#So long Disney Wish

[memorieswillneverdie]

Starting an old story after so many years?

[jmr-observingfromafar]

ngl Matangi in Moana 2 was kinda gay. like just a little gay. i mean my girl is a "crazy cat bat lady", calls Moana "babe" twice in her song (the way i audibly gasped in the theater when i heard it lol), and is like sooooo queer coded i love it sm. she just gives off the vibes of sapphic-coded older woman who's played as suave and confident and makes the mc just go "haguphuk" and we all know if this was old disney they would've leaned so hard into that. but i could not have been the only one to keep catching Matangi poking her buttons, the hand on her chin in one scene, just being a total fucking vibe like please i know what you are. that whole scene felt real gay and don't think im leaving Moana out of this one. she is gay, i don't make the rules. i'm stickin with this hc no one can stop me from making Matangi the cool lesbian aunt and NO ONE will stop me from turning Moana gay (Auli'i Cravalho knows what she's doing)

ok im gonna be so real for a second i was simping HARD over Moana's character design in this movie.... like even more than baby me was dying during the first one... like this girl is just- oh my gosh. baby-gay me from 8 years ago would have actually DIED if she'd seen this Moana. it's almost embarrassing how down bad i was during that movie like she's so fucking pretty i wasn't ready for her design. like girls are just too much sometimes, i cant cope .

also side tangent but the lazy ass rewrite of Moana 2 from its planned version as a Disney+ series into a freaking MOVIE was just- so painfully obvious. like they didn't even try reworking it. the structure of the whole movie is painfully episodic and it was just so blatantly shoved into movie format without any care for the integrity of basic movie versus tv structure, so the char dev and pacing was just so rough. like what were the writers even thinkingggg. pretty disappointing but that's ok i have the fandom to make me feel better (moana fan art save me....)

[annymation]

Reimagining the characters in Wish

(Part 3- Star/Aster)

ITS THE MOMENT WE’VE BEEN WAITING FOR!!!

HERE COMES THE BOYYYYY!!!

Ahem… so yeah welcome to part 3

If you haven’t seen them yet, here’s the links for part 1 and part 2 where I talk about how I’d rewrite Asha and the villains respectively.

Star may be the most challenging character to reimagine since… All I have is the personality displayed on the Star we DID get, a song we all collectively headcanon as Asha x Star love song (At All Cost Demo), and my imagination… In a way that just makes things more fun too.

Now remember there’s no definitive version of this character, he never came true so there’s limitless ways we can interpret him.

Some may imagine him mute, some may imagine him as a wacky character like the genie, others may imagine him more soft spoken like the blue fairy, some may imagine him as Asha’s love interest while others may prefer them as just friends, or even have him look like her grandfather, there are no wrong answers.

So here’s how I imagine him to be like:

The Star 💫

What’s a Wishing Star?

- Before we start talking about our star boy, I think it’s important we establish what a wishing star even is, so let’s begin.

-Star is an entity from another plane of existence, a wishing star, a being whose only purpose is to listen to the wishes from mortals that can see him and other wishing stars through their night skies. They listen to the wishes from mortals and provide some guidance in subtle ways.

- A wishing star is born, or rather, gains consciousness, once someone looks to them and makes a wish from the bottom of their hearts, once the star receives their first ever wish they are no longer just a celestial body of gas, they become a new wishing star, they gain a purpose, and develop their minds just like how a human would.

- As the years pass the star becomes more wise, more equipped to help the person who wished upon them for the first time.

- For a wishing star to grow up it may take a while, that’s why most people wish upon bigger ones who are already fully developed and clever enough to know exactly how to help.

- It’s not a wishing star’s job to GRANT a wish immediately, in fact, they’re incapable of doing that, their magic can only go as far as the hope and perseverance that resides in their wishmaker’s heart.

- Things that the mortal would consider just luck could actually be the works of a wishing star putting them in the right path.

- If the person loses hope in their dream then there isn’t anything the star can do, but if they remain determined then the star can help them go far.

- So a wishing star job is to just… stay in the sky, look down upon their wishmakers, give some subtle magic intervention here and there…

-That is, when they’re wished upon at all, otherwise they just stay there doing nothing.

- However… In some rare occasions, wishing stars can do a lot more than just give a subtle magic intervention from the distance. Sometimes, when someone truly well intentioned makes a wish with all their heart… The wishing star gets the power to do some extraordinary things.

Personality

- Star, or Aster as I’ll be calling him in this rewrite, which is a non-binary name meaning “star”. I’ll be referring to them with (He/they) pronouns.

- Aster is a very young and inexperienced wishing star, in fact, counting with Asha’s wish, Star only got TWO wishes in their whole life. And he’s still working on granting that first wish he ever got 18 years ago.

(Haha I’m sure that’s not foreshadowing for something really sad)

- Because of that he’s often treated by the other stars as sort of a younger sibling or a little kid.

- I think I should just get this info out now: Aster is NOT the north star, that big, bright and iconic star we know from the Disney movies, nope, Aster is actually a small itty bitty little star that you can barely see, that kind of star you probably wouldn’t pick to wish upon, most choose the brightests and bigger ones.

- So who’s that big, bright and iconic star? Well, in the beginning of our story… That star doesn’t exist, like, it’s literally absent from the sky… After all, we're seeing that star's origin story :)

- We’ll get to that when we get to that, back to Aster tho.

- Aster is a lot different from the other wishing stars, while they’re these benevolent and wise entities, Aster is more of a naive and curious teen who’s fascinated with the world below them.

- No one wishes upon him EVER so he gets a lot of free time to just watch humans do human things and animals do animal things, and he loves it.

(He’s like Ariel and Quasimodo lmao)

- When he gets to earth he’s very excited to help Asha, showing appreciation for her wishing upon him through a lot of physical contact, often hugging her and holding her hand without him even noticing. (Asha at first is confused but she gets used to this behavior pretty quick)

- Although Aster is naive and overly excited they’re no fool, he can be very clever and creative when it’s necessary.

- He’s also not a fish out of water like Ariel when he’s on earth, they understands human customs and how things work, since he watched everything from the sky… Although nevertheless they’re delighted to see everything up close.

- He may be smart, but at first, they don’t really know how to guide Asha in the right path to make her wish come true, after all he’s a very inexperienced wishing star, and freeing a kingdom from an evil sorcerer king and queen is no easy task.

- But regardless he doesn’t let his own insecurities get to him, and remains optimistic they’ll figure it out, together.

His personality is reminiscent to Disney guys such as: Quasimodo, Peter Pan, Prince Philip (yes really, rewatch Sleeping Beauty, that boy has a lot of personality), Alladin and Hercules.

Main Traits:

- Optimistic and kind

- Naïve

- Protective

- Curious

- Energetic

- Secretly very insecure

Powers

I think it’s important to establish his abilities before we get to his backstory and all that jazz.

What he CAN’T do

Just like how Movie Asha did in her job interview, let’s get his weaknesses out of the way first.

- Sooo… don’t get mad but… Star won’t be a shapeshifter in my version. I don’t want him to feel too much like Maui or the genie. So he’ll stay in the shape of a princely looking boy the whole way through.

- He can’t teleport, would make things too easy, also there’s a plot reason I’ll explain later.

- Can’t materialize real things out of thin air, only things made of star dust so they don’t really have any utility other than to create fun visuals during music numbers or when he’s explaining stuff.

- Can’t hurt anyone, this one is VERY IMPORTANT for plot reasons I’ll talk about later on.

- Can’t make a wish come true with the snap of his fingers, he’s a star, not a genie.

Weakness: Dark Magic, hopelessness and Asha getting hurt.

