichun brings up in Canto 7, and implanted into Daiyu's body, causing them to become a vessel for Baoyu. This would be how Hong Lu as he is now is created.

All of the above is the main basis for this theory. Everything else that I might speculate about, such as the exact nature of the two's relationship, Daiyu's more exact background and personality, how their pre-reincarnation lives could be adapted - all of those are things that are purely speculative and ones that I don't really expect to be actually fulfilled. The only bits that I am sure are likely to be true is what I laid out above.

So... what does it all mean for the future? I'm glad you asked!

The Recontextualization

Here's a collection of just a couple of things that Hong Lu has said or is depicted as that would be heavily recontextualized if this theory ends up being true.

Hong Lu surviving despite claiming he didn't fight back when his siblings first tried to kill him: With the context that he used to be two seperate people, the answer to how he survived is made very simple. Baoyu is the one who wasn't fighting back. Daiyu, however, could have still protected him in turn.

The red ribbon on Hong Lu's weapon: There is only one other Sinner who has a similar decoration on their weapon - Ryoshu, who also has a red ribbon on her sword, which could be easily connected to Yuzuki and her death. With the context of Hong Lu being Baoyu occupying Daiyu's body and thus effectively rendering their self non-existent, the red ribbon could be a parallel symbol - a symbol of Daiyu and their 'death'.

How Hong Lu treats his weapon in his base E.G.O: The way Hong Lu holds his weapon in the illustration is more like he's cradling another person. This could be a representation of how he feels about Daiyu's situation. Likewise, in the attack animation, he's not really attacking with the weapon itself, is he? He's simply using it to direct a ribbon (which in itself is missing in the illustration), the part that is actually the attack. If the weapon in the base E.G.O represents Daiyu, this could be a parallel to how Baoyu feels like he's merely directing Daiyu's body to attack, rather than being the one actually attacking.

The duality of Hong Lu IDs: There is a notable pattern among Hong Lu IDs, and that is the focus on his attitude to violence. When he's in a situation where he's obedient towards his Family, he's either uninterested in violence, bored of it, or otherwise given no other choice but to use it as a reprieve from boredom. However, when he's in a situation where he's disconnected from his Family or otherwise questioning the status quo, he's shown to not only be much more aggressive and violent, but to outright enjoy it. With the context of Hong Lu being composed of two people, this duality could represent each of his components - the obedient and violence-averse being more Baoyu-like, while the questioning and violence-favoring being more Daiyu-like.

So, there's a bunch of stuff that would be given new meaning under the premise of this theory being true. But now, what about the future? What would this theory mean for the themes and ending of Canto 8?

The Resolution

I believe this is how the Daiyu-Baoyu theory will affect Canto 8.

At some point, whether before or during the Canto, it will be revealed that Hong Lu is both Daiyu and Baoyu. There will be an attempt to seperate the two, perhaps to implant Baoyu into a more fitting, more Jia Family-approved Vessel. Perhaps because the 'arranged marriage' from DOTRC could be adapted into something more... let's say Fear and Hunger kind of marriage rather than traditional marriage.

This will leave Hong Lu to be returned to their state as Daiyu, who will be revealed to be a very different person to what the Sinners knew Hong Lu as. There is a non-zero chance that Daiyu will be unable to hear Dante or be revived by them due to the one who signed the contract being Baoyu, and so they could end up acting as an uncontrollable ally unit not unlike Xichun in Canto 7.

The climax would then be Daiyu and Baoyu reuniting and being unwilling to part with each other again, even for the sake of returning to being the fake persona that is Hong Lu, leading to a potential duo boss fight/distortion boss fight/duo distortion boss fight.

The ending would be the two of them deciding to embrace their new identity as Hong Lu and truly becoming one, discarding their pasts and the selves that had been forced on them by the Jia Family. This ending would have a twofold meaning regarding how it connects to the DOTRC adaptation.

One - it would be a direct parallel to the ending of DOTRC where Baoyu leaves to become a monk. By becoming Hong Lu and discaring his previous identities, he'd be leaving behind the earthly attachments inherent to being Baoyu and Daiyu and become spiritually whole.

Two - it would be a reflection of the major theme of DOTRC, that being "Truth becomes fiction when the fiction's true. Real becomes not-real when the unreal's real." Hong Lu, as a person, is a 'fake' persona used by the 'real' Baoyu and Daiyu. However, by discarding those two identities and deciding to just be Hong Lu, the fiction of his existence becomes the truth, while his former real selves become not real.

Conclusion?

I could honestly just keep going with this post, but I think I'm going to stop myself here before I'm forced to find out what tumblr's character limit on posts is. Believe me, I was trying to be brief, and still this post is. This fucking long.

I hope this explains why this theory has been the subject of my brainrot for the past however long, and why I feel like it's surprisingly plausible despite being as deranged as it is.

Godspeed and godbless, I have classes tomorrow and I'm spending my time on this.