#THINGS TAILORED SPECIFICALLY TO MY INTERESTS!!!!!!!!!

[criticalrolo]

CROWN OF CANDY PREQUEL DMED BY MATT MERCER

[soullessjack]

could you recommend any Jack fanfic/imagine? (if you read any, if not, could you tell me some of your headcanons about him?)

i wish i could but i enjoy neither of those things I’m sorry .. ,and from what I’ve seen of both things they all suck. badly. like he’s either a baby, a cardboard cutout ray of sunshine, or he’s getting bullied in high school for being a freak. very slim pickings i fear

as for headcanons i think he’d be very good friends with garth and occasionally babysit sam and cas jr. cuz he loves being an older brother figure .. (he would also do this with Claire) i also think Garth could rlly help him with having to compromise being between human and nonhuman/monster while also living a hunter’s lifestyle & the identity crises that would bring)

i am also an avid fan of the idea that he’s really into classic [zombie] horror like the George A Romero movies or even thebblack and white 1930’s-40’s era of horror like White Zombie (the first official zombie movie ever)

[mimbotomy]

I'm sorry to hear that planning has been stressful, but best wishes this Saturday!!! I'm so excited for you and your wedding and your marriage and wish you every happiness 💕.

Thank you! I am very excited too! Mostly because I get to marry the love of my life 🩷🩷🩷 but also because there are only four days left and judging from my track record this last month that means I will probably have to deal with🤞🏼only🤞🏼four more things going wrong! 🎉 And then I’ll be married to my favorite person and the stress will probably be gone! ✨

(Please send good vibes my way it’s been a very weird hectic month 😂)

[tiktaaliker]

kiiiiiinda tempted to whip up some like. adopt designs. just because i like designing shit. but like based on my own experiences i know id get exactly zero bites and id just end up feeling bad about it

[kuromi-hoemie]

my blog recommendations are constantly rotating between miku furry and yuri blogs

[thydungeongal]

A lot of people replying to my post about not needing to write a detailed background for your RPG characters are genuinely missing the point with their replies of "well, it really is a matter of taste." In modern TTRPG culture, especially on the D&D side of things, the idea of characters needing deep and expansive backstories to grant them legitimacy and to give the GM material to hook the players with is normalized, and the point of the post isn't that expansive character backstories are necessarily bad, but the idea that characters need them to be legitimate is false. As a player, bringing a blank slate character to the table and discovering who they are through play is perfectly fine.

Also, while I do think it's good of the GM to prep material that players will want to engage with, it should be a two-way street: players should show up to the game with a willingness to engage with the GM's prep. Not everything the GM preps needs to be tailored specifically for the player characters (and to be truthful: the idea that there is stuff going on in the fiction that may not interest the player characters at all but that is still going on in the background can make the narrative feel more organic and make players more engaged with the fiction.

And also this does apply to GMs as well: the player who doesn't want to write an extended lore document for you to read is fine, but conversely you don't have to write a long lore document to clue your players into the world. It is perfectly fine to have your players and their characters discover your setting through play. It's fine.

If you enjoy worldbuilding that's fine, if you enjoy writing character backstories, that also is fine, but also not giving your fellow players homework should also be uncontroversially fine and you shouldn't be required to do homework to grant legitimacy to your elfgames.

[vincentbriggs]

Do you need a sewing machine to start making shirts and vests? Is hand sewing an option worth considering, or should I invest in a machine, in your opinion?

That's really a matter of personal preference!

Do you need a machine? Absolutely not! Every garment ever made before the 1840's was sewn by hand, and a lot of them after that too. I've sewn many garments completely by hand, including the early 18th century tiddy-out-violinist shirt, these bright orange breeches, and this green waistcoat.

Is it nice to have a machine? I think so, but again, individual opinions vary!

One of the costumers I follow sews everything 100% by hand because she finds it meditative and isn't interested in using a machine at all. Some people hate hand sewing and prefer to do everything by machine, with maybe a bit of hand finishing if they absolutely can't avoid it.

I do about a 50/50 split overall, maybe skewing a bit more towards hand sewing. I like to do pants, shirts, and nightgowns mostly by machine with some hand finishing, but for jackets and waistcoats I usually do considerably more hand sewing than machine, because I like 18th century tailoring techniques and think they give a nicer looking result. I do most of my buttonholes by hand, or I do them by machine first and then cover them in hand stitching.

Most people who sew do at least some of it by machine, but again, I don't know which way you prefer to work, so I'd suggest trying out both to see how you feel abut them.

For hand sewing, I suspect a lot of people hate it because they're using shitty needles and/or shitty thread, and perhaps haven't found good resources for hand sewing techniques.

Here's a post of hand sewing advice that I found quite helpful a decade ago. Use good needles because the eyes of the cheap ones have jagged edges and will ruin your thread! Use nice thread because the wrong kind will be twisty and tangly and will fray more!

Thimbles are good and useful, and typically they go on the middle finger of your dominant hand, and you use them to push the needle. I prefer metal thimbles and dislike using leather ones, but some people prefer the leather ones, or rubber ones.

The metal ones come in sizes, and I don't know how to find out your size aside from trying them on in person, but I know I'm a size 11.

One very important thing is that if you're hand sewing a garment, look for hand sewing specific instructions on how to do the construction techniques you're going for. A lot of the time when someone nowadays is trying to figure out how to hand sew a thing they'll just try and copy the machine sewn version, and a lot of the time that's inefficient and more difficult and the result looks worse, because machines and hands work very differently!

This is something I'm going to briefly discuss in the outro to the very long shirt video I'm working on, because it's so very common, and I've done it too! On several of my earlier hand sewn shirts I didn't know to turn the edge in on the front slit and do a little narrow hem, so I instead sewed on a facing for the front slit and cut and turned it, just like I'd seen on machine sewn shirts. This made it about 3x more time consuming, and the result was much bulkier and looked worse.

I've got so many more things to say about sewing but it's almost bedtime and I don't want to make this post too long.

For machine sewing, again there's a lot of personal choice. Some people like newer machines, some people like vintage or antique ones. I'm one of the ones who prefers solid metal vintage machines. I grew up using an old cast iron Singer, and the newer domestic machines just feel so plasticy and insubstantial to me. I'm used to ones that just do straight stitch and can also go backwards, but some people are perfectly happy with ones that can't even backstitch.

I do think that for a beginner the vintage machines are a better deal, because if you're patient and look around for a while you can snag one for really cheap at a thrift store, yard sale, facebook marketplace, etc. Also they're mostly metal and therefore harder to break.

I recently got a Pfaff (from I think the 1960's?) at an estate sale for 25 bucks. The zig zag mechanism is stuck and needs fixing, but I cleaned & oiled it up and it works just fine for regular straight stitching.

There are SO MANY online resources for how to clean, oil, and fix vintage sewing machines, especially the more popular brands, and a lot of the time cleaning & oiling is all they need. Read the manual and get an oil bottle with a nice long pointy thing so you can reach all the parts, and get some compressed air to whoosh out the fuzz. If it's old and hasn't been used in years, turn the hand wheel and observe every single place where metal rubs against metal, and Make It Greasy There.

(If you don't have the manual, you can often find those online too. I even found the service manual for my new-old Pfaff! I have the original users manual, but this one's for the people doing repairs.)

Oh this post is getting much too long! If you don't know yet if you like machine sewing, try seeing if you can use one without owning it, perhaps at a sewing class or in a makerspace. I know some libraries can loan out machines. A sewing class would probably be a good idea actually, if there are any available where you live!

Much like how you'll have a bad time hand sewing if you've got shitty supplies and no proper instructions on good techniques, you'll have a bad time machine sewing if it's not oiled well and if the tension is uneven.

There are so so very many things to learn about sewing and I hope I'm not making it sound too overwhelming, because I promise it's not if you take it one step at a time!

Also, when someone who's been sewing for a long time says "You may think you can ignore (piece of sewing advice), but actually that's bad and you will regret it", they're usually right. Oh, how I regret not learning to use a thimble years earlier than I did...

Sorry this post is so long, I hope it's helpful!

Basically, there's no one best way to sew anything, and you should try different stuff and see what works best for you, because everyone has different preferences.

[deception-united]

Hello! I've been enjoying your writing posts a lot. Here's my question: How do you exactly write a character profile? Getting one from the internet feels like feeling out a resume, but trying to create one myself leaves me hanging in with the question “what should I be putting here?��

Thanks for asking! Here are some things you might want to include.

Basic information:

Name

Role

Age

Gender

DOB/zodiac sign

Physical description:

Height

Build

Hair type/colour

Eye colour

Skin type/colour

Distinguishing features (scars, tattoos, piercings, birthmarks, disfigurements, etc.)

Typical clothing/style

Frequent accessories

Personality traits:

Personality type

Temperament

Quirks

Strengths/weaknesses

Likes/dislikes

Positive/negative traits

Fatal flaw/misbelief + cause

Learning style

Interpersonal values

Phobias

Habits

Background:

Place of birth

Upbringing

Significant life events

Trauma

Motivations & goals:

What do they want?

Ambitions

Desires

Fears

What drives them?

Relationships:

Friendships

Alliances

Enemies

Family members

Previous/current/future love interests

Skills & abilities:

Hobbies

Guilty pleasures

Talents

Areas of expertise

Special abilities

Supernatural abilities/conditions

Fighting style

Character arc:

How will they change and grow throughout the story?

What obstacles will they face?

How will they overcome them?

What lessons will they learn along the way?

