#Social satire
Explore tagged Tumblr posts
Photo
A Cruikshank Feathursday
As part of a recent gift from Frederick Vogel III, we received a copy of George Cruikshank's Table-Book, edited by English humorist Gilbert Abbott à Beckett (1811-1856), illustrated by English caricaturist and book illustrator George Cruikshank (1792-1878), and published in London by the British satirical magazine Punch in 1845. Among the scores of ridiculous illustrations is a steel engraving titled “Annual Emigration of Birds” illustrating a short article entitled “Social Zoology -- Ornithology” in which à Beckett equates various segments of English society to species of birds, including Vultures (”always pouncing upon others”), Hawks (”whose prey is the pigeon”), Boobies (”walks with difficulty, and in fact can’t get on”), and Spoonbills (”a sort of adjutant to the Wild Goose . . . going frequently on Wild Goose errands”).
View another post with illustrations by George Cruikshank.
View more Feathursday posts.
#Feathursday#George Cruikshank#Gilbert Abbott à Beckett#George Cruikshank's Table-Book#Punch Magazine#social ornithology#satire#social satire#caricatures#steel engravings#Frederick Vogel III#birds#birbs!
69 notes
·
View notes
Text
Nu astepta prea mult de la sfârsitul lumii [Do not expect too much from the end of the world] (Radu Jude, 2023)
#Nu astepta prea mult de la sfârsitul lumii#Radu Jude#România#Romania#București#Bucharest#Romanian New Wave#Romanian people#Eastern Europe cinema#Southeastern Europe#Do not expect too much from the end of the world#black comedy film#2020s movies#Ilinca Manolache#Nina Hoss#Uwe Boll#Angela merge mai departe#Lucian Bratu#Tiktok videos#Stanislaw Jerzy Lec#road movie#social satire#capitalism#B&W#manele#joke#taxi driver#work place safety#Nicolae Ceaușescu#Romanian society
3 notes
·
View notes
Text
America Drinks & Goes Home
youtube
I had this album on an 8-track cassette.
2 notes
·
View notes
Text
Unveiling Social Constructs: A Review of "Pygmalion" by Bernard Shaw
Bernard Shaw's "Pygmalion" is a thought-provoking play that transcends time, weaving together themes of class, identity, and societal expectations with wit, humor, and insight. First performed in 1913, the play follows the transformative journey of Eliza Doolittle, a Cockney flower girl, who becomes the subject of a bet between the phonetics professor Henry Higgins and Colonel Pickering. As Higgins attempts to mold Eliza into a refined lady through speech lessons, "Pygmalion" explores the intricacies of language, social mobility, and the power dynamics inherent in class distinctions.
At its core, "Pygmalion" challenges the notion of fixed social hierarchies and underscores the arbitrary nature of class distinctions. Shaw deftly exposes the absurdity of equating social status with inherent worth, presenting characters whose true value lies not in their birthright but in their character and individual agency. Through Eliza's transformation from a humble flower girl to a confident, independent woman, Shaw highlights the fluidity of identity and the potential for self-determination, regardless of one's social origins.
Moreover, "Pygmalion" is a testament to Shaw's mastery of dialogue and character development. The play is replete with sharp, witty exchanges that not only entertain but also serve to illuminate the complexities of human nature and interpersonal relationships. From Higgins's acerbic wit to Eliza's spirited defiance, Shaw creates characters that are as memorable as they are multidimensional, inviting audiences to empathize with their struggles and triumphs.
One of the most compelling aspects of "Pygmalion" is its exploration of the power dynamics inherent in language and communication. Shaw exposes how linguistic norms and accents serve as markers of social status, relegating those who speak differently to the margins of society. Through Higgins's efforts to "improve" Eliza's speech, the play raises important questions about agency, autonomy, and the ethics of linguistic imperialism, prompting audiences to reflect on the ways in which language shapes our perceptions of ourselves and others.
Furthermore, "Pygmalion" is a richly layered work that rewards careful analysis and interpretation. Shaw infuses the play with symbolism and allegory, drawing parallels between Eliza's transformation and the myth of Pygmalion, the sculptor who fell in love with his own creation. By framing Eliza's journey as a modern-day retelling of this myth, Shaw invites audiences to consider the ways in which art, identity, and desire intersect in shaping human experience.
