#i have so many more issues with this season but I had to focus on this one

[eternalnat]

I rarely make tumblr posts, but I am so infuriated by this situation I need to say something about it.

Five Hargreeves, who spent 45 years alone in a post-apocalyptic world, and every single moment of his life since was spent trying to get back to his family. The Five who ran himself dry for 2 weeks straight trying to stop the end of the world, and reunite his family. The Five who slaughtered an entire board of directors just to ensure him family's safety. Who turned back time himself, while bleeding out on the floor, just to save his siblings. You're telling me, that the Five whose entire motivation for living was once saving his family, is the same Five, who in s4 has entirely given up, and in the Subway is the one trying to convince Lila to stop looking after 6 and a half years? The Five who never once stopped trying to return to his family in all 45 years of surviving alone, decides to settle down in a greenhouse and live out a cottagecore life?

Furthermore, the same Five who told Lila that Diego loved her, who reassured his brother that his wife wasn't cheating on him and loved him dearly, the same Five who got on with Lila only due to the fact that they both cared for and loved Diego, the person they had in common, is the same Five who stole his brother's wife, whom he had three children with, just because the writers were excited that Aidan Gallagher was finally legal?

Five who hated authority, who despised when people gave him commands, who wanted nothing more than to retire in s3, is now working for the CIA and willingly calling his boss, 'sir'?

Five who used to be so paranoid and suspicious of everyone and everything, who used to solve problems alone and came to epiphanies that saved the world, who didn't even trust a past version of himself, also didn't realise that his boss of many years had an umbrella tattooed on his wrist?

Everything that once stood out about his character is now gone, as if the writers themselves entirely forgot about his existence until the last moment, and added him in as an afterthought, without thinking of the effect he would have on the story.

[astralnymphh]

𝐩𝐞𝐫𝐟𝐞𝐜𝐭𝐢𝐨𝐧. ♡

summary: ellie simply cannot dance the odette variation perfectly without you spotting her. she calls you in, and swans begin to sing.

content: ballerina!ellie, smut, mdni, dom!reader, white swan and black swan dynamic, fingering(e!rec), slight choking, slight degradation, semi-public sex, presence of risk, drabble length, had to get something of this au out before i went psycho. think of this as series teaser, almost. barely, somewhat proofread. wc: 1.7k

Ellie works against her body, and time works against her.

“Dammit—I can't get it right.”

It is February: the unfurling of the year, and she is Odette this season. The white swan had incarnated, plucking only the most graceful, most sedulous ballerina from the flock. She begins to believe herself after all the blood, sweat, and tears produced in anticipation, and training. Nothing is graceful about this loathing season, though, and save for the culmination of when she was cast her sorrowful-swan, ivory feathers, this is a tribulation that eats her down to the sore ligaments of herself. Perfection is eroding.

She tries and she fumbles. “Fuck!”

Usually, this is no issue. Ellie is inherently so given to pirouettes; the group instructor is unapologetic about that praise. But their momentum overwhelms their beauty—her instructor also claims. She must find a balance, within, and without thinking too hard.

So she ends up calling you in to think for her.

The black swan.

Tutoring, of a sort. “You have the wings of a vulture,” you broach, pacing forth and from the space behind. You only brace the front when you spot an incorrection. “Loosen up.”

She is nervous to have her heartbeat in your ears. You have this touch nobody else can give, and yet it is for a reason she wishes not; correction, not love. However, she just might love it regardless. Touchings of the arms that mean nothing to you, and many things to her. You tap her shoulder, and the muscles noticeably stiffen. With a gulp, the chafing organ inside her is a solitary song she hopes you cannot sense the thrumming of.

Tired hands fall to her thighs in a slap. You watch her lips form a question in the mirror. “Can't you just show me?” She is adamant with it. Adamant with everything, if you recall each sentence you overheard from her private sessions. Somethings of malediction, most a pained curse.

Those bruises and bumps reflect that.

“Your grace should come from within, Swan Queen.” Although an aphorism most would groan at and nullify, it is almost vital to every professional dancer. Even you nourish yourself with the saying, and you are at the top. “Just as Pavlovich would say, right?” Ellie has technique. In fact, she has a grasp on it so violent—so obsessive, not a single other picture-perfect girl in that room on the day of Swan Lake casting could bear it.

Except you.

She puffs her cheeks into apples, “Fuck,” and mumbles under her breath. This day would leave a sprain.

Nuturing her inelegance. You think of it like this, and you treat it as such. When your palms introduce two gentle pressures upon her ribcage from behind, she fears you can hear it. Her heart; its rage. She overthinks the gesture and places her hands over yours on accident.

You hear air snag in her throat. Feel her fill.

“Feel my hands?” You motion with your thumbs, rubbing them back and forth under hers.

Ellie drops her head, and a strand of auburn slips. “Yeah.” Her voice is a feather. It writhes into the abditory of her chest.

She hates catching your eyes in the mirror. Especially right now.

Because she so graciously has her hands on yours, you turn your palms and basket the tense, fidgeting things in them. Raising them heavenward as a halo. “You have to let go up here. Don't overthink it.” Your fingers downpour all around her, until they return to her palpating ribcage. “Focus on your core.”

Fuck, what has she done? She invited you in here with the strict notion that you could implement her perfection. Nothing more, nothing less. Pavlovich would replace you as her tutor if the sun shone with the littlest deviation; you don't have to be here. But you are here, and she is borderline bleeding from her precious lips trying to distract herself from the warmth crawling out below. The visceral image of her leotard stained with a wet patch.

She feels like a loser.

She does anything but let go. “Like this?” It is so achingly obvious, the sleek of her juices making it uncomfortable to lift her leg.

“No,” you huff in a heavy increment, drawing away. Ellie's impliable arms were all over the place—and not in the graceful, poised manner of a swan. The poise she despairingly needs. “You can't be this nervous on stage. Someone psych you out or something?”

She descends from pointe. This girl is a rose-red silhouette of confusion, and crackling. “Um, not really.” But she is fucking easy to read.

All she needed was your hands again.

Handling her waist, her hips. “Did you lock the door?” Eating her mouth which gushes with the same, quiet concerns. You close it with yours.

“Mhm.” Ellie is feeding on your hums: fitting her lips in the cleft of yours, opening and closing, nodding and accepting, eager to pick from your fruit again. Docile creature in caging limbs. She is sat softly in your lap, doing all this like she cannot get enough of you, regardless if you are endless.

Her skin is peeking quietly from her neckline. Shining, shifting over her collarbones.

Post-practice glow.

She tries to relieve the throes of wanting immediately. This is not the same Ellie you tutored minutes ago; someone else crawled inside of her, made a corruptive influence. “Fuckin' soaked down there,” she hints with pacing breath, flexing her pelvis up. “Gonna buy me new ones?” She mentions about her tights. Those tights that always make her toned legs look woodland-born; spry as deer, long boughs laden with white bloomage.

You chuckle. “Oh, cause it's my fault?” But your hands push for that hot gap beneath, peel her leotard aside, and she goes white-eyed. Nudging to find the same kisses.

Opening her mouth opens her heart to you.

Then, her legs.

Full-walled mirrors reflect before her. Ellie goes insane watching the muscles of your fingers work her in numbing circles over the wet patch of her tights, and sometimes, insane from the stare you give while doing it. The friction is like molasses, but it is all she needs. God, she is pulsing on you. Whining on you. Does she come to rehearsals horny?

It certainly coheres.

Warming up next to each other on the barre, beholding one another during auditions, her cascading stares when you stretch, creeping softly up your legs. Wearing sheer skirts so wispy, so mini: you get it. Those sculpting shorts she wears—you're not even going to lie—prove the pleasure is visual. It creates a vertigo of pounding, indecent thoughts.

You folded them so delicately down her lovely hips. Now they lay stranded somewhere in the room, but fuck—does your skin raise thinking about her ass flexing in them before. Picture-perfect, palmful of an ass.

Has she touched herself to you?

She still avoids your eyes when you pick up your speed. “Fuckin' slut, aren't you?” Watching what was being done to her was all the more invigorating, hoping she would ruin her panties enough and swallow up your motions. Take you in closer.

She tells you she does like it. Well, whimpers, at least, and humps your river-paced fingers.

Then, she plucks at the band of her tights with her thumb, stretching it over the knuckle. You see where your finger pins it down.

Shadows brush against the frosted door. Soothing yourselves too comfortably into primal abandon and taking every tight piece of clothing off would maturate a scandal. Risks are high; you lead her wrist back.

Dopey giggles form her smile. “Why not?”

You affirm. “You know why.”

But no secretion of articulation was coming from her lips, only confirming sounds and thigh contractions when you grope and grab her thumping crotch. It was as though she was pent-up. Panting often out of her mouth, and glancing into the hoods of her eyes with a short leaning motion—you think she is. Pent-up, religiously for you. Little ligaments in her shiver with every little tug, barely moving anything under the layers, but she loves it.

She spent deadlight mornings dreaming that her bed beheld hers and your legs interlocked, cunts rubbing each other into humiliating moans and reeking of sex days afterward in the studio. It aches that she cannot see her bare pussy, and you, inside her. She thinks she might be fucking glistening under there. How exciting: what would it feel like if you ripped the fabric and stuffed her, displayed and degraded her? Your glare already does, Odile.

She needs to take you home. She needs the veiling between you and her so eroded, it rewrites the all-encompassing, eternal-age ballet right there on the grand stage. Makes the audience mull in their sleep. “Put your hands around my neck,” she beckons, inviting more hands on her.

“Yeah?”

