#Superman's Super-Magic Show

[bobauthorman]

You'll get it someday, Clark.

I guarantee it.

Action Comics #151: "Superman's Super-Magic Show

Superman #16 - "Magic is Real" (2024)

written by Joshua Williamson art by Jamal Campbell

[bloomeng]

This is my official Batfam Magical Girl AU Masterpost (everyone clapped)

(image updated: 9/21/24)

I’m going to do a brief overview and then go into more details for those interested.

Bruce being from old money (and apparently being connected to Camelot) inherited a mysterious mineral with unknown properties. In its raw form it’s very unassuming, but when cut like gemstones and added to accessories it can be harnessed into a tool. By altering the mineral into a wearable item it allows the magic within to be channeled. The magic of the mineral connects with its wielder to create an outfit and (typically) a weapon. These outfits do not grant the wearer special abilities outside of the transformation and the weapon, but when worn the wearer is granted (what is basically) hammerspace and a nearly impenetrable outfit. The uniform granted is not something they can alter the appearance of but will change gradually overtime to reflect how the wielder has grown.

This mineral will henceforth be known as Arcanium. It operates on Kryptonite logic in that it’s— allegedly— super rare but also shows up whenever the plot needs it. (I’m aware it shares a name with a card game, but I wanted my Kryptonite spoof)

Martha Wayne unknowingly started the cycle by turning— what she thought was a rare gemstone— into a brooch. She died shortly after having it made and Alfred held onto it in her memory. Like canon Bruce goes on his journey of self-exploration to train. When he comes back he enacts his plan the way he does in Batman: Year One, where he goes out in basically just make-up, and it goes poorly. He wanders his manor trying to formulate a strategy and is drawn to his parent’s room and finds his mother’s brooch. Cue the first magical girl transformation. From there he alters the brooch to fit his bat aesthetic and the Batman Brooch is born.

Dick comes into his life the same way as canon. Bruce takes him in as a ward, Dick tries to track down Zucco on his own, etc. Bruce decides to use the other raw sample of Arcanium to turn into a second magical artifact. He lets Dick pick the theme, and thus the Robin Pendant is born. The rest is history.

(Before I continue I want to warn that I’m making shit up as I go, so some of this is subject to change as I move forward.)

The Robin Pendant is passed down from Robin to Robin. Each Robin got their own unique look while using it. Following canon, Dick and Bruce have their falling out and Dick gives up the Robin Pendant in a moment of anger. In this au I think Dick, not having the pendant to fall back on, tries to lead a vigilante-free life, but of course falls back into it. During a fight he somehow manages to stumble across Arcanium in its raw form. Recognizing it he takes it with him. Like Nightwing: Year One he has his conversation with Superman and decides to become his own hero. Using his knowledge of Arcanium from his years with Bruce he creates his own magical artifact and becomes Nightwing.

This is a good place to interject that I’m not changing any of their hero names. I was asked about it a couple times due to the caption, “Red Bow & Sailor Nightwing” on my Dick and Jason designs. It was just a silly caption, because I didn’t want to simply state “Jason and Dick Magical Girl au.” But being serious, I don’t really see a reason to change their names, with the exception of maybe Red Hood, seeing as I didn’t give him a red hood. My au operates on Sailor Moon logic where despite the lack of masks no one recognizes them, and it’s just vaguely explained by magic. I think it would be funny if Bruce chose to wear a mask anyway because he’s that paranoid, but we’ll see when I actually design him. Anyway point is Red Hood is lacking a red hood, maybe he secretly has a red hood on his jacket or maybe he really does go by Red Bow, I’ll leave that up to interpretation.

Arcanium does not just accidentally appear. At the end of the day it’s still a mineral and it’s not sentient, but the magic has an element of “the wand chooses the user.” It’s not so much a “chosen one thing,” so much as the magic can sense intention. It doesn’t care about the morality of the user, the magic is more seeking a symbiotic connection. (Meaning yes rogues can in fact wield artifacts.) Simply put, it wants a host that will be able to wield it. In its raw form the magic is dormant but it seeks to be… not dormant, so when it finds those who actually have the potential to create an artifact and use it, it reveals itself. It was not a coincidence that Martha had the inclination to have the brooch made, it was not a coincidence that Bruce was drawn to his parent’s room, and it was not a coincidence that Dick found Arcanium in the alleyway.

Each of the Bats have their origin moments with their own magical artifacts. I don’t have the whole timeline down, but I will say there was a lot of drama between Tim and Damian, because Tim was forced to hand over the pendant. Even though he technically relinquished it, emotionally the connection wasn’t severed. No one was sure if the transition would work, but Arcanium responds to whoever needs it more and therefore who will use it more. Like canon, Tim is having an awful time during that era. On top of all of it he’s had his title stripped from him and he can’t even argue because if it wasn’t the right move the pendant wouldn’t have responded to Damian. Dick tries to comfort him by telling him that Arcanium will appear for him when he’s ready, but Tim is furious and impatient. So like a well-adjusted person he decides he’s going to engineer his own magical artifact artificially. It goes as well as his attempt to clone Kon does. It’s not until Tim starts to get back on his feet that Arcanium presents itself to him. My thinking is that while Arcanium finds its users when they need it most, Tim’s case is abnormal. His acquisition of the pendant was unconventional from the start since he showed up and demanded to take on the Robin role. Arcanium is drawn to individuals who will actually use its properties. Tim tends to rely more on his own detective work, which renders the pendant’s properties pretty moot. Especially when he’s going off the deep end, he becomes a hermit meaning a) he wouldn’t really need/use Arcanium’s properties and b) he inadvertently limited his own chances of stumbling across it “in the wild.”

In a similar vein I believe Barbara’s journey is abnormal in that she forged her own Batgirl artifact that operates a little differently than the others, seeing as she made it without Bruce’s influence. After the accident she shelved it, maybe she passed it down to Cass, but eventually she gets it back. She created the Oracle identity without it, and for a long time the Batgirl artifact is something she avoids using, until she gets the idea to combine it with her computer to create a magic computer… sort of. She gets a uniform that is basically connected to the computer.

Going back to Damian needing the Robin Pendant more, its reaction to his acquisition was unique. As I mentioned previously the suits typically provide a weapon, well Damian is the exception. Unlike all the other Robin’s Damian didn’t need more weapons in his life, what he needed was guidance. For the first time the pendant granted Damian a magical animal guardian, which is how he gets Alfred the Cat in this au. Despite being an animal lover Damian is extremely pissed at this development. He wanted dual swords or a scarier animal at least. He can’t formally communicate with Alfred the Cat but he understands him intrinsically, though Alfred the Cat seems to be able to understand human speech somewhat. Only Damian seems to be able to truly understand Alfred the Cat. (Cue the antics of his siblings trying to figure out what the cat means or trying to control him in any capacity.) Besides being an animal, Alfred the Cat is also unique in that he doesn’t dissipate when Damian isn’t in uniform the way that the weapons do. Like the weapons he can be summoned by the pendant, but he seems to have existed prior to the pendant’s creation. (I’m toying with the idea that while in uniform, the cat would also get some sort of uniform.)

Before I get into Duke and his abnormalities, I want to address the Speedsters in this au. It’ll make sense after.

So the Flash. I want to say I don’t know if I will get around to creating full designs for them. I do have plans for Bart and maybe Wally, but I have determined how I want their mechanics to operate in the context of the au. Not all the heroes in this au are “magical girls,” in fact I’ve made the executive decision that you have to be human to wield an artifact. Arcanium may have magic in it, but it doesn’t grant its user magical abilities beyond the uniform itself. The speedsters retain their canon origins, hit by lighting blah blah blah, only with one key difference: they had Arcanium on them when they were hit. Instead of engineering an artifact Arcanium fused with their bodies granting them powers. I want to keep the magic transformation aspect (because it’s not a magical girl au without it), so instead of using a physical artifact as a channel for their powers, it’s instead the act of transforming that serves as a gateway to their speed abilities.