Internal conflicts:

Doubts

Fears

Moral dilemmas

Unresolved trauma

External conflicts:

Adversaries

Societal pressures

Environmental obstacles

Another thing I like to do is find an online personality test, like 16Personalities or Truity, and fill it out on behalf of my character. Both the process and the results can give further insight. Websites such as Campfire have full character profiles that you can complete. Or try filling out this character ask game!

Remember, this is just a starting point, and you can tailor your character profile to fit your specific needs and preferences (e.g., fighting style, fantastical conditions, supernatural abilities, character archetypes, interpersonal values, leadership style, phobias, habits, etc.). Feel free to add or omit sections as necessary, and don't be afraid to let your characters surprise you as you write!

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[4theitgirls]

productive ways to fill up your notebooks

money & savings tracker

it’s always a good idea to keep track of where your money is going and save when you can, especially if you’re looking to boost your finances and start taking charge of them. you can track your pay days, how much you receive, how much you can put away into savings, and budget the rest into what you’ll need until next pay day.

long & short-term to-do lists

a lot of us make daily to-do lists, but i also like to include long term to-do lists to keep track of the things i would like to achieve eventually. for example, a long term to-do would be to learn italian, while a short term or daily to-do would be to study italian for 20 minutes.

wishlist with a reward system

you may want to keep track of the things that you would like to buy for yourself, but if you want to be a bit smarter about it, you can make yourself a reward system tailored to your specific goals. for example, if your goal is to lose weight, you could allow yourself to spend a certain amount of money on your wishlist for every 5 or 10 pounds you lose depending on how much you’d like to lose.

books you want to read

i always see books i think look interesting or think i would like to read, but end up forgetting the title or where i saw it. you may want to keep track of the books you want to read and cross them off once you finish them.

prayer list

if you are religious or spiritual in a way where you pray or meditate, you may want to make a list of the things/people you want to pray for or meditate on.

habits you want to start with a plan for each

it’s easy to say you want to start waking up earlier, eating healthier, taking care of your skin, etc. but it can be difficult to make those things part of your routine without taking small steps each day to get used to doing those things each day. have one broad habit in mind and figure out what it takes to get there.

fitness tracker

whether you’re just getting into working out or if you’ve been doing it for a while, it can be useful to keep track of which workouts you do each day so you can see what you do the most and what you want to do more.

random beauty & health tips

i don’t know about you, but i hear random beauty and health tips all the time in media or just in daily life, but end up forgetting what i’ve learned. you may want to write them down when you hear them so next time you’re in a situation where you could use it, you remember it.

specific monthly goals & tracker

as y’all know, i make 5 goals at the beginning of each month and post them on my blog. i highly recommend this, as it is a great way to put emphasis on certain things you want to focus on at monthly intervals rather than trying to do every new thing at once.

[bonefall]

Clan Culture Illustrations

So I've been mentioning this in passing, and I think now is a good time to start collecting info from people who are interested!

I'm seeking artists who want to draw stuff for my Clan Culture series.

I often write very large guides for things like tools, ecology, medicine and treatments, etc, which then get held up by the fact that they're big blocks of text without any fun pictures. I usually collaborate with friends and family, but I could put out more quicker if I had some artists on standby.

If you're an artist who would be interested in illustrating, here's the details;

Everything I make on this blog is tailored towards WC fans, but free for anyone to use and reference for their xenofiction worldbuilding projects. You do not have to be intimately familiar with the Warrior Cats books. This offer's open to anyone above 18.

Fans of Better Bones are preferred, because Clan Culture and BB often intersect. I might ask for help with some BB stuff at some point, too. (for example i have a guide on types of StarClan spirits that needs illustration)

To re-iterate, please only inquire if you're 18+

Price range is 20 - 50 USD and turnaround time can be up to 6 months if you just keep me updated. (I am sorry that I can't offer a higher price for these, but this is coming from my own pocket. In return, this is meant to be low pressure)

Half payment upfront, the rest after completion.

I will never "assign" you a surprise mystery topic (unless you ask for that I guess?), I'll either present you with a list of posts that need illustration (yes this means you get to read stuff early), OR float some ideas that play to your strengths and interests. (for example: if I'm approached by Spider-Enjoyer-9000 who's willing to draw a ridiculous number of spiders, I will draft, write, and research a Clanmew Expansion in the style of Deer and Co or Moths and Butterflies.)

Either way, there's usually a lot of creative freedom here unless I need a specific technical drawing, which I will discuss with you and provide references for. (As an example, if we were talking about a post on declawing, I might ask for you to illustrate the muscles within the paw.)

The nature of Clan Culture means you will probably be asked to draw plants, food, objects, and/or scenery

Still interested?

I'm hoping to make a personal "list" of people I can call on, so send me your commissions info or details in a DM, an ask, a reply to this post, or anything else you'd like. Tell me about stuff you like drawing, topics you're interested in, if you can draw backgrounds, etc

Also, please tell include in that message if you're comfortable with illustrating these particular sensitive topics. These are opt-in only;

Medical Gore (Woundcare, stitching, blood, vomit, urine, parasites and bug bites, etc.)

Reproductive Care (Abortion, birth, pyometria, inducing lactation, possible revamp of the HRT guide including simple surgeries, etc)

Hunting and Butchery (Humane killing of prey, skinning, disembowelment, cutting meat, making sausage and blood pudding, etc)

Funerals and Animal Death (Sad kitties, dead battle cats, scavengers and grave desecration, tombs and burial rituals, concealing decay, etc.)

The end art will always stay tasteful, but I might need to give you references in the form of real images or tutorials that might be upsetting if you're sensitive to these topics-- so it's important to me that I consider those four things "opt-in."

I have plenty of other posts that need illustration, it's just a huge plus if you're able to do these too.

(You should also mention any other specific triggers or phobias you have, so I don't unwittingly come at you with something else upsetting)

"I still have questions!"

Putting a big list of answers beneath the cut;

"Would everything have to be colored?"

Nope, as long as there's pictures to break up the text, you can do sketches, black and white, flat colors, only put color in the header, etc. We'll discuss expectations with the post in front of us, and then agree on price.

I have ONE requirement; it's gotta look good on Tumblr darkmode. Because I use Dark Reader.

"Do you have a Discord?"

I do, I just try to be exclusive with who I give it to! When we're discussing details, we'll probably move over there if you'd like. This is a reason why I only want to work with 18+ artists, I'm not always SFW on main.

"Can we do an entry together about (specific topic)?"

Probably yes, so feel free to ask! The worst that will happen is that I say no, or maybe later. For example, I've got a post on Sweetness Tolerance reserved for my partner (they like to draw sweets), so I would say no if you asked.

Just keep in mind that researching, outlining, and writing is unpaid labor I'm doing completely for free. I have posts mostly done that just need art, and topics I've done some research on. Please only ask for special collaborations from scratch if you're serious 🙏

"Does it have to be digital?"

You'd have to have a WILD idea for me to say yes to anything non-digital, but I am a queer of whimsy. If you can whimsify me with an idea, hell yeah.

"Will I be compensated if you need any changes?"

Yes. If I spring anything on you after the details we agree on, I will first ask you, then ask how much that change would cost, and then compensate you for it.

As fair warning though, I am trying to stay within a budget and writing the posts themselves is unpaid work I do (plus occasional helping hands during research stages, I consulted a friend who is an irl wetlands expert for ShadowClan's environment). I can't pay more than what we agree on.

"Can I link my info in the post?"

Yes. "Guest Artist" is going to be named in the opening paragraphs, along with any fundraiser, shop info, carrd, etc, you want there.

"Boosty?"

Yea I got Boosty. Paypal, too.

"I have some other question about pricing"

Feel free to ask, but my hard budget is 20$ - 50$ US. Please only inquire if you're willing to charge within that range.

"What if I'd do it free or I want to do this anonymously?"

I'll donate to a charity of your choice and link to it in the post. If you have no charity preference, I will link to RAINN, Anera, or The Trevor Project.

(Naturally this comes with an anti-ghoul caveat or two. If you try to get me to donate to something like Autism Speaks I will rotate every bone in your body by 45 degrees.)

"I like checklists, can you give me a checklist of info you want in a DM?"

Sure!

Your info; socials, carrd, shop, etc

General interests and strengths. Stuff you'd love to work on, or have insight to. If you like fishing or drawing bugs, I want to know that. If you particularly want to practice flowers, tell me. Be as detailed as you want so I can pair you with a relevant subject!

Your examples

General asking price (or charity)

Which, if any, of the four Opt-In Subjects you're opting in for.

