#Sharon Dale Stone | Explore Tumblr posts and blogs

frigid666 · 1 year ago

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re: why is radblr ‘like that’?

so recently i’ve been seeing some discourse among bisexual users in/orbiting the radblr space regarding its profoundly biphobic (and homophobic) culture. why is radblr hostile to bisexual women? why are lesbians and bisexual women constantly at odds? is this feud manufactured by outside influence? or is it inherent to the space? @watermelinoe wrote a great nuanced response to an anon who attempted to antagonize lesbian users. i agree with everything that was said, but i don’t think placing the fault on black-pill infiltrators and politically unserious edgy teenagers is the full story. this post is mostly in addition to that reply, but i figured i should create a separate post for my lengthy thoughts.

for context: i’ve been working on a detailed post about the history and politics of the lesbian feminist movement (i.e. the political lesbian branch of feminism), as it is apparent to me that most of radblr is uninitiated due to how frequently its users conflate radical feminist principles and lesbian feminist principles. i still might finish that post at some point in the future, but i thought i should put some of the information i’ve come across while researching for that post out there now since it's become relevant.

one of the readings i found to be crucial in understanding how the culture of radblr enables biphobia (and lesbophobia) is sharon dale stone’s “bisexual women and the ‘threat’ to lesbian spaces: or what if all the lesbians leave?” (x) the title is inflammatory, but i highly recommend giving her paper a read. stone authored it in 1996 as a reflection on the culture of the canadian lesbian/cultural feminist spaces she was an active member of in the 1970s-1980s and provides a truly fascinating look into a niche community that i consider to be a spiritual predecessor of radblr.

the paper is quite dated in many regards. the most obvious being stone’s use of ‘lesbian’ to mean both ‘homosexual female’ (which is the only and rightly so accepted meaning of the word today in radblr) and the political ‘lesbian’ identity, of which the philosophy for is outlined as follows:

it was entirely possible to be a true female homosexual, or female bisexual, or even female heterosexual and be a ‘political lesbian’ and active member of communities like stone’s house on jarvis street. stone says that those voicing opposition to lesbianism as a choice were the minority, but i think this was largely the case because ‘lesbianism’ meant different things to different groups and organizations of cultural/lesbian feminists at that time. the reason i am reluctant to dismiss lesbian involvement in these spaces is because they were mostly born of lesbian (and bisexual) exclusion from other more mainstream feminist spaces and organizations by homophobic heterosexual feminists, as well as the marginalization lesbian (and bisexual) women in the gay liberation movement experienced due to lack support against misogyny by male counterparts. i am also reluctant to dismiss straight women’s involvement in these spaces because even into the late 1980s, lesbianism was conceptualized by many cultural/lesbian feminists as not needing a sexual component at all; all that was required from women to live a ‘lesbian’ lifestyle was prioritizing closeness and connections with other women and eschewing relationships with men (akin to radblr's idea of practicing 'micro-separatism' in one's day-to-day life in lieu of not being able to move to a women's land full-time). from my understanding, 'lesbianism' and 'female homosexuality' were not thought of as synonymous, which is why 'lesbianism' was considered a voluntary political philosophy, even by many female homosexual feminists.

all that said, stone’s descriptions of the jarvis house culture are very reminiscent of radblr culture (down to the usage of slang terminology like ‘gomer’ for men, the radblr equivalent being ‘nigel’ and ‘jakey’). this is because radblr culture is heavily inspired by cultural/lesbian feminist values, not radical feminist values. while both schools of feminism share similarities, lesbian/cultural feminism deviates significantly in its emphasis of separatism as the solution to the male supremacy and patriarchy present in all levels of society. meanwhile, radical feminism calls for a fundamental restructuring of society to eliminate women's oppression. radical feminism was never about female separatism. radblr culture is biphobic because female separatism 'as the solution to female oppression' will always require a politicization and objectification of female sexuality.

i normally wouldn't cite wikipedia articles as sources, but this distinction is outlined on the very top of the entries for radical feminism and lesbian/cultural feminism:

as an aside, this is why i find it very funny when radblr users try to 'kick out' other radblr users from the radical feminist club, because the beliefs these users are being kicked out for not holding (i.e. separatism as the means to female liberation), are conclusively NOT radical feminist beliefs. they are lesbian/cultural feminist beliefs!

the script of political lesbianism that radblr holds is "non-lesbian who believes inaccurately adopting the lesbian label is feminist action, therefore giving credence to the homophobic notion that lesbianism is an active, politicized identification choice, or born out of experiencing trauma from men, instead of a politically neutral, natural sexuality that some women experience." and yes, that is a large and significant aspect of why political lesbianism is harmful (and uniquely so to lesbians). but it also goes deeper than that. in truth, this definition is only surface-level. all women in feminist spaces can be guilty of holding and perpetuating polilez beliefs, and this rhetoric dehumanizes ALL women. through the political lesbian perspective, women's capacity for feminist action is made and broken by her sexual behavior - namely, her exclusion or inclusion of males from her sexual behavior - and by extension, her reproductive decisions (i.e. remaining childfree or birthing children 'for a man.') this is where the core harm of radblr's covert political lesbian rhetoric lies.

saying or implying that:

motherhood is compliance to patriarchy

engaging in relations with men is compliance to patriarchy

bisexual women have a moral imperative to only date women in order to defy patriarchy, and if they reject this, they are in kahoots with the patriarchy

patriarchy is defined by "sexual access" to women

lesbians are intrinsically 'better' feminists than non-lesbians

lesbians are inherently feminist, and choosing to not be living aspirational figures is a betrayal to womankind

patriarchy can be ended through female separatism

female sexual behavior can never be predatory or result in meaningful harm to others

men are fundamentally incapable of changing

and any other type of rhetoric that posits women's physical bodies as the territory for a gender war that can be "preserved" or "ceded" to the "enemy" in accordance to her sexual behavior (including reproductive choices, irrespective of her individual sexuality) ✅️ is political lesbian rhetoric. put radblr posts to the test; a good amount of them will contain or imply at least 1 of the above assertions. during a cursory search through recent/popular radblr posts, i came across several examples of this rhetoric:

i cropped out the usernames from these posts because my intention isn’t to single out any particular users for this behavior; these posts (and similar) have many notes consisting mostly of positive feedback and support, so its safe to say that these beliefs are widely held in the radblr space. the op’s are just the ones to put pen to paper so to speak. i don’t believe some of these sentiments are harmful or bad on their own either. i actually agree with some of them, especially the first one; although note its rhetorical similarity with this section of stone's paper:

however, in aggregate (and especially in addition to commonly held stereotypes about bisexual women and lesbian women that predate radblr), they create a harmful culture that covertly encourages women to objectify their and others' sexualities for political ends, which is never going to be a good or productive thing.

choice feminists and neo-liberals have run the phrase "don't rob women of their agency" into the ground to cheaply deny the power of gendered socialization and gendered consumerism, as they are quite allegiant to these systems for a variety of reasons. so i understand the instinct from radblr to not give it any credence, but handwaving women's (including feminist-minded women's) desire for children and/or romantic relationships with men as products of solely or even primarily patriarchal brainwashing that can be undone through enough cultural/lesbian feminist re-education, which is what many radblr users espouse, is just as cheap.

for this reason, radblr is hostile to bisexual women, many of whom reject female separatism as the only means to female liberation and don't want to objectify their sexuality in service to this political goal. for this reason, bisexual women will be known as "traitors" and "fairweather." however, just as many bisexual female users believe the opposite and participate in disseminating political lesbian rhetoric (as do heterosexual and gay users). similarly, this is why radblr is toxic to lesbians who have deep friendships with men, who want to be mothers, who practice religion or don't believe in female separatism; their 'legitimacy' as lesbians is questioned, as there is the 'positive' stereotype (and key insinuation of lesbian feminism) that lesbians are naturally inclined towards feminism; and they are often accused of secretly being bisexual because these lifestyle preferences are viewed as in alignment with the patriarchy and therefore oppositional to the cultural/lesbian feminist perspective that reigns supreme in the space. radblr will not stop being biphobic (and lesbophobic) until it is free of cultural/lesbian feminist influence.

#mine #article #radblr #reply #radical feminism #biphobia #cultural feminism

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dailyanarchistposts · 2 months ago

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Footnotes, 51-100

[50] Martin Crutsinger, “United States Cites China and Other Nations in Report on Unfair Trade Practices,” Associated Press, March 31, 2006.

[51] Dale Maharidge, “Rust and Rage in the Heartland,” Nation, September 20, 2004, www.thenation.com.

[52] Pam Belluck, “To Avoid Divorce, Move to Massachusetts,” New York Times, November 14, 2004, as quoted in Michelle Goldberg, Kingdom Coming, 67.

[53] By 2010, according to the Center on Budget and Policy Priorities, if the proposed federal cuts remain in place, elementary and secondary education funding will be cut by $11.5 billion, or 12 percent; 670,000 fewer women and children will receive assistance through the Women, Infants and Children Supplemental Nutrition Program; 120,000 fewer children will be served through Head Start; and 370,000 fewer low-income families, elderly people and people with disabilities will receive rental assistance with rental vouchers. See Sharon Parrott, Jim Horney, Isaac Shapiro, Ruth Carlitz, Bradley Hardy, and David Kamin, “Where Would the Cuts Be Made under the President’s Budget?: An Analysis of Reductions in Education, Human Services, Environment, and Community Development Programs,” Center on Budget and Policy Priorities, February 28, 2005, www.cbpp.org.

[54] Dale Maharidge, “Rust and Rage.”

[55] Arlie Hochschild, “The Chauffeur’s Dilemma,” American Prospect 16: 7 (July 2005), 53.

[56] Ibid.

[57] Dietrich Bonhoeffer, Life Together: The Classic Exploration of Faith in Community (New York: HarperCollins, 1954), 330.

[58] D. James Kennedy, Evangelism Explosion, 4th ed. (Wheaton, IL: Tyndale House, 1996), 59.

[59] Ibid.

[60] Ibid., 60.

[61] Ibid., 137.

[62] Ibid., 2.

[63] Ibid., 139.

[64] Ibid., 103.

[65] Ibid., 22.

[66] Margaret Thaler Singer, Cults in Our Midst: The Continuing Fight Against Their Hidden Menace (San Francisco: Jossey-Bass, 2003), 114.

[67] Robert Jay Lifton, cited in Denise Winn, The Manipulated Mind (Cambridge, MA: Malor Books, 2000), 21.

[68] William James, The Varieties of Religious Experience (Mineola, NY: Dover, 2002), 187.

[69] “Staff Biography: ‘Dr. James Kennedy,’” Center for Reclaiming America for Christ, www.reclaimamerica Us.aspx?pg=djk.

[70] “Dr. Kennedy’s Profile,” The Kennedy Commentary, www.kennedycommentary.org; Truths That Transform, Coral Ridge Ministries, www.truthsthattransform. org/ITT.asp?page=about; “About the Coral Ridge Hour,” The Coral Ridge Hour, www.coralridgehour.org page=crh.

[71] Terry Gross, “Closing the Gap Between Church and State,” Fresh Air from WHYY, May 18, 2005.

[72] Ibid.

[73] Bob Moser, “The Crusaders,” Rolling Stone, April 7, 2005, www.rollingstone.com =1140382586732&has-player=false.

[74] Ibid.

[75] Ashley Fantz, “Cross Purposes: The Rev. D. James Kennedy Teaches That Homosexuality Is a Sin. Richard Murphy Loves Him Anyway,” Broward–Palm Beach New Times, May 2, 2002.

[76] Worthy Creations, www.worthycreations.org.

[77] Rob Boston, “D. James Kennedy: Who Is He and What Does He Want?” Americans United for Separation of Church and State, www.au.org.

[78] Kennedy, Evangelism Explosion, 72.

[79] Ibid.

[80] Ibid., 73.

[81] Ibid., 84.

[82] Ibid., 42.

[83] Ibid.

[84] Paul Tillich, “You Are Accepted,” in The Shaking of the Foundations (New York: Charles Scribner’s Sons, 1948), 155.

[85] Kennedy, Evangelism Explosion, 48.

[86] D. James Kennedy and Jerry Newcombe, The Gates of Hell Shall Not Prevail (Nashville, TN: Thomas Nelson, 1996), 135.

[87] “Aggregated Grants to Coral Ridge Ministries, Coral Ridge Presbyterian Church and Evangelism Explosion” (grants cover January 1998 to February 2004), Media Transparency, www.mediatransparency.org.

[88] Klaus Theweleit, Male Fantasies (Minneapolis, MN: University of Minnesota Press, 1987), 1:218.

[89] Francis FitzGerald, “A Disciplined, Charging Army,” New Yorker, May 18, 1981, 53, quoted in Robert Smart, “The Passion of the Christ: Reflections on Mel’s Monstrous Messiah Movie and the Culture Wars,” Jump Cut 47 (Winter 2005), www.ejumpcut.org.

[90] Karen McCarthy Brown, “Fundamentalism and the Control of Women,” in Fundamentalism and Gender, ed. John Stratton Hawley (New York: Oxford University Press, 1994), 176.

[91] Ibid., 182–183.

[92] “Dobson’s Choice: Religious Right Leader Becomes Political Power Broker,” People for the American Way Foundation, February 24, 2005, www.pfaw.

[93] James Dobson, Dare to Discipline (New York: Bantam, 1977), 23.

[94] “Dobson’s Choice.”

[95] “Right Wing Organizations: Focus on the Family,” People for the American Way Foundation, www.pfaw#.

[96] “Dobson’s Choice.”

[97] James Dobson, “The Gender Gap,” Focus on the Family, www.family.org.

[98] Mark Edmundson, “Freud and the Fundamentalist Urge,” New York Times, April 30, 2006.