To me it was always important to maintain Batman’s identity of not having super powers and having to rely on engineering, which is why the Batfam have to physically build their artifacts. In a similar way I wanted to retain the integrity of the Flash’s identity of being meta but also still human. Which brings me back to Duke. I know in canon that Duke inherited his abilities, but for the sake of the au I’ve decide that he either had an accident when he was young in which traces of Arcanium fused with him or his parents had it in them and he inherited it from them, but regardless it’s less potent, but operates similar to the Speedsters. For years he couldn’t fully transform or use his powers and it wasn’t until— with Bruce’s guidance— he was able to create an artifact that allowed him to channel his abilities and transform. Even though he is a meta I wanted him to still have some of those Batfam qualities in there.

But what about the Superfam? They’re not human so how do their transformations work? The answer is simple: They’re not “magical girls.” At least not real ones, they’re faking. They’re not human (Kon and Jon are technically half human but they still get their abilities from their Kryptonian DNA), and thus cannot forge a connection with Arcanium. Truthfully I’m about to get silly— even sillier than this au already is— but I have decided that Clark is a fake artifact wielder. I like the idea that Batman has been operating longer than Superman has, so when Clark decided to become a hero in his own right his only example of how to style himself was from the bat themed vigilante, who might as well be a cryptid, operating out of Gotham. Only blurry pictures of him existed, so Clark designed his outfit based on his Kryptonian origins and Batman’s aesthetics. He had no idea about the existence of Arcanium or how it worked. This is also why Kon’s design looks so much like his canon outfit with a few magical girl elements (and definitely not because I think the lines in his canon suit already lend themselves well to a magical girl aesthetic and didn’t want to change much). Later when he gets to know Batman more he learns about the transformations, to which he panics and invents his own transformation using Kryptonian tech (ex: MAWS’s transformation). For years Bruce goes crazy trying to figure out Arcanium’s effects on aliens and if it grants them abilities on top of the ones they’re born with, and if Clark has plans to use it as a weapon, and how he managed to forge the connection in the first place— Clark comes clean as a fake once they reveal their identities to each other.

Side tangent but I find it hilarious that Green Lanterns are— by technicality— already “magical girls,” considering they’re granted magical accessories that give them powers and transform their clothing. Hal is very clear with the JL that he is nothing like Batman and constantly feels the need to assert that he is not a magical artifact wielder. The non-human members of the team still lump them together anyway.

Things I haven’t figured out:

- what each of the batfam’s weapons are

- what each of the magical artifacts are

- what to refer to magical artifact wielders as

Stepping outside the canon(?) lore of the au for a minute, obviously I’m redesigning DC characters using inspiration from a genre, because that’s what “magical girl” is. It’s a genre. This is why I refer to it in quotes and don’t call them magical boys, because I am always referring to it as a genre, which isn’t a gendered thing. However, in universe they wouldn’t call themselves magical anything, the same way the characters of Sailor Moon don’t refer to themselves as magical girls, but rather Sailor Scouts. As of right now I’m sort of just referring to them as artifact wielders, but I feel like Bruce would come up with a better name. On a similar note, throughout this whole thing I’ve been referring to Arcanium in it’s wearable state as an artifact. I don’t know if that’s the best term, but I can’t think of anything better for the generalized form of Arcanium outside of it’s raw state. For now I guess it will be “artifacts” and “artifact wielders.”

- how the wonderfam fits into this

I really can’t think of a reason why Wonder Woman would be a “magical girl” in this au. She was born with abilities, she’s not human, and I can’t see her altering her uniform to match the aesthetic. A transformation would just be a waste of time for her. I could to see maybe Cassie or Donna wanting to match with their respective teams, and perhaps maybe that’s why they would alter their uniforms? All I know is I want see Tim, Kon, Bart and Cassie as a matching “magical girl set.”

Fin… for now.

[I’m just going to put this here preemptively, because I’ve gotten messages about turning my au into fics or tiktok skits. You’re free to use this lore HOWEVER you MUST credit me not just for the designs but for the creation of the lore. I’ve put a lot of time and thought into this and I love that people love it, so I just ask for recognition. If you want to make something that’s inspired by my designs or loosely based on my au, just a simple credit for the inspiration is fine. You’re free to change things this is just how my own au operates. Regardless I would prefer to be tagged so that people can find me but also because I’d love to see other’s work.]

Current designs:

[gdn7-dollopole]

Merlin needing to teach Arthur stuff when he comes back, but it’s funny.

Can you just imagine Merlin yelling at Arthur at his back because he can’t…

Ride a bike?

The king of Camelot flailing his limbs before falling ass deep into a ditch because he has no idea what to do on a bike.

What about cooking? Imagine the mess. Arthur failing at making an omelette.

Playing video games?

Arthur would obsess over Zelda, because Link is blonde and stupid and courageous and has a sword that he pulled out from a stone.

How to go shopping? Arthur would get lost in so many isles, the cashier would need to get on the microphone and call for Merlin, because,

“The King of Camelot needs Emrys at the cash register 2, please.”

Riding a car?

Even better. Merlin’s magic is the only thing keeping them from crushing completely and ruining several cars, before Arthur even learns what a pedal is.

Trains? I can totally see Arthur obsessing with trains and wanting to go on each and every one of them, and Merlin follows his ideas, because why not, Arthur looks like an happy kid.

Imagine Arthur’s reaction to a rollercoaster. And him throwing up his ice cream right after a ride because Merlin had dared him he couldn’t go there without being afraid and Arthur had to show off.

And Arthur discovering so many foods and sweets, he actually gets a sweet tooth.

The gym. This man will hit the gym consistently and will bring Merlin with him every day, while Merlin shoots him a murderous glare because he is a sofa man, not a gym bro (Arthur would totally be a gym bro).

But this same Arthur is scared of needles. He needs to take several tests and go to the hospital, and Merlin will need to hold his hand, because what do you mean the dentist will put gloved fingers in my mouth and touch my precious teeth?

Or what about Merlin needing to teach Arthur the simple things?

I’m already laughing at the image of Merlin trying to explain to Arthur how a toothbrush works, or a bathtub, or even a bidet.

Oh, the look on Arthur’s face the moment Merlin explains to him how to sit on a bidet.

HOW ABOUT HOW TO WEAR UNDERWEAR?

I bet at first, Arthur will come out of the bedroom with his underwear over his trousers, Superman style. Merlin will need a whack at the back of his head for him to stop laughing at the Once and Future King with briefs over his joggers.

I can totally see Arthur getting diagnosed with autism, and him being super excited over the new discovery, but simply because now he can’t stop thinking about it.

He collects rocks.

Yep, definitely. Arthur will collect so many rocks, tiny stones and gift them to Merlin, who secretly smiles and keeps them all in his precious jewel case.

And what about the sex related stuff?

That is indeed hilarious and a big jump from the Middle Ages and Arthur doesn’t understand why everyone goes around naked, and why they have to talk about everything that is supposed to be private and what the bloody hell is a sex toy? Or a sex shop?

Oh, oh.

Yes. Hilarious.

[itshype]

Excuse me, do you work here? (DC x DP)

This is sort of based off of the core idea behind The second, secret Justice League, so mayhaps consider reading that if you haven't? It'll take you 2 minutes max. Also, here's my masterpost.

So, Danny frequently works with the JL headquartered in the Infinite Realms. Basically, every League-Adjacent hero who died in costume chose to continue their work and make the Violent Afterlife a little safer. It's lead by Jason Todd as Batman (he never revived after Joker killed him in this AU - ....yet?) and has whomever else you like it in it. It's still just called the Justice League because with the zone inhabitants being long dead, never born or aliens, enough of them are unfamiliar with Justice League Earth.

They're better than ghost cops because they all died within the last decade. They remember what it is to be alive, they remember living people who they love and it changes the way that their minds think about crime and criminals in the zone. Their criminals are still people, not just obstructions to their obsessions.

