#So ''what way of thinking about myself is most useful to me'' is the real question.

[zorbik-guligan]

Not really sure what incongruous means so I'll look it up after but it does feel like as i get older life gets more complex theres more things i understand now that sure i knew about them before but not in great detail but it feels like I've become so fucking complex as a person that if i tried to explain what i actually think and feel it would just overwhelm a person so i try and section myself off into pieces and just use different parts of me with different situations or people and it may just be because ive spent most of my time these past 2 almost 3 years now alone with nothing to do but think and figure myself out that when im asked what i think about something slightly personal its kinda hard to say it just got lost in my head somewhere and that whatever i think will change at a moments notice like i can bring up memories of lots of things and remember nostalgic times but i spent so long thinking about why i feel a certain way or what makes me feel a certain way in order to try and get a better hold of myself that ive kinda forgotten alot of my past like so many memories that i made are just gone because remembering them made me feel a way i dont want to feel like i remember realizing the beginning of 6th grade that i had completely forgotten 5th grade and the reason why was because that time i had was so nice yet not at the same time my brain just frogot because it didn't want a reminder of how good yet not something can be like great teachers who for the first time ever actually seemed to care as far as i could tell class mates who were generally friendly and occasionally checked on me if i seemed off yet i felt so alone cause nobody there really seemed like a real friend like the friends i had before who even when we were in deep trouble wouldn't rat me out and would stick with me who genuinely cared and missed me if i was sick getting older and not having anyone to socialize with for really formative years off my life has made understand those really old dudes who are nice and always up to make friends but just seem extra lonely for some reason despite knowing so many people i guess technically being that alone did hurt me but i kinda learned that im just not alone ever when im outside theres always some squirrels birds or plants nearby that make it more lively its why ive grown so fond of certain forested spots they are always lively and it feels like hanging out with all my friends its also why i enjoy making things like with metal or wood stone or even writing and painting those things feel alive in a way same with music and having time to think so much has made me reflect and realize that no day is the same and even when something changes something else stays the same or gos back to how it was in a weird cycle like growing but remembering where you were growing older for me anyways is like gaining more skills and more knowledge not just on the stuff around me but on myself too obviously people change sometimes pretty quickly too but getting older makes you learn more about yourself which duh that how life works but still it feels weird to be aware of it at 17 when it feels like i should still be trying to figure out my favorite youtuber or something not contemplate who i am as a person and what makes me feel the way i do but its a good kind of weird and theres always more to learn and find so i still have plenty of room to learn more about myself still not being able to really fully let a person know you kinda sucks but to be fair that is a rather special thing its also nice being able to put into words why i feel a certain way so that i can actually explain myself instead of just going quiet cause i dont know myself that well still kinda funny to know your own problems but not be able to jusy fix them when you know its a very deep problem even when it seems surface level and damn i got kinda personal there woops also just noticed that im shaking so might be overwhelmed remembering 5th grade which is probably why i frogot it or at least thought i did

anybody else feel that being human is like being a long-time syndicated cartoon character watching the world get more complex while your own design stays the same until youre incongruous with the reality around you??

[natandacat]

Theres no words that can describe the complete alienation of having severe long covid. One infection, caused directly by political decisions to remove public measures, and i cant walk. Can't stand except on really good days which are getting rarer. Sitting is a privilege i dont always have. Cognitive work is too much of a risk to consider for the moment. I live in constant fear of going back to being utterly bed ridden in the sense that i cant even feed myself, drink water, speak, move my limbs beyong my fingers and toes. For days and days without relief.

Nothing feels real. Every gain can be lost in a literal second. And on top of this, the fear of reinfection. The very real possibility of death, given how weak a single infection has made me when I was healthy and young. The even more real possibility of a worsened state, where there are no good days. That means death, too. If i am constantly in a state where I cannot move, i am going to have to resort to euthanasia because it is not a bearable existence. I can barely tolerate it when it know it will end. Last time was 14 days and I am still so traumatized by it 2 months later nothing feels real.