She gulps. “Uh-huh.”

They fill the pale emptiness. After that, she finds herself trying to fuck herself more desperately on your fingers: she rides the length of them, using what is softened of her panties to slide up her folds. The pressure indescribable. She almost forgets that you are her competition; rivals shouldn't make her come this hard.

But, it's you. You lull the filthiness out of her.

When your fingers dig in the right spot, she pierces through her lower lip. “Yes, baby—fuck!” She jolts with a whimper. The sides of your fingers are scratched by the synthetic material of her thighs, her legs impulsing, eyes pinching, and her neck stringing up in your grasp. It is a chasm full of splutters. “That's it—right there, right there. Fuck, don't stop, please don't fuckin' stop.”

You palm her through it, fingers pouring out through the heart of her thighs in the mirror. And something else. Something that sticks her to her shame: orgasm-sopping panties she may replace, and replace twice. There is subtle moisture on your fingertips.

No way she goes home and sleeps soundlessly without flicking her pussy for you. In devotion of what you could not. She feens to be properly played with.

Ellie lies breathless in your lap, her skin sweating into yours. The scene is a silent basking until she breaks it:

“Should we continue this tomorrow?”

[pia-nor481]

Daniel Ricciardo NSFW alphabet

A-Aftercare (what they're like after sex?)

He very much likes looking after her, so imagine long showers/ baths. He is certified skincareologist-he has watched her do the routines so many times that he's a professional now. Plus he loves to rub moisturisers all over her body. He loves physical contact so don't expect to be left alone.

B-Body part (what is their favourite part of theirs and their partner?)

I think he really likes his abs, it's just nice to look at. (The fact he doesn't like his side profile is criminal)

He LOVES his partners hips, perfect to grab. I believe he likes to hold her hips when dancing, or railing her.

C-Cum (anything to do with cum)

I don't think he Cums a lot, volume wise. But he just loves to cum. I believe he has a preference of cumming inside, however he's happy with where ever she wants it.

D-Dirty secret (just a dirty secret of theirs)

I think he’d really want to fuck in slightly public places, a pool is the best example. Just something about it is so appealing.

E- Experience (how experienced are they)

VERY. He's obviously very attractive and so has had many girls. He's learned all of the possible techniques and doesn't need guidance. He loves to try our new methods and can read her like a book.

F- Favourite position

Cowgirl- I don't know what you expected from me. He loves any position where she's riding him. Or maybe where she's up against a wall. He also definitely likes car sex (have you seen the interview?)

G- Goofy (how serious are they in the moment)

75% serious. He likes to really focus on the sex but other times he just can't help but he his funny self.

H- Hair (how well groomed are they? Does the carpet match the drapes)

The hair is exactly the same. I will say though he strikes me as someone who's completely clean shaven, but waits quite a while to shave again. It's not a matter of forgetting or laziness, but actually convince. He doesn't have to trim it as often this way. He does have a tummy trail which I think is cute- even though no one asked.

I- Intimacy (how are they during the moment? Romantic? Pleasure driven?)

Very romantic, he likes to be sweet and loving. Daniel definitely likes to hold hands. But I can also see him just repeating "fuck" as he's pounding her when she's pushed up against some wall, and he's just so desperate for pleasure that's all he can think about.

J- Jack off (masturbation headcanon)

Self care king. He actually really likes to masturbate, whether that he by himself or with her watching. He does really enjoy his hand.

K- Kinks (one or more of their kinks)

BDSM- not in a super SM way. He likes restraints and blindfolds, but not necessarily pain. A little is fun, just enough that it doesn’t cause an issue for the following day

Wax- he likes to drip hot wax down her body during the off season. This definitely started with one of those lotion candles and then with some other low temperature melting candles.

Edging- Daniel loves hearing her beg to cum, bucking her hips towards him just for that release. But he doesn’t like to give it to her straight away.

L- Location (their favourite place)

Anywhere in the house-the kitchen is great for bending her over, or eating her out while she's sat on the counter. The living room is perfect for soft/cuddley sofa sex, or when she wants to ride him, but he must have his hands on her.

The car- anytime Daniel gets a new car he makes a point of driving her somewhere, whether it's just the longest route possible or to go to a secluded location. He likes the option of her riding him in the front, or fucking her in the back. Also, road head!!

M- Motivation (what gets them going?)

He loves a sexy phone call, or a really long voice note of her pleasuring herself. He's not fond of sexting but, phone sex is one of his favourites. So just hearing her saying things like "I'm so wet just thinking about what you're going to do to me tomorrow." He just can't resist.

The dancing has made a come back, even if it's very innocent, he'll find a way.

He's a man and so will like visual things, so anytime you're showing him an outfit, or he sees lingerie.

N- No (what turns them off)

Anything typically considered "gross" like piss and such. This might just be me protecting my hate, you do you though.

I also don't think he wasn't to be a cuck. Or a bottom tbh

O- Oral (preference on giving or receiving. Skill)

This man loves blow jobs so much it's unreal. I could spend hours talking about this. He enjoys most techniques, when his tip is up against the roof of her mouth, or pushing against her cheek, or when is dick is down her throat. He loves it all!!! He does also really love giving, I think this is something he's grown more into liking. He might need a little convincing for her to ride his face but once he starts he doesn't want to stop. Pussy DRUNK.

P- Pace (Are they fast or slow? Rough or sensual?)

He loves to be sensual, his love language is physical touch so you should know he's taking his time to really feel absolutely everything. That doesn't mean he doesn't enjoy hardcore. He likes rough and hard, he likes to be fast, when he wants to prove a point ;)

Q- Quickie (their opinions on them? How often?)

He is very neutral. It happens every now and then, he does enjoy them, but would definitely prefer lots of foreplay and teasing, no matter how much he likes to cum.

R- Risk (will they experiment? Do they take risks?)

I don't know if this is an Australian thing, but these lot seem to be up for pretty much everything. So I think he's more than happy to try anything that isn't a hard no. So he definitely takes risks.

S- Stamina (how many rounds do they go for?)

I don't think that many rounds (as much as I love him, he is 34) but that doesn't stop him. Probably 2/3

T-Toys (do they own any? Do they use them? On a partner or themself?)

I think there is one of every kind. But only one toy gets used at a time. You can have cuffs or a vibrator, not both. He doesn't really use them on himself, unless he's

U-Unfair (how much do they tease?)

He absolutely loves it. He’ll be torturing her clit for ages, then just pull away to kiss around her cunt, or onto her thighs. In my mind he always runs his hands over her body in a featherlight teasing manner.

V-Volume (how loud are they? What sounds do they make?)

He groans very loud, and it’s always super throaty. I think he gets out of breath very quickly where he really likes to talk through out. It’s another way of his teasing.

W-Wild card (a random headcanon)

I think he actually quite liked period sex. Idk why, not to bring up the Australian thing again, but I genuinely believe he’d really like it. Just the intimacy and providing relief ig.

X-X-ray (how big are they?)

Definitely quite long, but not that thick. I think either bends very lightly left, or up.

Y- Yearning (how high is their sex drive)

Not that high, however if she wanted to fuck, he’s never going to say no. I think now that he’s doing a lot more, he’s a lot busier :(

Z-Zzz (how quick do they fall asleep afterwards?)

I like to think that he stays up quite late. Daniel likes to fall asleep to noise (cannon) so he’d like conversations or just generally listening to her talk. Or maybe he’d put some soft music on.

Pinterest wasn’t giving what I needed today. I was looking for such a specific image but it wasn’t providing.

[khruschevshoe]

How Behind-the Scenes Issues Affected the Writing of Doctor Who (Both Good and Bad)

Doctor Who is such a fascinating show to look at from a Watsonian v. Doylist perspective. Like, entirely just from an episode writing point of view:

Twice Upon A Time feels so slow and meandering and even boring in places because Chris Chibnall didn't want to start his run as showrunner and Steven Moffat didn't want the show to lose the coveted Christmas timeslot (ironic, I know) so he bumped the Twelfth Doctor's regeneration from the end of The Doctor Falls (where it makes sense) to the end of the Christmas special

Boom Town (my beloved) only exists because originally there was going to be an episode in its spot explaining that Rose had been molded to be the Doctor's perfect companion (by the Doctor, gross) and the writer didn't have the time to commit to the show

The ending of Last Christmas feels like one inside-a-dream too many because originally Jenna Coleman was questioning whether she was going to leave the show or not and the ending was rewritten after the first readthrough when she decided she wanted to stay for another season

The first five episodes of Season 7 feel like each one takes place in a different genre because that's literally how Steven Moffat pitched it to the writers; for example, A Town Called Mercy was literally pitched as "Doctor Who does a Western"

Not so much a weird one but one I find cool: Eleven's first words and Thirteen's first words were literally written by Moffat and Chibnall respectively, as they were brought in to write the first words of the first Doctors of their runs so as to make it cohesive

The reason why Fourteen isn't wearing Thirteen's clothes when he regenerates is because Jodie Whittaker is much shorter than David Tennant and Russell T. Davies didn't want it to look like he was making fun of the genderfluidity of the Doctor (still think he made the wrong decision, but eh)

Wilfred Mott isn't in the Runaway Bride and Donna's father isn't in Partners in Crime because the actor who played Donna's father, Howard Attfield, died after filming several scenes for Partners In Crime, leading to the character of "Stan Mott" from Voyage of the Damned being written into Partners In Crime as Donna's grandfather

Astrid Peth doesn't die in the original drafts of Voyage of the Damned, but Russell T. Davies wrote what is generally considered one of the most emotional deaths in Doctor Who just because he wanted Kylie Minogue to be able to focus on her music career

Originally Oxygen was written as a prequel to Mummy on the Orient Express, where a corporate representative appeared on a monitor. Said representative was fired for his fumbling of the station and would later live on as the company computer, Gus

During Season 11, Chris Chibnall had to do some major rewrites for many of the one-off episodes, therefore The Battle of Ranskoor Av Kolos ended up being a first draft that made it to screen. He later admitted it was his least favorite episode of the series

And this is only a fraction of what I found in terms of major behind-the-scenes writing reasons. Though I am still totally willing to critique the product that made it to our screens, finding out the reasons behind some of the more badly written episodes of the show really made me feel sympathy for every showrunner of the show as well as appreciate a lot of the good episodes that ended up here despite the short production schedule/unexpected problems (once again, Boom Town my beloved AND everyone's favorite companion Wilfred Mott only exist because of unforseen problems). Absolutely bonkers, isn't it?

