#Spotlight and Shadows Film

[pebblegalaxy]

Mindful Parenting in the Digital Age: Insights from Digital Lullaby and Spotlight and Shadows by Orchids The International School

In today’s fast-paced digital world, parenting has evolved into a complex landscape where technology and family dynamics intersect in unprecedented ways. With this in mind, Orchids The International School has launched two compelling films, Digital Lullaby and Spotlight and Shadows, as part of their campaign to promote mindful parenting. These films not only highlight the challenges of excessive…

[bemusedlybespectacled]

what's happening with James Somerton right now: a probably-incomplete primer

TW: suicide, including suicide as a threat and a manipulation tactic.

The short version:

James Somerton is a former Youtube essayist who focused entirely on queer history, queer media criticism, and queer issues in general. He is also a flagrant grifter who has made tens of thousands of dollars via fraud, both directly (lying about his finances to beg for money and getting donations for films he never even started making) and indirectly (stealing whole essays and articles and books, reading them out loud verbatim for his videos without indicating they were anything other than his own work, and then using the prestige he gained from using their work to get Patrons and sponsorships).

The story as told James and James apologists was that James attempted to apologize twice, was hounded mercilessly on the internet for weeks, and then, driven to the end of his rope, he posted a suicide note on Twitter, was MIA for several days, and from then on has been avoiding the internet.

The actual story, as revealed yesterday, was that James used two sockpuppet accounts to defend himself and parrot his talking points (again, while publicly claiming to be trying to take responsibility for his actions), using one to try to rebrand the con under a different name and another to deliberately stoke the panic caused by his suicide note. He was not only aware of the pain and anxiety he was causing people, but he encouraged it on one alt while hornyposting about his favorite movies on the other.

He is an unrepentant con artist who successfully used a suicide threat to prevent further interference with future cons. The only reason he was caught is because he is apparently incapable of going more than a couple of weeks without trying to get back in the internet spotlight, allowing people to tie his alts back to him. He lies for fun and profit and he should not be taken seriously, ever.

The long version:

In December 2023, Youtube essayist Hbomberguy (Harry Brewis) put out a four-hour-long video about plagiarism on the internet, and devoted two hours to addressing as much of JS's plagiarism as he could. I strongly recommend watching the entire thing, as the first two hours build on the concepts that he uses later in the video.

He also blew the whistle on James' fraud surrounding Telos, a studio James founded using thousands of dollars of IndieGoGo money that never actually produced any films despite him definitely working on them! Any day now they'll be released! Don't you worry!

A day later, Todd in the Shadows, a guy whose entire thing is music reviews, posted his own video debunking multiple outright lies that James had told about history, especially queer history. A few more days later, The Ace Couple, who run a podcast about asexuality, released an episode detailing how they'd lost $1.5k donating to Telos.

I have put the videos, Twitter threads, Patreon posts, and Reddit posts by other people discussing different aspects of James' fraud under the cut.

Every other time James was caught plagiarizing, prior to Harry's video, he would lie about it. Either he'd have some excuse (easily proven to be a lie) or he'd retreat to his favorite deflection: "I'm just being harassed because I'm gay."

This last lie was one he'd use not only to deflect accusations of plagiarism, but all criticism in general, no matter how trivial. Every time, the critic or someone associated with them would somehow dox him, or harass him, or send him death threats, or threaten to falsely accuse him of sexual assault.

This happened to The Ace Couple (who'd tried to correct him on something extremely acephobic in one of his videos), Jessie Gender (who'd tried to correct him when he claimed that there were no queer content creators on Nebula, given that she and a bunch of other queer creators were definitely on that platform), and the person who first blew the whistle on him stealing from Tinker Belles and Evil Queens by Sean Griffin (who was accused of being behind death threats he'd received, and hounded so harshly they had to leave Twitter).

It is important to note that every time James faced potentially damaging criticism, or even just a threat to his ego, suddenly he would claim to be harassed by people connected to the critic, including threats to his life. There has never been any proof of any threats being directed at him, nor evidence that, if the threats were real, that they are actually from people connected to the critic.

In the original video by Hbomberguy, Harry makes a compelling argument that James brought on a friend of his, Nick, as a co-writer specifically as a shield against accusations of plagiarism. "How dare you accuse me of plagiarism! Nick would NEVER do that!" This is even more apparent given subsequent developments which I will get into.

When evidence started dropping about different aspects of his fraud (not only Harry's video, but Todd in the Shadows' video debunking his misinfo, The Ace Couple's podcast about their experience donating to his fraudulent film studio, and Dan Olson's tweet thread about James' obvious lies about his finances), he went into hiding for two weeks, and then put out the first of two apologies. He then deleted that one and put out another one a few weeks later. And then he immediately deleted that one.

While his first apology was rambling, vague, and dramatic (lots of sniffing/crying), and his second was more measured, thought-out, and totally batshit (lots of hilariously and bizarrely implausible excuses for why he'd done what he'd done), they had roughly the same points:

Not ALL of his stuff was plagiarized! Actually, a lot of it wasn't! No specifics as to what, though!

Most of the stuff that was plagiarized was just a failure to properly cite sources, as he had no idea that putting someone's name in your end credits or video description (without specifying what parts are attributable to that person or disclosing that you are using their words verbatim) is not sufficient credit,

Also, he totally had permission, in some cases, to use their work verbatim prior to publishing the video (this is not true, and is disproven both in Harry's video and his own screenshots);

He definitely didn't commit fraud with Telos and would soon have a good explanation for where the money went! (he did not)

He was going to keep the videos up so that he could either donate the funds from any monetization to the fund Harry had set up for his victims or to "help Nick's portfolio" by showcasing his work;

He lost his best friend (i.e. Nick) over these allegations, who absolutely definitely wasn't a scapegoat, except Nick was also responsible for a lot of the stuff James was being criticized for;

He was going to keep the videos up so he could either donate the advertising proceeds to Harry's fund for his victims (first apology) or to "help Nick's portfolio" by showcasing the work he'd done; and

As a result of this entire ordeal, he had attempted either self-harm or suicide (he merely alluded to "doing something stupid").

Again, his response was to 1) downplay the severity of his actions or flat out ignore allegations against him, 2) come up with ridiculous excuses for his behavior, 3) throw Nick under the bus, and 4) claim to be in mortal danger. As far as I am aware, he has never taken any concrete action to make amends to any person, not even donating money to charity.

This was coupled with some kind of attempt to profit: monetizing his apology videos, closing and then reopening his Patreon right before the monthly charge cycle happened (totally to let people unfollow him, not at all as a grab for that money), creating a new Patreon under a different name, and changing his Twitter and Youtube handles to distance himself from the controversy while gathering new followers.

At one point (I forget if this was on Twitter or Instagram), he also said that someone had broken into his apartment due to the notoriety he'd received from Harry's video. I believe that was after his first apology, when people started to point out that he'd just changed the name of his Twitter and Youtube channel and had restarted a new Patreon under a pseudonym. (BTW, the pseudonym he used for his new Patreon was "The Gay Raconteur"; this will be important later).

It had what I think was the desired effect: any attempt at pointing out that he was rebranding his grift now came across as weirdly fixated on minor things he was doing, which certainly wasn't worth putting him in physical danger. (Again, he has never provided any proof of this happening, nor provided any evidence that these people allegedly threatening him were, in fact, in some way inspired by Hbomb).

So along comes March 5, 2024, and James posts a suicide note on his Twitter, saying that he is going to set up his videos to automatically publish (for Nick's portfolio), provide in some way for the ad revenue to go to a suicide prevention nonprofit, and then kill himself.

The immediate response from the internet was compassion and totally chilling any further criticism, since you might be callously criticizing a dead person. Harry and Kat worked for a couple of days to get a wellness check for him while a substantial section of the internet called them murderers.

On March 6, a day after the note was published, Nick tweeted that that he had cause to believe James was fine. Kat confirmed that James was safe on March 11. Due to the drama of the "suicide attempt," however, the chill on criticizing James stayed in place for months.

And then yesterday Lady Emily, one of the cowriters for Sarah Z., drops two more bombs:

James has not one but two alt accounts that he was using to rebrand and start over.

The first one was created between his first and second apologies, and originally was for "The Gay Raconteur" until he changed it to "Will"/"thatgayyouknow" and, later, "The Achillean Boy."

The second one was much older, under the pseudonym "Mikey JB," and used stolen pictures from Grindr instead of his own face. However, it is pretty obvious that it is, in fact, a sockpuppet account and not just some other person who happens to like James, as detailed below.

Both accounts, both between apologies and after his "suicide," talked about how criticism of James was unfair because the plagiarized stuff was "like a decade old" and repeating the same excuses that James had also made.

The "Mikey JB" account not only supported James, but actively threw Nick under the bus, saying that a criticized part of a video "reeks of his co-writer."

On March 6, the day after James' main Twitter posted the suicide note, The Achillean Boy account was hornyposting about Ryan Phillipe. James didn't even take a day or two off of Twitter. If he had been completely off Twitter for a couple of days, that could have been an indication that he really had hurt himself and was unable to access his phone, or at the very least unaware of the panic. But he wasn't. He was aware of it and did nothing. Actually, no! Worse than nothing!

On the same day (March 6), the Mikey JB account was actively contradicting Nick saying he was okay (they "haven't spoken in months" so there's no way Nick could know if he was alive) and saying that "people like you" i.e. his critics, "drove him to it." Not only did he ignore the panic he'd intentionally created, he actively drove it.

He saw people going emotionally through the wringer over the idea that they might have somehow caused his death, and intentionally made them keep thinking it. He say people calling his critics "murderers" for "driving him to his death," and he joined in.

Why am I explaining all of this? I want to make a couple of things extremely clear, and the context is necessary to my ultimate points, namely:

James Somerton didn't merely "credit people improperly;" he conned his followers out of more money than some people make in a year with the Telos con, while raking in thousands more per month on Patreon and buying expensive equipment, while claiming to be near insolvency and in desperate need of money.

James Somerton has never taken full responsibility for his actions or attempted to make amends. He has only ever tried to dodge responsibility, particularly by throwing Nick under the bus.

Every time he has ever been criticized, for any reason, he has lied about threats to his life to gain sympathy and quell criticism. This is a standard part of his MO. He has done this over and over and over again. At this point, I think if he says the sky is blue, someone should go out and check first before doing anything.

"But BB, what if he really is getting harassed/threatened or really is suicidal?"