And in a fun swap, Jason lives in mortal terror of the day anyone dares to kill the Joker. He hopes that asshole lives to the age of 108 and dies peacefully in bed so the chances of the Joker becoming an ecto-entity are as low as possible.

The regular, non-secret Justice League are kidnapped by a cool Alien species who want to make them fight. Not to the death, unless you feel like it, but more as a exhibition match. Martian Manhunter, Superman, Green Lantern and Constantine are not pumped to be kidnapped but the Lantern explains that doing well in this tournament will be super great going forward. If other planets hear about Earth's robust defence, they're all going to be less likely to fuck around and find out in future.

So, Constantine, in his infinite wisdom decides to - while they wait for the whole thing to start - summon the "best equipped" Justice League member to fight on their behalf. This other member (he assumes it will be Wonder Woman or Plastic Man) will probably not love being taken to a new planet. But, it's for the greater good and they'll all be taken home later.

But he didn't specify which Justice League - not knowing there are two. A 14 year old (looking) boy shows up. Superman is furious. Constantine, trembling with horror in what his hasty actions have done, explains everything.

Danny's thrilled, he's on a NEW PLANET?! He's met a MARTIAN? And he gets to do a low-stakes fight that could save millions of lives someday? This is the best day ever!

Danny tells them he's gonna fight, and he's gonna win, and they're going to help him get in touch with Batman on Earth when he's done. As payment.

He wants to tell Earth Batman that Ghost Batman loves him and never blamed him etc etc. Things Jason didn't exactly tell Danny to tell Bruce, but that he's mentioned to the team as wishing he could reach out and tell Batman before. (Why doesn't Jason go to Earth? Maybe he doesn't know which one, maybe the idea of being on the same planet as Joker sends him into a destructive rage, maybe he thinks telling Bruce he's still out there would do more harm than good... idk)

4 adult heroes watch in awe as Danny does a magic girl transformation into Inverted Danny and starts pulling more and more powers out of absolutely nowhere. Danny obliterates his competition and everyone is scared to hell of him. He gives an unwanted speech about what an honour it was to represent his solar system (he's thinking of his new bestie Martian Manhunter's culture's safety too).

It's only on the way home in the spaceship owned by the tournament mangers that it occurs to any of the Normal Justice League members to ask how this kid they've never even heard of is a member of their team and what he wants to discuss with Batman.

[ladyloveandjustice]

loving the new superman cartoon, gotta note Ma Kent looking at his suit after his magical girl transformation and declaring he 'definitely needs some shorts' and hurrying off to make them implies the costume showed way too much super-bulge and I'm 100% certain that was intentional.

[karaspal]

here is a reading guide for post-age up jon, including the good parts only so you guys could appreciate him more.

THE UNITY SAGA

superman (2018) #7 - 10 this is the story that started it all. jon goes on a space journey with his grandpa and comes back seven years older with enough trauma to last him for the rest of his life and more.

THE ONE WHO FELL

superman #29, action comics #1029, superman #30 - 32 during his time in the future, jon discovers his father might not have much time left in the present. worried about his dad, jon tries to warn him and prevent the inevitable. this story is cute and shows clark's love for his son and how proud he is of the man jon has become.

WARWORLD RISING

action comics #1030 - 1035 follows up the pervious story. clark and jon find refugees who escaped warworld. while clark is ready to help 100%, jon thinks it's a trap to lure his father and is vocal about his suspicions. this story lets jon have flaws, and they make complete sense for his character. while he isn't the main main character, it's a great read to help you understand his character.

SON OF KAL-EL

superman: son of kal-el #1 - 6, annual 2021, #7 - 8, nightwing (2016) #89, superman: soke #9 - 18, action comics #1050 after clark leaves for warworld to help the people there, jon is left in charge as the main superman on earth. with his dad gone, his identity being public and the weight of the world on his shoulders, jon tries to figure out the kind of hero he wants to be. this series also introduces jay nakamura, a journalist and a freedom fighter jon falls in love with. the final three issues is jon's reunion with his dad.

DARK CRISIS ON INFINITE EARTHS

dark crisis #1 - 7 with the whole justice leauge dead, jon tires his best to keep the world spinning and the people in it hopeful. he goes around, trying to form a new justice league. this story shows how jon truly is his father's son and that he deserves the title "superman", as well as his strengths, and his undying spirit.

RISE OF METALLO

action comics #1051 - 1056 clark comes back from warworld with twins, whom he and lois later adopt. jon struggles seeing his parents raise the kids in a way they couldn't raise him because of the time they lost. still though, jon tries his best to be there for his new siblings.

this is jon's main timeline since he came back from his space trip. those are the required stories. bellow, i'll list some comics that aren't necessary to understand him, but are nonetheless good.

THE SUPERMAN OF METROPOLIS

future state: superman of metropolis #1 - 2 this is a future state story that isn't canon. jon bottles the city of metropolis in hopes of saving it. the story follows the consequences of his choice.

OUT THERE

dark crisis: worlds without a justice league - superman #1 do you wonder what would've happened had jon grown up with his folks? do you wonder what he would've been like had he not spent his formative years in a volcano prison? well, this is a story for you. this is clark's perfect world, and in a perfect world, he gets to see his boy grow into a man.

NIGHT AT THE CIRCUS

nightwing (2016) #101 - 104 (back up story) nightwing investigates a mystery in the circus and calls jon for help. the story is a cute team-up between the two.

A HEART IN METROPOLIS

action comics #1059 - "a heart in metropolis" (back up story) jon and jay struggle to find time to spend together, with life getting in the way. finally, the boys find the time to go on a date.

MAGICAL MYSTERY CUBE

superman & robin special #1 cute jon and damian team-up. if you like the super sons, this is a story for you. it shows that their friendship can still work, even with jon being older now.

ELECTRIC

lazarus planet: assult on krypton #1 - “electric” during the lazarus planet event, a common criminal gets powers and decides to join jon in helping people. their dynamic is fun: a righteous hero and a flirty villain. even though i don't particularly ship them, i still enjoyed their interaction.

this is it, guys. this is the list. happy reading! :)

[starberry-cupcake]

I could have just gone ahead and finished the book, but I adult life is interrupting so I stopped mid-fight and that's what you're getting, since I think it'll be a more sensible length this way.

previously, in gideon the ninth

this happened (also, this is the tag for all of the stuff)

currently, somewhere before ending the penultimate chapter, I think:

WELL, WELL, WELL

GUESS WHO WAS RIGHT ABOUT DULCINEA DEL TOBOSO SORAYA MONTENEGRO SEPTIMUS

I GOT YOU, BITCH

YOU DIDN'T GET PAST ME

ok, let's back it up a bit, but I needed to get that out of my chest for a sec

out of my guts, like the key she hid in the 5th necro bride's body

(too soon)

anyway, after yandere simulator w/inner chad left the room, gideon, harrowbean and my qp wife realized palmolive was gone

and everyone knows where he went because his dick has been a compass the whole time

or, like gideon puts it, he's been a weenie

camilla, the light in the dark, the sun to my moon, tells gideon and harrow that palmolive has been corresponding with dulcinea since he was like 8 and she was like 15 and he's been in love with her the whole time

and that he's made his lifelong purpose to save her life

there are many levels of Issues here

but at this point, we don't have time to unpack any suitcases

all this just proves to me that camilla has been carrying all the weight of the world on her shoulders even more, but anyway

they also feel confused as to why dulcinea has been ghosting palmolive massively since HE PROPOSED TO HER

palmolive, my man, my dude, just...what the fuck is your life

what are you doing, my guy

anyway, I immediately started thinking some soul possessing or some stuff like that could be going on, like she's not herself, but there's no time to theorize much

gideon feels terrible because she's been flirting with dulcinea in front of palmolive's salad all along and says something like "why do I have to be so attractive?" to which harrow answers something like "if you weren't, people would deck you after 5 minutes" which is a very good read

so gideon goes to find palmolive and he stops her with necro magic and enters dulcinea's room and outs her as the murderer