Anything else I should know (triggers, phobias, things you dislike drawing, if schooling or disability means you need a particularly long turnaround time, etc)

[yanderefarm]

Honestly Silvan is so cute, i cant help but think about a master who treats him like their own little dress up doll, the maids might be the ones to bath him, but his master is the one that puts him in the prettiest frills and silks, who does his makeup flawlessly, and styles his hair just so, you mentioned him hurting himself either to get you to drink from him or to punish himself so i can imagine this types of master would do things like expressing disappointment whenever he harms himself before punishing him with isolation, of course putting him in a straight jacket along with his padded cell so he doesnt damage himself any further, maybe if he's particularly bad you'll strap him down to a chair, table, or even locking him in a coffin like putting a doll in their case so he has no choice but to be there completely still, alone in the dark until he understands what he did wrong

doll silvan

cw;; objectification, abuse, hypnosis, angst, questionable comfort, self harm, blood, cruel reader

haha this is so fucked up i love it so much it tickles the part of my brain that says to ruin that twink. the urge to treat silvan like a stress ball.

like i know he'd be so fun to absolutely ruin his sense of self and break him down until he doesn't even realize he's human anymore. and all because you love him! he'd be so grateful.

silvan looks good in anything. he could wear the ugliest colors and still somehow it would compliment his eyes you're sure. not that you would ever allow him to wear something ugly. even when he first arrived in his glorified potato sack you immediately set upon getting him something better. but no matter how many clothes you bought for him it was never enough, he needed more. at this point your tailor had taken up residence in your manor.

every day before breakfast you would go to silvan's room and help his maids wake him up, today was no exception. your tired pet would blink at you with a sleepy smile and a cute blush on his face before you would usher him off to the bath. while he bathed the maids would clean up his room and you would begin the process of picking out his outfit. it was a long and laborious process, plagued with indecision because nothing was perfect!

as soon as your lovely doll was out of the bath you'd set upon him. you stood him in front of the full length mirror, his body shifting as he tried not to get aroused. as much as you love him the fact that he's not one of your other lifeless dolls can get annoying sometimes. you end up compelling him to get him to behave properly, there's always a sick pleasure in watching his eyes go empty and his body become soft and pliant in your arms. you keep him aware of what's being done to him but he can't control his own body, his mind distant and foggy like watching from underwater. you start with wrapping his ribbon for the day around his neck, the ribbon you pick always sets the mood for the rest of his outfit. today you picked a soft pink ribbon which immediately inspired you to grab some matching pink and white babydoll lingerie. your pet always spends the whole day embarrassed and aroused when you make him wear nothing but lingerie, it makes him taste better.

you tie the ribbon around his waist tight like a corset, his breath hitching softly. you run your fingers along his cheek as you admire your perfect doll in the mirror.

"so pretty... dolls don't need to breathe do they?" you're so tempted to tighten up the ribbon too but you can't risk leaving any marks on his skin.

you released your compulsion on him allowing him to return to his normal self. immediately his heartbeat picked up and his face turned the same pink as his ribbon. you offered your pet your hand which he graciously took, his cheeks a burning red as you led him out of the room.

today was special, you were having a few guests for dinner and they were specifically interested in your notorious doll collection. that's why you had been fasting for a week now, any teeth marks on his beautiful skin would be disgusting and unsightly. it was hard to have him sitting there in your office especially with his heart racing every time a servant would come in. a lesser vampire would have cracked but your preference for aesthetics beat out your hunger. he was supposed to be perfect for the evening event.

you should have been keeping a closer eye on him honestly but between work and your admittedly stupid trust in your toy you thought it would be fine. he had somehow found himself a piece of broken glass to make a cut on his arm. that's aggravating. in trying to bring you his gift because you had to be starving he had gotten his blood on his outfit. that's infuriating. and his eyes looking at you pathetically like he knew what was coming. it took everything in your power not to hurt your little doll in anger, choosing instead to squeeze the door knob so tightly the metal bent and the door was pulled from its hinges.

you threw the broken door to the side and grabbed his uninjured arm, still careful not to bruise him. he was sobbing, begging, pleading for you to stop as you dragged him towards his isolation room. his fists weakly beat on your arm as he tried in vain to apologize, soon his wailing was going to start. god he made you mad. you were almost to the tower when you grabbed silvan's face, covering his mouth as you pressed him into the wall.

"you are a beautiful perfect doll. dolls don't scream. dolls don't cry. dolls don't stain their clothes." every word was like venom from your lips.

his tears were pouring fresh from his bloodshot eyes.

"i had plans for you tonight. you were going to do a lovely show. your pretty blood was already going to run." you let go of his mouth and eased away from him.

"but no you just can't help yourself. you enjoy ruining your body. do you hate me?"

"n-no!"

you grabbed his face again this time forcing him to look in your eyes. "do you hate being my beautiful doll? do I not treat you well?"

"master-! im-im so so so sorry im-im so bad i know im not im not good enough im-"

you leaned down and gave him a gentle kiss. "shh... I'm sorry for getting so angry with you, doll. it's ok."

"ca-can i still-still be your pretty-pretty doll? please. please i can i-"

"i could never find a doll as beautiful as you. but you can't go around misbehaving like that. you're going in your case for dinner and then you'll spend the night in your room."

he started to sob again his words failing as he tried to beg you not to do this to him. you gave a heavy sigh as you forced him back down into your compulsion. his tears stopped as his body fell limp in your arms, just like a doll.

you carried him gently to your dollhouse room where you kept everything you used to make your pretty lifeless dolls. you set him gently on the table and he blinked at you like he wanted to start crying again. you shushed him. instead you focused on finding him a new outfit, something white to match the straight jacket he'd have to wear. you found a cute pair of wedding lingerie and a pearl necklace to replace his ribbon. you hummed to yourself as you undressed him. your tone became sour when you got to his still bleeding wound, you licked the excess blood before you got to work cleaning his wound properly.

"this is really ugly work. do you know that I really hate doing this to you?"

blink. you gently wrapped his arm up tightly.

"mhm i hate it. you keep making me do this though. do you realize how much pain you cause me?"

blink blink. you gave his freshly bandaged wound a kiss before you made him sit up straight.

"arms out. i don't like making you miserable, you're my most precious doll."

you gently slipped him into the straight jacket and pulled it tight until he couldn't move his arms at all.

"you're too beautiful to be forced in your box, you know? but if a toy breaks you have to throw it away."

blink blink blink. a single tear fell down his blank face. you sighed again as you pulled his lacey white panties up his thighs.

"we don't want you to break. just accept your punishment like a good boy."

blink. you helped him down off the table before leading him to another full length mirror. you gently placed the "bloody" pearl necklace around his neck.

"if i let you go will you quietly go in your case?"

blink. satisfied with that answer you left him standing there to pull out his case. a coffin with a glass window in the top that allowed you to see whatever was inside. you unlocked the heavy coffin and pulled it open. the interior was a deep maroon and it was extremely well cushioned with an extra pillow for the head.

you released your compulsion on silvan who immediately began to cry again. you clicked your tongue at him.

"there's no reason to cry, doll. come get in your case."

"ple-pleash- hic don-dont throw-throw me aw-away- hic" he was sobbing so hard he couldn't breathe.

you pulled him into a hug. "you're not broken, are you?"

"im im ba-bad hic an-and im ug-ugly and hic- i can-cant be-be go-good-"

you rubbed your hand on his back. "you're not a bad doll, you're so good at being my doll. you get confused sometimes and think you're still human and that's when you're bad. but i forgive you. even if it takes me 500 years I'll train you into the perfect doll."

his head nuzzles against your chest as he sobbed and whimpered and hiccuped. his words were too broken to understand anymore. you held him for a long time, letting him get all his tears out onto your shirt. when he finally calmed down enough to breathe properly you guided him to the mouth of his case.

"please- please come get me tomorrow ma-master..."

"I'll get you first thing in the morning. we can even go out tomorrow if you don't misbehave anymore tonight."

he nodded as he sunk into the comfortable coffin space. his heartbeat immediately picked up as soon as the lid closed over him, a sense of claustrophobia washing over him. you could hear him trying not to panic even as you locked the coffin tight.

"be good."

[mywitchyblog]

How Shiftok Destroyed Reality Shifting/ the Reality Shifting Community

Introduction :

Reality shifting, a practice based on the belief that individuals can consciously transfer their awareness to alternate realities or dimensions, has long been a niche concept within spiritual and metaphysical circles. However, with the rise of TikTok and the emergence of "Shiftok"—a blend of "shifting" and "TikTok"—this once-obscure practice has surged into mainstream awareness, particularly among younger audiences.

This essay delves into the profound impact of Shiftok on the reality-shifting community, tracing how an intimate, esoteric practice has evolved into a viral social media phenomenon. We will explore the origins of Shiftok, its rapid ascent in popularity, and the wide-ranging effects this digital revolution has had on both the perception and practice of reality shifting.

As we navigate the various facets of this cultural shift, we'll uncover the intricate relationship between social media dynamics, youth culture, and esoteric practices. From the initial surge of excitement and growth to the emergence of concerning trends and fragmentation within the community, the Shiftok phenomenon serves as a compelling case study in how digital platforms can reshape and redefine fringe beliefs and practices.

By examining the rise of Shiftok, its impact on the shifting community, and the responses it has elicited, this essay aims to provide a comprehensive overview of the unique intersection between ancient mystical concepts and modern social media culture. Through this exploration, we will gain insights into the broader implications of viral trends on spiritual practices and the challenges faced by communities as they adapt to sudden mainstream exposure.

Disclaimers : Read the Entire thing as usual. If you did not understand something feel free to tell me i shall gladly explain it to you.

I originally intented to make a simple rant-like post called "my hatred of shiftok" where i explain a story that happened to me that caused me to despise this platform and everything it stood for.

But then i realised that making an objective, educational, informative essay about how toxic, culty and overall nasty the platform became for the reputation of the practice and the community was much more appropriate than a poorly written post .

If any of you are interested in my storytime that made me so resentful of that platform, this post needs to get 200 notes and some comments asking me for it.

So enjoy this essay that i took much pleasure in writing :

Masterlist

II-The Rise of Shiftok

Shiftok, a portmanteau of "shifting" and "TikTok," emerged as a significant phenomenon within the broader landscape of social media, specifically on the TikTok platform. Its origins can be traced back to the early 2020s when reality-shifting content began gaining traction among young users on the app. What began as a niche interest rapidly snowballed into a viral trend, captivating the imaginations of millions of users worldwide.

The growth of Shiftok was meteoric, driven by several key factors that perfectly aligned with the TikTok ecosystem. Central to its success was the platform's short-form video format, which allowed creators to distill complex reality-shifting concepts into bite-sized, easily digestible content. This format proved ideal for sharing quick tips, visualization techniques, and purported success stories, making the practice appear more accessible to newcomers.

