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commodorez · 9 months

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I still believe the craziest form of computer program storage format from the 1980s is the cassette tape. Logical I get it but to store entire programs on little tape (that I only remember using to play music) is just crazy to me. Idk

Agreed, cassette tape for data storage was really clever. The concept had its heyday was the 1970s in a wide variety of encoding schemes for different computer platforms. It did persist into the 80s, mostly in Europe, while the US switched to floppy disks as soon as they were available for systems. The majority of my Ohio Scientific software is on cassette.

Talking with UK vs. US Commodore 64 users in particular will highlight the disparity in which storage mediums that were commonplace. I've got a few pieces of software on tape for mainly the VIC-20, but I rarely bother to use it, because it's slow and annoying. To be fair, Commodore's implementation of data storage on tape is pretty rock solid relative to the competition. It's considered more reliable than other company's but Chuck Peddle's implementation of the cassette routines are considered quite enigmatic to this day. He didn't document it super well, so CBM kept reusing his old code from the PET all the way through the end of the C128's development 7 years later because they didn't want to break any backward compatibility.

The big thing that really made alot of homebrewers and kit computer owners cozy up to the idea was the introduction of the Kansas City Standard from 1976. The idea of getting away from delicate and slow paper tape, and moving towards an inexpensive, portable, and more durable storage medium was quite enticing. Floppy disk drives and interfaces were expensive at the time, so something more accessible like off the shelf audio tapes made sense.

I've linked two places you can read about it from Byte Magazine's February 1976 issue below (check the attribution links).

You might recognize a familiar name present...

There are a few ways to encode binary data on tape designed to handle analog audio, but the KCS approach is to have 1's be 8 cycles of 2400Hz tone, and 0's be 4 cycles of 1200Hz tone. I say cycles, because while 300 baud is the initial specification, there is also a 1200 baud specification available, so the duration of marks vs spaces (another way of saying 1's and 0's), is variable based on that baud rate. Many S-100 computers implemented it, as do a few contemporary proprietary designs.

The big 3 microcomputers of 1977 that revolutionized the industry (Apple II, Commodore PET 2001, and Tandy TRS-80 Model I) each have their own cassette interface implementation. It kept costs down, and it was easy to implement, all things considered. The Apple II and TRS-80 use off-the-shelf cassette deck connections like many other machines, whereas the original variant of the PET had an integrated cassette. Commodore later used external cassette decks with a proprietary connector, whereas many other companies abandoned tape before too long. Hell, even the original IBM PC has a cassette port, not that anybody bothered to use that. Each one used a different encoding format to store their data, rather than KCS.

Here's a sample of what an OSI-formatted tape sounds like.

And here's a Commodore formatted tape, specifically one with VIC-20 programs on it.

I won't subject you to the whole program, or we'd be here all day. The initial single tone that starts the segment is called the "leader", I've truncated it for the sake of your ears, as well as recorded them kinda quietly. I don't have any other tape formats on hand to demonstrate, but I think you get the idea.

You can do alot better than storing programs on tape, but you can also do alot worse -- it beats having to type in a program every time from scratch.

#kansas city standard #cassette tape #commodore vic-20 #ohio scientific

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llovelymoonn · 1 year

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poems about feeling stuck… like a perpetual loop, limbo, purgatory… I have a deep need to relate to another…

anne carson (via @cor-ardens) \\ may sarton journal of a solitude (via @flowerytale) \\ don delillo the body artist \\ ocean vuong on earth we're briefly gorgeous \\ mahmoud darwish memory for forgetfulness: august, beirut, 1982 (tr. ibrahim muhawi) \\ margaret atwood the door: "europe on $5 a day" \\ simone de beauvoir the woman destroyed: "the monologue" \\ rainer marie rilke the notebooks of malte laurids brigge (tr. michael hulse)

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metamorphesque · 2 years

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These images of circles and circling, revolving around a great center he names God, it makes me think of the cathedral labyrinths of Europe. Or the ancient spiral glyphs carved into rocks and cave faces. I see the circling pathway around some secret center. The road can be bewildering, twisting and turning, keeping us disoriented and uncertain of how near we are, but ever moving inward.

And that courageous line –

I may not ever complete the last one, but I give myself to it.

We walk the winding path, not out of certainty, but because it is the only path worth walking. Walking that road, quietly, with attention, one foot in front of the other, becomes meditation. It becomes worship. Each ring, whether near or far, is a layer of our lives that is blessed by our passing through it.

Walking the circling path is not only the way to the center, it is actually part of the center. We learn to participate in the center by first walking the path. Obsession with the destination becomes an impediment to reaching it. Instead, by patiently inhabiting each step, we discover the center in ourselves... and our feet naturally end up there, as well.

We walk with our whole selves –

and I still don't know: am I a falcon, a storm, or a great song?

On this roundabout road to God, we question our own nature. We encounter the mystery of self. Who and what are we really? Ultimately, it is in that questioning of a self that eludes definition where we find the still center.

The quieter we are, the more patient and open we are in our sadnesses, the more deeply and serenely the new presence can enter us, and the more we can make it our own, the more it becomes our fate; and later on, when it "happens" (that is, steps forth out of us to other people), we will feel related and close to it in our innermost being. And that is necessary. It is necessary - and toward this point our development will move, little by little - that nothing alien happen to us, but only what has long been our own. People have already had to rethink so many concepts of motion; and they will also gradually come to realize that what we call fate does not come into us from the outside, but emerges from us. It is only because so many people have not absorbed and transformed their fates while they were living in them that they have not realized what was emerging from them; it was so alien to them that, in their confusion and fear, they thought it must have entered them at the very moment they became aware of it, for they swore they had never before found anything like that inside them. Just as people for a long time had a wrong idea about the sun's motion, they are even now wrong about the motion of what is to come. The future stands still, dear Mr. Kappus, but we move in infinite space.

Ich lebe mein Leben in wachsenden Ringen, die sich über die Dinge ziehn. Ich werde den letzten vielleicht nicht vollbringen, aber versuchen will ich ihn.

Ich kreise um Gott, um den uralten Turm, und ich kreise jahrtausendelang; und ich weiß noch nicht: bin ich ein Falke, ein Sturm oder ein großer Gesang.

I live my life in widening circles (set me free)

Starry Night (Vincent van Gogh), Widening Circles by Rainer Maria Rilke (tr. Joanna Macy), Commentary by Ivan M. Granger, The Chartres Cathedral Labyrinth, Ouroboros, 1760 (a photograph by Granger), question mark symbol in Armenian, 지민 (Jimin) 'Set Me Free Pt.2', Letters to a Young Poet (by Rainer Maria Rilke), Ich lebe mein Leben in wachsenden Ringen (by Rainer Maria Rilke)

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slapthebass · 6 months

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Random gear stuff from EUROPE TOUR24 FROM DEPRESSION TO [mode of Withering to death & UROBOROS]

No ESP Throbber for Kaoru during Toguro, as they had a limited number of guitars allowed for this tour abroad (he used the blue JZH instead if I remember correctly)

Speaking of Kaoru, he brought his custom ESP D-KV (the brown/yellow-ish one), I wasn't expecting that one!

