#THE MISFITS 1978

[savage-kult-of-gorthaur]

IN MEMORIAM -- 60 YEARS AGO TODAY -- "RIDE, JOHNNY, RIDE!"

PIC INFO: Resolution at 1806x2560 -- Spotlight on a killer poster design of the infamous JFK assassination sleeve art from the 1978 "Bullet" EP by American horror punk rock band THE MISFITS. Original sleeve art by Glenn Danzig.

MINI-OVERVIEW: "The title track ["Bullet"] was the most hard-hitting of the four. Between the brutal lyrics and faster, darker, and edgier take on the Ramones’ music style, it really set the tone for the rest of the EP and the band in general."

-- PUNK NEWS, by Ricky Frankel, "Bullet" (1978) 7 inch review

Sources: www.pinterest.com/pin/475411304406293758 & www.punknews.org/amp/review/16129/the-misfits-bullet-7-inch.

[sp00ky-p00ky]

🦇

[soupy-sez]

Glenn Danzig, December 1978

[mivones]

You hide your looks behind these scars

[mymelodic-chapel]

The Misfits- Static Age (Punk Rock, Horror Punk) Recorded: January-February 1978 Released: July 15, 1997 [Caroline Records] Producer(s): Dave Achelis, Tom Bejgrowicz

[just-someone-in-here]

Lillian and the pookies- wait, she can move?

The video doesn't have audio, lol.

Those bats are kinda familiar...

Lillian... My pretty lil lady... My beloved...

[punkrockhistory]

46 years ago

The Misfits in NYC, August 1978

Photo by William Coupon

[gotankgo]

Live at Max’s Kansas City • December 1978

The Misfits-Who Killed Marilyn?

[batmanisagatewaydrug]

reading roundup: june 2024

before I get started on June, I have to issue a correction from May: I forgot to include a book!

last year I backed Iron Circus Comics' erotic anthology My Monster Girlfriend, edited by Andrea Purcell and Amanda Lafrenais, and it finally arrived just ahead of pride. My Monster Girlfriend contains 15 stories by all by different artists, and features protagonists who get it on with everything from the classic ghosts, werewolves, and vampires to a reality-warping angel (?) who contains infinite dimensions, a sleep paralysis demon, and an all-consuming flesh monster hivemind.

while I would have liked to see a little more variety in the freakishness of the actual sex, the anthology is a lot of fun and shows off a great diversity of art styles and scenarios in which one might get down to clown with a monster girlfriend. my personal favorites were Feather by Kanesha C. Bryant, in which an intrepid pervert boldly attempts to locate their girlfriend's genitalia; MonsterHER Under the Bed by Bont and Wes Brooke, which puts a cute, sexy little spin on the monster under the bed; Forest Wedding by Otava Heikkilä, which reads like an old timey fable except it ends in a giant forest woman getting crazy fisted by her new trans husband; and Girl Fiend by InnKeeperWorm, which is infinitely jackoffable even though, frankly, the hellhound should have stayed in her more monstrous canine form to fuck.

okay, now onto the June reading! I found myself reaching the end of the month surprised that I had added so few books to my 2024 spreadsheet, and then I realized: it's fucking PRIDE MONTH and I'm a career queer. I spent most of June either busting ass working various events or in a coma recovering from said events; no wonder I didn't read as much as I thought I would. I also gave up on one novel after sinking close to 200 pages in it, which means the list is even shorter, but trust me: the DNF was the right decision.

so, who made the cut for pride?

The Monsters We Defy (Leslye Penelope, 2022) - this book was a romp! it's fun! it's a hoot, dare I say! this is a historical urban fantasy that takes place in the Black society of 1920s Washington, DC. protagonist Clara and her band of ragtag magical misfits have a heist to pull off against one of the most powerful Black women in DC, with their own curses and powers at stake. it's a fun story with a neat magic system and lots of words that are capitalized so you know they're Magical and Important, and it's a read that goes down real easy. strong recommendation if you find yourself in a slump!

