#So I decided to have some fun and draw my own

[bigbrainbiology]

Year of the 🐉 

The chokehold this man (and his man Wrio) has on me <3

[imaybe5tupid]

Why bother? (Why bother?) It's gonna hurt me. (It's gonna hurt me.) It's gonna kill when- (Why bother!) -You desert me! (Gonna hurt me!)

Set after Nightmare. Laios is reminiscing and contemplating.

[ricky-mortis]

A portrait of Sir John Herschel because I‘m normal about Pulp Musicals

[sacchiri]

Hellsing 2002 calendar illustration.

Ein wunderliche und erschröckliche Hystori von einem großen Wüttrich genant Dracole wayda Der do so ganz unkristenliche marrter hat angelegt die mensche, als mit spissen als auch die leut zu Tod geslyffen

A wondrous and frightening story about a great berserk called Dracula the voivode who inflicted such unchristian tortures such as with stakes and also dragged people to death

[seagull-scribbles]

By unpopular demand, 💕 Val

[dawdlecentric]

Decided to try drawing with a pen and sketch Nijideer but centaur-like + other doodles

[ni-kol-koru]

Hi❤️ 2, 4, 12, 14 for Hayama. ✨

Hiii! Thank you so much for sending the numbers, and thank you for sending me numbers for my favorite boy! ✨️

2. Favorite canon thing about this character?

Well, I can't really pick one favorite thing, because I literally aodre everything about him! However, one of my favorite canons about Kotaro is actually something that I rediscovered recently: it's that when he sees someone is taking a photo he has to get in on action! We had him do that once in an Audio Drama when he photobombed Seijuro's photo for Shintaro. In that one official art (that I think was supposed to picture that exact moment from the Audio Drama) we can see Reo trying to take a photo of Seijuro and Kotaro just hugging him and excitedly smiling and showing the peace sign to the camera! I think that was an adorable moment!

Now, I think he would just hug and intentionally get into the frame only when it is his friends or classmates or skating buddies taking photos. He probably wouldn't jump onto a stranger just like that... If he was aware that he was getting into a frame of a stranger's photo, I think he might just smile at the camera, wink or show some hand sign! He would just feel the need to subtly photobomb them, and that would be a respectful and non-invasive way to do so! Imagine being a tourist and looking back at your photos from Kyoto and finding a blond teenager smiling, winking or showing hearts or peace signs in the background while looking at the camera? I would find it hilarious, and very endearing and sweet! He sure made a lot of people smile like that, I just know it!

I wouldn't be me if something seemingly minor didn't tell me something deeper about the character. Of course, Kotaro's love for being in photos can be interpreted in a couple of ways and reveal something about his personality!

There is one very obvious reason why Kotaro would like to jump into people's pictures: because it's fun, it can turn out to be very funny, it creates a unique and fun memory to look back at and he is just the type of a guy to chase the fun things and fun activities! That would just prove of how lighthearted, fun, playful and upbeat his personality really is, and I love that for him!

Now, onto another perspective!

When someone loves having their photos taken, it can show just how comfortable they are with the cameras and with what they look like in photos! That can be a very obvious sign of confidence right there. Maybe Kotaro is naturally very photogenic and always looks good in photos, whether they are candid or posed, so he likes being pictured. Or maybe he thinks he always looks good because humans are always beautiful and perfect and thinks he doesn't need to look like a perfect doll to look good in a photo. So yes, maybe Kotaro's love for being in photos shows how comfortable he is with being human and how confident he is in his looks!

Still, if we look at the original canon, Kotaro doesn't really stand still and let people take pictures of him. He jumps into them! If he isn't doing it for fun, he might just do it because he wants attention. He might also do it because he is self-centered and narcissistic and wants to appear everywhere. He wouldn't really care if he was potentially ruining a photo, just as long as he was in it!

4. If you could put this character in any other media, be it a book, a movie, anything, what would you put them in?

I often wonder about this actually! I could always see him as a part of anything I was reading or watching. I recently started re-watching Marvel movies, so, let's say I would put him in a superhero movie! He could be both the hero and the villain. In both scenarios I would give him some power with lightnings and thunders and speed and people would, of course, know him as ''The Raijuu''!