So, okay: people who are attempting to manipulate you may use legitimate problems as a tool. It doesn't need to be fake to be effective - in fact, it might be more effective if it it's true. An abusive ex who says "if you leave me, I'll kill myself" and genuinely means it and actually attempts it (and possibly even succeeds!) is a lot harder to leave than someone who says the same thing but is clearly just bluffing, because the threat is real.

My rule of thumb in these cases is to treat the threat like it's real, without caving to the intended manipulation. Whether your ex is lying or telling the truth when they say, "I'll kill myself if you leave me," the appropriate response in both cases is to immediately call a mental health service or supportive family member. If it's fake, it's inconvenient for them; if it's real, you reacted appropriately. Your response needs to be the same regardless.

You don't get back together with them because it's a real threat (presumably you wouldn't do that if you knew it was fake and they were never in any danger), and you don't tell them that they're a piece of shit who should be dead (HOPEFULLY you wouldn't do that if you knew for a fact that they were telling the truth).

In this case, I am extremely confident in saying that he was coldbloodedly lying the entire time and was never once threatened, and certainly not to the degree he claimed to be. But even if he wasn't, that does not and should not change anyone's behavior in terms of holding him accountable.

And I mean actually holding him accountable: making sure he doesn't try to start a new con on new people, continuing to point out that he hasn't paid anyone back for his previous con (so long as it's still true), that sort of thing. It doesn't mean people should tell him he should go die for real or, I don't know, try to get him fired if he gets a job at Tim Horton's or Target or something else that's not fraud. That would be wrong regardless of whether he's actually in danger or not. The point is to avoid being cruel without negotiating with terrorists.

Video sources and links under the cut:

Links:

It's like Breaking Bad, but backwards: a brief history of how Somerton successfully screwed himself Dan Olson's Twitter thread about the financial fraud My Year With James: Todd's post explaining the backstory of his video (Patreon-locked) DJSO#: Dan Olson's breakdown of James' second apology (Patreon-locked) Lady Emily's Twitter threads revealing James' alt accounts, part 1 and part 2

[creatingblackcharacters]

“The Same Place as the Music” Lighting & Color

“Where is the light coming from?” “The same place as the music.” Andrew Lesnie, Cinematographer of LOTR

How & Why It's A Problem

If I had to summarize the frustration I have with this topic in one image, I'd use JeCorey Holder's (queer Black creative!) meme:

Now here's the thing. I'm not saying you have to be a master at lighting. I'm surely not. Hell, I still play around with lighting in my art in ways that aren’t the ‘most realistic’. You can’t ask me the technical explanations behind ‘color theory’ or 'contrast' without me doing some more reading. However… I don’t think anyone needs an art degree to understand this point:

We should be able to SEE your brown skinned Black characters!

I brought this up in my lessons about skin tones and blushing, and it applies with lighting as well. If all of your other characters have focused light and shadows, so should your Black characters.

However, this does NOT mean making them lighter-skinned!!!!

It's not funny nor logical at all to suggest that they somehow can't be seen like your other characters when you’re the one creating the piece. It's like a classic fifth-grade racist joke, “You blend in at night”. Har-de-har.

I was once rudely told to my face (well in the DMs) that a Black character that was completely Europeanized looked like that “because of the [sepia] lighting”. So I'm going to give you all, gracious readers, an example to show that that's not true.

This is Ana Flávia, Afro-Brazilian model! Gaze upon her beauty! Notice how in both of these filters, Ana did not, in fact, turn into a white woman! Because, my friends, that is not how that works! At all!

Here are some other examples of Black people in non-color lighting:

None of these people vanished from the frame just because there was no color. They didn't have to paint on lighter makeup to be captured by the camera. What do they all have in common (in this example)?

Lighting!

Now let’s discuss different ways to think about and potentially try instead!

What I want you all to keep in mind, is that the art you’re painting:

And I know that's silly right, like yeah no shit Ice, we knew that. BUT my point here is don’t be afraid to study photography, theatre, and staging for ideas. They actively work with light! It’s why I share so many images of models; it’s purposeful, focused staging of light with many of these compositions!

Brown-skinned Black people- brown-skinned people in general- GLOW in the light! Our skin reflects environmental light! There’s so much opportunity to play with that, and you can see different examples in those mediums.

Here are a couple articles of lighting in film focused on Black actors.

When lighting a person with dark complexion, the answer is not LIGHTENING THE SKIN, it’s understanding how light reflects off of dark skin.” -Nilah Magruder

Nilah Magruder (Black creator!) has an ENTIRE, thorough and wonderful essay on the topic, far better than I could give! She incorporates the use of cameras, lighting, painting, and more- so rather than be redundant here, I'm going to spotlight (ha see what I did there. It's okay, I know I'm funny) her and her explanation.

Incorporating Blackness in Color/Colorful Lighting

@dsm7 has an excellent and short visual explanation of how picking certain colors will lead to washing out or whitewashing Black characters, and how certain lighting and backgrounds (think the black and white photos on brighter backgrounds) will change the way their skin tone looks.

@nicosbighead has one of my favorite images on here, that shows how many different colors can still be used to convey the image of Blackness. Notice how all those pinks still worked?

@gaksdesigns has a beautiful picture here that I feel utilizes the light in a very minimal yet effective way to show highlights even on a palette that's fully brown.

This article approaches from a lighting perspective via filmmaking, but essentially Sade Ndya suggests instead of increasing the amount of light, change the color/lens of the light based on your character’s skin, as well as for the circumstances of the scene. They'll remain vibrant that way, and you’ll still capture what you need.

I know one way I do this on CSP (I think I’ve mentioned this but I can’t remember) is to use the Add Glow tool with the same or a similar shade of the character’s brown skin tone as a highlight under natural light, or maybe use different colors or filters depending on the sort of light on their skin at the time.

Here’s a reddit about it too, just because I know y’all value Reddit on here, and someone else discussed the topic that both Nilah and Sade discussed.

Is It Intentional?

There are going to be times where you intend for the light to be minimal. Maybe it’s a style choice. That should still show purposeful composition. Here’s an interview with famed Black director Ava Duvernay discussing the intentional darkness on Black actors in the prison scene in the movie Selma. To show that they're both trapped in prison AND that Martin is temporarily low on resolve- it's a part of the story that's being told.

I'm always talking about this: there is a difference between intention (and following through), and neglecting to think about it at all. And neglect isn't what we want, because often we can tell visually when it is- when an artist simply did not think to do it for one versus the rest.

Sidenote, on Youtube in the suggestions after Ava's interview, are also plenty of videos discussing lighting for dark-skin as well- why not take the chance to look?

Conclusion

We do not lack for light! We aren’t flat and lightless when you see us in life. It's actually a pretty awesome part of being brown-skinned. If you’re giving proper, flattering lighting to everyone else, give it to us as well. Study and experiment with ways to highlight brown skin.

You already know what I’m going to say. It’s going to take practice, same as anything else, because it’s the thought that counts, but the action that delivers!

[sarcasticscribbles]

"Statement of Pearl Ainsley, regarding her acting career from the early childhood to present day. Original statement given June 2nd, 2014.

Audio recording by Jonathan Sims, Head Archivist of the Magnus Institute, London. Statement begins." "I started my career when I was two, had my breakout role at seven, and faced my first controversy at 17. My manager, Violette Ainsley, worked tirelessly to build my career. She suggested the name Pearl—it was sweet, innocent, and pretty. She never wanted an Ophelia.

Everyone loves her. To them, Pearl's their best friend; they grew up together and can't fathom life without her. The photos, the videos, the interviews— they adore her. The smoking scandal was Ophelia. Not the perfect little pearl my mum had crafted.

I see her in my reflection, not mirroring my movements but staring back at me with those wistful eyes. On film, I see a lovely girl, but I don’t remember the script, the filming, or the premiere. I'm fading away, longing to become who everyone loves. But I'm just Ophelia."

Ophelia Ainsley, a child actress who grew up in the spotlight under the name Pearl, is slowly feeling increasingly isolated from the persona everyone knows on screen. Trapped in the shadow of a perfect image, she can no longer relate to it.

Make a TMA OC with me 9: Lonely

[fyodere]

actor!dazai au + hate fucking

I hope nobody catch us (but I kinda hope they catch us)

“she wanna go viral . . ?

keep fucking for hours

that pussy got power ”

— P POWER

₍^. .^₎⟆ ── content warnings / tags : nsfw content (mdni), actor!au, dazai is mean, nasty absolutely filthy smut, reader is a new name on acting scene, semi public sex, child star dazai, rivals with benefits, hate fucking, petnames, degradation, dazai is a sadic, unprotected sex, dirt talk, light dom/sub dynamic ♡

﹙ 🔪 ﹚── synopsis : Fighting for a spot on the entertainment industry was rough, but co-staring another film with Dazai was rougher.

Now you’re at the after party, all the paparazzi and interviewers are gone. You can finally relax now. At least, that was what you thought.

“Meet me in the bathroom.” Dazai whispered to you and quickly vanished, you were used to his superstar behavior, but it still annoys you.

You always fight on set and hate each other. What’s up with him now?

﹙ 🧥 ﹚── author's note : OKAY IM SO EXCITED FOR THIS i absolutely loved writing the whole rivals with benefits thing. it’s just too hot. i hope y’all enjoy it <3 my requests are always open so don’t be shy!

. . . ꒰ ꐦ › ﾛ ‹ ꒱

Fighting for a spot on the entertainment industry was rough, but co-staring another film with Osamu Dazai was rougher. For years, you had clawed your way through auditions, rejections, and fleeting moments of success, all in pursuit of that elusive breakthrough role. And just when you thought you had finally made it, fate threw you yet another curveball: co-starring in another film with the enigmatic and notoriously difficult Dazai Osamu.

The after-party buzzed with energy as celebrities mingled, champagne flowed, and laughter filled the air. For you, it was both a relief and a moment of triumph. Landing a role alongside the enigmatic Osamu was a career milestone, but it came with its own set of challenges.

As you sipped your drink, a familiar voice cut through the chatter. It was Dazai, his dark eyes glinting mischievously as he beckoned you with a subtle gesture. You rolled your eyes, accustomed to his dramatic antics. Despite their on-screen chemistry, behind the scenes, you both clashed like oil and water.

Reluctantly, you slipped away from the crowd, your curiosity piqued by Dazai's clandestine summons.

The tension between you and Dazai was palpable from day one of filming. Both of you were fiercely talented and fiercely competitive, each vying for the spotlight in every scene. The set became a battleground of egos, with sparks flying whenever your characters shared the screen.

Now, amidst the glitz and glamour of the after-party, with the paparazzi and interviewers finally gone, you hoped for a moment of respite. But as you leaned against the bar, nursing a cocktail and trying to unwind.