And on top of that, i am being told that my life doesnt matter. Covid is not a real concern. Let it fester. Even if the stairs in my building didnt lock me in, all public spaces have become lethal to me. I cant see my friends because they cant avoid exposure when theres a wave. To love me, you must live in a horrific world where no matter how many precautions you take, no matter how much they ostracize you, you might still cause my death.

Covid is a privileged issue they say. Im not even in the room for it bc i cannot be in the room. You can move your body, youre not afraid of death, you havent lost everything that makes you *you*, but im the privileged one. I cant even emote the way i used to. If i get too excited, too happy, i cant move. I talked to countless people who cant work anymore, are losing their jobs their houses their partners their immigration permits but no. Covid doesnt matter. I dont matter. Everyone cheered when i got covid bc they got to party for new years eve. I hope it was a good party. I will never agree that it was worth my life.

For the past 2 years ive had to share classrooms with students and professors who know everything about my story, who have seen how disabled i am by long covid, who ive begged to mask. They all refuse to mask. And i have to sit there and pretend its not a cosmical level farce that theyre talking about social justice and ethics and just what good people they all are. Not to mention that most of them have revealed themselves to be zionists. I have to sit next to an iof soldier and act as if its ok that she gets to sit in this classroom, except im not even sitting in the room because cases are too high and im too weak to be there physically anyway, so im on zoom. At least i get to remove my earbuds when she speaks so i dont have to think about the atrocities she has committed.

[hryniewiecki]

Grand Arcane S2 review

because I really need it to move on

Remember how I mentioned I could write an entire book about everything that went wrong with this season? Well, this is what a little excerpt from it would look like.

Let's start with a personal note to clarify my relationship with this hell of a piece of media.

S1 was this miracle show that was able to break through the several years of depression and anhedonia and make me interested in something, make me try to get back into making art (or at least try to try), to put myself out there on the internet a bit, to try be a part of something and not ashamed of enjoying it, which I never allowed myself before. Coincidentally, I've been at what I thought then was the worst place in my life when it aired and it helped me a lot to get through it. I didn't even think I would make it to see S2, as thee years felt like forever then. Taking all that into consideration, I think you can already tell where this is going.

I honestly thought I was prepared for S2 not being good, as no show could be this perfect. Turns out I wasn't prepared at all. Act 1 made me very happy, so happy I watched it two times, but the rest is something I would've never watch again and rather forget about.

The characters I wanted to see the most were Warwick (body horror, The Wrath of Zaun haunting the streets - got just a glimpse of that, but it felt like nothing) and Viktor (cyborgs and cyber gore, misunderstood idealist, Blitzcrank - got basically nothing; the idea was kinda there somewhere, but got changed so much it didn't matter at all).

I can't believe they took a godforsaken champion like Viktor and not only ruined his story completely, but also managed to fuck up everything else by all of a sudden making him a center of all of this mess. The center being the arcane/hextech/magic, which never even gets resolved/explained. Still no idea why it got corrupted and what was the nature of it; the void was never taken anywhere despite being heavily hinted - everything was evil because it was, but luckily the magic of friendship saved us!! (I'll get to that)

Speaking of crucial plotlines that weren't taken anywhere.. Basically every character got screwed over and made empty. Let's use Vi for a quick example (may not actually be the best example, but hopefully you'll get what I mean) - when I saw the pit fighter scene released early, I expected to see it have a continuation in the show, but instead it ended up just being the exact same music video, nothing more. And that goes for some more events - they get compressed into music videos that make it all incredibly hollow. Fight scenes are fine like this, sure, but not something that was supposed to be a bit more emotional and serious. Anyway, they successfully made me hate most of the characters. Either hate or just straight up not recognize them, and in a bad way.

Long story short the pacing is awful (it only gets back to normal in ep7, as it resembles the structure of S1) and the writing sucks ass. I can't for the love of god believe it was written alongside S1. There's no way in hell - it's literally all the worst fan theories I've seen come to life and get mixed with fanservice. *puts on a tinfoil hat* Maybe this is the real why they needed an extra year or two, as S2 was initially supposed to be released earlier. No way in hell the same people who wrote S1 and cared so much about the characters would do anything like this. Riot must've gotten heavily involved, making us believe they cut the story short (I think 5 seasons in Piltover/Zaun were planned initially?) for the benefit of it, but all it really was is greed - let's make a bunch of bullshit happen and quickly move to another region to sell more skins for new champions.