[artsekey]

I'd been seeing videos on Tiktok and Youtube about how younger Gen Z & Gen Alpha were demonstrating low computer literacy & below benchmark reading & writing skills, but-- like with many things on the internet-- I assumed most of what I read and watched was exaggerated. Hell, even if things were as bad as people were saying, it would be at least ~5 years before I started seeing the problem in higher education.

I was very wrong.

Of the many applications I've read this application season, only %6 percent demonstrated would I would consider a college-level mastery of language & grammar. The students writing these applications have been enrolled in university for at least two years, and have taken all fundamental courses. This means they've had classes dedicated to reading, writing, and literature analysis, and yet!

There are sentences I have to read over and over again to discern intent. Circular arguments that offer no actual substance. Errors in spelling and capitalization that spellcheck should've flagged.

At a glance, it's easy to trace this issue back to two things:

The state of education in the United States is abhorrent. Instructors are not paid enough, so schools-- particularly public schools-- take whatever instructors they can find.

COVID. The two year long gap in education, especially in high school, left many students struggling to keep up.

But I think there's a third culprit-- something I mentioned earlier in this post. A lack of computer literacy.

This subject has been covered extensively by multiple news outlets like the Washington Post and Raconteur, but as someone seeing it firsthand I wanted to add my voice to the rising chorus of concerned educators begging you to pay attention.

As the interface we use to engage with technology becomes more user friendly, the knowledge we need to access our files, photos, programs, & data becomes less and less important. Why do I need to know about directories if I can search my files in Windows (are you searching in Windows? Are you sure? Do you know what that bar you're typing into is part of? Where it's looking)? Maybe you don't have any files on your computer at all-- maybe they're on the cloud through OneDrive, or backed up through Google. Some of you reading this may know exactly where and how your files are stored. Many of you probably don't, and that's okay. For most people, being able to access a file in as short a time as possible is what they prioritize.

The problem is, when you as a consumer are only using a tool, you are intrinsically limited by the functions that tool is advertised to have. Worse yet, when the tool fails or is insufficient for what you need, you have no way of working outside of that tool. You'll need to consult an expert, which is usually expensive.

When you as a consumer understand a tool, your options are limitless. You can break it apart and put it back together in just the way you like, or you can identify what parts of the tool you need and search for more accessible or affordable options that focus more on your specific use-case.

The problem-- and to be clear, I do not blame Gen Z & Gen Alpha for what I'm about to outline-- is that this user-friendly interface has fostered a culture that no longer troubleshoots. If something on the computer doesn't work well, it's the computer's fault. It's UI should be more intuitive, and it it's not operating as expected, it's broken. What I'm seeing more and more of is that if something's broken, students stop there. They believe there's nothing they can do. They don't actively seek out solutions, they don't take to Google, they don't hop on Reddit to ask around; they just... stop. The gap in knowledge between where they stand and where they need to be to begin troubleshooting seems to wide and inaccessible (because the fundamental structure of files/directories is unknown to many) that they don't begin.

This isn't demonstrative of a lack of critical thinking, but without the drive to troubleshoot the number of opportunities to develop those critical thinking skills are greatly diminished. How do you communicate an issue to someone online? How do look for specific information? How do you determine whether that information is specifically helpful to you? If it isn't, what part of it is? This process fosters so many skills that I believe are at least partially linked to the ability to read and write effectively, and for so many of my students it feels like a complete non-starter.

We need basic computer classes back in schools. We need typing classes, we need digital media classes, we need classes that talk about computers outside of learning to code. Students need every opportunity to develop critical thinking skills and the ability to self-reflect & self correct, and in an age of misinformation & portable technology, it's more important now than ever.

[thelostconsultant]

A well kept secret

pairing: Lewis Hamilton x Bonnington!reader

summary: Lewis wants to move to the next level in your relationship, but he didn't consider an issue–your father having no idea you've been dating for years.

warnings: age gap, but otherwise it's angst/fluff.

“I have an idea. A long-overdue one, actually,” Lewis began as he rolled closer to you in the engineering truck, his eyes searching the room to see if Bono was nearby.

But your father was nowhere to be seen, and to be honest, the room was surprisingly empty at this time of the day, so he didn't hesitate to reach out and take your hand in his. Normally he would stick to casually patting your shoulder or giving you a high five, maybe pulling you into a quick, friendly hug if he felt daring, but being so alone was extremely rare when you attended a race weekend.

Your sweet smile that told him to go on made his brain temporarily short-circuit, but once he pulled himself together, he cleared his throat and began to lay out the plan. “Move in with me. I know I spend a lot of time away, but I want to share my home with you.”

The two of you had been dating for over two years now, keeping your relationship under the radar to protect yourselves from your father's inevitable fury. Because Lewis was certain he would be mad at him despite their over a decade long working relationship, and it would poison their teamwork that brought them so many amazing race wins and titles.

Not like he could blame him, it was easy to tell what the two of you had could be seen as something very controversial. He had met you when you were just a kid, and now, all those years later, there he was with the taste of your lips and feeling of your skin locked in his head. He loved you, he was sure of that, but sometimes he wondered if he should have told you to forget about him and focus on guys your age.

You wouldn't even have to go that far from the paddock. Everyone at Mercedes knew Max had been trying to get your attention for months now, and his most recent attempt the day before resulted in photos of him lurking around their motorhome spread like wildfire, making people believe he was there to sign a contract with the team for 2025.

But he kept his doubts to himself. You seemed so happy when you were together that he simply didn't have the heart to have this conversation with you. Why should he make you sad? He didn't want you to be sad. If being together made you happy, he would stay as long as you were letting him.

Now a part of him expected you to bring up that telling your father about the two of you was also long-overdue, but you didn't say it in the end. It was in your eyes, he knew that's what you were thinking about, but something stopped you from saying it out loud. What you did say was a lot more pragmatic, an aspect of his plan he had failed to consider.

“You live in Monaco. What if my parents wanted to visit me? What would I say?”

Lewis drew in a deep breath, his eyes moving away from your face for a little while so he could focus on the conversation. You were right. You lived in London, your parents obviously knew that, and sometimes they jumped in to visit you. There had been that one time when he was at your place and they showed up to surprise you since they were nearby. Those were the longest three hours of his life so far, hours that he spent locked into your bedroom.

“Look, I know you hate to hear this, but we can't do this without telling them about us,” you told him eventually after you cupped his cheek with your hand.

Gulping, he covered your hand with his and thought about your words. There was no other way to do it, you had to be honest with them for the first time in years. “Let's wait until the end of this season. Your dad's not coming to Ferrari with me, so him hating me wouldn't affect our work in the future,” he suggested.

“He wouldn't hate you forever. Sure, he would be a little mad at us for not telling him sooner, but–”

He couldn't help but laugh at your adorable naivety. “Baby, it's more complicated than that. Two years. We've been together for two years. I've been lying to his face the whole time, even joking around with him when he seriously considered taking pity on Max and giving him your number so he could call you.”

You laughed at the last part, but your smile faded when he gave you a serious look.

���And here's the biggest issue. The age difference, it's… I watched you grow up. If it wasn't my life, my first thought would be that you were groomed by that guy you're dating now,” he explained calmly, but deep inside he was a nervous mess.

“Lewis, I can see that you're overthinking it. Don't. You did nothing wrong,” you assured him in a soft voice before leaning closer to place a kiss on his lips in an attempt to avert his thoughts. “We will wait as long as you want.”

He let out a sigh with a small smile on his face. “I love you, never forget that. No matter what happens when we tell him, just know that I love you,” he told you seriously before kissing you again, not giving you the chance to respond.

[f1daydreamers]

𝐁𝐫𝐞𝐚𝐤𝐢𝐧𝐠 𝐁𝐚𝐫𝐫𝐢𝐞𝐫𝐬 [𝐓𝐀𝟔𝟔] 𝐏𝐚𝐫𝐭 𝟑

gif credits: @trenty

Pairing: Trent Alexander-Arnold x Fem!Reader

Summary: Arne, in hopes to focus on his team’s mental health as much as their physical, recruits a younger but just as educated psychologist to work one-to-one with the more reserved players. Trent is one of them.

A/N: Check out the masterlist for the first two parts if you haven’t read them already! Also, thank you so much for the kind comments on my posts, they mean more to me than you’ll ever know!

Warnings: this one’s a bit more fluffy, still a very reserved Trent tho

Word Count: 1.9k words (7 mins reading avg)

…

The first match to kickstart the club’s season was undeniably close.

The pressure had been mounting palpably in the last few weeks, evident in the increasingly focused, sharper, and heavier training sessions.

