#SO GOOD but also HOLY SHIT

[vonlipvig]

the black/white/blood art during this part, tho? CHEF'S KISS, that combination never fails

[paimt]

its just supervised phone calls like

in the wise words of stan himself: give me money

[cosmicgamer]

The way Luz's thank you drawing got rejected by the person it was for when she thought she finally found someone who wouldn't make fun of her for her eccentric behavior, that she is worthless..and then the drawing does get recognized, that it's beautiful and why would it get thrown away. She was finally understood (I am in shambles help-)

[soriastrider]

so, i watched gravity falls... here's a hal cipher

[front-facing-pokemon]

[unluckedtj]

something bad’s about to happen to me

why i feel this way, i don’t know maybe

[katiekatdragon27]

Guys what is this book and what is the Bill on it? All I know is gay shapes-

A. Sphere: I'm not calling you "Good Boy" A. Square, that court case was SHIT.

Me earlier: Wow! The Book of Bill just came out, that's cool ig.

Everyone recently: *being super active in the tag, watching the movies, relogging and liking my art*

Me: *me carrying some small doodles over* WHO ARE YOU PEOPLE???

Thanks for bringing me back to brainrot by spam-liking all my old posts guys I forgive none of you (/J I LOVE YOU ALL)

More stuff below cut (BE WARNED NEW FLAT-PEOPLE SOME OF IT IS LOWKEY SPOILERY):

A. Square and A. Faux Line: Damn, that circle kinda a hottie- ...

I had this silly idea after my 29374th time watching Flatland that a majority of the first part of the movie is just A. Sphere watching all the shit go down like the worst telenovela you've ever seen. Also, that A. Line was originally going to be the apostle, but... uh... she can't really do that anymore, so he banks all his money on A. Square.

Also, I thought it would be super funny of A. Square and A. Faux Line both crushed on A. Sphere when he first showed up lol. Crazy smooth priest spawns and everyone swoons.

Older Hex doodles too. I love Hex, they're such a real one the whole time. With all the faults of Sphereland, I do like Hex maining in that one. But I also like picking and choosing which things I take as canon in my own work, so you get young adult Hex with their totally not-romantically-involved-with-at-all partner Punto (P. Octagon).

It's been a bit since Flatland happened in this hypothetical, so A. Square's still around. He's trying to be supportive of his masc-nonbinary kid who likes kissing boys, but still has to be annoying with dad jokes and the occasional backhanded compliment. He means well tho.

A. Tesseract: Hello A. Square!

A. TESSERACT OH HOW I'VE MISSED YOU POOKIE <3333. She's probably one of my most favorite ocs I've made (and the one that gets the most art <3) She's also the one I feel the least awkward about shoving into the source material lol. I yearn to work on A Heightlander's Escape again, but we'll see.

I just wanted to draw something cute between her and A. Square. She may or may not be the voice at the end of the movie hmmmmmmmm.

At least A. Square would end up in good hands.

"There is always something beyond. There is always INFINITY."

Just a little doodle of smth I may or may not render cuz I really like how it looks. There is always something greater after all.

Thank you all for the recent support on those old-ish drawing, y'all made my week tbh. I have a new AU cooking for this so look forward to that lol. Have a good one :)))

[from-the-dead]

Red Death has come to take what is rightfully his own.

Version without wings under the cut:

[eggy-the-boy]

*poking my blorbos with a stick* 

[ladylightning]

supernatural s2 is SO GOOD because every decision has more weight because the after life is still unknown to us. we know there is something after death but we don't know quite what that is. the season starts with tessa the reaper begging dean to come with her. to where? she cannot say. when john dies it’s devastating to the brothers that he’s no longer here but elsewhere. but it’s even more devastating as they come to the slow realization that elsewhere is probably hell, whatever that looks like. sam and dean don't know anything more than the audience does about hell.

there is an effort to exorcise the possessed and save them instead of letting them die because there is no promise of heaven to be made. the ghost in roadkill wants to know what happens when she crosses over and sam and dean just don’t know. where do the monsters go when they die? are there angels? is there a god? sam and dean don’t know. sam more than anything wants to believe. and secretly dean does too. but they just don’t know.

when sam dies where does he go? dean doesn’t know. we never get to see it. and more than that. does dean truly believe that he would be sent to the same hereafter as his brother after everything he has done? all dean knows is that there is a way to damn your eternal soul to hell and there is a way to bring his brother back from the unknown and he will choose that path without hesitation over and over and over again.

