#SHE did not say the words break up

[m-has-a-blog]

the more distance from the situation the more i am not sure the break up was about me at all vs 'ex's mom panicked that her baby girl was growing up and, knowingly or not, manipulated an extant depressive episode in her and trauma response in me to keep from dealing with more change on top of her husband retiring'

[galindatopland]

fundamentally i disagree with the notion that Jeff Knows Everything because he read shauna's journals. that implies not only that shauna wrote in detail about Everything that happened during those nineteen months but most crucially it implies shauna wouldn't be an unreliable narrator

[kaidanalenkosprmanager]

THE BEST OF MASS EFFECT: VIRMIRE

Featuring: Cmdr. Sophie Shepard and Cmdr. Dominik Shepard With: Lt. Kaidan Alenko, Gun. Chief Ashley Williams, Urdnot Wrex, and Tali'Zorah nar Rayya Ft. Special Guest Appearances by: Spec. Saren Arterius and Sovereign There is a realm of existence so far beyond your own, you cannot even imagine it... Mass Effect: Legendary Edition (2021)

[bloomingsalma]

i think one of the most disappointing things is to see that your childhood friends have grown up to represent the kind of people you're disappointed in

[hassianlovebot]

disregard entire fucking post im stupid as fuck bro

[caimitos]

saw a post about projecting your ethnicity onto a character and started missing vespa ilkay. so so bad

[acourtofquestions]

Kingdom of Ash Chapter 20 …

oh my gods chapter 20…

I am dead inside.

And somehow dying more per chapter.

Ow. THE NIGHTMARE DREAM SEQUENCE

"Do you know the story of the queen who walked through worlds?"

Seated on the mossy carpet of an ancient glen, one hand toying with the small white flowers strewn across it, Aelin shook her head.

In the towering oaks that formed a lattice over the clearing, small stars blinked and shimmered, as if they'd been snared by the branches themselves. Beyond them, bathing the forest with light bright enough to see by, a full moon had risen. All around them, faint, lilting singing floated on the warm summer air.

"It is a sad story," her aunt said, one corner of her red-painted mouth curling upward as she leaned back on her seat carved into a granite boulder. Her usual place, while they had these lessons, these long, peaceful chats deep into the balmy summer nights. "And an old one."

Aelin lifted an eyebrow. "Aren't I a little old for faerie stories?" She'd indeed just celebrated her twentieth birthday three days ago, in another clearing not too far from here. Half of Doranelle had come, it had seemed, and yet her mate had found a way to sneak her from the revelry. All the way to a secluded pool in the forest's heart. Her face still warmed to think of that moonlit swim, what Rowan had made her feel, how he'd worshipped her in the sun-warmed water.

Mate. The word was still a surprise. As it had been to arrive here at spring's end and see him beside her aunt's throne and simply know. And in the months since, their courting ... Aelin indeed blushed at the thought of it. What they'd done in that forest pool had been the culmination of those months. And an unleashing. The mating marks on her neck— and on Rowan's-proved it. She would not be returning to Terrasen alone when autumn arrived.

"No one is too old for faerie stories," her aunt said, faint smile growing. "And as you are part faerie yourself, I would think you'd have some interest in them."

Aelin smiled back, bowing her head. "Fair enough, Aunt."

Aunt wasn't entirely accurate, not with generations and millennia separating them, but it was the only thing the queen had suggested Aelin call her.

Maeve settled further into her seat. "Long ago, when the world was new, when there were no human kingdoms, when no wars had marred the earth, a young queen was born."

Aelin folded her legs beneath her, angling her head.

"She did not know she was a queen. Amongst her people, power was not inherited, but simply born. And as she grew, her strength rose with her. She found the land she dwelled in to be too small for that power. Too dark and cold and grim. She had gifts similar to many wielded by her kind, but she had been given more, her power a sharper, more intricate weapon-enough that she was different. Her people saw that power and bowed to it, and she ruled them.

"Word spread of her gifts, and three kings came to seek her hand. To form an alliance between their throne and the one she had built for herself, small as it might have been. For a time, she thought it would be the newness, the challenge that she had always craved. The three kings were brothers, each mighty in his own right, their power vast and terrifying. She picked the eldest among them, not for any particular skill or grace, but for his countless libraries. What she might learn in his lands, what she might do with her power ... It was that knowledge she craved, not the king himself."

A strange story. Aelin's brows rose, but her aunt continued on.