If he was a hero, he would be that goofy, unserious, lighthearted, High School boy that just somehow got superpowers and is now responsible for the safety of his city while having loads of homework and studying to do! His movies as a hero would be comedic, because of his own funny nature. Reo and Eikichi would be his best friends and classmates and the only two people in his life who would know about his superpowers. They would always freak out when Kotaro has to do his superhero business, but still do their best to cover for him when he is saving the city instead of doing an exam! If you watched Spider-Man movies with Tom Holland, that is the exact type of movie for superhero Kotaro!

If he was a villain, he would be one of the few villains that the main antagonist created to get rid of the protagonist and help them fulfil their evil plans. He would be nothing but someone's puppet and obey someone's orders. I can't really see him as independent villain, because I don't really see a reason for Kotaro to be evil. Even when speaking of his role in KuroBasu you can't call him evil, and he is an antagonist just because he plays in the same team as the main antagonist. In the movie where he is a villain, he would be in that kind of a situation as well. Matter of fact, he might just be kind enough to reveal to the protagonist how they could defeat the antagonist, because he doesn't like the ideas and plans of his boss, the main antagonist.

12. What's a headcanon you have for this character?

I have a lot of headcanons for my favorite boy, but here is one that I developed most recently: that he is a picky eater. I always wondered why his favorite dish (kappamaki) was something so simple. For those of you know don't know what kappamaki is (because I had no idea what it was for a while), it is sushi roll that consists of a piece of cucumber in the middle and rice around it, wrapped in dried seaweed. Japanese cuisine is really rich and has a lot of really unique dishes, and yet this boy decides cucumber, rice and a piece of dried seaweed is the best thing there is! I know a lot of picky eaters aren't really fond of Japanese cuisine because of the combination of different food textures and the fact that you can't separate the ingredients and eat them separately. Then there is kappamaki: you can easily take the dried seaweed off, take the cucumber from the middle and eat the three ingredients independently. He might love kappamaki because of that!

When I thought about Kotaro being a picky eater, it somehow made sense to me, and I wanted to explain it somehow.

I think it might come from his childhood. Hear me out, please. We know that teenager Kotaro can't sit still. Imagine how impossible it was to get mini Kotaro to sit still. Mini Kotaro likely couldn't really sit still for a while, even if it was for a meal. He just had more important matters to attend to, he was a kid and just wanted to play and run all the time. When it was food he liked, he could sit still for a while and enjoy. On the other hand, imagine how hard it was making him eat something that he didn't like. Hellish. Considering he is the third child and his parents were likely tired of parenting, I can just see his parents giving up and giving him food he likes so he just sits still and eat. They gathered all of their patience and made sure he was fond of foods that provide the most necessary nutrients. The rest of the foods and textures? Noup. He might warm up to them when he grows up.

When he came to Rakuzan and started living in the dorms with Reo and eating in the canteen, I can see him warming up to some foods and textures. After all, you can't really pick too much in the canteen. Reo would sometimes cook for him and he would try something new, and Eikichi would also make sure to inspire him to try something new. So he kind of expands his horizons a bit in High School. Still, you can't teach an old dog how to bark. Kotaro still gets shivers down his spine if he accidentally puts two different textures in his mouth, he will never eat fries with ketchup and will keep ordering chicken nuggets in restaurants.

14. Assign a fashion aesthetic to this character?

I am not so into fashion and I don't really know the terminology, but I can see Kotaro wear the colorful 80's inspired clothes! The looks I have seen on Pinterest when I searched for '80's inspired fashion colorful men' look very pretty and bold! They look like something that would suit Kotaro and his personality! He loves being spotted and unique, so 80's inspired fashion probably does the trick since it's not something you see every day. He would have sweaters and jackets and Hawaiian shirts in so many wild colors and patterns, he would always wear colorful sneakers and socks and, of course, wear them all with the wide legged jeans! Sometimes he would have some accessories like sunglasses of unique shapes or colors, colorful bracelets and belts!