I saw Toshiya use Finger Ease-like string spray multiple times during interludes, this helps reducing the friction on the strings and playing smoother guitar/bass-lines :)

Die brought the black Morris acoustic guitar instead of the red one, they're the same model so it didn't matter but it was nice to see a non-red guitar in his arsenal :)

The sunburst ESP D-TR [RU-DRIVE Arch] bass (aka the best bass in my totally unbiased opinion <3) was damaged at the beginning of the tour, we could see the scratch at the Paris shows :( (he mainly used this bass for almost all of Mode of WTD, as well as for Akuro no oka at the end of all shows, as a substitute for the white ESP D-TR he usually uses for this song)

Shinya used a partial brown-ish Pearl drumkit (pictures/tag to come) with Remo & Signia toms, Sabian cymbals and at least one Evans drumhead (that he threw in the crowd at the end of Paris day 2). This is a different drumkit than his usual all-white/see-through one; as they're touring in Japan in April-June, he perhaps didn't want to risk damaging his regular kit.

Something I somehow never noticed before: all their guitars/basses are now cable-less! I don't really know how that works sound-wise but it does wonders in terms of stage management & interactions :)

#kaoru #toshiya #die #shinya #dir en grey #y: 2024 #s: EUROPE TOUR24 FROM DEPRESSION TO [mode of Withering to death]#s: EUROPE TOUR24 FROM DEPRESSION TO [mode of UROBOROS]#for reference #live report

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trainsinanime · 1 year

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LIMAX

I’m tired, I’m bored, let’s talk about the RE18, also sometimes known as LiMAX or Drielandentrein (three countries train).

Euregio

This international regional train connects the region known as Euregio Maas-Rhine, the area around the point where Netherlands, Belgium and Germany meet. The region has a long shared and sometimes weird history. The main cities are Aachen (Germany, about 260,000 inhabitants), Liège (Belgium, about 200,000 people) and Maastricht (Netherlands, about 120,000 folks). A cluster of smaller towns around Heerlen (Netherlands, 86,000 citizens) forms a fourth major pole. Each of the regions gets roughly around half a million inhabitants each, but with a lot of green space in between. Here's a very crude map:

Blue are borders, black are relevant passenger rail lines, red is the one high speed line I'll talk about later.

This region is either right in the centre of Europe, or at the periphery of each of its respective countries, depending on what aspect you look at. Centre of Europe is undeniably better, but it requires international cooperation to work out. For me, living in Aachen, it’s great. My nearest Ikea is in the Netherlands, and I can watch French movies in cinemas in Liège.

But a lot of things aren't perfect, and the regional rail connections are a good example. Differing ticketing systems mean that it's not only expensive to cross the border, it's often very difficult to figure out what it costs at all. In a lot of places, trains only did short hops over the border, and then you had to change to a different train to get anywhere interesting. Some lines weren't even electrified yet. But in 2018, that was all about to change.

LIMAX

The Liège-Maastricht-Aachen express, in short LIMAX, was meant to change all that. The train is officially known as RE 18, which comes from the numbering scheme in the German state of Northrhine-Westphalia but is used for the entire route. It was supposed to run from Liège via Maastricht and Heerlen to Aachen, connecting all the major cities of the Euregio.

This particular train is a dutch project, and connecting Aachen with Liège only happens incidentally. There is a direct Aachen-Liège railway line, actually the oldest international line that’s still in use, including the oldest surviving German railway tunnel, and there is even a high-speed line that bypasses around 90% of the historic line. You can get from Aachen to Liège in less than half an hour on high speed trains (though regional trains are weird and impractical at the moment). This train line is really more about getting people in Heerlen a direct link to Liège, and people in Maastricht a direct link to Aachen.

The train

The train is operated by Arriva Netherlands Limburg, an independent subsidiary of Deutsche Bahn, who also operate all other rail and bus lines in the southern half of the dutch province of Limburg. They were actually placed second in the tender for this, but got promoted after it turned out that the actual winner Abellio (a daughter of the dutch state railroads NS) had illegal access to internal documents of previous operator and third-place scorer Veolia from France. To their credit, this came out because Abellio management learned of it and made it public, but rules are rules, so they still got disqualified. This is barely in the top three most interesting stories with Abellio, but we don’t have time for that here.

The service uses Stadler FLIRT 3 electric multiple units. FLIRT is an abbreviation, but nobody bothers remembering what it stands for. The manufacturer also offers or used to offer the TANGO (streetcar), the WINK (smaller version of the FLIRT), KISS (double-decker) and their newest high-speed train, the… SMILE. Cowards.

The FLIRTs for this service are specially equipped for the line, supporting all the different voltages in the overhead lines and all the other necessary support systems… almost. That’s going to become important later.

(Arriva Nederland Limburgs also has other trains, including other FLIRTs, that are only equipped for the Netherlands. I'll ignore them here.)

Services started in December 2018, theoretically. In practice the German leg of the service didn’t work yet. The problem was that the line from Heerlen to Herzogenrath (and then further to Aachen) used to be one of the few non-electrified lines in the region. It was electrified specifically for the RE18, and the work wasn’t quite finished yet. That got resolved, though, and the train is now working mostly well between Germany and the Netherlands. There are still some issues, like how it consistently announces that the doors will open on the left when they will open on the right and vice versa, but those are minor issues. The main problem for me is that it bypasses the Ikea station instead of stopping there.

The much bigger problem was the Belgian line, from (south of) Maastricht to Liège. The Belgian railway authorities were never that enthusiastic about the project to begin with, seeing how it was a private dutch company (though owned by the German government), and the platforms in the intermediate station of Visé were too low for step-free access and needed to be rebuilt. But the real main issue lay elsewhere: The new trains did not have ETCS.

Train control systems

We need a detour here about train control systems. Trains are controlled by signals. If a train passes a red signal, an accident usually follows, so over time every country developed different systems to make sure that doesn’t happen. The specific features of these vary widely. Some just warn the engineer that a red signal is ahead, and stop the train if the engineer doesn’t react. Some activate the emergency brake when the engineer passes a red signal, or when they don’t brake enough. More advanced ones for high speed lines tell the engineer the current allowed speed, upcoming speed changes and how far away they are, like a mini-GPS system, and constantly check that the engineer is driving within these limits. Many systems do a combination of different things.

Almost every country has its own of these systems, generally known by a cryptic abbrevation, and many countries have several. For example, Germany has PZB for all lines and additionally LZB for high-speed lines. The Netherlands have different versions of ATB, Belgium has TBL1+ and so on. The differences between them aren’t relevant for this post, but they’re all very different in what they do and how they do it. The RE 18 trains support all of them, except LZB because they’re not used on lines that make it necessary.

