#THAN HE CAN A REFLECTION OF HIMSELF

[radio-zephyr]

orv spoilers (?) ahead-its a small moment

i think genuinely one of the moments in the novel that really stuck to me, was a quiet small moment between kdj, when kdj was talking to lgy about his sponsor and he raises his hand- and lgy flinches. So kdj holds his hand until he stops trembling.

like that moment is just SO TENDER and quietly devastating. Because kdj loves lgy. But he also sees himself in lgy. And he can't love that reflection of himself.

Yet he still does love lgy sm, and when he raises his hand and realizes lgy's fear, he just holds his hand in silent comfort.. and just sits there with him. until he's able to calm down again, kdj just sits with him.

[rbvcdeluxe]

something something max's main color being red with blue highlights something something grace's main color being blue with red highlights something something motivations something something alive and dead something something

[x-i-l-verify]

Linked Universe Daemon AU Headcanons

WORLDBUILDING NOTE 1: The concept of daemons is borrowed from the His Dark Materials series. A daemon is a person’s soul manifested outside of their body in a tangible, physical form, which permanently settles into the form of the animal that most resembles them in character as the individual matures. Person and daemon are not separate beings, but two halves of one mental coin, which means that they each know everything the other does, thinks, and senses. Daemons are almost always the opposite gender of their person and have a distinct personality than the person to a certain degree, as person and daemon represent different aspects of the same whole. Touching someone’s daemon without their permission is taboo, considered a violation tantamount to rape in most cultures.

WORLDBUILDING NOTE 2: All Links have the same name for their daemon: Ellanharai (composed of the Old German elements ellan “courage” and heri “army”). However, because all the Links are their own person, their daemon’s form settles on something different with each incarnation. Just as the Links in the Chain go by different titles to differentiate them all, so, too, do their daemons. Links tend to settle early (12-13 years), as they generally know who they are and what they want from a young age.

WORLDBUILDING NOTE 3: The Dark World/Twili crystal magic combines someone and their daemon into one physical body. This new body has the form of the daemon but the gender of the person with size alterations or different markings/coloration and is controlled by the person, with the daemon part of their mind taking a backseat. For example, Legend is larger as a rabbit than his daemon usually is, and of course, her natural color is not bright pink. The lingering effects of this transformation only physically affect the person side of the person/daemon pair once they are returned to normal. 

---

SKY + PSALM (RED-CROWNED CRANE)

Red-crowned cranes are renowned for their lasting and affectionate pair bonds, having come to represent longevity and devotion in many cultures; they are cooperative and low-aggression birds, quite tolerant and relaxed around other animals, and only really become territorial and protective over their nesting sites and chicks.

Psalm is impatient, mischievous, and fierce. Sky is more easygoing, considerate, and gentle.

Sky and Psalm are very outwardly affectionate with each other, and both can often be found napping together in a patch of sunlight, Psalm resting her head in Sky’s lap or draping a wing over him. As the physically tallest daemon of the bunch, Psalm delights in teasing fawning over her smaller daemon sisters, especially the younger ones. She will often sit on someone and happily brood, and while some may outwardly protest, everyone secretly enjoys it.

---

FOUR + RHYME (ITALIAN HEBRAN HONEYBEE)

Four's daemon is an industrious, adaptable, cooperative, sociable species of honeybee, known for being assertive but not aggressive insects; they have a high threshold for what they consider threats, and will communicate using pheromones, body language, and vocalizations to make themselves as clearly understood as possible, but they will not hesitate to defend themselves if something is deemed a threat.

Four is empathetic, observant, passionate, and composed. Rhyme is the emotional, pragmatic, impulsive, competitive part of his personality.

Rhyme is usually kept in a protective case Four wears around his neck to prevent any harm from coming to her either in battle or out of it, due to her diminutive size, but he will happily let her out to stretch her wings when around people he trusts. While she is too small to outright cuddle with her sisters, Rhyme loves perching on their heads or burrowing into feathers or fur when it’s chilly, and she’s surprisingly expressive with her body language, though one might have to squint to see it.

When Four splits into his Colors, Rhyme also splits. Which means instead of one being in two bodies, they’re now one being in eight bodies. As in LU canon, none of the Colors is their own individual in this AU, merely a fraction of a larger whole. In turn, each iteration of Rhyme is an alternate part of each of the Colors, with Four’s soul fragmenting into smaller and smaller individual pieces the deeper you go down.

---

TIME + MELODY (SPANISH FARON MASTIFF)

While menacing in appearance due to their sheer size and bulk, Spanish mastiffs are actually known for being protective, affectionate, quiet dogs, with a long history of guarding livestock; they are patient, easygoing, and surprisingly playful, good with children and tolerant of other animals, though their strong wills and stubbornness make them a challenge to handle for first-time dog owners.