What he CAN do

- Stretch and re-shape his body. He may not turn into animals but his body can regenerate and squash and stretch around (haha get it? Like the animation term), like he’s made of star dust. Have this piece of concept art as an example:

- He can Fly and make other people and objects fly too

- Unlock doors, may seem random now but I’ll explain in a minute.

- Bring plants to life, and make them grow bigger, and I mean like “make a flower the size of a house” bigger.

- Make animals talk, but the animals only keep talking IF they so desire, if that’s not something they wish for then the magic fades away with time.

- Tho he naturally understands animals and any other living thing in their own languages.

- He can feel other people’s wishes, not all the time tho, he has to make a conscious effort to see what’s that person’s deepest desire.

- His body is warm like a small sun, so he can give warm hugs… that’s a power, yes.

- Aster may not teleport, but they can move really REALLY fast

- Uncorrupt wish bubbles, I mentioned in part 2 that Magnifico twisted most the people's wishes, those wishes that are changed are called “Corrupted wishes”, Aster can change those wishes back to what they originally were.

- Create dreams, is that too much like the sandman from rise of the guardians?… Im still keeping it.

-Get inside drawings, This is just for a scene I imagine Aster shrinking and walking around inside Asha's sketch book, I think that's cute.

- Make a human disguise, I'll elaborate more on this when we get to talk about his design.

- He can grant wishes “but Anny you just said earlier he can’t—“ yes yes I know… he just grants them in his own unique way.

What gives him strength: Hopes and dreams

(Undertale reference? More likely than you think)

A wishing star purpose is to serve as a guide, that provides some magic intervention so that the wishmaker has the means to get to their goal.

As such, the stronger Asha’s hope, perseverance and passions are, the stronger and more limitless Star’s magic becomes. Like his magic abilities are charged up by Asha’s beliefs, the more she wants something, the more he can do for her.

Now, let’s talk about how Aster and other wishing stars that come to earth function, and to do that, we gotta go waaaaay back to another wish granting character in the Disney catalog.

The Blue Fairy- What can we learn from her?

- We all know the blue fairy from Pinocchio, she is in a way the closest thing we have in the Disney canon that resembles the concept of Star, so I’m considering them as both the same kind of entity, they’re both wishing stars.

(not the same character tho, and I’ll get to that soon don’t you worry)

- You would think a character we see so little about doesn’t provide a lot of context, but she actually gives us a pretty good idea about what wishing stars can and can’t do.

- First thing she says when arriving is:

“Good Geppetto, you have given so much happiness to others. You deserve to have your wish come true.”

- From that, we can interpret that wishing stars only assume a human form and help those who are truly pure of heart and have spread kindness to others. Like Asha.

- Geppetto wished for Pinocchio to be a real boy, a human boy, but the blue fairy couldn’t grant that wish, because the only one who could make himself a real boy was Pinocchio himself.

“To make Geppetto’s wish come true will be enterely up to you. Prove yourself brave, truthful and unselfish, and someday you will be a real boy"

- So, am I saying that Aster will just fly up to Asha and say “it’s all up to you to save your people… GOOD LUCK! 😊” sparkle some magic on her and leave?

- Well no although that would be funny, he’s not gonna do that, in fact, Aster will act way differently compared to the Blue Fairy.

- Although Aster can’t immediately make the people of Rosas “Have something more than this” he will do everything in his power to help Asha with anything she needs, and stay by her side the whole way through… Not at all what the Blue Fairy did.

- Lets say the Blue Fairy did exactly what a wishing star is supposed to do.

-She didn’t let herself be seen by anyone except Pinocchio and Jimminy Cricket, she only gave Pinocchio a few instructions and then left it all up to him, and even then when she went a bit beyond that to inform him that Geppetto was inside a whale she did so by sending a note… Almost like she couldn’t go back again to tell him personally… Interesting huh?

(I know the reason is because the animators would lose their minds if they had to draw that sparkly effect on her dress a third time but let’s pretend there’s more to it okay?)

- So we have her being the best role model of a wishing star… and then we have Aster...

-Doesn’t even know where to begin with helping Asha, chooses to stay on earth more than a day instead of just giving cryptic advice and leaving, was seen by multiple people aside from just Asha and Valentino, and worse of all, falls in love with his wish maker… yeah dude broke several rule… And the other stars ain’t happy about that.

- You could say the scale of Geppetto’s wish and Asha’s wish are way different, one just wants a son and the other wants to defeat two evil monarchs.

-But the stars don’t see it that way, to them every wish should be treated equally and it’s not their purpose to mingle with humans and change the course of their history.

- So you see, while the Blue Fairy could go back to the sky and then reappear anywhere she wanted… Aster won’t have that privilege.

-If he goes back to the sky he’s not coming back down, because the other stars won’t allow it, not after he broke their rules.

- Aster knows all that, because he can hear them talking to him, warning him to stop and go back to the sky… Aster keeps that information a secret from Asha for as long as they can…

- He knows after he’s done helping Asha they’ll never see each other again, but that’s fine, he’s willing to break every rule to help her…

- Oh also there’s a scene in Pinocchio where the Blue Fairy opens a lock to free Pinocchio from a cage… that’s why I said Aster can unlock doors… okay moving on to our boy backstory.

Backstory

Yup, Aster has a backstory. And it all started in one fateful night:

An elderly man was taking a walk, carrying his granddaughter in his arms, she was just a few weeks old, but he couldn’t wait to show her how beautiful the stars looked that night.

He sat with her on a thick tree branch, and even though she couldn’t understand him, he was so happy telling her the names of each constellation.

In that moment, it seemed like everything was perfect.

But then that moment ended… He heard screams, and smelled smoke.

The elderly man ran back to his home, only to find it completely engulfed in a fire.

His granddaughter was now crying in his arms as he watched some neighbors trying to put down the fire, but to no avail.

His son and daughter-in-law were in there, he lost them both in an instant, the pain he felt in that moment was immeasurable.

In that moment of sorrow all he could do was look up, between the thick smoke he saw it… a small star.

With all his heart, Sabino wished upon it

“I wish my dear granddaughter, Asha, never feel such pain and sadness as I’m feeling in this moment”

A new wishing star was born.

Those words were the first thing Aster ever heard, it took a few years for him to even know what they meant, but as Asha and him grew older, he started to understand them.

He tried his best to make Asha as happy as she could be with the little that he was allowed to do.

Sometimes giving her inspiration for her drawings, other times sending her nice dreams after a bad day.

But he felt like he was failing her, no matter what he did, Asha would still go through sad times… Specially after her grandfather passed away.

Aster treasured every happy moment that he saw Asha experience, her making new friends, getting better with her drawings, dancing during wish ceremonies. Aster would shine brighter every time she was happy.

Point is: They were connected the whole time, and Aster already knew Asha even way before she wished upon him.

To be clear he wouldn’t just stay up there looking at Asha all day, he was also interested on everything else on earth in general.

But then, we have Asha’s 18th birthday, the day she had to give away her wish.

Aster knew what was really going on in Rosas, about what happened to most of the people’s wishes, and although that also saddened the other stars they all agreed they couldn't intervene unless someone from Rosas wished for their help.

So you can imagine how happy Aster was when Asha wished upon HIM, of all the stars, she looked at him and asked for his help! What are the chances?

If you could listen to them, you’d hear all the stars collectively whisper “oh…this might not end well…” as Aster flies down to earth going "YYYYYPIIIEEEEEEE!!!"

A Star Who Wishes To Be Human

- I’ve made it very clear that Aster is different from the other stars, for the reason that he’s so young and so fascinated with life on earth.

- But there’s more than that, see, I mentioned before Aster can’t hurt anyone, and that’s not because he’s some holier-than-thou pacifist, it’s because his magic literally CAN’T hurt living beings.