That’s expensive and annoying, so the European Union and European rail industries have developed a new system to replace all of them, the European Train Control System or ETCS. You will also hear the term ERTMS (European rail traffic management system), which includes ETCS and some other things, but in common parlance it usually means the same thing. Despite the name, it is also heavily used outside of Europe, e.g. on China’s high speed rail network.

And yes, that is very much a situation like the classic XKCD comic:

Source: XKCD 927, CC-BY-NC 2.5

(For americans reading this and wondering about PTC: That is a whole mess and almost everyone, including Wikipedia, explains it wrong, but for the purposes of this post we can just say that these systems and in particular ETCS are all something „like“ PTC.)

ETCS will only make sense once all European mainlines are equipped with it, which is still several decades away. But some countries are working harder than others to implement it. In particular, Belgium demands that all new trains since about 2015 have ETCS. Including the Stadler FLIRT for the RE 18.

In this case

The operator protested, because that requirement apparently came in while the trains were in production, and the line in question didn’t even have ETCS at the time (according to the latest Belgian maps it does now). To this day, the trains actually running there, as a Liège-Maastricht shuttle, do not have ETCS. So clearly it's not that essential… yet. Still, Belgian authorities refused to budge, so the trains had to be sent back to the manufacturer to get ETCS installed.

(Aside: ETCS is an open standard, and you can get ETCS equipment both for the tracks and for the trains from many different companies. Stadler, the manufacturer of these trains, only recently got into making ETCS equipment. Before that they had to buy it from competing train makers. These trains are among the first equipped with Stadler’s ETCS solution.)

The first train got it installed, returned to the line, and started tests. It worked well in the Netherlands, it worked well in Germany, it ran into Aachen station and worked well there, it ran back out of Aachen station and it stopped. Full emergency stop. After some testing it was determined that it always does an emergency stop when running out of Aachen station. And nobody is really sure why.

The low-down

We can make some vague guesses, though, because Aachen main station does have some ETCS equipment.

ETCS works partially with radio, but also with what are functionally giant RFID tags, the same basic concept like what you’ll find on a wireless credit card. They’re working at different frequencies and they’re designed for reliable reading at 450 km/h, but the basic idea is pretty much the same. These tags, known as „Balise“ (French for beacon) or Eurobalise, are mounted in the middle of the track, and are often yellow, at least when new. They can either send the same data every time, or be controlled with a cable from a computer.

Not everybody loves ETCS, but everybody seems to like the Eurobalise. It’s simple technology that can transmit a lot of information, and so there are a number of non-ETCS uses for it.

One such use case is transmitting the information of an older train control system. That is what the Belgians do with their TBL1+ system. It’s the same system as TBL1 (there is also a TBL2, but that was a bad idea and is gone now), but it transmits its information with Eurobalises. The idea is that you update these balises later to also transmit ETCS signals. Older trains can just get a balise reader, newer trains can just get ETCS, and you have only a single type of thing in the track instead of two. Switzerland is the first country that is fully ETCS equipped thanks to such a strategy, and Belgium is following suit.

The other use case is the "ETCS-based class B transition". Sounds tough but really isn’t: ETCS has a mechanism to tell the train, "hey, ETCS is ending, switch to ATB/PZB/TBL/…". In this context "Class B" means any system that isn’t ETCS (and that is on the list of things that ETCS knows about, for this purpose). The system ensures that the train really does switch to the other system, and that it stops if the switch doesn’t work. That is very useful and so most border crossings at least in Germany use it these days, even if no other part of ETCS is seen anywhere.

Both of these use cases are well established and ETCS specifically allows for them. Aachen central station is particularly fun because here you will find both of them combined. It is the border station for (passenger) trains to Belgium, so several tracks can be switched to Belgium mode, with Belgian electricity, and with Belgian TBL1+ train control system. The Eurobalises in these tracks pull double duty: They tell trains whether to switch to Belgian or German train control systems, depending on where the route is set, and if the Belgian system is to be used, they also transmit the information from that.

This isn’t new, and has worked well for years. The only other two types of passenger trains approved for the Netherlands, Belgium and Germany (and in one case also France), the Thalys PBKA and the ICE 3M high speed trains, also run through this station and they also have ETCS equipment and it all works.

But something about the combination together with the ETCS equipment in the new trains just doesn’t mesh well. It’s possible that there’s a bug in the software of the train. It’s possible that there’s a bug in the coding of the balises. Maybe it's something else; ETCS is a complex standard with a lot of updates, and the equipment in Aachen hasn't been touched in a while.

A theory I read on a dutch forum said that these balises tell the train to switch to combined PZB+LZB mode, but the train only has PZB mode and gets confused. I don’t know enough about ETCS to know whether this is plausible (and I know way too much about this stupid system already). All we really know for sure is that there are people working on this, and they're not telling us any of the details.

But after a few days where the train just didn’t run to Aachen at all, they found a solution. You know how I said that some tracks can be switched to Belgium mode? The others can’t, so why not just run the train into those?

That was actually easier said than done. Aachen has a lot of tracks, but most of them are used for parking trains. Most German regional trains to Aachen end in Aachen, and then wait here for half an hour or so until they return to where they came from. This isn’t required by the track layout or anything, it’s just convenient because that way, delays don’t build up quite as much. And the best location for that pause is, of course, right at the edge of the country. Centre of Europe? Yeah, sure, whatever…

So the solution is now that the RE18 runs into track 3 and stops in the middle of the platform, where it unloads all passengers. Then it drives forward to the end of the platform, and stays there. Another train, the RB33, pulls in behind it (there’s a red signal between them, don’t worry), and waits for its time to depart. Eventually it does, and shortly thereafter, the RE18 runs back to the middle of the platform, and then a few minutes later, back out again. It’s a silly little dance, but so far nobody has found a better solution.

(Before you start, the end of platform 3 is very narrow and at a non-accessible height, so the train can't just load and unload there.)

As for the Belgian side of things, through-services to Liège will start this December! Woohoo! It seems this thing is finally working.

The Future

The long-term hope is to turn this from an hourly to a half-hourly service. It already is for most of its length, but right now the trains stop in Herzogenrath, just after the German border, because there is no space in the schedule to run them to Aachen yet.

Another hope is to create a completely new service from Aachen to Eindhoven, also using the same trains. Eindhoven wants to be connected to the German ICE network, Aachen wants to be connected to the dutch train network, so this sounds all great. Personally, I have doubt that these trains have enough capacity, but they are currently the only ones that would work. An issue with that is the actual line over the border. This used to be double-tracked, then got single-tracked. Now they want to double-track it again, but when it was electrified, they put the power poles right where the second track used to be. Not sure what they were thinking there.

All of these projects will take years, if not decades, and have in fact already taken years or decades. I’ve been in Aachen since 2007, and things like electrifying the line over the german-dutch border or creating a direct train from Aachen to the center of the Netherlands (or at least Eindhoven) have been in discussion for at least since then. On the one hand, it’s frustrating how slowly all these things are going. On the other, they are happening at all, and looking back ten years or so, it’s quite nice to see what has been accomplished.