Time is authoritative, jaded, and stoic, while Melody embodies his nurturing, hopeful, mischievous side.

Melody can often be found at Time’s side with one of his hands resting on her head or back. As the largest daemon in the group paired with the tallest person, they make for quite the intimidating pair and are downright deadly in battle together. Outside of battle, though, Melody becomes a big teddy bear, utterly content to let her daughters sisters use her as a pillow or mode of transportation, quietly communicating all the warm care and tenderness Time is sometimes too awkward to openly express. She is the one who introduced the musical motif the other Ellanharais also adopted when coming up with nicknames for themselves.

---

TWILIGHT + ARIA (GRAY WOLF)

Twilight’s daemon is a social, cooperative, dedicated apex predator, who routinely work together to raise their young, defend their territories, and chase down their prey over vast distances; they are not overly aggressive and prefer to avoid conflict whenever they can, using body language, sent marking, and howling to diffuse tense situations and prevent costly fights between packs or individuals.

Twilight is focused, cautious, and opinionated. Aria is his easygoing, empathetic, people-pleasing side.

Aria instantly adopts most of the younger daemons in the group and dotes on them as much as they’ll allow. However, she turns into a big, besotted puppy whenever Time and Melody come into the picture and becomes adorably bashful around Malon’s pigeon daemon Rosamu. She is often found at Twilights right side, guarding his flank and watching his back while he focuses his attention on what’s in front of him. She also loves scritches and belly rubs and has nearly smothered Twilight more than once by sprawling on top of him too heavily while they sleep. While their initial transformation into Wolfie was traumatic and scarring at first, they have both grown to enjoy the occasional opportunity to truly travel, fight, and exist as one.

---

WILD + TRILL (WEDGE-TAILED EAGLE)

Wild’s daemon is a loyal, resourceful, resilient species of raptor that is often found alone or in monogamous pairs, but will freely cooperate together with groups of up to 15 other eagles to take down larger prey; they are straightforward and communicative with their vocalizations and displays and also surprisingly playful, wrestling or playing food games with each other.

Trill is Wild’s dutiful, reserved, focused side, while Wild is the impulsive, playful, lackadaisical side.

Trill is rather choosy with and to whom she shows open affection. She can be very standoffish, preferring to let Wild do the talking for both of them, but once she trusts someone, she will often become very chatty and physically affectionate. It is common to see her riding around or napping on Aria's back, but she has begun opening up more to the others as well.

Because Wild lost all his memories in the Shrine of Resurrection, Trill had become unsettled when they finally woke up, taking the most basic shape a daemon can take, normally only seen with very young children: a small, floating, glowing ball of golden Dust. As they regained their memories during Wild’s quest and discovered more about themselves, Trill began taking on some of their old favored forms before eventually resettling for good as her original settled form, the wedge-tailed eagle. Despite physically being the same, though, there’s still that distance between who they are now and who they used to be, most evident in how their personalities have seemed to switch; Wild used to be more serious, focused, and responsible, and Trill used to embody the impulsivity, rowdiness, and wanderlust he kept tightly tamped down for the sake of duty and appearances. Both of them are still coming to terms with how much they have changed.

---

LEGEND + LYRIC (EUROPEAN HYLIAN RABBIT)

Legend's daemon settled as a hardy, wary, sociable, territorial species of rabbit, able to survive and thrive in almost any environment; they are a keystone prey species, a vital part of almost any ecosystem they find themselves in, who must stay ever vigilant and rely on their speed, wits, and determination to stay alive.

Legend is blunt, private, and practical, while Lyric is the sensitive, sociable, sentimental side of him.

Legend has… a complicated relationship with his daemon’s form. He initially hides her away from the rest of the Chain out of paranoia and insecurity, keeping her in his pack at all times. What would Hyrule they think of the renowned Hero of Legend having a defenseless, soft little rabbit as a daemon? They would lose all respect for him, or worse, be disappointed. It isn’t until after the Twili crystal incident, and Twilight and Sky find out about Lyric’s form, that he starts to come out of his shell.

After the ice has been broken, Lyric leaps at the chance to interact with the other deamons more. She goads Aria or even Melody into games of chase, can finally properly pounce on Warriors’ daemon the next time she teases her, curls up into a little fuzzy ball with Hyrule’s daemon to nap, leaps up on Trill or Psalm or Wind’s daemon’s backs and coax them into giving her a ride, and holds Rhyme in her little paws to gloat that she finally knows a daemon smaller than her (Rhyme is not amused). She is the one who came up with the name for their group of daemons, which is a chorus, just like a group of Links is a chain.

