#Scared Game

[chloesimaginationthings]

Cassidy loves to scare the FNAF night guards..

[scarewares]

sebastian solace the nefarious anglerfish

[petalsonthemoonligh]

I always laugh when people paint Peeta as a soft, innocent, almost a push over type of guy. Like this boy was eating Katniss up in arguments, making innuendos while on his deathbed, and beating up guys if they threaten his girl. Like come on now.

[reineydraws]

i think, if they were real, they would hang out while waiting for the mortals in the time loop to reset. and they'd be buddies.

[shouts-into-the-void]

I feel like the aftg fandom has just swung hard from one mischaracterization of Neil to another.

Yes, Neil is not an innocent little soft-boy like a lot of fans made him out to be pre-TSC, but he isn't some cold, calculated badass either.

He took out a hit on Grayson over Thai food. He doodles fox paws in his notebooks and hates vegetables. He insults FBI agents' parking jobs and he spent a bus ride staring over the back of his seat making heart eyes at his boyfriend. He manipulated the agents while eating takeout in the interrogation room. He canonically internally panics and overthinks the entire time he's attempting to manipulate anyone. He uses people's family trauma to manipulate them. He misses his mom.

Neil Abram Josten is a multifaceted character

[latest-updates-and-history]

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[beartimi]

I've posted this one everywhere lol.

[aslyran]

Visions

[vulpixelates]

i know it will never happen but i so desperately desire an origins-type playable backstory thing in all games but especially veilguard. i feel like it added so much depth to origins and made you feel instantly connected to your character in a way that gets lost in games like inquisition where you fill in the blanks as you go except for the bare basics. like, i do enjoy the freedom to willy nilly decide where a character was before the events of the story from a creative perspective, but the playable origins were just so good! especially when you go back to where your warden is from and can engage differently with the arcs there

[very-small-giant]

finally got around to listening to the adventure zone and OH MY GOD i have been missing out

[chloesimaginationthings]

How I assume salvaging went in FNAF pizza sim

[daclium]

My metaphor doodles that I should post here too

[odetojupiter]

the fact that kevin day also witnessed a man being chopped up in the tower at evermore after neil’s audition is mad, and it’s something that is very much not addressed ever. like, maybe part of kevin was so accepting of how things were in the nest because he knew that this is the second branch, and if he were to leave, he’d become the main branch’s problem because he knows too much, and the main branch casually chops men up as a warning to literal children. and then he’s still called a coward for leaving ?? but also a coward for wanting to go back to make the inevitable less painful for him ??? and that’s not even considering what riko and tetusji did to him specifically, before even jean arrived at the nest. and his mother’s death would’ve been quite recent at that point. just insane.

[pianokantzart]

I know I've mentioned this before, but whoever worked on the script of The Mario Movie and decided to lay the groundwork for Luigi's Mansion by establishing that Luigi has a fear of dogs of all things needs a raise.

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[mipexch]

been thinking about something wicked a little too much lately. no harm in romanticizing the ominous dreadful unstoppable force