"So they were wed, and she left her small territory to join him in his castle. For a time, she was contented, both by her husband and the knowledge his home offered her. He and his two brothers were conquerors, and spent much of their time away, leashing new lands to their shared throne. She did not mind, not when it gave her freedom to learn as she would. But her husband's libraries contained knowledge even he did not realize was held within. Lore and wisdom from worlds long since turned to dust. She learned that there were indeed other worlds. Not the dark, blasted realm in which they lived, but worlds beyond that, living atop one another and never realizing it. Worlds where the sun was not a watery trickle through the ash-clouds, but a golden stream of warmth. Worlds where green existed. She had never heard of such a color. Green. Nor had she heard of blue-not the shade of sky that was described. She could not so much as picture it."

Aelin frowned. "A pitiful existence."

Maeve nodded grimly. "It was. And the more she read about these other worlds, where long-dead wayfarers had once roamed, the more she wanted to see them. To know the kiss of the sun on her face. To hear the morning songs of sparrows, the crying of gulls over the sea. The sea that, too, was foreign to her. An endless sprawl of water, with its own moods and hidden depths. All they had in her lands were shallow, murky lakes and half-dried streams. So while her husband and his two brothers were off waging yet another war, she began to ponder how she might find a way into one of those worlds. How she might leave."

"Is such a thing even possible?" Something nagged at her, as if it might indeed be true, but perhaps that was one of her own mother's tales, or even Marion's, tugging on her memory.

Maeve nodded. "It was. Using the very language of existence itself, doors might be opened, however briefly, between worlds. It was forbidden, outlawed long before her husband and his brothers were born. Once the last of the ancient wayfarers had died out, the paths between realms were sealed, their methods of world-walking lost with them. Or so all had thought. But deep in her husband's private library, she found the old spells. She began with small experiments. First, she opened a door to the realm of resting, to find one of those wayfarers and ask her how it was properly done." A knowing smile. "The wayfarer refused to tell her. So the queen began to teach herself. Opening and closing doors long since forgotten or sealed. Peering deep into the workings of the cosmos. Her own world became a cage. She grew tired of her husband's warring, his casual cruelty. And when he went away to war once again, the queen gathered her closest handmaidens, opened a door to a new world, and left the one she'd been born into."

"She left?" Aelin blurted. "She she just left her own world? Permanently?"

"It had never been her world, not really. She had been born to rule others."

"Where did she go?"

That smile grew a bit. "To a fair, lovely world. Where there was no war, no darkness. Not like that in which she had been born. She was made a queen there, too. Was able to hide herself within a new body so that none could know what she was beneath, so that even her own husband would not recognize her."

"Did he ever find her again?"

"No, though he looked. Found out all she'd learned, and taught it to himself and his brothers. They tore apart world after world to find her. And when they arrived at the world where she had made her new home, they did not know her. Even as they went to war, she did not reveal herself. She won, and two of the kings, her husband included, were banished back to their own world. The third remained trapped, his power nearly broken. He crawled off into the depths of the earth, and the victorious queen spent her long, long existence preparing for his return, preparing her people for it. For the three kings had gone beyond her methods of world-walking. They had found a way to permanently open a gate between worlds, and had made three keys to do so. To wield those keys was to control all worlds, to have the power of eternity in the palm of your hand. She wished to find them, only so she might possess the strength to banish any enemies, banish her husband's youngest brother back to his realm. To protect her new, lovely world. It was all she ever wanted: to dwell in peace, without the shadow of her past hunting her."

From far away, that ghost of memory pushed. As if she'd forgotten to douse a flame left burning in her room. "And did the queen find the keys?"

Maeve's smile turned sad. "Do you think she did, Aelin?"

Aelin considered. So many of their chats, their lessons in this glen, held deeper puzzles, questions for her to work through, to help her when she one day took her throne, Rowan at her side.

As if she'd summoned him, the pine-and-snow scent of her mate filled the clearing. A rustle of wings, and there he was, perched in hawk form on one of the towering oaks. Her warrior-prince.

She smiled toward him, as she had for weeks now, when he'd come to escort her back to her rooms in the river palace. It was during those walks from forest to mist-shrouded city that she had come to know him, love him. More than she had ever loved anything.

Aelin again faced her aunt. "The queen was clever, and ambitious. I would think she could do anything, even find the keys."

"So you would believe. And yet they eluded her."

"Where did they go?"

Maeve's dark stare unwaveringly held hers.

"Where do you think they went?"

Aelin opened her mouth. "I think —

She blinked. Paused

Maeve's smile returned, soft and kind. As her aunt had been to her from the start. "Where do you think the keys are, Aelin?"

She opened her mouth once more. And again halted.

Like an invisible chain yanked her back. Silenced her.

Chain—a chain. She glanced down at her hands, her wrists. As if expecting them to be there.

She had never felt a shackle's bite in her life. And yet she stared at the empty place on her wrist where she could have sworn there was a scar. Only smooth, sun-kissed skin remained.

"If this world were at risk, if those three terrible kings threatened to destroy it, where would you go to find the keys?" Aelin looked up at her aunt.