You didn’t have a personal experience with them, more so the ones that Conor had been complaining about.

But despite being unable to travel to the US, you’d personally assumed that preseason had been a success.

You’d caught highlights when they dropped and heard murmurs of staff satisfaction with certain performances circulating around the centre.

You hadn’t been able to get many sessions in though, only a touch few with Conor, as he was your top priority given his age.

He’d done remarkably well the previous season under Jurgen when top performances were needed, but working on his mental stability was always a key factor and one of extreme importance.

"Congrats," you smiled warmly as the Irishman approached, his own smile mirroring yours. You acknowledged his successful time in America.

“You must be feeling great,” you remarked, smiling gently.

His dimples were evident as he nodded, a sense of fulfilment telling in his stance. “Yeah, yeah. It was good, enjoyed it proper.”

You let him continue on, giving brief welcomes and some hugs to the players as they piled in one by one within the hour before their training began.

You felt a pang of frustration as Trent walked directly past you, refusing to even meet your eyes as he acknowledged only a few of the staff who were standing off to the side.

Dismissing it, you turned your attention to Wataru as he approached next.

You needed to focus on the players who were working with you. It was crucial, especially as the season was fast-approaching.

Or so you kept telling yourself.

“Y/N,” you glanced back, a smile forming as you spotted Arne trying to catch your attention.

“How are you doing?” He asked as you fell into step with him, continuing to walk down the corridor towards the gym where he was headed.

“Good, yeah. You?” You kept it short and sweet, fully aware that he was a busy man.

“Doing okay. About your request you sent before preseason,” Arne continued, prompting both of you to stop and face each other, a hopeful anticipation in the air.

“It’s fine with me and Lee doesn’t have any issues with it. But, if there is no improvement, then the sessions will need to resume as planned. Okay?” He nodded affirmatively.

“Yes, of course. I-I understand. Thank you.” You replied gratefully, your appreciation evident as he patted your shoulder before leaving you.

…

The city was buzzing with activity as match day quickly approached. Red flares blazing around the city, shirts and scarves already adorned the day before.

The players were being put through their paces in the final training session before the big game. Having an hour free in the mornings after your request was approved meant you could utilise it in a different way.

You observed the session from the sidelines, making mental notes of the players' demeanours and interactions. Trent was, as usual, intensely focused. Every movement, every touch of the ball deliberate.

After the session had concluded for the day, you made your way to the changing rooms. Some were discussing tactics, sharing jokes, and some were lost in their thoughts, mentally preparing.

You approached Conor, who was pulling his boots off his feet, and sat beside him.

"Ready for tomorrow?"

He looked up, his shoulders slumping. "Yeah, I think so. Just need to stay focused."

"Remember what we talked about," you reminded him gently. "Always be ready, visualise your game, see yourself succeeding."

Conor nodded, a small smile tugging at the corners of his mouth. He raised his fist, and you met it with a bump. "Thanks, Y/N. It helps, you know."

A wave of relief washed over you. Reminding yourself that you were doing a good job was one thing, but hearing it from someone you always tried to help was another.

"I'm glad," you said, giving his shoulder a reassuring squeeze.

Upon hearing Arne clasp his hands together, forcing everyone to quiet down and hear the gaffer out, you silently gave Curtis and Wataru a nod before slipping out of the room.

As you turned, you nearly collided with Trent. He tutted, sidestepping in order to slide past you and into the changing rooms. You'd hoped that once he was informed of your approved request, he'd be slightly less frowny.

But seemingly, the opposite was happening.

…

You had just finished Curtis' report when a knock on your door interrupted your thoughts. Mustering a tired smile, you called out, "come in."

Lee popped his head through the door, and you rose from your chair. "Hey, everything okay?"

He entered the office, closing the door behind him but not completely. With his hands raised in mock surrender, he said, "yeah, yeah, all good. I just uh wanted to ask if you caught Trent." "I thought you approved my request?" you asked, eyebrows furrowing in confusion. "I did," he confirmed, stepping forward. "But I saw Trent hanging around your office just after training." "What? Why?" you asked, bewildered. You tried to think back to earlier, but all you remembered was that you were definitely not in your office. "He didn't say. Didn't seem happy, though." Lee shoved his hands into his pockets, shifting his weight on to either feet. "Not much difference there, then." You sighed, placing your hands on your hips. "I'm confused. If he knew about the request, why would he show up?" You asked, and the senior consultant shrugged, crossing his arms over his chest. You both thought about it for a moment until Lee spoke again, "are you sure Arne let him know?" Your head tilted, mouth slightly parting as realisation dawned on you.

Oh.

"I'm pretty sure Arne didn't because you were meant to," you said, trying to keep your tone casual despite the frustration creeping in.

The first session Trent had supposedly shown up for, you weren't even there. Suddenly, his avoidance of you after you'd exited the changing rooms made a lot more sense. He must’ve just come down from your office. "I was?" Lee asked, clearly taken aback. You let your head fall back in exhaustion but slowly nodded moments later. Shuffling through the papers on your desk, you found the one you needed and handed it to Lee. He scanned over the text, before he looked up again.

“Y/N, I feel terrible. I can go find him." Remorse painted itself across his features.

"It's okay," you replied. "It's better if he hears it from me." You aimed to justify poorly.

Because you had a very successful track record of not pissing Trent off, obviously.

...

Later in the day, you found yourself back in the canteen, grabbing a quick coffee.

It was well past noon, but with the mountain of reports you needed to write about the players' psychological states before tomorrow, caffeine was your only ally.

Trent walked in, looking for a snack. Being on the bottom of his 'I don't want to talk to you' list every day meant the outcome of your conversations with him were quite forseeable.

Deciding to address the elephant in the room, you walked up and pushed all doubts to the back of your mind. You reached out and touched his arm to get his attention, and he reacted immediately.

He turned to face you, and you lowered your hand slowly.

“Can we talk for a second?” you asked, trying to sound as casual as possible.

His jaw hardened. “I'm busy.”

"I promise it won't take long." You countered.

"Considering I don't care about your promises, that don’t mean shit to me." He's on a roll with the irony, you thought to yourself.

You glanced at a sympathetic Carol who was standing on the other side of the serving station.

"Please?" You blinked slowly, praying to the powers that be to instill some patience in the man.

He picked up a bag of trail mix, before watching your face for a few seconds. You were half-expecting him to tell you to eat shit, but you were wrong.

An unusually pleasant surprise.

You nodded to a quieter corner and led the way, with him following behind before you whisked around.

"I'm so sorry." You fiddled with the cup of coffee in your hand.

Past his hardened anger, you'd felt bad for him. The courage to have shown up only to be let down isn't a feeling that would've altered his perception of you.

"I don't care." His gaze bore into yours, unyielding.

You frowned slightly. "I do. I told you I'd keep trying to reach you and-"

"What's your point?"

His eyes travelled down to your fidgeting fingers before dragging back up to your face. He sighed, clearly bored.

"Lee was meant to tell you," you paused, gathering your words. His eyes narrowed.

A flush of guilt coloured your cheeks. "I put in a request before preseason to cancel our sessions together."

You looked up, trying to gauge his reaction. The crease between his brows was prominent. "It was approved, and Lee was supposed to tell you, but he must've forgotten."

It hurt to let someone down. As a chronic people-pleaser, this likely frustrated you way more than it did Trent.

He leaned against the wall behind him, bringing one knee up. He crossed his arms but his eyes lightened. "So, you're telling me that..."

He paused to pop an almond into his mouth. "You admitted defeat?"

Either he was smirking, or you were being incredibly delusional.

You shook your head. "No, I never gave up on you. I thought maybe you needed a different approach." Explaining your previous actions felt pathetically awkward.

His lips pressed together. "Or maybe you just couldn’t handle it."

You rolled your eyes, your features still guilt-ridden. "Does that make you happy or something?"

His eyes roved over your features, and for a moment, his expression softened.

"Oh, you have no idea, psychologist."

You swallowed, feeling a flutter of surprise. Your eyes widened slightly, the gentleness in his features unexpected.

Just then, Curtis walked by and caught the tail end of your conversation. “Are you two flirting or fighting?” He teased, winking at his Scouse counterpart.

Your expression didn't change, but Trent looked over, staring at him. “Can’t you tell the difference, mate? Your missus must have a hard time putting up with you.” He remarked a little too quickly.

Curtis' mouth fell open as some of the players snickered at the exchange. To your surprise, Trent let out a genuine laugh - an unfamiliar sound that retained your attention.

He pushed off the wall and ambled over, casually draping an arm over his friend's shoulder.

On another day, maybe you would've joined into the jokes that were being thrown around but you were oddly rendered silent.

His almost playful disposition was a complete contrast to the tension that had clouded your interactions since the day you'd met.

It was almost as if he genuinely believed he was rid of you, and this moment of levity was his way of signalling relief.

You took a deep breath.

The casual banter, although lighthearted, felt jarring. Without another word, you walked out of the canteen, the enigma of his sudden change nagging at you.

As you exited, Trent’s gaze followed you, his eyes tracing your retreating figure. He seemed poised to follow you, a sign of a subtle, perhaps unconscious shift in his stance.

His eyes lingered on your departing form, as if grappling with an unspoken urge to either see where you were going or say something to you, though he wasn't quite sure what.

Yet only as he started to move, Curtis' voice cut through the moment. "Oi, where you off to?" Trent shook his head, a half-smile still playing on his lips as he rejoined the group.

Oddly, his attention remained fixed on the door for just a bit longer, as if expecting you to turn back around, before he fully immersed himself back into the conversation.