TikTok's powerful algorithm played a crucial role in propelling Shiftok to prominence. The app's content distribution system, designed to keep users engaged by serving them content tailored to their interests, quickly identified and promoted shifting-related videos to receptive audiences. This created a feedback loop where increased engagement led to greater visibility, drawing in curious newcomers and further fueling the trend's growth.

The demographic makeup of TikTok's user base also significantly contributed to Shiftok's rise. With a large proportion of young users, particularly teenagers and young adults, the platform provided fertile ground for reality-shifting content to flourish. This age group, often characterized by a desire for escapism, self-discovery, and novel experiences, found the concept of reality shifting particularly appealing.

As Shiftok gained momentum, it initially had a positive impact on the broader reality-shifting community. The increased visibility brought about by viral TikTok videos led to a surge of interest in the practice, drawing in thousands of new enthusiasts. This influx of newcomers energized the community, sparking discussions, fostering creativity, and expanding the collective knowledge base.

The platform also facilitated unprecedented levels of community engagement. Shifters from around the world could easily connect, share experiences, and offer support to one another through comments, duets, and collaborative videos. For those who felt isolated or misunderstood in their offline lives, this sense of community was particularly valuable, providing a space where they could freely discuss their shifting experiences and beliefs.

Moreover, Shiftok became a hub for sharing diverse experiences and methods related to reality shifting. Creators competed to produce the most engaging content, leading to an explosion of creativity in how shifting techniques were presented and explained. From guided meditations set to trending sounds to elaborate "POV" (point of view) scenarios depicting life in desired realities, the content on Shiftok was varied and dynamic.

However, the rapid growth and popularization of reality shifting through Shiftok soon revealed its double-edged nature. While it brought unprecedented attention and growth to the practice, it also set the stage for significant challenges that would reshape the reality-shifting community in profound and sometimes problematic ways. The very factors that contributed to Shiftok's meteoric rise—its accessibility, algorithmic amplification, and appeal to young users—would also play a role in the issues that emerged as the trend continued to evolve.

III-Negative Effects on the Reality Shifting Community

The meteoric rise of Shiftok, which initially invigorated the reality-shifting community, soon gave way to a host of negative consequences that profoundly impacted the practice and its practitioners. As the trend gained momentum, the integrity of the shifting community began to erode under the pressures of misinformation, oversimplification, and rampant commercialization.

One of the most significant issues was the rapid spread of misinformation. The viral nature of TikTok, coupled with the absence of robust fact-checking mechanisms, created an environment where unverified claims and exaggerated experiences could proliferate unchecked. Users, eager for views and followers, often shared sensationalized accounts of their shifting experiences, blurring the line between genuine practices and fantasy. Pseudoscientific explanations for shifting, often based on misinterpretations of quantum physics or neuroscience, gained traction, lending a false air of legitimacy to questionable concepts.

This problem was further exacerbated by the emergence of viral trends within the Shiftok community. "Shifting challenges" and purported "fool-proof methods" spread rapidly, often prioritizing entertainment value over accuracy or safety. While these trends were engaging for viewers, they frequently misrepresented the nature of reality shifting, leading to confusion and unrealistic expectations among newcomers to the practice.

Another detrimental effect of Shiftok's influence was the oversimplification of shifting techniques. The platform's short-form video format necessitated the distillation of complex practices into brief, easily digestible content. This led to a proliferation of "quick and easy" methods that promised results with minimal effort or understanding. While these simplified techniques made shifting seem more accessible, they neglected the nuances and deeper aspects of the practice.

This oversimplification had far-reaching consequences. Many newcomers, drawn by the promise of instant results, became frustrated when their experiences did not match the effortless successes portrayed in viral videos. The more traditional, in-depth practices that required patience, dedication, and self-reflection were often overlooked in favor of these quick-fix solutions. This shift in focus threatened to undermine the spiritual and personal growth aspects that many long-time practitioners viewed as integral to the shifting experience.

Perhaps the most troubling development was the increasing commercialization and exploitation of the reality-shifting community. As Shiftok content gained popularity, a new breed of "shifting influencers" emerged, eager to capitalize on the trend. This led to the monetization of shifting content through sponsorships, merchandise, and paid services. While some creators genuinely aimed to help and educate, others saw an opportunity for profit, selling dubious products like "shifting crystals" or "dimensional jump sprays" with little regard for their efficacy or the potential impact on vulnerable users.

The rise of influencer culture within the shifting community also fostered an environment where popularity and engagement metrics often took precedence over the quality or accuracy of information shared. This created a perverse incentive structure where creators were rewarded for producing sensational or controversial content rather than focusing on responsible, well-researched information.

These negative effects collectively undermined the foundations of the reality-shifting community. What had once been a practice rooted in personal exploration and spiritual growth was at risk of being reduced to a commercialized trend, divorced from its original intent and values. The influx of misinformation, coupled with the oversimplification of techniques and the exploitation of practitioners, threatened to dilute the authenticity of the practice and alienate serious practitioners.

As these issues came to the forefront, they set the stage for broader impacts on both the external perception of reality shifting and the internal dynamics of the community itself. The once-unified community began to fragment, grappling with questions of authenticity, methodology, and the very nature of reality shifting in the age of viral social media trends.

IV. The Dark Side of Shiftok: Toxicity, Pressure, and Dogma in the Reality Shifting Community

The meteoric rise of reality shifting on TikTok, while bringing unprecedented attention to the practice, also uncovered a darker, more insidious aspect within the community. This phenomenon, commonly referred to as "Shiftok," became a breeding ground for toxicity, misinformation, and oppressive dogma, threatening the very essence of what many considered a deeply personal and transformative practice.

One of the most troubling developments within Shiftok was the emergence of arbitrary and often harmful age-related pressures. A particularly pernicious belief circulated that individuals who hadn't successfully shifted by a certain age, typically 18, were somehow suspect or, in extreme cases, labeled as "pedophiles" for aging themselves down for realities they made when they were minors and have romantic/sexual relationships there. This baseless and damaging accusation stemmed from the misguided notion that older shifters were attempting to reach realities where they were younger, automatically assuming predatory intentions or attraction to minors.

(This misguided notion has been debunked in this post).

This ageist dogma not only created unnecessary anxiety among practitioners but also demonstrated a fundamental misunderstanding of the diverse motivations for reality shifting. Many adult shifters, drawn to the practice for spiritual growth, self-exploration, healing, or simply out of curiosity, found themselves unfairly stigmatized and excluded from community spaces. The irony of this situation was not lost on more discerning observers, who noted that the very teenagers propagating these ideas often shifted to realities where they themselves were adults or teens, without the same scrutiny applied to older shifters—highlighting a hypocritical double standard.

The Shiftok environment grew increasingly hostile to divergent opinions or experiences that didn't align with the prevailing narrative. Users who questioned popular methods, expressed skepticism about certain claims, or shared experiences differing from the norm often faced severe backlash. This cultish adherence to a singular vision of reality shifting stifled healthy debate and critical thinking, essential components for the growth and legitimacy of any practice.

Contradictory information flourished in this echo chamber, with different factions of Shiftokers promoting conflicting "rules" about shifting. Some insisted that physical symptoms like headaches or nausea were necessary signs of an impending shift, while others claimed the process should be entirely painless. This cacophony of conflicting advice left many newcomers confused and frustrated, often leading to disillusionment with the practice altogether.

Particularly concerning was the lack of spiritual hygiene and safety measures in many Shiftok-promoted methods. In the rush to create viral content, many creators neglected to address the potential psychological and emotional risks associated with reality shifting, especially for vulnerable individuals. Basic practices like grounding, protection visualization, or setting clear intentions—staples in many traditional spiritual practices—were often overlooked in favor of quick, sensationalized techniques promising instant results.

The "TikTokification" of reality shifting led to a troubling simplification and commercialization of the practice. Complex philosophical and spiritual concepts were reduced to snappy soundbites and trendy hashtags. The depth and nuance of reality shifting, with its potential for profound personal growth and self-discovery, were often lost in a sea of shallow, entertainment-focused content.

This commercialization reached disturbing heights as some Shiftok influencers began selling "shifting aids"—everything from specially designed pillowcases to "quantum-aligned" water bottles. These products, often backed by pseudoscientific claims and endorsements from popular creators, preyed on the desperation of those struggling to achieve their first shift.

The pressure to shift successfully and quickly became overwhelming for many in the community. Stories of users spending hours each day attempting to shift, neglecting school, work, or real-world relationships, began to surface. This intensity was fueled by a culture of comparison fostered by Shiftok, where users constantly measured their experiences against the often exaggerated or fabricated successes of others.

The pervasive toxic positivity in many Shiftok spaces further compounded these issues. Users who expressed doubts, struggles, or negative experiences were often dismissed or told they simply weren't "believing" hard enough. This invalidation of genuine concerns and difficulties created an environment where many felt unable to seek help or share their true experiences.

Perhaps most troublingly, the Shiftok phenomenon began to blur the lines between reality and fantasy for some users, particularly younger ones. The constant immersion in shifting content, combined with the pressure to experience increasingly fantastical scenarios, raised concerns among mental health professionals about dissociation and reality distortion.

The lack of age-appropriate content moderation on TikTok exacerbated many of these issues. Young users were often exposed to mature or potentially traumatizing shifting scenarios without adequate context or support. The platform's algorithm, designed to maximize engagement, frequently pushed users deeper into shifting-related content rabbit holes, creating echo chambers that reinforced problematic beliefs and practices.

