#STYLE CLINIC

[secriden]

Just going to cry again (see: my previous post about the parallels between the storage room scene and the abandoned factory scene) about parallels and juxtapositions in the store room scene vs the one in Styles bedroom:

Both these scenes have such a tone of desperation and are characterised by an overflowing of emotions, but in drastically opposite directions.

(Note, some of what I say in this post directly relates to concepts and themes I talked about here, so it may not wholly make sense without that context.)

The scene in the storeroom is filled with frustrated desire. Fadel kisses Style because he wants Style's body and also wants to take his frustrations at Style out on his body. He doesn't need to look Style in the eye (and in fact very intentionally only does so only in small snatches) because this isn't about a connection as much as it is about a release. Fadel's kisses come fast, hard, and are intended to bruise more than to adore.

But episode 5's scene is filled with much more quiet and tender sort of desire. Style is kissing Fadel so much more slowly and purposefully. He keeps looking back at Fadel, checking in to see how he feels and whether Fadel is enjoying it. Everything Style wanted in Episode 3, he now gives to Fadel here, pours the secrets of his knowing and choosing Fadel anyway into the way he presses his lips onto Fadel's skin. His kisses linger, they carry a weight but are not gentle, and contain meaning that Fadel's kisses couldn't in Episode 3 because in all honesty they were relative strangers back then.

There's also the way there's such a ferocity and carelessness in the way Fadel starts the encounter in episode 3 that is juxtaposed beautifully by the slow, tender, almost hesitant way Style slides his lips onto Fadel's. Both of them are in such different headspaces, between these episodes and its especially evident in the way they care so much more about the other person's comfort and how intentionally they showed that to the audience.

There's hunger present in both scenes but what this hunger is focused on is so drastically different. In the storeroom, they're both mainly focused on a physical release; its primal and visceral but lacked emotional resonance. Fadel gives Style what he knows Style wants (that hint of danger, with the hand on his neck), but its not because he really cares about what Style wants on anything more than a physical level. In Style's bedroom, however, Fadel is drunk (intentionally and by his own design) and desperate to open himself up to Style on an emotional level. Meanwhile, Style wants that desperately too, but knows that Fadel shouldn't because of his own terrible secret. So this kiss is what they both will allow themselves - an honesty and a hunger for this deeper connection they can only share in act but not in words.

In the storeroom, Style wants Fadel to want more than his body but knows (or thinks) he can't push for it yet, so he remains passive, lets Fadel do whatever he wants, lets him turn and shove and place Style how he wants because at this point, this is all Fadel will give him. Here, Style is passive in spite of what he wants. But in the bedroom, Fadel is passive because it's what he wants; he wants to let Style do whatever he desires to and with Fadel's body. He wants to lay himself as bare as he possibly can, which is only physical, and so he does.

And because the encounter in Episode 3 lacked that emotional connection, the focus is merely their respective releases. There's a sense of two people trying to find pleasure and 'finish' while remaining emotionally disconnected despite actively having sex with each other. Because in some ways, they didn't really need each other in that moment to get there (there's actually a lot of truth in what Fadel says about it being easier to just jerk off alone). In sharp contrast, the scene in Episode 5 isn't focused on the destination but on the journey. Style is taking his time and Fadel is letting him - Style is choosing to worship Fadel's body, with his fingers, with his lips, to respond to his vulnerability with gentleness and tenderness and adoration. The goal has stopped being about finding a release, it's about allowing both these men to revel in the giving and receiving of pleasure.

The point of these scenes is to show to us the ways in which Fadel and Style have grown to care for and, dare I say it, love each other in ways that are so purposefully portrayed by showing the nature of their physical connection. Because the ways in which these scenes are the same and yet so wholly different showcases how their touches are now no longer merely tied to their senses any longer, but also to their hearts as well.

[pharmasrightarm]

oops, still feral over pre-war Dead End Dratchet

(drift: you're rusting at every joint gasket: but isn't that doctor chummy with the cops? we're literal thieves??)

started with the headcanon that drift hung around the clinic like a feral wet cat for a while, then halfway through shading these, I started thinking, what if deadlock was an especially reliable assassin because he knew what kind of damage would make sure that even the best of the best couldn't bring you back

[bogkeep]

mannnnnn now that i've actually started medical transition it seems that i will, hopefully, someday, get through to the other side of the limbo tunnel and can hopefully explore more permanent masculine attire. which is as exciting as it is daunting. like, i'm under no illusions that there's a tangible cutoff point where i will Suddenly be out of the limbo state (though top surgery will certainly help if i can get it), and there's no one thing holding me back from exploring this space *now*, but it's. Difficult ,

the List of challenges i must navigate:

- men's fashion is on a surface level very sad and boring and i crave whimsy :( i know knowledge and experience will help but it's like playing on hard mode compared to being a Weird Girl (tm). i am currently gnc against my will and i desire to be gnc Intentionally and on my own terms

- hashtag short king problems. masculine attire was never made with me in mind. almost every time i observe an aspirational example of Men's Fashion it's on a tall lanky guy and that will never be me and that's okay but throw me a bone pleas

- the Autism Sensibilities. collars too close to the neck depletes me of HP. wearing accessories for too long depletes me of mana. if a button up is made of a slightly too stiff material it will give me rashes. i cannot wear binders because i value my ability to breathe comfortably. i can only do so many layers at once before i hit a game over screen. i MUST be comforble

- the restrictions of my circumstances, such as the safety rules of the watchmaker workshop or the mercy of scandinavian weather gods

i'm sure i will figure things out with time. i'm going to need patience. i'm probably going to have to learn how to tailor trousers. i will need to Observe how others dress. but it's so much!! ahh!!!!

[hana-bobo-finch]

heartbreaking 💔

[paul-simon-juggling]

Today I bring you a 1980 Paul interview that made me lose my mind like nothing else : )

[toxickeyboard]

I made some clinic cop art! Yay! ^_^

Ok, for one: cop from OG game:

For two: Ben from c&a!!!:

Um, and last one is my version of clinic cop! Yay!:

[yuliabalakova]

[not-poignant]

Hey, hey! Random kind-of-writer here, who struggles to bring words on paper and looking for help/advice? I think I finally found my problem, which comes in the shape of 'my third person pov writing sounds like an ikea building instruction'. AKA: All that what the pov character perceives is there, things are happening/the plot is there but the writing kind of lacks thoughts/feeling/inner monolog? For years I've followed your stories and I look up to your writings skills. Especially you handling of pov and that gorgeous mixture of what the character perceives and what is happening in their head. Do you have maybe any tips/insight how do you find a balance?

Hi anon!

So firstly I'm going to point you to my dialogue research post that I put up recently, because dialogue research applies to a characters inner dialogue as well, and will kind of give you a guide as to how they're likely to be talking in their heads. (How I write as the narrator in A Stain that Won't Dissolve is actually somewhat similar to how Alex speaks, I even go out of my way not to use certain words if I don't think Alex would know what they mean).

Otherwise there's several approaches you can take.

You can imagine that the character is basically writing a journal entry or a diary entry. The narrator is, in a way, piggy backing off that. You're a fly on the wall of a character's brain. Sometimes they're going to have lots of thoughts, sometimes they're going to have none. Sometimes my characters are literally just narrating what's happening no thoughts attached, sometimes they're narrating with thoughts attached, and sometimes they're just thinking about stuff and missing what's going on in front of them.

Diary entries are like that too. They can vary from 'today I did this, did this, walked the dog, had this for dinner, and read some of this book' to 'oh my GOD I HATE this person sO MUCH and I really can't BELIEVE this is happening to me omg the DOG needs to be walked I keep FORGETTING.'

Somewhere in there, is your character.

Some characters are more - for lack of a better word - detached or utilitarian than others, some have their voices 'come to life' over the course of a story, because they're growing (Gwyn can be a bit like this).

Some characters are very observational, some are stuck in their heads. Some ground themselves through noticing their surroundings, others notice how other people are acting and behaving (especially true with trauma, Astarion notices setting way less than he notices how people are behaving around him).

It might help you to write down some little sentences like 'this character notices people a lot because people hurt them' or 'this character looks for nature because they like nature' or 'this character is very sensitive to smells so they constantly are aware of how things smell.'

From there, I am very sorry to say, it's just a matter of practice! This stuff becomes easier the more you do it. At first, it will be normal for the characters to feel a bit mechanical and not very natural, and that's because you're still building the skills you need to bring them to life from the ground up. Most writers don't have these skills even if they know what they're supposed to be learning, and they can only be learned through trying, making some mistakes, having some successes, and keeping on with the words.

How you write the first paragraph of a character this year, will be very different to next year, if you just keep writing.

Unfortunately, you can't skip past that part either. I can give you lots of tips, and you can do lots of research and guidance for yourself, but at the end of the day the best way to make it feel natural and have some depth, is to actually just keep writing characters and reflecting on what you've written, notice the paragraphs you like as well as the ones you don't, and building and building from there.