who is surprised??? not me, of course

so, basically, ducinea The Real One died at some point before arriving like protozoa, and this bitch here is a previous lyctor whose name I cannot remember so we will call her not!dulcinea

the real dulcinea was the other roasted body in the furnace

and protozoa was killed by her also which, again, the sword through the heart was a good indicator it wasn't an accident, but harrow was the only one who saw the body

non!dulcinea is a lyctor of the seventh that served the emperor and did the soul slurping thingy and already has her cav within her ("inside her" sounds...not great)

and she wanted to stir some shit up to get the man of the hour to show up and get revenge and whatnot

the emperor, coming back to canaan house from some holidays that took longer than he expected

it's not totally clear, because there's still a lot we don't know, but it sounds a bit like a toxic relationship with an authority figure

palmolive then proceeds to immolate himself like superman going super solar flare, but not being able to heal himself after, unlike superman

after that, all hell breaks loose

not!dulcinea tries to kill gideon

camilla tries to kill not!dulcinea

harrow also enters the fight and brings gideon's sword

like, the real one

you can hear the audience cheering when she catches her sword like it was filmed in front of a live studio audience

gideon and harrow team up against the mega massive monster junji ito concoction that killed isaac

they do the mind mesh thingy

harrow unlocks a new power

like in the sims

she also passes out for a bit

gideon gets her knee and shoulder fucked up

camilla is amazing and does amazing things

non!dulcinea seems to be too tough to win against

yandere simulator twin w/inner chad enters the chat

they fight like goku and vegeta for a while but non!dulcinea ends up using her like a battery

which is, to me, the revenge of duracell bunny nephew from beyond the veil or wherever he went

like, poetic cinema fate

I have no idea where regina george twin is at this point

last we saw of her, she was crying in a corner

which, mood tbh

so, where I left off for now, we've got three survivors accounted for: gideon, harrowbean and my qp wife, there's a lost twin somewhere in there and then there's yandere simulator twin being used as a charging pad by non!dulcinea

I want to take a moment to point out something, though

I want to briefly point out how MASSIVELY FUCKED UP EVERYONE WAS COMING INTO THIS

like, harrow was "oh no, we mustn't let people know you're not actually my cavalier and that I puppeteered my parents and that there's a frozen barbie in the ninth" and gideon was "oh no, I mustn't let people know I'm not a ninth cav and I don't use a rapier and I have a complicated relationship with my necro"

and everyone else LITERALLY EVERYONE ELSE WAS BEYOND FUCKED UP

maybe the second weren't because they were ignorant asshats, but EVERYONE WAS MESSED UP

NOBODY HERE WAS FINE

you got the third, with a non necro princess and a feral real necro doing the work of both and chad as their support, look how that turned out so far

the fourth, who weren't tall enough to reach the top shelf and weren't even allowed their keys

the fifth who knew too much so they were goners after throwing a party

the sixth, with a guy who had the hots for a woman twice his age that he had a grey's anatomy fantasy to save that powered his entire reason to be there (and a cav who didn't use the right equipment but is great 10/10 no notes)

the seventh, who's THIS MESS

and the eight, who were doing the creepiest thing possible at all times and couldn't even do it properly

the only ones here who came in without dirty laundry were the second and that's why they were easy targets

everyone else was shady af

the best reality show you've ever watched

anyway, see you for the next one when we'll know who wins between one old lyctor and 3 bad bitches (or 4, if yandere twin is still alive, or 5 if regina george twin shows up again)

[not-my-final-account]

I flew back into the cave with my backpack and stepped out of a shadow, it made Robin flinch and that was worth it “Don’t be sad B, you’re nearly as good as him and you don’t have powers.” Red Hood said

“Do you eat human food?” Nightwing asked

“I can.” I said, Nightwing considered that and I realised it might look like I take blood just because I can. “We’ll let me show you to your room,” Nightwing started walking so I followed him.

-

“I know you hate magic users but he’s definitely something supernatural.” I said

“I know.” B grumbled

“He easily followed Dick and Dick clearly was not going easy on him.” Damian said

“Besides.” Tim cut it “He has that walk, like what he’s doing is too slow for him and there would be an easier way to do this, like with Superman and Clark Kent?”

“How long do you think he’s been alive?” I asked, “You know, if he’s a vampire?”

“Old as heck, he was experienced enough to know B wasn’t a vampire and he’s seen Demons.” Tim said

“That is ridiculous.” Damian scoffed

“Murder child is right, demons are rare and living after you’ve seen one is pretty much zero. Their like ghosts but way more common!” I said

“What if he’s not a vampire?” B asked. Silence.

“He was drinking blood.” I said

“And did you see the way he looked in the first few seconds?” Damian asked

“He is better and phasing from shadow to shadow than you! Better at the night than the Batman!” Tim said, B seemed to sulk a little more and I smiled behind my mask “He switched sides of the room without being seen by us!”

“That would take either years of practice- as in hundreds of years or powers. He probably has both.” Damian said

“Just considering all possibilities.” B replied

-

“Thank you!” I said. Nightwing closed the door and I fell down onto the bed in a belly flop, I changed back to my human form then switched back in a few seconds, now that I could do it for ages and even keep it up while knocked out I figured I should. Gotham was a dangerous city (seriously, both new and old ghosts keep coming to me and I have to let them use me to get to the ghost zone) and I should have my powers ready, also I have a whole vampire thing to keep up now.

What else do vampires do? Vlad certainly looks like one, in ghost form at least, that thought made me sigh. Vampires were hated and distrusted but not hunted down on sight like ghosts were, somehow I doubted Gotham would be any different. Besides even if ghosts were kept safe what would people think about a halfa? I was sent here to live not worry! I can’t wait until I can see Sam and Tucker though, oh well. I yawned, you’d think being a halfa meant needing less sleep because ghosts have this weird relatioinship with sleep, but in reality it just meant I got twice as tired because I use both human and ghost things almost constantly.

-

I drank from my thermos and sat on a high outcropping, I watched as a motor cycle roared in and a delicious Red Hood stumbled off. I wasn’t going to go close when I realised the smell was stronger and his eyes were glowing green. He had too much ecto in his system for a human!

I flew down quickly but Jason jumped me, I held him down and bit his neck cleaning his blood from the ecto. Jason thrashed in my grip then calmed down. I know personally that big changes in ecto levels can have effects so I stopped drinking, this was a slowly take more each time kinda thing.

“P-Phantom?” Jason asked, he slumped down and any human would’ve had trouble carrying him. “The pit rage.” Jason said, I’m going to look into this pit

“Don’t worry, you need rest, ecto- pit stuff can be dangerous.” I said, I cleaned the last ecto off my teeth and Red Robin and Nightwing came running

“Jaso- Did You Bite Him!?” Red Robin yelled

“… no.” I said, Nightwing gave me a look and I remembered the news report about which robins were the most violent, the one which showed him beating up some super villain, and handed him his brother.

Part 1 | Part 2 | Part 3 | Part 4

[animentality]

I hate shows like the Boys and Invincible.

Now I fully admit I don't like superhero stuff in general anyway, so deconstructions of the genre wouldn't do much for me, but they in particular irk me because their concepts are lazy.

"what if people had super powers and they were EVIL-?"

they're super villains. why are you calling them heroes at all. this isn't even new.

am I supposed to be stunned that you came to the realization that a super strong guy could (gasp) kill people instead of saving them?

assholes with magic powers have been the antagonists of human stories for as long as humans stories have existed.

it often feels like a grown adult who spent their childhood loving comic books coming to the realization that they're a big boy now, and their super hero stories will have super heroes who use their powers to rape people.

like oh yeah what if superman was an asshole?

then he wouldn't be superman.

he'd be an asshole.

clever. I can do that too, watch.

what if Barney didn't love you?

yeah.

makes you think, right?

[rascalentertainments]

Hey! Finally decided to write out a few questions I had about Wish Granted, so here they are.

⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️

Who’s your head canon voice for WG!Flazino? You may have already said in another post but I couldn’t remember. (UaS!Flazino’s is Milo Manheim, if you’re curious.)

On that note, how do you think WG!Magnifico and Amat would react to Flazino being prince and the biological son of UaS!Manuel and Amaya?

What other Disney movie do you think you drew the most inspiration from, if any?

Do we get to see an actual wish ceremony in the story? If so, when?

Lastly, any hints towards the ending?

⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️

It’s not a lot, but I’m kinda late to the party so most of the good ones have already been asked. Hope you’re doing well <3

HIIIII! I'm so sorry I'm late to this! Been finally designing the villains, and working, so I had to try and make time for this!

I briefly mentioned it in Chapter 1, but that was so long ago, lol. 😆 WG!Flazino is voiced by Josh Keaton! He's actually been in a few Disney projects, including the voice of Young Hercules! Chose him because he has a voice that fits his range of emotion from stressed out, to snarky, to genuinely trying his best. Plus he has a great singing voice. (Also, LOVE your voice for UaS!Flazino!)

2. On one hand, they'd applaud them for getting their Flazino under control with little to no hesitation or resistance. On the other, they're appalled that UaS!Royals even HAD a kid! WG!Magnifico and Amaya don't plan on having heirs, they want to stay in power longer than humanily possible, so they need all the magic they can get.

WG!Amaya would share a few spells that can UaS!Amaya to spy on UaS!Flazino when he's out of sight, or even spy on any possible traitor in the kingdom. (And they'd exchange tea recipes) Their respective pets would get along as well.

UaS!Magnifico would get along GREAT with WG!Mags. They both want the power of a star, and WG!Mags actually succeeded in getting a taste of that power. I can definitely see them going on and on about how hard it is to keep their Flazino's in line. Only, WG!Magnifico would slightly respect UaS!Flazino more for being a royal and not a peasant like WG!Flazino.

3. Hercules, big time! In fact, Wish Granted is part of an homage to the Disney Renaissance movies, where they just had super creative films one after the other! Hercules is actually one of my all time favorite Disney films, and Star's personality and strength is heavily inspired from it! Hell, a LOT of the humor is similar to Hercules, especially in Magnifico! (Plus I have a superhero story in development where is a combination of Wish, Hercules and Superman.)

4. Yes, actually! 😂 I didn't realize I NEVER showed one in the beginning. Oh my gosh, I'm embarrassed….

So it'll be shown during the set up for the finale! Once the royals gather up the people to make 100 wishes, they take in another newcomer to demonstrate their power. (So 101 actually!), it'll basically show what will become of the Hamlet when their wishes are taken. Magnifico plans to just eat them all and kill them on the spot if Asha doesn't give up Star.

5. I'll give you HINTS!!

Thanks so much, @snackara! I'd love to get more questions from you when you have them! They're so fun! 😁

I'll tag you guys in case you want some more lore here! 😉

@oh-shtars @signed-sapphire @chillwildwave @tumblingdownthefoxden

@your-ne1ghbor @ishadow246 @spectator-zee @kenihewa

@uva124 @annymation

[howlingday]

CINDER VS SUPERMAN

as requested by @itsupermanti

--------------------------------------------------

Jaune: So there I was, eating my breakfast of cereal, y'know, the ones with the prizes inside? Except I didn't know there was a prize, and I choked on a ring. After nearly dying, I finally got this cool ring and-

Cinder: Wait, a ring?

Jaune: A ring!

Ring: JAUNE ARC OF REMNANT! YOU HAVE SHOWN YOUR ABILITY TO OVERCOME GREAT FEAR! YOU HAVE BEEN CHOSEN! Congratulations. WELCOME TO THE GREEN LANTURN CORPS~!.

Jaune: Oh, hell yeah, Cinder! Check me out! I finally have useful powers! I got a cool new suit AND I can fly~!

Cinder: Right, so, I like the green, but it does look like you're wearing a onesie.

Jaune: Yeah, I'm not gonna lie, it's SUPER tight on me. (Turns, Ass juicily double caked up) Hey, be honest, does the suit make my ass look fat?

Cinder: Nah, you're good. By the way, do you even know how to use that thing?

Jaune: How hard could it be? It's only the limit of my imagination!

Nora: (Constructed) FIGHT ME!

Cinder: ...Okay, that's pretty cool.

Superman: (Floats down) Okay, you two. That's enough. I'm going to need you to return that ring.

Jaune: Oh, look, Cinder! It's that CHEATER from Death Battle!

Superman: Okay, I didn't cheat and you both know it. Besides, the last fight showed us as friends, remember?

Cinder: SHUT UP! Let us Dragon Ball fans cope!

Superman: The ring. Now.

Jaune: Ring? Oh, you mean THIS ring? (Constructs green sword)

Superman: Okay, we both know that's not going to work.

Jaune: Damn... You right. How about this then?

Godzilla: (Constructed, Squashes Superman)

Jaune: So, how was tha-

Superman: (Dusts self off) I won't lie. That was pretty clever. But seriously, the ring. Please.

Jaune: Say, do you ever cut your hair?

Superman: I'm not asking again.

Jaune: ...Sure. One sec. (Constructs dome) Cinder~! I need you to beat up Superman!

Cinder: FUCKING EXCUSE ME?!

Jaune: Come on, you can do it!

Cinder: Jaune, he KILLED Goku!

Jaune: So? He's weak to magic, remember?

Cinder: Okay, but I... Fuck, that's a good point. Fuck it! Let's kill Superman!

Jaune: I said beat up, but sure. (Turns, Lowers dome) Alright, Superman, get ready to...

Jaune: (Turns) Superman?

Cinder: (Unconscious)

Superman: (Dusts hands)

Jaune: ...

Superman: ...

Jaune: Ah, shi-

Superman: (Knocks Jaune out, Takes ring) Oh, by the way; Jessica says "Hi!" (Flies off)

[puppetwoman17]

Okay, so there’s this Billy Batson post-Injustice fic called A Reason to Fight on AO3, and it’s got me wanting more fics like that.

I mean, there’s so many different ways it could go.

One fic could be where he did die, and we can’t bring him back. The JL are brought back together to take on an otherworldly evil(surprise surprise) and they need the help of the gods to do it. With both conventional and unconventional means, they’re able to be granted passage to Olympus for this one catastrophic emergency(begrudgingly, because the gods sorta hate their guts).

Then they see this one glowing building, separated from the rest. It’s got a lightning bolt on it. Sparks flying around it. Gives off a less imposing vibe. There’s suspicions about what it’s for, but no one feels compelled to ask. Until a leaguer(doesn’t have to be specific, maybe Guy Gardener or Flash or whatevs) gains enough courage to ask what that place is.

The god leading them to Zeus stops dead in their tracks. They don’t speak yet. They turn and look at the leaguer who was dumb enough to ask a grieving god a question like that.

And the god replies: “The Hall of Champions is where every champion goes when they die. They are allowed to spend their afterlife in complete relaxation as the fruits of their labor. They meet others like them and forgo the troubles of their mortal lives.”

The god says that last part bitterly.

The JL immediately knows who’s inside. The building just speaks Marvel. That same stupid league member asks if they can go inside. If they can speak to one of them, no one in particular(everyone knows they’re lying, but the guilt is just too much).

The god laughs. Actually just laughs right there, in front of a bunch of mortals and super powered people who dare to think they can come anywhere near the former Champion of Magic.

The god tells them: “We granted him his wish of being part of a team because we thought it would help him through such trying times. We thought he finally had others who would look after him, something we may not always be able to do. We thought he would finally, after all these years, have something akin to family.

“And just like that, those hopes and dreams were taken away, all because our champion finally saw the light again. If you go so much as a foot closer to him, the gods of Olympus will show you the same mercy you showed your so-called teammate.”

Lol, that’s as far as I’ve gotten.

Another fic could be where he actually didn’t die, like in A Reason to Fight. He comes back to life after recharging just like in A Reason to Fight. But this time, there’s a change.

