#Science Fiction History
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thatfantasylovingdork · 1 year ago
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legends-expo · 1 year ago
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Panel Announcement: History of Space Opera
Joe Bongiorno shares his knowledge of the history of space opera and the authors who contributed to the sci-fi which ultimately set the stage for Star Wars to break into our galaxy
Full Schedule: https://legends-con.com/guests-programming/
Buy Tickets: https://www.eventbrite.com/e/legends-consortium-2023-tickets-541786186067
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ashleywritesstuff · 1 year ago
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From the Sci-Fi 5 Archive: one of my all-time favorite series premiered on this day 21 years ago. Learn more about Firefly in just 5 minutes. My words are read by Earl Green of theLogBook.com.
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thoughtportal · 1 year ago
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When tech whizkids are caught behaving badly, they're just being "brilliant jerks." And the figure of the charismatic-but-bratty genius inventor is everywhere these days. We look at how the isolated, tormented mad scientist in science fiction evolved into the sexy asshole that everyone wants to be. And we talk to Christopher Cantwell, co-creator of Halt and Catch Fire and recently writer of the Iron Man comic, about how Tony Stark has changed.
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dramyhsturgis · 1 year ago
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15 Years of "Looking Back on Genre History"
I've been contributing my "Looking Back on Genre History" segments to the StarShipSofa podcast for 15 years now. All of my past segments are listed (with their topics and links!) on the "Podcasting" page of my website. (Scroll down to the "Looking Back on Genre History" section.)
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mckitterick · 2 years ago
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Mary Wollstonecraft Shelley, widely regarded as the mother of science fiction: also Goth apotheosis
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Ummm....
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dndspellgifs · 1 year ago
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look, I know I've talked about this essay (?) before but like,
If you ever needed a good demonstration of the quote "Any sufficiently advanced technology is indistinguishable from magic", have I got an exercise for you.
Somebody made a small article explaining the basics of atomic theory but it's written in Anglish. Anglish is basically a made-up version of English where they remove any elements (words, prefixes, etc) that were originally borrowed from romance languages like french and latin, as well as greek and other foreign loanwords, keeping only those of germanic origin.
What happens is an english which is for the most part intelligible, but since a lot everyday english, and especially the scientific vocabulary, has has heavy latin and greek influence, they have to make up new words from the existing germanic-english vocabulary. For me it kind of reads super viking-ey.
Anyway when you read this article on atomic theory, in Anglish called Uncleftish Beholding, you get this text which kind of reads like a fantasy novel. Like in my mind it feels like it recontextualizes advanced scientific concepts to explain it to a viking audience from ancient times.
Even though you're familiar with the scientific ideas, because it bypasses the normal language we use for these concepts, you get a chance to examine these ideas as if you were a visitor from another civilization - and guess what, it does feel like it's about magic. It has a mythical quality to it, like it feels like a book about magic written during viking times. For me this has the same vibe as reading deep magic lore from a Robert Jordan book.
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dnschmidt · 6 months ago
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Was Frankenstein The First Science Fiction Novel?
Frankenstein is the most accepted answer for the first science fiction novel, mostly thanks to critic Brian W. Aldiss and his book “Billion Year Spree: The True History of Science Fiction.” However, there are many great examples of science fiction written before Shelley was even born.
Read on to learn about the history and development of the science fiction genre!
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groundrunner100 · 1 year ago
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spirk-trek · 5 months ago
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Georgia Schmidt, Carole Shelyne, Serena Sande, Meg Wyllie, & Sandra Lee Gimpel
A tribute to some lesser-known women of Star Trek :)
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fox-teeth · 2 months ago
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Hundreds of years in the future and thousands of light-years away, Mazu from Three-Hills practices her culture’s ancient art of sculpting spirit guides for the dead. But when technology from beyond the stars encroaches on her people’s lives—and deaths—what will happen to her art?