I wish you all the words, anon! It's normal to feel dissatisfied with your writing sometimes, that means you know you have room to grow - but the best thing is, you're already growing if you're noticing this stuff!!! That's actually a positive! You'll go through periods of feeling satisfied, and then dissatisfied, if you keep on keeping on, and looking at what the writers you love are doing, you'll eventually really just pick it up until it feels quite natural to you <3

[whitehartlane]

thinking about legacy today. in the way that i’m mostly thinking about son heungmin and the way that he is such an excellent player and people know it but they don’t really know it. i think about it all the time, the way sonny could’ve easily moved to any club in the world in the prime of his career, to clubs that had technically better players that would have helped him score more goals, bag more assists, win trophies, properly cement his name in the history of greats. but he didn’t. because his legacy has always been one of love. we love him at tottenham. that’s the first thing anyone says about sonny when you ask them about him, “sonny’s brilliant, he’s a great captain, he’s been loyal to us for so long.” none of us really want to ever criticise him or even acknowledge he’s getting older. because he’s been through it all with us, white hart lane to wembley to the new stadium. our first scorer in the league and in the cl at the new ground. i think that’s what really matters in the end, the fact that we love him. you don’t really get this love anywhere else.

[secriden]

Going legitimately insane because all my brain has been able to chew on has been this particular callback and what it means for the headspace that Fadel is in at the end of episode 6.

Fadel starts the episode with his walls so utterly dismantled that he is able to verbally admit this desire to Bison (and, more importantly, himself) out loud . . . only to end the episode brokenheartedly discarding that dream as he instead offers to fashion himself into what he (thinks) Style wants, not knowing that he is already everything that Style has come to desire.

It's insane that Fadel even said that to Bison in the first place because the Fadel of episode 5 knew better than to believe it was possible for anyone to truly bare themselves to another person, knew better than to want to know and be known and chosen despite it all. To the Fadel of episode 5, "laying yourself bare" was an impossibility because of how much power it gives the other person, and Fadel's mind is too practical, his circumstances too complex, his heart too fragile to ever give that to anyone ever again.

But Fadel's walls began to crack in the face of Style's honesty and the shared pain of knowing what it is to loose someone precious; shuddered under the weight of Style pressing kisses to his scar and laying Fadel bare to bring him pleasure; shattered in the face of Style giving himself over to loving Fadel for a whole night -- and Fadel woke up half underneath the spread of Style's body and found himself already in love.

And do you know how I know this? Because of all the things Fadel could have said he liked about Style, he chooses this. It's not that Style is effortlessly kind and thoughtlessly generous at times. It's not that Style is hot and sexy and frankly kind of a slut (specifically for Fadel). It's not even that Style has secret, hidden depths and an unexpectedly shared pain which allows him to understand and empathise with Fadel in a way that no one but Bison has been able to for a very long time.

No, it's his cockiness. His arrogance. The way Style is unabashedly himself and makes no apologies for it. The way Style will literally dance to his own tune and sing at the top of his lungs with no care for anyone else's opinion unless it's to appreciate it. The way Style walks into the room and has the confidence to put his body on display and already know that he will be welcomed and wanted -- and this confidence meant that he assumed Fadel would find him attractive, and would not stop until Fadel eventually gave in to that attraction.

It's telling that it's these specific instances that come to mind when Fadel thinks about Style's lips. There are so many scenes and shots they could have chosen (because lbr here Dunk, and therefore Style, really does have amazing lips), so it feels very intentional that Fadel thinks firstly of the time Style refused to back off when Fadel pretended not to miss him, and then the moment when Fadel finally admitted that he did and was rewarded with Style's reassurance and reciprocated vulnerability and wholehearted embrace. Also, because this was the last episode that Style did not Know, and therefore was still being fully honest with Fadel. Both instances are Fadel appreciating in hindsight the way Style's very nature -- the way he would not give up, the way he keeps pushing and pushing even in the face of Fadel's seeming impassivity -- gives Fadel not only the opportunity but the impetus to finally let go of his control and acknowledge his feelings for Style.

It's explicit confirmation that Fadel enjoys and appreciates and has grown to love Style's personality and antics and the way he expresses himself.

So the Fadel in episode 6 dares to ask for Style's honesty and gives with it an explicit promise of trust and acceptance in return. After recognising the effort Style has had to put in to find ways to connect with Fadel (heavy metal vs pop rock), he now asks for Style to be real with him because Fadel understands himself to be ready to love, and in loving Style, is able to offer the very thing he wants the most from Style: "acceptance of who he really is".

We also see the evidence of Fadel's unspoken promise in the way that he now responds with an almost easy openness to Style's questions in stark contrast to the Fadel in the early part of the show. If he wants Style to accept him, he can't continue keeping all his secrets. So now, he gives Style pieces of himself with barely a thought, and lets Style use them to push and prod and drag to light the very things he used to keep hidden because he thought they weren't useful or helpful or worthy of being loved (see @sherrymagic's gorgeous gifset + my tags on it).

It's also in the way he now allows Style to take him outside of his comfort zone because he trusts that the private joys he's kept to himself are safe in Style's hands; that, moreover, Style will look to Fadel's happiness and not make a mockery of it.