…

Part 4

Masterlist

Comment below if you want to be part of the taglist! Once you are part of it, you'll be reminded for every part of the series until its completion!

Taglist: @trentwife @bluebreadenthusiast @julovesurmom @blubsberries @remmysthings @heyjudeb @keepitabuckxx @vivi-grace @hoddystark @hiireadstuff @trentione @missusstark @iamasimpingh0e

[moongreenlight]

Insane reader my beloved. Literally my babygirl.

@katz-chow been ruminating on this one just for you <3

CW: Gore and violence

Reader who shows up late to their first meeting with the task force. Rolls up in their dark sedan with blacked-out windows and one too many dents on the front bumper wearing civvies instead of the uniform they were given and instructed to wear.

Reader who is a privately hired detective with a talent for interrogations. Not officially a member of the task force or the military because the tactics they use are far less than legal. More a secret weapon on retainer for when doing things by the book doesn’t do the trick.

Reader who gets on the good sides of the task force boys by being sugary sweet and barely hiding their true colors. Skins and bleaches the skulls of interrogations gone South and gives them to Ghost insisting they’re better than the costume store shit he’s got on now.

Gifts Price expensive cigars tucked between the fingers of a severed hand. Drops them off in large pink boxes with delicate ribbons and giggles when he asks a thousand questions about why and how and what the fuck he was supposed to do with this.

Tosses Gaz new knives on the field when they’ve landed a kill or just wrenched them out of someone’s stomach. They make a game out of chucking the gore-slicked blades at one another’s heads to see if they can dodge in time.

Starts playing dodgeball with Soap where they toss his less-stable bombs and unpinned grenades back and forth. Only stops after they’ve accidentally blown up the camp two missions in a row. (Also heavily rumored they have tramp stamps of each other’s names because they’re both too stubborn to back down from a dare but that’s just for vibes)

Reader who gets flown out on specialty missions where a hostage really refuses to talk and takes matters into their own hands. Sometimes hopping on radio when they’re in transit and requesting the force pulls extra men so they can play a live game of operation. They’ve been watching videos on the dark web and the first two seasons of Grey’s Anatomy from their military issued laptop so it’s like an 80% chance all the hostages live.

Reader who stops being allowed to train rookies because the first and only faux-deployment they led they told the group they ran out of rations three days in to a two week long training and they had to play rock-paper-scissors to create a bracket of people to eat first. The mission gets called early when Price gets word that there was actually a field amputation done. Reader doesn’t even apologize, just laughs their way through a barely reasonable explanation. I didn’t think they’d actually do it.

Reader who begs the boys to let them play kill, kiss, marry, kill in the middle of a boring interrogation and when they get told no or to focus on the task at hand, they throw such a fit that they end up sending a screwdriver through the eye of the person they’re supposed to be interrogating.

Reader who brings their own kit to interrogations. Lugs around pincers, rusted blades, rotary bone saws, and dull axes in a flamingo pink toolbox. Sets it up on a small table in front of the hostage and unboxes it like an influencer showing off PR.

Reader who also stops being able to run conditioning and drills with rookies because they pitted the privates against one another during a sparring session. Saying something about whoever could sheath a blade in the other first got a bonus check before tossing a few knives on the mat and walking away. Gaz had to run over and tell them you weren’t serious when he saw blood.

Reader who insists on being able to puppeteer the decapitated head of an enemy grunt they took down and reciting a few lines of Shakespeare to the boys. Dragging the mission out because they know as well as the boys do that everyone is on their timeline.

Reader who dances around hostages that have been zip tied to chairs and beat within an inch of their life. Singsonging threats and having the boys drag the limp bodies of their chain of command across the floor.

Reader who pouts when their victims pass out during questioning after a few of their fingers have been chopped off with a butcher’s knife. Huffs like they’re being put through a massive inconvenience and fishes smelling salts out of their toolkit to wake the poor sap back up.

[showtoonzfan]

Now I want to talk about Charlie cause good GOD. I never cared much for her in the pilot, I’ll admit that. I always called her boring compared to the other characters because of how developed they were compared to her. However the show takes everything that the pilot build up for her and just made her 10x worse to the point where she’s INSUFFERABLE to watch.

When I got to the very end of the season, I realized that she barley did anything progressive or had an impact on any character, at least what we’ve seen on screen. I understand this was the first season, but what exactly was her arc and what exactly did she do? Nothing. Throughout the season she wasn’t a leader, the most she did was help Sir pen with lessons and have that fight at the heaven trial. In the end they try to act like she overcame some arc about learning to lead and take charge but…she didn’t really. She was helped constantly by people around her, mainly Vaggie/Alastor/Rosie and she never really did anything on her own that was enough to signify her independence as the MAIN character or even the princess of hell. I love how she needed to be TOLD that her girlfriend cared for her…like wow. Vaggie also states that she’s “done so much and touched so many souls”- and all I could think about is how I actually wish we saw that on screen. Husk said she “wants to fix everyone’s problems but her own” and I never got that vibe out of her??? If she was more like Luz from the Owl house where we constantly saw her avoid her own emotions and problems and focus more on helping other people, then it would make sense but guess what, we don’t see any of that because the show is so disinterested in ACTUALLY focusing on Charlie shining at the front and helping people. They scrapped the main premise of her wanting to help sinners and instead used up all the time they had to introduce new characters. It’s all tell and no show as expected.

She’s painted as someone who’s desperate to save her people but when she’s not the focus and actually helping someone, she’s a whiny frustrating crybaby who needs to be coddled or steered in the right direction, and it’s SO hard to watch how her character is treated like a child who can’t do anything. This character has existed for 200+ years canonically but she isn’t written like that. She’s dumb. The fact that she’s such a doormat that she can’t even realize Angel is being abused by Val or even DO ANYTHING about it is fucking baffling, she’s THAT useless. There were so many moments in the show where she could have used her authority or powers to save trouble, but she just doesn’t do it because she’s useless, and I’m tired of people trying to say she’s a pacifist to excuse the shitty writing. She’s also basically Viv’s self insert in a way, an unfunny woman child who’s a hypocrite. Like Charlie is the equivalent of dry white chicken. There’s no seasoning or flavor to her character, she’s SO bland and boring that Lucifer and Alastor end up being more important than her and having more screen time, she’s ATTACHED to them and it really shows, rather than her being at the front. And I know we’re on season 1, but you’d think that Charlie’s childishness would actually be a character flaw and something she needs to overcome and grow up about. But this isn’t really seen as an issue and more of a quirky thing cause Viv thinks being a woman child is funny, the “fuck you you old bitch” scene made me cringe so god damn hard. Everyone has already said it, but Charlie cursing so so forced and unnatural for her character. I don’t like how she’s supposed to be a cinnamon roll but then at the same time swears and acts feral at times. It doesn’t fit.

During the fight scene in the end, she also does absolutely nothing. She made a whole deal about how she wants to defend her people and get back at the angel’s, but aside from throwing Adam and hitting him once, she needed to be protected or saved, Lucifer ended up actually doing the work and it was so hilarious. Speaking of that, Charlie’s daddy issues arc was also rushed, her and Lucifer reuniting and then making up within the same episode was a mistake. Then you realize that her daddy issues was mainly all Charlie had to her in terms of depth and what was explored in the show. I’m so tired of Viv giving her characters daddy issues, it’s getting old lol. But regardless of what Charlie has to her, in general the show just doesn’t focus on her. She’s not the main focal point of the show when she should be. SHE’S the one who wants to redeem sinners, the hotel was her idea. Even tho the pilot was a mess I still felt like she was determined to take the lead due to her beliefs. And yet she still feels like a side/background character who only occasionally gets focus here and there but certainly not compared to the others. The potential is there but due to the favoritism of the writing she’s such an empty and boring character and stayed like that till the very end.

[lemonhemlock]

I think a thing that bothers me the most is how fragmented TG (the fandom) is now. After season one, many of us had issues with character writing, but it still felt like we were largely on the same page. Now, some people can accept Aegon got bad writing but not Aemond, Alicent, or Helaena. They are all “good” or “bad”characters depending on how much they hurt Aegon this season. I’m so glad he got the time to be well rounded, and that TGC delivered on all his scenes, but I think people forget Aegon has received some poor writing as well even this season. His whole outburst about Jaehaerys’s death is not about his son, but the impact on his legacy- I thought this very odd at the time, but realize it’s because they can’t have him mourn Jaehaerys for a long time either. Nobody on TG is allowed to focus on this dead child, least of all his mother! Aegon goes out drinking with his friends next episode 😭 seemingly unconcerned. But somehow only Alicent and Aemond are called out for this, when it is a clear problem that Daemon is more affected by this loss than the greens. It feels like such an uphill battle to even discuss the faction and family anymore.

This is such a good point!

I know I am so contrarian about this rn, but I have had some issues in connecting with Aegon's grief scenes over Jaehaerys this season. And it's such an opinion I DON'T want to have, bc I'm fully on the Aegon/TGC bandwagon and I do think TGC is a competent actor.

But it's something about the general clownery of the framing, how everything is gloomy and dark but at the same time no one gives that much of a shit over Jaehaerys? It's very weird to describe. I know Olivia also shows Alicent crying and swallowing sobs and trying to conceal her grief, but, if you think about it, Alicent is just Kind Of Like That in a lot of her scenes anyway. Big doe wet eyes, filled with regret and unspoken emotions etc so that her acting similarly after B&C kind of doesn't hit as much?

And, in that context, having Aegon rage over this event is rendered kind of.....hammy and, honestly, comical. I'm reminded of the scene of the small council where everyone is somber and quiet and he kind of looks like he's pretending to cry. In other moments it's fine but there are frames where I can't take it seriously and it registers in my brain like a parody.