As the Shiftok phenomenon continued to evolve, it became evident that the toxicity, misinformation, and dogmatic thinking it fostered were antithetical to the core principles of personal growth and exploration that many associated with reality shifting. The challenge for the broader shifting community became not only to counter these negative aspects but also to reclaim and redefine the practice in a more balanced, responsible, and authentically transformative way.

V-Impact on Perception of Reality Shifting

The rise of Shiftok and its subsequent influence on the reality shifting community had far-reaching consequences that extended beyond the boundaries of TikTok and into broader public perception. As reality shifting catapulted from a niche practice to a viral trend, it faced increased scrutiny and skepticism from outsiders, fundamentally altering how the concept was perceived and discussed in mainstream discourse.

One of the most significant impacts was the surge in skepticism from those outside the shifting community. As Shiftok videos proliferated across social media platforms, reality shifting became increasingly associated with internet fads and youth subcultures. This association, while bringing attention to the practice, also invited dismissal and ridicule from skeptics who viewed it as yet another fleeting online trend rather than a serious spiritual or metaphysical practice.

The viral nature of Shiftok content, often emphasizing fantastical elements and pop culture references, contributed to widespread misconceptions about the nature and purpose of reality shifting. Many outsiders began to view shifting solely through the lens of these viral videos, equating it with lucid dreaming, role playing, or pure fantasy. This oversimplification obscured the deeper philosophical and experiential aspects of shifting that many practitioners held dear.

Media attention, drawn by the explosive growth of the trend, often approached reality shifting with a mixture of curiosity and skepticism. News articles and reports, while bringing mainstream visibility to the practice, frequently focused on the more sensational aspects of Shiftok content. This selective coverage further skewed public perception, often painting reality shifting as a potentially harmful delusion rather than a nuanced spiritual or psychological practice.

The influx of young practitioners drawn in by Shiftok also influenced how reality shifting was perceived. The predominance of teenagers and young adults (often female) in the community led many to dismiss the practice as a form of escapism or a coping mechanism for youth struggling with the challenges of adolescence and early adulthood. While there was some truth to the appeal of shifting as a form of escape, this generalization overlooked the diverse motivations and experiences of practitioners across different age groups.

Perhaps one of the most damaging impacts on perception was the trivialization of reality shifting. What had once been considered a profound, rich, complex and transformative practice by many long-time shifters was increasingly reduced to entertainment or a casual hobby for psychotic and mentally ill schoolgirls in the public eye. The depth of experience and personal growth that many attributed to their shifting journeys was often lost in the sea of light-hearted Shiftok content.

This trivialization had a particularly strong effect on how the spiritual and personal development aspects of shifting were perceived. The focus on quick results and fantastical destinations in viral content overshadowed the more introspective and growth-oriented approaches to shifting. As a result, the potential for reality shifting as a tool for self-discovery, healing, and expanding consciousness was often overlooked or dismissed by those forming opinions based solely on its social media representation.

The surge in popularity also attracted the attention of mental health professionals and researchers, some of whom expressed concerns about the potential psychological impacts of reality shifting, especially on younger practitioners. While some approached the topic with genuine curiosity and open-mindedness, others were quick to pathologize the practice, further contributing to negative perceptions.

For serious practitioners and researchers in the field, this shift in public perception presented significant challenges. Many found themselves fighting an uphill battle to legitimize their experiences and studies in the face of widespread skepticism and misconceptions fueled by Shiftok's portrayal of reality shifting.

The cumulative effect of these changes in perception created a complex and often contradictory public image of reality shifting. On one hand, it had never been more visible or widely discussed. On the other hand, this visibility came at the cost of depth and nuance, with the practice often misunderstood, trivialized, or dismissed outright by those outside the community.

This transformation in how reality shifting was perceived set the stage for further fragmentation within the community itself, as practitioners grappled with questions of authenticity, methodology, and the future direction of their practice in a post-Shiftok landscape.(By post-Shiftok i mean the period after aug-2020 to aug 2021 since it was during that year that people talked about shiftok and subsequently shifting the most in the media)

VI-Fragmentation of the community

Fragmentation of the Community

The rise of Shiftok and its profound impact on the reality shifting landscape inevitably led to significant fragmentation within the community itself. What was once a relatively cohesive group of practitioners united by shared beliefs and experiences began to splinter into various factions, each with its own perspectives on the nature and practice of reality shifting.

At the heart of this fragmentation lay heated disputes over authenticity. As the community expanded rapidly due to the influx of new practitioners drawn in by viral Shiftok content, tensions arose between long-time shifters and newcomers. Experienced practitioners often viewed the Shiftok-inspired methods and claims with skepticism, questioning the authenticity of experiences shared in short, highly edited videos. They argued that true shifting required dedication, practice, and a deep understanding of the underlying principles - elements they felt were often lacking in the quick and easy methods popularized on the platform.

This divide gave rise to intense debates about what constituted "real" shifting versus what some dismissively termed as "fake" shifting. Veterans of the practice often criticized Shiftok shifters for conflating lucid dreaming, visualization, or simple daydreaming with genuine reality shifting experiences. These disputes frequently turned acrimonious, with accusations of gatekeeping from one side and of diluting the practice from the other.

The community also witnessed the emergence of a generational gap. Older practitioners, who had been exploring reality shifting long before it became a social media trend, often found themselves at odds with the younger generation of shifters who had discovered the practice through Shiftok. This age divide was not merely about experience but also about fundamental approaches to shifting. While older shifters tended to emphasize the spiritual and personal growth aspects of the practice, many younger practitioners were drawn to shifting for its entertainment value or as a means of escaping real-world problems.

Another significant factor contributing to the fragmentation was the varying goals and motivations for shifting among practitioners. The Shiftok trend had popularized the idea of shifting to fictional universes or idealized realities, often based on popular media franchises. This contrasted sharply with more traditional approaches that focused on spiritual exploration, self-discovery, or connecting with alternate versions of oneself. The community found itself divided between those who viewed shifting as a fun, imaginative exercise (usually those people either don't believe in permashifting/respawning or say it is bad/ dangerous /problematic) and those who treated it as a serious metaphysical practice.

This divergence in goals led to the formation of distinct sub-communities within the broader shifting world. Communities flourished on other social media platforms, characterized by their focus on pop culture destinations, quick methods, and shared scripting techniques. In contrast, more traditional shifting communities sought refuge in forums, Discord servers, and other platforms that allowed for more in-depth discussions and longer-form content.

The fragmentation was further exacerbated by disagreements over methodology. Shiftok's algorithm-driven content distribution meant that certain methods and techniques gained viral popularity, often at the expense of more established practices. This led to heated debates about the efficacy and safety of various shifting methods, with some practitioners warning against the potential dangers of techniques that promised quick results without proper grounding or protection.

As the community continued to fracture, it became increasingly difficult for newcomers to navigate the conflicting information and polarized viewpoints. Many found themselves caught between the allure of the easy, accessible methods promoted on Shiftok and the more rigorous, traditional approaches advocated by experienced shifters. This confusion often led to frustration and disillusionment, with some abandoning the practice altogether.

The fragmentation also had implications for the collective knowledge and support systems within the shifting community. As practitioners increasingly segregated themselves into like-minded groups, the free exchange of ideas and experiences that had once characterized the community began to break down. This siloing effect threatened to stunt the growth and evolution of reality shifting as a practice, with valuable insights and techniques potentially being lost in the noise of inter-community conflicts.

As the reality-shifting community continued to grapple with these internal divisions, it became clear that the impact of Shiftok had irrevocably altered the landscape of the practice. A practice that was characterized by its beauty, complexity and richness whose practitioners could talk about philosophy culture and spirituality four hours, has been watered down, dumbed down into a bunch of mentally ill schoolgirls shifting to get railed by wizard nazis and hysterical teenagers who would cuss someone's entire bloodline for doubting or questioning the practise. Which is something totally valid and proves that those individuals do not know anything about the practice at all.

Honestly i cannot blame when antishifters claim that reality shifting is a cult since it is all they see and are being shown. People dismissing their pain under a toxic positive statement of “you haven't tried harder”or “just believe more” coupled with contradictory and hypocritical statements, makes it impossible to break free from those stereotypes.

VII-Psychological and Ethical Concerns

The meteoric rise of Shiftok and its profound impact on the reality shifting community gave rise to a host of psychological and ethical concerns that extended far beyond the realm of social media trends. As the practice gained widespread popularity, particularly among younger audiences, mental health professionals, ethicists, and even some within the shifting community itself began to voice apprehensions about the potential risks and implications of this phenomenon.

One of the primary psychological concerns centered around the addictive nature of both shifting experiences and Shiftok content itself. Many practitioners, especially younger ones, reported spending hours consuming shifting-related videos, often at the expense of real-world responsibilities and relationships. This obsessive engagement with Shiftok content, coupled with the allure of escaping to idealized realities, raised fears about the development of maladaptive coping mechanisms and potential neglect of personal growth in the physical world.

The immersive nature of reality shifting experiences also sparked debates about the risk of dissociation and reality distortion. Some mental health experts expressed concern that frequent shifting, especially for extended periods, might blur the lines between perceived realities, potentially leading to difficulties in distinguishing between shifted experiences and waking life. This was particularly worrisome for individuals with pre-existing mental health conditions or a predisposition to dissociative disorders.

The use of reality shifting as a form of escapism became another point of contention. While many practitioners viewed shifting as a harmless and even beneficial way to explore alternate realities or cope with stress, critics argued that it could become a means of avoiding real-life issues rather than addressing them. The concern was that vulnerable individuals, particularly adolescents facing challenging life circumstances, might retreat into desired realities rather than developing crucial life skills and resilience.