In conclusion, "Pygmalion" is a timeless masterpiece that continues to resonate with audiences for its incisive social commentary, vibrant characters, and sparkling wit. Shaw's exploration of class, identity, and language remains as relevant today as it was over a century ago, inviting audiences to question societal norms and challenge the status quo. With its enduring relevance and timeless appeal, "Pygmalion" stands as a testament to Shaw's genius as a playwright and his unwavering commitment to social justice and human dignity.
Bernard Shaw's "Pygmalion" is available in Amazon in paperback 12.99$ and hardcover 19.99$ editions.
Number of pages: 188
Language: English
Rating: 9/10
Link of the book!
Review By: King's Cat
#Pygmalion#Bernard Shaw#Play#Drama#Comedy#Social satire#Class#Identity#Transformation#Language#Speech#Phonetics#Eliza Doolittle#Henry Higgins#Colonel Pickering#Cockney accent#Social mobility#Self-improvement#Societal norms#Social hierarchy#Linguistic imperialism#Autonomy#Agency#Equality#Social critique#Character development#Feminism#Independence#Empowerment#Allegory
4 notes
·
View notes
Text
"Love's Triumph and Social Satire: A Spirited Journey Through 'Pride and Prejudice' by Jane Austen"
Jane Austen's "Pride and Prejudice" stands as a timeless masterpiece, an exploration of love, social class, and the complexities of human relationships in early 19th-century England. As I delved into the pages of this classic novel, I found myself enchanted by Austen's wit, keen observations, and the enduring relevance of her narrative.
At its core, "Pride and Prejudice" is a love story, but Austen elevates it beyond mere romantic entanglements. The novel unfolds in the world of the landed gentry, where societal expectations and class distinctions shape the characters' lives. Elizabeth Bennet, the spirited and intelligent protagonist, becomes a beacon of Austen's social commentary. The title itself hints at the central themes, highlighting the barriers erected by pride and prejudice that hinder genuine connections between people.
Austen's narrative prowess is evident in her sharp and satirical depiction of the characters. The Bennet family, with its blend of endearing eccentricities and societal foibles, provides a canvas for Austen to explore the absurdities of her contemporary society. Mrs. Bennet's single-minded pursuit of advantageous marriages for her daughters and Mr. Collins's obsequiousness are rendered with a comedic touch, yet they reveal deeper truths about the societal pressures faced by women in that era.
The heart of the novel, however, lies in the dynamic between Elizabeth Bennet and Mr. Darcy. Their relationship evolves amidst misunderstandings, societal expectations, and the prideful assumptions each holds about the other. Austen skillfully weaves a narrative that transcends mere romantic conventions, delving into the intricacies of personal growth, self-awareness, and the transformative power of love.
What sets "Pride and Prejudice" apart is Austen's ability to infuse her characters with authenticity and nuance. Elizabeth, with her sharp wit and strong convictions, emerges as a compelling and relatable heroine. Mr. Darcy, though initially perceived as aloof and arrogant, undergoes a profound transformation, challenging the reader's own prejudices and preconceptions.
Austen's narrative unfolds with a rhythmic cadence, her prose a dance of intellect and emotion. The novel's pacing is deliberate, allowing the reader to savor the unfolding drama and appreciate the intricate web of relationships. The dialogue, filled with social commentary and clever repartees, remains a testament to Austen's literary finesse.
While "Pride and Prejudice" is undeniably a product of its time, the novel's enduring appeal lies in its exploration of universal themes. Austen's critique of societal norms, her championing of independent thought, and her celebration of genuine love resonate across generations. The novel remains a relevant and engaging commentary on the human condition.
In conclusion, "Pride and Prejudice" is a triumph of literature, seamlessly blending romance, social satire, and astute observations on human nature. Jane Austen's legacy endures, and her ability to craft a narrative that transcends its temporal setting cements "Pride and Prejudice" as a timeless classic. As I closed the final chapter, I couldn't help but marvel at Austen's enduring relevance and the indelible mark she has left on the landscape of literary brilliance.