As the night wore on, you found yourself swept up in Dazai's whirlwind scheme, the lines between enemy and ally blurring in the face of ambition. And as you stood on the precipice of this daring venture, you realized that sometimes, the greatest battles were fought not on the silver screen, but behind the scenes, in the shadows where dreams and egos collided.

Dazai was a star since childhood. After starring in a movie at the age of 5, his career was an unstoppable ascent with no contenders. Every role, every appearance, no matter how small, made the project take off. Having Osamu in a project was synonymous with success.

At least, it was until he turned 15.

At 15, Dazai found himself on a thin line brought about by the consequences of fame. Surrounded by a world of drinks and nighttime dangers, Dazai felt embraced by the dark side of fame.

At 18, Osamu stepped away from his acting career. He needed a break from the spotlight and to clean himself from all the vices he had started in his adolescence. The media portrayed him as a comet in eruption disguised as a shooting star—if the media didn't want Dazai Osamu, then it wouldn't have him. Dazai distanced himself from screens and public scrutiny.

Now, at 22, Osamu was preparing for his comeback to the prestigious world of cinema, and when the cast was announced, people were stunned. Dazai's return after 4 years away from the stage. The return was so sudden that the media had no choice but to remind the public of Dazai's difficult phase.

His return was in a minor role in a drama film, the same film where you were one of the stars. You're a model represented by Fyodor Dostoevsky who landed this role by chance. It was a simple equation: good agents, beauty, charisma, and connections. There was no way your career could go wrong.

Despite the glitz and glamour of the entertainment industry, the atmosphere on set was anything but glamorous. From the moment filming began, it was clear that the animosity between you and Dazai was more than just a clash of egos—it was a full-blown feud.

Every interaction was laced with tension, each scene a battle for dominance. Behind the camera, snide remarks and passive-aggressive jabs were exchanged with alarming frequency, as you and Dazai vied for control of the spotlight.

But as the days turned into weeks, a begrudging respect began to simmer beneath the surface. Despite your mutual disdain, there was no denying the undeniable chemistry that crackled between you on screen. And as much as you hated to admit it, Dazai's talent was matched only by your own.

Yet, even as you grudgingly acknowledged each other's skill, the bitterness between you remained palpable. Every success felt like a personal affront, every compliment a thinly veiled insult. And as the pressure mounted, so too did the intensity of your rivalry.

But amidst the chaos and conflict, a glimmer of opportunity emerged. As filming progressed, it became increasingly clear that the success of the project hinged on your ability to set aside your differences and work together towards a common goal.

And so, begrudgingly, you and Dazai began to cooperate—not out of friendship or camaraderie, but out of sheer necessity. As the stakes grew higher and the deadline loomed closer, you found yourselves reluctantly setting aside your differences in pursuit of a greater good.

But, returning to the premiere of the film you were starring in: the after party was perfect. Only the most renowned people, the most coveted celebrities, all of it without any paparazzi or interviewer to disrupt the moment. That was the perfect opportunity to establish connections with the big names in the media. But, honestly, at that moment, all you wanted was to enjoy good drinks and soak in the energy of the place, having a well-deserved rest.

Navigating the treacherous waters of the entertainment industry had always been a challenge, but nothing could have prepared you for the tumultuous journey that came with co-starring in another film alongside the enigmatic Dazai. The tension between you two was palpable, a constant undercurrent of rivalry and animosity that colored every interaction.

Now, amidst the glittering lights and pulsating energy of the after party, with the paparazzi and interviewers finally gone, you hoped for a moment of respite. A chance to unwind and revel in the success of the film, to bask in the glow of your hard-earned achievements. But fate had other plans.

As you sipped your drink, a familiar voice sliced through the air, pulling you from your reverie. It was Dazai, his words laden with urgency and mystery. "Meet me in the bathroom," he murmured, before disappearing into the crowd. His abrupt departure left you both bewildered and irritated, a perfect encapsulation of your tumultuous relationship.

You and Dazai had always clashed on set, your fiery personalities and fierce ambition fueling a rivalry that bordered on hatred. Every scene was a battleground, every interaction a test of wills. And yet, beneath the surface animosity, there was a begrudging respect—a recognition of each other's talent and determination.

But as you made your way to the designated meeting spot, the backstage area cloaked in shadows and secrecy, you couldn't help but wonder what game Dazai was playing now. What could he possibly want from you?

As you rounded the corner, you found Dazai waiting for you, his expression inscrutable. The air crackled with tension, the weight of unspoken words hanging between you like a veil. And in that moment, you realized that whatever lay ahead, it would be anything but predictable.

You walked to the bathroom concerned. What the hell Dazai would want with you? You hate to admit it, but you’re kind of curious.

“Oh, well.” You said looking at the tall man with brown hair and mysterious eyes. “The demon prodigy want to talk to me. What an honor. Should I thank God for this?” You said with the voice dripping sarcasm as you roll your eyes.

The bathroom was empty and quiet. The place reeked of cigarette smell. Dazai was waiting there with a slight smile on his face. As soon as he saw you, he quickly put out his cigarette and threw the bud to the dumpster.

“Why so nervous?” His tone was taunting. He was leaning against the wall while talking to you.

“Why wouldn’t I?” You retort. “I’m trying to enjoy this after party but, damn, you really want to ruin everything.”

“Ruining it… or making it more interesting?” Dazai crossed his arms and smirked. His tone was still annoying. “Oh, don’t be so dramatic. Like always.” Dazai muttered. You could see he was trying to make you angry.

“I wanted to talk with you in private. Since we’re having another film together. I want to propose something to you, since our reputation is on the line…” He said slowly.

“Our reputation?” You said laughter than you planned. “Oh, please. You’re the one who couldn’t resist to alcohol at 15. You’re the one who fucked up your image to the midia. Don’t put me into your twisted games.”

“Just listen before you go all ‘I hate you!’ On me, I get enough of that from the paparazzi.” Dazai said with a fake laugh.

Dazai stayed silent for a few seconds.

“You know how the rumor mill always says we are both in a relationship?” He sighed. “That’s not a problem to me. In fact, I believe it’s even better for us. I want you to pretend to be my girlfriend and feed the media with the idea that we are dating—“ You abruptly cut him off.

“Oh, don’t even come with this. I get enough bad ideas from my agent. I don’t need even more.”

Dazai's smirk widened at your reaction, his gaze unwavering. "I understand your hesitation, but think about it," he urged, his voice taking on a persuasive tone. "This could be mutually beneficial for both of us. Imagine the headlines, the buzz surrounding our 'relationship.' It would catapult us into the spotlight like never before."

You scoffed, shaking your head in disbelief. "And what about the fallout when the truth inevitably comes out?" you countered, your tone dripping with skepticism. "We'd be crucified by the media, branded as frauds and manipulators. Is that really the kind of attention you want?"

Dazai's expression softened slightly, a hint of vulnerability flickering in his eyes. "I know it's risky," he admitted, his voice quieter now. "But think about what we could achieve together. With our combined talent and charisma, we could dominate the industry. This could be our ticket to the top."

You hesitated, torn between your reservations and the tantalizing prospect of fame and success. The allure of the spotlight was undeniable, but at what cost? Could you really trust Dazai to have your best interests at heart, or was this just another one of his manipulative schemes?

As you weighed your options, the air between you crackled with tension, the silence stretching taut with unspoken possibilities. And in that moment, you knew that whatever decision you made would irrevocably alter the course of your career—and perhaps your life.

For a moment, you considered leaving, quitting the project before it even began, but the thought of walking away from such a high-profile opportunity filled you with dread. Instead, you looked back at Dazai, your expression unreadable. "I guess I have no choice," you said ironically. "If you insist on being such a jerk, I'll play your game. But remember, you're the one who's going to end up regretting this. Just wait until I show my true colors, and the world sees what a fucking asshole you really are."

With those words, You turned your back on Dazai, ignoring his derisive snort as you walked out of the room. You could feel his eyes burning into your back, and for a moment, you wondered if you had made the right decision. But then you reminded herself that you didn't need to like him; you only needed to tolerate him. After all, there was no way you could afford to lose your job over their petty feud.

Osamu couldn't help but smirk as he watched you storm off, your back rigid with anger and defiance. He had never cared about your opinion, but he still found himself curious about your reaction to his antics. There was something about your fierce determination and independence that intrigued him, and he couldn't help but wonder what would happen if you ever decided to fight back against him.

Without thinking, Dazai grabbed you by the arm. “Hey, I’m still talking to you, belladonna.” He smirked. “Don’t think you could run away from me so easily.”

“Huh? Get lost!” You said firmly. “Don’t you dare touch me.” You gnashed your teeth while stepping closer to him, stepping on his foot.

Dazai’s grin widened as he felt your foot press down on his foot. It was clear that you were furious, and he reveled in the knowledge that he had managed to rile you up so quickly.

"Oh, come on, sweetheart. You know you love it when I tease you like this," he said, trying to sound casual. "It's part of my charm." His smile turned mischievous. "Besides, I think I deserve some credit for getting you to stay after all."

“Oh, don’t be so cheeky.” You said while rolling your eyes. He was still holding your arm, like he didn’t want to let you go.

"I am being cheeky, hmm?" Osamu retorted, his voice low and dangerous. "And you know it. Don't play innocent, sweetheart. We both know you secretly enjoy the attention I give you."

"I do not!" You spat, glaring at him. "You are such a jerk."

"Is that so?" Dazai asked, his tone still light and carefree "I am?" Osamu arched an eyebrow. "You really believe that, don't you?" He leaned in close, his breath hot against your ear. "You know you want me to keep doing it, right?"

"Shut up! I hate you, demon prodigy. You know how much I dislike you?” You said stepping on his foot even more heavily. Putting your face close to his.

Osamu laughed, the sound harsh and unpleasant. "So, you say you hate me?" He took a step closer, pressing his body against yours. "Well, I hate you too, sweetheart. But we can't seem to get rid of each other, can we?"

He moved his hand up to cup your face, turning your head so their gazes locked. "But that doesn't mean I can't make your life miserable, does it?" Your faces were to close, a single word could make your lips touch.

The air between you seemed to crackle with tension as Dazai looked into your eyes. His thumb brushed over your lower lip, tracing its outline. "If you don't want me to keep bothering you, then you should tell me to stop. If you do, I'll back off and leave you alone."

“Just shut up.” You said and finally pressed your lips against his.

Your tongues tangled together, Dazai's fingers digging into your hair, pulling your head back slightly. He was rough, demanding, and yet there was something undeniably compelling about the kiss.