I guess my one wish is that they’d finally let the train stop in Heerlen Woonboulevard, I’m tired of changing trains to get to Ikea.

#trains #railroads #aachen #maastricht #liege #arriva #etcs #stadler #guardia #flirt

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fairydrowning · 2 years

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"After you, poetry will cease."

– A Peom By Nizar Qabbani, "Bilqis" (tr. from Arabic by Yasser Aman King Saud University, Saudi Arabia)

Nizar Qabbani was a Syrian poet and diplomat who was famous for his romantic, nationalist and feminist poetry. Balqis an Iraqi woman who was his second wife. On 15th December 1981, she died in a bomb blast in the Iraqi embassy in Beirut during the Lebanese Civil War. Her death depressed him deeply, and he spent most of his life in Europe after her death. The poem was reportedly written the same day Balqis passed away.

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imfeelingbad · 7 months

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(As a ukrainian) I lost all hope in humanity forever ago and I'm pretty sure I won't change someone's opinion, but I just want to tell the truth that i cry about every time.

I didn't see my home for 2 years. When I was there all I heard was explosions, bombs and warplanes. I saw ruined houses. I saw my half-destroyed school near which a projectile fell. I saw fire, smoke, a lot of it. I was in there. I heard all this. I heard. I saw. with my own eyes and ears. And what did you see and heard in the west, saying "This is all just Ukrainian propaganda"?

I was in the metro and saw hundreds of my fellow citizens, that a few months ago were casually going in this metro to their jobs, schools, universities etc. Some were sitting on the floor, some on old crusty carpets, with no fresh air, no normal ability just to go pee, not even talking about washing. But they were there just to be safe. Just to not die. They didn't care about hygiene, warm food and bath, delicious drink in their favorite café, all they did care about was just surviving.

Then I heard about Bucha massacre (read about this, if you think "russian soldiers are just poor people who don't want war and against Putin!!"). I heard hundreds women, children, men being raped, killed, tortured and firstly I was shocked. Then I heard about Irpin, Mariupol', Izium, Bahmut, now Avdiivka and many other ukrainian cities, that were completely destroyed by russians. But the difference is now I'm not shocked or surprised. Because now I understand this is Russian world, Russian culture, whole Russia in general.

But no one cares. No one cares about genocide, if the victim is big country in the center of Europe (even though every country has many people of color, and the biggest country in the world terrorizes it).

I saw a girl in the tiktok that was telling about the film "20 days in Mariupol". I looked in the comments and started crying. Why am I, my family, my friends, all ukrainians supposed to suffer while some westerns and russians are just laughing and saying "slava russia"?

Many people were talking about Gaza and I agree, there is total hell in Gaza and I feel very sorry for Palestinian people. I know how it is. But what gives YOU, a person that is sitting in the safe place with all basical human needs and think a war is just some trend, the right to compare the DEATHS of people that DIED from GENOCIDE and say that one GENOCIDE is less bad than another.

I'm not saying that we are suffering more than Palestinians, I'm saying that it's just so cruel to normalize deaths of people.. any people. That DON'T HURT anybody. That just want to live in a free country.

If I say, boycott Israel, all people from Israel are terrorists, people will agree with me. But when I say Russia is the terrorist, people will say "No, you're just xenophobic!"... And the genocide of my people is NOT xenophobic?? And the hundreds of years of destruction of Ukrainian culture is not xenophobic??

"What about Gaza?"

Gaza needs help. Ukraine needs help. Congo needs help. Syria needs help. No one should suffer. THAT'S my point.

Did you hear something about Holodomor in Ukraine? About MILLIONS of Ukrainians that died because soviet government were taking LITERALLY EVERY FUCKING BREAD CRUMB?? around 3.9 million ukrainians died. And this is only according to official data. These are only people whose identities have been established. It does not take into account people who were missing, or who were just horribly maimed.

If you still think I'm an ukrainian propagandist and not some fucking random teen like you who's just sharing my thoughts, read about Holodomor in Kazakhstan, first Russian-Chechen war, SECOND Russian-Chechen war, Russian-Georgian war, Russia’s invasion of Syria, Illegal occupation of Crimea and Donbas or just anything that involves Russia and war crimes.

If you're still saying this is all propaganda, Photoshop, I'm not surprised. Of course, everything around is propaganda. But not your beautiful truthful swamp.

Sometimes I just wish I was in yours shoes. Not caring about anything.

I don't care what russia supporting bots will say, I don't care people will not believe me, I just want to feel alive again.

https://en.m.wikipedia.org/wiki/Russian_war_crimes

#war #genocide of ukrainians #russia is a terrorist state #ukraine #україна #palestine #free palestine #free ukraine #genocide #first post #last post #russia #ruzzia #israel #ussr

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youremyheaven · 7 months

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Theatrical Romantic (TR): Kibbe ID Exploration Through Media

Let me begin by saying that its best to think of Kibbe as a set of archetypes (its called Kibbe Image Identities, not Kibbe Body Types for a reason) and to use it as a fun, creative & useful tool for self-presentation and not something to scrutinize your own appearance with (I blame social media and media in general for how obsessive women get with this).

Now let us begin. This is my new series, I'll be making a detailed post for each Kibbe ID (of which there are 13). I thought I'll begin with TRs as they are the most misunderstood and purported to be the rarest.

I think its important to analyse Kibbe IDs in relation to the character tropes most associated with actors who belong to each respective ID because this is the way that reveals the essence of an ID most clearly and also because (and most people overlook this) Kibbe is literally based on the old Hollywood star system.

Little rant: I get really sick of seeing people on the Kibbe subreddit analyse the size of their hands or the breadth of their shoulders or whatever when so much of it is just based on vibes :/ and the kind of vibes your physicality gives off. Ok rant over.

Character Tropes/Typecasting:

I have noticed that TRs are often cast as aristocrats, literal royalty or just someone upper-class and tend to play very sophisticated women.

Morgan Fairchild & Joan Collins (both verified TRs)

Priscilla Presley (unverified TR) played Jenna Wade on Dallas in the 80s. She described her character as "Jenna is her own woman. She's extremely self-reliant, she has lived in Europe and has a child. Just like me. Except that she's a bit more sophisticated than me. She has a lot of integrity, she's totally honest. I like her. How could I help but identify with her?"

TRs often come across as very self-possessed, intimidating, strong, free thinking and hard to "tame".

Its funny to me that this character was later played by Morgan Fairchild (verified TR) after Priscilla left the show

They literally look SO similar. the 1930s-1940s period and the decade of 1980s was the heyday for TRs and they were everywhere & kind of overrepresented in the media.