Jane Austen's "Pride and Prejudice" is available in Amazon in paperback 16.99$ and hardcover 24.99$ editions.
Number of pages: 453
Language: English
Rating: 10/10
Link of the book!
Review By: King's Cat
#Jane Austen#Pride and Prejudice#Regency-era literature#Classic romance#Social satire#Elizabeth Bennet#Mr. Darcy#Love and relationships#Class distinctions#Marriage in 19th-century England#Satirical humor#Social commentary#Courtship rituals#Feminism in literature#Romantic ideals#Irony and wit#Manners and etiquette#British landed gentry#Character development#Marriage expectations#Family dynamics#Independent women#Society and morality#Prejudice and perception#Courtly love#Literary realism#Timeless themes#Gentlemanly conduct#Women's role in society#Misunderstandings
2 notes
·
View notes
Text
Polski rower / Polish Bike
Translation under cut:
"Mam cię na widelcu!" - literally: "I got you on the fork!" means the same as "I got you on the hook"
"Wszystko i tak o kant dupy rozbić" - "everything sucks balls anyway" (literally "can be broken at the edge of your ass")
"Pedały" - literally: "pedals", colloquially: "fags" (I don't know where this association come from but I suspect the word "pederasta" was the origin). Anybody's having fun? - this frustrated rare wheel would gladly underestimate it with an offensive word
Narysowane w 2012 roku. Czemu to wciąż tak pieruńsko aktualne?😑 Najchętniej nazwałabym to "stary rower" i narysowała nowy🤔
#my art#my social satire#social satire#made in 2012#polish idioms#linguistics#polish memes#polska mentalność#polska#bicycle
4 notes
·
View notes
Video
youtube
The Book of Mr. Natural explained
1 note
·
View note
Text
On March 22, 1996, Welcome to the Dollhouse debuted in New York City.
#welcome to the dollhouse#welcome to the dollhouse 1995#todd solondz#heather matarazzo#black comedy film#black comedy movie#satire#coming of age comedy movie#coming of age movie#comedy film#comedy movies#black comedy#satirical comedy#90s satire#social satire#satirical film#movie art#art#drawing#movie history#pop art#modern art#pop surrealism#cult movies#portrait#cult film#new york city
12 notes
·
View notes
Quote
And in general, the whole wellness craze was a load of crap. According to the wellness ideology . . . people—but mostly women—had the potential to be so much healthier and happier (and thinner) if only they shunned processed sugars and most of Western medicine and got back to all-natural basics, which, not coincidently, cost a lot of money. If you mastered wellness, you could be efficient and centered and smoking hot, for you! All you had to do was drink fancy juice, take a lot of yoga classes, and put a five-hundred dollar jade egg up your vagina, and then you could start having the orgasms your body was meant to have! You'd never disappoint your partner by turning down sex ever again, because you'd be so empowered and energetic that you'd want it all the time!
Laura Hankin, from Happy & You Know It
#satire#wellness#gender roles#expectations#women#social satire#capitalism#wellness craze#humor#quotes#lit#words#excerpts#quote#literature#societal expectations#beauty standards#laura hankin#happy & you know it
4 notes
·
View notes
Text
extremely accurate depiction of humankind
Public reaction to the film was underwhelming because it wasn't funny the whole way through. How apropos.
#social satire#global warming#impending apocalypse#satire#don't look up 2021#movies#the end of life on earth#netflix
1 note
·
View note
Text
Nu astepta prea mult de la sfârsitul lumii [Do not expect too much from the end of the world] (Radu Jude, 2023)
#Nu astepta prea mult de la sfârsitul lumii#Radu Jude#România#Romania#București#Bucharest#Romanian New Wave#Romanian people#Eastern Europe cinema#Southeastern Europe#Do not expect too much from the end of the world#black comedy film#2020s movies#Ilinca Manolache#Nina Hoss#Uwe Boll#Angela merge mai departe#Lucian Bratu#Tiktok videos#Stanislaw Jerzy Lec#road movie#social satire#capitalism#B&W#manele#time#taxi driver#work place safety#Nicolae Ceaușescu#Romanian society
3 notes
·
View notes
Text
The Conception Corporation - A Pause In The Disaster (Comedy) (1970) (F...
youtube
It's not necessary to be high on cannabis to fully enjoy this kind of humor, but it's highly recommended.