[mordremrose]

I’m just gonna write a little thing! A little thought for Bloom, nothing too intense, just so I don’t forget it!

1000 words later? Whoops

Writing below the cut, major spoilers for the end of Heart of Thorns and implied End of Dragons spoilers but nothing explicit from EoD :]

Bloom

“Kill me, Commander.” Trahearne could hear his own voice tremble, as horror overtook his dear friend’s face. Around them all, their friends— Rytlock, Caithe, Canach, Marjory, Braham— were exhausted. Worn thin by the fight against the jungle dragon, both physical and within the Dream.

“What? No! Mordremoth is dead. We destroyed its mind from the inside.” The commander protested, their fingers curled around the hilt of Caladbolg.

“But I still hear its voice.” Trahearne looked down at his hands, twisted and blighted as they were. His body was not his— he was corrupted. It was only cruel fate that he had kept his mind this long. Or perhaps something more sinister.

“Mordremoth is alive. One last hateful vestige… a terrible seed, planted deep in my mind.”

Trahearne’s hands curled into fist, as he took a deep steadying breath.

“You must kill me, Commander, before that seed grows. Before… before Mordremoth reclaims what it has lost.”

He reached out now, hands on his friend’s shoulders. The tears streaming down their face broke his heart. He did not want this. He didn’t want to hurt them, to see them suffer so.

Trahearne wished there was another way.

“What is left of me can’t survive on its own, my friend.” He croaked, and felt the Commander tremble beneath his hands. Were they always so small?

“Strike now or—“

Against his will, a rage rose up. A sick bile that boiled in his stomach and burned through his chest as his mind lurched.

Through his mouth, Mordremoth spoke.

“I am the future! I am this world! You cannot destroy me!” The dragon roared, hands tightening around the commander.

“Run while you can!” It took everything he had left to force his fingers to uncurl, to release the commander even as the dragon wanted to tear them to shreds to be remade anew.

Caladbolg flashed in the corner of his eye.

“No!” The commander yelled. Strike true my friend! Trahearne wanted to yell. But he couldn’t, and his mind went dark.

There was no great explosion. There was no dying scream.

If you asked those present what happened, none of them gave any concrete answer.

Canach hesitated to answer, but would confirm that Mordremoth was no longer hounding his mind, or any of the sylvari.

All Rytlock would say was that the confrontation wasn’t pretty.

Caithe mourned Trahearne, in her quiet and melancholic manner, and asked not to push the matter further.

Braham would scowl, shake his head, and shove his way past, unwilling or perhaps unable to describe that final blow.

Marjory Delaqua, normally so elegant and clever with her words, who could see the twists of a plot before anyone else— when she was asked, she could only shake her head and reply ‘I don’t know’.

The Commander didn’t answer at all, because no one was able to find them to ask.

Eventually, researchers at the newly established lab of Rata Novus confirmed what the entire world held its breath to hear.

Mordremoth was dead. He had to be, to explain the slow steady trickle of magic escaping the jungle, supposedly as the dragon… decayed wasn’t the right word, but it conveyed the idea well enough. It was a slow death, they said, not quite the explosive reaction from Zhaitan, who had gorged itself on magic before its death, but a gradual decay. It changed things, about magic, about how the people of Tyria and the soon to be established Dragon’s Watch understood the flow of magic around and through the Elder Dragons. But it was dead.

It had to be.

He woke up. His body ached, as it always did, as he woke. A consequence of being too bigsmall. He stirred slowly, limbs stretching out and tail dragging behind. He had buried himself beneath massive vines this time, the weight of them both familiar and restricting. These conflicting sensations, the constant disagreement with himself… it was the only thing he could rely on. Even his name escaped his memory, although he could hear whispers of it on the edges of his mind.

Traherdremaneth.

It didn’t matter, really.

He moved slowly, not truly wanting to rise, but knowing he must.

He was something in between, and there was no stillness for him. No place of his own.

His one companion, if you could call it that, would be upon him soon. A dogged purserer, both a thorn in his side and a trusted ally, trailed behind him. For a time he thought they left him— and the feelings that had wrought left him stationary in a deep cave for nearly a week before they had reappeared.