As if he couldn't help himself, he deepened the kiss, taking control of the situation completely.

Osamu gripped you tightly, using all his strength to hold you in place. When he pulled away, he let out a loud laugh, a harsh bark of humorless mirth. "See? That wasn't so hard, was it?" Osamu broke away from the kiss, leaving you panting and gasping for air. His breath was hot against your skin, his eyes dark and hungry.

Osamu smirked, the smug expression making your blood boil. “I think you're enjoying it,” he murmured, his voice low and dangerous. “You know what? I'm going to keep doing it until you beg me to stop.”

He grabbed your hands and pulled you above your head, pinning you against the wall. “Now, let's see how long you can last before you give in to my charms, hmm?”

Dazai leaned in again, pressing his body against yours once more. This time, he didn't use his tongue; instead, he bit down hard on your bottom lip.

“Fuck…” You said between heavy breaths.

“Mmm, that's my girl.” Dazai grinned, showing off his teeth. “Keep screaming out your protests, sweetheart. I love it when you fight me like this. Makes it all the more fun.”

With that, he licked at your lower lip, sucking it into his mouth. Then, he released it, only to bite down harder. The pain was intense, almost unbearable, but it also had a strange sort of pleasure attached to it.

Osamu's hand moved to your breast, cupping it through your dress. He squeezed it gently, then twisted it, causing her nipple to pierce through the fabric. The sensation was both excruciating and exquisite.

“A-Ah! Fuck!” You yelled, tears beginning to form in your eyes.

Osamu laughed softly, his smile growing wider. “You're so cute when you get mad,” he said, still holding onto your breast. “But remember, you asked for this, sweetheart. You wanted to play with the big boys, right?”

He released your breast, letting go of it. Instead, he began to run his fingers up and down your spine, making sure to tease you wherever possible. As he did so, he gave you breasts a rough tug, forcing your chest to arch upwards.

“Now, tell me, do you want me to continue or should I stop?” he asked, his tone casual and nonchalant. Osamu knew that he could push you to the breaking point, but he also knew that you would never say no to him.

You were breathless, your heart racing. Your cheeks were flushed, and you couldn't help but feel hot and bothered by his actions. It was clear that he enjoyed tormenting you, and you found yourself wondering if you should just let him have his way with you.

You hesitated for a moment, trying to decide whether or not to answer his question. Finally, you spoke, your voice barely audible over your panting. “... Fuck. Just keep going.”

Osamu nodded, his grin widening even further. “As you wish, my dear,” he said, giving you another hard pinch between your legs. This time, however, he made sure to rub against your thigh, pressing it against your sensitive flesh.

The sensation was incredibly intense, and it left you feeling exposed and vulnerable. But you didn't seem to mind; instead, you moaned softly, your body reacting to the stimulation.

Dazai's hands roamed across your back, tracing every curve and line. His fingers brushed against your skin, leaving trails of heat and desire in their wake. He grabbed hold of your ass, squeezing it tightly, before giving it a sharp smack.

“I'm going to fuck you, dear.” he whispered, his voice low and seductive. “I'm going to make you mine, and I'll never let you go.”

He leaned in close, his lips brushing against hers.

The sensation of his finger pressing against your entrance made you shudder, your skin feeling sensitive and exposed. It was then that you realized just how vulnerable you was in this situation, and it scared you. But for some reason, it was addictive.

Still, you didn't back away from him, even though you knew he had the power to hurt you. Instead, you just looked at him, you eyes wide and pleading.

“Please, Osamu. Please, keep going.”

Osamu chuckled, his amusement evident in the twinkle of his eyes. He leaned back slightly, keeping his finger pressed firmly against your entrance as he glanced up at you.

“You're adorable when you beg, sweetheart. So cute and pathetic. But you know what? You asked for this, so you get exactly what you deserve.”

Without warning, he pulled his finger out of you, leaving you aching and needy.

Osamu chuckled, his smile wicked and predatory. He continued to tease you, gently rubbing your clit and pushing his finger deeper into you tight hole.

“You're such a good girl, aren't you?” he said, his voice dripping with mockery. “So obedient and submissive, like a dog. Always ready to do whatever your master tells you to do. But I bet you haven't ever asked what your master wants, right? I mean, it's only fair to ask before you start serving him, isn't it?”

The moment he pulled out, you whimpered, your body desperate for more. You wanted to cry out, to beg him to continue, but you knew it would only encourage him further. So instead, you just watched him, waiting for his next move.

As he sat up, you noticed something odd about his expression—it was almost as if he was enjoying himself. And yet, there was something cruel about the way he was treating you, something that made you want to run away from him.

But you couldn't leave. Not when he had you trapped in this bathroom.

“Dazai…” you said, your voice trembling slightly. “What do you want from me?”

Osamu laughed again, a harsh sound that echoed through the small space. His gaze never left hers as he spoke.

“I'm doing this because I hate you,” he said simply. “I think you're a terrible actress, and I can't stand the sight of you. Plus, it's fun to see you squirm and beg for mercy.

He reached over and grabbed your arm, pulling you close enough that your bodies were practically touching. He let go of you, however, and stood up, taking a few steps backward.

“Now, come here, belladonna. I want to fuck you until you beg for my cum.”

You sit down on the cold sink of bathroom and spread your legs, waiting for him.

Osamu smirked at your submission, a dark satisfaction curling deep within him. He walked towards you, his every step heavy with purpose and determination. When he finally reached you, he took hold of your hips and began to push your legs apart, making sure you were fully exposed and vulnerable.

He leaned in close, his breath hot against your skin as he whispered in your ear. “You know how much I hate you, right? Well, I hate you even more when you look like this, all pretty and helpless. It makes me feel powerful.”

With that, he released your hips and took hold of your thighs, lifting them off the ground and exposing your cunt completely.

As soon as he lifted your legs, you could feel his hardness pressing against your sensitive flesh. You shivered, feeling the chill of the air on your most intimate parts. Your heart raced, fear coursing through your veins. But still, you didn't try to stop him or fight back. Instead, you waited, your eyes wide and filled with fear and anticipation.

Osamu smirked once more before pushing into your tight, wet entrance. The sensation was intense, almost painful, but he continued to press forward, slowly filling you with his thick member. He gently rocked his hips, causing his cock to rub against your walls in a way that felt both rough and pleasurable.

As he did so, he couldn't help but grind out words against your neck. “Fuck, you're so tight. You'll be begging for my cum soon enough.”

The pressure inside you grew unbearable, but you tried not to let it show. Instead, you bit your lip and tried to focus on something else, anything else. All you could think about was how much you hated him, how much you wanted to make him suffer. But the thought of doing so only made you feel guilty and ashamed.

Osamu moaned softly, his voice low and rumbling against your neck. His hands clenched tightly onto your thighs, keeping your legs raised and exposed as he continued to pound into your with fierce intensity. He was determined to get what he wanted, and he would do whatever it took to make you suffer.

The sound of his moans echoed throughout the bathroom, the only thing breaking the silence besides their heavy breathing. Despite the fact that he was clearly enjoying himself, there was no love or affection in his actions; rather, it was all fueled by anger and hatred.

The tension in the room was palpable, and you found yourself unable to move or speak. You could feel his cock throbbing inside you, and every time he moved, it caused your insides to writhe and protest. The thought of having sex with someone you hated so much was sickening, but at this point, you had no choice but to endure it.

You tried to bite down on your own lip, hoping to muffle some of the sounds of discomfort that were escaping your mouth. But it was no use; your moans were too loud and too frequent for you to keep quiet. And even though you knew that he would only use it against you later, you couldn't help but give in to the pleasure, however small it may be.

Osamu groaned out loud, his voice rough and strained as he felt his orgasm approaching. It was almost painful, the way he had to force himself to continue moving. But he wouldn't stop until he had finished, and when he finally did, he collapsed on top of you, his weight crushing you against the bathroom sink.

He pulled out of her with a grunt, his eyes still closed as he tried to catch his breath. Then, without warning, he reached up and grabbed your chin, forcing you to look at him. When you opened your mouth to say something, he cut her off with a harsh glare.

"You think you can get away with your little tricks?" he growled, his tone dark and threatening. "Well, guess again."

He felt his climax approaching, so he released all inside of you, and as soon as you left, Dazai let out a sigh, his face twisting into a scowl. "Fucking hell," he muttered under his breath. "Why does she have to be so difficult? It's like pulling teeth to get anything out of her. This is going to be a nightmare." He plopped down on the couch, rubbing his temples in frustration. "I swear, sometimes I wish I could just strangle her and be done with it."

[lovelytsunoda]

shadows of the night | oscar piastri

summary: hiding in self-imposed exile after very publicly trashing bill skarsgaard's 'the crow' remake, horror final girl casper coolidge chances finding love, and returning to the spotlight

pairing: oscar piastri x horror final girl! reader

fc: kathryn newton

reader goes by the screen name of casper coolidge, but is referred to as y/n multiple times throughout the fic.

caspercooldige

liked by colesprouse, lianaliberato, jamieleecurtis and 3,871 others

caspercoolidge the void is calling, I must go

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FOUR MONTHS LATER

WHATEVER HAPPENED TO CASPER COOLIDGE?

Four months ago, Horror final girl Casper Coolidge published a series of tweets criticizing the summer blockbuster remake of Alex Proyas and Brandon Lee’s 1994 film ‘The Crow’. Following an internet backlash that we won’t deign to publish, Coolidge, who’s real name is YN YLN, posted a series of behind the scenes pictures from her recent films with the caption ‘the void is calling, I must go’. The actress has not been heard from since.

Famous for her roles in ‘Freaky’ and ‘Lisa Frankenstein’, the actress got her start as a teenager in the small-screen adaptation of Liane Moriarty’s ‘Big Little Lies’, for which she was credited under her real name. Coolidge only adopted her screen moniker after fully embracing her change to the horror genre.

mclarenracing just posted!!

liked by oscarpiastri, landonorris and 5,071 others

mclarenracing it’s always a good time in the grand ol’ us of a

see all comments

user HOLY FUCK IS THAT CASPER COOLIDGE

user listen I know mclaren had an awesome weekend but all I can see here is my missing scream queen

user casper being a mclaren fan is information I never knew I needed

oscarpiastri posted to his story!