#Youtube#the conception corporation#conception corporation#comedy#comedy album#comedies#the 1960s#1970#1960s#satire#political satire#social satire#cannabis culture
2 notes
·
View notes
Text
Amanda Blevins' short-circuited epiphany was not all that remarkable. She was a woman of fierce independence and individuality, who had fallen prey to progressive blandishment. It took only a look at the gross mess of a Philadelphia slum to wake her up. 'Get rid of 'em all', she said.
0 notes
Text
"Love's Triumph and Social Satire: A Spirited Journey Through 'Pride and Prejudice' by Jane Austen"
Jane Austen's "Pride and Prejudice" stands as a timeless masterpiece, an exploration of love, social class, and the complexities of human relationships in early 19th-century England. As I delved into the pages of this classic novel, I found myself enchanted by Austen's wit, keen observations, and the enduring relevance of her narrative.
At its core, "Pride and Prejudice" is a love story, but Austen elevates it beyond mere romantic entanglements. The novel unfolds in the world of the landed gentry, where societal expectations and class distinctions shape the characters' lives. Elizabeth Bennet, the spirited and intelligent protagonist, becomes a beacon of Austen's social commentary. The title itself hints at the central themes, highlighting the barriers erected by pride and prejudice that hinder genuine connections between people.
Austen's narrative prowess is evident in her sharp and satirical depiction of the characters. The Bennet family, with its blend of endearing eccentricities and societal foibles, provides a canvas for Austen to explore the absurdities of her contemporary society. Mrs. Bennet's single-minded pursuit of advantageous marriages for her daughters and Mr. Collins's obsequiousness are rendered with a comedic touch, yet they reveal deeper truths about the societal pressures faced by women in that era.
The heart of the novel, however, lies in the dynamic between Elizabeth Bennet and Mr. Darcy. Their relationship evolves amidst misunderstandings, societal expectations, and the prideful assumptions each holds about the other. Austen skillfully weaves a narrative that transcends mere romantic conventions, delving into the intricacies of personal growth, self-awareness, and the transformative power of love.
What sets "Pride and Prejudice" apart is Austen's ability to infuse her characters with authenticity and nuance. Elizabeth, with her sharp wit and strong convictions, emerges as a compelling and relatable heroine. Mr. Darcy, though initially perceived as aloof and arrogant, undergoes a profound transformation, challenging the reader's own prejudices and preconceptions.
Austen's narrative unfolds with a rhythmic cadence, her prose a dance of intellect and emotion. The novel's pacing is deliberate, allowing the reader to savor the unfolding drama and appreciate the intricate web of relationships. The dialogue, filled with social commentary and clever repartees, remains a testament to Austen's literary finesse.
While "Pride and Prejudice" is undeniably a product of its time, the novel's enduring appeal lies in its exploration of universal themes. Austen's critique of societal norms, her championing of independent thought, and her celebration of genuine love resonate across generations. The novel remains a relevant and engaging commentary on the human condition.
In conclusion, "Pride and Prejudice" is a triumph of literature, seamlessly blending romance, social satire, and astute observations on human nature. Jane Austen's legacy endures, and her ability to craft a narrative that transcends its temporal setting cements "Pride and Prejudice" as a timeless classic. As I closed the final chapter, I couldn't help but marvel at Austen's enduring relevance and the indelible mark she has left on the landscape of literary brilliance.
Jane Austen's "Pride and Prejudice" is available in Amazon in paperback 16.99$ and hardcover 24.99$ editions.
Number of pages: 453
Language: English
Rating: 10/10
Link of the book!
