#THE DEVELOPMENT OF THE STORY WAS SO GOOD
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poorly-drawn-mdzs · 1 year ago
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Gaslight, Gatekeep, Girl found dead in a hidden room.
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#poorly drawn mdzs#mdzs#lan xichen#jin guangyao#jiang cheng#wei wuxian#qin su#EDIT: Tumblr published an earlier draft with only half the notes I wrote so: late entry on my JGY thoughts.#Unlike the mystic powers of the stockmarket (what the OG meme is referring to) I think this situation calls for more active investigation.#qin su is such a deeply tragic character to me and I really wish we got a bit more from her.#Love everyone who sent me messages about her after the last time she appeared.#I think she needs a spin off of her being a transmigrator SO badly.#MDZS has so many interesting characters - but it sometimes fails to give them the proper room to really develop past a role in the plot.#That's just the consequence of writing a story like MDZS. Not every character in a book *needs* to have a rich inner life and backstory!#To do so would bog down the story and obliterate any notion of pacing. It's just not possible.#Jin Guangyao (nee Meng Yao) is unfortunately not free from this leeway rule. He is the culprit of this murder mystery plot#and thus NEEDS to encapsulate the themes of the book. And personally he's a 7 out of 10 at best on this front (in the AD).#MDZS is about rumours twisting reality and working towards truth. And about how people & situations are rarely ever black & white#JGY has his motivations. He's well written in regards to his actions making sense for his character.#What started as good traits (drive to succeed & improve his image) became twisted over time (do anything to maintain his image)#and it's a good parallel to WWX! He has the same arc (with different traits)! Bonus points for IGY in that regard.#but man....by the time we confront this guy for murder there's not a lot of grey morality. He's just...deep in the hole *he* dug.#There's a beautiful tragedy to it! More on JGY in later comics - this is getting pretty long already!
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edenprime · 3 months ago
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One of the strongest points of Mass Effect, if not the strongest, is just how well written the characters are. From Shepard, to the squad, to the side characters like Anderson and Bakara, to barely-there NPCs like Ereba and Charr the lovers, Etarn Tiro the enthusiastic turian merchant, Kargesh the krogan who wanted a fish, Lia'Vael, the quarian who gets falsely accused of theft, and the Salarian who wants to buy a memento to his asari lover to remember him by once he's dead.
I feel like so many of them are memorable, and they all serve a purpose to the overall world building. The krogan show that they are not the violent thugs the galaxy has made them out to be. The salarian shows the struggle born out of building relationships with people of a species with a life expectancy so beyond your own. Lia'Vael illustrates what Tali says about the quarians being treated like second class citizens. Those small little side quests have a meaning and a purpose, it doesnt feel like they are Just There, and they add more to the lore of them game to those who care about that stuff.
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milkbreadtoast · 16 days ago
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guys i started reading this recently and let me tell you. You have to read this one.... ITS SO GODDAMN FUNNY. im having the time of my life... wholeheartedly rec
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bookshelf-in-progress · 6 months ago
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I love how a well-written romance is so often structured as a mystery. A person starts with a certain idea about another person, and over the course of the story, they uncover more evidence that gives them a fuller picture of who the other person truly is. They learn about layers to the personality and backstory that give the other person more depth. They learn how the other person's personality meshes with theirs. Even the third-act misunderstanding fits the mystery structure--it looks like they've uncovered the final secret to the other person's identity, which is that they're not the worthy person they seemed to be, but then discover that they misinterpreted that evidence, or the other person takes steps to apologize and repair the level of trust. When the mystery is resolved, they've reached a full understanding of each other and know they've found a partner they can trust their whole future to.
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tapakah0 · 4 months ago
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Imagine A flying scene with grown up Alcor and Oscar (Remember Adeona? "Little" flying dog or Marmors) Imagine like something happens and Oscars abandons Adeona or Alcor snatches him from it
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blueskittlesart · 4 months ago
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
#i really do have a love-hate relationship with this timeline#because it's FASCINATING lore. genuinely. and i think it carries over the themes of certain games REALLY well#but i also think it's indicative of a trend in loz's writing that has REALLY annoyed me for a long time#which is this intense need to cling to oot#and on a certain level i get it. that was your most successful game probably ever. and it was an AMAZING game.#and i think there's definitely some corporate profit maximization tied up in this too--oot was an insane commercial success therefore you'r#not allowed to make new games we need you to just remake oot forever and ever#and that really annoys me because it makes certain games feel disjointed at best and barely-coherent at worst.#i think the best zelda games on the market are the ones where the devs were allowed to really push what they were working with#oot. majora. botw. hell i'd even put minish cap in there#these are games that don't quite follow what was the standard zelda gameplay at their time of release. they were experimental in some way#whether that be with graphics or puzzle mechanics or open-world or the gameplay premise in its entirety. there's something NEW there#and because the devs of those games were given that level of freedom the gameplay really enforces the narrative. everything feels complete#and designed to work together. as opposed to gameplay that feels disjointed or fights against story beats. you know??#so I think that the willingness to allow botw and totk to exist independently from the timeline is good at the very least from a developmen#standpoint because it implies a willingness to. stop making shitty oot remakes and let developers do something interesting.#and yes i do very much fear that the next 20 years of zelda will be shitty BOTW remakes now#in which botw link appears and undergoes the most insane character assassination youve ever seen in your life#but im trying to be optimistic here. if botw/totk can exist outside the timeline then we may no longer be stuck in the remake death loop#and i'm taking eow as a good sign (so far) that we're out of the death loop!! because that game looks NOTHING like botw or oot.#fingers crossed!!#anyway sorry for the game dev rant but tldr timeline good except when it's bad#asks#zelda analysis
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eternalnat · 5 months ago
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I rarely make tumblr posts, but I am so infuriated by this situation I need to say something about it.