Now let's get back to the ending. Man, it really had it all - the nonsense, the multiverse bullshit which basically makes nothing make sense anymore (if there was anything left), the (yes, I'm going to say it, because that's exactly what I felt) cringe and embarrassment. Never seen anything more hollow trying to convince me it was deep and emotional (sums up the whole show perfectly).

How the hell the only thing that was supposed to save Viktor from himself was Jayce telling him he's perfect the way he is? Sure, don't try to cure your illness (that my city caused, but "fortunately" another crucial part of the plot, which is the sister cities conflict, ceased to exist), it makes you beautiful, this is who you are (miserable, unwanted, feeling meaningless and like a burden, dying). I am at loss of words.

Now buckle up jayvik fans. I wasn't a fan of the ship as I'm not a fan of any ships in general, but now I despise it. I wouldn't mind if they actually went on with it, which no, they didn't. We don't want two men kissing (women making out is fine tho, won't make the gamers too angry), so let's play extra safe to make sure it could be explained as any type of other close bond (and that's exactly what Christian Linke does when asked about it). You disgusting cowards, either you show me this in plain sight and I wouldn't give it a second thought, or don't even try bring it up at all (and you can't deny it wasn't implied in S1 with all the Viktor's looks and parallels to Mel).

Where do I even begin? Because I don't think you have any idea on how many levels it actually sucks. If you read it as romantic it's basically telling me that if I was a gay man struggling with my feelings and not being able to confess for years, because I'm convinced I'm unworthy of love as something is inherently wrong with me, then the best I could get after surviving all this (what honestly seems like hell) is a hug, because you're ashamed of me and thus I should be ashamed of who I am till the very end.

Something equally bad is Jayce finding out (or rather we finding out) how wonderful the world could look like if he let go of his beautiful dream, his life's work, and killed himself - it never gets denied, as the corruption of hextech doesn't get explained.

Long story short, if you're struggling with your mental health, trauma issues, disability or any of the problems the characters you related to deal with, this show spits you in the face.

I could go on forever about everything that's wrong (even Jinx got played dirty), but let's finish with the few things I liked: act 1 was promising (it's when I believed they could still make sense of Viktor), fun Sevika's arcade arm fight, the epic fight at the Janna's temple (Woodkid goat), Jayce killing Salo (I felt something) and Jayce's glitchy madness in general, young Vander flashback (felt something), ep7 and Singed's story (the only one that makes any sense).

Other than that the show left me with nothing but void in my heart (I guess that's when it all went). The saddest thing being the masses love it anyway, as it seems they'll watch anything that's colorful enough. And Riot will make lots of money of off it, because in the end they never loose. I'm not denying Fortiche absolutely outdid themselves with the art, it's just heartbreaking nothing else even remotely stands up to it.

[damnfandomproblems]

Agreed with most of #6472 until the race, mental disability and height thing.

1. As a POC woman, just do your research if you're making a POC character. I'm not personally offended, but I don't speak for everyone.

2. As someone with autism and anxiety; DO YOUR RESEARCH. PLEASE. Like as long as the portrayal is accurate and research was done, I think a lot of disabled people would appreciate representation but idk. I dont speak for everyone.

3. SHORT PEOPLE EXIST. JUST BECAUSE SOMEONE IS SHORT, IT DOES NOT MEAN THEY ARE A MINOR OR "MINOR CODED" HEIGHT DIFFERENCES SHOULD NOT BE AN ICK.

I think the last three could be rage bait, but idk. Just my opinion.

Posting as a response to a previous problem.

Going to include a few more responses to the same problem below:

Anon:

...is this a parody?

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Anon:

"If your ocs looks young, they are a child." I am 25, last week someone asked me if I was in high school. Some of us just look young idk what to tell you.