He doesn’t make himself known. He changes his identity and stays under the league radar. He doesn’t transform into Cap, but he secretly helps the people of Fawcett with his powers because BILLY was chosen, not the avatar itself.

Dunno how to go about the next part. That all depends on the plot, what characters are still alive and still dead. The timeline of when exactly he comes back and how long he stays incognito.

But somehow, someway, the League becomes aware that Marvel, that Billy, is alive. They rush to see him after (however) long. They see him alive and well…

And he’s just disgusted. Heartbroken. Scared. Angry. Tells them to f*ck off and find some other kid’s dreams to destroy. Tells them to never contact him unless it’s for business that requires the Champion’s reputation. Because despite everything, he still takes his job as Champion very seriously. Because he thought he could finally trust these adults, and they turned their backs on him.

He especially hates Superman for the looks of guilt he gives him. Just wants to punch him in the face. Same with Diana. Same with Lantern. Same with Flash and Cy. Maybe not Batman, but even association can hurt.

Again, idk where this one might go, or how the plot is or whatever, but I need more post-Injustice fics on Billy Batson damnit!

[gaykarstaagforever]

1969

Jim Shooter wrote this, so it is significantly less idiotic than most of these.

That said...

Most of the plot - Superman and the Flash having amnesia and thinking each is the other one - hinges on the fact that they are identical men, except with different hair. Which seems implausible, since one is a magical alien with super-strength from the Sun, and the other is a nerd who was near exploding go-fast chemicals. But I guess it at least acknowledges how DC artists could only draw one muscley man over and over again in different skin-tight unitards. Fair enough, Jim.

We also get the weirdest random explanation for where Superman stores his Clark Kent clothes:

Clark Kent and Barry Allen spend most of the story running back and forth from Central City to Metropolis, desperately trying to find each-other to figure out what the hell is happening. Barry uses makeup to look like Clark Kent and gets almost-fired by Perry White for being bad at reporting on weddings. Because while this comic takes time to remind us Barry is a "police scientist," Perry also says he writes like a child.

Which...I mean, seems kind of rude to me, especially coming from someone who writes superhero comics for 8 year olds for a living. But I don't solve murders with science. So if you do, please confirm if you and your colleagues don't know how to write.

Eventually, Clark and Barry accidentally meet clandestinely on a Metropolis park bench. But Barry is dressed like Raphael from the Ninja Turtles, so they still don't figure it out:

...Why does this look like something someone drew from a picture they took from a bush? Is that just me? That might just be me.

This, however, is 100% exactly what it looks like:

They finally meet in an abandoned train tunnel and figure out each is the other, and trade clothes.

So it is canon in DC comics that Clark Kent and Barry Allen have been nude together in a train station, at least once. And then traded underpants.

Clark suddenly remembers what happened to them (possibly from the shock of being naked with Barry Allen; the comic breezes over this). There is giant space seed flying towards Earth, carrying the spore of a monster space plant that will grow to consume all life. Superman saw it and summoned the JLA to help him, but only the Flash showed up, because "Green Lantern is off helping Hawkman," and...I guess Jim forgot who else was in the JLA at the time.

Good on Barry for showing up, but how exactly is he going to help Superman stop a threat that is still in Space?

Answer: he is not. But Superman came up with a plan where he and Barry changed outfits to confuse the space seed (yes, really), and then Barry put on a helmet and Clark flew them both into it.

...At which point he suddenly realized it had kryptonite in it. He and Barry fell to Earth, unharmed but with amnesia.

But now that they're inexplicably cured by re-switching pants, it is time to hurry up and actually stop the space seed. Superman draws Barry a helpful diagram of his plan:

...Thanks, Kal-El. Totally worth the time it took to do that.

Assuming, like me, you have no goddamn idea what his plan is, think of the absolute dumbest way Superman could save the Earth from a giant kernel of space-corn. And that is exactly what he does:

He temporarily stops the Earth by making the ground really hard (specifically in Brazil, for some reason), and then repeatedly doing flying elbow drops onto it. Which, I won't lie, is exactly the awesome way all problems would be solved if we lived in a better universe where wrestling was real, and wrestlers were Superman.

...I still assume this probably killed at least a few people. Or fish, at least, on the daylight side where the Sun suddenly boiled an entire ocean.

Also, note how this "new" Superman plan ALSO DIDN'T INVOLVE THE FLASH WHATSOEVER. Except that he came along and narrated it for our benefit, while Superman was repeatedly smashing himself into Brazil.

The story ends with Barry hugging his wife and Clark musing to himself how he and Barry can trust each-other with their secret identities from now on, because their balls sweat into the same Spandex for like a week.

Implying that, what, the members of the JLA go into that WITHOUT knowing who each-other are? I mean, I of course see Batman pulling shit like that. But Wonder Woman and Hawkman barely have secret identities to begin with.

But I guess if Clark and Barry have exactly the same proportions and faces, maybe it doesn't really matter either way.

This issue also features the following ad for jeans:

I don't know if cattle-rustling was still such a huge problem in the West by 1969. But if you are a teen boy keen to take it upon yourself to stop it, I suppose it makes sense you should make sure your butt looks good while doing it.

Also, if you need more cheap plastic armies in your house,

[fae-morrigan]

I Read Bendis So You Don't Have To: The Famed Jon Kent Age Up

Hi! I'm Milas. I've read more Bendis Superman than is probably healthy.

No matter if you liked the age up or not, most fans are in agreement: this run was bad. Pretty dang bad. And I agree- this run is often hard to parse through all the... er, bendisisms, and often mangles what little themes it has through poor storytelling and lackluster use of page real estate. However, I unfortunately have become an expert on this particular story due to how many times I reference it in analysis, and I do not wish my suffering upon anyone else. So, to spare us all from said suffering while writing meta, I encourage Jon fans, from whichever corner of his fandom you come from, to use and link to this series as shorthand if you so need to.

This installment will be going, objectively as possible, beat by beat through the actual events of the famed 2019 Jon Kent age up.

Issues covered are Superman (2018) issues 7-10, as well as briefly covering the events of Super-Sons of Tomorrow (all issues) and The Man of Steel (issue 6).

Before we can get to the actual mainline Superman run where this event occurred, we should real quick go through the events leading up to this.

In Super-Sons of Tomorrow, Jon is confronted by Savior, an evil version of Tim Drake from a future where Jon accidentally causes a massive loss of civilian life via an explosion of his powers. Savior is travelling from back in time to try and prevent this from occurring by killing Jon, therefore stopping the catastrophe. This causes infighting amongst the Teen Titans, even more fighting with people from this alternate future timeline, and concludes with a vote being held to decide if Jon is welcome amongst the Teen Titans. The vote decides no, Jon will not be admitted onto the team.

Though the Teen Titans tell Jon that this is because the events of the book gave them a lot to think about and work out, this is not what Jon takes away from it.

In Man of Steel, Jor-El shows up and invites Jon out to space with him. This is meant to be a journey where Jon will be able to learn things that Clark has "neglected" to teach him, as well as connecting with his Kryptonian heritage.

Clark and Lois are vehemently against this at first. Clark, especially, does not change his mind on this being a bad idea, even after Jon leaves.

However, the reason Jon goes is because, in his own words, he feels like there is something wrong with him.

This is a feeling, that, in text, Jon feels specifically sparked on by the events of Super Sons of Tomorrow. Feeling lost, and like he needs to explore himself, Jon (and Lois, who does not want to leave her son unattended, and intends to write a book about the experience) join Jor El in space.

(I highly do recommend you all read Man of Steel, because it's about as close as Bendis gets to writing genuinely well in this whole collection of books, and I can only screencap so much of the sheer amount of discussion that happens between the three Kents about Jon going on spacecation. Trust me, they didn't just shoo Jon off! They talked about it for what in comic time was AGES.)

This is where we get to issue 7 of Superman, where Jon returns from his vacation... as a seventeen year old.