Ethical considerations also came to the forefront, particularly regarding the age-appropriateness of shifting content and the safeguarding of young users. The prevalence of young teenagers in the Shiftok community raised questions about the potential impact of reality shifting on developing minds. Some worry that exposure to intense or mature themes in desired realities could be psychologically damaging for younger practitioners who might not have the emotional maturity to process such experiences.

The responsibility of content creators became a significant ethical issue. As Shiftok influencers gained massive followings, often consisting largely of impressionable youth, questions arose about their duty of care. Many creators, in their pursuit of views and engagement, shared unverified methods or exaggerated claims about shifting successes. This raised concerns about the potential for manipulation or the inadvertent promotion of harmful practices, especially given the lack of scientific consensus on the nature and effects of reality shifting.

Another ethical dilemma emerged around the potential for reality shifting communities to develop cult-like characteristics. The intense belief systems surrounding shifting, combined with the charismatic influence of popular Shiftok creators, created an environment where some practitioners became deeply emotionally invested in the practice. This led to fears about the vulnerability of members to exploitation or the development of unhealthy group dynamics.

The commercialization of reality shifting through Shiftok also raised ethical red flags. As creators began selling products, services, or exclusive content related to shifting, questions arose about the morality of profiting from a practice that many viewed as a deeply personal or spiritual endeavor. There were concerns about the exploitation of believers, particularly when unproven products or techniques were marketed as enhancing shifting abilities.

Within the shifting community itself, practitioners grappled with the ethics of their practice. Debates arose about the morality of shifting to realities where one might engage in behaviors considered unethical in the physical world. This led to philosophical discussions about the nature of reality, free will, and personal responsibility across multiple perceived realities.

The long-term psychological effects of reality shifting remained a topic of intense speculation and concern. With little scientific research on the subject, many wondered about the potential impacts on personality development, identity formation, and overall mental well-being, especially for those who began shifting at a young age.(around puberty so 13-15 where people can be very malleable )

As these psychological and ethical concerns came to light, calls for more research and responsible practices within the shifting community grew louder. Some advocates pushed for the development of ethical guidelines for Shiftok creators, while others emphasized the need for mental health resources tailored to the unique challenges faced by reality shifters.

The reality shifting community found itself at a crossroads, forced to confront these complex psychological and ethical issues. As the practice continued to evolve in the wake of the Shiftok phenomenon, addressing these concerns became crucial not only for the well-being of individual practitioners but also for the long-term sustainability and credibility of reality shifting as a whole.

One of the most important ways to counter, prevent, or mitigate the dangers of reality shifting is through the practice of Spiritual Hygiene. Unfortunately, this concept seems to be something that many Shiftokers fail to grasp, highlighting their lack of concrete knowledge about the practice. It's particularly frustrating that these individuals are often the most visible within the community, while true experts with deeper understanding are overshadowed.

Reality shifting, whether people accept it or not, is inherently a spiritual practice. By its very nature, shifting cannot be scientifically proven—yet, it also cannot be disproven. This makes it a unique and highly subjective experience, with each shifter’s journey being distinct. If shifting were to be scientifically validated, it would become an objective practice, leading to uniform experiences across the board.

Given its spiritual nature, maintaining spiritual hygiene is essential. One cannot embark on this journey and neglect such a fundamental concept. The saying, "healthy body, healthy mind; healthy mind, healthy body," perfectly encapsulates why spiritual hygiene is a necessity in shifting. When people neglect it, they often experience mental and physical harm, which they mistakenly attribute to the practice of shifting itself.

(I suggest that you read my post on the subject)

VIII-The Response from the Traditional Shifting Community

As the Shiftok phenomenon continued to reshape the landscape of reality shifting, the traditional shifting community found itself compelled to respond to the myriad challenges and changes brought about by this new wave of practitioners and content. This response was multifaceted, reflecting the complex emotions and perspectives within the established shifting community.

Initially, many long-time shifters reacted with a mixture of excitement and apprehension to the sudden surge in interest in their practice. While they welcomed the increased visibility and potential for growth, they quickly became concerned about the quality and accuracy of information being disseminated through Shiftok. This concern catalyzed a concentrated effort to combat misinformation within the community.

Veteran shifters took to various platforms to share their knowledge and experiences, often directly addressing and debunking popular misconceptions propagated on Shiftok. They created detailed guides, wrote blog posts, and produced long-form video content aimed at providing a more nuanced and accurate representation of reality shifting. These efforts were not merely reactive; they represented a proactive attempt to preserve the integrity of the practice in the face of its rapid popularization.

In response to the oversimplification of shifting techniques on Shiftok, many traditional practitioners began emphasizing the importance of in-depth, holistic approaches to shifting. They developed and shared more rigorous practices and guidelines, often drawing on years of personal experience and collective wisdom (spiritual hygiene). These methods typically focused on mental preparation, spiritual alignment, and ethical considerations – aspects often overlooked in viral Shiftok content.

The traditional community also recognized the need for safer, more controlled spaces for discussion and practice. This led to the creation and expansion of alternative platforms and communities dedicated to serious shifting discourse. Forums, Discord servers, and specialized websites emerged as havens for in-depth conversations, troubleshooting, and mutual support among experienced shifters and sincere newcomers alike. These spaces often implemented stricter moderation policies to maintain the quality of discussions and protect vulnerable members from potentially harmful information.

Many established shifters took on mentorship roles, offering guidance to newcomers who sought a deeper understanding beyond what Shiftok could provide. These mentors focused on teaching not just the techniques of shifting, but also its philosophical underpinnings and potential for personal growth. They emphasized patience, persistence, and self-reflection as key components of a successful shifting practice – a stark contrast to the "quick and easy" methods often touted on social media.

The traditional community also began to engage more actively in research and documentation efforts. Recognizing the lack of scientific study on reality shifting, some practitioners started collaborating with open-minded researchers or conducting their own systematic studies of shifting experiences. While these efforts were often informal, they represented an attempt to bring more rigor and credibility to the field.

In response to the commercialization of shifting on Shiftok, many traditional practitioners reaffirmed their commitment to keeping shifting accessible and non-commercialized. They freely shared resources, techniques, and support, often explicitly critiquing the trend of monetizing shifting knowledge or selling shifting-related products.

However, the response from the traditional community was not uniformly positive or constructive. Some long-time shifters reacted with frustration or elitism, dismissing Shiftok shifters entirely and retreating further into closed communities. This gatekeeping behavior, while intended to preserve the integrity of the practice, sometimes had the unintended effect of alienating genuine seekers and furthering the divide within the broader shifting community.

As the initial shock of the Shiftok phenomenon began to wane, many in the traditional community started to see it as an opportunity for growth and evolution. They recognized that while Shiftok had brought challenges, it had also introduced shifting to a vast new audience, some of whom would inevitably seek deeper understanding. This realization led to efforts to bridge the gap between traditional practices and the new wave of shifters, seeking common ground and shared experiences.

The response of the traditional shifting community to the Shiftok phenomenon was ultimately one of adaptation and resilience. While striving to maintain the core principles and depth of their practice, many long-time shifters also recognized the need to evolve and engage with a changing landscape. Their efforts to educate, guide, and create safe spaces for authentic shifting practices played a crucial role in shaping the future direction of the reality shifting community as a whole.

IX. Conclusion: The Aftermath of Shiftok's Impact on Reality Shifting

The rise of Shiftok, while initially bringing unprecedented attention and growth to the reality shifting community, ultimately led to its fragmentation and, in many ways, undermined the core principles and practices of reality shifting.

Shiftok's impact on the reality shifting community can be considered destructive in several key aspects:

Misinformation: The rapid spread of unverified claims and oversimplified techniques diluted the authenticity of the practice.

Trivialization: The depth and spiritual aspects of shifting were often reduced to entertainment, diminishing its perceived value.

Community Division: The influx of new practitioners led to conflicts between traditional shifters and Shiftok-inspired newcomers, fracturing the once-cohesive community.

Ethical Concerns: The lack of safeguards and the potential exploitation of vulnerable users raised serious ethical questions.

Loss of Authenticity: The commercialization and "TikTokification" of shifting distorted its original intent and practices.

While it would be an overstatement to say that Shiftok entirely destroyed reality shifting, it undeniably transformed the landscape of the practice, often in detrimental ways. The community now faces the challenge of reclaiming and redefining reality shifting in a post-Shiftok era, balancing accessibility with depth, and navigating the complex intersection of ancient practices and modern digital culture.

The Shiftok phenomenon serves as a cautionary tale about the double-edged nature of viral trends and their impact on esoteric practices, highlighting the need for mindful integration of traditional wisdom with contemporary platforms.

[tulliok]

can you tell us about your oc's you know the 1920's ones to be specific

Absolutely! They are from a very personal story I've been developing for almost 6 years now. The story is being heavily revamped, but I'll share a little piece of what I've been cooking up.

A tale of mystery, love, and a little pinch of horror~

The story is based in 1930s America- the setting is a small town with a bustling nightlife. It follows an aromantic wedding photographer named Connor (dark hair and big coat), who lives the life of a vagabond; a man without a family or home, carrying nothing but a suitcase and relying on the town's night trolley to move from place to place. One day, the news of a sudden passing accompanied by a will grant him ownership of a mysterious house on the outskirts of town. The few that have seen the estate see it as a blight in the community, attributing it to bad omens and even supernatural occurrences. However, Connor feels a strange warmth coming from the house's tattered walls—the creaks of the floorboards reverberate through the halls like comforting whispers, luring him come closer...

As for my supporting characters:

Wallace (red-haired tall man) is a socialite and the conductor of the night train. His relationship with Connor is a transactional one, allowing him to ride as a stowaway in exchange for gossip and information.