I find this very interesting because TRs are often typecast as rich bratty girls or rich manipulative women. In the 1930s the US economy was experiencing the Great Depression and the wealth disparity between the rich & the poor was at its peak. In the 40s due to wartime production, the US finally climbed out of the great depression and it was a period of economic uplifting. During both these periods TRs were kinda everywhere in the media and film noir cinema was also very popular (I'll explore the link between TRs & this genre in another post). Movies depicted opulence & glamour & TRs were there to play those roles. Film noir can be understood as a reaction to the paranoia & general mistrust of the Great Depression and these movies were often very sexually charged as well. This is where the "femme fatale" shines.

Its so weird how they're practically extinct in the public eye now because of the homogenization of fashion/style/body aesthetics and every body looking like a copy of each other. To embrace your ID is to celebrate your unique presence and embrace individuality.

this same character was also played by Francine Tacker and look at how different her presence/vibes come across as. Both Morgan & Priscilla kind of radiate a similar aura of sensuality, affluence and they don't really seem like people who will take shit from anyone. Francine looks much sweeter and more girl next door not a posh bougie cut throat kinda woman. Again this is just based on VIBES which is how casting works. An actor needs to LOOK convincing as the character they are playing.

Joan Collins' character on Dynasty really exemplifies this. She plays Alexis who is a manipulative, scheming but sophisticated antagonist. She's described as "passionate, shrewd, and vengeful, Alexis loves her children fiercely and will do anything to protect them, but she often ignores their own needs and desires in place of what she thinks is best". Collins described her character as such:

"I went into the show, I was told that it was a failing show and that it was about to be cancelled, so they expected me to bring something to it to make it much more interesting to the viewer. That was a challenge, and it wasn't necessarily all in the writing. But I did find that the character was multifaceted, and wasn't just the plain old straightforward bitch type. I tried to give her a sense of humour, I tried to give her vulnerability, because she was betrayed by her ex-husband and her whole family, and I tried to bring other dimensions to the character."

It's vv imp to note this because TRs don't play supervillains or straight-up evil people, they're kind of bratty, and a little uppitty but it's mostly all in good humour and they have their reasons for doing so. They're not evil without reason. Their "bitchiness" is usually a mask for their vulnerability.

Scarlett O'Hara is also a REALLY good example. There is a reason why Kibbe said Vivien Leigh is THE prime TR example. If you've watched the movie you know that Scarlett is a bratty rich girl who uses other people and learns her lesson far too late. She is also a victim of her circumstances.

youtube

I feel like everyone associates an RBF with Vivien Leigh and does not see how kooky, playful and kind of silly (although mean and bratty as well) her character was. This is what TRs are like, they look bitchy but they're actually only mean in a playful silly kind of way.

This Jada Pinkett Smith in the 90s. A lot of people only know her in her current pixie cut form so they're confused by her being typed as a TR but if you watch her old stuff or look at pictures of her from when she had long hair, its vv apparent that she's a TR.

Her daughter Willow looks so much like her (this is a pic of young Jada)

Its crazy how styling can hide or enhance so many things. Jada comes across vv differently now than she did in the 90s.

TRs are often typecast as spoilt brats who are a little dim-witted. They have a dry sense of humour and can come across as cold/mean/blunt. Even when the character isn't actually rich, they still come across as bratty.

Alex Russo is a good example of this (played by verified TR Selena Gomez). Alex is good-natured and means no harm but she's often rude, sarcastic, conniving and manipulative.

Jackie Burkhart (played by verified TR Mila Kunis) is yet another good example of this trope.

youtube

TRs are often cast as drama queens and they KILL it in these roles.

Morgan Brittany played Vivien Leigh (both verified TR) in 3 different movies. Their resemblance is uncanny as are the vibes they both give off.

She's best known for playing Katherine on Dallas. Her character was very scheming & conniving.

youtube

This is a very interesting video of Morgan speaking about how she tried to emulate Vivien's "essence". This was in the 70s pre-Kibbe but I feel like she was intuitively employing the same techniques.

Donna Mills (verified TR) is best known for playing Abby Cunningham on Knots Landing.

Abby's storylines focused on business dealings, affairs and family troubles. Introduced as the sister of Sid Fairgate, she was initially portrayed as a friendly, warm-hearted woman with great love for her children. In due time, she evolved into the series' main antagonist, constantly causing mayhem in others' lives. According to series creator David Jacobs, the producers always intended Abby to be a J.R. Ewing-esque character. Jacobs said, "When we were casting the role of Abby, we were looking for a homey type, someone whom the other women characters would trust. It was our intention to have this nice person gain the trust of the other women and then cause trouble for them. We didn't want the other characters and the audience to know that there was a scheming person under this nice facade. We wanted her to come on as a good person and then evolve into a vixen." The character became known for her manipulative behaviour and was often labelled a "soap vixen".

This pretty much sums up the TR cinematic typecasting lol. They're innocent seeming vixens. Their "femme fatale" essence comes through with their scheming & manipulating, they're not action heroines who kick ass, most people now associate "femme fatale" with someone like Angelina Jolie but back in the day it was a charming innocent alluring woman who manipulated you and ruined your life.

Salma Hayek's first & only telenovela Teresa had her playing a young woman who uses her beauty & manipulation tactics to climb out of poverty.

"Teresa is a beautiful and intelligent young woman desperately seeking to get out of the grinding poverty of the neighborhood where she lives. Resentful of the miserable life that took her sister, she plans to use her beauty and intelligence to enter the world of luxury to which she wants to belong.

To this end, she enters her classmate and friend Aurora's group of friends. There she meets Aurora's cousin Raul, a young but neurotic millionaire with suicidal tendencies. Telling Raul that she is rich, coupled with her beauty, Raul becomes smitten with her. Even though he and Aurora discover that Teresa lied about her wealth, Raul is obsessed with her and forgives her.

Fearing that their opposition to the relationship will end with Raul's suicide, Aurora's parents accept the romance of Teresa and Raul. However, Teresa discovers that her deceit and ambition leads to unhappiness and loneliness." (Wikipedia Plot Synopsis)

I feel like most verified TRs have played a character that uses their beauty/schemes etc to get ahead in life only to realize that it makes them deeply unhappy. Its kind of the OG TR trope.

This is also what sets them apart from other villainous or evil characters. They have goodness in them to make them realize they're wrong. Also their schemes are often used to comedic effect and they're not straight up cold or ruthless, they're slightly slow and dimwitted (charmingly so).

Voice & Mannerisms

I have found one of the most distinct TR trait is their voice (usually low pitched, kinda husky) and also HOW they speak. They almost always come across as either

a. bubbly, playful, dry humour, little snarky and sarcastic

b. very well spoken, sophisticated, elegant, ladylike

or usually a combination of the two.

youtube

Jane Seymour (verified TR) look at the way she speaks, behaves

youtube

She's very playful but elegant and poised

Here's a bit where Selena speaks about her low pitched voice.