- Because his magic is made of ✨hopes✨ and ✨kindness✨ and ✨everything nice✨, so even if they literally make a sword with his star dust, all it’ll do is give Magnifico some tickles.

- And Aster hates that.

- He wishes he could be more useful to Asha… wait, “wishes”?

- That’s silly, a star is not supposed to “wish” for anything, to have wants, that’s a human thing... And yet here he is wanting to protect Asha in any way possible.

- This drive to protect Asha runs even deeper than just the wish he received from her grandfather or the wish she made, Aster feels as if it's a wish that comes within him.

- Aster would question why they feels this way, is it love? Can’t be that right? A star can’t fall in love…

- The same way a star can’t taste food, or smell the flowers, or feel temperature…

- But Aster wishes they could, Aster wishes he knew what food tasted like, what was the smell of the flowers and the morning dew, but most of all… Aster wished he could feel Asha’s warmth, the same way she feels when they embraced.

- This would be Aster internal conflict for most of the movie. They’d realize that they can’t be with Asha forever, but Aster wanted to at least confess his feelings before they went to enact their plan to defeat the king and queen, that’s when we’d get “At All Cost”.

- Soooo a bit of a spoiler to this rewrite, I’m basically telling a story all out of order at this point, but here goes, Aster does become human by the end, after the king and queen are defeated, the stars realize that punishing Aster for breaking their rules wouldn’t be fair after he did so much good, and also because some of them can’t stand him so they decide “hey, let’s leave him there” and just ask him to return his magic back to the sky.

- Once Aster accepts, his magic would be turned into a brand new star, that shines brighter than all the others, because it carries all the magic that Aster accumulated by helping Asha and all of Rosas. And thus we’d get an origin story for THE wishing star.

Design

Aster has brown skin, sparkly freckles and blond hair that shines and moves almost like a candle.

He dresses up as a prince, with the classic cape we see in classic princes like in Snow White and Sleeping Beauty.

They choose that form because he recalls that Asha used to read a lot about princes that would help princesses in need, so he thinks it's fitting to at least looks like one to help Asha

"But I'm not a princess"

"I know, you're just pretty like one!"

A itty bitty detail I didn't mention until now: Aster would be hand drawn animated, while everything else would be 3D, and his animation would change as the movie progressed.

By change I mean he'd start in a very sketchy looking animation, like it's being drawn very frantically to reflect how excited he is to help Asha, but as the movie progresses he'd be drawn with more detail and with more fluid movements.

This would serve to both represent his character development, showing him becoming more mature and learning what it means to be human, and also a reference to how Disney's animation evolved over the years.

He can make a human disguise, as I mentioned earlier, but that would require him to keep his magic hidden somewhere, in this case, a round stone that holds his cape together on his chest.

Once his magic was all kept inside this stone he'd turn into a 3D animated character, however his movements wouldn't feel... quite right, like he'd be animated in a different frame-rate compared to everyone else, so you could tell he was struggling to make himself move like a human, and people would be able to tell there was something off about him.

In the end when he turned into a human for real he'd become 3D animated with the right frame-rate, and his hair would no longer be blonde, but rather brown, like his eyebrows (Tangled reference? yup)

Final Thoughts

This was DEFINITELY the hardest one to translate my thoughts into words! My gosh this took so long to write.

Don't know if you could tell but I'm very passionate about this scrapped idea of a human looking star falling in love with our protagonist, and no it's not just for the ✨aesthetic✨.

I don't think it's wise to throw a romance when writing a story just because you feel like it, a romance needs to progress both the story and the characters involved, think of it like how Naveen learned with Tiana the importance of working hard, while in turn showing her that life can also be fun. They complete each other, and I want the same for Asha and Aster.

Asha needs to learn that she shouldn't feel guilty for wishing more for herself, she worries too much about others and what others may think of her that she forgets her own self worth, and Aster shows her that she not only can wish for things for herself, but she can also accomplish anything she sets her mind to. From becoming an amazing artist that can give movement to her drawings to the leader of a rebellion against two evil monarchs, she can do it all.

Meanwhile, Aster needs to learn that what Asha's grandfather wished upon him is an impossible task, for Asha to always be happy, that's impossible, because sadness is a part of life, its a part of being human, and that's what he learns, what it means to be human, to fail, get up and try again. As a wishing star Aster always knew that humans had to fail a bunch of times before having their wishes granted but he could never imagine how hard that actually was, and Asha's perseverance even with all odds against her is what makes him love her even more.

I talked a lot about why Aster loves Asha, so I should probably mention what Asha sees in him too. Asha get's a lot of laughs from Aster's innocent reactions to natural things on earth, like how dazzled he is seeing the sun rise for the first time, how he just stops and starts chatting with animals and plants like a damn disney princess, or how he randomly starts rambling about how some constellations don't look at all like the animals they're named after "Like, seriously, why did they name that one a lynx? That's obviously a snake hehehe"

But most importantly she loves how caring he is, how he's supportive and passionate about her interests just as much as she is, and how he makes her feel safe, and in turn she wants to protect him too.

I'm honestly debating with myself how I want Aster to go about the information he has known Asha all his life, like, I imagine he'd probably want to hide the fact because he didn't want to talk about the sad tragedy that led to her grandfather wishing upon him, yes Asha knows about the fire but he doesn't want to remind her and make her sad, because remember, at first he doesn't understand that sadness is just part of life.

But then like, would he pretend to not know her? Or would he be like a ghibli character and just nonchalantly say "Oh yeah, I’ve always known you" and never elaborate on that until the story demands it?

… Great, now I just had the idea of Aster functioning like Haku from Spirited Away, like they don't remember where he knows Asha from because he forgot what their previous wish was now that he’s granting a new one, let's say stars can only remember one wish at a time, then as he gets to know her better he starts to remember what his first wish was, and things start to make more sense.

I don’t know, like that’s cute but might be a bit too complicated, y’all tell me, I’m throwing ideas and seeing what makes sense, this whole thing is me asking for feedback after all.

Honestly I think the idea of Aster knowing Asha the whole time works because it not only gives a better explanation to why a star came down from the sky to help her, but also gives more sense to the lyrics “you still amaze me after all this time” in At All Cost.

Welp, I think that's all I got, thank you so much for following along with this series, and don't worry I'm not over yet, there are a few characters to talk about before I start sharing the actual script of this rewrite.

Thank You For Reading!

[meimoons-arts]

Fanart of Asha (Wish) and Star (human form)

"At All Costs"

[emmastraub3]

Zero when he realised Sally was there.

[raziiyah]

i've seen polarizing opinions on this, so i'm curious of the statistics of what people think

1. you believe randall will and/or should be redeemed, there's still potential/good in him

2. you think randall is too far gone, he's too evil to be redeemed and maw will continue to keep him as a villain

3. you hope randall is redeemed, but don't realistically see the show giving him that arc so he'll probably remain as a villain

4. you don't want randall to be redeemed, he's too far gone & it doesn't make sense, but maw will probably make him good in the end

5. if you have an opinion different or more complicated than above feel free to share!

[jq37]

Seeing you describe your opinion on Wish (the movie itself) as "def do have oh boy" just has me curious now. What is it?

OK, so I let this sit in my inbox for a while because I planned to see Wish and I figured that it would be more fair to wait until I had a full picture of what the movie was before I started talking about it and...yeahhhhhhh having seen it my opinion has not changed. It's just intensified. 

MAJOR SPOILERS BELOW (lol, this got past 7k words)

And, fair warning, it's pretty critical so if you don't want to read something critical about this movie then this is your exit.

tl;dr: I think the movie Wish fails at basically everything it sets out to do and it's an absolutely awful 100th Anniversary movie for Disney. 