Read the rest of my new graphic novella "The Maker of Grave-Goods" this October exclusively through ShortBox Comics Fair--the innovative all-digital comics convention! @shortboxcomicsfair
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humanoidhistory · 1 year ago
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STAR TREK premiered on NBC on this day in 1966.
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mckitterick · 2 years ago
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"R.U. a Cyberpunk?" from Mondo magazine 10, 1993
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ashleywritesstuff · 2 years ago
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Just a reminder that there are lots of ways to support the work I do! More info is available on my blog!
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thoughtportal · 2 years ago
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We're going to tackle a few very small questions in this episode, like how to build a planet from scratch -- and then, how to build governments on that planet. What makes an imaginary world feel believable? Annalee explains what they did to research their new novel The Terraformers (coming out 1/31). Expect some gritty details about worldbuilding, moose romance, public transit, and making sure that every revolution has a core of joy. 
Episode 124: Transcript
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whereserpentswalk · 7 months ago
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People don't realize how liminal it is to be a time traveler. How you don't ever really feel like you're in the time you are. Even when you're in your own time, everything is off, your coat was something you bought in interwar France, the book you're reading on the train is from a bookstore you had to visit in Victorian London, even your necklace was given to you by a Neolithic shaman, from a culture the rest of the world can never know. You find yourself acting strange even when in the present, much less in the past you have to work in.
You remember meeting a eunuch in 10th century China, and having him be one of the only people smart and observant enough to realize you were from a diffrent time. You could talk honestly with him, though still you couldn't reveal too much about your time. And it was still so strange hearing him talk casually about work and mention plotting assassinations. You're not allowed to but you still visit him sometimes.
You remember that the few times you were allowed to tell someone everything it was tragic. You knew a young woman who lived in Pompeii, who you had gotten close to, a few days before she would inevitably die. On your last day there you looked into her eyes, knowing soon they'd be stone and ash, that the beauty of her hair would be washed away by burning magma. And you hugged her, and told her that you wanted her to be safe, and told her she was wonderful and that you wanted her to be comfortable and happy. And you let her tongue know the joy of 21st century chocolate, and her eyes see the beauty of animation, knowing she deserved to have those joys, knowing it wouldn't matter soon. And you hugged her the last time, and told her she deserved happiness. And when you left without taking her it was like you were killing her yourself.
You want to take home everyone you're attached to. There's a college student you befriended in eighteen fifties Boston. And you can't help but see him try to solve problems you know humanity is centuries away from solving. And you just want to tell him. And it's not just that, the way he talked about the books and plays he likes, his sense of humor. There's so many people you want him to meet.
You feel the same way about a young woman you met on a viking age longship. She tells stories to her fellow warriors and traders, stories that will never fully get written down, stories that she tells so uniquely and so well. She has so many great ideas. You want so dearly to take her to somewhere she can share her stories, or where she can take classes with other writers, where she can be somewhere safe instead of being out at sea. She'll talk about wanting to be able to do something, or meet people, and you know you're so close to being able to take her, but you never can, unless she accidently finds out way too much then you can't.
You remember the longship that you met that young storyteller on. You were there before, two years ago for you, ten years later for the people on it. The young woman who told you stories wasn't there ten years later, you had been told why then but you only realize now, her uncle, who ran the ship, had been one of the first people to convert to Christianity in his nation. He killed her, either for not converting or for sleeping with women, you're not sure, but he killed her, and bragged about it when you met him ten years later.
You talk to the storyteller on the longship, ask her about the myths you're there to ask her about, the myths that she loves to tell. You look into her eyes knowing it's probably less then a year until her uncle takes her life. You ask her if you think that those who die of murder go to Valhalla. She tells you she hopes not, she doesn't see Valhalla as a gift but as a duty, she hopes for herself to go to Hel, where she wouldn't have to fight anymore. You slip and admit you're talking about her, telling her that you hope that's where she goes when she's killed. You hope to yourself you'll be forced to take her to the twenty first century, you're tempted even to make it worse, you want to have ruined her enough to be able to save her.
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