#THAT'S KIND OF THE WHOLE POINT

[angels-heap]

I know my Half Life blog is not the place for this conversation, so I'm holding back from posting a fucking dissertation here, but goddamn, the lack of nuance and empathy in the conversations surrounding the Nickelodeon documentary is appalling.

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[hallowvamp]

If you wanted to see ethical characters and perfect, healthy, wholesome, non-toxic relationships, then clicking on a gothic romance involving murderous blood sucking monsters with centuries of trauma was your first mistake.

[egophiliac]

CROWLEY SSR THOUGHTS

there is zero basis for this, but I can't get this thought of my head

I don't know why I decided to draw it this way

[excali8ur]

Weird dream.

[lazycranberrydoodles]

sibling bonding moment!

[bullagit]

due to personal reasons i am now firmly on team “i hope aziraphale does change heaven for the better actually (going on the assumption that his return is as straightforward as it seemed etc” 

like if the alternative is just this ohhh he’s so NAIVE and SOFT and so WRONG and he’ll have to LEARN A TOUGH LESSON etc etc nonsense then yeah 1000% go for it babe knock it out of the park

i hope choosing hope and kindness pays dividends. i hope the soft traits that made other characters continually disparage and underestimate him and his intelligence turn out to be his greatest assets bc i kinda don’t give a shit about a “toughen up it’s the only way everyone else knows better” life lesson for this character

(which like honestly a lot of the rhetoric is dismissive of the fact that persistent goodness in the face of an existence of disparagement takes great strength and that at the end of the day aziraphale has always been able to stand up in his own way)

[lightnersdream]

i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.

(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)

because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,

(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)

it was her idea to get the code scanner from the cockpit,

it was her idea to get the medication from behind the foam.

(the chance to do these things herself is not given to her.)

she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."

there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves

there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic

she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect

i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way

it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."

it's not really the same thing as, say, hurting someone in self defense

this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though

she still tries to reclaim some of it even as she's denied it

by the end she's still trying to keep that gun out of his hands

i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me

she didn't need Curly to save her, she needed him to take responsibility

she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind

but who knows im just saying shit *smiles serenely*

[valtsv]

not trying to trivialize what was clearly a bad time for her but there's a certain inherent comic absurdity to the fact that melanie got shot by a ghost. with a ghost bullet. fired from a ghost gun. like damn okay i guess the slaughter got jokes.

[dreemurr-skelememer]

dont like the trope of using characters who love and care and try their best by making them evil just for character progression

[yesmissnyx]

An Unsexy Post About Censorship

Sooo...gumroad is shutting down NSFW content sales because of Stripe and Paypal. This is also why Wishtender has been down as well, if you weren't aware. And why Patreon is also cracking down on anything remotely kinky.

(If you're wondering why your favorite FICTIONAL sexual content isn't allowed on most platforms, it's payment processors.)

Please be extra kind to anyone who works with NSFW content right now, whether it be art, writing, audio, photos or video. Whether it be tasteful erotica, or the kinkiest BDSM porn you can think of, we're all in the crosshairs right now.

And, judging by trends from these past few years, this is only going to get worse.

Support NSFW creators where you can, whether by tipping or buying our content (where you still can) or just helping boost content on sites where algorithms want to drown us out.

Call representatives where you can and complain about payment processors acting as arbiters of what YOU are and aren't allowed to pay for and enjoy.

This may be about porn right now, but censorship of this caliber doesn't just stop with porn. Any transgressive (read: non-conservative) media is fair game.

Fight against it where you can. Support creators where you can.

Art is important. Reflections of our sexuality are important. We don't want a world where people aren't free to make or see the things they love and enjoy.

[booasaur]

Special Ops: Lioness

[primarch-victus]

people complaining about the new da4 trailer...have y'all played these games before? They always look like this. They're never gonna be photo realistic games or hit the visual quality of say ghost of tsushima, god of war, last of us, etc. They've always been messy and silly and slightly unpolished, but they're GOOD, and they have heart, so it's fine. I love them despite how messy they are.

[hallowvamp]

There are people who actually believe Louis doesn't love Lestat and in response to that, I'll just leave this here.