As Jon himself says, he didn't get aged up magically- He lived those years. So, what actually did happen to him while he was out there? What happened during those six-to-seven years (depending on who you ask)?

First: What happens to make Lois leave?

The House of El suit Clark lends her to keep her safe makes her a target, a target that puts her in active danger (in exact opposition to what Clark intended), and so for her own safety she departs.

Leaving Jon alone with his grandfather. Who, as Jon says, has gone completely insane.

The nature of Jor El's insanity is revealed in the next issue, issue eight, as we reach what I and friends call the Jor El Nihilism Speech:

Jon follows Jor El's line of thinking for most of the conversation- He understands what it feels like to not belong in the story, because that fear of being somehow wrong was what brought him out here in the first place. Jor El, Jon Kent, both men outside of time, outside of belonging. Neither should exist. But Jor El takes it to a conclusion Jon doesn't accept: That it's a hopeless existence.

This makes Jon want to go home. Concluding Jor El has utterly lost it, he decides he needs to make a break for it somehow. Because of how far from Earth they are, he can't just fly off, so he attempts to get some help from some Green Lanterns:

It doesn't go well. At this point, Jor El stops speaking to Jon for awhile, and they spend... an indeterminate amount of time fighting through the galaxy, trying to solve people's problems. While not talking to each other. At all.

But when Jor El finally does try and talk to Jon....

Well. Here's the part you're probably reading this post for:

Yay! Its volcano time! An unexpected black hole throws Jon (and Jor, but we'll get to him later) through dimensions, landing him on Earth-3. At the feet of the Crime Syndicate.

If you're going to read ANY issue for yourself, I recommend it to be this one. The Ultraman stuff is not only perpetually relevant to Jon's story, its LIKELY going to be relevant again when Absolute Power: Super Son releases. Ultraman is the one member of the Syndicate who claims Jon as 'his':

And proceeds to imprison Jon in a volcano. As I am sure all of you know by now. The Volcano.

Ultraman and Jon trade some conversation back and forth, establish who each of them are, before Ultraman tells Jon he is never going home, and that this is home now:

It becomes quickly apparent that due to the lack of sun, Jon has no protection, no way of escape. He tries to fly out, but no dice:

And so stuck he is. For multiple years. With nothing but pigs to feed on, stuck with a monster who intends to 'train' him to his full potential:

But eventually, Jon escapes. He takes a rock, bangs a hole in the side of the Volcano, and gets himself out, relying on what little he has left of his invulnerability.

Now is a good time to mention a small misconception I see peddled around a lot: There is actually significant evidence pointing to the idea that Jon did NOT spend all six years in the volcano. After wandering Earth 3 for an indeterminate awhile, going from city to city and stopping to help people along the way, there is a strong suggestion by the way Bendis frames it that this was also years. I'd personally estimate Jon's time on Earth 3 was about half and half- Three ish years of the volcano, three ish years of surviving out in the wild. Anyways, Jon finds his way to the Syndicate's headquarters, encountering an evil version of Lois who tries to attack him. But surprise! Onto issue 9, we finally get to Jon's rescue!

Jor El was also displaced in the multiverse, of course- But we have no idea for how long, where, and what he did during this time. All we know is this: Jon wasn't just thrown across space and time, he was thrown backwards.

I think this is where the source of the most misconceptions come from: Its complicated to grasp! But very simply, the reason why Jon was able to live six years while everyone else stayed the same age was because he wasn't just thrown TO Earth-3, he was thrown backwards as well. Here's a chart I made about a year ago to try and visualize it:

If you're wondering how Jor El found him... we actually don't know. All we know is Jor El apparently made some fucked up arrangements in order to accomplish it.

And that kind of brings us back to the beginning, where Clark and Jon reunite. There are still a lot of unanswered questions, namely how Jor El managed to get Jon back in the first place, but this is essentially the rundown of the age up. So to recap very quickly: 1. No, Jon was not magically aged up. He lived those years. Its spacetime travel, not just space travel. He is mentally 17-18. 2. No, Clois didn't just 'let him go' with no conflict. It was actually a huge argument that ended up also really mentally fucking with Clark in later arcs. He goes to therapy with Khalid Nassour about it! 3. Jor El has a lot more to do with all this than he reasonably should. I could explain why he's alive but it would give us both an aneurysm- Just know in this story, he kind of serves as a foil to Jon.

Now, why did Bendis write the age up? Here's a post by a friend that gets into the metatextual reasons why this was a thing.

[cerealboxlore]

hey so to add on to deaged billy, what if he as captain marvel often says “do good and good will follow” to the league, but as billy he ends up saying “no good deed goes unpunished”

i wanna see the league’s reaction to that

i also want him to have a super emotional scene where he saves someone despite the danger it puts him in and says with a breaking voice “sure no good deed goes unpunished, but it makes a difference. a small difference but a difference”

another thing i want is for when he turns back into marvel (assuming his identity isn’t discovered) that one of the leaguers (i’m imagining hal? idk tho) remarking on how feral he was as a child and marvel responding with the most feral grin to ever grin “who says i ever stopped?” and then switching back immediately to his normal marvellous self

I apologize for not getting to this ask soon enough, but wowie it has been dancing a real show stopping number in my brain cells for some time now.

First of all, I absolutely adore the "no good deed goes unpunished" motto for Billy as himself, seeing as when he is not Captain Marvel, he is more vulnerable to the truths and dangers of the world, and his experience in it has molded him into the pure of heart, yet bitter, child, he is today. Billy believes in the best in people and believes in doing good for others, but he doesn't believe in himself (to be worthy or deserving of anything good in return).

And I can totally see a scene happening where Billy continues to stand up against major threats and villains, despite only being in his mortal form with no magic or strength to him.

Maybe he's in Metropolis when a magical disturbance problem happens, and knowing Lex Luthor, he'd take advantage of a situation to take down superman with something he isn't good against. Lois Lane could be in danger while Superman is busy fighting a magical foe that Billy can't fight for once due to his inability to transform back into Captain Marvel, and seeing her about to get hurt pushes Billy to help her. He pushes her out of harms way but in doing so, leaves himself vulnerable to an attack and gets himself blasted across the room, injuring his tiny mortal self.

The pain is immense. It's worst than anything uncle Ebeneezer or muggers would make him feel. He knows that he's bleeding, he knows that his ribs cracked and heard his bones snap, but he refuses to lay down. Billy Batson may not have the powers of Captain Marvel at the moment, but Billy Batson, has the courage of Billy Batson.

He willingly stands up for what he believes in and is willing to fall for it, too. He doesn't care what others think, he just cares if they are safe.

Gosh, Imagine Billy Batson standing up to fist fight Lex Luthor. Small child gonna be roasting him for being bald and having an inferiority complex, haha. Or just kick him in the groin and run away 🏃‍♂️

As for the last thing you mentioned with Billy being a feral child, both in his mortal form and champion form, I love it. I am here for Billy being feral 24/7.

Superman: It's good to have you back as yourself, Captain. I have to say though, it was strange seeing you as the child you were. You were...how do I say this...

Hal: Feral. Rabid. An ungodly child who bit plastic man for stealing his doughnut.

Superman: Yes. What he said. If you don't mind me asking, what happened to you as a child that encouraged such good behavior and manners that we see in you in the present??

Hal: Pft, yeah, I think spooky wouldn't mind some advice on how to become a tame boy scout for his own herd of feral kids.

Captain Marvel, smirking: Well, hold on. You're assuming I stopped. I never said I did.

With the spirit of Billy in him, he gives them a wink with a cheeky smile, warning them of what was to come if he ever felt like it.

Feral Billy showing up in his Captain Marvel form reminded me of this fic on AO3, where Captain Marvel plays a prank on his coworkers about telling them his real age, then when they freaked out, said it was April Fool's. Cyborg knew though. Cyborg suffered in knowing the truth.

I'll reblog this with the link to the fic when I find it! I think you'd like it (if you haven't already read it).