Oscar Piastri on Two Girls One Formula, talking about his favourite films

caspercoolidge just added to her story!

caspercoolidge just made a post!!

liked by oscarpiastri, lizasoberano, landonorris and 4,000 others

caspercoolidge fall 2024 ft sidney and the boyfriend. still haven't seen the crow, probably won't. looking forward to getting back tot he big screen <3

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lizasoberano thank god, i thought i was going to have to keep him a secret forever. i'm happy to see you happy again :)

user shes got a boyfrienddddd and its oscar mf piastriiiii

-> user are we napping on the highway tonight queen?

oscarpiastri happy spooky season, my morticia

-> caspercoolidge happy spooky season, my gomez

landonorris i want a role in your next movie!

-> caspercoolidge as the first victim? (jk lan, i love you dearly)

user WAR IS OVER

colesprouse welcome back yn!

[essycogany]

Small Things Can Make Big Differences 🩷

Hi, Fans Of Amy Rose!

This is my opinion and we don’t know what could happen between now and Sonic Movie 3. Anyone can disagree. I’m 100% fine with that and this isn’t going to tarnish my enjoyment of the film at all, but I’ve got to get this off my chest. I’d love to see Amy Rose in Sonic Movie 3 and would be disappointed if she wasn’t in it. Yeah, she’d probably not have a HUGE role or time to develop as much. I get it, but at the same time, I personally don’t think we should shy away from characters having small arcs.

Tails had one in Sonic Movie 2 and I wouldn’t say the movie would’ve been better without him. I don’t think we should have to justify a main character like Amy who’s existed before KNUCKLES (and debatably Tails) being in a movie about her own franchise. We shouldn’t have to wait a whole year for it either. Stuff takes time sure, but other movies with Pokémon, the Avengers, Mario, My Little Pony G4, Teenage Mutant Ninja Turtles, and many others did it and did it well for the most part. Most of these have tons of characters that they wasn’t afraid to show in one movie. Characters with smaller roles still impacted the movies and in a memorable way too. We shouldn’t be so timid in bringing Sonic characters in Sonic movies. They’re just as marketable as these other franchises. The successes of the Sonic trilogies proved that.

Without Amy or other characters it doesn’t feel as full as it could be. Not saying we should’ve got all of them from the get go but a little more would be nice.

I’m saying this respectfully but that doesn’t make sense especially if we have enough time to flesh out the human core characters/side characters who aren’t even part of the main franchise and not the ones most audiences came to see in the first place. I’m neutral and understand both critiques and defenses so you can decide where to go to on that.

Back to before, you don’t need long drawn out character development in order to be written well. Tails turned out fine despite his small role. Heck, Amy’s roles in the GAMES were usually small but not less impactful because of it. Amy practically helped save the entire world with her “small roles” and one for an emotional and impactful moment with Shadow. Even small things can make big differences and that’s one lesson you can learn from Amy.

Amy’s interactions with Gamma in SA1 impacted the robot to the point of him sacrificing himself to free a Bird he needed to stay alive.

Amy believed in Sonic when the whole world (or Silver) was against him in Sonic 06.

Amy showed kindness to Sonic as the Werehog and gave her closest friend encouragement. She still loved him regardless of how he looked.

There’s more examples, but these are the most well known. Do you notice how most of them were small actions or small moments of development in small roles. And still managed to make Amy a wonderful character while impacting the stories?

I’ll also just show this too.

Also, don’t worry about her stealing time from Shadow. The film’s called Sonic Movie 3 not Shadow The Hedgehog. He can share the spotlight. Knuckles did in SM2. There’s no excuse in my opinion.

The movie doesn’t have to have Amy and wouldn’t be worse without her, but I think we shouldn’t overlook her importance to the franchise even if what she does is small. Or feel bad for being more aware of what little we get in these movies. It’s okay to admit certain flaws. Nothing’s perfect and not above criticism as long as we’re respectful about it. And for the kiddies who would like to see a cartoony animal girl character for the first time in these films, Amy would be a fantastic way to start.

Amy debuting in Sonic 3 and interacting with the boys would be a lovely way of establishing that close connection between the core four of the franchise. They’d literally have the definition of love at their sides. Again, small changes can make big differences. That’s all I have to say. Now I’m going to continue to be excited for the 3rd Sonic movie.

[felassan]

Neve's outfit just has such a great design!! the silhouette it has - iconic, delightfully Tevene. Neve's piece really reminds me of the feel and vibe of her DA: The Missing cover. In the background are the towers and streets of Minrathous, the city that is her home - including the iconic floating castle. with its white/pale blue light, shimmer and the impression of ice crystals the magic she is casting has, it looks like she's using one of her ice mage abilities. It's cool, even the chair she is sitting on has that diamond, rhombus (not sure if I'm describing this right, but hopefully you know what I mean ^^) kinda design Tevinter things tend to have. you can see it in like their doorways and windows and stuff. I love the unique design of her staff/wand, and in this painting it reminds me of a cane. as in like, you know, didn't Sherlock Holmes sometimes carry a stick or cane? like Hercule Poirot? that kind of vibe. fitting for a detective and private investigator. :) in one of the past trailers they talked about "hard-boiled detective stories", which on reflection now I feel can surely only be in reference to Neve! a lil touch of film noir.

In the background, spotlighted (as if by one of the spotlights from the floating castle) against the wall and looming over her, is the ominous shadow of another person, or entity. the staff they carry implies they are a mage. A random Venatori? A Venatori leader? she has had dealings with them in the past, they don't like her and in the gameplay reveal we can see that they basically want to kill her and her allies; as someone affiliated with the Shadow Dragons, she's opposed to them. this could represent that opposition (Venatori/Neve) and the threat that they pose.

there's something off-looking about the shadow though - Tevinter magisters and Venatori etc wearing robes and getups that give them startling outlines is nothing new, but still. their arms are too long (unsettling), and the one without the staff, though it could just be the fancy trailing sleeves and embellishments on the person's robe itself, is drawn in such a way as to resemble a claw or talon. something demonic-y. their arms are all spiky, the waist over-narrow and waspish. A corrupt[ed] magister? An ancient magister? A demon? some combination thereof? ^^ There is something about it which reminds me of the designs of figures like the Architect and Cory, and they were not the only members of their group. the demonic vibe and recent Venatori plot stuff in general also makes me think of the trapped demon sealed in the Catacombs beneath the city of Minrathous, as detailed in The Streets of Minrathous in Tevinter Nights, in which Neve appears. in that short, she prevents the Venatori from releasing the demon, but it's not dead or defeated. Also, the way in which it was described in that short was 😀 extremely worrying. whatever it is, it feels like Neve's art piece is giving a glimpse at what her storyline in the game might involve.

[source]

[theemporium]

Could you maybe write something with Carlos and his wife who's shy and more quiet despite working for the social media team of Ferrari and when fans get a bit handsy Carlos steps in when he notices her discomfort?

thank you for requesting!🫶🏽

.

You always preferred to stay behind the camera.

It had always been the case, even since you were a kid. You were shy, a little introverted. You didn’t like it at home when your parents tried to film a few home videos, you didn’t like it at school, you just didn’t really like it at all.

Your fascination came from being behind the camera. In being the one to capture all the moments around you so you could share it with the world. And with a growing love for motorsports ever since you were a young girl, it only made sense that your career and line of work would follow your dreams.

You joined the Scuderia Ferrari team the same year Carlos Sainz was signed on as their new driver, and it felt like fate that you two crossed paths.

It was difficult not to fall for the Spaniard. He lived true to his name and you were practically wrapped around his finger after you two first spoke. Carlos was sweet and kind and romantic, and despite having his undivided attention, you never felt like you were under a spotlight like you tended to feel with others.

Carlos always made you feel safe. He helped you grow, just as you did with him. And it was no surprise to anyone that after a few years of dating, Carlos finally put the ring on your finger.

The irony was never lost on you that despite your shy and reserved nature, the man you married ended up being one of the most photographed and sought out people in the world. He was constantly in front of a camera, and you were more than happy to be the one behind it. And all in all, fans were mostly respectful of your wishes to stay in the shadows.

But sometimes that wasn’t always the case.

Monza was a big race for the Ferrari team, one marked on the calendar and anticipated throughout the season. It was their home race. It was where the fans were the wildest, craziest, most passionate. And the boys were at the middle of it all, the hopes for a good race in front of their most loyal fans.

Carlos had one hand perched on your lower back as you made your way towards the paddock entrance. Both your paddock passes were in your hands as Carlos used his free hand to sign as many photos and caps and shirts as he could.

“Careful, mi amor,” Carlos murmured, his arm winding around your waist to keep you upright as more fans flooded your husband.

“You don’t need to rush,” you told him with a soft smile. “We still have another fifteen minutes before the meeting.”

He raised his brows. “Are you sure?”

“They are here for your, Carlos,” you assured him as you squeezed his hand, before letting him step away and give his full attention to the fans.

However, before you could step away from the crowd like you planned to do, an influx of more fans started pushing forwards to try and catch a glimpse of your husband. They were yelling and shoving and you started to feel hands all over you, and it made you want to crawl into yourself.

Your breathing quickened and your eyes darted around the group to try and find an escape, but it was useless. You tried to ignore the way your throat closed up, a sense of panic and dread bubbling inside of you as more people pushed and more hands touched you, and for a second you were concerned you were about to have a breakdown in front of everyone.

“AY! AY! MOVE AWAY, LET HER BREATHE!”

The crowd around you started to dissipate and soon enough the sight of your husband was no longer obstructed. Carlos quickly moved towards you, his hands cupping your face the second he was close enough.

“Mi amor,” he murmured breathlessly before he wound an arm around your shoulder protectively and began to guide you away from the crowds.

“Carlos,” you murmured as you sunk into his embrace. “The fans—”

“Can wait,” he finished for you. “I’ll go back later. You’re my priority.”

Your cheeks flushed. “I’m sorry.”

He paused, looking down at you with a frown on his face. “Do not apologise, amor,” he murmured with a shake of his head. “You’re my wife, you’re my world. Nothing will ever be important to me as you are.”

Your lips twitched. “Many years later and you still make me swoon, Mr Sainz.”

“I like to remind you why you said I do, Mrs Sainz,” he replied with a cheeky grin as he pressed a kiss to the top of your head before guiding you towards the Ferrari motorhome where you’d be safe from the onslaught of crowds.

.

[selineram3421]

*lies awake at night and has an idea*

[Its 4 a.m. by the way.]

Other Worldly

Prologue

Alastor X Shy Reader

(Oneshot turned short story)

Warnings? ⚠

⚠ selectively mute reader, mentions of death-drowning, shaking head = no, signing-ASL ⚠

They were an oddity.

How could such a meek and bashful thing like them end up in this fiery inferno.