I'm obsessed with the moment in the screenshot on the bottom right because Fadel looks so completely out of his element and almost in a state of shock. He's literally standing separated from the rest of the group in the composition of the shot, hesitation writ in every line of his body, while Style, who isn't even a fan of this band or this music, fits in with the band seamlessly.

But this hesitation isn't because of discomfort, it's nervousness and an almost joyous disbelief because Fadel could never have done this on his own, he would never have allowed himself the indulgence of actually showing his love for his favourite band if Style hadn't taken the initiative to drag him there and ask for the photo. And, oh, how wonderful it must have felt to see Style prove his own words by being right there by Fadel's side as he lets himself go, as he lets himself be himself without fear, for the first time in what must have felt like forever.

In a single, perfect night, Style has been exactly, precisely, breathtakingly everything Fadel could ever have wanted; because in a single night of Fadel finally having the courage to bare himself to another person, Style gave Fadel not only acceptance but a celebration of who Fadel is. With everything Style does that night, he ties himself to Fadel; he ties his happiness to Fadel's and his comfort to the warmth of Fadel's embrace. Style fashioned himself into exactly what Fadel wanted -- and now that Fadel has had a taste of it, how can he possibly go back?

Which is why Fadel already knows that it's too late for him, he knows that he is already in love; knows, moreover, that he has rewritten parts of himself to seek out and miss and yearn for Style; has even learned to love Style the way he understands Style wants to be loved.

So Fadel might as well keep the promise he made to Style with his lips pressed shut against the lies he didn't want to keep telling Style. He might as well give Style more days and nights and chances to spin his lies, because at least Fadel has the meager comfort of knowing he spoke the truth.

Because if Style wants to keep playing this game, if Style is able to so be so convincingly deceptive that Fadel can no longer trust himself to tell when Style is lying, then Fadel will take the punishment of choosing honesty in the face of his betrayal. Fadel will fashion himself into a heartless tool and allow himself the indulgence of playing this tantalising part -- because he may just find a way to save Bison in the process.

And to Fadel, it does not matter if his own heart gets broken along the way, because Fadel deserves the punishment of laying himself bare to the man who does not love him in return; he deserves to give Style the power of knowing the hold he has over Fadel.

But doing so is a punishment for Style, too, because if Fadel must love, then he is going to weaponise his own feelings in the fight he now thinks he has to wage against Style. Because two can play this game of cruelty, and Fadel does not care if this sword is double edged because cutting himself to pieces is a small price to pay if it means dragging Style along with him into hell.

After all, what's another crack when his whole entire world has already been so utterly and completely shattered?

[dramatic-dolphin]

sometimes i think about when after my hs graduation banquet we asked our math teacher to share what she though of us individually in the past few years, and she said i "seemed surprisingly violent sometimes, with an aura of repressed rage" or something like that, and i had to physically hold myself back from saying "that's because i fucking hated you and your classes"

[akiymgc]

[novafire-is-thinking]

TF fan moment of the week:

I copied two of my TF meta posts to a Google doc and sent them to my academic advisor/tutor to fulfill a writing requirement. He knows nothing about Transformers, so I was afraid he wouldn’t receive them well. I knew they were good, personally. I was just worried he wouldn’t recognize that.

However, to my delight, he used the word “scientific” to describe one of the pieces and went on to compliment my self awareness as a writer during our discussion today.

He also pointed out grammar and syntax stuff I’d messed up on and habits that would need to be corrected to make my future writing meet typical academic standards, but all of that hardly matters. It’s the middle of the night, and I’m over here obsessing over the compliments when I should be writing or sleeping. lol

If only I could write about my favorite silly little robots for every assignment…

[brittlebutch]

actually, having a kind of revelatory moment here of if HRT was something i have been considering for this long, but has remained inaccessible to me, then that means i Do actually have opinions about my appearance/presentation, so just because i can't take That Particular step doesn't mean that there aren't plenty of other avenues i could be pursuing (ie, clothing/accessories/etc.) that i just haven't let myself up until this point. like i don't have to shove it All aside just because there's one thing i can't get -- I'd probably still wind up a lot happier if I took those other steps I've spent all these years ignoring

[zeepzoop-z]

Ok so context for the out-of-the-blue-post, my no. 1 hyperfixation used to be DSMP, then it was stranger things, and now it’s South Park. The DSMP finale reopened some feelings and then I watched Passerine stuff just to rub more salt in. I need some fic recs that are like TUMOASD, Tommy’s Clinic for Supervillains, Passerine, The Rider, That’s, Like, 100 Miles, etc.

ESPECIALLY if they’re like that but South Park (big style, creek, and bunny shipper here)

Also, when school ends I’ll work more on my fic I PROMISE, I’ve just been hella stressed.

[bitterestbuggy]

Day 4: Shell

It would seem the theme this year is mixed media