#So does Dean Winchester
Explore tagged Tumblr posts
spookyblazecoffee · 2 years ago
Text
Adam Milligan has auditory processing disorder because I have auditory processing disorder and I said so.
Just saying this because my online classes and the videos for said classes don’t have subtitles and I’m pissed off.
I don’t make the rules, I’m just a messenger of the truth.
20 notes · View notes
lonesome-dreamsss · 1 year ago
Text
his handprint may be burned into your skin but it's still the gentlest touch you've ever received.
4K notes · View notes
jayjay-thejet-plane · 11 months ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
The Winchester Brothers and the Case of the Mysterious Pretty Pink Panties
…anyone else remember rhonda hurley?
2K notes · View notes
wellwatersurprise · 9 months ago
Text
Tumblr media
movie night with the yapper himself
[click for better quality, .png version under the cut]
Tumblr media
1K notes · View notes
nev3rlaand · 6 months ago
Text
Tumblr media
dude this new mlp generation is so fucked up they killed twilight sparkle with a gun
Tumblr media
455 notes · View notes
daddario · 4 days ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Sam and Dean lacking personal space in every episode - 1/327
183 notes · View notes
bomedew · 5 months ago
Text
Tumblr media
i love u,, sam winchester,,,
346 notes · View notes
lambmotifz · 4 months ago
Text
the reason why sam and dean’s unhealthy dynamic doesn’t need to be fixed is because they both (unconsciously) crave power imbalance but for completely different reasons
dean didn’t have much power when he was younger since john took his control away from him. which is why he seeks power/control via hunting, violence and his relationship with sam. dean’s repressed sadistic tendencies, his love for hunting, his enjoyment of torturing & killing souls in hell come from his repressed need to be in control
and sam, as jared said, wants to restrain his physical power. not only because he doesn’t feel comfortable in his body, being too big and intimidating on the outside but feeling smaller and craving safety on the inside. but also because of his guilt and wanting to prove to himself, and to dean, that he’s good. that dean can trust him. it makes him seek comfort in being punished, in being restrained and feeling smaller than he is, but dean is the only person who can give him what he needs because dean is also the only person sam trusts and submits to. as twisted as it may be, but dean’s control over him is the only thing that gives him a feeling of safety he’s always craved
they complement each other in this fucked up way, that’s why their dynamic cannot exist without a certain amount of power imbalance
342 notes · View notes
lovealwayssay · 8 months ago
Text
Jensen’s view of Cas’ confession evolving over the years is LITERALLY just Dean processing the confession. Jensen understands Dean on such a deep personal level so he took the confession the way Dean would have originally: saying its ambiguous and that Cas’ angelic love was beyond human comprehension so may not have been romantic. However, as Jensen processed the feelings, he realized it was romantic. That wasn’t just Jensen processing it, it was Dean. We are literally watching Dean come to terms with the fact that Cas is in love with him in real time. The show may be over, but we are still getting content because Jensen loved and understood Dean so deeply that Dean became a part of him.
368 notes · View notes
swedenis-h · 1 year ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
A drunk call, 2009
Tumblr media Tumblr media
708 notes · View notes
s0fter-sin · 1 month ago
Text
one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules
the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)
almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)
they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning
(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)
even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)
so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim
it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character
the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring
we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)
it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other
sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother
#i could go on forever theres literally so many examples#dean figuring the ‘two dark doubles’ is a shapeshifter sam figuring out the changing ghost is a tulpa#also peak how many of these examples come from dean despite them pushing so hard for sam to be the one knowing hunting theory#this format is why i cant stand watching the first season of charmed despite loving it so much#i just cant be bothered watching them have the same struggle ive seen a hundred times play out again#different genre but sons of anarchy does this well too; all the characters are already in the club life and already have inner conflict#spn having such a natural introduction makes me so glad they didnt go with the original plan of sam not knowing about hunting#that wouldve been Painful#watching spn so young has really shaped my view of media bc i legit cant stand things with a learning curve#give me an established world damnit#lord of the rings never stops to explain what a dwarf is! you just go with it! and it rules!#dean is just as theoretical and lore savvy as sam and id go as far to say he actually knows more#instead of trying to do this bullshit brains v brawn divide they shouldve done new tech vs analogue#sams laptop is famous and he also knows how to hack thing where the second dean doesnt know something he defaults to books#have dean be the one where if its written down he can find it almost like a proto bobby#they even kind of support that by him being the one to find the phoenix in s6 when they go through all their books#but this was 2005 and characters could only be so conplex and theyd already decided dean needed to be the hot one and sams the nerd one#side note how many of these metas am i going to write on this rewatch? tbd#side side note included all the quotes and episode numbers makes me feel so academic#coming out of my cage and ive been doing just fine.txt#carry on my wayward son#talk meta to me#meta#supernatural meta#spn#supernatural#dean winchester#sam winchester#save post
128 notes · View notes
whatohitsonfirewelp · 1 year ago
Text
Older siblings in media are so often misunderstood. Either adored or hated, but never an in-between. The pressure is always there, never enough or too much.
It’s the Steven Crain’s who are hated, the Fiona Gallagher’s who are forced onto a pedestal, the Dick Grayson’s who are reduced to nothing but their mistakes and issues, the John Dory’s who is only ever the oppressor and never the oppressed, the Isabela Madrigal’s who are considered vain and self centered.
It’s the eldest child who has no one on their team because they are the leader, and that is either meant to be taken from them or only ever for them.
It’s the Kate Sharma’s and the Anthony Bridgerton’s. It’s the Bill Weasley’s and it’s the Dean Winchester’s. It’s the Eric Matthew’s and it’s the Elsa’s.
The eldest sibling whose mistakes are over analyzed or completely ignored, who are never seen as humans because they are something to claim or destroy. The first born who is never understood in media or by fans, maybe it’s because acknowledging the fact that they’re human means they aren’t perfect is too much. Or maybe it’s because acknowledge that they are human and therefore cannot be defined by their mistakes and the weight they carry is too much.
They are not allowed to be perfect and yet if they are anything but perfect the world would riot.
438 notes · View notes
lisaphantasia · 9 months ago
Text
Tumblr media
This look makes me absolutely feral
239 notes · View notes
overactiveprefrontalcortex · 3 months ago
Text
whatever they were feeding him in s1, why tf did they stop
Tumblr media Tumblr media Tumblr media
124 notes · View notes
pollsnatural · 8 months ago
Text
If you blame him, please write in the tags/comments why. I'm curious.
260 notes · View notes
knotboy-dean · 13 days ago
Text
Tumblr media
Don’t look too close at this I just wanted to draw his man tits
61 notes · View notes