Alastor watched from the bar as they bumped into the check-in counter and squeaked before getting off balance and falling.

Clumsy, jumpy, barely making a sound other than some odd squeaks.

Yes, they were quite the wonder.

An entertaining one.

❇

You were somewhat new to Hell. At least two weeks in.

There was an accident where you worked in the aquarium and well..you kinda caused a mass drowning? It sounds impossible but it happened.

It was very challenging to get up after your fall, but you managed and wound up at the hotel.

With the help of the Princess, you were able to figure out what kind of demon you are. It came with pros but it also came with cons. One con being that you couldn't speak unless you wanted to hypnotize someone.

It made you a little sad, but also relieved. You didn't do well around others, too shy to speak up or get involved with anything that put you in the spotlight.

Maybe it was for the best.

There would be one thing you wouldn't give up though.

❇

Alastor was in the hotel's library.

There wasn't a whole lot of demons coming into this room, especially after some guests saw him walk in here a few times.

It didn't matter. At least there were multiple things that could entertain him. A small music room with instruments, projectors in another with film reels and other types of tapes, and the most dazzling room of all was the astronomy room.

The Princess made sure to have this room's dome ceiling painted with an accurate mural of the Earth's night sky.

Deciding to mess with the trinkets on the shelves, the demon in red walked towards the back of the room and glanced at the star charts. Tapping at some of the books and measuring tools on the desk nearby before sitting down on a chair.

No one ventured this far into the library. He was probably the only demon who knew of this room's existence.

And then he heard something.

Someone had entered the room.

Turning around and looking between the shelves, Alastor spots the timid demon that he enjoys flustering so much near the armillary sphere in the middle.

A little spook wouldn't be too bad.

He thought with a small grin, starting to summon up a shadow creature. However both dissipated when there was a note sung into the air.

"Let's go in the garden

You'll find something waiting

Right there where you left it lying upside down

When you finally find it, you'll see how its faded

The underside is lighter when you turn it around "

The Radio Demon sat there, mouth agape as they sang.

"Everything stays right where you left it

Everything stays

But it still changes

Ever so slightly, daily and nightly

In little ways, when everything stays "

Like a siren- a water sprite? A nymph? It was hard to pinpoint what he could compare their voice to.

It was other worldly.

Their voice echoed due to the room's acoustics.

He didn't notice that he had gotten out of the chair, didn't notice he was making his way towards them, didn't notice when they stopped singing until they gasped.

Blinking out of his trance, he found them facing him and covering their mouth with their hands. A panicked look in their eyes.

"You stopped.", Alastor spoke up. "Why not finish?"

They shook their head quickly and backed away.

Before he could say something else, they moved their arms down, one made into a fist on their chest and moving in a circle clockwise. Then they ran out. (Sorry)

He stood there for a while, his smile widening. Maybe there was more to them than he thought.

How interesting~

I'm still on break but I couldn't help myself with this one. 🐚 (Old note)

~Seline, the person.

Part 1

.

Alastor ML I🎙 | ChL OW🦀

[pocket-dust-starr]

interesting cinematic choice to have Sylvie confronting mobius like that.

Mobius’ background being black and him illuminated like in a spotlight, while Sylvie’s background is lighter and her face is shadowed, the slow camera zoom, Mobius silent and most likely conflicted, Sylvie going off.

Then for Loki to be positioned in the grey background between them at the next shot with Mobius still in the light and Sylvie in the dark…

Very interesting juxtapositions, definitely feels deliberate and I really like the filming choices. Not sure on what the symbolism can mean just yet as I am dealing with a horrid headache as I watch the show

[otomes-world]

Six impossible things before breakfast

Little twist with sentient twst au, yes, I didn't expect this either. Masterlist with more works here

We've probably all heard the joke about "How many light bulbs does it take to (insert whatever)." Who would have thought that you would use a slightly modified version of it: how many more coincidences must happen to realize the truth.

Although can anyone really blame you for not wanting to admit that you are a bunch of colored pixels created purely for entertainment purposes? No, it even sounds nice. After all, your purpose was to create extras, a stage on which the main characters performed and shone. Those who had faces.

Did you always have yours? Could you always see it in the mirror in the morning?

Did figurative shivers run down your spine every time a faceless classmate addressed you? One of ten, hundreds, exactly the same. Have the main bunch had the same problem? That's the question you'd been asking yourself lately. Did they shrug off empty, replaceable shells, or at least for a second consider them their equals?

Perhaps the question should have been asked differently. Was this in the order of things for them, because the thought of the incorrectness of worldly norms did not flash through their heads. Or it was something simple and very banal - they did not realize that they were part of the game.

Were you special? The thought was flattering, but it was stupid to start turning up your nose. Maybe the supreme programmer, like the smart guys from Ignihyde, could consider you a virus, a bug, an annoying nuisance, which can be gotten rid of in a couple of seconds. Click and that's it, your file would be deleted.

The idea that death could be more than just literal took you by surprise.

It all started with a strange feeling of déjà vu, with a strange cyclical nature of what was happening. How the seasons did not change according to the laws of nature or, on the contrary, lasted longer than expected. Sometimes you wondered what month was going on, at least by counting. Or how you couldn’t say with certainty what year of study you were in. When was your graduation? Would it ever come?

How many times did the main characters celebrate their birthday? How many times had you celebrated it? Did you celebrate it from the start?

Lessons

Breaks

Exams

Holidays

Lessons

Was there an end to this merging stream of eternal students? Was the dormitory assignment ceremony that important? How many real “first-year students” were admitted each year? Why couldn't your educational journey end? Time adjusted and obeyed an invisible force; it existed only when it was convenient for someone.

Catching the attention of the local spotlight and getting on stage was the best way to get labeled as a "bug" and ask to be removed. However, the main threat was only the erasure of memory.

The next discovery was doubt about one’s own “specialness.” When consciousness had nothing to do, it began to cling to different details, trying to look for differences in a series of events repeated in the film.

When you knew what to look for, small mistakes that were not noticeable at first glance stand out more than usual. A slight shadow of boredom on the faces of the main ones. Lack of interest in the educational process and exams. As if only one “exam” was important in a bunch of exactly the same events. When the first years of Heartslabyul signed a contract with Ashengrotto.

With new information in mind, it became easier to identify important “events” and track time based on them. By how many times they were repeated in the endless flow of time. Taking notes and somehow recording data was more dangerous than you thought, all that was left was to come up with methods known to you alone. For example, in a dorm room on the bedside table there was a cluster of glasses, each containing specific color of pencils.

Did your roommates start to think you were weird and obsessed with order and cleanliness? Their right. You didn't care what they thought, besides, they would forget about it with the coming of a new day.

In order not to completely go crazy, you began to peer into the “faces” of other students, trying to spot at least a feature that distinguishes one from another. Either this world was too lazy, creating copy after copy in every dorm, or there was no point in trying. If you somehow came to terms with the feeling of the meaninglessness of what was happening, then the appearance of one student in several places at the same time still caused rejection.

Disgusting

If this world was someone’s experiment, then why were events cyclical? If this was a cage, then where was the exit. If this was a prison, then who was being held in it?

You made a mistake in observing a person without magic from another world. Trying to figure out whether Yuu's "world" was truly different or just as much a part of predestination as everything around. Was “Yuu” really the main one or just an extra? You could have sworn they didn't have a face. At least such clear features as all the main ones. Just as there was no character, how in each of the repeating events they could behave differently.

It was a breath of fresh air in the routine of never-ending study. The watching of the only part capable of changing in the world, subject to the same rules.

That's why, when one of the main ones suddenly approached you, you thought you were dreaming. Whether it was possible to fall asleep in the simulation was another question. Usually you went to bed, closed eyes, only to open them the next second to the sound of the alarm clock.

"Can I help you with something?" You smiled politely, but was it worth it? Could the main bunch distinguish between persons different from their privileged group.

Hunt. Was that his name? You weren't completely sure. He was part of something forbidden, something to be avoided at all costs. Part of the three “don’ts”: don’t look for information;don’t mention; don’t give yourself unnecessary temptations. Returning to the present moment, he just looked into your eyes with his constant smile, as if trying to find confirmation of something.

Like a true NPC, you continued to stand, frozen in one position and waiting for his answer. Until awareness came as abruptly as his appearance in principle. He looked straight into your eyes. Could he see your face the same way you saw it in the mirror? How long ago? Could the rest of the main ones see you too?

A billion questions were spinning in head at the same time as you tried to come up with a suitable excuse and reason to leave. The changes turned out to be too unexpected and frightening. Perhaps with the advent of a new “day” everything would return to normal.

“Is there a knight in the world who is not ready to devote all his deeds to one and only one, if this opens the veil of secrets at least a little? Will it allow him to find out what thoughts are spinning in head?”

It's a pity he was not a knight. Even though each word was pronounced with a special intonation, you only thought about how much water there was in his speech. Unfortunately, saying this out loud was an unaffordable luxury.

"..Is that so?"

“You are right, an étoile (star), I may be not one of their noble number, but even so I am not able to deny their order.” You let him continue, mentally counting down the minutes until the bell rang for lesson. “I may not have a sword in sheath, but It won`t change a way I live! Your smile can make my whole heart melt. There isn't lie in way I felt”

“I’m not good at poetry, but the rhyme is lame, Sir Hunt,” if it’s there.

“You’re right, writing poems is just one of my hobbies, to which I devote my few free leisure hours,” he continued, as if your words didn’t hurt him at all. “I hasten to assure you that there was no malicious intent in my actions. This modest hunter only wanted to greet a new connoisseur of everything beautiful and interesting."

No matter how much you hate beating around the bush, doubts creeping in from randomly thrown words. Sometimes the phrases spoken directly were the most frightening. However, not wanting to part with your role as an extra - which was burdensome, but at the same time giving a semblance of freedom - you continued to pretend to be an NPC.

"Should I congratulate you?.. Congratulations!" Any member of the film club would envy your feigned sincerity. A bell in three, two, "I don’t dare detain you any longer.”

The unsaid `like you would me` hung in the air. You had to hold out for the few remaining hours until the end. Fortunately, the main one did let you go, but smile, saying that its owner knew everything in the world, left an unpleasant aftertaste. One that your intuition suggested would accompany you for the next days.

It's going to be a very long a few hours.

[mynicosensesaretingling]

Lost in the moment (part 2)

Nico Rosberg x fem!reader

Summary: After their friendship ended unexpectedly, Nico and (Y/N) continued their lives on different paths, but what happens when they meet again? (part 2 of 2)

Warnings: Once again a little angst, female reader

Note: I was honestly surprised how well the first part of this fic was received. Thank you all so much for your feedback!