Just for the Cameras (Viano Oniomoh, 2023) - my first foray into independently published romance! and it was... fine. the plot's a little patchy, sure, but it's definitely not the worst romance I've ever read, and at least a throuple made for a nice change of pace. AND nobody's seething with jealousy or insecurity about multiple partners? you love to see it. this book was apparently originally intended to be a novelette and it definitely could have stayed that way, but if bisexual Black hotties sucking and fucking is what you seek then you're going to have a great time. TW: 2/3 main characters are British.

Strange Bedfellows: Adventures in the Science, History, and Surprising Secrets of STDs (Ina Park, 2021) - to the surprise of absolutely no one who knows me, this is one of my very favorite nonfiction reads of the year so far. I cannot emphasize this enough: if you like the way that I talk about STIs and sex ed on this blog then I think you'll really like this book, because having read this book I desperately want to be her friend. she brings so much passion and energy to her work that it bursts right off the page and is - pardon this awful pun - absolutely infectious.

Survivor (Octavia E. Butler, 1978) - for those you not in the know, this book is kind of a get. it's the only book of Butler's that was never reprinted, so now you can only read it if you get ahold of a super expensive original edition OR if you, hypothetically, find a PDF online and print off the entire thing on your work printer. and I'm so glad I did the latter, because holy shit this book whips ass. the book was apparently disavowed for its lack of connection to the rest of the Patternist series, which is true but oh my god, the story is SOOOO cool anyway. we've got a human woman named Alanna who grew up feral on Earth only to be adopted by a Christian cult who are GOING INTO SPACE to preserve the human race, but it turns out there are already intelligent people on the new planet and they have Feelings about what the future of these human missionaries is going to be. it's on Alanna to navigate the clashing cultures and tension between the humans and two warring groups of aliens, and it is fucking URGENT. I don't say this lightly but I think this has ascended to be in my top three Butler novels.

No Name in the Street (James Baldwin, 1972) - ooooooh my god you guys!! oh my god!!! I've never read any of Baldwin's long form nonfiction, but within pages I knew that this was going to pretty permanently change my brain. this memoir-ish book delves into, among other things, Baldwin's witnessing of the American civil rights movement, including the deaths of Malcolm X, Martin Luther King, Jr., and Medgar Evers. woven around that is the alienating experience of being a Black man with exactly enough cultural cache and social clout to sometimes isolate him from the people he grew up with but not nearly enough to buy acceptance or safety in a white society, emphasized by Baldwin's unfinished struggle to free a friend from prison after a wrongful murder charge. and somehow that's barely doing the book justice! it's so vast and incisive and weary and impassioned and it did, truly, have me jotting down the names of everything Baldwin ever wrote to make sure I can read it all. as much as I bemoan my habit of impulse reserving books from the library, I really am indebted to the Stacks podcast for getting this on my radar.

[savage-kult-of-gorthaur]

CULT LOGO -- CULT LINE-UP -- CULT SEVENTIES -- CULT MISFITS.

PIC(S) INFO: Spotlight on the original back cover art of THE MISFITS' "Bullet" (1978) single, which wasn't used because the Ork distribution deal fell through. Original photo by Ken "Rocky" Caiafa.

Sources: www.pinterest.com/cantodomingo/misfits & Time Bomb Records.

[aussiehorrific]

The Misfits 'Bullet' EP, ca. 1978.

[keemeekaal]

🩵 HBD XÖUNDS :)

PREHBD 05 ▪︎ rock 'n' roll fantasy by The Kinks & @clairescornercafe

• WE MIGHT STILL HAVE A WAY TO GO & @lelapinphilosophe

[soupy-sez]

The Misfits playing live at Max's Kansas City, 1978, © Lisa Lombardi

[livelaughlovetoread]

A Long Connon Complient Jily Fic || AO3 || Rated M

Summary

Lily and James Potters’ love was fiery, filled with passion, tragedy, and love. It was not a fast ignition of a flame that proceeded to burn bright. No, it was a flame that was lit on the Hogwarts Express before anyone had joined the compartment. It burned brighter as their years progressed, and it was lit ablaze in their seventh year. It burned vividly until the day they died. Their love was described by many as a light that shined during the darkest parts of the war. This is their story.