Another world. There was another world Like a fragment of a dream, there was another world, and in it, she had a wrist with a scar on it. Had scars all over.

And her mate, perched overhead ... He had a tattoo down his face and neck and arm in that world. A sad story—his tattoo told a sad, awful story. About loss. Loss caused by a dark queen.

"Where are the keys hidden, Aelin?" That placid, loving smile remained on

Maeve's face. And yet ...

And yet.

"No," Aelin breathed

Something slithered in the depths of her aunt's stare. "No what?"

This wasn't her existence, her life. This place, these blissful months learning in Doranelle, finding her mate—Blood and sand and crashing waves.

"No."

Her voice was a thunderclap through the peaceful glen.

Aelin bared her teeth, fingers curling in the moss.

Maeve let out a soft laugh. Rowan flapped from the branches to land on the queen's upraised arm.

He didn't so much as fight it when she wrapped her thin white hands around his neck. And snapped it. Aelin screamed. Screamed, clutching at her chest, at the shredding mating bond—

She screamed again. Screamed at her ruined arm, the unscarred skin, screamed at the lingering echo of the severed mating bond.

"Do you know what pains me most, Aelin?" Maeve's words were soft as a lover's. "It's that you believe I'm the villain in this."

Whenever that had been. If it had even happened at all.

"I have no doubt that your mate or Elena or even Brannon himself filled your head with lies about what I'll do with the keys." Maeve ran a hand over the stone lip of the altar, right through her splattered blood and shards of bone. "I meant what I said. I like this world. I do not wish to destroy it. Only improve it. Imagine a realm where there is no hunger, no pain. Isn't that what you and your cohorts are fighting for? A better world?"

The words were a mockery. A mockery of what she'd promised so many. What she had promised Terrasen, and still owed it.

Aelin tried not to shift against the chains, against her broken arms, against the tight pressure pushing on her skin from the inside. A rising intensity along her bones, in her head. little more, every day.

Maeve heaved a small sigh. "I know what you think of me, Fire-Bringer. What you assume. But there are some truths that cannot be shared. Even for the keys." Yet the growing strain cracking within her, smothering the pain ... perhaps worse. Maeve cupped her cheek over the mask.

"The Queen Who Was Promised. I wish to save you from that sacrifice, offered up by a headstrong girl." A soft laugh. "I'd even let you have Rowan. The two of you here, together. While you and I work to save this world."

The words were lies. She knew it, though she couldn't quite remember where one truth ended and the lie began. If her mate had belonged to another before her. Been given away. Or had that been the nightmare?

Gods, the pressure in her body. Her blood.

You do not yield.

"You can feel it, even now," Maeve went on. "The urge of your body to say yes." Aelin opened her eyes, and confusion must have glittered there, because Maeve smiled. "Do you know what being encased in iron does to a magic-wielder? You wouldn't feel it immediately, but as time goes on ... your magic needs release, Aelin. That pressure is your magic screaming it wants you to come free of these chains and release the strain. Your very blood tells you to heed me."

Truth. Not the submission part, but the deepening pressure she knew would be worse than any pain from burnout. She'd felt it once, when plunging as far into her power as she'd ever gone.

That would be nothing compared to this.

"I am leaving for a few days," Maeve said.

Aelin stilled.

Maeve shook her head in a mockery of disappointment.

Fenrys sat by the wall, concern bright in his eyes as he blinked. Are you all right?

She blinked twice. No.

No, she was not anywhere near to all right.

Maeve had been waiting for this, waiting for this pressure to begin, worse than anything Cairn might do. And with the collar Maeve now went to personally retrieve … She couldn't let herself contemplate it. A more horrific form of slavery, one she might never escape, never be able to fight.

Not a breaking of the Fire-Bringer, but an erasure.

To take all she was, power and knowledge, and rip it from her. To have her trapped inside while she witnessed her own voice yield the location of the Wyrdkeys. Swear the blood oath to Maeve. Wholly submit to her.

Fenrys blinked four times. I am here, I am with you.

She answered in kind. I am here, I am with you.

Her magic surged, seeking a way out, filling the gaps between her breath and bones. She couldn't find room for it, couldn't do anything to soothe it.

You do not yield.

She focused on the words. On her mother's voice. Perhaps the magic would devour her from the inside before Maeve returned.

But she did not know how she'd endure it.

Endure another few days of this, let alone the next hour. To ease the strain, just a fraction ...

She shut down the thoughts that snaked into her mind. Her own or Maeve's, she didn't care.

Fenrys blinked again, the same message over and over. I am here, I am with you.

Aelin closed her eyes, praying for oblivion.

"Get up." A mockery of words she'd once heard.