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Anon:

Bait used to be believable

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@theofficialkai517:

I'm not a regular OC maker, but I feel like there will be some mixed-bag responses. But in most cases that I've seen "actual [way older than teenager] looks to be way younger than they are" has been a canon thing, not an OC thing. Aang from Avatar and Elena from Elena of Avalor instantly come to mind. It's not just teenage-appearing characters, either, there are several adult characters that don't appear to age past their 30s despite being millenia old, or can change their age and appearance almost as they please. The gods from Percy Jackson (though some of them may not be the best examples to prove a point against you, LOL), many dragons from fantasy & sci-fi novels, vampires, so many different archetypes... I am not standing for or against this-- though the specific ones that I mentioned were trapped at their ages and don't remember much of anything during their times of not aging, and I do ship them both with teenagers they are friends with in their shows; and the archetypes/character designs I listed... Is a mixed bag, to be fair-- but it's not just about OCs, and you can't fault OC designers for following a pattern that has been their for a long long time, whether or not that character has a romantic bond with another character, or has friends who are all the age that the character appears to be.

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Anon:

what the hell does that mean, anyone 5'7 or under is minor-coded and shouldn't be shipped?! lots of adults, females especially (and including myself) aren't anywhere close to that height in real life. and it's okay to ship minors with other minors; there are millions of high-school love stories out there. besides, are we supposed to know a character's height right off the top of our fucking head or something? even if it's an oc. like, most of my ocs if i ever were to create more would probably be closer to my height because that's what i find "normal," or i just want somebody to dump all of my struggles on. it's literally not pedophilia to ship fix-it felix and calhoun together (first ship to come to mind, sorry), despite him being very very short. not much of this shit even happens with ocs, i've seen most of what you're bringing up in the media that's actually put in front of us.

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Anon:

re 6472, specifically this line: "Anyone under 5'7" is minor coded and shouldn't be shipped." What the metric fuck are you smoking? I swear I'm gonna short-circuit.

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Anon:

Okay, so many things. And I am sure others have probably brought this up too, but hey.

The "1000 year old dragon/immortal being with the body of a child trope" isn't just used by fans and makers of OCs. It is often a "trope" used by creators themselves; if it makes you look like a creep/has inherently pedophilic tones/only creeps are okay with this kind of thing, then call me a fucking creep. So many wonderful medias have characters who are older than they look, even going to J.M. Barrie with Peter Pan. Not many people seem to mind that they don't know how chronologically old Peter is, they just find whimsy in the fact that he will never grow up. The same goes for Avatar: the Last Airbender's titular character, Aang, who is chronologically 112 but has the appearance and mannerisms of a 12-year-old. It is meant to portray his redemption and his friends' hope, not to be creepy or pedophilic.

I can't quite help you there. There are some executions of that trope that work, and some that don't. But please know that most of this was perpetuated by actual creators and authors than us fans and our OCs. If you want to raise a fuss, try and go to Stephanie Meyers first before pointing your finger in our faces.

"if your ocs looks young, they are a child [...] it is simpler that way. You do not need to overcomplicate your ocs." First off... Completely false. I cannot be the only person who still looks 14 but is actually far older than that... If it happens in real life, it can happen in fiction and with OCs. We are not children, those characters are not children. It is not "overcomplicating" an OC. Besides, some people don't want simple with their OCs, they are putting their hearts and souls into them and just having fun.

Nobody should have to ask "approval" to write a character that is a different race than them. Yes, it can end disastrously... But it also couldn't. If people had to ask approval to write a character who is Latino or black or East Asian when the writer is white, or any other variation of one race creating a character of another, there would never be any diversity in anything ever.

There was need for you to elaborate on that. Some of the best ADHD/autism representation I have seen in characters has come from neurotypicals. I have a loved one who has never had anxiety or depression before but can spot-on name most of the signs and symptoms just from watching me live through it. As long as you're not adding harmful traits to one mental disability or another, I have no reason to be offended. Maybe just try and do your research, but even then, nobody is allowed to police you. Again, nobody should have to ask approval or be worried that they're not writing a character good. Also, it's easy for signs of one mental disability or other to slip through in a character without it being openly stated. Sometimes things happen unintentionally, it was never meant as a slight towards someone who has the mental disability strongly hinted at.