---

HYRULE + CADENCE (YELLOW-BELLIED GLIDER)

Hyrule’s daemon is a small, nocturnal glider species that is selectively social, close-bonding, and expressive, utilizing a number of chirps, whirrs, whistles, and growls to keep away intruders and keep tabs on each other; yellow-bellied gliders are incredibly active, hard-working creatures, spending up to 90% of their time awake foraging, and they can travel up to 2 kilometers in just 4 hours through a combination of climbing and gliding.

Hyrule is independent, wary, and agreeable. Cadence represents his dependent, connected, feisty side.

Cadence is generally quite a skittish daemon, who can normally be found clinging wide-eyed to Hyrule’s back, shoulders, chest, or arms, or hidden inside his tunic or pack. She has not interacted closely with many other daemons in her time (fairies do not have daemons), so she is still getting used to the physical affection the others offer. She does not dislike it; it is simply a lot. But she is gradually learning to love being nuzzled, cuddled, and carried, and she greatly enjoys riding around on the other larger daemons.

---

WIND + SHANTY (MILITARY MACAW)

Wind settled just a couple months before the events of Linked Universe as a resourceful, gregarious, deeply loyal species of macaw; like all macaws, they can be quite loud, communicative, and expressive, and they have generally been described as having friendly, confident, playful dispositions, albeit with the occasional temperamental mood swing.

Shanty is Wind's meticulous, perceptive, down-to-earth side, while Wind is reckless, curious, and carefree.

As is befitting for a parrot daemon, Shanty spends much of her time perched on Wind’s shoulders or arms, though she does love being held and cuddled, too. She is still getting used to her settled form, and sometimes forgets she cannot shift like she once did, leading to some hilarious mishaps when she faceplanted on the ground trying to turn into a hermit crab, or one memorable instance where she nearly drowned while trying to become a yellowtail snapper. She gets very starry-eyed over the other demons and thinks all of them are the coolest for different reasons. She desperately wants to impress them and prove she’s just as badass as they are, so she can sometimes chafe under their well-meaning coddling.

---

WARRIORS + BALLAD (RED FOX)

Warriors’ daemon settled as the confident, dependable, independent red fox, the most widespread and successful carnivore in the world, found in just about every available habitat, from jungle to tundra; despite being mainly solitary, these animals have a complex social hierarchy and can be seen in a wide variety of group settings, with vixens sometimes coming together during the breeding season to help raise each other’s cubs, and their mates bringing them food and also helping parent the new cubs.

Warriors is shrewd, charming, and diplomatic, while Ballad is more brash, cheeky, and candid.

Ballad, while generally friendly and warm with the other daemons (especially the younger ones), is also strangely skittish around them. She is fine initiating touch or curling up for a nice nap around or with someone else, but if touched unexpectedly, she tends to either bristle, growl, and retreat behind Warriors, or go very still and quiet. She shies away from any human hands except Warriors' (and even then there are days he doesn't touch her directly). They bring to mind other hands. Slim, small, elegant, painted hands that hurt, that took, that tainted- ...It’s fine. She’s fine. They’re fine. Everything’s fine.

---

Resources:

Red-crowned crane analysis: https://daemonpage.com/forum/viewtopic.php?f=4&t=24990

Italian honeybee analysis: https://daemonpage.com/forum/viewtopic.php?f=4&t=23882

Tibetan mastiff analysis: https://daemonpage.com/forum/viewtopic.php?f=4&t=24552

Spanish mastiff information: https://dogtime.com/dog-breeds/spanish-mastiff

Gray wolf analysis: https://daemonpage.com/forum/viewtopic.php?f=4&t=23828

Wedge tailed eagle analysis: https://daemonpage.com/forum/viewtopic.php?f=4&t=26686

European rabbit analysis: https://daemonpage.com/forum/viewtopic.php?f=4&t=23718

Yellow bellied glider analysis: https://daemonpage.com/forum/viewtopic.php?f=4&t=24968

Military macaw analysis: https://daemonpage.com/forum/viewtopic.php?f=4&t=26591

Red fox analysis: https://daemonpage.com/forum/viewtopic.php?f=4&t=24946

Art belongs to @/linkeduniverse

[crustyfloor]

The idea of Till having a certain sentiment of regret, hate? towards Ivan for what he did in round 6 jumbled up with his already mixed feelings about Ivan because of the person he is and how he treated Till when they were kids up until now, it's a lot. It breaks my heart but feels a little too real.