[alpaca-clouds]

Why is it so hard to deconstruct Magical Girls?

As some might have noticed, I have recently been rewatching a lot of old anime from my teen days. And something I cannot help but think about while doing this is: "Why is it seemingly so hard to deconstruct the magical girl genre?" Because here is the thing: I know several attempts at genre deconstruction for this specific genre... But none of them are actually what I would count as a genre deconstruction.

Basically, deconstruction of a genre usually means that a genre is played straight. Like, you take the usual tropes of a genre and play them straight or with some sense of realism. Which we have plenty of in a variety of genre. I mean, with the rise of the superhero stuff over in the west, we have a ton of superhero deconstructions (like The Boys or Invincible), that mostly go for the most obvious issue with superheroes: "What if Superman was evil?" While also dealing with some other stuff, like how superheroes might be organized and controlled, how this would work with capitalism and so on and so forth. Now, a lot of folks are bored with "Superman, but evil", but yes, it is a very clear deconstruction.

In anime/manga we also have a ton of deconstruction going on. I mean, by now it should be fairly clear: Yeah, my original fandom obsession was Digimon Tamers, which basically deconstructs the first two seasons in many regards. And when it comes to the monster taming genre, there is also Narutaru, which is a deconstruction of the genre. And I might talk about Narutaru on another day.

There is also a ton of really great Mecha genre deconstructions - though ironically speaking, I feel like most of the Mecha genre is already deconstructing itself. When your biggest franchise (Gundam) in a genre frequently is build around the premise of: "You do realize, that this is about child soldiers, right? RIGHT?!" then maybe deconstructing the genre is not that hard.

But somehow... magical girls are different.

Like, there is a variety of shows that are kinda attempting to deconstruct the genre, but... Well, if you look on TV Tropes for the Genre Deconstruction Trope, it explicitly calls out that a Genre Deconstruction is "playing the tropes of the genre straight and more realistic", and it is explicitly not "some tropes of the genre, but darker and edgier".

And here is the thing: Most of what I know as Magical Girl Deconstructions, is actually "darker and edgier", not a straight up deconstruction of the genre. Which is not to say that they are bad! Hell no! I enjoy most of them. But they are not deconstructions.

Let me go over the three that left the biggest impact on me. Though first maybe we should define what makes Magical Girls?

I mean, the genre has changed a whole lot ever since Sailor Moon appeared on the scene. And maybe that in itself is a thing, because in some regards Sailor Moon - like Gundam - was fairly good at deconstructing itself. Never the less, I will go with the ideas that have been prevelent in the genre since Sailor Moon, even though there was magical girl media before it, that worked by different rules.

One or more girls usually between 12 and 17 years of age get a magical power to transform into super heroines.

The story usually is set in the real world.

Usually they will draw those powers over some sort of mascot character or multiple characters.

The shows usually mainly exist to promote merchandise, which is why the magical girls will usually have a ton of magic items and weaponry.

Almost always there is gonna be some fetch- or collect-quest involved for powering up those items.

The power of friendship!

Romance might or might not play a role, but it will always be secondary to the aforementioned power of friendship.

Usually the magical girls will fight "monsters of the week", that often are normal everyday things that get filled with evil magic by the villains.

The villains often are some sort of otherworldly empire, that has come to earth to either take over or collect items of some sort.

My Otome: Now, some people say that MyHiME is also a Magical Girl Deconstruction, with which I absolutely do not agree, where the fuck are my cute costumes and transformation sequences? MyHiME if anything to me reads like a monster tamer deconstruction, really. But MyOtome? MyOtome is a Magical Girl Something for sure. But... Well, it does not really deconstruct the genre, does it? This already starts with the story being set in a different world from ours, and with the girls not really being "chosen", but the setting being a school for magical girls. While some of the first half of the show does play with some of the typical tropes (monster of the week and such), the story fairly quickly goes to deep into the politics of its fictional world and the war story. While yes, technically you absolutely can argue that magical girls are in fact also child soldiers... They are not usually soldiers in a literal war, and the entire fantasy politics stuff - while I absolutely loved it - does not really feel like a real deconstruction. Instead it feels more like a fantasy war story, that you also put magical girls into. Yes, those magical girls behave a lot more like realistic teens, but that does not make it a deconstruction.

Uta~Kata: Alright, let me talk about my favorite of these, despite me being rather disturbed at some of the fanservice considering the girls are like 13. In Uta~Kata we have one girl, who gets magic powers, which is fine though, as several magical girl shows actually have just one main character. It is also set in the real world. However, this is where it ends. Because... Well, there is no fights. There is no evil. There is no weapons. There is none of the usual tropes. It is basically just deities mindfucking with this one girl to find out something, that I shall not spoil, given that nobody knows this series for some reason. But basically the only deconstruction in it is: "This is a girl with magic powers, and the girl works more like a realistic teenager would." Which... Uhm, yeah, no, does not really make it a deconstruction, does it?

Madoka Magica: Madoka is probably the one really well known Magical Girl deconstruction, but I once again will argue that it does not really qualify much as a deconstruction - because the thing that makes the entire draw of Madoka Magica is that it does not play the tropes straight or realistic, but rather subverts them completely. The entire concept of Madoka Magica is build around the idea that the girls are supposed to die/be corrupted by design, which is a twist on the usual magical girl formular, not a deconstruction. While Madoka Magica is good at playing around with the aesthetics of the genre, the show does not really play any of the tropes straight, but rather puts in completely new tropes in that place. Sure, some of those tropes (teenage girls being moody and this makes them so great for corruption) are kinda based in what the genre offers in itself - but it also does not feel like a straight up deconstruction.

Again, nothing against any of these shows. I love them dearly. I do. I just find it... interesting.

And I am honestly starting to wonder at this: Why is there not a straight up deconstruction of a Magical Girls show? And be it just as a manga or comic or something along the sort.

Sure, the shows above do deconstruct single aspects of the Magical Girl genre, but never the whole thing.

Like, thinking of deconstructions of other genre, there is like a ton of stuff I could see as a deconstruction of the magical girl genre - without actually going into fully subverting it and twisting it around. I mean, especially Uta~Kata and Madoka go more into psychological horror than actually into the deconstruction, right?

Something I would more expect to see in a genre deconstruction would be:

Magical Girls actually running into issues in regards of keeping up performance in school/clubs while also saving the world.

Magical Girls running into issues keeping their identities secret and actually facing consequences because of this.

Yeah, obviously, I also could see "Magical Girl, who gets bullied, uses her powers on the bullies" (or, depending on how harsh you wanna go with this, you could also go for more severe scenarios like: "Magical Girl who gets sexually exploited by a teacher uses her powers against teacher".)

Something in regards to: "Well, what if the power of friendship starts to break?" As well as actually kinda deconstruction the entire "friendship and love" dynamic that Magical Girl stuff does play around with a lot.

Given how prevalent sapphic subtext is within the genre, one could probably also work with that.

The entire merchandise/weapons/item thing is also so ready for deconstruction - something that could go in a variety of directions. Either with how unpractical the actual stuff is, or just how it does hinder plot.

And of course the other prime thing ready for deconstruction: You usually have a fucking alien invasion of some sort in these stories with monsters, and people getting hurt, buildings being destroyed and what not... and nobody from any government gives a shit? No, but really. I would assume that some sort of government would try to get involved here.

There is probably a million other subtropes that one could deconstruct about the genre, but that is some stuff I could think about.

Ironically it would not even need to go fully into horror for that, even though deconstructions will probably always have a slight horror-sensibility about themselves. But... you know. I think if I look at the Magical Girl deconstruction stuff at large (aka the shows that I did not name here), a lot of it is built way too much around shock factor of the violence that one gets shown. And that... is not really interesting deconstruction, right?

Sure, violence can absolutely be a part of deconstruction. And I do not think a proper deconstruction should be anything less than PG13, if not R-Rated. But... Why make it all bloody? Like the main things that one can play straight and realistic, do not need blood. It needs ore like characters being more... batshit.