"Short characters are basically minors"... Ex-fucking-scuse me? What the fuck? "Anyone under 5'7" is minor coded and shouldn't be shipped"... Just stop. Stop it right here. 5'7" is a major ask, especially in a fictional world where heights often aren't known to viewers/readers, and your OC can be whatever height you wish on them. It's a major ask even in the real world. Because why the fuck are only tall people allowed to be shipped? When hobbits exist, dwarves exist, elves (like, Christmas elves) exist... Some fictional species aren't designed to grow taller than, like, 4'10", let alone 8 inches taller than that. Half of the females I went to school with didn't make it past that height; it is unreasonable to tell people that they cannot create characters to be shorter than a certain height if they want to be able to ship them.

Sorry for the long rambles, but most of that was BS and needed to be called. Yes, there is room for a lot of moral ambiguity when it comes to characters who are coded one way or another... Especially when it comes to age/immortality/disguising oneself as another age/etc. But if someone is doing any of these things and it drives you nuts, either block/mute/ignore them or, in the cases of 4 and 5, maybe gently message them with "hey... I wanted to let you know that I have/am [insert mental disability or race here] and that [character] doesn't quite match up to what they're supposed to be. Can I offer you some guidance in writing them?" and if they say no... Just leave it be. This is fandom, not politics.

[daddyd0nt]

I don’t disagree with a lot of what you are saying and I feel your heart is in the right place. And unfortunately violence against AFAB people by AMAB people is common enough that we need to segregate first by sex. Even if you are intersex (I am technically intersex myself) you are in almost every case designated either AFAB or AMAB (medical intervention to correct this and make an intersex body fully resemble one sex is usually abusive and medically unnecessary but almost always the person will have the traits of one sex more than the other). I’m not at all against another split and normalizing 4 spaces or having more gender neutral options than sex specific ones but AFAB people need to have their own space to maintain safety. Again these spaces are not organic or natural, they are something we put in place because AMAB people proved they couldn’t be trusted in mixed spaces.

And it sucks like I genuinely know it sucks but there is no completely safe way to allow AMAB people into AFAB spaces. Even if it results in 1/1000000 AFAB people being attacked by the one bad AMAB apple in the bunch, any more than 0 women is unacceptable as a sacrifice to validate AMAB identity/feelings. I spend a fair amount of time institutionalized and having the general spaces be mixed is scary enough I would never feel safe in a high security psych ward if I had to let them give me drugs to sleep at night and I would be left in the room with somebody who could not only theoretically rape but possibly impregnate me. AMAB people have spent all of human culture making their penises into weapons, I’m not overreacting to feel like in that kind of situation an AMAB person is armed but I’m not, I don’t feel any better about a possibly criminally insane person sleeping next to me with a penis than a knife even if I’m confident that they won’t use it to hurt me the fact that the opportunity is there and I can’t defend myself or even hurt than as bad as they could hurt me is enough to make it totally unacceptable.

Also as a masc presenting/gnc AFAB person I’m terrified of the prospect of forcing trans men into AMAB spaces especially hospitals also and prisons AFAB trans people have a greater chance of being abused especially by AMAB people than AMAB trans people do. One of the biggest factors in my detransition was the face that I was regularly in and out of institutions and also involved in a fair amount of flying too close to the sun legally for a while so the threat of being locked up in an AMAB space due to my gender presentation was really real to me.

I agree that most of our problems are due to capitalism, but patriarchy exists even independently of capitalism just like racism and ableism do.

But honestly our hearts are in the same place I also want to see everybody succeed and feel good and spend the vast majority of the time looking for similarities and opportunities to bond with each other and fight together for common causes. I think trans and cis women can fight 99% of our fights together and love each other and genuinely be comrades. I’m absolutely in support of trans people creating their own trans-specific safe spaces that is wonderful I couldn’t be more behind wanting a safe and comfortable and validating space for all my wonderful trans siblings. But we cannot throw away something as material as the physical safety of AFAB bodies to validate something as nebulous as AMAB feelings. I’m really not coming from a place of hate or even dislike at all like I said I fully support the creation of safe and validating spaces for trans people but that can’t come at the expense of the safe spaces AFAB people have fought for.