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Salma Hayek (verified TR) honestly watch any interview of hers to get an idea of the traits & qualities of a TR. she's very feminine, very poised, very graceful yet silly, playful and can be very sarcastic and also does not take shit from anyone. That's the femme fatale essence for you.

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I hope this post helped shed some light on the nature of TRs.

#Youtube #theatrical romantics #kibbe #kibbe id exploration #TRs #body types #style essences #style analysis #kibbe analysis

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bittersweetresilience · 1 year

Text

Adrien Agreste and Borderline Personality Disorder

DISCLAIMER: I've been a bit low on spoons this week, so I haven't gathered as much evidence as I probably could have. Also, I am but a humble student in clinical psychology. This is mainly a thought compilation for @moonieratty!

To introduce the topic, without going into it too much, personality is described by features and behavioral patterns, or traits, consistent across situations and across time. Personality disorders are therefore enduring patterns of highly maladaptive traits evaluated in personal and sociocultural context (Dozois, 2019, p. 290).

Like other disorders, personality disorders have diagnostic criteria. The DSM is used primarily for diagnosis in the US and Canada while the ICD is used more widely in Europe and other places. I'm more familiar with the DSM, but I've included a brief section on the ICD to be comprehensive. It ended up a bit longer than anticipated, so let's go below the cut. Warning for discussions of abuse, self harm, and suicide, and a brief mention of substance use.

Overview of Borderline Personality Disorder

BPD is prevalent in a small percentage of the population, about 1-2% by varying estimates, and is characterized by instability across domains of emotions, identity, interpersonal relationships, and behavior. Its onset is usually in late adolescence or early adulthood and symptoms may diminish with age, after one's thirties or forties, especially with therapeutic intervention. Along with ASPD, it has been the focus of a lot of clinical research; it is unfortunately associated with high rates of non-suicidal self-injury and suicide (APA, 2022, pp. 754–755; Dozois, 2019, pp. 308–309).

Etiological factors for BPD include both biological and environmental disturbances. Of note to our discussion is the heightened risk for BPD in cases of child abuse or neglect, as well as growing up with another family member with a serious mental health condition (NHS, 2022). It's been well established that Gabriel is emotionally neglectful if not outright abusive toward Adrien in multiple ways, so this is a clear risk factor. In addition, although I won't argue definitively for Gabriel having a psychological condition, he did keep Emilie's body in the basement, so there is clearly some kind of disturbance going on.

From a cognitive-behavioral perspective, Linehan argues that BPD stems from families who consistently invalidate childhood emotional experiences and "oversimplify the ease with which life's problems can be solved," which may cause children to learn to seek attention and communicate with others through emotional outbursts (Dozois, 2019, p. 297). This rings true for Adrien and Gabriel as well.

I have to apologize for my son, Ladybug, he's like his mother. Way too overly dramatic. (Jackady)

It doesn't seem like this is the first time Gabriel has thought this, and labeling an emotional reaction as being overly dramatic is very much invalidation of it. As for emotional outbursts, Adrien has had quite a few, mostly as Chat Noir. More on this later.

To round out this first section, attachment theory proposes a connection between poor parent-child attachments and BPD relationship difficulties. Specifically, maladaptive behavior in relationships may stem from childhood development of an anxious-ambivalent attachment style, where intense fears of abandonment interfere with a strong desire for intimacy (Dozois, 2019, p. 310). You can clearly see this in Chat Noir's relationship with Ladybug, and I'm sure other people have discussed Adrien's attachment style more in depth, but suffice to say I think this is an apt description.

Argument from DSM-5-TR

In the DSM, personality disorders are primarily diagnosed on a categorical model. There are a few general criteria which I won't be going into, but I will highlight that personality disorders are stable and pervasive, and would be diagnosed only if they were leading to significant distress or dysfunction. Adrien's mental state is not great, so the latter shouldn't be a problem, but this show does not always pay attention to consistency, so I'm going to be speculating some. Everything in this section is cited to the relevant DSM entry unless otherwise stated.

The DSM characterizes BPD with instability in relationships, self image, and affects, as well as marked impulsivity. It has no exclusion criteria, so BPD can be and frequently is comorbid with other disorders like mood disorders, PTSD, and ADHD. Of the below criteria, five need to be met in order for a diagnosis to be made.

Frantic efforts to avoid real or imagined abandonment

Hey, where're you going? . . . So you're allowed to know her true identity, but I'm not? (Syren)

You're not really replacing me with a turtle, are you? (Anansi)

A lot of people have delved into Adrien's abandonment issues, which feature most prominently in his relationship with Ladybug. His fears of being replaced result in him seeking reassurance from Ladybug, and he can lash out if he does not receive the response he hopes for. Ladybug is his world, and he wants to be hers, so anything infringing on that feels to him like a threat of being abandoned, and he does not like it very much.

Impulsive behaviors like giving up his ring can be interpreted under this lens: he can avoid abandonment by doing the abandoning first. Then it will be him leaving, and not the other way around.

I also interpret Adrien's nightmare (Le Marchand de Sable) as being a fear of being alone as much as it is a fear of being trapped.

Unstable and intense interpersonal relationships alternating between extremes of idealization and devaluation

We'll be united, more powerful and free. We'll defeat Hawk Moth, then we can both run away to an island! Far away from everything. We will live off nothing but fruits, and we will have a little pet hamster and we will name it— (Le Patineur)

I just can't do this anymore. I give up… on everything. Even you . . . If I become Chat Noir again, Ladybug will just end up rejecting me, over and over. (Kuro Neko)

Even though Adrien mostly keeps his head on straight regarding what he's owed and not owed by other people, his relationship with Ladybug is full of highs and lows. He thinks Ladybug is the most amazing girl, but this can recoil quickly into feeling as though Ladybug doesn't care about him enough or isn't meeting his needs.

Furthermore, he developed this idealization of Ladybug as a potential lover or caregiver at one of their first meetings (Cœur de Pierre), and continually sought to spend time together and share the intimate details of their secret identities early on. These are all common to individuals with BPD, as is the switch from idealization to feeling as if the other person "does not care enough, does not give enough, or is not 'there' enough." Ladybug is the only person Adrien consistently projects this instability and intensity on, which might be something interesting to explore.

Identity disturbance: unstable self image or sense of self

When I was a kid, I always wanted to be what my parents wanted me to be! (Exauceur)

But, does that mean Chat Noir is who I really am? Deep down inside? (Kuro Neko)

With all the secret identities, it isn't surprising that Adrien fits this criterion, but canon even explicitly draws a link between Adrien's unstable sense of self and his childhood experiences. He doesn't know who he is, and he distracts from this by being Chat Noir, only to struggle even more when he feels useless and underlooked as his hero self. His behavior shifts dramatically between trying to prove himself with grand gestures and refusing to participate or lashing out. There is definitely something to discuss on this front.