He didn’t want them close, he knew that much, but they were one of the few things he had, a consistency. He couldn’t see them well, not with the distance between them, but he could always make out the broken blade at their hip. The one that made the scar across his chest ache.

He wondered what would happen if he let them get closer. Would they strike? Would they know him?

They were his enemyfriend. What would they make of him? Caution kept him at a distance from them.

The longer he was awake, the more memories he could half-remember.

The Orrian landscape stretches out before him and it reeks of his sibling, twisting beneath the dirt. The undead don’t notice him, not yet, and he can take a moment to look closer at the coral. It was neither alive nor dead. Not unlike himself and yet so different to him or anything he had ever encountered before.

He missed his siblings, their quiet talks among the then empty roots, among safe coils with their constant presence around him. They were too distant to feel or simply gone now and it unnerved him. This was wrong. Perhaps they could help him make it right.

There was one other thing, other than his sort-of companion and his unsteady roiling mind, that remained constant. And this was the true constant. A steady beacon, that he could not see or hear, but simply felt in a way that he could not describe. A magnetic sort of pull that had him orbiting closer and closer.

It drew him in, out of the depths and dark underbelly of the jungle and the cave systems, towards the strange golden stones, the elegant walls meant to keep out creatures that wished to destroy the beacon. He was not welcome there, not yet, even though he meant no harm. He just needed to be closer.

He didn’t know how he knew that. He just knew it.

[vyibunni]

rewatching part 4 is really making me realize how much i missed these guys :')

[steakout-05]

headcanons i have about Craig the scientist :)

as are most of the characters i have headcanons for, Craig is on the autism spectrum. he has a flat effect to his voice and facial expressions, doesn't really get most social cues, doesn't know how to react to others in pain the "right" way, misunderstands metaphors and speaks in quite a direct manner because it makes the most sense to his brain. he's quite a literal thinker. he also tends to hyperfixate so hard on a task that he forgets his basic needs and hygene, and thus has quite an unkempt look underneath that hazmat suit of his (which i will get into later!). Barry often ends up needing to get Craig something to eat because of how long he hyperfixates on something.

Craig sometimes doesn't exactly pay attention to his tone of voice, so sometimes he can say something that, to him, sounds completely normal, but because of his tone, can end up sounding really ominous to other people by accident ("We know who you are, Barry.")

Craig has traumatic cataract in his left eye (or wherever the fuck craig's visor crack is supposed to be in canon lol) from the explosion in 'Level 2' and is half blind in that eye. his eye has a very clouded look as a result of the injury. he's also got a huge scar there too that required some pretty gnarly stitches later, and his skin is almost completely numb around that area.

Craig also never really had the best eyesight before the injury, so he's always wearing these big ol' nerdy glasses underneath his helmet. and yes, they are tacked together with a band-aid lol

Craig is one of the few scientists who is not a clone of Peter Simpkins, the late friend of both Professor Brains and (in my headcanon'd canon) Craig. i like to think that Craig and Simpkins knew each other when they were first recruited by Legitimate Research and was pretty close to both him and Brains, and since Simpkins died, Brains has kind of taken more of a liking towards Craig (mostly out of loneliness and needing someone to help around at the lab, but he has a genuine fondness for him under his demanding and angry exterior).

There's a bit of a fan theory that Craig is the same guy as the scientist in the 'Robot Bird' rock opera, which i like to believe is the case. i mean, he's got the same monotone voice as Craig, it's gotta be him. i hope this does end up becoming canon because i think it'd make for an interesting conflict between Barry and Craig!!

Craig may or may not be related to Lab Lady.

Craig's counterpart in the mirror universe is named Kayla.