[99] Ibid.

[100] Susan Friend Harding, The Book of Jerry Falwell: Fundamentalist Language and Politics (Princeton, NJ: Princeton University Press, 2000), 176.

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casualwriters · 2 years ago

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Dating Dale Holt <3

A/n - sorry if this is all over the place I just finished this game and absolutely love the plot, and characters <3

- Dale was a love sick puppy when he met you at liquor store were you where working, you were not like any kind of person he met before in his small town, you were unique and he loved the chase, always the sarcastic or sassy remarks you gave him while ringing up his beer or Liquor.

-After a couple more visits with his brother you finally gave him your number, he was cheering and talking about you for hours, and yes Tyler did slap him a few times because he couldn't stop talking about you.

-He and you started talking for hours before he went to bed, it was relaxing for both of you, you didn't mind that his family had history it made you more interested about his Ma and his two brothers.

-Dale and you started hanging out at your house he was super cute, having his arm around you're shoulder while watching some cheeky horror film that made you jump

- of course, he had to tease you about that witch you punch him in the arm for. The night ended with you curled in his lap an empty popcorn bag and some candy wrappers, Dale kept himself closed off even when everyone saw was a jokester trouble maker, he had fears too.

- Dale was a big spoon for sure but sometimes he wanted to just cuddle into you after a long day and fall asleep to you're heart beat.

- when you Met Ma for the first time it was very intimidating beacuse you knew she was a strong woman and wanted what best for her son, but She adored you when you started fitting in messing with Jay and talking, about birds with him or hanging out around the yard cooking with her or helping with the roof. She told you she liked you and Dale together she thought you balance his chaotic nature out.

- PDA was a thing you and Dale did in public he wanted everyone to know that he was your's.

- some nights Dale would take you on the roof of the shack, after a long day of school, or you working and just sit there counting the stars with a joint in your hand than later falling asleep under the blanket.

- Let's just say this Dale is very overprotective, he was taught to treat someone with respect so when someone tries to flirt with you it does not make Dale happy, but you would normally have to calm him down, or clean up his wounds.

- some nights when Bear has been gone for weeks, and nothing has hit the fan, you and the holt family would watch movies and Sharon would kinda giggle at the horror movies and all of you would kinda look at her like she crazy.

- okay hear me out When both of you were stone you had gave Dale a stick and poke and he didn't know it was a penis witch cracked both of you up.

#dale holt #tyler holt #the holt brothers #jay holt #as dusk falls #video games

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foxonfier · 1 year ago

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my favorite thing in the world to do is assign music to characters. and by assign i mean figure out their fav bands. fav songs, fav albums, fav musicians … their listening habits, their opinions in music. are they a music snob? do they not really care? do they listen more during the day, while working, or while they’re chilling at night? what are their unpopular music opinions? genres/decades they fancy? there’s so much you can do here and so much character depth you can add and uncover.

sometimes i just. lob artists/bands at characters to figure out what they’d think. grow their music taste and opinions yk. i think about the holts from adf quite often, it’s just fun to see the differences between three brothers and even their parents and how music is passed down vs how some go against the grain. dale might love the smashing pumpkins and tyler might hate them. complain about billy corgan’s voice, cross his arms and think about how much he hates this and how much he’d rather hear something like what’s the story morning glory (oasis). but not wonderwall! no, that’s beneath him, he may tolerate it but he doesn’t love it and resents the idea of it being assigned his favorite song just because he likes oasis. he doesn’t understand dale’s interest in weird shit like supertramp but can silently appreciate the rolling stones even if he finds it appalling that their album cover is a guy’s bulge. tyler can appreciate 70s but he just doesn’t…love it. too many long intros, not enough singing - i think tyler does enjoy hearing someone’s voice, so all that rock n roll guitar solo shit doesnt really fly with him. i know he’d just die if he ever heard dale play shine on you crazy diamond, he’d be like wtf is this? no turn it off i want to hear some real music. and dale’s like bro, this IS real music. this is literally pink floyd. and tyler’s all, i don’t give a shit change it. and dale’s like fine whatever. then tyler is like no, i don’t wanna listen to david bowie, just put it on some 90s or even some good 70s stuff, i just don’t wanna hear those weird solos. so funny to me.

and dale! i don’t see dale being into a whole lot of pink floyd - maybe just the popular stuff, esp the wish you were here album. if he dove into it more i think he’d enjoy it (especially the wall) but just hasn’t really given pf a big ole chance yet. just into weird shit, just music made for that certain demographic that people like tyler can’t and maybe never will understand. dale’s experimental and nods off to reggae, bob marley and (by extension) bunny wailer, and alton ellis. watches old docs on woodstock and the doors and jimi hendrix. probs got into stevie ray vaughan through his cover of hendrix’s “little wing,” he can just really appreciate a good fuckin’ guitarist. i think he’s a little all over the place, kinda the guy that listens to everything w other people’s influence, picking up on new songs along the way, kind of a magnet for new music. he loves his mom’s taste in music and they listen to some similar stuff. not sure yet if dale got sharon into reggae or if it’s the other way around. either way i feel like reggae is important to dale, he enjoys uplifting music and doesn’t really fuck with depressing shit, maybe more mellow stuff here and there but nothing like what jay would ever listen to. some of it is just too dark for him. so i do think he has a bit of a line despite picking up so much from others. doesn’t mean he dislikes grunge, he just doesn’t really enjoy songs like black or polly or even jeremy. tyler’s similar, not that he hates grunge or anything but if he even got a glimpse of nirvana’s “rape me” he’d be super turned off.

surprisingly i can see all three listening to pearl jam, kinda something that keeps the whole fam together. jay obviously enjoys the ten album, jeremy and black and once… thinks that whole album is a masterpiece. tyler likes yellow ledbetter and some other stuff off of vs, elderly woman and daughter… and dale i think also likes vs, def yield and maybe even some vitalogy ? better man and faithful, given to fly? yeahhhh. jay’s a full grunge fan, likes that crusty 90s, sonic youth and pixies and nirvana.. maybe a little old country thrown in from his dad. could definitely see jay being a deadhead if he’d ever been able to keep up with a band like that and wasn’t stuck to the confines of two rock. just enjoys jamming to music, electric guitar vibes all around. when it comes to blur vs oasis jay is probably gonna choose blur, much to his brother’s chagrin. not that he’d admit that, he’d probs say something like “i like em both..” just nodding along when tyler’s music snobbery comes up. unlike dale he doesn’t really mind that tyler doesn’t open his mind to different music. meanwhile i bet it annoys dale that tyler won’t even give songs a chance just because of the title. also have mentioned this in the past but jay does like a lot of girl singers, mazzy star and hole and sonic youth,, maybe even the cranberries ? can see “linger” being a guilty pleasure song of his. also he’d def enjoy the smashing pumpkins (which i am listening to rn hence why i’m bringing it up lol) so he and dale have that in common i imagine. shockingly enough i think jay might also weirdly be into like, 60s to mid-70s bob dylan? none of that christian shit he got into later in life but definitely simple twist of fate and like a rolling stone… that whole highway 61 album. maybe is possibly obsessed with that black and white bob dylan aesthetic, firing back at reporters and smoking cigarettes in every vid and being up on stage all by himself, just a guitar and harmonica. black shades and everything… and no i’m NOT just saying this because i’m also obsessed with bob dylan but jay seems the type what can i say.

so, the gist? dale is weird experimental mostly 70s/some 60s shit, tyler is 90s alt rock and jay is moreso 90s grunge and rock and shoegaze. can’t see any of them being much into 80s, maybe jay could get into the cure with some time but as of now i can’t see him being into it yet. bet dale could appreciate those synth solos that were so popular. maybe sharon listens to a bit of 80s… not too sure yet i’d have to see. i mean thats probs the era jay grew up in so? who knows. but yeah, dale is into bob marley and tyler oasis and jay nirvana, their tastes can obviously overlap and it’d be hilarious to see what they’d do with a joint playlist between all three of them and how they’d react to each others songs, may write that someday if the time is right.

why did i write this? because i needed to expel all of these jumbled music thoughts in my head and these three are the easiest to do that with. this may not be canon to anyone else in the adf fandom (btw this is not even my fandom but i’m here hi) but it makes sense in my head and i’m sticking with it. i may go deeper someday if anyone is interested or if inspiration strikes again so, we shall see. but yeah here hands you this essay

#personally i align most with tyler’s taste but #10th grade me was full on jay’s taste #and before that and even kinda now i was def into dale’s preferred genres #so i’ve explored all this shit #def have a soft spot for 90s alt rock though #i mean bjm cmon<3 #anyway this ain’t about me so. yeah. have fun reading morgan from the future #music #writing #mine

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ulkaralakbarova · 5 months ago

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Johnny Truelove likes to see himself as tough. He’s the son of an underworld figure and a drug dealer. Johnny also likes to get tough when things don’t go his way. When Jake Mazursky fails to pay up for Johnny, things get worse for the Mazursky family, as Johnny and his ‘gang’ kidnap Jake’s 15 year old brother and holds him hostage. Problem now is what to do with ‘stolen boy?’ Credits: TheMovieDb. Film Cast: Johnny Truelove: Emile Hirsch Sonny Truelove: Bruce Willis Julie Beckley: Amanda Seyfried Frankie Ballenbacher: Justin Timberlake Elvis Schmidt: Shawn Hatosy Jake Mazursky: Ben Foster Cosmo Gadabeeti: Harry Dean Stanton Interviewer (as Matt Barry): Matthew Barry Tiko “TKO” Martinez: Fernando Vargas Pick Giaimo: Vincent Kartheiser Bobby “911”: Alex Solowitz P.J. Truelove: Alec Vigil Adrian Jones: Frank Cassavetes Neighborhood Girl on Couch: Nicole Dubos Dance Bitch Girl: Regina Rice Party Girl: Laura Nativo Alma: Amber Heard Zack Mazursky: Anton Yelchin Butch Mazursky: David Thornton Olivia Mazursky: Sharon Stone Angela Holden: Olivia Wilde Wanda Haynes: Heather Wahlquist Abby: Shera Danese Dale Dierker (as Nancy DeMayo): Nancy De Mayo Jonna Kirshner: Xan Cassavetes Susan Hartunian: Dominique Swain Sabrina Pope: Charity Shea Buzz Fecske: Lukas Haas Bartender (as Heather-Elizabeth Parkhurst): Heather Elizabeth Parkhurst Employee: Jesse Erwin Peter Johansson: Paul Johansson Latino Youth (as Danny Abeckaser): Danny A. Abeckaser Latino Youth (as James A. Molina): James Molina Chucky Mota: Chuck Pacheco Gay “Lumpy” Yeager: Frank Peluso Klemash: Joshua Alba Juergen Ballenbacher: Chris Kinkade Keith Stratten: Christopher Marquette Tiffany Hartunian: Alex Kingston Bob Nolder: Bobby Cooper Delores Stratten (as Stephanie Fowler): Stephanie A. Fowler Elaine Holden (as Janet Jones Gretzky): Janet Jones Douglas Holden: Alan Thicke Salesman: Rick Salomon Leigh Fecske: Adrianna Belan Detective Tom Finnegan: Holt McCallany Lu: Shirley Kurata Santa Fe Kid (uncredited): Mario Ardila, Jr. John Kirschner (uncredited): Matt Borlenghi Bar Patron (uncredited): Curt Clendenin Party Girl (uncredited): Angela Meryl Bar Girl (uncredited): Bernadette Pérez Undercover Cop (uncredited): Emilio Roso Reporter (uncredited): Kristen Williams De Rosa: Greg Williams Additional VO (uncredited): Devin Kamin V.C.: Patrick Nguyen Bathroom Party Girl: Natasha Elliott Dale Dierker’s Dog (uncredited): Sadie Film Crew: Producer: Sidney Kimmel Producer: Chuck Pacheco Director: Nick Cassavetes Art Direction: Alan Petherick Co-Producer: Nancy Green-Keyes Production Design: Dominic Watkins Original Music Composer: Aaron Zigman Music Supervisor: Spring Aspers Costume Design: Sara Jane Slotnick Director of Photography: Robert Fraisse Music Editor: Angie Rubin Set Decoration: Fainche MacCarthy Casting: Matthew Barry Executive Producer: Jan Korbelin Still Photographer: Darren Michaels Executive Producer: Andreas Schmid Editor: Alan Heim Associate Producer: Michael Mehas Executive Producer: Robert Geringer Executive Producer: Marina Grasic Executive Producer: Andreas Grosch Executive Producer: Steve Markoff Script Supervisor: Jeanne Byrd Executive Producer: Avram Butch Kaplan Stunts: J.J. Perry Movie Reviews: J4stringthang: OK Timberlake fans and haters alike, Calm Down! Largely regarded as “you know, that movie with Timberlake in it.” Alpha Dog was enjoyable. And Timberlake did a great job. He is definitely all grown up now. A strong supporting cast of Sharon Stone and Bruce Willis sure didn’t hurt. I loved how the cast worked so good together. They were very believable. The movie did a great job of showing us just how crazy and out of control a simple misunderstanding can get. Hopeful Hollywood does force Ben Foster down our throat! Small doses please! NOTE: Alpha Dog has a lot of language in it. DoryDarko: Going into this film, I had no idea what it was about, only that it was based on a true story. And the more I think about this fact, the truth behind it all, the more it saddens me. The story that unfolded before my eyes...

