#to be denied it at the last second.

[swedenis-h]

A drunk call, 2009

[mousemannation]

the throwbacks from chengdu open | atptour instagram story

there's more in the reblogs !!

[ropebunnykant]

i fear the ending of agatha all along is once again making people confuse “i didn’t like the ending/the ending made me sad” with “that was bad writing”

[moeblob]

Deacon really just wants to learn about all the deities and so he really would be interested in meeting more deities but also he's not convinced Ohiwe and Ohime would ever suggest this for his own benefit. He's a bit scared which is fair.

[hearteyespierce]

god the hits really don’t stop fucking coming do they.

[ehlnofay]

@lemon-embalmer I need you to know that these tags made me laugh out loud. best most succinct description of her character in the world

[bleeding-hart]

God I can't fuckin catch a break my adhd keeps pelting me with so many things to be obsessive about and my autism makes sure that if I don't interact with them I'm gonna feel like my chest is being torn out and I'm dying slowly but my adhd doesn't let me actually choose one to interact with cause it keeps bringing up the others but my autism is panicking about that because I need to have a Thing to do

I just want to like. Read, write or draw in peace. Is that too much to ask for. Five minutes

I missed having a hyperfixation when I didn't for a month or so but I forgot how extreme my brain gets about them ig they're called hyper for a reason

[coquelicoq]

a long shot i know, but if anybody happens to have a copy of the wall of storms (book 2 in the dandelion dynasty by ken liu) and is willing to send me a pic of two of the pages in chapter 7, please let me know!! the copy i got out from the library has a torn page, and though i can pretty much guess what's missing, it would be cool to put a note in there for the next person <3

[merchantarthurn]

I wish so badly I knew how to record things cos lemme tell you so many of these hours were absolute bangers of unique narrative-through-combat, sheer bloody cheek of someone who's Playstyle with RPGs is always 'rogue', or the despair/delight of saying exactly what astarion was about to say aloud with my human mouth--

[this-should-do]

venting dont mind me xp ✌

[rickybaby]

alsooo, was it you that replied to an anon ask about daniel saying smth abt his future seeming uncertain which is why theres sm speculation around it? my tumblr app shut down while i was reading it and i've been trying to find it :)

I don’t think that was me because I’m not sure if there’s been any recent quotes of Daniel saying he was uncertain about his future. There was that one quote about him saying he knows he deserves to be sacked if he gets his ass handed to him but that was quite some time ago.

Daniel has been almost defiant towards his detractors since China. He knows he has the team’s support and a large part of it I believe, also comes from him getting that feeling of confidence he was missing before the chassis change.

[poisonedfate]

literally in distress over my job rejecting my availability

[daisyachain]

there’s one version of an f/m/m triangle that crops up so often I’m surprised there isn’t at least a tvtropes/vernacular name for it. Miyokichi/Kiku/Shin. Molly/Fitz/Fool. Asuka/Shinji/Kaworu. Futaba/Taichi/Touma. not-really-but-you-could-shove-it-in-here Luthien/Beren/Finrod. Utena/Touga/Saionji is a twisted spun-on-its-head version of it. Specifically comprising:

masculine male character A: either is the protagonist or a character on to which male viewers can project.

female character B: a secondary character and A’s official love interest, often kept apart from A by story/circumstance/gender roles. Shows some resentment of the trials she’s put through by the story in being A’s lover such as being shoved to the side, cut out of his life, or put in danger.

less masculine male character C: another major character, A’s devoted sidekick, feminine and/or conspicuously cold toward women or sexuality, somewhat ill-used by A but not resentful about it, as a contrast to B.

The dynamic is used pretty equally by female and male creators, though probably with different purposes. Outside the story, there’s a clear explanation for how the roles are divided: men are main, women are peripheral. Obviously the female love interest has to be on the margins of the story. Obviously the male main character has to have an ally in-story who can bounce dialogue back. Any human person has to have a best friend (for men, has to be male) and a lover (for men, has to be female). The major character male bestie and the minor character female gf is the minimum character dynamic you need to sustain the main character as a believable construction.

Except within the story, the dynamic begs far too many questions. On B’s part: her other half and love interest uses her for sex once every few chapters and dumps her to go off on another plot-relevant adventure. She’s kept in the dark, talked down to, pushed away, and distrusted. Her place at her sweetie’s side is occupied by Some Dude and no matter how much she puts into their relationship, she’s always going to be a prize for after the mission. Why does she stay with him? What could possibly attract her about this bestubbled grunt machine whose passion for the sword outmatches anything she’s given him?

On C’s part: he gets used as an emotional support crutch, designed to service his best friend’s every need at the expense of his own goals or story. He’s a housewife, he’s a domestic, he does every thankless story task with a smile because he has to provide the exposition/set up the plot/set the plan in action that carries the main male character to victory. He doesn’t have a love interest of his own, meanwhile the most important person in his life is obsessed with a woman he barely speaks to. Why should he care so much about someone who only takes? Why is he committed to this one-way friendship? What does he think of taking the backseat, providing support, submerging his own will for the sake of a person instead of an ideology?

On A’s part: if he’s a red-blooded heterosexual male character who pursues a woman as is acceptable, why does he dig himself so deep in with his designated ally? Through dialogue and because he has to in order to show the audience, he exposes his heart and soul to C and keeps him in his pocket for as long as we are watching, so why then does he cast him aside so easily? He invests the most time and energy into his relationship with C, cultivating love and loyalty there, but he draws the line so firmly in the sand that the audience is sure he’ll never, ever step aside for one minute to follow the friend. Why does he choose a man for his emotional battery? Why doesn’t he communicate with his supposed partner? Why does he choose to use B and C for sex and solace respectively, and why don’t they ever mix?

The gender dynamics wrap around to simple: women aren’t up to being equal partners to a cool guy, so you need a male wife to do everything for you and appreciate the protagonist’s sick abilities. romance with a man is perverse and impossible, so you need a female love interest to prove that the protagonist isn’t gay and fulfil the audience’s needs. But in-between all of that you could ask some interesting questions of the spoke character, A, the male protagonist whose actions are taken as normal. the question being: bro. what’s wrong with you

[calebs-hangout-corner]

Thinking about Brooke again

[certifiedbi]

Icl if Marc gets the factory seat I will give Jorge fuel and a lighter and telling him to have at it

[skitskatdacat63]

Everyone in The Talented Mr Ripley is just the physical embodiment of a Leyendecker painting(including the homoerotica!!)