"OP is a terf" is a thought-terminating cliche meant to keep you from questioning the status quo and keep you afraid of being labeled a heretic should you come to your own conclusions about anything.

[catocappuccino]

It's been a year since I redrew that one Snorkmimi render...

So yeah I did it again ofc I would, why oh why wouldn't I? Tee hee silly meee

Attaching the 2023 redraw and og cause- uh- I donno, because yes, why not!!!

[greenerteacups]

Hi! I am an ardent fan of your writing, and I hope to be as sorted and planned as you some day in my own writing journey.

My question is: you have a keen eye when it comes to planning character personality, dynamics, and such. I've also been wading through your ask replies, and your insights into how you write people and how you make them play off of each other is so wonderful to read. If it's not too personal a q, how did you learn how to write like this? Did you go to school for writing, does it come from years of observing people, do you have reading list recs for "how to write real people and real interactions"?

Thanks! This is a really flattering question. I'll try to answer it honestly, because I wish someone had been brutally honest about this with me when I was a young writer.

I didn't go to school for writing. I started doing it when I was about nine years old. It sucked very badly. I kept writing throughout high school, and it still mostly sucked, but some of it was occasionally interesting. ("Interesting" here does not mean "good," by the way.) I took a break in college, and then came back. I've been writing ever since. Sometimes, I feel good about it. A lot of the time, I don't!

I hate giving this advice, because I remember how it feels to get it, and it's the most uninspiring, boring-ass, dog shit advice you can get, but it's also the only advice that is 100% unequivocally true: you have to write, and specifically, you have to write things that suck.

I do not mean that you should make things that suck on purpose. I mean that you have to sit down and try your absolute hardest to make something good. You have to put in the hours, the elbow grease, the blood, sweat, and tears, and then you have to read it over and accept that it just totally sucks. There is no way around this, and you should be wary of people who tell you there is. There is no trick, no rule, no book you can buy or article you can read, that will make your writing not suck. The best someone else can do is tell you what good writing looks like, and chances are, you knew that anyway — after all, you love to read. You wouldn't be trying to do this if you didn't. And anyone who says they can teach you to write so good it doesn't suck at first is either lying to you, or they have forgotten how they learned to write in the first place.

So the trick is to sit there in the miserable doldrums of Suck, write a ton, and learn to like it. Because this is the phase of your path as an artist when you find what it is you love about writing, and it cannot be the chance to make "good writing." This will be the thing that bears you through and compels you to keep going when your writing is shit, i.e., the very thing that makes you a writer in the first place. So find that, and you've got a good start.

Some people know this, but assume that perseverance as a writer is about trying to get to the point where you don't suck anymore. This is not true, and it is an actively dangerous lie to tell young writers. You are not aiming to feel like your writing doesn't suck. You are aiming to write. You are aiming to have written. Everything else is dust and rust. And of course, you'll find things you like about your pieces, you'll find things you're proud of, you'll learn to love the things you've made. But that little itch of self-criticism, in the back of your brain — the one that cringes when you read a clunky line, or thinks of a better character beat right after it's far too late to change — that's never going away. That's the Writer part of you. Read Kafka, read Dickens, read Tolstoy, you will find diary entries where they lament how absolutely fucking atrocious their writing was, and how angry they are that they can't do better. A good writer hates their sentences because they can always imagine better ones. And the ability to imagine a better sentence is what's going to make you pick up the pen again tomorrow. And the day after that. And the day after that.

Which is what I mean, and probably what all those other annoying, preachy advice-givers mean, when we say: a good writer is just someone who writes every day. It's that easy, and that hard.