Part 1: The First Eleven Years - Birth to Aug. 31st, 1971

The first six chapters cover the first 11 years of the main protagonists: James, Sirius, Remus, Peter, Severus, and Lily. These chapters are long, and breakdowns for truncated reading are linked.

Part 2: Magical Mystery Tour - Sep. 1st 1971 to Aug. 1973

The Hogwarts Express is coming to take our gang of misfits away on a tour that will change their lives forever. These chapters will span the first two years of Hogwarts and establish friends, acquaintances, and adversaries.

Part 3: Can't Take My Eyes off You - Sep. 1st, 1973 to Aug. 31st, 1976

The world gets darker and enemies emerge from the shadows, however, sparks ignite at Hogwarts. These are pinning years for both Lily and James.

Part 4: I Fought the Law - Sep. 1st, 1976 to July 31st, 1978

The Marauders and Lily feel a growing animosity toward the way the Ministry is handling the murder and disappearance of Muggles and Muggle-borns. The law may not be on their side, but they know this is a fight that must be won.

Part 5: My Generation - Aug. 1st, 1978 to July 31st, 1980

The Order is full of witches and wizards from across generations who unite to fight for a world where the next generation can live freely. Even amid tribulation, sparks of joy persist, lighting their path forward.

Part 6: Baby, I Love You - Aug. 1st, 1980 to Oct. 31st, 1981

It was the darkest days of the war, but the happiest they'd ever been. James and Lily had no idea these would be the last fifteen months of their life.

Epilogues: Spirit In The Sky

There will be four epilogues for different people's POVs. That is all I can say for now.

Extras

Spoilers Without Context are posted for each chapter and will have a release date. I also post commentary on the spoilers HERE.

Each chapter will have a fan fiction recommendation at the end, you can find them all HERE.

[scotianostra]

Happy Birthday James “Midge” Ure born October 10th 1953 in Cambuslang.

Born to a working class family Ure attended Cambuslang Primary School and Rutherglen Academy in Glasgow until he was 15 years old. For the first 10 years of his life he lived in a one-bedroom tenement flat. After leaving school Ure attended Motherwell Technical College and then began to work as an engineer, training at the National Engineering Laboratory (NEL), in nearby East Kilbride.

Midge started playing music in a Glasgow band called Stumble in 1969, before joining Salvation, a Glasgow-based group that became the bubblegum band Slik in 1974. Upset in the change of direction, Ure left the band to join the Rich Kids, a punk-pop group led by former Sex Pistol bassist Glen Matlock. The Rich Kids only released one album, 1978’s Ghosts of Princes in Towers, before breaking up later that year. Ure spent a brief time with the Misfits (not the American band) before forming Visage with drummer Rusty Egan and vocalist Steve Strange; he left the group to replace Gary Moore in Thin Lizzy, who had left in the middle of an American tour. After the tour was finished, Ure fulfilled an agreement to join Ultravox as the replacement for John Foxx.

Once he joined the band in 1980, Ure helped make Ultravox a mainstream success; during this time he also worked as a producer, making records with Steve Harley and Modern Man. In 1982, Ure released a solo single, a cover of the Walker Brothers’ hit “No Regrets”; it climbed into the U.K. Top Ten. Ure and Bob Geldof formed Band Aid, a special project to aid famine relief efforts in Ethiopia, in 1984. The two wrote the song “Do They Know It’s Christmas?” and assembled an all-star band of musicians to record the single; it sold millions of copies over the 1984 holiday season.

In 1985, Ultravox was put on hiatus and Ure began to pursue a full-time solo career. Recorded entirely by Ure, his 1985 solo debut, The Gift, launched the number one single “If I Was,” as well as the minor hits “That Certain Smile” and “Call of the Wild.” The following year, he recorded the final Ultravox album; in 1987, the band broke up and he began recording his second solo album. The resulting record, 1988’s Answers to Nothing, was less successful than The Gift in the U.K., yet it charted in the U.S., which is something Ure’s previous album failed to do. Three years later, Ure released his third album, Pure; while it didn’t do any business in America, the album featured the Top 20 British hit “Cold, Cold Heart.” He attempted a comeback in 1996 with Breathe, which went ignored by both the American and British markets. Four years later, his score for the Jon Cryer drama-comedy Went to Coney Island was issued by the Evenmore label.