When I say it fails at everything, I mean EVERYTHING*. I'm going to break this into sections for organizational purposes. 

*The one thing I'll give it a slight pass on is the art style which I don't love but also wasn't like make or break for me. I would have preferred true 2D or a better implementation of the blended 2D/3D style, but if the movie was otherwise of the quality of something like Spiderverse or Puss in Boots, the animation wouldn't have bothered me. Like, I watched S1 of The Dragon Prince with no problem. I can forgive janky animation--and it wasn't even super janky. Just odd. What I can't forgive is literally everything else about the movie. 

Characters

How is this movie so full of characters and yet devoid of characters that matter? There are a million characters in this movie and basically only two of them matter: The King and Asha. But neither of them are compelling in any meaningful way.

There's a lot of to do about the last batch of Disney protags being very same-y in a quirky, all fluff and no substance way and I don't really buy into that. I don't think that Raps, Anna, Moana, and Mirabel are palate swapped carbon copies of each other. They have unique backgrounds and struggles and motivations. I feel like they're all quirky, sure. But they all also have an identity BEYOND being quirky. 

I do NOT get that with Asha. I don't feel like I have a good idea of what makes her tick at all. Like, she's kind. She wants her grandpa to get his wish. She wants to be the King's apprentice so she can help people. The queen (we'll get to her) exposits to us that she cares about people. But being kind isn't in itself an entire personality. The way Mulan is kind (defying the law to spare her father the ravages of war in his old age) isn't the same way as the way Cinderella is kind (making clothes for her mouse friends and protecting them from the cat). Asha just has a generalized want to help people, which is an admirable trait, but doesn't give us much to latch onto. It's so telling to me that in a movie called "Wish" our main character's wish is just, "To have more than just this" And yes, Disney princesses wanting "more" is literally their whole thing, but it's always more specific than that. Mirabel wants to prove herself to her family. Rapunzel wants to experience life beyond her tower. Even Snow White--the Disney princess with the flimsiest story--wants to find her true love. That's a concrete motivation! Asha doesn't feel real to me as a character. It feels like the thing that drives her is that the plot needs to happen and that's it. 

The other important character in the movie is King Magnifico who was supposed to be a return to form for Disney in introducing another classic villain but he just fails at that so hard. The idea that he could stand toe to toe with any of the OGs like Lady Tremaine or Scar or even the latest villains like Dr. Facillier or Mother Gothel is laughable. He just doesn't have any gravitas. And his characterization is so odd. You can tell that they were trying to give him a "reasonable man doing unreasonable things for a good reason” backstory (both because of some images in the film and some stuff in interviews I read) but then they just...don't actually give the backstory? Like, they imply that the backstory exists but I don't remember them going into it at all. Which like, he doesn't NEED a tragic backstory. He can just be doing what he's doing because he's evil. Ursula didn't need a reason to want to rule the seas. She's just a boss bitch and she wants power. I don't need to dissect that any further. BUT if you tell me there’s a reason your villain is doing something, I need to see that reason. I don't understand why they would include that in the movie, just to do nothing with it. 

Beyond that, he's written in such a weird way. Like, despite the "maybe he has a point" angle they seem to want to go with, he's very obviously a self-absorbed ruler--like he'll say things like, "Yeah, I am super handsome" to his wife--which immediately dumps him into the camp villain category. But he's doing the controlling things he does in the movie of his own accord to get people to stick to the status quo he set up. Fine. That's a fine thing for a camp villain to be doing. But then, at a certain point in the movie, he just uses a forbidden magic evil book (which he has for some reason) that just fills him with evil, green magic and makes him 100% unhinged all of a sudden. And that's just...boring? Like, anything interesting you might have been able to do before that point about power and control and how sometimes you make a wrong choice with good intentions is just gone at that point. It sucks because there were a lot of right answers here. You could just make him evil because he's evil. That works. You could have him be seriously convinced that what he's doing is right and be willing to do whatever he needs to do to keep things that way. That works. You could say that he started out trying to be morally upright and then slid into enjoying the praise and control just a bit too much--and I think maybe that's what they were going for. But it does not come across that way. He just seems like a dick to the point where you're kinda questioning how he's pulling any of this off. Asha asks him one question and he flies off the handle. How does everyone not know he's an asshole if it takes so little to fluster him?

So I don't like our main hero or villain. But there are still SO MANY CHARACTERS in this movie. 

You've got Asha's SEVEN FRIENDS. Yes, SEVEN. they're based off of the seven dwarves, which is cute enough but do you know what happens when you give the hero seven sidekick characters? None of them get developed at all and you have to treat them like a unit. Only two of them matter at all--Dahlia (her best friend and the one who actually does more than just make dumb jokes or, worse, nothing at all) and Simon (the one who betrays them--more on that later). There is no story reason for them to have shoved in this many sidekicks. Especially since she also has…

Her animal sidekick, Valentino. Who is a very cute goat until he gets sprinkled with stardust and boom. He can talk. Which immediately made me like him less. Flounder he aint. The whole joke with him is that he's a baby goat with a rich, deep, baritone voice. That's it. Almost every joke he makes is either about that or his butt. Boo. 

Then, there's the Queen--Queen Amaya--who is such a NOTHING character. There's no effort made to build up her relationship with the king so that her flipping on him later has an emotional impact. I have no idea what she cares about or desires. When she shows up, she's basically acting like the king's secretary, which is weird. I don't think that's what a queen does. There's a moment during a later song when she joins the "revolution" and it just has zero impact because again, it's like, I don't know who you are in any significant way! She seems nice, and I would love to live somewhere ruled by someone boring and benign, but that makes for an awful movie character. 

I almost wrote "lastly, there's the star" because I totally forgot about Asha's mom and grandpa. They're in this movie too but even though Asha's whole motivation at the start of the movie is getting her grandpa's wish granted, we never get a good idea of what their relationship is. They have like, one quick scene at the top which tells us nothing, then they're in a crowd scene later, then Asha has dinner with them later the same day and that's it. And, again, we get nothing significant. Compared to something like Mulan where you have a good idea of what Mulan's relationship is with every member of her family by the time the military order comes in or Encanto where between the musical number at the top and the first group scene, you get an entire picture, this is really weak. Again, so weak that I completely forgot that they were even in this movie. 

And NOW lastly, there's the star. Who is like, cute enough but he really makes me annoyed because I've seen the original concepts and they would have been so much more interesting! That's the case for the queen too, so I'll talk about both of them together here. 

I am sorry to inform you if you didn't already know but the queen was originally supposed to be evil too.

She was supposed to be a part of an evil power couple with Magnifico and how dope would that have been? We've never gotten that from Disney before. Imagine! Disney Villain Song Duet! A Hot couples costume for next Halloween! An actual relationship that's developed in this movie! But nope. They unflavor-blasted her into the paper thin, placeholder of a character we have in the movie. 

And the Star went through a couple of concepts. One, was the spirit of her dead grandpa, taking a younger form, which isn't my fave one but it at least would give her a relationship with this person who is supposedly an important person in her life, something we don't have in the movie right now. My favorite alternate concept is that originally, the Star was supposed to be her celestial love interest. And listen, anyone who's followed me for long enough knows that I am a big advocate for platonic relationships and FRONTING platonic relationships. I don't think that a story needs a romantic relationship to be compelling and I think forcing one in almost always makes it worse. But there is NO central relationship in this movie to carry it. Asha has too many friends for any one of them to make a serious impact so it's not a friendship story. Her mom and grandpa are nothing characters, so it's not a family story. She interacts with the star a lot, but that's basically just her talking to herself because the start doesn’t talk. So nothing is really there to latch onto. If they'd decided to go with the romance angle, it would have forced them to focus on at least ONE relationship and it would have been a nice way to throwback to classic Disney movies from the past. Much better than just sticking her with SEVEN WHOLE USELESS FRIENDS. Literally, all they provide is backup vocals in the fight song. Special Dishonorable Mention to Gabo. Man I hate that dude. 