[todayisafridaynight]

i’m pretty surprised that you can be in a fandom without really checking the tags regularly for new content or discussions that’s pretty impressive

ive got twitter for that and twitter has shown me enough as is

[grayve-mistake]

It's good to know how to protect yourself, but I agree that a lot of people take it way too far. I think the best general rule is; Like the first person said, highly populated areas during the day are generally safest for the first few dates. Cafe, movie, restaurant, picnic at the park, whatever suits you. As long as there's cameras and people and it's not the middle of the night. Shoot someone a text about where you are if it makes you more comfortable but it's generally not necessary to be too stressed about it. NEVER go to a bar or a club with a guy/date without telling anyone. Yes, even if you're gay, mlm and wlw dates aren't always safe either. Tell people where you are and when you plan on coming home, don't take your eyes off your drink. Common sense. Never go to a house or secluded location unless you know the person REALLY really well. Shoot someone a text letting them know where you are beforehand. If you get a bad gut feeling to the point where you feel the need to use a million extra security measures, just listen to your feelings, make an excuse, say "sorry i have to go, thanks for your time", and politely leave. Don't try to push through it or make it work if you're getting a bad vibe. Just end the date early, don't bother with a million extra paranoid measures. You're better off just going home if you feel unsafe. If you think someone's following you home, drive around a block a few times to confirm they're actually following you, then drive towards a police station. Usually they'll back off.

You don't need a million self defense devices and gadgets. Learn some basic maneuvers, keep one or two REASONABLE self defense tools at most if necessary. You only really need any of this stuff if you're walking home alone at night a lot. You don't need a million alarms and locks in your house either, they're probably more dangerous than whatever threat you're trying to protect yourself from. Simple latches on your doors and windows will usually do just fine, especially if you're not in a high-crime area (most of the women posting their elaborate security systems online, nay, the only people that can AFFORD elaborate security are white people in a nice little middle class neighborhood with white picket fences. They have nothing to be scared of). You don't need 50 guns, you don't need a husband with you 24/7, most of you don't need 10 alarms or 100 different locks on your door and barricaded windows that'll be real inconvenient when you're in a housefire or a more realistic emergency. Let loose a little. enjoy your life. Go on a cute date without checking your phone 80 times. Live in the moment for a change. It's ok. A while ago I had to walk a mile in the dark after a long shift at work. I share transportation with someone and I live too far away to just walk home, but they had the car, and we worked in the same town so I thought I'd just walk over and ask for the keys instead of waiting around for the next few hours for them to get off their late night shift. The sun went down before I left, it was quiet, dark, and there were lots of run down houses. I passed by a few strangers on the way there. You wanna know what happened? Nothing. Well, my legs were tired and I got a few stickers stuck to my shoes. But other than that, nothing. Did I have the means to defend myself if I had to? Yeah. I keep a couple practical things on me just-in-case. But I've never needed them, and hopefully I never will.

You know the most dangerous thing I encountered on that walk? The lack of fucking sidewalks and crosswalks. Had to strategically dart across some very busy roads and watched a guy slam on his brakes past the white line because he was going to run a red light until he saw me step forward a bit. The danger was not the random guy or two I saw walking around, probably in a similar situation as me, and minding their business. If you want to make your city safer, advocate for better walkability or public transit, lmao.



i'm sorry the self-victimization of some women i see online is crazyyyyy, they're saying shit like "yeah being a woman is so crazy, if you go on a date you have to text his full name and picture to your friend, and also where you're meeting, and share your location throughout the date, and check in hourly" girl the only safety measure you need is meeting in a populated place. that man is NOT going to kidnap you from Popular Cafe on Well-Frequented Street in broad daylight at 2pm. i promise. do you go forest hiking as a first date or what the fuck.