the second the angels are introduced we lose that sense of unknown. while the stakes are higher in seasons 4-5 the second we can see behind the curtain it’s over. yes you can damn the world and start the apocalypse but at least you KNOW. you know there is an afterlife. a heaven. a hell. a hereafter. and all the people who die will end up will end up where they belong so how guilty can you feel using a demon knife to kill an innocent? how wrong is it to drain the host for blood? they’ll end up in heaven after all. no more pain. and that is how only the winchester family drama becomes important to the brothers, because they KNOW the end is not the end. there’s more than just ghosts and demons and reapers. there is a heaven. and if there is a heaven every wrong bad thing in the narrative can be brushed away by the characters or the audience as “well at least they are at peace in heaven now.” they do this to jimmy novak and ash and pamela and lord knows who else.

season 2 sam and dean don’t have this opt out. every choice they make is so much heavier because they just. don’t. know.

[justpassingbyoursht]

Yknow when I first saw Chronos i couldn't quite take him seriously bc he's... he's a twink. who gave him that tiny tiny waist and those birthgiving hips? why is he built like that? i expected a giant or something, i mean the big 3 brothers are built ykno their father should be big muscly guy too right?? and then i realized he's got an hourglass shape and. 😶

my bad supergiant u are right. titan of time. hourglass. titan of time? hourglass. checks out ✓ he is hourglass shaped. an hourglass. ⌛that. that is him. titan of time alright. hourglass

but still that tiny waist

[shima-draws]

Ideal ending to WCI is Luffy seeing Sanji cry and then awakening his devil fruit and unlocking Gear Fifth out of sheer RAGE and saying the classic line of “Who made you cry, Sanji?! I’ll DESTROY THEM!!!” and then proceeding to go on a rampage and fucking absolutely EVERYBODY up including the Vinsmokes, Pudding, AND the Big Mom Pirates. Toss in the trope of came back wrong and Sanji can immediately tell something is not right about this Luffy, whose smile is too wide, whose eyes are too distant, who continues to beat upon his enemies long after they’re down, who seems to take a sick sort of pleasure in hurting others, who grins and giggles and tells Sanji he’ll obliterate anything that makes him cry. Eventually he starts to scare Sanji so bad that even Luffy notices his reaction, and immediately turns on himself because if HE’S the one making Sanji cry then he’ll just have to destroy himself too. And that’s when Sanji finally leaps into action and does whatever he can to reach Luffy—including kissing him. Luckily that was exactly what Luffy needed to snap out of it, and when he comes to the Whole Cake Chateau is in broken pieces, the Big Mom Pirates are battered beyond fighting and the Vinsmokes are nowhere to be seen. And softly, tiredly, he asks if they won, if he can bring Sanji home, and Sanji cries again and says yes, take me home to the Sunny, I want to go home with you.

Meanwhile the rest of the Strawhats are like

[puppyeared]

PUNK...!

heavily inspired by this edit by @tallytals

[karatam]

Kristina Tonteri-Young for TIMID (Dec 2022)

“I knew that it [her portrayal of Beatrice] would probably have an impact,” she says, “but no, I didn't expect such a large scale and positive response. Not that I expected a negative response at all, but no, I didn't really have any idea of how it would go. I think also because it was, at that time, my first job. So I had no idea how it would feel to receive any kind of reception from fans. So I mean, I was definitely positively surprised and very grateful for the opportunity to be the face of that kind of representation, which is so important. But yeah, it still surprises me to this day. I get messages all the time that are so heartfelt and just the ability to have, you know, the outreach and the platform to be able to reach people in such a way that actually can help them in their lives is very humbling.”

[blanze]

So I play Dislyte pretty regularly and the design for the Poseidon character is just so... IHAD to do it!

The Hades one had to go through a more extreme makeover to make it feel more Nico-esque though (it has a couple subtle design nods to Velinxi's Young Gods AU too!)

This was supposed to be a take on @percico-nicercy-events 's fest btw, Day 5: Undersea Prince Percy and Underworld Prince Nico but yeah, I'm way behind;;

Next up is a 14 panel comic!

[marciliedonato]

So... Apparently UA s4 is a massive flop.... I'm not saying we need to start bullying* showrunners and writers and networks/streamers (*putting pressure on them to do right by beloved pieces of media with passionate fan bases so much so that they feel they'll get the guillotine if they do anything less than perfect and justice by the story/characters) but.... We need to start bullying showrunners and writers and networks/streamers again. These mfs have gotten too comfortable