Cheryl (red-haired tiny lady) is a tailor, and Wallace's older sibling. Throughout the story, she grows closer to Connor as the two bond over their differing perspectives of being outcasts of their own community.

The story is heavily inspired by several things I love or have a deep interest in, such as classic horror and ghost stories, 1900s fashion, Old Hollywood culture, romantic art, and the abstract storytelling of theater. It also works as a very personal dive into my experiences with gender, relationships, and sexuality; a big reason for why the story is constantly changing.

At the moment, I'm pretty pleased with its current direction, and hopefully, I'll have more to share with you all this year. : )

[shitouttabuck]

the same damn thing that made my heart surrender

buck/eddie | 1.4k | t

It’s quiet and late at the station, so Eddie can very clearly hear Buck dragging his feet across the loft from the kitchen to the couch, the sound such a specific combination of distracted and perturbed he already knows to expect the little crease between his eyebrows when he finally flings himself down beside Eddie.

“Ugh,” he says, frowning at his phone as he scrolls what seems to be Instagram.

Eddie hums indulgently, not taking his eyes off the newspaper crossword he pilfered from Hen earlier.

“Ugh,” Buck says again, much more pointed and with an additional nudge to Eddie’s shoulder.

“I’m listening. What, Buck.”

“Ever since that barbecue at Bobby and Athena’s last weekend I’ve been getting the weirdest targeted ads on my Insta,” he pouts, scrolling some more.

“Weird how?” Five letter word for estrangement, ending with T.

Buck huffs and turns on the couch to face Eddie, lifting one leg up onto the cushion and folding it under himself.

“Well, May was introducing me to her college roommate—who, by the way, was giving off way more than just roommate vibes, did you notice? Like, they were acting real cozy and she kept—never mind, sorry, not the point, what I was saying was she borrowed my phone to look up something in one of those online stores, I don’t know, I guess they’re trying to decorate their apartment with a specific aesthetic? Either way, ever since then the Instagram algorithm seems to think that I want to see—” He stops scrolling, lifting his phone and thrusting it emphatically in Eddie’s face, “—shit like this.”

Eddie blinks at the proximity of the bright screen to his face, putting down his pencil to gently move Buck’s hand back a bit so he can see properly.

On the screen is an ad for… a pale blue babydoll tee with the word BRAT screenprinted across the chest in curly pink letters.

Eddie blinks again, mind blissfully empty of synapses firing until Buck says, “See? Why does my phone think this is something I would be interested in purchasing. I mean, can you imagine?”

Eddie can. Eddie can imagine. But dear God, Eddie does not want to imagine. Because now the synapses are firing like some kind of mental train derailment of catastrophic proportions, and Eddie’s mind is conjuring images of Buck, his best friend Buck, squeezed into this skin-tight cotton tee, already tailored to be snug-fitted on much smaller bodies and so nothing short of straining at every seam when met with the bulge of Buck’s biceps, the graphic logo proclaiming BRAT probably distorted across his broad, meaty chest.

“There’s more,” Buck’s telling him, scrolling again. “Like, look at this.”

He stops on a post that seems to be selling tiny red booty shorts, the words SAVE A HORSE, RIDE A COWBOY emblazoned on the ass.

“I can’t wear shorts this short, my junk would fall out,” Buck grumbles to himself, scrolling once more for probably yet another advertisement whose only targeted goal is to ruin Eddie’s life, selling of wares be damned.

“I’m pretty sure those are women’s shorts,” Eddie says weakly, not thinking about Buck’s perky bubble butt clad in two-inch inseam booty shorts. Definitely not thinking about Buck disgruntledly tucking his dick so not to commit an act of public indecency—more so than the very donning of the shorts would count.

“Well, why doesn’t my algorithm know I’m a dude yet? If I’m being advertised this shit, at least let it be stuff I could plausibly buy for myself, you know?”

Eddie hums, only a little strangled. “So, you’d, uh, buy those shorts if they sold them in men’s sizes?”

Buck ignores him in favour of thrusting his phone at him again. “Look! This one and the next, keep scrolling.”

Eddie takes the phone from him, squinting at it. The first is another skin-tight babydoll tee, with the words GOOD GIRLS printed across the tits and the image of a swooping bird below.

“I don’t get it,” Eddie says, pausing over the post. “Good girls like birdwatching?”

Buck snorts, tips of his ears turning a little pink. “It’s a swallow.”

“Oh,” Eddie says. Then, “Oh.”

He scrolls to the next post as instructed. This one is a white t-shirt that says DON’T BULLY ME, I’LL CUM in red lettering, which—

“I’m either learning some—unforgettable things about you or about May, and honest to God, gun to my head, I don’t know which is worse,” he says faintly, tapping to the next post.

“Shut up, it’s not that fucking literal,” Buck grumbles, settling against the couch cushion more comfortably and watching Eddie scroll. “She was probably looking at some trendy Gen Z homeware or whatever and the algorithm saw the website and ran with it.”

“Mm, and you only started getting these ads after the barbecue? None of this is—your own digital footprint coming back to bite you in the ass?” Eddie grins as he passes a sponsored post for a vibrator brand.

“My digital footprint is not reflective of my sex life,” Buck huffs. “It’s not wrong, but it’s not—why the hell would I buy a tiny woman’s shirt that says BRAT across the chest?”

“Maybe because you—wait, it’s not wrong?” Once again, Eddie’s neurons stutter to an unexpected and horny stop. On the screen of Buck’s phone, his finger has halted over an ad for… jumbo-packs of lube, of all things. Eddie clears his throat. “Ooh, scandalous.”

“What?” Buck makes grabby hands for his phone.

Eddie passes it to him. “May really did mess up your algorithm. Also, I don’t know how I’m gonna look her in the eye at the next party.”

“Oh, uh,” Buck says, looking at the screen before turning off his phone. “No, that’s just. That’s just me, I think.”

Eddie wonders if his brain starting and stopping so frequently can result in permanent brain damage. He’s not sure he cares, because the resulting mental pictures—okay, some of that’s off-limits, always has been. Loving your best friend and respecting your best friend are not mutually exclusive, except, as it turns out, when you’re faced with the reminder that your best friend is having marathon anal sex with his—boyfriend, partner, whatever it is that Tommy is to him. Enough athletic and enthusiastic fucking to be getting ads for bulk-order lube on motherfucking Instagram.

He wonders if Tommy calls him that, calls him a brat and tells him he’s a good girl when he—

Wonders if Buck does like being bullied a little in bed—just teasing, Eddie would never—except it’s not Eddie, Eddie’s not involved in Buck’s love life, and what Eddie does need to do is shut down this line of thought before his strategically placed newspaper fails to hide that he’s half-hard at the thought of Buck in these ridiculously sexual innuendo themed women’s clothes.

“You’re not gonna finish that?” Buck nods to the folded crossword in his lap.

Eddie sucks in a breath through his teeth. “Uh. Sure.” He tilts the paper toward Buck, unwilling to hand it over completely. “Five letter for estrangement, ending in—”

“Split,” Buck says, nodding at the paper. “It’d fit with the P from apprise in ten down.”

“Oh,” Eddie peers at the crossword. “Yeah, it does. Thanks.”

“No problem. I’ve, uh. I’ve been thinking about it.”

“About estrangement?” Eddie asks distractedly, filling in the letters. “Four letter word for just around the corner?”

Buck fidgets beside him. “About—splitting. Specifically—me and Tommy?”

Eddie looks up at him so fast he nearly gets whiplash. His grip on the pencil falters, and it skitters across the loft floor.

“That’s—not true. We’ve already—a week or so ago. We’re still friends, don’t worry,” Buck rushes to tell him. “He just realised, like, with you and me—well, I guess he knew the whole time, but I just realised—the way that you and I—the way that it’s us—c’mon, Eddie.”

“What?” Eddie manages, hoarser than he’s heard himself before.

“Eddie.”

“What’re you saying, Buck?”

“Are you gonna make me spell it out?” Buck sighs. “If I got a pair of red booty shorts that spelled SAVE A FIRE ENGINE, RIDE A FIREFIGHTER across the ass, would that work?”

“Tommy’s a firefighter,” Eddie says weakly.

“Oh, fucking hell,” Buck mutters under his breath. “Fine, if they said SAVE A FIRE ENGINE, RIDE A FIREFIGHTER WHO ALSO HAPPENS TO BE YOUR BEST FRIEND AND PARTNER, would it work then?”

“That’s a lot of writing,” Eddie says, voice still faint. “You don’t have the real estate in the rear for all that.”

When Buck kisses him, exasperated groan crushed into Eddie’s mouth, Eddie knows this is the rest of it—the rest of knowing him entirely: real, endless, and with a convenient standing order for bulk-packaged lube without involving any nosy algorithms.

“Four letter word for just around the corner. Near. Soon. This.”

[riddlemethis-or-riddlemethat]

Hello! If u don't mind i would like to req Tom Riddle x m!reader where reader is an exchange student and surprise surprise he's a parselmouth! So let's say, speaking with animals r common on where he live, n obviously Tom was intrigued

U can do anything w this prompt, sfw, nswf, whatever! I js need to feed my TR brainrot

omg yes!! this is a brilliant idea!!! thank you for requesting, I love this prompt so much

the TR brainrot is so real😔

I made the reader confident, because I felt like they would be interesting to someone as narcissistic as Tom, and he'd probably feel more curious about the new boy who seems so oddly comfortable in what should be this new, unfamiliar environment.

hope you enjoy!

tags: x male reader, kinda ooc Tom? (not really though, this is how I imagine he would act around others at Hogwarts, seeing as he was supposed to be charming and perfect, you know?), suggestive thoughts (Tom has pretty interesting thoughts about reader 😏), cocky!reader, use of y/n, not beta-read

word count: 1564

Fresh Face - TR x male!Slytherin!reader

The Great Hall buzzed with chatter, friends catching up after the holidays, first-years being welcomed to their new houses, excitement and general anticipation for the new year. Tom sat, surrounded by his friends, making idle small talk with a pleasant smile painted on his face.