Impulsivity in at least two potentially self-damaging areas

Giving you some extra time . . . I trust you to bring me back, m'lady. (Gamer 2.0)

There are only two liars left in Paris and one of them knows the ultimate way to catch her attention . . . Crazy about you, m'lady. (Mensonge)

This is walking a thin line between impulsivity and suicidal behavior, which would be excluded from this criterion, but I'll list self sacrifice here because I can see an argument for Chat Noir's impulsive behaviors being out of love or the desire to be useful. There may still be some self injurious intent or euphoria, but Chat Noir does have faith in Ladybug to bring him back eventually. Nevertheless, this is impulsive and unhealthy. Chat Noir jumps too quickly to this option to have thought it through.

I can't think of another area, because Adrien isn't old enough for reckless driving, spending, substance use, or sex. This is also a kids' show. Just presenting these options for fanfiction writers out there.

Recurrent suicidal or self mutilating behavior, gestures, or threats

I... I don't know what to do! (Chat Blanc)

This is all our fault . . . Cataclysm. (Culpabysse)

By itself, what happened in Chat Blanc would not be solid evidence, as that was an unprecedentedly traumatic situation. Combined with Culpabysse, though, there is a strong case to be made for at least passive suicidality for this to be able to come up as an option.

You could also interpret the self sacrifice in this category. Suicidal behavior in individuals with BPD is often preempted by fears of rejection or abandonment, so an interesting analysis could be made on this front.

Affective instability due to marked reactivity of mood

He's still only thinking of himself! I just want this terrible day to be over and done with! I hate Christmas! (Pire Noël)

Sorry! Sorry! I didn't mean to make you so mad. I get it. You're sick of me . . . No one can help me, Kagami. (Glaciator 2)

Adrien's prolonged episodes of anger and despair reflect a high reactivity to emotional stressors, especially interpersonal ones. In general, he just doesn't feel very well unless something is actively bringing him joy. Most of his outbursts are brief, though, and I will discuss them as part of a later criterion.

Chronic feelings of emptiness

I'm not Adrien, so I wouldn't know if this is the case, but I can say he has experienced at least one depressive episode (Kuro Neko) and emptiness would not be unfamiliar. You can look at him and decide.

Inappropriate, intense anger or difficulty controlling anger

How was your amazing evening with your "friends"? . . . What do you think? (Glaciator)

Why not? No one'll know if I quit. No one'll care! (Syren)

A two-person plan?! There's only one two-person plan, and that's Ladybug and me! (Sentibulleur)

Give me a break, Miss "I can't even come up with a superhero name"! (Hack-San)

Anger in individuals with BPD can manifest as bitterness, sarcasm, or recurrent verbal outbursts, which Chat Noir absolutely exemplifies. These outbursts are often followed by feelings of shame or guilt and contribute to a feeling of being bad. Chat Noir apologizes after being harsh in Glaciator, and I wouldn't be surprised if he felt badly about the other times. Again, these outbursts are often precipitated by interpersonal fears and perceived threats of abandonment. Unlike other symptoms, this specific one tends to be unique to BPD.

Transient, stress-related paranoid ideation or severe dissociation

I cannot recall any evidence for this but headcanon away, my friends.

All in all, I think Adrien has a strong case for BPD presentation according to the DSM. Canon is not always consistent, but I think it presents an interesting and mostly coherent narrative for this lens. From this perspective, Adrien's behavior reflects a deep intolerance of being alone and a dependence on other people to define the self.

As a corollary, BPD behavioral patterns are frequently linked to self sabotage and self undermining right when a goal is about to be realized, which could manifest as dropping out of school right before graduating or ending a relationship when it seems to be going well. Food for thought. Individuals with BPD may also feel more secure with transitional objects like pets than with interpersonal relationships, which could reflect in Adrien's relationship with Plagg.

To add some subjective understanding to this clinical mumbo jumbo, I've added a source of genuine BPD experiences below (Mind, 2022).

Argument from ICD-11

With the release of the ICD-11, a dimensional model for diagnosis of personality disorders became the new standard. What this means is that individuals are no longer labeled as having 'histrionic' or 'dependent' or, indeed, 'borderline' personality disorders, but are rather assessed as having any form of personality disorder on a sliding scale of severity and with trait domain specifiers (Swales, 2022). To put it more simply, people are diagnosed only with a general personality disorder or personality difficulty which can be optionally specified as deviating on one of the personality traits in the Big Five model, which is well established in personality psychology.

This move has several benefits. Stigmatization related to particular personality disorders can be reduced, and differential diagnosis and comorbidity between personality disorders becomes irrelevant. However, people retain access to treatment and support. Evidence-based treatments like dialectical behavior therapy are particularly well established and crucial for BPD; for this pragmatic purpose, the ICD contains one additional specifier for borderline pattern personality disorder (Bach et al., 2022; Swales, 2022).

The DSM and ICD are designed to be compatible with each other in many ways, and in this case, the borderline specifier in the ICD is directly lifted from the criterion of the DSM (WHO, 2023, 6D11.5). Based on our previous discussion, Adrien would be equally qualified for a diagnosis in France. I would likely describe his personality disorder with moderate severity, where multiple areas of functioning are affected and self harming behaviors may be present, but not all areas or relationships may be equally impacted and traits are not as rigid and inflexible (WHO, 2023, 6D10.0–6D10.2).

Interestingly, the ICD includes three additional manifestations of borderline pattern which are optional and may vary across time (WHO, 2023, 6D11.5).

A view of the self as inadequate, bad, guilty, disgusting, and contemptible

An experience of the self as profoundly different and isolated from other people; a painful sense of alienation and pervasive loneliness

Proneness to rejection hypersensitivity; problems in establishing and maintaining appropriate levels of trust in relationships; frequent misinterpretation of social signals

I'm fascinated by the number of adjectives in here. I simplified very slightly, as I did with the DSM criteria, but I had to keep all these adjectives. Anyway, I won't elaborate for too many more paragraphs, so let's say sentimonster moment and leave it at that. I will spare you my mirrored Félix essay. For now.

Qualifications and Limitations

First of all, Adrien is a teenager. The distinguishing factor between a personality disorder and regular adolescent difficulties would be longevity and identity concerns beyond his developmental phase (APA, 2022, p. 758). Second of all, Adrien has a uniquely terrible home life and magical problems. Some of his behaviors could be normal considering his experiences and sociocultural context, and this matters when it comes to psychological evaluation. Take everything with a grain of salt!

More generally, the categorical model of the DSM has several issues, not to mention diagnostic issues related to culture, gender, and stigma. Some but not all of these issues are addressed by the dimensional model it includes in a later section, which shares theoretical foundations with the model of personality disorders in the ICD. Even so, issues remain. Diagnosis, access to treatment, and political statements are intrinsically linked in complex ways. I won't get into all of the nuances, but be safe, remember this is a fictional character, and keep an open mind.