[doctorwhoisadhd]

hmm thinking about the idea of love songs. i think the idea of what a love song is that we have in our culture is inherently a little bit flawed because we have the idea that any song written about romantic feelings is a love song and im thinking thats not exactly true because there is a difference between "romance" and "love". what i'm saying is not that love is a broader category and applies to things that are not romantic in nature. this is in fact true, but it's not what makes the important distinction here. the true distinction between "romance" and "love" is that romance is a societally defined type of interest in another person, whereas love is, essentially, a promise that you make when you build a relationship.

as such, what i call "love" here might be better defined as "care", as that implies more time and effort, but that's a different suitcase to unpack and largely unimportant to my point here, which is more about the societal conventions of what we call love songs. the point is, relationships can be built with other people, yes, but also animals, places, organizations, ideas, so on and so on, whereas romance requires another person, hence the difference between the ideas of "romance" and "love".

with that in mind, there are two types of songs we in western, english speaking, society call "love songs":

1) songs that are about a person's romantic interest in someone that is either definitively known to be unrequited (existing monogamous relationship, sexuality that doesn't align, etc) or simply not requited (aka romantic interest being unknown); and

2) songs about an existing relationship (keeping in mind my points about relationships not just being with people, but also places, things, etcetera) as is.

(some examples of the latter category: mountaintop by relient k, which defines the relationship in question as non-romantic; or i miss my mum by cavetown, which is - as the title implies - a song about the singer missing their mother.)

now, the thing that makes distinguishing these two difficult is the fact that songs about an existing relationship CAN be about wanting certain aspects of that relationship to change. in these cases, determining that a song is one or the other will hinge either on a) authorial intent or b) whether the song is more about what the singer wants (thereby implying #1) or the lack thereof in that relationship (which would imply #2).

to get back to the subject at hand: the term "love song", as we think of it, is an umbrella term that include both of these two categories, and i think that perhaps it is reductive to do so. with that in mind, i think perhaps it would be more appropriate for "love song" to mean only the latter, whereas the former is a category of its own. WHICH is not to say that the two can't overlap — just that if a song is about a person with whom the singer has no relationship, it cannot be considered a love song due to the fact that it is a song about infatuation, not love.

(another interesting wrinkle this provides is the fact that a song might start out in the first category and, as the writer develops a relationship with a person, might move into the second category as they write more.)

[doedipus]

a large amount of time I've been spending on -untitled undefined scope original fiction project- since the last time I posted about it has been trying to develop the protagonist concept I came up with last summer or whatever into like, a character that would feel real and era appropriate.

it's fun research to do. naturally a lot of the details I assigned to her are things that I already think are cool, so it's been a lot of fun trying to trace her traits back through the relatively recent past, getting reminded of how much things have changed, or where the gaps in my intuition are, and then doing a flurry of reading to get a sense for exactly how someone like her and the people around her could have happened and what her life was probably like leading up to her present day. hopefully this results in some good good verisimilitude.

[bmpmp3]

dysgraphic artiƨts risɘ UP!!!!!

[icewindandboringhorror]

Recent things.. mostly just writing screenshots lol

[wellenklavier]

hmm I really want to change my name

[divorcemotif]

"oh hey a real person followed me, I should look at their blog"

soon

"...perhaps I should listen to Eskew."

oh boy you caught my blog after an exciting weekend lmao

I absolutely recommend eskew! I don't have a lot of coherent thoughts, since I got into it over a very physically and mentally draining summer job and have yet to relisten, but it left an impression for sure. I will say what there is of an overarching narrative felt a bit jolty to me in places, for lack of a better term— I think you get the vibe of a show that’s figuring itself out somewhat as it goes, however the ideas are very interesting and I could make a long list of moments that really really affected me. my recent posts probably give a good sense of what I liked most abt it; david ward is just. endlessly interesting as a character imo. the writing’s good— there's a kind of.. ironically humorous edge to a lot of my favourite episodes, something I’d have to relisten to properly articulate. there's a tic of referring to one-off characters by a title instead of a name— the correspondence editor, the architect, the witness— that scratches something in my brain. in contrast with the slimy fleshiness of much of the horror, the sound design is just nice, actually— the rain never stops in eskew and the tone of the narration stays pretty level no matter what’s being described. there are only two narrators and I found both of their voices pleasant enough to close my eyes to on the subway after a long day. very solid show

[pennyserenade]

my friends and i have been having more serious conversations about going to mexico lately and it has me feeling emotional because years ago when i started working to mend my relationship with the way i felt about being mexican, this was where i wanted to end up.