#california #drugs #hostage #kidnapping #marijuana #swimming pool #Top Rated Movies

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parkerbombshell · 6 months ago

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From Whispers To Screams -Session #113 : Living in the sixties (5)

Thursdays 11:00am-1pm EST bombshellradio.com #rock #pop #beat #soul Repeats Fridays 3am EST I Feel Fine - The Beatles 3 Be my Babe - The Ronettes 4 Citta vuota - Mina 5 The Last Time - The Rolling Stones 6 I Can't Explain - The Who 7 It's My Life - The Animals 8 Don't throw your love away - The Searchers 9 Bells Of Rhymney - The Byrds 10 Good To My Baby - The Beach Boys 11 Dedicated Follower Of Fashion - The Kinks 12 Beautiful Dreams - Twiggy 13 He Was Really Sayin´ Somethin´ - The Velvelettes 14 Dancing In The Streets - Martha and the Vandellas 15 Love Buzz - Shocking Blue 16 Perhaps Not Forever - Sharon Tandy 17 I need you - The Beatles 18 Just like Tom Thumb's Blues - Bob Dylan 19 Where Have All The Flowers Gone - The Kingston Trio 20 Until It's time for you go - Buffy Sainte-Marie 21 Mes Mains Sur Tes Hanches - Adamo 22 L'Amitié - Françoise Hardy 23 Que c'est triste Venise - Charles Aznavour 24 Historia de un amor - Eydie Gorme & Trio Los Panchos 25 Miserlou - Dick Dale and his Del-Tones 26 Dos Cruces - Los Relampagos 27 My Little Red Book - Love 28 Everybody Needs Somebody To Love - The Rolling Stones 29 Se de un lugar - Bruno Lomas 30 Rock Me Baby - Otis Redding 31 Reach out i'll be there - Four Tops 32 It's a man's. Man's. Man's world - James Brown 33 Diddy Wah Diddy - Captain Beefheart & The Magic Band 34 Out in the Street - The Who 35 Over and over - The Dave Clark Five 36 It's Too Late - The Kinks 37 Lightning strikes - Lou Christie 38 Trapped - Los Bravos 39 Still In Love With You Baby - The Beau Brummels 40 Soul Sauce (Guachi Guaro) - Cal Tjader 41 Piel canela - Eydie Gorme & Trio Los Panchos 42 Io sono quel che sono - Mina 43 Yesterday - Matt Monro 44 Out Of Time - Chris Farlowe Read the full article

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booksbydlwhite · 7 months ago

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BOOKCAST 88: Check-in and Unraveling the Mystery: The Photograph, Part 3

Send me fan mail!

I woke up with a craving for tacos but first I had to record the Bookcast. Episode 88 brings updates on reading and writing as a self published author of romantic fiction that centers Black love. I also recorded part 3 of my four part serial, THE PHOTOGRAPH. Woot.

Books on sale:

Leslie's Curl & Dye is $.99 everywhere and Beach Thing is on sale for $1.99. Find links to both at my store- payhip.com/booksbydlwhite.

Appearances:

Celebrating Curvy Girl Summer by Danielle Allen at RESIST booksellers June 22, 2024. Details at Resist Booksellers.com.

EssenceFest 2024 (I am NOT a featured author and will not be on the stage, jut in the buildin!)

Black Romance Book Fest May 2025-: https://blackromancebookfest.com. Tix go on sale June 21st.

LISTEN to today’s episode here. Transcript is below the episode details. ENJOY!

I discussed the following books today:

Starcrossed: An Enemies to Lovers Romance (Jackson Brothers Book 2) by Shae Sanders

Truth Be Told (Rogue Justice #2) by Kendra Elliot

Do What Godmother Says by L.S. Stratton

Just Like Her: A Queer Romance by Fiona Zedde

Bitter and Sweet by Rhonda McKnight

Uncovering her Dreams by Rae Shawn

Come Ride with Me by AC Arthur

What If I Love You by Yvonne Marie

The Stones We Cast by Chelsea Marie

Back Down Memory Lane by Lamartz Brown

Legal Seduction by Sharon C Cooper.

What You Leave Behind by Wanda M. Morris

A Dream in the Dark (A Wrongful Conviction Novel 2)

Nia Forrester Backlist titles

Support the Show with a recurring gift at bookcast.buzzsprout.com. Buy books by DL White at https://BooksbyDLWhite.com/books. Buy Merch by DLWhite at https://payhip.com/BooksbyDLWhite/collection/merch Find the Bookcast on booksbydlwhite.com/bookcast or your fave podcast app: Apple Podcasts | Spotify |Overcast | Podlink| Youtube

TRANSCRIPT

DL White [00:00:00]:

This has nothing to do with anything podcast related, but I woke up thinking about tacos. Like, tacos with a little bit of yellow rice and some black beans at 7 AM. So guess what I'm having for dinner? Welcome back to the book cast, my platform for sharing short fiction and updates on life as a self published author of romantic fiction that centers black love and relationships. I am so excited that you're here, especially since you're not supposed to be. I was not supposed to record today. I was supposed to be visiting a, bustling Midwestern city, but I delayed my flight by a few days, so I'm here. I am Dale White. I'm an Atlanta based author of 14 and counting novels and numerous short stories and fan fiction works.

DL White [00:00:50]:

I'm a reader First. So we usually begin with a book report, and we talk about writing and topics of the day. I am currently in pre publication for The Pearl, a Black Diamond Romance. Tentative release date is scheduled for on or before July 2nd 2024. Check my blog and my social media for Goodreads and story graph links as well as samples, teasers, even a playlist for this book. I also want you to pay really close attention, in case this book might come out early. You never know. It might be for sale exclusively on my website for a few days if you're very excited about that kind of thing.

DL White [00:01:29]:

I'm really I'm I I can't wait to bring Davis and Kari to your faces. I do have some advanced readers out there who have expressed that they're enjoying the book, so I can't wait until the general population gets their hands on it. I actually just sent out another arc to someone who requested it, so yay for them and for me. It's gonna be a busy month at Books by d l White. I do have some travel, on deck. Leslie's curl and die is on sale as part of the blue collar romance Kobo promotion. Beach thing is also on sale for 199 if you still need to get started on the Black Diamond romance series before book 3 comes out. I actually have a hankering a hankering to refresh myself on the Black Diamond couples, so I might spin Wade and Amina and Vance and Athena one time before I release the pearl.

DL White [00:02:21]:

My most recent newsletter is out. You'll find a link to that if you're not subscribed on my links page. It's books by dlwhite.com/linkinbio. I also need you to take care of that subscription thing exceptionally. Booksbydlwhite.com/newsletter. I'm gonna work on a couple exclusive excerpts to go out before the book is published, so you wanna be on that to get the good stuff. Thank you so much, and don't forget to confirm. Your mailbox will not be blessed if you do not confirm.

DL White [00:02:51]:

I just go go ahead and delete it. As always, if you're a member at Kobo Plus, you can grab all my ebooks and audiobooks as part of your subscription. And if you're a premium subscriber at Spotify, you get 15 free hours there, so snatch up my audiobooks. I get paid for them. I don't think you understand. I get paid for them. I'm available in ebook and audio at your local library, so hit them up, Libby Hoopla, and request me. If you don't find me there, let me know when your request is granted because I absolutely love it.

DL White [00:03:23]:

Libraries buy books. I love it so much. Libraries actually pay more than retail for books, so request me everywhere all the time nonstop. I do believe all my audiobooks are now available on Hoopla, and they have ebooks, and I'm most pleased. Do you have a topic you would like me to cover on the book cast? Something author y, something reader y, something hybrid y? Let me know. Shout me out. Holler. I'm always on Instagram or Twitter at author_dlwhite.

DL White [00:03:56]:

You can even visit the show notes of this year episode at booksbydlwhite.com/bookcast slash 88. You can also drop me a voice note called fan mail. Peep the link in the show notes and send me some dulcet tones of love. I welcome your comments and questions. I'll dedicate a part of the show to answering them. Onward. Today's gonna be a great show. Not not too long, not too short, but not too long.

DL White [00:04:21]:

It's the weekend. I don't have a book to write. My editor is rejoicing. I I see it. I see it. I I'm picturing it in my mind, and I am all about the books. So we will talk about my reading challenge and what I have been putting into my face. I'll finish today's episode with part 3 of the photograph, which is my short run serial that I wrote specifically for the podcast because I just had not shared enough short fiction lately.

DL White [00:04:48]:

Today is Saturday, June 8th. It is 9:55 AM. Whoo. I'm way behind y'all. It's sunny and 65 degrees today in the AAT l. I have a mic and I am ready to dig in, but first, join me for some coffee. It took me so long to get up and running today that my coffee is lukewarm, and I'm sad about it. I like it hot.

DL White [00:05:26]:

We begin as always with the book report because I am a book head. I have read 89 books of my challenge to read 150 books this year, putting me 24 books ahead on my Goodreads challenge. The more I read, the further ahead I am. How how is that happening? Should I increase my goal or just be really ridiculous with it? Let me know in the comments. I had a very good reading week, so let's get into it. This week, I read star crossed and enemies to lovers romance by Shay Sanders. This was absolutely slap your nearest relative. Delicious.

DL White [00:06:00]:

Fantastic. So well done. I'm a Shea Sanders fan. It is cemented in the pantheon. She did such a good job with this. I highlight highlighted so much in this book. I really tried not to spoil things, but, like, she just has a way with, like, a twist of phrase. She is very sassy and sarcastic, but, like, also able to to bring out, like, emotion and, like, just, like, talk about what's actually happening between these two characters.

DL White [00:06:28]:

And her steamy scenes aren't bad either. Big fan. Love that. I also listened to truth be told, Rogue Justice number 2 by Kendra Elliott. Kendra is another one of those thriller authors that has, like, 99 books out in Kindle Unlimited, so I can read and listen with my subscription. And I often will just throw on something to, like, listen to just because. So this was a just because listen. I also got an audio arc of Do What Godmother Says by Ellis Stratton, who is my author bae.

DL White [00:07:03]:

I absolutely love her. You also know her as Shelley Ellis and Shelley Stratton. Listen. If you don't read Shelley, I need you to get your life together immediately, like, right now because sis is on the way up, and you you you you wanna climb on this train, this rocket ship as it's ascending. Do what Gomother says is I think it's called a gothic thriller? Gothic? It's a gothic something, it's dual time period which is my fave, absolutely love it. There's a little bit I feel like there's a little bit of Shelley Ellis in Ellis Stratton. Just just the way that she writes a relationship in a book, it's very reminiscent. But this book is heavily, heavily a mystery, a thriller.

DL White [00:07:57]:

There's, like, a lot going on with, like, some spooky characters and some people that, like, make the hair on the back of your neck stand up, and I'd be like, I knew. I knew it. I knew it. But then, like, I send her a DM, and she was doesn't tell me anything, and she makes me find out for myself. It's just not fair. It's not it's not like, being friends with an author should mean that you get to know the twist before you have to read the twist, but she doesn't play fair. I also read Just Like Her, a queer romance by Fiona Zedd. This finally came out.

DL White [00:08:30]:

I know she's been working on it for a minute. Congratulations, Fiona. And then, I read bitter and sweet by Rhonda McKnight, which was absolutely fantastic. Really, really well done. I can't remember if I had that on my list last week. I just I don't I don't know. The weeks are all running together, but, really, really enjoyed that. That comes out on Tuesday.

DL White [00:08:50]:

Also, Do What Good Mother Says comes out on Tuesday. You wanna grab both of those. They are both excellent. I don't have anything officially on my reading list, but I do know I have at least one ARC for June 11th that I need to read. It's not likely to come out in audio, so I really need to get it together. I'll probably get on it, like, Sunday afternoon. It's a romance, and I don't think it's a long one. And I don't typically read romance by white authors, but Laurie Foster is a fave.

DL White [00:09:17]:

I also love Ronnie Lauren. So I saw that she had a new book coming out. I've loved her since getting rowdy came out, like, 7000000 years ago. Love me some Laurie Foster, so I'm gonna snatch that one up. I have a bunch of stuff in Kindle Unlimited that I wanna read or clear, ala Brigitte Bianca's KU reader release challenge. I have, uncovering her dreams by Rayshawn, Come Ride With Me by AC author, What If I Love You by Yvonne Marie. I have a couple of few Nia Forester backlist titles. I'm I'm on a mission to read all of Nia Forester's work, and so I'd wanna get a few more of those down.

DL White [00:09:56]:

I just love her writing. Just delicious. Like, Nia Forester and Tasha l Harrison, if I don't bring them up every other episode, something is wrong. Please send when they send the police to your house because they think something's wrong, if I don't mention Nia Forester or Tasha l Harrison, send the police. That's what I'm saying. The stones we cast by Chelsea Marie, back down memory lane by LaMarts Brown. I've gotta gotta gotta read more black male authors, specifically more black male indie authors, so I gotta get into it and legal seduction by my good good friend Sharon c Cooper. Lots to dig through, plus I have some upcoming arcs I need to get read.

DL White [00:10:35]:

First up is What You Leave Behind by Wanda Morris. I'm very, very excited about this. I might wait for audio on that one. That one's coming up, June 18th. So, I don't know if I can I don't know if I can wait? I also have a dream in the dark, wrongful conviction novel number 2 by Robert Justice coming up. I'm very excited about that one also, and, I'm just saying I know Robert listens to the podcast, and sometimes I know a book is just gonna be absolutely awesome in audio. And so I will wait for audio to come out so I can listen to it, but I get an ARC specifically so I can read it early because I'm impatient. And so now I'm in this thing where do I wanna read it on the page early because that helps the author, or do I wanna wait for it on audio because that helps me? You know, it's it's it's a struggle.

DL White [00:11:34]:

It's a struggle. That one's coming out in July. I'm very excited about it. I'm really, really excited for Robert Justice. I'm also wanna thank him that he read one of my books, and I so do cherish my, male readers because I I write specifically for 2 black women, but I do have some male readers that really dig me, and I so appreciate your good words about my books. So, thank you so much, and, keep them coming. This week, I put down Secret Keeper of Main Street by Tricia r Thomas. This book just didn't hit me.