Ure’s recording activity during the 2000s began with Move Me, which featured some surprisingly hard rocking material. A few years later, he published an autobiography, If I Was, and then, with Geldof, arranged the Live 8 concerts.

Following the release of the covers-oriented 10 IN 2008, Ure participated in an Ultravox reunion and continued to record as a solo artist. Fragile was issued in 2014, and featured the Moby collaboration “Dark, Dark Night.” In 2017, he collaborated with composer Ty Unwin on the album Orchestrated, which featured orchestral reworkings of Ultravox songs, as well as songs from his solo career.

In 2020 Midge released an album Soundtrack 1978-2019, he was one of the lucky artists to have completed his tour promoting this in February that year.

Midge has recently revealed why he turned down an offer to join the Sex Pistols, telling The Telegraph that he considered that taking up the invitation from the band's manager Malcolm McLaren would have been like "joining a slightly edgier Bay City ­Rollers". He received the offer to join the fledgling punk band back in 1975, while on a visit to McCormack’s instrument hire shop in Glasgow.

In an interview published in the Telegraph he said;

"I was stopped in the street by the Clash’s manager, Bernie Rhodes, who then introduced me to Malcolm McLaren, I didn’t know who either of them was, but they literally asked me to join the Sex Pistols without even asking what I did. To me it would have been like joining a slightly edgier Bay City Rollers, so I turned them down.

Last October Midge celebrated seven decades of music with a concert at the Royal Albert Hall.

Concerts coming up for Midge are, 24th October: Tvonica Culture - Zagreb , 31st October: Stadfeestzaal - Aarschot, Belgium with Lena

Lovich, before 27 dates in Scotland, England, Ireland and Wales ending in December, he then travels to United Arab Emirates for a gig in February, March sees the hard working Scot play 11 nights in Sweden and Germany.

Midge Ure is one of Scotland’s all-time most successful musicians. He is married with four daughters and lives in Somerset.

The video is Midge, with Pilot,s David Paton from a Live Hogmanay show in 1995.

[bitter69uk]

“Siouxsie and the Banshees played off Siouxsie’s dominatrix-style hauteur against three pretty-boy musicians. By the late autumn, they were playing songs full of awkward twists, casual brutalities, mass media trash and the intense excitement of ambition outstripping ability … The Banshees’ first album, The Scream, was very Ballardian: a cool, malevolent sweep through a landscape of decay. Together with Siouxsie’s trademark make-up and hairstyle, this was a new English Gothick …”

/ From England’s Dreaming: Sex Pistols and Punk Rock by Jon Savage, 1991 /

“In 1976, Siouxsie Sioux (Susan Ballion) and Steve Severin were part of the clique of steady suburban London Sex Pistols fans known as the Bromley Contingent … From such uncertain beginnings, Siouxsie and the Banshees quickly evolved into a highly popular band, regularly appearing on the British charts despite the group’s brooding, abrasive style. In fact, the group was largely responsible for the spread of chilly romanticism as an appealingly remote stylistic statement. The Scream capsulized the first-generation sound of the Banshees: Siouxsie’s icy, sometimes tuneless wail swooping over the metal-shard roar of John McKay’s guitar and the brutish rhythms of bassist Severin and drummer Kenny Morris. The songs are relentlessly grim, albeit often sardonic (as in “Carcass” and a version of the Beatles’ “Helter Skelter”)."

/ From The Trouser Press bio of Siouxsie and the Banshees /

Released on this day (13 November 1978): The Scream, the startling, game-changing debut album by British punk band Siouxsie and the Banshees. For legions of black t-shirted punks, goths, queers and misfits, life would never be the same! Now sing along with me: “Should I throw things at the neighbours / Expose myself to strangers? / Kill myself or ... you? / Now my memory gets hazy / I think I must be crazy / But my string snapped / I had a relapse ... A suburban relapse …” Portrait of Siouxsie by Fin Costello.