[waitineedaname]

feeling completely insane about The Author And His Protagonist™️ this morning and now I'm thinking about bingqiu too, and like. Airplane of course wrote Luo Binghe to be everything he wasn't, this cool and powerful stallion protagonist. And he also wrote him to be what the readers wanted, especially as time went on. But there's bit of himself embedded in Binghe -- his insecurities, his fear of abandonment, his loneliness, his hunger for love. Those vulnerabilities are hidden away under layers of strength and stallion badassery in PIDW, but for Bingmei, they're laid bare and ratcheted up to eleven

And then Shen Yuan. He of course loved Luo Binghe The Protagonist™️ but he fell in love with Luo Binghe, the real person with insecurities and fears and strange ugly edges to his personality. He saw this carnival mirror reflection of Airplane's flaws, and he wanted nothing more than to wrap Binghe up and love him and care for him and soothe those insecurities

If I was Airplane, bingqiu would be like therapy for me

[dizquized]

FOR YOUR OWN SANITY, do not look in the tags, dont do it. its not worth it. a demon possessed me or something, i dont know.

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[edwinisms]

I know how it sounds at first, but I really gotta feel bad for the boys that sacrificed edwin; I mean even the term “sacrificed edwin” paints them in a more sinister light than they really deserve– considering that wasn’t really, actually their intention.

they were bullies, they were homophobic (and/or were self loathing gay boys themselves taking it out on edwin, or were equally likely peer pressured into acting a certain way), they planned something stupid and mean to do to an innocent, anxious boy with the goal of scaring the shit out of him, all because he was effeminate and an easy target. but they didn’t know or expect any of the ritual stuff to be real. they were all laughing and joking during the ritual because it was just that to them– a joke. a cruel joke, but a joke.

teenagers can be mean and stupid and they usually regret it as adults and grow out of it / grow from it. they were stifled the chance to grow out of it, at least while alive. none of those boys deserved to be instakilled and sent to hell; they’re really not that much less deserving than edwin himself. they were all just kids, after all.

[ccbatman]

actually so evil how much of hal's internal world gets obliterated with the rewriting of his relationships with jessica and martin.

[chatdae]

love how the older skaters in the senior division give Yurio encouragement and that each time it pisses Yurio off. JJ is intentionally condescending so that makes sense, but with Viktor and Yuuri they're not even being condescending. Yurio's just dialed in on being a hater... and i love that for him <3

[triglycercule]

dust should have one of those mini zen gardens with all the sand and the little rake you use to make patterns but instead of sand its monster dust. specifically dust of people he doesnt like. how calming and tranquil this is as he puts a mini bridge and rocks and tiny tree into the garden filled with what's basically the human equivalent of blood!

[randomszzz]

"love has always been the world's best secret ingredient" -> "I'd rather just get rid of them" Joshua kiryu

"there's only one way to stay alive in this shibuya: Trust your partner" -> "in a way, he's been alone all his life" Joshua Kiryu

[selfinflictedgunshotwound]

i'm kind of amazed how most of the stardew marriage candidates just want you to be their manic pixie dream whatever by agreeing with everything they like and plying them with compliments or praise or whatever (which is fine but a bit. Much) but for shane his romance is just you being there for him while he figures his own shit out... dunno why i never wanted to romance him before he's so good

[toomanybs]

BatFam Fanfiction Required

Annoys me a whole lot that no matter how little sense it makes Damian is never allowed to grow so he stays cute. Like a purebred purse dog that you can already tell has so many health issues

The Point:

Damian, at his shortest, should outgrow Tim by age 15. At his tallest he should outgrow Tim by age 12 (or earlier)

As a bit-below-average woman with an average little brother it offends me deeply that the frustration of being outgrown by a teenage sibling is not being represented. I require compensation in the form of fanfiction. Yes I am begging

The Evidence:

Tim Drake is 5'5"-5'6 at age 17 and should be 5'6"-5'7" by age 20. Cassandra and Steph are both around his height

Damian's adult height* should be minimum 5'10" and maximum 6'5" . That is to say it varies from Dick's height (~average man) to tall as heck (tallest among the bats)

*depending on his height when 10-11 (varies with artist), and according to his parents' more consistent heights of 5'8" and 6'2"

The Second Point:

Envision Tim being judged for first fighting an 11 year old and saying "that 11 year old is heavier than me and it's all muscle". This is canon accurate

The Third Point:

The bias against tall kids is weird, confusing, and somewhat suspicious to me. TBH most things are, However; it makes me wonder how often tall kids are treated as adults before they should be and explains to me why short people get treated like kids