DL White [00:12:09]:

It just didn't love love Tricia. I just I couldn't finish it. Sometimes I skip through till the end, because I feel bad about putting down a book. I just I got to about 30%, and I just was not interested in finishing. I think this book has some pretty good reviews, and I just wasn't interested in bringing it down, so I just went ahead and put it down. I don't know if it's a mood thing or the way the book is written or if it would have been better on the page versus audio. I just I lost interest. I didn't wanna pick it back up.

DL White [00:12:38]:

Often, this is a pacing issue. If it doesn't snap, I just I can't I can't stay engaged. I blame my short span of attention. On appearances, reminder that I'll be celebrating Danielle Allen's release cover girl summer in Petersburg, Virginia. She'll be at Resist Booksellers. I will be there to support. I'll be a featured author, and I'm I'm really looking forward to seeing Danielle and Demetrius who owns Resist Booksellers again. That'll be on June 22, 2024, I believe, from 1 to 3 PM.

DL White [00:13:09]:

There's a post on my Instagram and my TikTok and my Facebook page with details, and, of course, follow Danielle Allen and resist booksellers for all of the deets. I'll also be at the Black Romance Festival in Atlanta, Georgia, May 30th through June 1, 2025. I have already booked my room, and I'm telling you, start saving your money. I'm gonna say this every week. Start saving your money. Tickets go on sale June 21st, so get in there, and, come find me because it's very likely that you'll know me before I know you, so don't quiz me. I don't know your name. I might know your face.

DL White [00:13:44]:

I can't tell who people are by that little little avatar, but please come say hi to me. I am not shy, but I am introverted, so I am not likely see see me. Say hi. Give me a hug. You ain't even gotta buy a book. I mean, I'm a just be there to meet authors and, like, fawn over people that I have wanted to meet and see in person, so I might not even ever be at my table. I'm just saying. I'm also gonna be at Essence Fest.

DL White [00:14:24]:

I am not a featured author. I am not on anybody's stage. I'm basically just there to be a fan of some bookish people and authors. The BJ's said they were gonna be there. I have met miss Beverly Jenkins. I have not met miss Brenda met miss Brenda Jackson, and I can't stand the thought of so many good people being in one space at one time. So I'm really, really super excited. So I will be in the building for Essence Fest.

DL White [00:14:53]:

I believe I'll be in town the 3rd through 7th, leaving on 7th. So let a system know if you're gonna be out there. I would love to meet you. Onto the writing update. No real update on the Pearl except we're still in editing. I expect final edits back next weekend ish ish. No. Seriously.

DL White [00:15:16]:

Like rush, but no rush. You know what I'm saying? And then I'll be heads down and making corrections to my file in Vellum and getting my girl ready for her close-up. I wanna be done with this novel, like, have it put together and up for a private sale by the time I hug Danielle's at Resist. So fingers crossed, I can get I can get that. As I mentioned, ARCs are out. The initial reception is good. I real I really, really try not to be precious about the words. So I don't stalk my reviews, and I ask that people not tag me in them if they can help it, send egregious errors and concerns to my email so I can address them before publication, but otherwise, enjoy and warn the others.

DL White [00:15:59]:

It's good or it's not. I mean, it's it's done. You know what I'm saying? Reviews are for readers, so I hope the readers like what they see and decide to read or not read the book based on honest opinions. I'm I am of the I said what I said variety. So if it's not something that popped up in my group chat or from my editor, it is not likely to change shoulder shrug. If you haven't read Beach Thing or Elysium, do not let that stop you from snatching up this novel. I did add a bit in the front matter on some previously on Black Diamond tip, so you can catch up without having to read both books because this book will spoil the first two. I have been working on my front matter and my back matter, so the book is ready to go once edits are complete.

DL White [00:16:46]:

We're getting really close. I'm getting really excited. I've lost count of how many books we've written together on this podcast. 3? 4? I wrote Neverlist, Hey, Lover, Elysium, and Now The Pearl live on the podcast. What a time. What an exciting time to be alive. So it's exciting every time and never ever, ever gets old going through this process. And this process.

DL White [00:17:12]:

And this fall, I'm about to go through the process of writing book 15, and I'm a take you all along. I don't even care if you want to go. We going. Get in the car. Sunday is our first check-in for the summer writing challenge. I'm writing I'm running over at the fiction archive that I own and operate. I hope the writers are getting in good words this week and are ready to chat it up about their summer of writing. Again, this is an off shoot of the 1,000 words of summer challenge, which is a 2 week challenge to write 1,000 words a day.

DL White [00:17:45]:

Our challenge will span June July, and it would be hard to maintain that for 2 months, so our parameters are very loose. The idea is to jump into summer with words and gear up for our most popular challenge, awesome August. So I'm looking forward to writing for fun, writing just because, writing to write, writing to get these thoughts out of my head, and really just, like, building that habit and getting some good ideas flowing. Speaking of writing, it is time for part 3 of the photograph. A little ditty I came up with because it had been too long since I shared fiction on the podcast. It's not lost on me that as a writer of kissing novels, my opportunity to break from the right publish stress about how much I sold rhythm manifests in material that is decidedly not romantic. Anyone that tells you that writing romance is easy as lying. Lying through their teeth.

DL White [00:18:38]:

It's much easier for me to write these little mystery thriller trysts, and I admit they don't go deep, they're not intricate. I will literally I sit down, I read what I wrote before. I write the next section. I edit it a little bit. I record it. Like, it's, like, not deep because if I start too early, I will start stressing about it, and then we have, like, a 67,000 word novel that I have read on the podcast. And, frankly, 67,000 words is something I need to sell. You know what I'm saying? I have decided, though.

DL White [00:19:11]:

My next short serial is going to be romantic. So I will close out the show after the jump. So if you are jumping here, thank you so much for joining me for this week's chat. We will talk again next week. I almost always have chapters in these, episodes, so you can just skip to the end. I appreciate you. Bye bye. The photograph, part 3.

DL White [00:19:40]:

I knew I had to confront Robin, but I couldn't just barge into her office and demand answers. Considering that someone found my email address and sent me a menacing note, the possibility that our offices and her home might be bugged was high. We needed to be careful. I suggested we meet at a quiet out of the way park where we could talk freely without fear of being overheard. Robin agreed and we found ourselves sitting on a secluded bench far from prying eyes or ears. Robin, I need to ask you something and I want need you to be honest with me, I said, looking her straight in the eye. What really happened to Damon? She stiffened, her fingers clenching in her lap. I told you he's not part of our lives anymore.

DL White [00:20:28]:

Why are you so interested in him all of a sudden? Because I found something and I started asking questions. I pulled up my phone showing her the photo that had been haunting my dreams followed by a screenshot of the threatening text message. Someone doesn't want me looking into Damon's disappearance. I know you know why. Robin's eyes widened as she read the message, and for a moment, I thought she might bolt, but then she sighed, her shoulders slumping in defeat. There's a lot that I haven't told you, Jada. There's so much, but I haven't been going on dates. I furrowed my brow, confused.

DL White [00:21:06]:

What do you mean you haven't been going on dates? I've been meeting with someone who claims to have information about Damon, she admitted, about what happened to him, his disappearance, and who might be responsible. My heart began to race. Who is this person? I don't know him. His name is Liam. He used to work with Damon back when he was involved in some less than legal activities. Drugs mostly, Robin explained, her voice trembling slightly. It was all stuff he was involved in before we met. He tried to leave to go straight, live a normal life, but you know you can never really leave that life especially if they have something on you.

DL White [00:21:45]:

Liam reached out to me about a year ago telling me he had important information about Damon, but it's taken this long to get him to meet me and relay anything I could work with. I leaned forward, my mind reeling. So what has he told you? Robin took a deep breath. He said years ago Damon was involved with a man named Donovan, a drug dealer, of course. Liam said that Damon had crossed Donovan somehow and that Damon's disappearance was likely due to him. He had it inside track, and he was sending me information as he could get it. Isn't that enough to go to the police? Your husband has been missing, Robin. I did, Robin said, her eyes filling with tears.

DL White [00:22:28]:

I did go to them, but they weren't interested. They know that name from back in the day. They're probably happy to not have to deal with a low level drug dealer. They told me that it wasn't illegal for him to leave his family. They even suggested that photo of him being tortured might be a deep fake meant to throw me off so he could start a new life somewhere else. I reached out and took her hand, squeezing it gently. But you don't believe that, do you? No, Robin whispered, shaking her head. I think someone killed him, and I think they're still out there watching me making sure I don't talk.

DL White [00:23:02]:

I felt a chill run down my spine. Robin, this is serious. If what Liam is saying is true then you could be in real danger and what about your kids? Why are you even still here? Robin's face crumpled and she let out a sob. I know. I've been so afraid to tell anyone. I can barely keep us above water. I don't have money to move them where Donovan can't watch us. I can't let anything happen to them, Jada.

DL White [00:23:26]:

They're all I have left of Daemon. I pulled her into a hug, feeling the weight of her pain and fear. We'll figure this out, Robin, together. She pulled back, wiping her eyes. How? Where do we even start? I thought for a moment, my mind racing. We'll start with Donovan. If he's as dangerous as Liam says, then he's our best lead. I'll see what I can find out about him.

DL White [00:23:52]:

Maybe I can track him down. In the age of the Internet, it's really hard to hide. Robin nodded, a flicker of hope in her eyes. And I'll keep meeting with Liam to see if he has any information that can help us. We have to be careful, I warned her. Someone knows I've been snooping. There's no telling what Donovan might do or have done. I know, Robin said, her jaw tight.

DL White [00:24:16]:

I can't go one more day not knowing the truth. I need to know and I need justice for Damon, for my kids. I cannot let his tillers go free. I nodded feeling a surge of admiration for her strength and courage. We'll get them, Robin. We need to make sure they pay for what they did to Damon. We just have to get enough information that the case looks good to the police. We left the part separately going in opposite directions, couldn't shake the feeling that we were being watched, Every car that passed me on the street, every set of headlights in my rearview mirror seemed to hold some hidden threat.

DL White [00:24:52]:

I pushed down that fear and focused on the task at hand. I had inserted myself into something way bigger than I thought it would be, and I had now tethered myself to Robin, to her kids. I was in just as much a danger as she was, and the only way out was to find the truth about what happened to Damon. I wouldn't rest until we found a way to bring his killers to justice no matter the cost. That'll do it. Thank you for joining me for part 3 of the photograph. I think it's getting interesting, and we will see how I managed to wrap this up in one episode. I don't know how I'm going to do that, but I'm committed to this only being 4 chapters before I start the next one.

DL White [00:25:41]:

So that also brings us to a close for today's chat. I truly enjoy having you here. I welcome any comments or feedback at books by dlwhite.com/bookcast/eighty 8. You'll find full show notes with all the books I talked about today, the links to all the writing, I'm sorry, the links to all the things I talked about today, and a transcript for today's show including the serial if you would rather read it instead of listen to it. Please share the podcast if you enjoyed today's episode and if you listen on Apple Podcasts or Spotify, give a girl a rating. I'd really appreciate it. Do not forget that you can support this podcast with your book purchases by spreading the good word or throwing some coins in the hat at bookcast.busprout dotcom. Every little bit helps.

DL White [00:26:28]:

I will be back next Saturday, June 15th. Is next Saturday 15th? Let's check the calendar super quick because I was not prepared. Yes. Next Saturday, June 15th, also payday. So, I will be back post my trip to a bustling Midwest city. So enjoy your week as always. Have a superlative one, and we'll chat again soon. Bye bye.

#BOOKCAST #podcast #the photograph #serial fiction #goodreads

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bnwthinking · 4 years ago

Text

-- Bisexual Women and the "Threat" to Lesbian Space: Or What If All the Lesbians Leave? Sharon Dale Stone

#wlw #biphobia #bisexuality #Bisexual #sharon dale stone

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viciouslyrobotic · 2 months ago

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Honestly radical feminism is the only one I found that call out all the things that are misogynistic and bad (this is not about trans people). Compared to intersectional feminism that is always afraid to talk about things like how religions are misogynistic, racist, classist, homophobic ect ect. I never see intersectional feminism going deeper then a little bit more than basic feminism. It doesn't actually straight on critise actual things that are misogynistic.

Does this make sense?

It makes sense in that radfeminism performs the *sense* of calling out misogyny and all that is bad but doesn't, actually, because it requires an ontological evil to rally against and actively rejects real world experiences that poke holes in it's own theory (besides its codependence on patriarchy). Y'know. Like religion! Like the catholic religion the originators of radfeminism were heavily influenced by despite radfeminists claims to want to discuss the misogyny in religions (but not their very own movement). They merely replaced Satan/Evil with Men/Masculinty/Testosterone/Penis (bio- and gender essentialism is an inextricable part of radfeminism).

Also, hear me out, maybe question why a theory (radfeminism) largely crafted by and primarily builds off the experiences of middle class white women comes across as better to you at articulating race, misogyny, ableism, etc than a theory (intersectional feminism) crafted by black feminists. What might be the reasons for that and what do you mean by "never see intersectional feminism going deeper then a little bit more than basic feminism"? What intersectional feminism are you engaging with? Audre Lorde? Bell Hooks? Kimberle Crenshaw? Imani Barbarin? Michelle Alexander? Because not only have intersectional feminists criticized radfeminism for its failures to address race and other axis of oppression, members who were apart of the original radfeminism movement in the 70s have criticized its centering of cis white able bodied middle class women and its harm done to the lesbian, bisexual, and greater feminist community.

