#See; it all makes sense

[pastelaspirations]

Yeah, yeah, but. But. Hear me out. What if. Ink can love Error back. He just needs to go on his 50k word slow burn epic discovering that. That's his character arc, he just hasn't started it yet-

Ink is frustrated because he knows he can't love Error back

[egophiliac]

still ruminating over Lost In the Book With Spooky Skeletons Part 1, so here's a selection of some of my favorite little bits! (...some more loosely paraphrased than others) (I just feel like Idia has no room to criticize in general, okay)

anyway, I'm sure we're just going to have a fun time celebrating Halloween and nothing bad is going to happen whatsoever! :)

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[chloesimaginationthings]

These clown animatronics in FNAF wild as hell..

[flwrkid14]

Casual Chaos: Tim Drake’s Makeup Stream

Danny, known to the internet as Nebula, had been teasing a special stream for weeks. Fans were buzzing with excitement and theories, especially when the announcement popped up: “Doing My Boyfriend’s Makeup!” Naturally, the chat erupted into chaos. Danny was pretty private about his love life, so this reveal had the fandom on edge.

When the stream finally went live, Danny greeted his audience with his usual laid-back grin. “Okay, today’s the day. Let’s see if I’m any good at this,” he said, spinning a makeup brush between his fingers. “But first, let me introduce you to my boyfriend.”

The camera panned, and there he was—Tim Drake, sitting there as if this was the most normal thing in the world. No big introduction, no fanfare. Just Tim, giving a small, nonchalant wave.

“WAIT. IS THAT TIM DRAKE???”

“Like… THE Tim Drake??”

“No way he’s dating Nebula, what is happening???”

Danny, fully aware of the chaos brewing in the comments, didn’t even acknowledge it. He just turned to Tim. “Ready for your makeover, babe?”

Tim shrugged, totally calm. “Let’s do it.”

As Danny started applying makeup, the chat kept freaking out, but the two of them acted like it was just another Saturday. In Gotham, though, it was a different story. The Bat's group chat was blowing up:

Dick: “TIMOTHY JACKSON DRAKE-WAYNE, EXPLAIN YOURSELF.”

Jason: “How does a nerd like you land Nebula of all people???”

Steph: “I AM CRYING. HOW DID I NOT KNOW THIS?!!”

Damian: “This is unacceptable. Drake, I demand an explanation.”

Bruce: [Typing…]

But Tim? Unfazed. He ignored the constant buzzing of his phone and sat still as Danny carefully lined his eyes and added a touch of mascara, keeping up casual chatter with the stream.

“You know,” Danny said, holding up a shade of lipstick, “Tim’s got this effortless model thing going on. I’m just enhancing what’s already there.”

Tim raised an eyebrow, smirking. “I didn’t exactly sign up to be your runway star.”

“Wait… he’s actually REALLY pretty??”

“Tim Drake is hot, confirmed.”

“LOOK AT HIS CHEEKBONES OMG.”

As Danny finished the look, adding some extra blush and a light gloss, the reaction was immediate. The chat was losing it. Tim glanced at himself in the mirror, barely reacting. “Well… I don’t hate it.”

Danny leaned back, admiring his work. “Not bad, right?”

Meanwhile, back in Gotham, the bats were still going wild.

Steph: “Tim, you better show up to every gala looking like this from now on.”

Jason: “You’ve been holding out on us with this face, man.”

Dick: “This is ICONIC.”

Bruce: “We’ll need to discuss this later.”

Tim finally glanced at his phone and snorted at all the messages. “They’re never going to let this go, are they?”

Danny just grinned at the camera. “Probably not. So… next time, you'll do my makeup, right?”

The chat, of course, exploded all over again.

[boysborntodie]

TUA S4 proved that Netflix cancelling their shows after the first season is actually a good thing

[taonpest]

Sometimes being an artist is feeling like a baker seeing a chemist making the deadliest liquid in the world and wishing you could make the deadliest liquid as well but you're a baker, not a chemist, and then you feel like your bread is worthless

[aroaceleovaldez]

i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:

You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.

You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.

You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.

You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.

You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.

You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.

You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.

[stompandhollar]

reminding everyone that the in-universe problem with The Doctor and The Master isn’t “ooo horrible nasty enemies who hate each other and don’t get along and fight all the time but are also in love”

the problem is that they get along. the problem is that they can’t stop themselves from falling naturally into a rhythm of riffing off one another and enjoying the other’s company. THAT is the problem. the problem is that it works and that’s the thing that caused all their issues. they like one another. they just click.

[eddiewhump]

‘girl dad buck this.. girl dad buck that..’ but where is the love for girl dad eddie? eddie, who has two younger sisters and leaps at any opportunity to play dress up? he was built for tea parties and extravagant living room fashion shows

[watmalik]

Hugh Jackman casually admitting he’s a wh*re (affectionately) — pt. 2 and pt. 3

[keferon]

“Mistakes on mistakes until” ch 69 spoilers below!

Ahahahahahahah here I go again

Mistakes on mistakes until until I can draw Jazz with my eyes closed

I woke up, checked my phone, woke up for real and decided that whatever plans I had for this day yeah no they can wait a little bit kfkgnfk

Also. Consider listening this while reading. Or don't who am I to tell you what to do~

[chloesimaginationthings]

Yall ever think about how Nightmare bb is canon in FNAF

[inkedberries]

i have a headcanon that Yoichi trims AFO's hair because i can't help but compare AFO's nicely trimmed hair to Yoichi's and i thought someone had to have cut AFO's hair for him and it is only logical for me to assume it was Yoichi who did. I think AFO would only trust Yoichi to be so close to him with a sharp object like a pair of scissors lol

I think Yoichi would have also liked cutting his brother's hair at first, because it would make him feel helpful in a way? And I just think even when AFO put him in the vault, AFO would still go there to get his hair trimmed by Yoichi.

and once Yoichi joins the resistance, he offers to do this for Kudo as well.

[secondbeatsongs]

well folks. I've done it

at long last, I have reached the end of the boops

[novelconcepts]

Keep seeing people confused by Agatha letting the world believe she traded her son instead of telling the truth, but…kinda tracks, tbh. Not for the rational mind, of course. Not if you’re looking at it clearly.

Which Agatha isn’t.

She did the worst thing, in her mind. She fell asleep. She fell asleep, knowing Death had bookmarked her son for later, and when she woke, found him snatched out from under her. She failed him as his mother. She let go. And all the power in all the world wouldn’t be enough to bring him back.

So does the wildly grieving woman who has just lost her only child (to presumably her greatest love, but that’s a city-sized suitcase for another day) let herself go through the process of coping with and adapting to that grief? Fuck no! What is she, common?? She goes on a power bender! Even though the kid she prized in her heart of hearts seemed less than into that very thing! Even though that kid may have been able, given enough time, to convince her to stop! So now, not only did she fail him, but she also opted to speed race down Murder Road! For power! That she still won’t ever be able to use to get him back!

It gets muddled, after decades and centuries of this feeling. It grows teeth. In a way, she did trade him for power. In a way, she’ll always have that sitting on her chest. Never mind that it’s not true. Never mind that she wasn’t a bad mother at all (in this respect, anyway). Never mind that he was sick, and this was always coming. For Agatha, who has been stewing on this story she’s been telling herself for centuries, it is what happened. She traded her son. She did the unforgivable. She fell asleep.