Craig is demiromantic and is questioning his sexuality (he thinks he might be bi or pan), though he definitely knows he loves Barry <3

Craig has an unhealthy habit of wiping his embarrassing memories, like, a lot. he wipes memories of awkward accidents in the lab, particularly painful failures, and most importantly, the memories of losing literally all his stuff and his career to Barry, which is why he doesn't immediately recognise him in the shorts. Craig has a lot of trouble recounting stories from the past because of this memory-wiping and felt a sense of emptiness, which getting hit in the head certainly didn't help with, so he tried inventing that apple in the Multiverse Madness event to get some of them back. it was pure dumb luck that Barry didn't end up witnessing what happened to Craig in the 'Robot Bird' opera and both are completely unaware of the disastrous can of worms that could have opened. bro's gonna end up like wallflower blush if he doesn't keep that memory erasing under control

and finally...

under his helmet, Craig has messy dirty-blonde hair, a rounded face that has a few stray facial hairs he forgot to shave, a long scar down the left side of his face, hazel coloured eyes and pale skin. this design is inspired by the designs made by @dexterno-artz and @schnabel53 respectively :D

this is a sketch of my finalised(ish) craig design!!! i've shown earlier versions of this guy in a couple of older posts but i haven't really revised his design much until now. i kinda had the idea of him looking like a stereotypical nerd and then made him messier. i might tone the amount of hair he has down a tiny bit but also i really like the nerdy bird's nest thing he has goin on :) i like to think he literally hasn't brushed his hair in several weeks and it's just become a bird's nest from nights of staying up doing science stuff

how i feel about barry tbh. he's literally so dumb i love him

(also apologies for the photos being kinda blurry and me forgetting to turn off the filter. again. in my defence it looks really nice and orange on my phone)

sometimes i like drawing him saying stuff from the shorts to get a feel of how he'd look when talking and make sure he looks juuuust nerdy enough for me to go "yep that's craig". also his big,g, handns,s,

drew this as a quick side profile sketch to get a general idea of how i want to draw him from this angle. he's talking to barry offscreen and falling in love with him <3

stupid little comic with a stupid little interaction that would definitely happen between these stupid little guys <3 barry being a little asshole every now and then is very entertaining to me. i need to see him antagonising craig and starting an old couple bickering argument with craig, that would heal me i think

i think i'll post more of this design in the future, i really quite like it a lot :)

[snackugaki]

I want it to be 2023, not 2020 pt. 3

do I know how to do the thing with an embedded tweet in a tumblr post? no, so have my upload of an image and then the link to the actual tweet embedded in text which I know how to do

Shivana has set the tone and I am but only able to follow suit on the heels of such good advice (link; p.s they’re dope and they do dope things btw)

... And just because tl;dr the kids sometimes forget that things came from somewhere, from someone so have this excerpt:

[vampirebiter]

the urge to draw homoerotic stabbing won

[vetyr]

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)

[art]

Creator Spotlight: @mimimar

Hi! I’m Michelle (Mimimar), an illustrator born and raised in Venezuela, currently based in Italy. I enjoy making colorful illustrations that reflect the things I love: fairy tales, fantasy, tenderness and queer (especially sapphic) stories. Occasionally, I also make paper dolls, comics and animatics. I have a lot of interest in book illustration and I’m currently developing my own stories that I hope to share as an author-illustrator someday!

Check out our interview with Michelle below!

Did you originally have a background in art? If not, how did you start?

I always enjoyed drawing when I was a kid, but it only became a hobby that I did almost every day when I was around 11. At first I only used traditional mediums, but I decided to make a serious effort to learn how to draw digitally when I was 15, and once I got the hang of it I never stopped!

I didn’t go to art school so all of my learning was done through studying the tutorials and resources that other artists generously share on the internet and lots of practice / trial and error.

How do you want to evolve as a creator?

I want to do many things but what I want to do the most right now is work on books! I want to make art for other authors’ stories and also my own stories as an author-illustrator. I want to grow as a storyteller and create art and stories that will really resonate with people emotionally. I’m always striving to improve my skills as well.

I also really love dolls, so working on doll box art or as a doll designer is something I would love to do someday. I actually have been designing paper dolls on my Patreon for the past few months, it’s been a fun project that is still ongoing right now!

What is one habit you find yourself doing a lot as an artist?