So, to recap this section, Asha's personality is only sketched out in the loosest possible way, King Magnifico is entirely half-baked, and there are so many side characters that no one can form meaningful relationships with each other. And it's really a shame because (1) they very easily could have pared down the cast and (2) very recently Disney put out Encanto which handles a large cast beautifully. There are a ton of Madrigals but I can tell you what the deal of each and every one is. This could have been done well and they fumbled so hard. 

Concept

OK, so next up is the general plot and concept. This story takes place in the city of Rosas which is ruled by King Magnifco. It is supposedly a paradise, but much like a YA dystopian novel, it has a twist: When you turn 18, Magnifico takes your wish away from you and puts in in his wish room with the promise that it might be granted at one of the monthly wish granting ceremonies. Once your wish is taken from you, you are "unburdened" and you're "free" from having to pursue it. You don't even remember what it was. 

There's a kernel of something interesting there. A ruler making his subjects docile, placid zombies that won't challenge him by taking away their ambition? That's interesting. People willingly giving away a part of their heart to dull the pain of trying and failing? Interesting. Someone doing this with no ill intent, but rather genuinely thinking that this half-existence is better than the heartbreak of the alternative? Interesting!

But the actual implementation of this idea? Ughhhhhh. 

So first off, just logistically, Magnifico grants one wish a month more or less (Asha says once a month and in his villain song, he said he granted 14 wishes "last year"). So like, realistically, most of these people have to know their wishes will never be granted, right? Because of like...how math works? Asha acts like it's a big shock when she learns that most wishes won't be granted but like girl...math. 

Secondly, there are two moments that are meant to imply that having your wish taken away turns you into a shell of yourself. Asha's friend (who betrays her) Simon is said to be all sleepy and more boring since he turned 18 and had his wish taken. And then, later in the movie, we see two new residents have their wishes taken, and they look a little disturbed after it happens. But, here's the thing. NO ONE ELSE IN THE MOVIE ACTS LIKE THAT. Asha's mom and grandpa act like normal people. So do all the other characters. It’s not consistent enough to establish that this is what’s on the line. Does taking your wish away make you a robot or not?

And does everyone just have one wish? I know I could fill a full sheet of paper, front and back, with things that matter very dearly to me. If you took away my wish to write for TV someday, that would still leave my wishes to travel the world and get a comic book adaptation of one of my novels and a whole lot of other things! Does taking your main wish away make you lose your ability to form new wishes? Logistically, how does any of this work? And you can't just say, "It's a metaphor. Don't think too hard about it," because there's a scene where the citizens start asking these questions. Like, "What happens if we have a new wish than from when we initially made it?" As if having unnamed side characters ask the questions first will alleviate the need to answer them. It's not lamp shading at that point. You're just being lazy. 

Also, this is more a me thinking about the implications too hard than an actual plot problem but if he's taking the wishes at 18 I feel like a lot of peoples' greatest desire at that stage in their life is, "I want a romantic partner." And if the central conceit of this premise is that once your wish is taken, you stop wanting to pursue it then the city of Rosas is gonna have a population Collapse problem very soon. 

The characters--especially Asha--get so emotional about wishes. It's like they're giving a My Little Pony: Friendship is Magic speech every time they talk about it (except MLP has MUCH better writing). It's bizarre to see Asha's mom get her wish back and be like, "Oh my wish. My precious wish!" when she doesn't act any differently than a normal person before or after she has it back (Sidenote: She says this and she's holding the wish ball but we never see what that wish is and that's maddening. Why do I know what the dream of every patron in the Snuggly Duckling is, but they didn't show that? Ridic.) It almost is like, being in contact with a wish ball is a quasi-religious experience that drives the characters’ actions (Asha and the King are both totally enraptured while singing together in the Wish Room), but because we, the audience, are very much not in contact with the wish balls, we're not getting ANY of that. 

Anyway, to recap this section: the central premise of how wishes work and how taking them affects people is not treated consistently or explained well, which makes the stakes feel very undefined and sloppy. 

Pacing

This has to be its own section, because it's the thing that baffled me most when I watched this movie. So, here's the setup. Asha is going to interview for the internship with the king. She wants to help people and she has the secondary motive of wanting to try and get her 100-year-old grandpa's wish granted because he's not getting any younger. 

Here is the entire sequence: Asha is led into the interview by Queen Amaya. Asha is awkward but makes a good enough first impression that Magnifico is moved to show her the wish room (for some reason). They sing a duet about the wishes where they’re both dazzled by the Wish balls. During the song, Asha finds her Grandpa's wish and after the song, she asks him to grant it. He looks at the wish and says while she has good intentions, it's too dangerous to grant--as are most wishes. She asks why not give them back then and he immediately flies off the handle and starts ranting about how HE decides which wishes get granted and what everyone deserves! 

Their first meeting and him showing his true colors happens in the SAME SCENE. It's like 7-10 minutes and they just RUSH through all of that. And it's like, why? Did they really need to get to that dumbass star song (we'll get to that) faster? 

I know that he isn't a twist villain so we don't need to keep the fact that he’s the bad guy under wraps. And, the way the story is structured, she needs to learn what he's doing before she can rebel against him. But it's not gonna be a big, impactful moment if you're rushing from beat to beat like this is an essay that's due in twenty minutes and you started five minutes ago. 

And it really makes you wonder, if Asha can blow the whole lid off this conspiracy within ten minutes of meeting this guy, why is this not happening more often? Between how obviously smarmy the King is, how paltry the wish granting system is, and how easily Asha was able to start asking questions and get him to blow his top (something that happens again later when the citizens start asking question–it literally drives him into his villain song) I don't believe that this wouldn't have happened earlier (Sidenote: Finding out that it HAD happened earlier and that Asha is the latest in a line of failed apprentices who questioned him? More interesting premise). 

So to recap: I have no idea why this movie is paced like this but it's not doing it any favors. 

Humor

Humor is very subjective so you can take this with a huge grain of salt but I think this is a deeply unfunny movie. 

The jokes fall into about three main categories:

(1) Quirky Humor: This is like Asha babbling and tripping over her words. The scene in the trailer where she's like, "Is my face drooping?" is a good example. It's not really a joke but it's clearly an attempt at humor that I don't think meets the mark. It's also in the songs with, for instance, the animals or the King saying slang that doesn't match how they talk or you'd expect them to talk at all and it just feels deeply incongruent, not funny. 

(2) Referential Humor: This is probably what bothered me the most because it was just so so very eye-roll inducing. And listen, I love a good reference. Enchanted is my favorite movie of all time. I don’t begrudge them for putting a few references in their 100th Anniversary movie. But ugh. There is a scene after the king's gone crazy where he's destroying wish bubbles for power and he's like, looking at the wishes and making a quip before he crushes them. And for the second one he goes, "Oh you want a nanny for your kids? Definitely  POPPING this one!" And he might as well have looked at the camera and said, "Get it? Get it?" and it took 6 months off my lifespan. (Sidenote: He he does a direct ref with the first two wish bubbles--Peter Pan and Mary Poppins–and then he just makes a general ref to the concept of true love with the last one and it's like, come on at least rule of threes this if you're gonna do it. Commit to your awful bit!)

(3) Kiddie Humor: This is where things get especially subjective because maybe a little kid would find this stuff really funny and they are a part of the target audience so that's valid. But it doesn't add much substance to the movie. This is like the goat being like, "I found a secret passage with my butt" or leading a chicken choir or singing the line, "So that's where all the balls of gas come from" while sticking his butt in the air--a lot of these have to do with the goat and his butt now that I think about it. 