[audliminal]

It's Just a Game, Right? Pt 6

Masterpost

"I'm telling you, Fenton!" Wes announces. "I'm onto you." A few of the kids walking past snicker at them, as Danny does his best to look confused. The startled part is easy; Wes is turning out to be a surprisingly good actor. He's been gradually leaning even harder to the image of a conspiracy nut, and the result is impressive. Danny, on the other hand, is simply trying to keep up with the insanity.

"I have literally no clue what you're talking about, dude." Danny says, attempting to push past Wes, so he can enter their classroom. Wes doesn't seem inclined to let this confrontation end, though.

"You may have everybody else fooled, but I know the truth. You made a pact with the so-called ghosts and their efforts to take over our world. You're just manipulating your parents' tech in order to convince everyone that they actually are ghosts, and not the invading fae army they really are!"

"Dude, what?" Danny responds, not quite able to hold back the laugh.

"Honestly, Wes, don't you have any common sense?" Star asks, as she walks up. "Rumor has it that Fenton's failing like half his classes, and you think a bunch of fae lords, or whatever would trust him to help their scheme? Surely they'd choose someone more competent." She flips her hair, and then walks past the both of them, as a couple of the kids nearest to them start snickering.

Outwardly, Danny winces and hunches in on himself a little more, as he takes the opening Star just created and ducks into the classroom after her.

In hallway outside, Danny catches Wes muttering to himself before following them in. No one says anything for a minute, but the moment the bell rings and Mr Lancer shuts the door, Star turns to Wes.

"I think you should be a writer or something after we get out of here." Star tells him. "That theory was honestly inspired."

"It gets even better. I have so much evidence to force on you guys, it'll be great." Wes answers, then turns to Danny. "You good? I know we don't mean any of it, but it's still gotta suck to have us acting like assholes all the time."

"I mean," Danny hums. "I'm not gonna say it's fun? But like honestly compared to everything else, dissing my work kinda seems..."

"Banal?" Sam offers.

"Yeah, sure, that." Danny nods. "Like, compared to people wanting me dead, who cares, I guess."

"Yikes," Kwan mutters. "Your life is a fucking mess, dude."

"Well, i do have some good news about that." Tucker announces, turning his computer to face everyone else. "Looks like the fanbase is making some progress towards finding the real stuff.

Danny stares at the reddit thread Tucker is on. He's honestly been only loosely paying attention to the actual stuff Tucker and Wes have been posting. He's happy to offer his knowledge of space stuff, or engineering, but the intricacies of secret code aren't really something he ever pursued. Well, except for the secret language he and Tucker had made as kids. Wes, on the other hand, peers at the screen and lets out a soft whoop.

"Hell yeah! They found the second layer!"

"Yeah. Which means they've found our first plea for help."

"Oh, wow," Sam says sardonically. "A plea for help that's so great. Why are they gonna think it's anything other than another part of the damn story."

"Chill out, Sam," Tucker responds. "The point is to encourage them to look harder. And once they find the next level, they'll start finding our info on the infinite realms."

"Whatever," Sam says, frowning. "I just... Don't like how much waiting this involves."

"Yeah it would be a lot easier if we could just, like, beat them up and call it good," Dash agrees. "But, like, jail would probably suck."

"At least they're making progress," Danny points out. "I don't really get how you guys are making these layers, but. It's more progress than anything else we've tried."

"Yeah, but like, what does this mean for us?"

"Why not interact directly with that post?"

"Maybe. We'd have to be extra careful about what and how we say it, so they don't write us off as a copycat or anything, but it could serve to reinforce, uh-" Wes leans in, to read the username. "BenBlues379's theory."

"Okay then, let's draft a reply." Danny zones out as they start to discuss the specifics. He hadn't actually had to go deal with any ghosts last night, but his parents had been working on some new invention, and the noise of their trials had made sure he didn't get much sleep despite the supposed reprieve. Luckily, nobody in this class is going to complain if he takes the opportunity to catch up on the missed shut-eye now, so with one last deep breath, Danny folds himself down onto his and relaxes into sleep, as the sounds of his classmates debating echoes around him.

[yo-yo-yoshiko]

I want to carry this scene with me a little while...