Five Hargreeves, who spent 45 years alone in a post-apocalyptic world, and every single moment of his life since was spent trying to get back to his family. The Five who ran himself dry for 2 weeks straight trying to stop the end of the world, and reunite his family. The Five who slaughtered an entire board of directors just to ensure him family's safety. Who turned back time himself, while bleeding out on the floor, just to save his siblings. You're telling me, that the Five whose entire motivation for living was once saving his family, is the same Five, who in s4 has entirely given up, and in the Subway is the one trying to convince Lila to stop looking after 6 and a half years? The Five who never once stopped trying to return to his family in all 45 years of surviving alone, decides to settle down in a greenhouse and live out a cottagecore life?
Furthermore, the same Five who told Lila that Diego loved her, who reassured his brother that his wife wasn't cheating on him and loved him dearly, the same Five who got on with Lila only due to the fact that they both cared for and loved Diego, the person they had in common, is the same Five who stole his brother's wife, whom he had three children with, just because the writers were excited that Aidan Gallagher was finally legal?
Five who hated authority, who despised when people gave him commands, who wanted nothing more than to retire in s3, is now working for the CIA and willingly calling his boss, 'sir'?
Five who used to be so paranoid and suspicious of everyone and everything, who used to solve problems alone and came to epiphanies that saved the world, who didn't even trust a past version of himself, also didn't realise that his boss of many years had an umbrella tattooed on his wrist?
Everything that once stood out about his character is now gone, as if the writers themselves entirely forgot about his existence until the last moment, and added him in as an afterthought, without thinking of the effect he would have on the story.
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dryya-doesnt · 1 year ago
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I watched Blue eye samurai, so some mizu doodles today
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aurorangen · 3 months ago
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Still, will this pain ever go away?
Transcript:
[Following the investigation update, I wanted to vent to Nancy. But I stopped when I saw her mum] Janessa: Sweetie [face full of uncertainty] Where are you going? Nancy: Oh! I'm just going to see Vincent for a bit. I'll be back by the evening.
George: [storms out of the house] No you can't. Stay away from him. Nancy: Daddy…why would I do that? George: Vincent will bring danger into your life.
Janessa: We've not heard good things about his father. There are online rumours and all the neighbours gossip about who he is. We looked up the case and Nancy, you're putting yourself in danger being with him. Nancy: What does his dad have to do with us being togethe-… [sees her dad's face and stops]
George: [gets riled up] You can't be with him ok? Your safety is the most important thing to us [softens a bit] Sometimes you have to sacrifice your safety, there are many other people out there- Nancy: B-But what about my happiness? He makes me happy and doesn't that mean-
George: Nancy. Go back inside. I don't want to hear anymore. Nancy: Let me explain [starts crying up the staircase due to frustration] you don't know anything about him! [I sat there with my shoulders slumped feeling like the world was becoming my enemy]
[It was a curse for me to have him as my father: he was just too powerful. Even with him out of my life, his presence still loomed over me as if he was dictating my fate. I turned on my phone to message Nancy]
Nancy: [calls Vincent] Later. At midnight. I'm not changing my mind. Vincent: Nancy don't. I'm going back home, it's for the best. Nancy: [begs him] No please don't go. Stay right there, I'm coming for you now.
[I don't know what changed my mind, but I just wanted to escape for a little while] Nancy: They'll just ground me or take my phone away. They can't stop me from being with you. Vincent: [grabs hand] Let's go then.
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alicenpai · 1 year ago
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forgotten playthings, forgotten child 🧸
Jack from my series Lost & Found Children 🤍🖤
i hope to showcase more of my ocs in 2024 hehe! im FINALLY getting around to finishing art i left to rot in my folders (the pandora hearts drawing last month being one of em). if you saw the WIP of THIS particular drawing 2 yrs ago... no you didn’t 💔
my charas are very personal to me, but tbh ive always been a bit hesitant to share their stories. over time i realized ... it’s kind of a shame to not make art from one’s heart. which is something i regret a lot year after year whenever i make my yearly art summary reflection. i'm like damn i need to make more emotionally evoking pieces!!! so i'm gonna keep going in 2024 with that in mind ❤ i have to admit, although this drawing started 2 years ago, and there's a lot i would do differently if i were to supposedly draw it now - this concept goes pretty hard.