I refer you to Sharon Dale Stone's article "Bisexual Women and the "Threat" To Lesbian Space" on that last point. I encourage, too, that you engage with the works of Audre Lord, Bell Hooks, Kimberle Crenshaw, Imani Barbarin and Michelle Alexander. Dobberbutts and genderkoolaid have resources for Audre Lord, Bell Hooks and Kimberle Crenshaw. Belle Hooks' book "The Will To Change" is a book you may be interested in. Imani Barbarin is a disability activist and author who you can find via a web search or on tiktok under crutchesandspice. Michelle Alexander is an attorney and author and I encourage a read of her book "The New Jim Crow; Mass Incarceration In The Age of Colorblindness".

Continuing on whether your position makes sense though; your position makes sense to me only in that radfeminism is functionally punitive and dictates a static bad and good where intersectional feminism has the audacity- gasp- the GALL to recognize nuance and the intersections of privilege or lack thereof and that no identity exempts someone from perpetuating oppressive systems. I think the "doesn't go deeper than basic feminism" comes from a lack of engagement with intersectional feminism or, possibly, an unwillingness to view yourself as capable of perpetuating oppression because its scarier to combat a social wide issue than it is to blame an entire demographic for the world's issues.

I also find radfeminism fails to hold rapists accountable, personally. Why blame a demographic for an individual's choice? That sounds like scapegoating to me.

And final "also"; doberbutts has been repeatedly harrassed, degendered and deracialized by radfeminists for daring to post about how he as a black trans man is marginalized. St-dionysus is another indigenous trans man who has been the victim of an ongoing racist smear campaign painting hym as a rapist while deracializing hymn as a white man. The people doing this shit to the both of them are primarily white and they weaponize them being men to do so.

#ask post #patriarchy #rad/feminism #rape mention #audre lorde #kimberle crenshaw #belle hooks #sharon dale stone #intersectional feminism #racism #discrimination #oppression

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rantingcrocodile · 3 years ago

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Ok so i came across an actual former radfem who complained that most radfems groom each other into becoming lesbians… and i have to agree. Im bi and if i had a radfem blog id have to constantly defend and tak about that part of my sexuality to other feminists because theres a huge amount of radfems who blame women who date men for anything that happens to them. Ive def felt pressure to ignore or hide my sexuality…. And ive seen there’s young hetero girls that like radfem beliefs who are told theyll probably be murdered or raped and it’s their fault for going around the men we warned you about if it does happen. Anyways you probably know that because I’ve certainly seen it around and its a very popular sentiment. Like when thatfemalecharacterthatyouhate said het women were weak links. Fucked up. Caused a huge shitstorm lol my point is theres just a huge amount of radfems trying to control other women’s bodies and sexualities… and that is not very feminast~

Outside of personal experiences of gender dysphoria, one of the major factors pushing the rise of trans people is social contagion. Teens (and even adults) have a friend who comes out as trans, then another friend, then another, and then they come out as trans, too. Or they find themselves in communities with a fair number of trans people, get told how evil "cis" people are, how great it is to be trans, are fed some misogyny/etc about what dysphoria is, then they identify as trans, too. They will go so far as to actually start hormones or have surgeries.

You have to be living on another planet if you don't believe that there are at least a handful teen girls and women on or around radfem spaces that have been groomed into falsely calling themselves "lesbians" the same way.

For anyone that doesn't believe me, I refer you back to the "lesbian masterdoc."

This also isn't a new phenomenon.

This Twitter user posted a full essay by Sharon Dale Stone entitled, "Bisexual Women and the "Threat" to Lesbian Space" written in 1996, and she discusses exactly how biphobic lesbians were, the desperation to call bisexual women lesbians, and the culture that created political lesbianism. The term "political lesbianism" has been rightfully outed as homophobic, but we've seen the push to encourage bisexual women to label themselves "febfems" otherwise we're all "dick worshippers." We've seen plenty of the "lesbians are superior feminists because they aren't attracted to men and are only attracted to women" tiering of women.

This space says it's "radfem," but it's just "lesbian separatist feminism," where the point isn't women's liberation, but merely "let's make lesbian spaces where lesbians can pretend that other women who aren't lesbians are just celibate lesbians and then everything will be fine because we can pretend men don't exist." And then plenty of women believe that that's feminism, and it just... isn't.

Pure separatism is anti-feminist because it simply does not liberate women. There will always be women who value relationships with men. Romantic, familial, friendship-based. Actual liberation means that women can make full choices freely and, no matter what, won't face misogyny. True equity and equality. Separatism as prioritising women to support women and not centre men is good and should be practiced. Separatism as creating women-only spaces for healing purposes is good, too. Creating a women-only land like Themyscira and nothing else wouldn't give liberation, it would make a women-only country and that is literally it.

Sexuality being as moralised as it is, where you're taught either overtly or subtly that relationships with women mean good feminist vs relationships with men mean handmaiden doesn't encourage women to explore our sexualities naturally or fall in love or teach them to create high boundaries that they can enforce, it encourages women to fetishise lesbians and hate straight women, and then hate bisexual women the most because sexuality and relationships are reduced to "choice."

The "superior" lesbian can do as she pleases as a feminist. The "good straight" feminist has to make a choice to be celibate. The "good bisexual" feminist has to only partner with other women and hate the bisexuals who aren't partnered with women or who don't loudly proclaim that they’re one of the “good bisexuals.”

This obsession with “relationships/desires for relationships = feminism” is just as anti-feminist, because it always boils down to victim-blaming and ignoring reality, whether “feminists” realise it or not.

After all, if women’s liberation is reduced to “stop dating men and you’ll basically be fine,” then that reframes domestic violence against women as the woman’s fault. It comes down to, “You know how bad men are, so if you’re abused, then you did it to yourself.” The only answer that’s given to global male violence is “teach women to separate from males” because that’s the childish, easy answer, instead of the difficult truth that we have to work towards a real cultural shift. “I told that woman over there to stay away from men, she didn’t, so it’s her fault!” is easy, victim-blaming “activism,” unlike the long, hard slog that’s needed to change attitudes.

It’s an easy trap to fall into, too. Change takes time. We’ve seen it. The battle for suffrage, for one. But everyone wants change to happen right this second, and that’s just impossible. There are constant arguments that “men can’t change” with the additions about how long it’s taken to get the rights that we have now, but... although it took time, men in certain societies have changed. That’s why there’s contention between things like “makeup is oppressive and women should feel free to dress modestly with headscarves” vs “headscarves are oppressive and women are empowered when wearing makeup,” because different cultures have different issues that still need to be faced, and there’s no simple one-size-fits-all, which makes feminism even more complicated.

“Lesbian separatist feminism” is an easy, incorrect answer. Instead of all the questions and realisations that different groups of women have different needs, that we have to come up with answers to extremely difficult questions like how to make it so women and men are truly equal and can live in peace, it’s all simplified to an extreme degree. Every single individual man bad, no redemption. Lesbians and women in same-sex relationships good. Women in opposite-sex relationships have to be taught they’ll be abused and when they’re taught, if they stay with a man and end up being abused or raped, that’s their fault. Confronting the full range of female socialisation is too hard, so if you’re in or want a same-sex relationship, you’re immune to ever prioritising men/being misogynistic/etc.

I think that’s why there are genuine “ex-radfems” who believe that this is all that radical feminism is and can ever be, so they come to realisations that they’re not bad people if they’re not lesbians, that they do actually know a man who’s misogynistic in some words and minor actions but is trying, or otherwise realise that the goals aren’t going to actually lead to women’s liberation, only an internalisation of misery and self-hatred, only sanctioned misogyny towards women who are deemed “bad,” and then they end up thinking... if this is what being a feminist is, then I don’t want to be a feminist.

If critical thinking were actually valued here by women that genuinely wanted women’s full liberation, then all of this would be extremely obvious.

Any actual, good feminism is genuinely intersectional, polices against all bigotry, finds common ground between all women, understands that there are different contexts from different cultures and backgrounds that need to be fought in unique ways, needs to address how women can be liberated through frank discussions and reality-based thinking, needs concrete stepping-stone goals to improve things at least a little for women per generation as we know that change can be glacially slow, and work from a basis of anger about our oppression to keep fight in us, but also a place of compassion so that even the most tradwife anti-feminist woman will always feel safe, prioritising female solidarity before anything else and providing spaces for women to unlearn whatever bigotries they individually have where they know that with work, there is always space for forgiveness, love and acceptance for them.

That’s exactly why it’s incredibly hard to be feminist, it’s why every feminist has moments of failure and frustration, but also why this and other “feminist” spaces are more eager to embrace blatant misogyny and fetishisation and hatred and abuse than actual feminism.

#crocodilian answers #radfems are biphobic #ex radfems

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queer-merm · 4 years ago

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“Bi lesbian was made by Radf.ems in 2016 and lesbianism always excluded men, words have clear cut meanings!!″ sources!

(Title is sarcastic actually! Oops!)

(Warning for outdated language in some of the sources. Use of queer and dyke.)

(Transphobia tw)

Source here: http://www.igs.ocha.ac.jp/igs/IGS_publication/journal/7/1.pdf

Those date from 2011. Not as old as other sources, but demonstrates that until recently, people have enjoyed the term. Again, the term didn’t die in the 80s, and didn’t suddenly appear in 2018.

https://www.digitaltransgenderarchive.net/downloads/kh04dp84d?index=0

*~*~*~*~*~*~*~*

https://star-anise.tumblr.com/post/189914592439/until-50-years-ago-the-word-for-a-bisexual-woman

https://star-anise.tumblr.com/post/612233355690442752/the-lesbian-only-term-myth-a-comprehensive#notes

https://star-anise.tumblr.com/post/189734915249/reference-card-to-my-butchfemme-posts#notes

https://shopbigirlsclub.com/why-butch-femme-belong-to-bisexuals-as-well-and-bi-history-resources/

https://queer-merm.tumblr.com/post/178459775659/for-anyone-who-says-butch-and-femme-are

https://star-anise.tumblr.com/post/182126519709/do-you-have-any-sources-on-the-claims-you-made-im

https://queer-merm.tumblr.com/post/185982238679/authoratmidnight-smallswingshoes

https://mobile.twitter.com/jessfromonline/status/1250919673471827968

this thread is about;

*”Bisexual Women and the "Threat" to Lesbian Space", by Sharon Dale Stone

*”Odd Girls and Twilight Lovers” by Lilian Faderman

https://www.dropbox.com/sh/r0uc3c0vmnx5hm2/AACAf-rXqwSDgImBy7OMph3aa?dl=0

https://queer-merm.tumblr.com/post/623300907466194944/venomous-dyke-safersefirot

https://woman-loving.tumblr.com/post/623390916506533888/i-dont-identity-as-a-bi-lesbian-but-i-feel

https://woman-loving.tumblr.com/post/171942926505/a-while-ago-i-was-asked-over-im-to-talk-about-my

https://kyanitedragon.tumblr.com/post/623558084355375104/ive-been-using-doe-and-stag-because-i-thought

Carol Queen’s “The queer in me”; https://www.huffpost.com/entry/the-queer-in-me_b_8178860?guccounter=1&guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNhLw&guce_referrer_sig=AQAAAG-t049cd454Jt7r8ml8fqndvtpnOLYIYpu2VyMsCwtZqemO0giIiAMMM4uoEchs2OtHycZvD6joVWW4asW7AAxz1GjzakMCvfHUlWPw2Uk6B15Skv99rLyo7uaGmZc92kxwz7yM5KMLFDYumcUEGj-ipWvgP71K_q0vfzW5ixSp

https://bi-lesbian.tumblr.com/post/625828215725932544/lavender-woman-volume-2-issue-5-august-1973 (Lavender women related, see previous pictures)

[link removed because source is gone]

https://mobile.twitter.com/cardiganhill/status/1297589215962828803?s=20

*This is about “Lesbian and Bisexual Identities: Constructing Communities, Constructing Selves”, by Kristin G. Esteberg

https://books.google.ca/books?id=jVzGMF25uasC&pg=PA22&redir_esc=y#v=onepage&q&f=false

*Ebook for Lesbian health

https://href.li/?https://bipanlibrary.com/closer-to-home-bisexuality-and-feminism/

*Ebook for Closer to home, which mentions many labels such as bi-dyke, bi-lesbian, lesbian-identified bisexual, etc

Related to the above, Anything That Moves, which is the magasine that published the Bisexual Manifesto had this to say:

“The women in Closer to Home give themselves many names. Bi-dyke, bi-lesbian, lesbian-identified bisexual, bi-affectional, lesbian, and formally-lesbian bisexual. Anything but straight. As Margaret Mihee Chloe points out in her essay, “identity is that which makes one recognizable to self and other.” The plurality of names, and the combinations used, are all attempts in our clumsy and woman-wordless language, to create this identity, to make ourselves recognizable.” And a lot more quotes can be found in the magazine

The issue with this this specific quote can be found here

https://lesbiansources.carrd.co/?s=09#page7

(This carrd also has information on GNC and he/him lesbians)

Edit; this post is/ will be updated as I find new shit

*~*~*~*~*~*~*

In all seriousness though, every time someone says “the term was made by terfs”, I see red. Bi lesbian is overwhelmingly used by trans women and non-binary people, and y’all have the nerve to pretend radfems are behind its creation (without, of course, listing a fucking source for it. Besides, radfems mentionning it and laughing at it is NO proof that they made it). Radfems have show again and again how much they despise the term, but y’all have decided that believing a bunch of gatekeeping fucks that will call everything they don’t like “terf rethoric” is the way to go, apparently, despite COUNTLESS TRANS PEOPLE telling you otherwise

And, NGL, y’all are ignorant as fuck to genuinely believe TERFs would let anyone they see as attracted to man label themselves a “lesbian” in any way, much less “bi lesbian”. The only lesbians in their eyes are Cis gold-star transphobic lesbians, that’s it. They are literally the ones who separated the lesbian community, and kicked bi women out, but y’all still wanna pretend they legit use bi-lesbian in a positive manner at all?