(part 2 of 2)

Find part 1 here: https://www.tumblr.com/mynicosensesaretingling/733720166569033728/lost-in-the-moment-part-1?source=share

Hope you enjoy <3

The years that followed were a relentless storm for both Nico and (Y/N), each navigating their separate paths with the ghost of their past lingering.

Nico’s championship victory and the soon-following retirement propelled him into the dazzling spotlight of Formula 1, becoming a charismatic figure both on and off the race track.

However, the memory of that final race continued to linger in the back of his mind, a bittersweet victory tainted by the absence of someone he had considered a confidante. Someone he had loved. Of course, he had seen the notifications of her calls once the celebrations had stopped. But whereas at first, he didn’t call her back simply out of spite and having been hurt, the more time went by, the more he feared actually hearing her speak his suspicions of having been betrayed into existence.

Meanwhile, (Y/N) on the other hand, had to face the daunting task of fighting her way back into the world of reporting. Having lost her job at Countdown Magazine , the young woman found herself feeling lost in the working world. The void left by Formula 1 was a constant ache, a reminder of the dreams she once had to forfeit and the pain of not having been there for Nico during his triumphant moment was an emotional wound that refused to heal, casting a lingering shadow on her achievements. However, she found that her luck hadn't completely run out, for after a few unsuccessful jobs, she was offered a position as a reporter for a small, upcoming motorsport journal called The Racing Project.

Although over the years both Nico and (Y/N)  followed a similar career path, their paths did not actually cross until the much-anticipated Las Vegas Grand Prix.

The stage was set, the racetrack buzzing with fervour, as Nico stood filming a live segment in the paddock, delivering his commentary with practised ease. The cameras captured every word he spoke, but his mind was elsewhere. As he scanned the crowd, his eyes unexpectedly fell upon a familiar figure- (Y/N).

Time seemed to halt, the cacophony of the racing world drowned by a flood of memories and emotions. Nico’s heart quickened its pace, a turbulent storm surging within him. The very sight of his former friend, after all these years, sent his thoughts spiralling into a whirlwind of conflicting emotions. 

The ex-racer stumbled over his words, a subtle tremor in his voice betraying the storm of emotions raging inside him. “And…and as we witness this….um, remarkable race unfolding before us,” he managed to continue, though the words suddenly felt foreign on his tongue.

Nico couldn’t tear his gaze from (Y/N)’s form, caught between the past and present. The weight of their shared history bore down on him, each moment they had shared flashing through his mind like a movie reel. His eyes conveyed a mixture of surprise, longing and a hint of regret for the years of silence, that had separated them.

The subtle changes in Nico’s demeanour didn’t go unnoticed by the camera and crew. His usual composed demeanour wavered, a fleeting glimpse of vulnerability surfacing in his eyes. The inner conflict that churned within him was evident to those who knew him well, a battle between the duties of the present and the ghosts of the past.

As the blond shrugged to maintain his composure, the words of the commentary became a blur as the realization that (Y/N) was back in his life hit him. He tried to regain his focus, attempting to steer the commentary back on track, but the presence of (Y/N) in the crowd continued to pull at the threads of his composure.

 It wasn’t until the segment was finally finished, that Jenson, who had moderated the segment along with Nico and was well aware of the history between him and the female reporter, leaned in and whispered, “I didn't know that (Y/N) is working as a Formula 1 reporter again after her sudden release just before your championship race.”

Jenson’s statement led revelation to hit Nico like a tidal wave. The pieces of the puzzle all of sudden fell into place, and the weight of misunderstanding and regret bore down on him. “Excuse me.” Nico stuttered out, freeing himself of the broadcasting equipment before hurriedly plunging into the bustling crowd, determined to confront the past. 

Rushing past crew members and paddock guests, his blue eyes scanned the crowd with restlessness before finally landing on the all-too-familiar shape of (Y/N).

“(Y/n),“ he called out, his voice carrying the echoes of years of silence. 

Upon hearing his voice call out to her, the woman turned, eyes widening in surprise, before narrowing again in anger. The air around them was suddenly buzzing with the electricity of unspoken words and unresolved feelings. “Nico,” she replied coldly, her voice betraying a simmering anger beneath the surface. 

Nico took a cautious step closer, the atmosphere fraught with tension. “I…I didn’t know. I thought you used me for stories. I didn’t know what happened that day.” his words came out rushed, as he struggled to keep up with his own thoughts. Lifting her chin,  (Y/N) crossed her arms, a defensive gesture as she glared at him. “Well, glad you’ve figured it out by now.” her voice cut through the noise of the racetrack. “I lost my job, Nico. I lost everything I had worked for, and you didn’t even bother to hear me out. You think an apology fixes this?” 

Nico reached for (Y/N)’s hand, a silent plea for understanding and forgiveness. “My mind was too clouded by the fact that you weren’t by my side during my victory, to be able to think rationally. I should have known.” he tried to explain himself, voice haunted by the regret of misplaced assumptions.

(Y/N) pulled her hand away from his grasp, a scoff escaping her lips. “Known? I would’ve never expected you to just know. But you should have asked, Nico. You didn’t give me a single chance to explain myself. Instead, you just disappeared.” with the last word, she jabbed an angry finger at his chest. 

Nico opened his mouth to respond, but (Y/N) cut him off “ You don’t get to just waltz back into my life after all these years and expect everything to be okay. You have no idea what it was like for me, losing my job and feeling abandoned by my best friend.” 

The man’s face fell, the reality of the pain he had caused written across his features. “(Y/N),please. I didn’t know the truth, and I-”

“Don’t,” she interrupted, her voice sharp.”You didn’t bother to find out. You just assumed the worst, and I won’t just forget that.”

The tension between them was palpable as they stood there, the racetrack humming with the distant roar of engines. Whereas (Y/N)’s eyes held a mixture of anger and hurt, Nico felt the weight of his past choices pressing down on him. The heavy silence between them was once again interrupted by her voice, the anger now morphed into frustration. “You made your choice back then.” She sounded defeated. Nico struggled to find the right words, his chest tight with regret. “I messed up. I should have trusted you, and I’m sorry.” 

Unwilling to meet his gaze, (Y/N) turned away. “Sorry doesn’t erase the past, Nico. I don’t need your apologies now, I got work to do.”

The gravity of her words hung heavily between them.Once determined to seek reconciliation, Nico faced the consequences of his assumptions.The racetrack, witness to their shared highs and lows, now became a battleground for a different kind of race- a race against time to repair the fractured bond between them. As they lingered in the charged silence, a new layer of tension emerged. The unspoken truth of feelings that had never found a voice in the past now hovered between them. They had danced around something more profound than friendship, an undercurrent of emotions that had remained buried.

Deciding to try a different approach, Nico’s tone softened. “Remember that night when I waited for you in the pouring rain?”

As she turned back around to him (Y/N)’s eyes flickered with curiosity, a hint of vulnerability breaking through her defensive stance. “What?” 

Nico’s eyes nervously searched hers, an unsure, almost shy smile on his lips. “I stole that umbrella from Toto and to this day I am unsure of whether I was more nervous about waiting for you or the possibility of Toto finding out I was the reason he got drenched to the bone.”

A breathless chuckle broke through her frown, the sound like music to Nico’s ears. “You stole an umbrella from your boss, just so you could go on a walk with me?” her voice was laced with amusement and disbelief. “Mhm,” he hummed in response, his smile widening into a grin, blue eyes sparkling as he thought back to that very evening. “I actually hid around a corner for like 10 minutes, because I could hear how on edge he was, asking crew members about where his umbrella went.” A genuine laugh escaped (Y/N) at that, eyes glistening as she was hit by a wave of nostalgia. There was another moment of silence between the pair, although this time it felt more intimate.

“You know that when it came to us it was never about the job right?” her voice was barely louder than a whisper and if Nico hadn’t already been paying such close attention to her, he would have surely missed it. 

His eyes bore into (Y/N)’s, the weight of her words sinking in. The revelation hung in the air, an unspoken truth that had shaped their past interactions. With her vulnerability laid bare, (Y/N) waited for Nico’s response, the air heavy with anticipation. In that moment the racetrack seemed to fade into the background, leaving only the two of them suspended in an emotional crossfire.

Nico, grappling with the unexpected confession, searched her eyes for clarity. The realization hit him like a thunderbolt. Their unspoken connection had always transcended the confines of a professional relationship, a truth buried beneath the surface of camaraderie and shared passion for Formula 1.

Studying his face, (Y/N) could watch as a  myriad of emotions played across Nico’s face- surprise, regret and a hint of realization. 

“(Y/N)”, he murmured, his voice tinged with astonishment and understanding, as his brain struggled to find the right words.

The woman’s gaze wavered, and she nodded, a mixture of sadness and acceptance in her eyes. “You were so focused on the rivalry and the championship, that I didn’t want to complicate things. I thought, maybe one day…” Her voice trailed off, leaving the unspoken “one day” hanging in the air. 

Nico’s mind raced, grappling with the weight of missed opportunities and the realization of their connection has been far more profound than he had ever comprehended. “I had no idea. If I had known, I would have-” She cut him off, a bittersweet smile on her lips. “It’s in the past Nico. We can’t change it now.” Shaking his head, the blond reached out, tentatively taking (Y/N)’s hand and this time she allowed their fingers to intertwine, a silent acknowledgement of the emotions that had lingered, unspoken for years. “(Y/N), I wish I had known. I wish I had seen it then.” She met his gaze, the raw honesty of the moment reflected in her eyes. “We were caught in the whirlwind of the Silver War, and I didn’t want to be another distraction.”

Nico’s thumb gently traced circles on the back of her hand, as his gaze locked onto hers. “You were never a distraction, (Y/N).” Nico’s voice was stern. “If anything, you were the constant that I failed to appreciate.” 

As they found themselves standing at the crossroads of what could have been and what might still be, their hands lingered together, a silent testament to the depth of their connection. The unspoken feelings that had been tucked away for years now demanded recognition, weaving an intricate tapestry of emotions.

Nico took a step closer, his heart pounding with a mixture of uncertainty and hope. “Do you think we could start over…try to make up for the time we lost?”

(Y/N) looked up at him, eyes meeting his, and he thought to see a flicker of hope in their depths. “Nico-” she sighed clearly conflicted “It’s not that simple. We’ve both changed.”

He nodded a sense of gentleness in his understanding gaze. “I know, but what if we explore what we have now?” he leaned in a little closer, hand reaching up to gingerly cradle her cheek. “Let’s start from here, from this moment. Forget the misunderstandings, the lost chances and see where this takes us.” 