I think I only laughed at one thing in the movie that was meant to be at least partially funny--when the Queen interrupts the fight song and everyone is like "Oh shit, we're busted!" before she starts singing along. 

So to recap: Sometimes a movie has a weak story but it's super funny and that makes up for it. This is not one of those movies.

Music

This is the one thing I already knew before I watched this movie: The music in this movie is bad. 

Like, fullstop, no qualifications bad. Not bad for a Disney movie. Not bad for this story. Just bad.

I was a little confused by the choice to pick a pop artist instead of someone who specializes in musical theater style music for this project, but a more pop-y musical doesn't automatically mean a worse musical. Sure, maybe it's a weird choice to pay homage to the past 100 years of Disney movies, but it could be good. I love Six the Musical.

But that's the problem. The songs aren't just unfitting. They're not just un-Disney. They're fully BAD. They feel so half-baked and God, I've never been so assaulted by slant rhymes in my life. Like, this bothers me to the point where I have to go through the entire tracklist. I can't just make a blanket statement, I have to show you what I mean:

1) Welcome to Rosas: This whole song sounds like someone listened to “Where you Are” from Moana (the "consider the coconut" song), “Belle” from Beauty and the Beast, and “The Family Madrigal” from Encanto and was like, "I could do that". And then they couldn't. It's not really catchy and it's pretty repetitive. Super forgettable. 

Worst Line: Honestly, this song is too boring to have a worst line. 

2) At All Costs: This is the duet that Asha and Magnifico sing. Before I saw the movie, I thought it was going to be Asha singing about a wish and Magnifico singing to his wife to set up the eventual rift between them but that was before I realized that this movie doesn't believe in relationship building. Some of the movie's worst musical sins are on display here. Turns of phrases that seem like they were written by AI and bizarre syntax. 

Like what does, "You pull me in, like some kind of wind" mean? That's not what wind does. Why would anyone ever say, "Felt this? No, I haven't" instead of "I haven't felt this?" That's so awkward. 

Worst Line: "Leave you here, I don't wanna. I wanna [promise as one does]." My feelings about this line could be a whole other essay, but I've been writing this for 2 hours already so I have to move on. 

3) This Wish: This is the big "I Want" song and it fails on several levels. It fails in comparison to all the songs it’s standing in the shadow of--like the last “I Want” song we got is, I believe, “Waiting on a Miracle” and man! How can you not feel for Mirabel after watching her go through everything she goes through at the start of the movie and it getting topped with her being excluded from the family portrait? You see all the build up (including the implied build up from before the movie started) and you see why it's all bubbled up to the point where she has no choice but to sing about it! With Asha, there isn't a whole lifetime of angst that's bubbling up to make her sing this song. Everything that's happened to her has happened over the hour of like eight hours tops. She meets the king, finds out about the king, realizes the whole system is bad, and then gets into an argument with her family who's drunk the Kool-Aid and doesn't wanna hear what she has to say (which makes no impact on us because we have no idea what their relationship is). That's it. It doesn't feel like the movie has earned the song.

And then with “Waiting for a Miracle” the music itself is plaintive and soaring. Like, I just paused writing to listen to it and I couldn't help but sing along and pour a little of my actual IRL "I Want" energy into it. It's a song that feels very real. “This Wish” isn't any of that. And it's not the actresses' fault! She's pouring her whole heart into it and she consistently does all movie. But the song is just, bland. Like I said, "I want to have more than this" is too weak a hook to hang your whole song on–especially when it’s the song that’s supposed to be the thesis of your whole movie.  

Worst Line: "So I look up at the stars to guide me/And throw caution to every warning sign." That's not a thing people say and also it doesn't mean anything. If anything, it sounds like she's saying that she's being extra cautious at the warning signs! You can't just throw words together haphazardly and expect them to retain their meaning!

4) I'm a Star: This is, imo, the worst song on the whole track. A friend of mine described it as sounding like a song from a preschool science show and that's exactly it, but there's more to it than that. 

First of all, a big part of the reason this song exists is to set up the fact that humans are made of stardust because that's a plot point in the climax. But there didn't need to be a song about that. That would be like if Frozen 2 had a song about how water has memory. But like, OK. If the song was a bop, it wouldn't matter that it was superfluous. Haus of Holbein in Six does NOT need to be there, but I enjoy it! I do NOT enjoy this song however. 

This is something I alluded to earlier, but this soundtrack in general and this song specifically sounds like it's trying to do LMM's schtick but poorly. And I know some people don't like his whole style of music (I personally like it) but love him or hate him, his style without his skill? Awful. The presentation of fun facts in the middle of a fun song makes me think of his "Look it Up" in “Shiny” or "That's true" in “A Winter's Ball”. And there's a part where a turtle (we'll get to the talking animals) sings "See we're all just little nebulae in a nursery/From supernovas now we've grown into our history/We're taking whys right out of mystery, closure/Now we're taking in all the star exposure" And it really sounds like someone doing their best to emulate Lin's flow in things like Mirabel's aside to Mariano in “The Family Madrigal” or any number of songs I could name from Hamilton. But it just falls so flat here. It sounds so preschool and cheesy. And not preschool in a fun way. Backyardigans would never. 

Also, this song is sung by a bunch of talking animals (the Star gives them the ability to talk) and I find them so obnoxious. They say stuff like, "Did we just blow your mind?" with the "boom" sound effect and I hate it. Maybe kids will like them, I dunno. I refuse to get into it further. 

Worst Line: This song completely misuses the word allegory, which I hate, and it rhymes it with "excitatory" which I hate more (and I am saying this as someone who has made peace with the fact that Schwartz rhymes "nasty" with "flabbergasty" in Disenchanted) but there is only one line in this song that can be considered the true worst line because it's my least favorite line in the whole movie. A dumbass, stoner-sounding deer named Bambi (boo) sings, "Ooh, I'm a star! Watch out world, here I are"

They rhyme the word star--not a hard word to rhyme at all--with HERE I ARE. 

I firmly believe someone should go to jail for that. 

5) This is The Thanks I Get?!: This is the much anticipated and extremely disappointing villain song. There's just no gravitas and it's not clever enough to be very fun. It's just kinda bopping along which is eh, kind of fun at best, but like everything else in this movie, doesn't leave an impact. A musical number doesn't have to be obviously sinister like “Be Prepared” or, the holy (unholy?) grail, “Hellfire”, to be impactful. “Mother Knows Best” is bright and filled with false cheer but it still works because we can see the manipulation that Gothel is doing and she spins Raps around in mental circles to keep her docile. This is just an egotistical rant--and not even in a fun, Gaston kind of way! (Sidenote: Gaston is a good example of a villain who is preening and pompous and kind fo campy, but who you see why he’s beloved AND he can be menacing when the scene calls for it). 

Also, it's so full of weird slang that Magnifico doesn't use at any other point in the movie. "Peep the name", "Ungrateful much", "Mmm, are you sure you're not the prob?" It's like he suddenly got possessed by Urban Dictionary. It's bizarre. 

It also comes weirdly late in the movie, which isn't a complaint, just an observation. 

Worst Line: I think "peep the name" is my least fave but, because I already said that, the opening lines of this song are, "I can't help it if mirrors love my face. It's genetics! Yeah, I got these genes from outer space" and that's such a weird thing to say. I got these genes from outer space? He wasn't even there for the star song so what the hell does he mean by that?

6) Knowing What I Know Now: I feel like this is the song that had the most potential. But for all its build, it never builds to anything. It starts and ends so abruptly (which is the case for multiple songs on this list). We don't really get to know any of the characters well except for Asha so them joining the revolution has no impact. The Queen turning on Magnifico really doesn't have much impact. 