Suddenly, McGonagall stood at the podium, gesturing for silence. A respectful hush fell over the Hall as people broke off their conversations to tune in.

Some keen individuals began to notice that the Sorting Hat was still out. Other even more observant students noticed the figure stood off the side of McGonagall. Some particularly enterprising students made the connection between these two observations, and concluded that this figure was a new student, about to be sorted.

But that still left the question: why was he separated from the first years?

Only one specific student, Tom, noticed that the figure was a young boy, around his age, who stood with confidence and a calmness that was odd for someone clearly in an unfamiliar environment. Tom also noticed that the boy was dressed in brand new school robes, unmarked but pressed and proper, high quality and perfectly tailored, highlighting the boy’s long legs and muscular chest and strong thighs and-.

Tom moved on.

He noticed more. He noticed movement.

Movement?

Yes, right there, on the boy’s shoulders, around his neck (and what a lovely neck it was, Tom wanted to know what it would look like bruised and with his hands wrapped around it-). A dark, sleek thing, winding about the boy, a small, narrow head, a flicking tongue...

A snake?

Tom watched, in curiosity, as the snake shifted, pressing its face close to the boy's ear, hissing something Tom couldn’t hear, too far away. He watched, in shock, as the boy chuckled, slanting a gaze towards the snake and rolling his eyes (Godric, what Tom wouldn’t give to see those gorgeous eyes roll for another reason-).

Bloody hell, what was with him today, these cursed thoughts were getting out of hand.

Tom watched, intrigued and definitely not obsessively so, as the boy (a parseltongue?), turned back to the podium, attention back on Professor McGonagall, who had finished her speech.

Tom was ashamed to realise he had heard absolutely none of it, and he could only watch as McGonogall turned to the mysterious boy, calling him up.

“Y/n Y/l/n, if you could please come up.” McGonagall called out.

Well, at least he knew his name.

Tom watched as the boy strode up the stage, nodding politely at Professor McGonagall, a small gesture of respect and deference that detracted nothing from his confidence. The snake was still on the boy's shoulders, mostly hidden by the boy’s robes.

The boy, Y/n, sat down on the chair, elegant and comfortable, waiting as McGonagall placed the hat on his head. Y/n’s eyes slipped shut for a moment, a small smirk spread across his face as he opened them again, a loud declaration of “Slytherin!” ringing out across the Great Hall from the old hat.

Tom found that a small, barely noticeable twitch had occurred on his own lips, tugging them slightly upward in a mirror of Y/n’s smirk. Tom quickly reigned in his features, unfortunately not before Mattheo, his younger brother, noticed it, a teasing smirk spreading across his face, an expression promising misery later.

Suddenly, gasps rang out across the Great Hall, and Tom watched in awe as the boy gracefully stood from the seat, each movement powerful and controlled. That wasn’t what the mindless fools about him were gasping at, however. They were gaping at the beautiful, gorgeous snake on Y/n’s shoulders, uncurling from where it was looped about his neck, baring its head and hissing out at the crowd.

“Look at these idiots.”

Tom raised a brow at the snake’s rather offensive comment.

Y/n chuckled, a hand lifting to stroke at the snake’s head, a languid smirk on his face as he walked off the stage, joining the Slytherin table amidst hesitant cheers and staggered applause.

“I know, Nyx, I know. But it’s rather funny isn’t it?”

Tom could barely hold back the smirk as he heard your response.

“I suppose...”

Tom grunted in surprise, glaring at Mattheo, who had elbowed him in the ribs, and at Theo and Enzo, who were snickering behind their hands and avoiding his gaze by collapsing into each other.

“What’s got you gawking, Tommy?” Mattheo asked, a cocky smirk on his face as he avoided Tom’s retaliation.

“None of your business.”

“Aww come on, don’t be like that Tommy. I’m your little brother, it’s practically my duty to make it my business.”

Tom scowled, swatting at Mattheo’s head and slapping him, hard.

Mattheo whined, rubbing his head and glaring at Tom.

“You’re mean. And your boy is staring at you.”

Tom was embarrassed at how quickly he turned his head, the tips of his ear flushing slightly and a scowl fixing on his face as Mattheo cackled with Theo and Enzo, laughing at him.

All thoughts of revenge and fratricide were chased out of his mind as he looked at you, your (beautiful, merlin) eyes already staring at him, meeting in a thrilling clash of wills.

The snake, Nyx, flicks its tongue, looking at Tom assessingly.

A shame you were seated so far, Tom had no means of speaking with you right now. Whatever, he was a Prefect, and in your new house. He’d find time.

You smiled passively before turning away, paying attention to the young boy engaging you in conversation.

Tom, too, turned back to his brother and friends, scowl returning as he watched them falling over each other and howling with laughter.

****

You were reading peacefully in the common room, catching up on topics covered at Hogwarts your old school hadn’t covered, when you felt a presence approaching you, and the cold nose of Nyx, your pet snake, pressing against your neck. You look up, seeing Tom Riddle, Slytherin’s perfect prince, heading towards you.

You slid a bookmark into your textbook, marking the page before closing it and setting it aside. As Tom approaches you, he smiles pleasantly, eyes calculating as he greets you.

“Y/l/n, right? Nice to meet you, I’m Tom Riddle, the Slytherin prefect.” He extends a hand, elegant, pale, and slender. You take it, shaking it in yours and noting how cool it was to the touch in contrast to your own warmth.

“Yes, nice to meet you, Riddle.”

Nyx raises her head, peering at Tom.

“Hello, speaker.” she hisses, and you turn to the snake, brows lifting in surprise. You had been warned that Hogwarts had no speakers.

“Hello, I am Tom Riddle, what is your name?” Tom speaks back, calm and collected.

“Nyx. You seem more intelligent than the buffoons around us.”

You laugh, fond amusement at your snake’s discontent with the lack of intellect surrounding you.

“Sorry about her, she’s crabby about the move.” You hiss, speaking to Tom as you pet Nyx’s smooth scales.

“I was told there were no speakers at Hogwarts. That it was considered... Dark arts.” you speak, tone questioning as you raise a brow at Tom, your eyes appraising.

He just smirks, his eyes equally calculating. “It is considered Dark, yes. And no-one but my closest friends and trusted know of me. You are quite bold to have revealed your... talents, so readily to the whole school, Y/l/n.”

Tom was intrigued, fascinated, curious even. (obsessed~ sings a voice in the back of Tom’s head that sound suspiciously like Mattheo)

“They can’t do anything about me, and I refused to leave Nyx lonely and unattended.” you shrug, smiling at Tom.

“You’re a stubborn one, aren’t you?” Tom raises his brow, smirking at you.

You smirk at him as you pick up your book, standing and walking past him to your dorm room.

“I’ll see you around, Riddle.” You call out over your shoulder.

Tom chuckles to himself as you walk away (and salazar, that ass-), before turning away to return to his dorm for the night.

The minute he walked into the dorm, he was greeted by jeering and snickering from all fronts, Mattheo, Lorenzo, Theodore, the assholes three.

He ignored the hollering of the three idiots, and strode into the en suite bathroom, showering and getting ready for bed.

When he stepped out of the bathroom, it was to be met with Mattheo and Theo looping arms around his shoulders and walking him over to their bed, one either side, and Lorenzo sprawled on his bed, laughing his head off as the Theo-duo menaces traded matching smirks and launched into a merciless interrogation and endless teasing.

****

After substantial ribbing and general bullying from all three fronts, and Mattheo being dramatic and snuggling with Theo and Lorenzo cooing over him in a bed together after Tom hexed him, Tom settled into his own bed, his eyes slipping shut as he systematically went through the memories of his day, filing them away as was demanded.

Eventually, he fell into his memories of you.

Y/n Y/l/n.

Parseltongue, exchange student, smart, snarky, confident. (hot, gorgeous, delicious-)

Curiouser and curiouser.

Tom smirked to himself as he crafted a new room in his mind, one just for you.

He fell asleep with one thought in his mind.

This was going to be interesting.

****

Word Count: 1564

I might do a continuation of this eventually, it's a great idea! thank you so much for the request @prettorett I hope you enjoy this!

🥰🥰

tag: @helendeath this is the fic haha

[peaceandlove26]

why do you draw melissa from mike and melissa? not hating, genuinely curious what compells you artistically

i’m really compelled by her whole existence. i relate to her creator a lot a someone who has been deeply lonely due to difficulty connecting with real people and found solace in my own characters and creations, though not exactly in the same way as mike haha. there’s something intensely vulnerable about the whole thing. paired with the fact that she’s a furry drawn in a juvenile bootleg sonic artstyle… there’s something unavoidably autistic about it, which i find relatable even if my base instinct is to be embarrassed by association.

melissa herself is also extremely interesting to me. she is, in “canon”, a living thing that only exists to please this vitriolic and arrogant redditor-type man. and she acts happy about it! she doesn’t even care if he doesn’t need her anymore someday! her appearance is tailored specifically to him! everything about her is JUST for this man. and presumably, nobody else can even see her. she doesn’t matter at all outside of him. what a genuine nightmare… but it’s kind of real, right? even as a real human woman, you exist for men, or you’re supposed to. so something in me really really wants to save her, and draw her being happy on her own, and experiencing freedom by any means necessary.