I realise how I sound right now, like I'm not satisfied with the subdued performances, but I'm not satisfied with the expansive ones either. IDK. I have a huge problem with the framing and direction this season, I think it's a huge impediment in making me enjoy the supposedly emotional scenes.

All of this to say that I agree, Aegon has also received some bad writing this season, especially him ALSO being kind of over Jaehaerys the next episode. But people tend to overlook it, because when you draw the line, the writing for him is still so much better than what he got in S1.

And, yes, this is why I can't really join the choir in blaming Alicent and Aemond for how they act with him, because it's not a naturalistic and organic progression, it's shoehorned in with little buildup or motivation and not even drawn to its natural conclusion. For example, Aemond should have been toast the minute Aegon woke up, because Prince Regent or not, Aegon is still the King and has the power to remove Aemond if he fears him. He doesn't have to justify himself in front of anyone, just give the order to arrest his brother and name someone else as regent, then just go back to sleep.

[valyrfia]

Why do so many F1 fans hate on Charles Leclerc? I, myself, am an "old time" so to say fan of the sport and while I appreciate the generations past, there is no denying his astounding talent and connection to the car. And yet when I started to get back into watching recently, I have seen nothing but distasteful jabs at his ability and his fans, along the lines of "he's just a model" and "only girls in love with him like him". Why is that, I really do not understand - not even as a fan of his, I'm just asking as an objective observer of motorsport

Thanks for your ask anon! I think there's two facets of it. There's the fact that Charles has a lot of expectations that haven't been fulfilled yet due to a variety of reasons and media that may already be skewed away from him doubling down on that, and quite frankly, there's a misogyny aspect due to the composition of his fanbase.

Focusing on the expectations aspect first, as I'm sure you'll probably know better than I will since I've only been watching F1 for a year or so, Charles came into Ferrari with an incredible weight to him already. Not only did he totally crush competition in junior categories but he was the youngest Ferrari driver in the 21st century (later to be usurped by none other than Ollie Bearman at the 2024 Jeddah GP) and he had quite frankly an incredible first season. He would have won Bahrain 2019 if not for the engine issue and he won Monza. This understandably gave Charles's name a gravitas and expectation unlike any non-WDC. I mean, his nickname is literally il predestinato, there is an expectation that Charles will bring the championship home to Ferrari.

Now, unfortunately, that hasn't happened yet. This has been due to a multitude of reasons, but mainly Mattia Binotto's terrible management, the effects of it we're still feeling years later.

An aspect of Mattia's management that people discuss less however, but I'm certain contributes to some groups having a strong dislike of Charles, is Mattia's complete inability to manage a strong driver line up. Ferrari has had an incredible line up, with Charles and Seb for Charles's first two years, and Charles and Carlos for the next three. A lot of the general population who dislike Charles are Seb supporters, feeling as if Seb was pushed out by this young upstart who hasn't even managed to bring the WDC and WCC home as promised. This is entirely due to Mattia losing control of the narrative. DTS encouraged this viewpoint, but media doubled down on it. Mattia also failed to manage each driver's expectations.

Similar is Mattia's signing and then subsequent management of Carlos. My dislike of the Carlos camp is well-documented, but Carlos is by no means a bad driver, in fact I think he's probably in the top six drivers currently on the grid. The issue is, he's not Charles. He doesn't have Charles's raw talent, nor any sort of similar mythos that the tifosi revere about Charles. Carlos on paper, is an excellent n2 to Charles's n1, and I think if Mattia had been honest about that in signing Carlos, I would like him a lot more. Instead, Mattia promised that Charles and Carlos were to be treated as equals, resulting in bizarre strategy calls like Silverstone 2022 where they sacrifice the race of their driver fighting for the WDC in order to gift the other driver a win, or having a championship car in early 2022 only to undevelop it because Carlos complained that he wasn't comfortable. It's frankly bad management, when Checo wasn't comfortable with the RB19 Red Bull didn't change their development direction, because the focus was on getting Max the championship. Ferrari needed Mattia to make a similar decision in 2022, but he instead chose to try and pander to all sides instead of enforcing a potentially difficult decision like a team principal sometimes needs to.

I've said that Sainz media is responsible for much of the traditional media smear campaign against Charles, whether that's them using links with Spanish media, or paying off various outlets, and now I'm putting that down to Mattia not managing Carlos's expectations correctly a couple of years ago, and now relationships have broken down to a point that they're pretty much irreperable, even if Fred is managing everyone's expectations correctly. Mattia's bad management from the car development perspective gives Sainz media an angle to smear Charles as well. 2022 was Charles's championship to lose, and he lost quite badly. It becomes quite easy for journalists to take the line of "oh well, is Charles REALLY a generational talent or is he all hype?", and then compare Charles and Carlos in frankly incomparable situations to make it seem like, at first glance, Carlos comes out on top (key example of this would be Bahrain 2024, where Charles had an insane brake imbalance and still managed to finish p4, but Carlos's camp were quick to point out that Carlos's brakes had cooling issues, which if you know anything about the sport you know that's comparing a mouse to an elephant, but a lot of people chose to ran with Charles and Carlos having the same issue, resulting in people applauding Carlos for a podium in a car that's undergoing normal race stress and decrying Charles for managing to finish P4 in a car that should've been undriveable).

The second aspect moves away from traditional media and to word-of-mouth and online perspective of Charles, although often the first point about Charles not yet living up to his il predestinato name is sometimes used as evidence. Charles's fanbase is female (at least outside of the countries of Italy and Monaco), and disproportionately so compared to other driver fanbases. And look, sure he's a conventionally attractive guy, we're not going to deny objective facts. But those who dislike Charles like to use the fact that he has an active female fanbase, along with the fact that he's conventionally very attractive, in order to mock Charles and his hype. "Leclerc is mid and people only like him because he's hot and women don't understand wheel knowledge" seems to be the current argument of MANY a Charles hater.

Ultimately, it boils down to thinking that his fanbase don't truly understand the sport, because we're majority women and CAN'T be in the sport because we enjoy it we MUST just be here for the hot man. Which is both untrue and fundamentally misogynistic. While Charles himself can't experience misogyny as a man, his fanbase of women certainly can and certainly does. Our voices are trivialised and counted out, and that in turn has an impact on Charles's public image, since people think that a majority of his fans don't have any actual knowledge of the sport (when in my experience, this is perhaps the furthest from the truth).

[orionsangel86]

Hob Gadling - A Queer Romantic?

I have been listening to The World's End chapters of The Sandman on Audible lately and just finished Hob's Leviathan. I didn't pay this story much attention when I first read the comic, as I tended to read through the stories quickly and put more focus into the stories where Dream had a larger role. But one of the reasons I like listening to the Audible book is because it allows me to absorb each story more thoroughly and take my time thinking about each one and the (usually multiple) meanings behind them.

Hob Gadling is a character that fandom has fallen in love with. I think this is clear to anyone that takes even a partial glance at Sandman fandom. This isn't a criticism - Ferdie's performance as Hob in the Netflix show has done wonders for Hob's character. He has made his version of Hob very easy to fall in love with!

But the truth is that in The Sandman comics, Hob is a minor character who we only get to know very little about. The story Hob's Leviathan appears in The Worlds End Sandman book. We only meet him twice before this, once in The Doll's House, where we are introduced to him in Men of Good Fortune, and again in Season of Mists when Dream comes to let him know that he may miss their next meeting. In both these issues, Hob is introduced via the narrator, and therefore I like to think that we are given a fairly honest representation of the kind of person he is. We watch him grow and learn throughout the centuries in MoGF, but one of the major takeaways from this I believe is that he tends to always be on the wrong side of history. He makes bad choices and can be a bit narrow minded. He is rude and selfish and also rather self-absorbed. I actually think that the performance of the voice actor who plays Hob in the Audible book emphasises these character flaws making him even more unlikeable in many ways, though I am aware that this could just be my own experience and opinion.

But Hob's Leviathan takes a different view of Hob. Literally. The narrator of this story is a young boy of 16 called Jim. Jim met Hob on a ship travelling from Bombay to Liverpool in 1914. Jim was working on the ship as a cabin boy and Hob had bought his passage back to England - though it is revealled at the end of the story that Hob actually owned the ship they were travelling on. It is clear that at this point in time, Hob is extremely wealthy.

Jim attends to Hob throughout the journey, and grows very fond of him. In Jim's tale, Hob is a good man, who is kind and thoughtful and cares about others. He saves the life of a stowaway (who turns out to be another immortal). He is shown to be patient, and funny, and very intelligent. Jim waxes poetic about how smart Hob is, and how much he impressed him. It is particularly clear in the Audible book that Jim is taken with Hob, to the point that it could arguably be a crush.

It is fascinating how much more likeable Hob is when narrated from the viewpoint of someone with a crush on him, whether this story is exaggerated through rose tinted glasses is of course something to consider. All the tales in World's End are just that, tales. There is a constant undercurrent of exaggeration and make believe to them where even the other patrons of the inn question elements to each of the stories. We are not supposed to take these stories as absolute fact, rather they are supposed to reveal to us more about the narrators as well as their own experiences existing in this magical and strange world.