FebFem (female exclusive bisexual female) is the term made by TERFs to refer to “good” bi women who don’t date men”.

Below are screenshots showing what radfems think of bi-lesbians (hints; not positive.) obvious TW for transphobia, biphobia, lesbophobia, general GC bullshit.

https://twitter.com/caderaspindrift/status/1269680144563662849?s=20

https://twitter.com/caderaspindrift/status/1269691470585278464?s=20

https://twitter.com/ialika_lifina/status/1401609178435624960?s=20 You might notice: TERFs are the ONLY ones who (Sometimes) think Bi-lesbianism Is about “including trans women in lesbianism”. No-lesbianism as used by people who actually use the label has NEVER been about defining attraction to trans women as “bisexual because of biological sex”.

And bi is pretty much known as “attraction to 2 genders or MORE” for a lot of folks who are bi. For bi-lesbian who refer to themselves as such, they mean women and non-binary genderS (with an s), or, more rarely specifically women and one non-binary gender (ex; women and agender people). They are not pushing for a “gender trinary”, stop saying that.

And if you try to pull the “bi is redundant cuz n-b people are already included in lesbianism”: look if you personally include them in your own definition, good for you, no one is forcing you to change labels. If /you/ feel included, good for you, but please understand not all of us are. It can feel to some of us like we are reduced to “binary-lite”. (Example: imagine someone who is bigender man/woman: imagine someone saying “ooh you’re non-binary so your eincluded!1! But anything MAN is excluded! But we’re very inclusive of non-binary identities uwu” doesnt that sound contradicting in the slightest? Or at least erasing someone’s identity?)

But if you try and pull it to say “enby genders are included cuz u can never know who is non-binary; fuck you for essentially misgendering a bunch of non-binary people as “basically female-looking enough”. Besides, I’m sorry to say it, but you can never be sure who’s a woman, who’s a man, who’s non-binary. For all you know, that very feminine person with long hair you thought was cute is actually a man, (cis or trans), and goes by he/him pronouns. By /your own/ logic, that n-b people who are “female passing or androgynous” enough are included because “you can never tell”, feminine men who look “female enough” could be included in lesbianism. Make of that what you will.

As for the “lesbians are into fem-aligned enbies anyway so the label bad :)”: I made this whole post about it, feel free to look into it and why that claim is high-key transphobic and nbphobic:

https://queer-merm.tumblr.com/post/630983263112085504/im-gonna-try-to-be-clear-because-i-am-fuming-but

As for “WELL SPLIT ATTRACTION MODEL BAD ;(”, Well. People know themselves better than you do. If your sexual and romantic attraction is the same, good for you, you do not get to talk for other’s experiences with queerness.

“They could just use homosexual biromantic then not lesbian”!! Oof. Well first of all no? Why would you want someone to label themselves homosexual if they are not comfortable? The word has such a shit history??

Second: idk I’m not comfortable with telling non-binary to use “homosexual” with their attraction to women (because, surprise, women =/= Non-binary, unless for those who identify as botch) if they are Not also women, or women-aligned.

I also feel saying the SAM is “bad” because it’s just a “modifier” feels. Disrespectful to aro/ace people, as it treats being aro and/or ace as a modifier rather than a full orientation but maybe that’s just me lol.

Also i cannot believe I need to say this apparently but -ahem- Queer People Are Not Responsible For Shitty CisHet Men Hitting on people Who Aren’t Interested IN Dating Them. Stop Victim Blaming I Beg Of You.

Finally: WHaT AbOuT DICTiOnArY DEFInITIOns1!1!

1; I feel the queer movement should be about revolution and giving up on the neat little boxes cishet society has pushed on us, and instead let queer people decide for themselves what fits best but you do you?

2 ; if you want to use “dictionary definitions, go for it I guess, but no “official” dictionary definition i have seen refers to lesbianism as /exclusive/ attraction to women.

As you can see, none of these describe lesbianism as “exclusive” attraction to women

This is how stonewall uk defines the term “lesbian”. Again, it is not exclusive.

(The same applies to “homosexual” or “gay”. It is always referred more or less as “attraction to same sex and/or gender”, never “EXCLUSIVE attraction”)

“WHY CANT YOU JUST USE SAPPHIC??1!1!”

Well. That has come full circle if you ask me.

If you reblog, I ask that you do NOT tag as “q-slur”

#discourse #some included butch/femme stuff #but I included them for lesbian history #radfem mention #transphobic language #transphobia tw #bibian diskhorse #long post

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mysticalhearth · 4 years ago

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Waiting for Godot - Broadway - November 24, 2013 (Opening Night) (Lanelle's master) FORMAT: MP4 (HD) CAST: Aidan Gemme (The Boy), Billy Crudup (Lucky), Ian McKellen (Estragon), Patrick Stewart (Vladimir), Shuler Hensley (Pozzo)

War Horse - West End - February 27, 2014 (Pro-Shot's master) FORMAT: MKV (HD) CAST: Sion Daniel Young (Albert Narracott), Josie Walker (Rose Narracott), Alistair Brammer (Billy Narracott), Alex Avery (Captain Nicholls), Steve North (Ted Narracott), Tom Hodgkins (Arthur Narracott) NOTES: Multi-cam pro-shot broadcast live to cinemas as part of National Theatre Live, Includes interval interview and documentary.

War Paint - Broadway - March 11, 2017 (Preview) (SunsetBlvd79's master) FORMAT: MP4 (SD) CAST: Patti LuPone (Helena Rubinstein), Christine Ebersole (Elizabeth Arden), John Dossett (Tommy Lewis), Douglas Sills (Harry Fleming) NOTES: Beautiful HD capture of the Broadway transfer. Some changes for Broadway from the previous Goodman Theater production. Excellent performances from the entire cast with clear picture and great sound throughout; very good video. 2 DVDs. A War Paint - Broadway - April 29, 2017 (Matinee) (NYCG8R's master) FORMAT: VOB (with smalls) (SD) CAST: Patti LuPone (Helena Rubinstein), Christine Ebersole (Elizabeth Arden), John Dossett (Tommy Lewis), Douglas Sills (Harry Fleming) NOTES: The master gets caught during Face to Face. You can hear someone say “TURN IT OFF”. Blackout during that part. Wasted - Southwark Playhouse - 2018 (Pro-Shot's master) FORMAT: MP4 (HD) CAST: Matthew Jacobs Morgan (Branwell Brontë), Molly Lynch (Anne Brontë), Natasha Barnes (Charlotte Brontë), Siobhan Athwal (Emily Brontë) We Are The Tigers - Off-Broadway - March, 2019 (StarCuffedJeans's master) FORMAT: MP4 (HD) CAST: Lauren Zakrin (Riley Williams), Wonu Ogunfowora (Cairo), Jenny Rose Baker (Kate Dalton), MiMi Scardulla (Reese), Kaitlyn Frank (Annleigh), Cathy Ang (Mattie Wheeler), Celeste Rose (Chess), Zoe Jensen (Farrah), Sydney Parra (Eva Sanchez), Louis Griffin (Clark) NOTES: Starts at the beginning of "I Just Wanna" and missing part of "Mattie's Lament." The theater was really full tonight so there are a good number of heads in this video, but they are worked around to the best of my ability. This is a super small theater (less than 160 seats) and at times the cast members were definitely singing to the camera and honestly giving their best performances because of it. All of the things on the upper level (the bathroom, the pathway, and the kitchen) are captured perfectly, and the zooms on the lower level (the living room and bench) look good as well. Obviously because this is a murder mystery kind of show the lighting can get a little bit dark, but my camera handles low lighting incredibly well. This is honestly the best video you could expect from this venue We Will Rock You - Germany (Cologne) - August, 2005 (Pro-Shot's master) FORMAT: VOB (with smalls) (SD) CAST: Alex Melcher (Galileo), Vera Bolten (Scaramouche), Brigitte Oelke (Killer Queen), Martin Berger (Khashoggi), Michaela Kovarikova (Meat/Oz), DMJ (Brit/J.B.), James Sbano (Pop/Buddy/Bap), Harald Tauber (Teacher), Willemijn Verkaik NOTES: Multicam proshot We Will Rock You - Utrecht (The Netherlands) - October, 2010 FORMAT: VOB (with smalls) (SD) CAST: John Vooijs (Galileo), Marjolein Teepen (Scaramouche), Pia Douwes (Killer Queen), Paul Donkers (Khashoggi), Floortje Smit (Meat/Oz), Ruud van Overdijk (Brit/J.B.), Rutger le Poole (Pop/Buddy/Bap) NOTES: Good capture. Heads in the way, but also a lot of good close-ups. Dubble DVD! We Will Rock You - West End - February 11, 2003 (Pro-Shot's master) FORMAT: VOB (with smalls) (SD) CAST: Tony Vincent (Galileo), Hannah Jane Fox (Scaramouche), Sharon D Clarke (Killer Queen), Alexander Hanson (Khashoggi), Kerry Ellis (Meat/Oz), Nigel Clauzner (Brit/J.B.), Nigel Planer (Pop/Buddy/Bap) The Wedding Singer - Broadway - April 1, 2006 (Preview) FORMAT: VOB (with smalls) (SD) CAST: Stephen Lynch (Robbie Hart), Laura Benanti (Julia), Matthew Saldivar (Sammy), Kevin Cahoon (George), Rita Gardner (Rosie), Amy Spanger (Holly), Richard H Blake (Glen), Felicia Finley (Linda) NOTES: Includes pictures of outside of the theatre and playbill. This was before the changes were made to the production. Blackouts throughout the show. The Wedding Singer - Off-West End - March 1, 2020 (Matinee) (Closing Night) (Highlights) (queenofthedead's master) FORMAT: VOB (with smalls) (SD) CAST: Kevin Clifton (Robbie Hart), Rhiannon Chesterman (Julia), Ashley Emmerson (Sammy), Andrew Carthy (George), Sandra Dickinson (Rosie), Tara Verloop (Holly), Jonny Fines (Glen), Erin Bell (Linda), Lori Haley Fox (Angie), Andy Brady (David Fonda), Nathan Ryles (Harold Fonda), Jordan Crouch (Donnie), Aimee Moore (Tiffany), Simon Anthony (Shane McDonough), Paris Green (Donatella), Vanessa Grace Lee (Donatella’s Mother), Morgan Jackson (Mookie), Ellie Seaton (Crystal) NOTES: 38 minutes of act 1 of the closing performance, unobstructed. Welcome To The Club - Broadway - April 8, 1989 FORMAT: VOB (with smalls) (SD) CAST: Avery Schreiber (Milton), Bill Buell (Gus), Jodi Benson (Betty), Marcia Mitzman (Carol), Marilyn Sokol (Arlene), Sally Mayes (Winona), Samuel E Wright (Bruce), Scott Waara (Kevin), Scott Wentworth (Aaron), Terri White (Eve) NOTES: Filmed during previews. Well filmed from the balcony. Mostly a full stage shot. Some generational loss. Wenn Rosenblätter Fallen - Oberhausen - June 13, 2016 (Rumpel's master) FORMAT: VOB (with smalls) (SD) CAST: Pia Douwes (Rose), Anton Zetterholm (Till), Annemieke van Dam (Iris)