(There's a line in this song where a character sings, "I was sweet but now I'm something else" which is so funny because we literally know nothing about her except that she surprises people when she's in a room which, lmao, me too. Fully forgot you were in this movie, girl). 

Worst Line: "The good in him, I've watched it melt". There's technically nothing wrong with this line but I hate it because melting with regard to emotion is never, "Oh, his goodness is melting". It just hits the ear so wrong. You can watch the good in him disappear or fade or vanish. Not melt. Hearts melt. 

There's also a reprise and a credits song but I have talked about the music for too long as is so to sum up, there is not a single song on this list that I will ever purposefully listen to for enjoyment ever again and there are a few lines that I feel calls for someone being forced to go to whatever the musical version of the Hague is to explain themselves. 

MISC

This is just a section for things that annoyed me that didn't fit anywhere else. 

There's a moment where Asha sees Star which is a star that has fallen to earth and is shaped like a star and she's not able to put together than he's a star until she looks up at a ball of yarn that's tangled in the trees and sees that the yarn is shaped like a star...which again, Star is ALSO shaped like a star! Baffling. 

Gabo at one point makes a comment to the effect of, "Wishing on a Star? Grow up Asha, this isn't a fairy tale." And it's like, dude shut up. Your king is a sorcerer. This movie isn't funny enough to pull off that kind of wink to the audience. 

The actual funniest part of the movie is when a talking mouse (not a thing that usually exists in this world) runs onto the Queen's shoulder during a big speech in front of a crowd and not only does no one notice, but she has no stronger reaction than if a messenger was telling her that her dinner was ready. And not in an underreaction for the purposes of a joke way. Like, in a they forgot to write in a reaction for her way. It's so unintentionally hilarious. 

They specifically set this in the real world–off the coast of the Iberan Peninsula–but I didn’t get any of that influence in any significant way here. It could have been any generic island town. Rosas sounds like a Spanish name and “Welcome to Rosas” there is some dancing that looks like traditional Spanish dancing. But on a whole, it feels pretty bland. When I think about studying abroad in Spain, one of the big things I think about are all the moments with food–patatas con bravas, pan con tomatae, paella, and so so much coffee. The only food I remember from this movie are the novelty cookies Dahlia is always baking. Which is wild to me because their last big musical was Encanto and you could feel the cultural influences in every scene and it was seamless. This wouldn’t even bother me if that hadn’t made a point to set it in a specific part of the real world and call it out. 

A lot of the dialogue is super expository in a way that both makes me think the writers think we’re stupid and that they realized at certain points that they forgot to establish things but instead of fixing the script they just shoved in a line. Like, to the first point, there’s a part where Magnifico crushes a wish and it’s very clear that he’s getting a high from it. But instead of letting the moment stand he’s like, “Oh yes. Who knew crushing wishes would feel so good? I must continue to crush wishes so I keep feeling this good feeling,” and it’s like…why did you need to say all of that? Old Power Rangers episodes have their villains monologue less than that!

This movie opens on a storybook–just like Snow White–and it has a voice over of Asha narrating the history of Rosas as the pages flip. Not a bad idea–until you push into the scene and realize she’s telling all of this to…her grandpa? Who is 100 years old and lived through all of this? What? Why not have that scene be a kid flashback and the story is being told to her? Or have her be doing the little kid thing of telling a story to an adult? Either way, that would help establish their relationship which is ostensibly very important to this movie. Or, wild thought, just have her be telling this story to kids! Like Mirabel explaining all the Madrigal gifts in Encanto! Like, if you’re gonna take cues from that movie, at least go all the way so your movie makes sense. 

It’s very unclear how Star’s magic works. It seems like he mostly just gives wildlife the ability to talk. I thought he was just granting wishes but he never does that to any of the humans. And I find it hard to believe that the wish of every animal (and mushroom)  in this movie is just to be able to talk.

Easy Fixes

And all of this is compounded by the fact that this isn’t just any random movie or even any random Disney movie. It’s the *100th ANNIVERSARY*. You only get one of those and this is what they wasted it on. My hopes were really high here! I was expecting a lot of love and care to be put into this one, but it just fell absolutely flat. It feels so rote, so by the numbers, so lacking in care. It feels like the shell of an outline of a movie that relies on the fact that we know what a movie of this sort should be and can fill in the blanks. 

And the worst part? The absolute worst part?

IT WOULD HAVE BEEN A REALLY EASY MOVIE TO FIX. 

Like, I’m serious. If you watch this movie, you will be able to, off the cuff, name tons of things that would have solved problems without breaking a sweat. 

For instance, just cutting her friend group down from seven to two would have helped immensely. If she, Dahlia, and Simon have a Three Musketeers relationship, then when he betrays her to the king, it actually means something now! 

For a bigger but still obvious change, why not have Asha have an existing relationship with Magnifico? So then this story can be about her losing faith in this relationship she’s had for a long time after she’s seen behind the curtain and become jaded over time and not a 7 minute “Don’t Meet Your Heroes” speedrun.

And making it clear what taking a Wish from a person means–and following through with that portrayal all movie–would all be a game changer. Show that Magnifico’s magical wish granting still leaves the people hollow. Show that Asha is a vibrant, bright person amongst a sea of robotic adults. Show me some worldbuilding! 

Also, just hire a musical theater person to do the music. Seriously I can’t believe I have to say this? How is there not a single good song in this movie? There are DCOMs with more bangers than this. Almost every song in High School Musical is a bop. How are you getting outshone by High School Musical?

And these are just changes that preserve the bulk of the story as is. This movie could have been even better if they’d change the direction to go with some of their scrapped ideas!

This is just a movie that absolutely baffles me. I wouldn’t think it would be possible for a movie with this high of a profile to be this bad. You would think that even accidentally they’d have to get SOMETHING right. But they really don’t. I can’t recommend this movie, even for a fun-bad watch. It’s like eating unsalted saltines while you have dry mouth. Just watch a better movie. And here are three movies I think are more in the spirit of Disney’s 100th anniversary than Wish:

(1) The Princess and the Frog does literally everything that this movie is trying to do but better. You’ve got a movie that used a 2D style in the 3D era. You have integration of cultural elements–in this case New Orleans in the 20s. You have a classic princess story with the classic trappings: romance, villain, fairy godmother. You have a rocking villain song. Hell, you even have a wishing star motif! 

(2) Encanto is the latest Disney movie of the modern era to have that classic Disney magic, imo. It sidesteps a lot of the classic Disney tropes–no princess, no serious romance (Delores and Mariano end up together but it’s very much a side thing), no villain beyond generational trauma–but it still feels musical and magical and full of character and life. It shows that you can keep the big emotions that we expect from Disney even with more modern sensibilities. 

(3) Enchanted is my favorite movie of all time so I’m biased, but I still firmly believe that it stands as a better movie in general and tribute to Disney specifically than Wish. THIS is how you do an homage. The whole plot is a loving roast of all the quirks of classic Disney movies, but it’s also a sincere story that stands on its own. It has references to old movies, but they’re integrated very naturally. And it’s funny enough to get away with things like a character mid-musical number being like, “What the hell is happening? Why is everybody singing?” without it feeling like lazy, “Well that just happened” humor. And the music is so good! 

(A quick note on the music btw: Most of the songs in Enchanted are musical theater style songs but there’s one song near the end called “So Close” which is like a pop ballad. And it totally makes sense why they’d depart from the musical theater style in that moment in context but, even if it was jarring and totally unfitting for the movie, it’s still objectively a strong song. Out of context, it would be a great, sad, romantic song. And if the music in Wish was all like that–good but unfitting–this would confuse me less than it does.)