Probably using a lot of purple! It’s my favorite color so I find myself using it a lot. If I can find a way to sneak a little bit of purple into an illustration or a character design then I will.

Congratulations on finishing your Ivy Comic! Did the outcome turn out like how you expected or were there some unexpected bumps along the way?

Thank you! It’s a project that I worked on very slowly in between other art because I wanted to really take my time with every spread and make each of them a fully detailed illustration. I thumbnailed the full comic before starting but I kept changing the sketch for the final spread until the very end! Overall I’m really proud of the end result. I sprinkled a lot of hidden details in every page that I hope some of the readers will notice. For example: the meanings of the flowers in each page represent what the characters are feeling in that moment, and the colors of their wardrobe become gradually lighter as the story progresses to represent their emotions, as well as the changing of seasons.

We’ve noticed that you have created some amazing cover art for TGCF. Is there another series you would like to do something similar with? 

That was another passion project that took some time to complete. Initially, I didn’t intend for them to be specifically covers, it was just a series of illustrations based on the 5 books/main arcs of TGCF. But since they were well-received and I had people telling me they wish they could use them as covers for their books, I decided to rework them into dust jackets for the english translation of TGCF!

I haven’t thought of any other specific series but I love doing cover art so maybe I’ll do something similar again in the future!

What’s your favorite part of your style? Why?

I’ve heard from other people that there’s a delicate quality to my art, this is something that I like a lot! I like pretty things, fairytales and vibrant colors. I think all of these things probably reflect in the art I make as well.

If there is one thing you want your audience to remember about your work, what would it be?

I hope that they remember how it made them feel. Feelings and colors are the two things I give priority to in my work. Most of the time I like depicting tenderness, softness and emotional intimacy. If that could reach the viewer and stay with them it would make me very happy. 

I make a lot of art with queer (mainly sapphic) themes because they’re the kind of stories I personally like and want to see more of, so whenever people tell me that my art has helped them in their journey to discover and accept themselves, or that they see themselves and their partner in my art, it is always extremely meaningful to me. When art that I made to give myself comfort can provide comfort for others, no matter how small, it reminds me once again that despite any hardships art is genuinely worth pursuing.

Who on Tumblr inspires you and why?

So many artists! To name a few:  I love @sakizo’s amazing eye for fashion and detail,  @paneeps’ gorgeous style and striking colors,  the sweetness of @bevsi’s art,  @vickisigh’s pretty colors and concepts,  @idledee’s warm and heartfelt art,  @littlestpersimmon’s dreamy wonderful art,  and @loish has been an inspiration for as long as I can remember.

Thank you so much for stopping by and sharing, Michelle! Be sure to check out their Tumblr blog over at @mimimar.

[mellosdrawings]

The Princes

Ten years later. When marrying a Prince turns a Queen and a Servant into actual Royalties.

Because Vil deserves a real crown and Jamil deserves to be treated better.

NOW I'M GONNA RANT ABOUT MY CHARA DESIGNS CHOICES AND ALL THE DISCOVERIES I MADE WHILE LOOKING FOR REFS! If you only care about art and funny doodles, you can scroll down for a handful of slices of life.

(Don't worry if you can't read my notes, I'm repeating myself better right under this)

Leona

-Lion: As you may know, one of my grievances with Leona is how his hair doesn't look like an actual mane despite being a lion. While I don't want to stray too far from the canon design with the usual drawings, that's the occasion for me to have some fun with a future version. Give that lion a beard and voluminous hair!

-Hair: First, get those bangs out of his face. Despite Leona being very confident, he still has bangs covering his scarred eye. I wanted him to finally own the aspects of him that may be scary to others (his UM, his scar, etc). I actually went with bangs framing his face similar to the ones he had during his Overblot. I wasn't sure whether to give him dreadlocks or curly hair, but I ended up choosing the free curls decorated with some atebas and braids so that Vil could have more fun styling them.

-Eye: Thanks @aria-faye for the idea, I decided to have his eye gradually lose its capacities with time. From a headcanon that, while the eye wasn't directly touched by whatever attack scarred him, the process of healing still had an impact on it and he gradually lost sight in his left eye years after years.