Review By: King's Cat
#Jane Austen#Pride and Prejudice#Regency-era literature#Classic romance#Social satire#Elizabeth Bennet#Mr. Darcy#Love and relationships#Class distinctions#Marriage in 19th-century England#Satirical humor#Social commentary#Courtship rituals#Feminism in literature#Romantic ideals#Irony and wit#Manners and etiquette#British landed gentry#Character development#Marriage expectations#Family dynamics#Independent women#Society and morality#Prejudice and perception#Courtly love#Literary realism#Timeless themes#Gentlemanly conduct#Women's role in society#Misunderstandings
3 notes
·
View notes
Text
Julie Kavner and Dan Castellaneta (voices) in The Simpsons (1989) Itchy & Scratchy & Marge
S2E9
When Maggie attacks her father,Psycho-style with a mallet,Marge blames the violent TV cartoon series 'Itchy and Scratchy' and gets it banned. Children,released from the spell of constant television viewing,learn to play outdoors again. However when Marge refuses to condemn Michelangelo's David as obscene she is branded a hypocrite and the cartoon is restored.
*For the episode, which handles a large issue, the writers tried not to have a point of view and looked at both sides, despite what the writers personally felt.
#The Simpsons#1989#tv series#Itchy & Scratchy & Marge#S2E9#violent tv cartoon series#violence#Itchy and Scratchy#Michelangelo's David#dark satire#family comedy#animation#parody#social satire#sitcom#adult animation#comedy#just watched
0 notes
Text
Why A.I. Won't Prevail in the Future
prevail - verb - prove more powerful than opposing forces; be victorious (Google).
Lately, it seems to me that "artificial intelligence" is a topic of interest for many who depend much on technology. Personally, I know that a few of my former colleagues in education are quite distressed as their students are starting to purchase various programs that can literally compose essays for them. As a former English teacher, the question that initially registers in my mind is the following: What is the point of teaching writing when students can rely on their computers to do the work for them? Or just What is the point of education at all? Maybe when Trump proposed to eliminate the Department of Education, he was just responding to the latter question. Scary, I know.
This particular blog's case in point isn't terribly obvious. Since A.I. is all about human invention (meaning humans feed knowledge to these robots), it is terribly imperfect. From my own experience, I am finding that the A.I. I use (Siri) is terribly stupid. She is far from error free. Just when the students are thinking they can get away with gross indolence, they can't because their teachers can tell that they are using A.I. due to its ignorance of the basics. The supposed "brains" who are feeding information to artificial intelligence know nothing about English grammar because they are most likely too young, products of the contemporary educational system that frowns on the direct instruction of the A, B, C's of the written word. These modern-day geniuses, who only paid attention in science classes when they attended secondary school, aren't experts in language. Does it make sense for imperfection to perpetuate imperfection? (Does anything make sense today?) No, no, no!
On the flip side, I am hopeful, extremely hopeful that A.I. may just fail completely to make the billionaire techno mobsters more billions. I believe this could be an accurate prediction as I have been spending time with toddlers lately, yes, little kids, who are incredibly with it, sharper than the millennial tots whom I once spent many hours observing when my own daughter was that age. I totally think that today's inchoate generation won't have to depend on A.I. in the future after all, and they may even reject it in favor of the byproducts of past inventions, like that of the Gutenbergs'. This immature group finds books (yes, physical, hardcover books) to be fascinating and fun because their brilliant parents bestowed with common sense are making a sincere effort to keep them away from technology (iPads, etc.) by taking them to public libraries. No, I'm not kidding. I work with these little ones at a public library, so there. That has got to mean something. Albeit a small test group, I am hoping that it will soon represent a large portion of the majority.
Parents, if you are introducing your children to the rudimentary, please keep it up before we as humans disintegrate and get swept up by machines that can hardly employ brooms correctly. And demand that your kids be taught English grammar when they get to school even if the current batch of teachers must return to classrooms themselves to learn it. Your infant Einsteins deserve to have their cerebral matter stimulated from this moment on. Together in this push, we will prevail.
#word-to-words, #slice-of-life, #blog, #blogging, #editorial, #reading, #vocabulary, #ReadersMagnet, #spilled thoughts, #personal-essay, #writing community, #writing, #truth, #society, #good advice, #critique #gwynenglishnielsen
0 notes