Anyway, I would shell out a LOT of money for a making of documentary for this movie in the style of the Frozen 2 one because as writer and a fan of a lot of Disney’s past stuff, it is completely beyond my comprehension who a team of accomplished people get together to create the 100th Anniversary project with their vast resources and produce this. It just doesn't feel like a movie with any serious care put into it. Which is separate from quality, btw. I don’t like the movie Raya very much but I think it’s obvious a lot of care went into it and I respect this. Wish feels like a movie that was made to fill some kind of contractual obligation and it makes me sad because I really wanted to like it. 

[clovariia]

forever friends................dream team...............for all eternity...........

[thornvault]

WELL someone made me watch Wish for the third time and I can no longer fight it. I want this man.

Here's a sideblog to drag people down with me.

Listen man he's hot and traumatized I never had a chance. I've always been weak for fucked up little dilfs 😔 disney knew what they were doing fr. I could fix him. Let me at him.

Hoping to get a chance to shamelessly OCpost on here bc my baby Kali is gonna kiss him so much (threat). I'm not interested in any drama btw. I don't care. I'm too old for that stuff just let me enjoy my old man in peace. Friends are always welcome, I love talking about OCs!! (Please talk to me about OCs oh my god)

[signed-sapphire]

For the King what’s one small cute thing you love about your beloved wife ☺️

No, but for real, he loves exactly that.

Amaya loves fiercely and passionately, and just because she’s gentle doesn’t mean she’s harmless. She’s peaceful.

When she first met Magnus, she took none of his shit and told him to get himself together instead of neglecting this young child he decided to adopt. She cares so much, and that’s why he fell for her.

(Rereading this ask, I realize I misinterpreted it… let’s just say he loves how excited she gets about her potions asdfhkgs)

[spectator-zee]

RAS! HERE'S YOUR BUNDLE OF JOY!

Here's Starboy from @rascalentertainments Wish au called Wish Granted!

[uva124]

Hello dear Aled

So I realized I was drawing Asha’s hair wrong… spare some refs for her hairstyle please?

(also. totally didn’t use this as an excuse to draw me sona some more.)

Of course Bo! Now that I realize KOW!Asha's hairstyle is a little difficult to understand? idk anyways here is the tutorial on how to draw KOWAsha's hairstyle!

First of all, the hairstyle is mainly inspired by this photo, I simply loved it when I saw it and I wanted to implement it in the redesign!

1-We start with a braid that is on the upper part of her forehead with another hanging on the part of her forehead (just like in the photo I showed before) This braid is also attached to another one that divides her hair

2-From that division we began to draw Asha's hair down with her cute curly hair

3-We add the dreadlocks and braids on the sides of the head, I mainly draw 2 next to each ear since they are the ones that are mainly seen, but in reality Asha has others, I do this to simplify the procedure and I detail them later when I start coloring my drawings

PLUS:

I like to always draw the right part of Asha's hair in front of her ear while the left part of her hair is behind her ear :]

I hope I explained it well!

[worthdreaming]

HERE ARE SOME SKETCHES OF MY ASHA!!! It’s been so long since I last uploaded 😭😭, guys I’ve been so busy(lazy) I keep forgetting to upload..

[somecallmejohn]

Can you write headcanon for Asha and Simon's first kiss

Alrighty! So my headcanon is that their very first kiss was actually way before either of them realized their feelings for each other and it's basically that in one of their pretend games (check my sleepy rose headcanons post for more context) Simon had found some pretty flower(idk much about flowers so let your imagination picture what flower it is) and given it to Asha as a gift and to show him her gratitude she gave him a kiss on the cheek(and he then his face turned as red as a tomato and ran back to his home).

It didn't mean much back then, although that's prolly when Simon first fell for Asha, but it's something that they'd often look back at when they finally realized they liked each other. I also like the idea that there was always something going on between them, but they just hadn't realized it at the time, tho that might be cuz I'm a slut for the childhood friends to lovers trope.

As for their first real kiss, I'd say it took place on some random non-specific day, Simon at this point would be planning out his hundredth love confession attempt to Asha and was looking for that same flower he had given her back when he first fell for her, but this time Asha was way ahead of him.

After a chat with Star and the other six teens, who all already knew about Asha and Simon's crushes on each other and just waited for them to finally admit it(Gabo had even begun making bets as to when they'd admit it, he lost all of them), Asha realized that Simon did reciprocate her feelings about him and decided that they both waited long enough for it and went to that same spot Simon went to to finally admit her feelings to him.

And as if the roles were reversed, it was Asha that had found the flower this time and gave it to Simon, admitting her feelings to him simultaneously, and as he noticed the pattern of the situation he gave her a kiss to the cheek and said he felt the same about her only for Asha to pull him from his tunik and kiss him on the mouth.

[sparkling-nov]

Ich hab ein Anliegen wegen Asha.

ich hab mir den Kopf zerbrochen wie ich es herausfinden könnte aber du kannst mir bestimmt helfen. Bei der Szene wo Asha mit Magnifico auf der Plattform war und Magnifico Asha durch die Luft geschleudert hatte hab ich mich gefragt ob Asha vllt naja wie soll ich es sagen….. das Bewusstsein verloren hatte??? Ich hab schon Google ChatGPT und was sonst geht gefragt. Weißt du es vllt?(ich hoffe es ist nicht schlimm wenn ich auf deutsch schreibe. Ich kann nicht so gut englisch)

Translate:

Well let's see.

Nope doing the fight with king magnifico asha Doesn't lose consciousness even though it look like she was going to,

She Still gets back up Through all the pain, and i love that so Much about her, asha is Very Strong right here she Remembers that We are stars! We CAN make our dreams Come ture ourselves no matter what others say or think. I love this scene (even tho it Hurts me to see asha hurt) because it really show Asha's Strength and Determination.

[pickypickypeak]

Do you feel like it’s the parasocial beef against Disney that’s the actual problem? Like the constant piss poor takes abt the Disney Princesses back in the 2010s

I feel like social medias and people using them incorrectly are the problem.

Bad takes on disney movies have always existed, but let’s look at the disney princess bashing in the 2010s you mentioned for example. So people have been criticizing disney princesses for being weak and too feminine and stuff, and while someone fortunately came to defend them, there still was a lot of discourse on it. BUT it was still somewhat confined to a young audience, or young adults at most, since it was mostly consumed on youtube and forum-like websites. So a large piece of population (who just didn’t go there) was unaffected by this and didn’t get to express themselves.

Today, everyone is exposed to it. It’s not just young people or fans anymore. People who normally wouldn’t even think about interacting with disney content, including fully adult people who are way past over their disney days or just don’t care about it (which is perfectly fine lol), are casually exposed to a post made by a conservative account saying that the character from their childhood is “becoming black” in the new movie, completely out of context, and they just hate-comment it before moving on with their day (they couldn’t care less about the movie coming out or disney in general but they NEED to express their “opinion” (black is bad) on the subject or they’ll die). Their hateful, unnecessary, misinformed comment fuels another, and you get The Disney Hate Bandwagon. Which is also expanding to “fans”, who now approach disney content with a “disney bad” aptitude, like they HAVE to find a reason to hate whatever movie disney is marketing at the moment and say how good disney used to be before it went “woke”.

(Oh, if it wasn’t obvious, these people don’t even check their news before commenting, see the avantika drama.)

I still get people hating on disney because corporation, really I do but… I don’t necessarily think that justifies hating on every movie and show that come out just because. If people don’t like disney they’re still allowed to discuss it and address their issues with the movies of course, but if all they do is spreading hate or misinformation to fit their “disney bad” agenda, I feel like it would be better for them to just watch other movies and engage in stuff they actually enjoy?

This is what I think.