-Body: Not giving him a dad bod (yet, maybe in another ten years), but definitely giving him more voluminous yet casual muscles. Practical muscles with a healthy dose of fat and tissues. Also giving him two full sleeves of tattoos because I decided he should have much more than just his lion tattoo.

-Clothes: Went full Maasai dressing and Kenyan fabrics and beadworks. If you're not familiar with it, please go check it out, it's GORGEOUS!! Crown is beadwork too. He also has one Arabic styled foot jewellery.

Jamil

-Hair: My first order was to remove his double-faced hairstyle and also remove his bangs from his eye. Make him confident enough to show his whole face. Unlike Leona and Vil, he doesn't really want a crown though (he still feels weird about becoming royalty) so instead he uses a braid as crown. Also gave him a little goatee because I like facial hair and Jafar has a beard too.

-Body: He grew up! While he didn't quite catch up with Leona and Vil, he is now closer to their sizes than before, sitting at around 180cm. He kept his breakdancer/martial artist lean muscles but developed a bit of shoulders.

-Clothes: Went full Arabic dressing and fabrics (once more, go check the fabrics, they are pieces of arts). I gave him floral motifs instead of his usual fire/snake motifs (though he does have a snake earring and a fangs necklace) to symbolise his rebirth/blooming. Like Leona, he has one piece of jewellery that is beadwork.

Vil

-Hair: Here it was a bit tricky. Considering Vil's work, he likely changes hairstyles a lot, going from long to short for his roles instead of his wants. So I leaned into the little things he could add to his hair despite their constant changes, mostly jewelleries, beadworks and wool decorations he stole from his husbands. He also cares a bit less about them looking perfect and is allowing himself to be more natural. He doesn't have any facial hair (yet), keeping a youthful appearance for as long as he can. In another ten years though, he might start looking more and more like his father, beard included.

-Clothes: For Leona and Jamil's mental states, the three of them most likely started living in Sunset Savanna so they wouldn't freeze to death. Vil is well traveled so he can handle most temperatures without trouble, and he is used to dressing up in the local get ups. Here I decided to give him both African dress and Arabic fabric, and likewise both beadwork and golden jewellery. I gave him crown and heart motifs so he can keep being himself despite borrowing a lot from his husbands.

There, I'm done rambling. Here's some doodles, followed by some random headcanons.

-Vil does his husbands hair every morning and keeps giving them more and more intricate hairstyles. He developed a whole haircare and beard-care products set for them.

-When Vil is away for a movie, Jamil keeps his hair mostly down save for a few accessories.

-Jamil and Falena get along surprisingly well (to Leona's despair). Vil gets along very well with Falena's wife.

-Jamil acts as a Scalding Sands ambassador and still is the one to care for Kalim when he comes to visit, though this time he's doing it because he wants to and not because he has to.

-Vil got used to his new title immediately but Jamil struggles with it a lot. He still has a hard time wrapping his head around the fact that he is no longer a servant.

-The servants at the palace love Jamil because he always makes their job easier.

-Leona finally decided to put his wits to good use and became Falena's advisor. He still fights a lot with Kifaji about the direction to take with the country, but he managed to make some of his ideas heard to help with the staggering inequalities in the country.

That's all for now!

[tizeline]

Hello! Do you have any WIPs or unfinished drawings you can show us? 😊

This is a fun ask! First of all, I figured I could show you a sneakpeek of the next part of TSAU :) It picks up right after the latest part I posted if that wasn't obvious

Also I finally decided to make myself a proper reference for TSAU!Shelldon, granted he looks almost the same as in canon, but finding good references for this particular version of Shelldon is kinda hard so I wanted to draw my own. Also I did change some details of his design.

Anyway, here are some TSAU doodles I never posted here I'm pretty sure

And some quick little concept designs, one for Casey after she leaves The Foot (I'm gonna get to that eventually!! But just knows that she leaves way earlier than in canon) And also one for Mondo, I'm not 100% sure he'll look like this, either way it'll be a while until he shows up in the AU but I wanted to have an idea of what he looks like so uh here ya go