#Sarah Corey

[cinemagal]

THE BEAR Season 2

[ohhmiaohmy]

hang it in the louvre

[kaipanzero]

DOA: Dead or Alive (2006)

[heatherfield]

We just met with Corey [Lubowich] who just made us a really cool frickin’ logo. We’re really excited about it. Can we show it?

Happy Tenth Anniversary, Shipwrecked Comedy! (2013-2023) [x]

[hallmark-movie-fanatics]

Christmas Con 2024 in Edison, New Jersey, for three days of fan-focused festivities from Dec. 13-15.

photo preview 1 of 2

Link - people.com

[unladyboss]

AN IMPORTANT OUTING CASTING. CHICAGO BLACK HAWKS AND THE BEAR CAST WITH PRODUCERS. SEASON 4 THE BEAR

THIS IS IMPORTANT.

Because the episodes they are shooting now seem to involve the people or at least some of the people who are at this game. Kyle? Is he coming back? Jess and the EVER team, our usual cast but no Angel .

Where is Angel? Jose Cervantes????

_-----------------------------

Some of the Bear cast are taking in the Chicago Blackhawks game tonight

Saw a bunch of them. Lovely Lionel

Edwin

Producers like Cooper Wehde, Rene Gube and Tyson Bidner

Sarah Ramos who plays Jess and Andrew Lopez

That guy who plays that Fak. Guess they're gonna be in the Bear forever, no matter what WE think about it

That guy who played the weird guy (Kyle) who remembered Carmy at the party with Claire

Richard and Corey are there in good seats

Notably absent were our favs.

[jgroffdaily]

@broadwaydirect Which Tony nominee would you like to go on road trip with?

[byroncapped]

MY LIFE WITH THE WALTER BOYS: Season 1 Screencaps

Linked above is a folder with zip files for each episode of My Life with the Walter Boys Season One. This cast includes: Nikki Rodriguez, Ashby Gentry, Noah LaLonde, Corey Fogelmanis, Sarah Rafferty, Johnny Link, Isaac Arellanes, Connor Stanhope, Zoë Soul, Ashley Holliday Tavares, Mya Lowe, Ellie O'Brien, Gabrielle Jacinto, Jaylan Evans, and more. All of these screencaps were made by me using 1080p footage EXCEPT for EPISODE 5 which is made from 720p footage. Everywhere I looked only had 720 and 480p footage of episode 5. ( if you have 1080p footage of ep 05 and want to share it with me, i will be super grateful ) There are about 1,000 caps per episode. These screencaps can be used for icons, edits, promos, and anything for personal use. If you want make/sell base icons or use any of my caps in commission work, talk to me first.

WARNING: these caps feature partial nudity, alcohol, and drugs.

CREDIT: please like/reblog this post. since i cap films and shows with little or no resources, i ask that you also consider leaving credit somewhere on your blog/docs/carrd so that more people can find these caps.

[gone-to-oregone]

Some of my favorite pics from across various SK/adjacent instagrams from Lauren and Joey’s wedding

[siriusblacklftv]

i have something to say

thank you

[julians-muscles-and-tits]

[itsnotcherryk]

🍒

[nothingunrealistic]

@toney.goins There’s so many people to thank for the experiences and opportunities that came with working on Billions. This was the type of job where I woke up everyday saying “I can’t wait to go to work.” Thank you to this absolutely incredible cast, crew, and production team. Love y’all and can’t wait til we cross paths again

[this-represents]

Erik Tanner photographed Sarah Paulson and Corey Stoll for The New York Times. 

[hallmark-movie-fanatics]

Seasons Greetings from Cherry Lane is available to stream on Hallmark+.

[twittercomfrnklin2001-blog]

Appropriate

APPROPRIATE by Branden Jacobs-Jennings directed by Lila Neugebauer: I fidget a lot at the theatre because of my knee and, this trip, a sore shoulder from taking the wrong computer bag. During the first act of Branden Jacobs-Jennings searing, often blisteringly funny portrait of American life at its worst, I barely moved. And when Sarah Paulson dove into one of her many beautifully played tirades, I had to remind myself to breathe. I wish I could say the same for the second act, but I think the first scene could use some judicious pruning. It just feels more like making points and marking time until the big eruptions in the next scene. Paulson is Toni, a bitter divorcee who’s spent most of her life caring for a family that’s drifted away. One brother (Corey Stoll) is a businessman consumed by his life in New York. Another (Michael Esper) has a history of drug addiction and various crimes, great and small. With her father’s death, she’s trying to settle the estate, a dilapidated, overstuffed former plantation in Arkansas. Complicating matters are the presence of Esper’s spiritual girlfriend (Ella Beatty), charges of anti-Semitism from Stoll’s wife (Natalie Gold) and the discovery of racist memorabilia among daddy’s belongings. Did he collect them or were they just left behind by the previous owners? Most of the cast does solid work, with particularly strong support from Stoll, though Esper had projection problems. Nor does it help that he’s settled with a lengthy monolog at the wrong point in the play. It’s not just that you keep losing lines; you may wonder why nobody tells him to get to the point. The insertion of the racism question adds another level to the play. As the family try to justify daddy’s behavior, the play creates a great dialog with AMERICAN ROT, my Friday night piece. Is saying “those were different times” enough to let someone off the hook? And were they really that different?