When it is revealled that Jim is actually a girl called Peggy in disguise so they can get work on the ships, the quite obvious crush makes more sense to a heteronormative audience, but what I particularly like about this story is its queer potential. See in the comic, it isn't really clarified if Jim goes by Jim because they feel more themselves as a boy, rather than a girl, or if they are disguising themself as a boy just to get work as a means to an end. I would argue that the latter is the more obvious interpretation. Jim tells the other World's End patrons that they are getting too old to keep up the disguise and will eventually have to stop working in shipping, and that when that happens, they will take on a new name, a new identity and do something else, but that for now, the patrons can keep calling them Jim.

*for a lack of clarity around the point in the comic, I am going to use gender neutral pronouns for Jim going forward*

Now from Hob's POV, he figured out that Jim was a girl, and they talk about it briefly along with the sea serpent they saw. I think that at this point, Hob is impressively progressive compared to the previous times we have met him. Now whether or not this is biased storytelling from someone who has a crush on him remains to be seen, but if we take Jim's word as truth, not only is 1914 Hob a fair and honest man who is willing to pay the way of a stowaway and fully respect the secrets of a young girl disguised as a boy so they can work on ships, but he's also totally comfortable flirting with them.

I like that he calls Jim the "handsome cabin boy". I like that this version of Hob, whether real or an exaggeration skewed by Jim's feelings for him, respects Jim's identity. Jim may be a girl in disguise, but Hob doesnt call her pretty, he calls him handsome.

It's all just a bit subtly queer and I like that for Hob (But then I would do, I'm a Dreamling shipper HA)

When Jim finishes their story, they state that they didn't see Hob again after that, but the comics later do give us a possible outcome to Jim's story...

We next see Hob in The Kindly Ones where he is mourning the death of his girlfriend Audrey. He briefly reveals that Audrey was the first person he had loved since Peggy, who was his lover until her death during the Blitz. Whilst it isn't made clear that Hob's lover Peggy is the same Jim that we meet in World's End, it is a bit too much of a coincidence. The timing adds up. If Jim was 16 in 1914, they'd be in their early 40s during the Blitz. Hob remains forever in his early 30s so I'd say its a safe bet that Jim eventually found Hob again and they were together. Hob loved them enough that he wasn't with anyone again until Audrey in the 80s. That's 50 years worth of mourning. A long time not to be with anyone, even for an immortal.

It's funny because we know so little about Hob, but one thing that I have seen commented on here a lot is that comic Hob is deemed to be as Straight as an arrow. Now I admit that the voice actor in the Audible book plays him very straight, but that is still only one interpretation.

All this is to say that I am fascinated with how the Netflix show will adapt this, since Hob in the show already comes across much kinder and more selfless than his comic counterpart. He already has an entire fandom viewing him as queer, and the comics certainly don't outright shut down such interpretations. There are moments in the comics that you have to wonder on. He does call Jim handsome rather than pretty, and when he talks to Audrey's grave he mentions his wives and loves as separate groups. He talks about finding it easy to get sex if you want it, and he talks about it in generally gender neutral terms. In Sunday Mourning Gwen reveals that she thought he was gay when she first met him, though her reasonings were that he knew so many dead people (a dark reminder that these comics were published at the height of the Aids epidemic). He reacts very badly to the news of Morpheus' death. He states on several occassions just how much he liked Morpheus, and he is one of the few people to wake up from the Wake with tears running down his cheeks. I would arguably state that its between Hob and Matthew as to who had the worst reaction to Morpheus' death, showing just how much both Hob and Matthew cared about him, and placing Hob on par with Matthew in the comics is a big deal. He seriously considers accepting Death's gift when she offers it, simply because Morpheus is dead. He doesn't, because at the end of the day, its just not in his nature to do so, and given he then dreams of Morpheus, I like to think that it was a test, that he passed.

When it comes to how the show will adapt all this, I genuinely think it will take a new approach with Jim/Peggy. I think they will be either a trans man, or at least non binary. But I think having Jim be a trans man is the better option. In the comics, Jim's tale is only very subtly queer, Jim clearly likes being Jim, but it seems like its a means to an end, a convenience in order to get work on the ships, rather than being something that is core to Jim's feelings on their gender. Besides, if we assume that Jim is indeed the Peggy Hob talks about in The Kindly Ones, then we know that Jim goes back to being Peggy when they get older and apparently continues living as a woman whilst they are with Hob, otherwise I doubt Hob would have referred to one of his greatest loves by a name they themselves rejected and only used she/her pronouns when talking about them. Nevertheless there is no reason for the show to take this approach, and if they DO decide that Jim should be a trans man, then their relationship with Hob is canonically a queer one. Trans men are men and if one of Hob's greatest loves is a trans man, then Hob is a queer man himself. I genuinely believe the show will take this route and I can't wait to see it.

Going back to my point about narrators bias, if MoGF, SoM, tKO, and TW are all narrated by a neutral third party, then this must be the true Hob. A not overly likeable rather selfish man. He has his good points, and he has certainly grown and changed over the centuries, and carries a lot of guilt for his past mistakes, but he is still quite self absorbed. Jim paints a picture of a rose tinted Hob that is far more the dreamy romantic older gentleman that took a young person under his wing. Which is fair enough.

The show is of course its own adaptation, with changes from the comics as it sees fit, but I do feel it's my duty to remind you that the show also has a narrator guiding the audience through its many stories. Dream of the Endless, Lord Morpheus, King of Nightmares and Prince of Stories himself. Take from that whatever you will.

;-)

[pythoness94]

Mike never gets to process

I love how in every season Mike's feelings are put on the back burner. Like, in season 1 he was finding Will. He had this girl IN HIS BASEMENT, and while his party members were freaking out about it. He was also, reasonably, freaked out but he had to put that aside because not only did he find a way to find Will, he saw a scared kid. he saw someone like him and decided to help. Mike has all these some explosion of emotions like in season two with Max but of course he's pissy about someone being added to the party. He thinks they're replacing El, not taking Will's plight seriously, and aren't taking his thoughts into account all because they have a crush on Max. He thinks it's silly, especially since he listened to them while they were freaking out about El even when he supposed had "a crush" on her according to Lucas. He's mad, but he has to put it aside for the greater good of the party. He even sees Max's "assets" (or rather warms up to her) on his own time between this. He never hated Max, he hated that he was getting some unknown person thrusted upon him when he was already juggling so many issues.

In season 3, he decided "Fuck it" and focused his everything on El. Not just to ignore his own problems but to "Solve" one of the party's problems so he can focus on the rest. He problem decided to go with a list and move down it with what he thought was easiest, not knowing or rather putting off the problems it would create because he assumed that by solving the main issue the rest would dissolve on it's own. Then, as more problems appeared, and he couldn't ignore them. He blew up at whatever was in his way, Will. That's what pulled him out of his one-track mindset, Will leaving. He had to go find Will because he realized that everything, in his mind, gets fucked up when he puts Will on the back burner. Then, even after realizing that, he couldn't deal with it because of the Mindflayer showing up.

In season 4, he was so messed up and entangled in lies. El was lying to his face through the letters that he had this messed up version of Will pictured that hurt the both of them. He is constantly battling lies in this season, Will lies to him to, drowning him farther. Then, he has to lie to El to save her. He has Will telling him what to do and his heart is breaking because he loves him, not her, but he's forced to give up on that because. In his mind, from what he knows from El's letters and what Will is telling him, Will doesn't love him back. His heartbreak is on pause to save El. Then when he goes back to Hawkins , it's in shambles and Max is basically dead. he has to pick of the pieces of his party rather then deal with everything that's been building once again.

How cool would it be in season 5 for Mike to have a breakdown in front of the party. he gets so overwhelmed trying to fix something that he just breaks. Or, he gets in a fight and (as cringe as this sounds.) you know that scene in encanto where Isabelle does that "I was doing it for the family thing?" Imagine Mike does that. He's screaming at idk some party member and they bring up El and he just snaps. "I never wanted to date El," Or "I wasn't doing it for El, I was doing it for the PARTY!" And the place falls into silence as Mike's words hit everyone and they all realize the small and big things Mike does for them? It would be so neat.

[sflow-er]

Assorted Heartstopper season 3 thoughts (spoilers!)

Charlie's mental health issues were handled really, really well and Joe Locke acted his heart out. Perhaps the recovery could've been shown in a little more detail, but the ep4 structure was a great solution for a show of this length. I also liked how they portrayed the impact on his loved ones (especially the toll on Nick and Tori).

As much as I missed Nick's mum throughout the season, making his aunt a psychiatrist and letting her advise him about Charlie was an excellent choice! It actually felt more realistic than if it had been Sarah.

So pleased to see more Tori this season, and the rewrite of her and Michael's first meeting was cute! I do wish they had broken away from the comics timeline though, because the fast-forward to him casually hanging at their house felt very abrupt. I would've preferred a closer portrayal of her depression and them gradually getting closer this season, with their actual relationship saved for later.

Hence, I am actually glad they saved the ace reveal for S4. We saw too little of Tori and Michael's relationship or her confusion around it to relate to her aceness yet. If she had randomly come out to Charlie on the Ferris wheel, it would have just felt like lip service and a nod to the fans who knew her story from Solitaire (which is not canon in the show). I get why people feel like she was straightwashed, but there is zero chance of Alice Oseman of all people eradicating ace rep, and I genuinely feel that this was the better choice.

That being said, Michael was perfect and the casting was spot on!

As for the aspec rep we already got, Isaac's arc this season was amazingly well done! Even if his experience doesn't resonate with me on a personal level, it was relatable as hell in the show. It's also a great reminder that we are watching an ongoing show. S2 was Isaac figuring out his own identity, S3 was him living it and communicating it to others - and based on the camerawork in the scene where people wondered about Tori and Michael, S4 may be Isaac helping someone else figure out their own identity.