The warmth and sheer softness of his touch seemingly eased the mental conflict within (Y/N)’s mind and a tentative smile tugged at the corner of her lips. “Will you steal another umbrella from Toto?” her question was accompanied by a mischievous sparkle in her eyes. 

The suddenness of her request made Nico knit his brows in confusion. Taking a second to process the question, this time it was him, who laughed in disbelief. 

"Yes.” he chuckled, thumb tracing her cheekbone, loving eyes studying her face as to memorise every single feature. “I'd happily steal yet another one of Toto's umbrellas for you." Underneath his gentle touch, Nico could feel her timid smile grow into a cheeky grin. "Well, then I am happily willing to give us a second chance."

As they stood there, enveloped in each other’s presence, the soft glow of the racetrack’s lights painted their faces in a warm hue, mirroring the warmth that radiated between them. “I never thought I’d feel this way again,” Nico admitted, gaze still fixed on (Y/N) as if she held the answers to questions he’d never dared to ask.

 “I’ve missed this” he muttered softly “Talking to you, being here, it feels like coming home.” (Y/N) felt the words dancing on the tip of her tongue but unable to escape. Her heart fluttered as she realized there were no words adequate to convey how she felt. With a quiet resolve, she slowly leaned in, breath mingling with his. Nico’s eyes widened slightly in surprise before softening, understanding dawning upon him. Time seemed to pause as her lips met his in a tender, feather-light kiss. It was a silent confession and a promise for the future. 

Drawing back, a rosy hue dusted (Y/N)’s cheeks and if her heart hadn’t already been racing before, it certainly was now upon seeing the lovesick smile on Nico's face.

“Welcome home, Nico.”

[crybaby-bkg]

cw: this got long sorry 😔 but creepy/perv bakugou, recording, film major bkg x art major reader, masturbation, coercion, dubcon before it just becomes con, voyeurism/exhibitionism

as an art major, you typically did some works for a few students on campus; for their plays, as background pieces while they danced, a cover for their released songs. it wasn’t out of the ordinary for people to ask you to create something for them, and you enjoyed it more often than not. but, you weren’t usually the art itself.

Bakugou is a friend’s friend that you’ve seen a few times, ran into at the library or at coffee shops. he’s a film major, and always looks so unhappy about the whole thing, as if he didn’t choose it himself. you joke to Mina that you think he’ll graduate and become one of those directors that hate everything and yell at the actors constantly and later on get sued for being a dickhead. you never say it to him though—you’ve never spoken more than a couple words to the man.

it’s why it shocks you when he approaches you one day. it’s after one of your painting classes, and he stands outside the door with a frown and his hands shoved in his pockets, his eyebrows scrunched as if pissed at the mere sight of you. he asks you, in that low and gruff tone of his, if you could star in his final project for the semester. says it’s supposed to be a film made with this criteria and that, but, you’ve kind of checked out on the conversation after the first sentence.

“You mean, you want me to create something and that be the star of your film?” you ask him, feeling so intimidated at his stature. he always seems to loom, his hair shadowing the lights above, creates a cast over a portion of his face, makes his eyes look…unsettling. like they’re looking straight through your flesh, can find the marrow in your bones. he scoffs like you’ve offended him, rolling his eyes into his skull, mouth pulled tight.

“No.” his voice is firm, gaze concentrated only on you, like the halls are empty and you’re the focus of his lens. “I want you to star in it.”

his words confuse you—you’ve never presented yourself as an actor before, never alluded to wanting to be in the spotlight if not for what you create with your hands. but he shuffles on his feet, looks desperate even. there’s some hemming and hawing for a minute or so—why not choose Mina?—she’s busy—why choose me?—‘cause you’d be perfect for my short film—what’s it about?—you’ll find out once you get the script.

and even after you hesitantly agree and get the script—you still don’t understand what you’re doing. why you’re here, why you’re the only person, why it has to be a solo film, why there’s damn near zero lines in the entirety of the have-to-be forty five minute film.

the scenes are all so long, and maybe it’s because movies aren’t your forte or chosen major, but you just don’t get it. one scene; you’re staring at yourself in the mirror while Bakugou holds a small, black camera over your shoulder. he’s eerily quiet behind you, whispers out a faint fuckin’ go when you have to wash your face in the sink, makes you do it over because your movements are too jerky and unnatural.

the rest of the scenes go that way; you doing regular at home activities, being put under a lens, quietly barked at to do this and move that way and fix your hair and remember to frown.

“Isn’t there another way to film this?” you ask him on the fifth day of shooting in his spacious loft. there’s a bubble bath scene coming up, one you dont understand the importance of, but Bakugou tells you it’s the most necessary part of the entire thing.

“No,” he grunts out, looking at you from under his lashes as he sits on the lid of the toilet. “But I’ll make it soapy, so the camera won’t see much.” the camera? much? you weren’t worried so much about what the camera captured as you were the man behind it. he looks at you with such intensity, you feel naked already despite the robe you wear that’s suspiciously already your size.

he leaves the bathroom when you sink in the hot water, returns before you can say it’s okay, hears the water splashing and thinks that’s good enough. he kneels on the floor beside you, camera pointed directly in your face, makes your chest hot and your skin feel prickly. the scene passes on regularly enough; you run the water over your arms, tilt your head back as you sigh, whisper the few lines scripted, lean back and close your eyes, sigh again. it’s almost relaxing, makes you forget about the friend of a friend recording you naked right now. almost.

“Touch yourself.” Bakugou suddenly demands, hushed and quiet behind the camera. your eyes immediately shoot open, looking to him in question, how he’s eerily still in his spot hovering over you.

“Huh?” you ask, unsure if you heard him correctly, looking around the rounded lens in your face, trying to ignore the red blinking light. but Bakugou only frowns.

“It’s a masturbation scene. Touch yourself.” he repeats, voice louder, more demanding this time. your stomach twists at the thought of doing something so intimate in front of him. he’s a handsome guy, for sure, even made you consider asking him out after this, figured he was just serious about his work and awkward about certain things. but…something had been off about this entire thing since the start.

“But—but I don’t, I’m not,” you stutter, sitting up a little, the bubbles covering your chest starting to disperse with your movements. but Bakugou only sits a little higher on his knees, finally pulling the camera away from his face for the first time since he’s asked you to do this for him.

“You want me to fail?” he asks, booming voice eerily quiet in the silent bathroom, carmine eyes dull, shaded over with something terrible. “Then do it.” he tells you when you shake your head quickly.

you stare at him until he gets back into position again, camera back pointed at you. when he doesn’t say anything else, you swallow thickly, wondering if the art that will come out of this will be worth it. so you listen, sneak a hand under the water, start touching yourself in a way you never have in front of anyone.

is it bad to say that it’s exhilarating? being watched and recorded by someone who breathes so heavily every time your voice hiccups? being directed to touch your chest next when the suds start to disappear and your nipples start to peek through? is it bad that you want him to send you this portion of his film, only, just so you can watch yourself again and again? make a portrait of yourself with your fingers on your nipples and your knees raising from the water and your head thrown back from the intensity in oil pastels?

“That’s a wrap.” Bakugou announces when you finish, head spinning and still panting. you look over to him, how he closes the camera, the obvious bulge in his pants. “I’ll get you a towel.”

you wonder when’s the next time he’ll need you. or better yet—maybe he could be the star in your final drawing project? you had finished it already but, what was the harm in starting over with him as your muse? as naked as you are? camera not blocking his face so you can paint the similarities of his blushing cheeks and eyes when you direct him to look at you? to touch his chest? to play with himself just like that?

[nicisanidiot]

Has anyone else noticed the use of shadows and light in Nimona? Cause I find it really interesting how through most of the movie Ballister is stuck in the shadows while Ambrosius is always in the light.

For example:

It also draws parallels between Gloreth and Ambrosius as Gloreths statue is always bathed in lights, due to the fact we only ever see it at night (I think) surrounded by darkness.

I think it’s also interesting that once Ballister meets Nimona the contrast between shadows and light becomes even more pronounced, with the two of them living together in a darkened lair, sneaking around at night and rarely being seen in daylight. This contrasts Ambrosius who we never see without the spotlight shining on him.

This contrast becomes clearest in the “nacho” scene, when its glaringly obvious just how different the twos views on Nimona and the Institute are.

However, the motif is subverted after this when Ballister confronts Nimona on the statue of Gloreth. For the first time in the movie since the death of the queen he is in the spotlight, pulled from the shadows into the light.

This is especially beautiful as he pulls Nimona, a character who till this point had always been in the shadows, into the light with him. (There’s probably a metaphor for mental health, transness and queer identity in there but someone else can probably put that far more eloquently than me).

From this point onwards Ballister is never framed in shadows again, but more importantly, he is only framed in natural light, often with a warm tone contrasting the previous cool toned unnatural lighting (warm tones also being used in relation to Nimona):

While I think the meaning of all this could be debated my personal favourite interpretations of it are:

- the changes in lighting represent Ballister’s feelings towards himself through the film, specifically in relation to his relationship with Ambrosius (him being in shadows more after the queens death, seeing himself as inferior to Ambrosius, being in light as he is going through the “evil lair” showing his acceptance (?) of Nimona’s “passing” and his contribution to it).

- the way he is perceived by the in film audience viewing him (more shadows when he “kills” the queen, in light when he saves Nimona).

Anyway, feel free to add anything extra or any additional observations or anything I missed

(I have dyslexia so please don’t be to hard on any mistakes I’m really trying I promise)

[tomwambsmilk]

"There's so much going on [in the green room], and obviously the main event is what's going on between Shiv and Roman now that she's convinced him not to be a part of it. I think you see them go from 'Yeah, here we are, this is typical Kendall, shitting the bed' - and meanwhile it's this moment that as he gets progressively better and it starts to - even the press, that goes well - I think you see that Roman is just full of regret... It was also part of the fun of what we did onstage with Kendall. We had seven cameras going; we had five film cameras, two video cameras (the two that are the live feed for them in this back room where they get to see him in close-up as well as the wide). We had three spotlights on Kendall onstage so that there are certain shots you can see that he's got three shadows behind him, so it does feel like the echo of his siblings being up there with him - but he is completely alone. And so pivoting between these two scenes, finding room for these jokes, of course, but also just seeing them unravel - and so much of this episode is really about Roman spiralling, going from a place of being partners in crime with Kendall to being alone, again, and back with his grief by the end." - Lorene Scafaria, director of "Living+", on HBO's Succession Podcast