West Side Story - Hollywood Bowl - July 19, 2016 (SJ Bernly's master) FORMAT: VOB (with smalls) (SD) CAST: Jeremy Jordan (Tony), Solea Pfeiffer (Maria), Karen Olivo (Anita), Matthew James Thomas (Riff), George Akram (Bernardo), Drew Foster (Action), Jose Moreno Brooks (Chino), Anthony C Chatmon II (A-Rab), Kyle Selig (Baby John), Mike Schwitter (Big Deal), Jeff Smith (Diesel), Kevin Chamberlin (Krupke), Jennifer Sanchez (Rosalia), Erica Dorfler (Consuela) NOTES: This concert version of the show is abridged with shortened scenes, simple costumes, and no sets or choreography, but Jeremy, Solea, and Karen are absolutely phenomenal with soaring vocals and emotional performances. Very well captured with no dropouts, no obstruction, and no washout. The stage is filmed directly most of the time; the screens are occasionally filmed, usually when the actors are not onstage. It’s filmed in 16:9, with a mix of wides, mediums, and close-ups. The sound is excellent. Includes curtain call and playbill scans. West Side Story - Leicester Curve - December, 2019 (queenofthedead's master) FORMAT: MP4 (HD) CAST: Jamie Muscato (Tony), Adriana Ivelisse (Maria), Carly Mercedes Dyer (Anita), Ronan Burns (Riff), Jonathan Hermosa-Lopez (Bernardo), Isaac Gryn (Action), Damian Buhagiar (Chino), Ryan Anderson (A-Rab), Alex Christian (Baby John), Dale White (Big Deal), Michael O’Reilly (Diesel), Beth Hinton-Lever (Anybodys), Darren Bennett (Lt. Schrank), Christopher Wright (Krupke), Christopher Wright (Doc), Darren Bennett (Glad Hand), Mireia Mambo (Rosalia), Abigail Climer (Consuela), Thea Bunting (Graziella), Katie Lee (Velma), Richard Appiah-Sarpong (Pepe), Dominic Sibanda (Indio) NOTES: Missing 7 minutes at the beginning. No dropouts and no obstruction. West Side Story - Second Broadway Revival - February 23, 2009 (Preview) (SunsetBlvd79's master) FORMAT: VOB (no smalls) (SD) CAST: Matt Cavenaugh (Tony), Josefina Scaglione (Maria), Karen Olivo (Anita), Cody Green (Riff), George Akram (Bernardo), Curtis Holbrook (Action), Joey Haro (Chino), Kyle Coffman (A-Rab), Ryan Steele (Baby John), Tro Shaw (Anybodys), Steve Bassett (Lt. Schrank), Lee Sellars (Krupke), Greg Vinkler (Doc) NOTES: Stunning production of this revival. Josefina and Karen still steal the show. The cast was on fire and there was a lot of energy in the audience as it was the first performance on Broadway. There are some changes from the DC run, which work better. Beautiful production and capture with no obstructions. West Side Story - Second Broadway Revival - November 16, 2009 FORMAT: VOB (with smalls) (SD) CAST: Matt Cavenaugh (Tony), Josefina Scaglione (Maria), Karen Olivo (Anita), Wes Hart (u/s Riff), George Akram (Bernardo), Eric Hatch (u/s Action), Joey Haro (Chino), Kyle Coffman (A-Rab), Brendon Stimson (u/s Baby John), Joshua Buscher (Diesel), Mike Cannon (Snowboy), Kaitlin Mesh (Anybodys), Steve Bassett (Lt. Schrank), Lee Sellars (Krupke), Mark Zimmerman (s/b Doc), Lindsay Estelle Dunn (Velma), Michael Williams (u/s Pepe), Kaitlin Mesh (Zaza) West Side Story - Third Broadway Revival - January 6, 2020 (Preview) FORMAT: MKV (HD) CAST: Jordan Dobson (u/s Tony), Mia Pinero (u/s Maria), Yesenia Ayala (Anita), Corey John Snide (u/s Riff), Amar Ramasar (Bernardo), Dharon E Jones (Action), Jacob Guzman (Chino), Kevin Csolak (A-Rab), Matthew Johnson (Baby John), Tyler Eisenreich (Big Deal), Ahmad Simmons (Diesel), Daniel Ching (Snowboy), Zuri Noelle Ford (Anybodys), Thomas Jay Ryan (Lt. Schrank), Danny Wolohan (Krupke), Daniel Oreskes (Doc), Pippa Pearthree (Glad Hand), Lorna Courtney (Rosalia), Gabi Campo (Consuela), Marissa Brown (Francisca), Alexa de Barr (Graziella), Madison Vomastek (Velma), Gus Reed (Gee-tar), John Snide (Tiger), Carlos Gonzales (Pepe), Ricky Ubeda (Indio), Roman Cruz (Luis), Israel del Rosario (Anxious), Michaela Marfori (Nibbles), Marc Crousillat (Juano), Sheldon True (Toro), Stephanie Crousillat (Teresita), Marlon Geliz (Estella), Satori Folkes-Stone (Margarita), Uni-Seng Francois (Minnie), Jennifer Gruener (Pauline) NOTES: Wideshot. Stage right is slightly obstructed due to where the master was sitting. Good audio. SD M4V (567.0 MB) West Side Story - UK Tour - May 23, 2009 FORMAT: MP4 (HD) CAST: Daniel Koek (Tony), Hazel Gardner (u/s Maria), Jayde Westaby (Anita), Edd Post (u/s Riff), Dan Burton (Bernardo), Aki Omoshaybi (Chino), Ged Simmons (Lt. Schrank), Martin Chaimberain (Krupke) When We're Gone - Joe's Pub (2014) - March 12, 2014 FORMAT: MP4 (HD) CAST: Gerard Canonico (Todd), Jeremy Kushnier (John), Luke Wygodny (Ashton), Hannah Whitney (Rosie), Eric William Morris (Colin), Bradley Dean (William) NOTES: Concert performance.

The Wild Party (Lippa) - Encores! Off-Center - July 17, 2015 (SunsetBlvd79's master) FORMAT: VOB (with smalls) (SD) CAST: Sutton Foster (Queenie), Steven Pasquale (Burrs), Brandon Victor Dixon (Black), Joaquina Kalukango (Kate), Miriam Shor (Madeline True), Talene Monahon (Mae), Ryan Andes (Eddie) NOTES: Excellent HD capture from the Encores Summer Series! The cast was terrific and full of energy giving everything they had. Great to see these songs performed again by this caliber of talent! A The Wild Party (Lippa) - Off-Broadway - 2000 (Highlights) (Press Reel's master) FORMAT: VOB (with smalls) (SD) CAST: Julia Murney (Queenie), Brian d'Arcy James (Burrs), Taye Diggs (Black), Idina Menzel (Kate), Alix Korey (Madeline True), Charles Dillon (Oscar d'Armano), Kevin Cahoon (Phil d'Armano), James Delisco Beeks (Max), Todd Anderson (Reno), Jennifer Cody (Mae), Kena Tangi Dorsey (Dolores), Felicia Finley (Rose Himmelsteen), Peter Kapetan (Sam Himmelsteen), Lawrence Keigwin (Jackie), Charlie Marcus (The Neighbor), Kristin McDonald (Nadine), Raymond Jaramillo McLeod (Eddie), Steven Pasquale (Cop), Megan Sikora (Peggy), Ron Todorowski (Kegs), Amanda Watkins (Ellie) The Winter's Tale - West End - November 26, 2015 (Pro-Shot's master) FORMAT: MP4 (SD) CAST: Kenneth Branagh (Leontes), Dame Judi Dench (Paulina), Miranda Raison (Hermione), Jessie Buckley (Perdita), Hadley Fraser (Polixenes), Tom Bateman (Florizel), John Dagleish (Autolycus) The Winter's Tale - West End - November 26, 2015 (Pro-Shot's master) FORMAT: MP4 (HD) CAST: Kenneth Branagh (Leontes), Dame Judi Dench (Paulina), Miranda Raison (Hermione), Jessie Buckley (Perdita), Hadley Fraser (Polixenes), Tom Bateman (Florizel), John Dagleish (Autolycus) The Witches of Eastwick - UK Tour - April 4, 2009 FORMAT: VOB (with smalls) (SD) CAST: James Graeme (Clyde), Marti Pellow (Darryl), Poppy Tierney (Jane), Rachel Izen (Felicia), Rebecca Thornhill (Sukie), Ria Jones (Alex) NOTES: Beautifully filmed from the balcony, with a great mix of close-ups and full stage shots. Crystal clear. Widescreen. The Wiz - NBC Live! - December 3, 2015 (Pro-Shot's master) FORMAT: MP4 (4K) CAST: Shanice Williams (Dorothy), David Alan Grier (Lion), Ne-Yo (Tinman), Elijah Kelley (Scarecrow), Uzo Aduba (Glinda), Queen Latifah (The Wiz), Mary J Blige (Evillene), Stephanie Mills (Aunt Em), Amber Riley (Addaperle) NOTES: A live production of the 1975 musical The Wiz produced for television; excellent video. A+ The Wizard of Oz (Webber) - First National Tour - September 28, 2013 FORMAT: VOB (no smalls) (SD) CAST: Danielle Wade (Dorothy Gale), Jamie McKnight (Scarecrow/Hunk), Mike Jackson (Tin Man/Hickory), Lee MacDougall (Cowardly Lion/Zeke), Jacquelyn Piro Donovan (The Wicked Witch of the West/Miss Gulch), Cedric Smith (The Wizard of Oz/Professor Marvel), Robin Evan Willis (Glinda the Good Witch), Charlotte Moore (Aunt Em/Munchkin Barrister), Larry Mannell (Uncle Henry/Philippe/Head Guard) NOTES: Nice capture of Andrew Lloyd Webber's re-imagined classic; no obstruction and very little washout; a few quick dropouts in act one and a couple in act two, only last about three minutes all together; filmed in 16:9 with a mix of wides, mediums,and close-ups. The Woman in Black - West End - July 8, 2001 FORMAT: VOB (with smalls) (SD) CAST: Christopher Ravenscroft (Arthur Kipps), Sebastian Harcombe (The Actor) The Woman in White - Broadway - November 30, 2005 FORMAT: VOB (with smalls) (SD) CAST: Adam Brazier (Walter Hartwright), Angela Christian (Anne Catherick), Jill Paice (Laura Fairlie), Lisa Brescia (Marian Halcombe), Michael Ball (Count Fosco), Ron Bohmer (Sir Percival Glyde)

The Woman in White - West End - February 25, 2005 FORMAT: VOB (with smalls) (SD) CAST: Maria Friedman, Michael Ball, Adrian der Gregorian (u/s), Oliver Darley, Jill Paice, Elinor Collett (u/s) NOTES: Nice video with good closeups and zooms and great sound. Woman of the Year - Broadway - March 27, 1982 FORMAT: VOB (with smalls) (SD) CAST: Lauren Bacall (Tess Harding), Harry Guardino (Sam Craig), Eivind Harum (Alexi Petrikov), Roderick Cook (Gerald), Grace Keagy (Helga), Jamie Ross (Larry Donovan), Marilyn Cooper (Jan Donovan), Rex Everhart (Maury) NOTES: Good color video with clear sound with some generation loss, but a nice video. B+ Women on the Verge of a Nervous Breakdown - Broadway - December 29, 2010 FORMAT: VOB (with smalls) (SD) CAST: Sherie Rene Scott (Pepa), Laura Benanti (Candela), Patti LuPone (Lucia), Brian Stokes Mitchell (Ivan), Justin Guarini (Carlos), de’Adre Aziza (Paulina), Danny Burstein (Taxi Driver), Nikka Graff Lanzarone (Marisa), Mary Beth Peil (Pepa's Concierge/TV and Radio Announcer), Samantha Shafer (u/s Woman at Train/Ana) NOTES: Also includes press reels, cast/creative interviews and video of David Yazbek singing songs from the show.