REFERENCES:

American Psychiatric Association. (2022). Diagnostic and statistical manual of mental disorders (5th ed., text rev.). https://doi.org/10.1176/appi.books.9780890425787

Bach, B., Kramer, U., Doering, S., di Giacomo, E., Hutsebaut, J., Kaera, A., De Panfilis, C., Schmahl, C., Swales, M., Taubner, S., & Renneberg, B. (2022). The ICD-11 classification of personality disorders: A European perspective on challenges and opportunities. Borderline Personality Disorder and Emotion Dysregulation, 9(1). https://doi.org/10.1186/s40479-022-00182-0

Dozois, D. J. A. (2019). Abnormal psychology: Perspectives (6th ed.). Pearson.

Mind. (2022, September). What does BPD feel like? https://www.mind.org.uk/information-support/types-of-mental-health-problems/borderline-personality-disorder-bpd/experiences-of-bpd/

National Health Service. (2022, November 4). Causes - Borderline personality disorder. https://www.nhs.uk/mental-health/conditions/borderline-personality-disorder/causes/

Swales, M. A. (2022). Personality disorder diagnoses in ICD-11: Transforming conceptualisations and practice. Clinical Psychology in Europe, 4(Special Issue). https://doi.org/10.32872/cpe.9635

World Health Organization. (2023). International statistical classification of diseases and related health problems (11th ed.). https://icd.who.int/

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sitp-recs · 1 year

Note

Hey! Hope you're doing good!! :) I'm wondering if you know any Drarry fics that have mythological elements / stories as part of the plot. For example, a fic based on Greek myths like Hades/Persephone?

Hi anon! I’m doing great, what about you? :) oh that’s a really cool ask, I hope you enjoy these! I strongly recommend checking khalulu’s stuff as they always explore different mythologies and cultures across their works. I’d love to get more recs on this theme, too!

Nordic:

Veðr by @shealwaysreads (M, 3k)

Norsemen have ranged far enough inland to find Harry, alone and abandoned by his kith and kin. But they bring far more than danger with them, they bring adventure, they bring magic.

Swedish:

Sweden | A Midsummer Night’s Dream by @drarrelie (M, 5.5k)

With the war finally over, you’d think Harry would finally be granted that “normal life” he’s always dreamt about. Finally free from the Dursleys, from that nose-less megalomaniac, from Horcruxes, Hollows, Death Eaters, Dementors, Prophecies… you’d think that he, for the first time in his life, would be allowed to be just a normal teenager. You’d think he’d deserve that much, right?

Russian:

S’Mitten by khalulu (G, 6k)

Harry and Draco aren’t enemies any more, but it seems their history will always stand between them – so let’s try some other histories on for size! The fickle finger of fate is muffled in one of Mrs Weasley’s mittens. Did I mention kisses?

Norwegian:

East of the Sun and West of the Moon by khalulu (T, 6k)

One stormy Thursday evening, a big white bear named Draco turns up to carry Harry away from the dreadful Dursleys. They get along fairly happily together until one night Harry’s curiosity gets the better of him, and Draco is whisked away to his wicked aunt’s castle, East of the Sun and West of the Moon. It will take a strong wind to bring Harry that far…..

Albanian:

What Country, Friends, Is This? by khalulu (M, 8k)

When Harry and Draco are paired up for a nebulous “capstone project” in 8th year, Draco suggests they use it as an opportunity to take a free Grand Tour of Europe. Harry isn’t interested in being grand, and they soon veer off the beaten path. The journey to find what (and who) you really want can lead to unexpected places. (As well as Bertha Jorkins’ aunt, Illyrian Serpent cults, heroic baby Draco tales, and Slytherins singing Motown.)

Hindu:

Birds of Dreams / Remover of Obstacles / Guardian of Waters by khalulu (G, 12k)

Harry is exploring his Desi heritage, and Draco runs into him in colourful circumstances. Luna has a penchant for puns and the Patils watch Bollywood. Paper is folded, a flying carpet takes an Indian road trip, and a phoenix is found. Love blooms along the way, a flower that’s free.

Finnish:

Sparks from the Fox’s Tail by khalulu (T, 17k)

Draco is frustrated with his career as a travel writer, when a mini-tirade from Mrs Weasley and an encounter with the portrait of an intrepid great-great-great-aunt lead him to Finland to study wandless magic. Harry is – just being contrary and following his sweet-tooth, or taking the subtle route to saving the world?

Multiple:

The Hardest Hue To Hold by @cavendishbutterfly (M, 17k)

Harry needs to get the hell out of England. So he sets up a teaching assistantship in America, hops on a plane, and heads off to a fresh start. Except there’s a familiar face among the university faculty, and it’s really not the familiar face that Harry wanted. Or at least, it’s not who Harry wanted at first.

Irish:

Offer Up Our Hearts by @tackytigerfic (M, 23k)

Harry Potter has a very nice life, thank you very much. He's a top Curse-Breaker with a lucrative Ministry contract, and exciting prospects ahead. Sometimes he does wish that he had time to pursue something official with Draco Malfoy - they're half in love with each other, after all, and a great team (in and out of bed), though Draco is still one of the most infuriating people he knows.

Egyptian:

Memory Lost | You Found by @maraudersaffair (E, 30k)

After his Auror training, Harry's assigned to guard the Department of Mysteries - specifically the room where Malfoy is being held in comfortable captivity. Yet no one will tell him why, and what's more concerning? Malfoy doesn't remember Harry at all. To uncover the mystery, Harry must travel all the way to Egypt where he discovers a magical community living in the great pyramids and a long held secret that is dangerous to anyone who knows it.

Arthurian:

The Compact by astolat (E, 64k)

Hermione frowned. “The real question is why the magic of Britain would be failing now, in fact.” “That is not the real question!” Ron said loudly; he’d woken up fully by now, and Harry had too; it was starting to sink in that they’d found the problem. “The real question is, how do we fix it?”

Brazilian:

A Sense of Scale by @fantalfart and dragontamerdrarry (M, 70k)

In which Draco spends an obscene amount of time thinking of new nicknames for The Living Git, lying to himself and using his charms to seduce an extremely uncooperative sentient school.

Celtic:

The Stars Have Courage by @fantalfart (M, 85k)

Draco waited five long years to watch his husband wake up from a coma. He's not ready to meet a Harry with no memory of anything that happened after he died at The Battle of Hogwarts, twelve years ago.

Greek:

Close Behind by @oflights (M, 134k)

To rescue Draco from the Underworld, Harry has to look forward. Unfortunately, Draco has to look back.

Bonus: dark fae AU 🧚‍♂️

Mushrooms of Wiltshire by @shiftylinguini (T, 5k)

There's no point unpacking―Harry's not staying long, and besides, there's just bundled rags in his valise. The illusion of belongings, of a man heading to a new position at a prestigious manor―one beset with rumours of old magic and of impish forest dwellers causing chaos and mayhem amid the phosphorescent toadstool glow. Bugger the job. Harry's here for the rumours. He's been chasing them for years.

#asks #anon #Drarry reclist #drarry & mythology

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