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the final drawing stayed pretty close to the original concept which im so relieved for! i think part of the reason why i left it on the backburner for so long, was the fact that i included so many details, and i was unsure of how to colour the "background". (not to mention stuff like cons & real life getting in the way).
i'm glad for discovering a really handy watercolour brush, it's helped me a lot in my last few drawings, bc i dont have to colour in each detail. especially since the witch hat atelier: eternal ephemera zine piece i did. otherwise if i coloured this back in 2022 with my usual method, i'm pretty sure i really would have included a shading and highlight layer for each individual toy... HAHAHA. much to think about
oh yeah and in the last few days of drawing this i was listening to some visual kei bands. i love how some of the band members literally have been performing since like the 90s or something and DO NOT AGE and are literal vampires. every so often i fall back into visual kei (you can tangentially thank aggretsuko although yes i know it's not the same). and i kind of realized. i like Jack's edgy design so much because he looks like. a visual kei esque vampire.
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that1notetaker · 6 months ago
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Mha chapter 429 Spoilers! Deku hugging ochaku mirrors exactly ochako's hug when Deku's 'heart' went out of control back all those chapters ago. In both cases, both their hearts were out of control because of someone else. Izuku because of Katsuki and Ochako because of Toga. Again, they're mirrors. They've been mirroring each other for a long time. Izuku knew exactly what to say, because he literally understands. He really does. Now, I absolutely loved the tenderness of the scene. The 'hey, you can let the ugliness out, I'm here, it's okay. You can let it out." Izuku has been dealing with his own closed-off heart for a long time, and we still haven't seen HIM open up properly. I'm not sure how the manga will handle it, IF it will. But it feels like there's something missing, for Izuku's character to round up. I vote for Deku vs Kacchan 3, a reversed of 'The only one that can accept Kacchan's feelings is me'
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klanced · 3 months ago
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you are so lucky to not have watched s4-8
people always ask me 'katie why did you only watch half of voltron??' and i'm just like guys i thought we all agreed that voltron was not a very good show 💀
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dukeofthomas · 6 months ago
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"They were never really that close pre-death" "Dick was mean to Jason before warming up" etc etc are the worst Dick&Jason takes possible. Why would you even say that about them
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mikimeiko · 1 year ago
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Bodies | Miniseries (2023), Paul Tomalin
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puppppppppy · 7 months ago
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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freudenstein · 5 months ago
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Simulanka fed us so well that was great....a W for the scara fans especially. The parallelism with Durin linking important pieces of the lore together while creating a heartwarming storyline with a solid message made for a pretty worthwhile investment.
The crumbs regarding Scaramouche's personal feelings and his lingering scars and insecurities, the subtle hints towards future plots that remain unresolved, and Scara's character development as overseen by traveler and Paimon were satisfying. Moments like when the traveler silently gave him a VERY loaded look after someone mentioned the hero of simulanka, and his snide and dodgy responses, his awkwardness and avoidance and Traveler's giddyness, absolutely sent me lol. The idea of making Scara act kinder to himself via extending kindness to his thematic match is pretty good, and having Durin put more words to the pain they share was nice. Scara is a refreshing hero to follow because he's self-aware and is more savvy than the other characters, so he comes off grounded and easy to empathize with in a more profound sense and he cuts through the bullshit and gets to the heart of things efficiently. I think it's cool and good writing that Scara was the hero of Simulanka because of his strong sense of compassion, one willing to show bravery in following that big heart of his. Coming immediately after the Sumeru archon all I can say is that his characterization is solid and very consistent. Plus, he's very fun when he's being mean, and while he shows that he knows what to do in his self-aware state of villain redemption limbo, he still acts in ways that make Paimon yell at him LOL.
Plus seeing scaramouche get flustered and angry because he's acting nice was like, crack cocaine, so.
It was very nice to see Navia and Nilou and Kirara as well. Surprisingly enough, this ragtag group of people worked well together. In my opinion, Kirara's presence was the weakest, but the Narrator Footnotes story was very, very fun to play through with the 4th wall breaking stuff and bright sense of humor. The themes in this event were rather interesting and heavily pandered towards some theories I've held about Teyvat its lore. I'm still confused about a lot of the lore drops so I gotta check out what the theorycrafters and meta posters are cooking up about this event. Nilou's chapter felt the weakest but she as a character came off pleasant still. Navia was gorgeous and I took a hundred screenshots wherever she was on screen.
That's about it for my thoughts I guess.
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