Women on the Verge of a Nervous Breakdown - Broadway - January 2, 2011 (Matinee) FORMAT: MP3 (tracked) CAST: Sherie Rene Scott (Pepa), Laura Benanti (Candela), Patti LuPone (Lucia), Brian Stokes Mitchell (Ivan), Justin Guarini (Carlos), de’Adre Aziza (Paulina), Danny Burstein (Taxi Driver), Nikka Graff Lanzarone (Marisa), Mary Beth Peil (Pepa's Concierge/TV and Radio Announcer), Samantha Shafer (u/s Woman at Train/Ana) NOTES: Also includes press reels, cast/creative interviews and video of David Yazbek singing songs from the show. Wonderful Town - Television Production - November 30, 1958 (Pro-Shot's master) FORMAT: VOB (with smalls) (SD) CAST: Rosalind Russell (Ruth Sherwood), Sydney Chaplin (Robert Baker), Jacquelyn McKeever (Eileen Sherwood), Joseph Buloff (Mr. Appopolous), Dort Clark (Chick Clark), Jordan Bentley (Wreck), Cris Alexander (Frank Lippencott), Jack Fletcher (Night Club Patron), Michele Burke (Helen Wade), Ted Beniades (“Speedy” Valenti), Isabella Hoopes (Mrs. Wade), Ray Weaver (Shore Patrolman), Gene Carrons (Violet), John Wheeler (Officer Lonigan), Don Grusso (Fireman) Wonderland - Broadway - March 23, 2011 (Preview) FORMAT: VOB (with smalls) (SD) CAST: Janet Dacal (Alice), Kate Shindle (Mad Hatter), Carly Rose Sonenclar (Chloe/Ellie), Edward Staudenmayer (The White Rabbit), Karen Mason (Queen of Hearts), Darren Ritchie (Jack the White Knight), E Clayton Cornelious (Caterpillar), Jose Llana (El Gato/Chesire Cat), Danny Stiles (Morris the March Hare), Darren Ritchie (The Victorian Gentleman), Karen Mason (Edwina) NOTES: Very limited trade 3:1 at the master's request. Wonderland - Broadway - April 2, 2011 (Preview) (SunsetBlvd79's master) FORMAT: MP4 (SD) CAST: Janet Dacal (Alice), Kate Shindle (Mad Hatter), Carly Rose Sonenclar (Chloe/Ellie), Edward Staudenmayer (The White Rabbit), Karen Mason (Queen of Hearts), Darren Ritchie (Jack the White Knight), E Clayton Cornelious (Caterpillar), Jose Llana (El Gato/Chesire Cat), Danny Stiles (Morris the March Hare), Darren Ritchie (The Victorian Gentleman), Karen Mason (Edwina) NOTES: Beautiful bright capture of this short lived show that only played 31 previews and 33 performances. I thought this show was very enjoyable and fun with great music. Great performances and voices from the cast! A+ Wonderland - Broadway - May 12, 2011 (juniper47's master) FORMAT: VOB (with smalls) (SD) CAST: Janet Dacal (Alice), Kate Shindle (Mad Hatter), Carly Rose Sonenclar (Chloe/Ellie), Edward Staudenmayer (The White Rabbit), Karen Mason (Queen of Hearts), Darren Ritchie (Jack the White Knight), E Clayton Cornelious (Caterpillar), Jose Llana (El Gato/Chesire Cat), Danny Stiles (Morris the March Hare) NOTES: Filmed in widescreen with very few obstructions except for a head blocking the farthest corners of downstage stage left and right, but very little is missed there. Very good video and excellent picture and sound. Wonderland - Broadway - May 12, 2011 (juniper47's master) FORMAT: VOB (with smalls) (SD) CAST: Janet Dacal (Alice), Kate Shindle (Mad Hatter), Carly Rose Sonenclar (Chloe/Ellie), Edward Staudenmayer (The White Rabbit), Karen Mason (Queen of Hearts), Darren Ritchie (Jack the White Knight), E Clayton Cornelious (Caterpillar), Jose Llana (El Gato/Chesire Cat), Danny Stiles (Morris the March Hare) NOTES: Filmed in widescreen with very few obstructions except for a head blocking the farthest corners of downstage stage left and right, but very little is missed there. Very good video and excellent picture and sound. Wonderland - UK Tour - June 10, 2017 (Matinee) (bestworstcase's master) FORMAT: VOB (with smalls) (SD) CAST: Rachael Wooding (Alice), Francesca Lara Gordon (u/s Mad Hatter), Naomi Morris (Chloe/Ellie), Dave Willetts (The White Rabbit), Wendi Peters (Queen of Hearts), Stephen Webb (Jack the White Knight), Kayi Ushe (Caterpillar), Dominic Owen (El Gato/Chesire Cat), Ben Kerr (Morris the March Hare) NOTES: DVD menu states June 6 2017 matinee, but all other evidence, even the master's weebly claim it's June 10 2017. Good video! Wonderland (Beth Steel Play) - Hampstead Theatre - July 14, 2014 (Pro-Shot's master) FORMAT: MP4 (SD) CAST: Unknown NOTES: Livestreamed April 2020. The Worst Witch - West End - August 22, 2019 (Matinee) (wheredidtherockgo's master) FORMAT: MTS CAST: Danielle Bird (Mildred Hubble), Rosie Abraham (Ethel Hallow), Molly-Grace Cutler (Miss Bat/Piano/Guitar/Cello/Dulcimer), Meg Forgan (Fenella Feverfew/Bass Guitar), Rachel Heaton (Miss Hardbroom), Rebecca Killick (Maud Spellbody), Emma Lau (Drusilla Paddock), Megan Leigh Mason (Miss Drill/Guitar/Drums/Percussion/Clarinet/Bass Guitar), Polly Lister (Agatha/Miss Cackle), Consuela Rolle (Enid Nightshade), Lauryn Redding (Griselda Blackwood/Sax) NOTES: A very good show! It’s a show aimed more toward kids so there was a lot of kids in the audience. An amazing performance by Polly Lister as Agatha/Miss Cackle in particular. The Wrong Man - Off-Broadway - November, 2019 (StarCuffedJeans's master) FORMAT: MP3 (untracked) CAST: Joshua Henry (Duran), Ciara Renée (Mariana), Ryan Vasquez (Man in Black), Amber Pickens, Anoop Desai, Debbie Christine Tjong, Julius Williams, Libby Lloyd, Malik Shabazz Kitchen, Tilly Evans-Krueger NOTES: Near perfect HD capture of this new Off-Broadway show with fabulous performances by the whole cast. There is some wandering throughout but overall a very centered orchestra video with extremely vivid colors. Please do not post screenshots of this video on Twitter ever. Gifs on Tumblr are okay after the NFT date, but don't go linking things to actors and shows. Das Wunder von Bern - Hamburg - July 6, 2015 FORMAT: VOB (with smalls) (SD) CAST: Ruben (Matthias Lubanski), Vera Bolten (Christa Lubanski), Patrick Imhof (alt. Richard Lubanski), Marie Lumpp (Ingrid Lubanski), Patrick A. Stamme (alt. Bruno Lubanski), Elisabeth Hübert (Anette Ackermann), Florian Soyka (alt. Paul Ackermann), Robin Brosch (Sepp Herberger(Bohse), Jogi Kaiser (Tiburski/Putzfrau/Adi Dassler), Tetje Mierendorf (Pfarrer Keuchel), Alexandra Farkic/Franziska Trunte/Esther Mink (Wunderfräulein), Dominik Hees (Helmut Rahn), Mark Weigel (Fritz Walter), Dennis Henschel (Berni Klodt), Robin Koger (Horst Eckel), Matteo Vigna (Max Morlock), Hendrik Schall (Toni Turek), Matt Cox (Werner Kohlmeyer), Daniel Therrien (Ottmar Walter), Giuliano Mercoli (Josef Posipal), Fabian Kaiser (u/s Karl mai/Fußballartist), Dominik Kaiser (Hans Schäfer/Fußballartist) NOTES: This video was recorded right after some changes on the show were made (doesn't include the new song which will be published on 11th July, 2015). Full show; beautiful picture quality and nice close-ups but rather shaky in the beginning/end of both acts Das Wunder von Bern - Hamburg - July 23, 2015 FORMAT: VOB (with smalls) (SD) CAST: Tanja Schön (u/s Christa Lubanski), Patrick Imhof (alt Richard Lubanski), Marie Lumpp (Ingrid Lubanski), David Jakobs (Bruno Lubanski), Shari Lynn Stewen (alt Anette Ackermann), Patrick A Stamme (alt Paul Ackermann), Mark Weigel (Sepp Herberger/Bohse), Michael Ophelders (alt Tiburski/Putzfrau im Hotel/Adi Dassler), Tetje Mierendorf (Pfarrer Keuchel), Alexandra Farkic (Wunderfräulein), Amaya Keller (Wunderfräulein), Franziska Trunte (Wunderfräulein), Dominik Hees (Helmut Rahn), Florian Soyka (alt Fritz Walter), Hendrik Schall (alt Berni Klodt), Robin Koger (Horst Eckel), Matteo Vigna (Max Morlock), Fabian Kaiser (Toni Turek), James Cook (Werner Kohlmeyer), Daniel Therrien (Ottmar Walter), Pasha Antonov (Josef Posipal), Adrian Fogel (Kar Mai/Fußballartist), Dominik Kaiser (Hans Schäfer/Fußballartist) NOTES: "Julius" as Matthias Lubanski. Full show. Great picture quality and beautiful close-ups, though some little obstruction due a railing. The last few minutes of both acts are shot blind without zooms but still capturing the action on stage

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terfslying · 4 years ago

Note

Here's a pretty good breakdown of the bi lesbian thing. From how it started in terf circles to how it's being used now. Which is still Bad. justsaidsapphic. carrd. co

Second similar anon that I’m grouping in here:

actually 'bi lesbian' is bad for everyone. it's bad for lesbians bc it perpetuates the lesbophobic idea that lesbians can like men, and it's bad for bi ppl because it perpetuates the biphobic idea that you're not 'really' bi if you prefer one gender / that you're 'no longer' bi once you settle down in a monogamous relationship

Answer:

This seems to boil down to the idea that if you’re bi, there’s no need to call yourself lesbian (since bisexual wlw are still bisexual when they’re with women), and if you’re lesbian, there’s no need to call yourself bi (since nblw and trans wlw are still included in the ‘lesbian’ term). The carrd actually explains that position reasonably well.

However, I don’t agree. I don’t think “bi lesbian” is inherently problematic, even if the label is technically ‘unnecessary’. If lesbians and bi people need labels for their own individual issues, ‘bi lesbian’ has the same virtue. All the quotes below are from “Bisexual Women and the ‘Threat’ to Lesbian Space” by Sharon-Dale Stone in 1996. Sadly I don’t have a link because it’s not open-access.

Okay, reasoning:

Bisexual people should not have their attraction to women discounted. While bisexuality as a label does include “bi lesbian” attractions, I’m going to believe that bi lesbian people know this and have a reason for their self-ID.

Stone quote on this topic: “there’s a history of “defin[ing] the attraction a bisexual experiences towards other women as irrelevant and argu[ing] that these women are not competent to know and define their own sexual/sensual responses”.

As for “it’s lesbophobic to imply lesbians can be attracted to men”... it’s actually fact to say that lesbians can be attracted to men. It’s important to note that attraction does not remotely equal actual activity, wanting to do so, or sexual compatibility. But a level of attraction to men is surprisingly common. (I’ve definitely gotten in trouble saying this before when referring to a study about how lesbian women react to sexual images of male vs female bodies). Quote on the topic:

“In her study of sexual behavior among 323 self-defined lesbians and 42 self-defined bisexual women, Paula Rust [...] found that "only one-third of lesbian-identified respondents stated that they were one hundred percent attracted to women" and, among lesbians who had been out more than twenty years, 91 percent had had heterosexual relationships since coming out. Clearly, a lot of lesbians are sleeping with men. Without suggesting that all lesbians sleep with men, it would seem that the difference between lesbians and bisexual women is that the former group does not publicly acknowledge attraction to men, whereas the latter group does. “

For reference, Stone is a lesbian, was involved in lesbian separatist and radical feminist communities as early as the 1970′s, and this was written in the 90′s.

#long post #tag for sources #bi lesbian #tag for asks

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fightmeyeats · 6 years ago

Text

"She comes to work and she does her job!”: Casual Ableism in the Work Place

Today, while sitting in a shaded outdoor common space on my college campus, comparing sets of blood test results from the last year to see if there was anything I wanted to bring up with my doctor, I overheard a snippet of conversation between two middle aged women. What stood out to me was the woman who said, clearly in praise, “I know she’s suffered extremely, but she comes to work and she does her job!”

This is a kind of violence.

Now, maybe you’re reading this thinking What?? Sounds like the lady is a badass, good for her! Or maybe you’re thinking Why are you complaining? I would be appreciative that my coworker was doing her job despite hardship! Everybody has problems, I have problems, but I don’t bring them to work with me!

So before I break this down, let me tell you a little bit about two of my coworkers with disabilities: for context, there are other people at my place of employment with disabilities but I am most familiar with “A” and “B”’s specific circumstances, so they’re who I’m going to talk about here. Both coworkers I am discussing here are white, straight, cis women. I am not going to give any specifics that might make them identifiable, but I will say that “A” is in a skinny young adult with an autoimmune disorder; and “B” is middle aged, plus-sized, and has multiple disabilities. “B” is required to be provided with a chair so that she can sit periodically and has restrictions on how much weight she can lift; “A” has not requested or received any accommodations, although she does miss work periodically when she has bad flair ups. My manager has told me multiple times that she hates seeing “B” sit down because she thinks it “looks bad,” and both she and other managers have frequently harassed “B,” telling her that they need to see her doing more, threatening to stop allowing her use the chair (despite the fact they are required by company policy, and I believe law, to provide this accommodation), and writing her up for sitting down, claiming she is using her chair “too much.” All this is despite the fact that she was moved, against her wishes and to her disadvantage, by said managers from a position that allowed her to accomplish tasks while sitting (and to use a mobility aid while performing tasks while standing), to a position which makes it so that sitting in accordance with her doctor’s directions makes it more difficult for her to accomplish her assigned tasks; she also has less ability to use a mobility aid. “B” frequently expresses concern that she will be fired, and frequently goes longer than she is supposed to without sitting or lifts significantly more than she is supposed to (impacting her health), because she is afraid of being written up, or having a customer complain she was not helpful enough. My other coworker, “A” frequently works while visibly suffering from flair-ups and explains at length to myself and other managers that she is trying to get her health stabilized so that she does not inconvenience anybody, and because she wants to be a good employee. My manager praises “A,” except when “A” does have to miss a period of work because of her condition, and then, despite the fact that “A” always brings in documentation showing she was not only having a flair up, but was receiving treatment, my manager writes “A” up because her absences are “too much at this point,” and “beyond what we can reasonably excuse.” This is only the smallest possible example of the harm done by praising someone for “coming to work and doing her job.”

This mentality focuses on a valuing of human life based off of how productive and convenient a person is, and it’s something I see prevalent in classroom and employment settings (both as the affirmation, as well as the inverse “I know X is going through a lot, but they’re attitude is terrible, they’re just not doing a good job!”). Essentially, the value assigned to a person as an employee (or as a student) is based on how much they are able to do despite disability (or other barriers), and is framed through a lens of personal convenience (ie “I’m not ableist, I just don’t want to get stuck doing all the work because they can’t”). At its core, I believe the idea that this mentality stems from ableism, neoliberalism, and capitalism.

Disabled people, especially disabled women, are under constant surveillance; there’s a great article by Sharon Dale Stone called “The Myth of Bodily Perfection,” where she discusses the idea of bodily perfection and points out that morality is generally tied to ability, and that people (especially women) are likely to conceal disability if they can. This is because of capitalist ideas of productivity, as well as neoliberalism; anyone who is not appropriately productive, who can’t come to work and do their job, must just be lazy, must not be trying hard enough. “Model” disabled figures, such as the woman I overheard be discussed on campus, are used to prove this; if she can do her job, why can’t someone else? What is overlooked is not only that people have different needs and abilities and not everyone can come in every single day and meet/exceed expectations (or that the additional burden of trying to do this may not be desirable, and shouldn’t be enforced), but it overlooks the actual lived experiences of this “ideal” figure: what is it costing her to fill this role? Why is she put in a position where she has to? Furthermore, why are you blaming those who cannot do it? While it may be inconvenient for you to “pick up the slack,” rather than blaming your disabled coworker, maybe ask why your employer is setting you both up to fail--why is your coworker being asked to work beyond their ability, and why are you? Why is the workplace not setup to accommodate for disability?

This also ties into another of Stone’s points: that we imagine individuals are “totally able or totally disabled, with no in-between,” and that disability cannot be concealed (418); essentially, in the hegemonic imagination if someone is disabled they should not only experience the same amount of disability at all times, but should be completely (and visibly) disabled. The employed disabled figure is something of a paradox: while neoliberal Model Minority figures exist, those with visible disabilities must either be able to achieve this status, or be viewed as unemployable; this comes out in sentiments along the lines of “Well, if they were able to do x,y,z task last week, they can do it today!” and “All I’m saying is if they can’t do the job, they shouldn’t work here!” With invisible disabilities, it largely comes out as a complete refusal to believe the person in question is disabled; this doesn’t always mean a specific belief that the person is lying, but rather a refusal to engage with, on a meaningful level, the idea that a person who “looks” healthy and normal has real limitations that impact their ability to do things, and is not just “being lazy” when they can’t do something.

So what’s the solution to this? Ultimately, what I want is good allyship. Think critically before you speak. Ask yourself why is it so important to you that your coworkers, who are “suffering extremely” are also meeting your standards of productivity. Look for ways to make your workplace or classroom more accessible. And above all else, try to find ways to build solidarity; instead of praising the woman who is working despite suffering, ask what you and others can do to alleviate the suffering.

#disability studies #ableism #ableism in the work place #capitalism #neoliberalism #disability #essay #long post #popular

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