We can't even get over the idea that maturity isn't based on size. No wonder we can't get over treating women as either mature by puberty (when height growth slows) or never mature at all (average 5 in shorter than men)

[lucindarobinsonvevo]

you are who you hang out with

[mcybree]

Ok ok ok I'm not Tryna start discourse but bluestars prophecy was my first ever warriors book and bluestar will always be my favourite so I'm gonna make some counterpoints to you about her being a Smajor character

bluestar has always been led by an intense loyalty and dedication to those she loves and cares for - this includes her mum, her sister, her clan, eventually Firepaw when he joins the clan, and she has a VERY strong moral compass when it comes to doing the right thing - when she sees thistleclaw teaching tigerpaw to hurt a then baby scourge she very much discourages it and is against it

Afaik scott is Not like that, he doesn't have an emotional or love-driven moral code, he does things because they're smart decisions in the long term or because he wants to. Granted I havent seen a ton of his stuff but I have seen his limited life and 3rd life perspectives and he is very much a singular team player there, there to look after himself and well if people align with him that's great he's got allies (jimmy and Martyn) but he won't go out of his way to care for them

Bluestars defiance of starclan in the first series is BECAUSE she gave herself to them and what the warrior code demanded so much - yes she broke clan rules by having kids with crookedstar but she did everything in her power to make sure they'd have a happy life and felt terrible that thrushpelt was willing to say they were his to save her reputation. She didn't do it out of a selfish want, she only ever wanted to help her clan and those she loved, and her becoming clan leader is emblematic of that want. When she rejects starclan so wholeheartedly in the first series it's because THINGS KEEP GOING WRONG WHEN SHES TRIED SO HARD TO STOP THEM FROM DOING THAT - starclan has never cared about the sacrifices she made to keep her loved ones and clan safe, she lost her mother, her sister, her kits, her mate, literally everything, and things STILL KEEP GETTING WORSE. it's not a demand that she deserves to have everything good, it's a cry for help that shouldn't something go right after she's tried so hard???

C!Scott isn't like that. He puts himself above others and inherently believes he will get the best if he just plays his cards right, and he is good at it, he's very competent at lasting a long time in life series and getting what he wants - the ruthlessness of gem driven by desperation kills him in secret life, Martyn's complete fucking about face kills him in limited life, and I'm pretty sure it's etho who gets him out in 3rd life by luck. He doesn't plan to look after the ones he cares about, because he cares about himself first and foremost. Yeah you can argue when he doesn't get what he wants he gets annoyed, but his is less of a 'why don't I get this don't I deserve it' and more of a 'oh fuck this didn't work. Ok new plan double down on getting what I want by appeasing to people cos they're easy to read and therefore account for'

I don't doubt Scott would make a bluestar adjacent character if he made a warrior cats oc BUT his character would honestly be closer to darktail or ashfur than bluestar and that's that on that.

(sorry you activated 13 year old me's unskippable cutscene sjdjsjsjja this isnt meant to be a serious argument I just love bluestar a lot and love talking about her)

OKAY 1. this is fucking awesome thank you 2. i am going to do something new and exciting (advocate for scott instead of beating him to death with sticks) because unfortunately this bluestar info has only made me believe she is a smajor character even more.

As a general note when I talk about smajor characters as a collective here I’m referring to characters more in the realm of esmp/traffic/rats/pirates/etc, less vampire scott or necromancer scott who are intended to be villainous.

Scott characters tend to operate under a “If I am not a Good Person I may as well die” rule, and consequently abide by a strict moral code to keep themselves feeling clean. For instance: traffic Scott will never go back on his word, he will avoid dishonesty, and he won’t take from others unless he is sure that he can repay them. He will never betray his seasonal primary ally (even when they betray him first), and will often give people things just because they asked him nicely. He stakes a lot of his own identity on this, because it is through being a “good person” that he justifies his superiority (and, by extension, his own existence); in his mind he deserves the best and *is* the best because he is such a good person. When things don’t go his way, he thinks he doesn’t deserve it because he has been nothing but good, so he tries to place a reason. He often assumes that somebody must “have a vendetta” against him, even if this somebody is the world (see: him asking if limlife episode 1 boogeyman is some kind of joke played on him for not giving in to the boogey curse in Last Life.) which is very Bluestar to me, convinced that her misfortunes are a divine punishment.

This is all to say that Scott does have a strict moral code and deep sense of loyalty. Being a “good person” and devoted partner in the ways he understands it are so ingrained into what he is that I think he definitely has the capacity to be a Bluestar if he were raised being taught clan values, even if his internal systems are often built around never letting gross emotions be fully felt rather than what those emotions compel him to do.