Another memorable thing for me was Elle's radio interview - the sheer absurdity of a trans teen being asked to respond to bad faith talking points from some adult TERF. The host both-sidesing it and unwittingly exposing her to vitriol if the interview had aired. Holy shit how appalled I was on her behalf - and how sadly realistic it felt... I hope the parents and random adults who watch this highly popular show take note.

Is it horribly middle-aged of me to say the teachers are still my favourite couple? I loved the glimpses we got of them together and the flashback to little Youssef made me tear up. More of them in the final season please and thank you!

My main criticism is that the season felt too heavily packed. There are so many characters now, and Alice and the writers want to give them all at least some kind of arc in each season. The result is that many of those arcs feel a bit rushed, and even as someone who usually fixates on side characters, I'm struggling to invest in all of them at once. Especially while the main characters and the more prominent side characters are going through very heavy stuff. So yeah, I would have preferred a tighter focus and more narrative breathing space.

All in all though, I really enjoyed this season and am looking forward to the next (presumably last) one!

[pleaseeeimjustagirl]

You Need A Resting Season

What is a resting season?

As women, we pour so much into others (family, friends, siblings, pets) forgetting about ourselves. We work ourselves into overdrive feeling empty like life is passing us by and we don't know who we are or what we want. And if you feel this way you need a resting season, a resting season is like going into hibernation pulling away from the world and all of the unnecessary stress that we put on ourselves. While in your resting season, you are going to be quitting a lot of the things you used to do. A lot of high-stress activities that aren’t a priority such as school and work. This is the time for you to rest and pour into yourself. Work on the issues you have with yourself maybe you lack self-love, self-esteem, self-worth, or confidence maybe you want to lose weight and better your skin. It is time for you to invest in yourself and fix the things you can change and not worry about the things you can’t change. For every woman a resting season is different so it is important to know your priorities, the improvements you want to make, and what your resting season is for.

Signs you may need a resting season 

♡ You are burned out. Even though are getting a full night of sleep you have this never-ending feeling of being tired of life, your daily cycle, your environment, and so on.

♡ Life isn’t fun anymore. You feel like you are in a never-ending cycle going from school/work to home. You could be giving too much of yourself to others, leaving no room for enjoyment, hobbies, and self-care.

♡ You're always worried. You may be feeling overwhelmed by all the tasks and obligations you have in life. You constantly have too many thoughts circling in your head never giving you the time to think.

♡ You don’t know what path you're going down. Maybe the dream career you thought wanted you do not want anymore, you have switched your major a bunch of times and still don't feel connected to it. 

♡ Social media Is taking over your life. You spend hours on end on social media watching and reading toxic content and you need to step away and reconnect with yourself and the real world.

♡ You want to level up. You lack self-love and confidence you don’t like the person you see in the mirror anymore. She is tired, overworked, unhealthy, and doesn’t take time for herself.

These are just a few but there can be so many more reasons why you need a resting season. 

I am currently in my resting season 

Some of the reasons above resonated with me a lot I woke up one day and realized I was burned out I was stressing myself out with so many requirements to be perfect, rich, and live a certain lifestyle by a certain age. I switched my major in college a bunch of times I plan on graduating in 2025 with a bachelor in science of psychology but after I'm going to accelerated nursing school. I felt like a failure for a little while thinking I wasted 4+ years of my life chasing a degree that I don't even want now. I didn't like what I saw in the mirror and I had a lot of negative self-talk. But then it clicked to me I needed to check out from life for a little while and focus on myself and work on me. I wrote out my goals, what I needed to fix about myself, and the women I wanted to be coming out of this resting season. And I started that day working on myself  I have changed a lot. I'm still in my resting season working on myself, investing in myself daily to become that woman of my dreams this is why I made this blog<3. 

You can work on yourself without being in a resting season but I recommend resting seasons because they are better for focusing with no distractions other than things you must. If you feel a connection to this post maybe it is time for you to get into your resting season 

I'm open to any comments or private messages if you can relate and please let me know any further topics you want me to cover

[cbrownjc]

Hello :) I was wondering if we ever got confirmation about which books Rolin is interested in focusing this adaptation on? I know that they'll probably take elements from most (if not all) VC books, but if they're aiming at 7-8 seasons with some books taking multiple seasons to adapt, they're going to have to pick and choose which books to really dig into.

I was also thinking about production. I've seen people talk about how we'll need to wait another 1.5-2 years between seasons and I kinda doubt that? I feel like we'll start speeding things up and getting a new season every year, mostly because I just can't see them go for 12+ years of production on this show. Very few shows nowadays go more than 10 years, and if they really want to do 7-8 seasons I can't see how they'll manage that with 1.5 to 2 years in between each season. I understand they're in for the long haul with the Immortal Universe but...that's very long in the modern drama landscape.

Honestly I am mostly just hoping to get new seasons more frequently and also be able to see their full vision realized because the longer it goes on the higher the chance they'll run into issues like actor availability, leadership changes that could impact renewals, budget restrictions, etc. What do you think?

Hello!

Okay, first to answer the production question. Now, while many shows rarely go past 10 years wrt production of them, that is really dependent on their Season count. Game of Thrones, for example, only ran for 8 Seasons, and production only lasted 8 years as well.

The Walking Dead ran for 11 Seasons and was produced over 12 years.

AMC has said in the past (or, at least, Rolin Jones has said that AMC has said) that they wanted 10 Seasons for IWTV. RJ, however, has been consistent in saying he has an 8 Season plan.

So whether the show continues on for at least 2 more years after Rolin's 8 Season plan is up in the air right now and we should just focus on, at most, getting 8 Seasons, Which yes, I think will take over the course of 8-9 years to film.

Because I think starting with Season 3, the wait and production times will decrease over time. Remember, the strikes threw a bit of a wrench into things. But what also did regarding Season 2 was that it's clear that Rolin and the writing staff didn't start actually writing Season 2 until AMC had officially greenlit Season 2 back in September of 2022. That is why shooting for Season 2 couldn't start in the fall of 2022, there were no scripts broken, let alone written yet!

And then, once the scripts were done, they still had to start pre-production stuff, such as location scouting, figuring out which sets needed to be built, etc.

So shooting for Season 2 could only start shooting when it did because it was the earliest they could get all that done once they were given a renewal notice.

I think things are very different when it comes to Season 3 because I think, even if the show hadn't already been quietly renewed for Season 3 before it was officially announced, RJ and the other writers were already breaking and writing the scripts for Season 3 starting either just before or while Season 2 was airing. And so given that writing time, plus the fact that they probably don't have to do as much location scouting (since many of those locations were already found in Season 2) pre-production will likely take less time.

I think filming will begin in late October, meaning we'd get an October 2025 release date. Which I think will be the standard release window going forward with each new season and why the wait will be another long one again, but that will also give the production staff and actors breathing room after they are done filming a season before going into the next one.

So for that reason, I can see production of the show lasting 9-10 years, but that is because of the extra 1/2 year gaps between the filming and airing of Season 2 and the one I feel we are going to get for Season 3.

As well as the fact that I think when they get to Queen of the Damned, that will be a true split-season like the one Breaking Bad got for its final season. That show had Season 5, Part 1, and Season 5, Part 2. Because even though this past season was called "Season 2" externally, you can see by the episode numbers that internally, what this really was was "Season 1, Part 2."

Anyway, as to the books being adapted -- and not just having elements taken from them -- Rolin has said for sure we are getting IWTV (which we just finished), The Vampire Lestat (Season 3), Queen of the Damned (which is where he spoke about it being so epic and grand a story that they will probably have to split the season in order to tell it all) and Tale of the Body Theif (which he confirmed after Season 2 was finished that they were beginning to already set up for). He also mentioned at Comic-Con in 2022 that Prince Lestat would be adapted.

Also, while RJ talked about the book The Vampire Armand being important, he's never said it would get its own separate adaptation, which honestly makes sense. Because of the way that book is told, you can just interweave elements of it when you want to focus on Armand's backstory, or even just do a stand-alone episode here and there dedicated to parts of it. It really isn't the kind of book you do a full season on IMO.

So yeah. The books that we know for sure are getting their own, full adaptations per RJ so far are IWTV, TVL, QotD, TotBT, and PL.

I can see them throwing elements of books like Memnoch, TVA, and Blood and Gold into it all, but I don't know if they'll get their own full-season adaptations. As I said, I don't think TVA will. And I don't think B&G will either, as I see it just like TVA -- you adapt elements of it during a season, maybe even full sections of it for a flashback episode or so during a season, but it doesn't get its own full stand-alone season.

The same goes for Merrick, since they already did Louis' suicide attempt and Louis seems to be moving forward from his despair and grief regarding Claudia -- so that even if Lestat did fall into his post-Memnoch coma in the show, I'm not sure this Louis would attempt to end his life again over that loss. (Even more so after this Louis also got that letter from Lestat in the past, telling Louis to please live on in the event of his death.)

I have no idea if they are seriously going to ever do Blackwood Farm or Blood Canticle. Neither book has ever been mentioned, even in passing. Plus, they kind of depend on what and where Mayfair Witches is at or has going on at the time and well, that show . . . 😅

Oh! And they might be looking to adapt the whole Prince Lestat trilogy, but I don't remember if RJ has talked about adapting the whole trilogy -- meaning the entirety of each book -- or just the full first book and then elements from the other two. (Because I do think it's clear that, if anything, we'll get the Loustat ballroom dance from Blood Communion in the final season of the show).

So yeah, I think that this is what we're looking at for the next few years, book adaptation-wise.