[faaun]

lmao looking at her insta highlights was a mistake

[estrangedfiance]

it’s not my fault it’s more fun to listen to john lennon’s songs and interpret them as love poems

[arolesbianism]

Thinking abt my dupe ocs again... Maybe Quinn does have hashtag issues actually

[fagmegumi]

EVIL TSUMIKI EVIL TSUMIKI EVIL TSUMIKI

[neonacidtrip]

I see these types of posts every now and again, and it’s only just occurred to me to share some knowledge:

Lines

Lines are often the heart of drawings, and they tend to be the part artists will draw over and over and over again to get them juuuuussssssttttttttt right. Pointing out lines you think are well done will go a long way to compliment an artist.

Your lines are dynamic! (Good for action pictures, art of an intense scene, or art that conveys movement, like a character running)

Your lines are so clean! (Good for neat lines of various sizes. These lines will feel like a coloring book, where you could color inside them yourself if the art was black and white)

Your lines carry such depth! (When lines cross over each other, they make a flat picture look more real, almost like 3D)

You’re good at drawing intricate lines! (Curling lines? Curvy, wavy, bendy lines? Lines that weave around each other? Many, small lines detailing an item like filigree or a robot’s parts? Those are intricate lines, baby)

You make great use of line weight! (In general, the human eye will be drawn towards very thick lines. Artists will use this to make you focus on a certain point, like a character’s face, by using thick lines around the face and thinner lines everywhere else)

You do amazing lineless art! (Not all art has lines! If you see a picture without any lines, make sure to tell the artist you noticed their hard work!)

Your line colors are fantastic! (Not all lines are done in black or white. Some artists will spend a lot of time choosing what color to make their lines. Show them some love!)

Color

Your colors are so vibrant! (Bright colors! Colors that pop! Colors that instantly grab your attention!)

The saturation is great! (A very bright color is highly saturated, and a very dull color is low saturated. High saturation colors can hurt the eyes, so an artist with good saturation control knows how to use bright colors without hurting anyone’s eyes)

I love your color choices! (This can be used for all color schemes; it’s a more general compliment that praises the artists for their understanding of color theory)

Your colors feel like home! (Good for cozy colors. Warm colors that aren’t usually super bright. They make you feel all warm inside. If you picture a cozy cottage in the woods, you’d probably image these colors)

Your pastels are so pretty! (Muted colors usually fall into the category of “pastels”. These are soft colors that are meant to be calming and non-oppressive on your eyes. Think: The opposite of vibrant)

Your colors are so soft! (Similar to the above two, this is for a picture that makes you feel soft and warm and fuzzy inside. It’s more directed towards warm and pastel colors instead of vibrant colors)

Your ability to blend colors is fantastic! (Putting two different colors right next to each other can look jarring or choppy, so many artists will blend two or more colors together to make things look more natural and appealing. A good example is giving a character a subtle pink blush on their otherwise skin-colored cheeks)

You are super good at choosing color palettes! (Good for when the artists regularly chooses colors that just feel like they belong together. Best for when there are only a limited number of colors in the picture)

Your colors are so clean! (Layering color on top of color on top of color can make everything muddy and dull. Artists who blend things well will have “clean colors”. Likewise, some artists intentionally avoid blending to make simple, bold art, in which case their colors are very, very clean)

Light and Shadow

Conveying light and shadows can be really hard. It can take years to understand how lighting works, and it’s even harder to put your knowledge of it into practice. It can be done with colors, lines, textures, and many other ways.

Your lighting is so good! (A general compliment for any time you see good use of lighting. If you’re unsure, check the eyes and the face of the character, as they often have the most highlight to them)

You made great use of shadows here! (Good for when a dark area really captures your attention)

Your shadows feel so alive! (Artists can be really creative. They make dark areas that seem to move or curl or otherwise just be alive on the paper)

The lighting is so soft and gentle! (Like before, this is for art that just makes you feel soft inside! I think of a character maybe surrounded by light in a field of flowers when I imagine something like this)

You balance your shadows so well without making things too dark! (Using lots of dark colors to make shadows can make the picture hard to see, and details can get lost. If you see a picture with lots of shadows, but you can still easily see all the details, then the artists has really good balance and color control)

Your contrast of light and shadow is amazing! (Good for when the artists uses lots of both light and shadow! You often see pictures with a stark difference between the two, like a character standing in the light and the other falling into shadows, but you can also see good contrast in a more standard setting, like a city-scape set in the afternoon)

Details

Pointing out details is one of the fastest ways to make an artist feel seen. It’s harder to give examples for this because it will really, really boil down to the individual picture. The general rule is if you see something you like, say it! Try looking for things to point out, like:

A character’s expression (”She looks so angry!” or “His expression is so sad, I’m going to cry!” or “Wow! I can really tell what they’re thinking just from that expression alone!” or “You draw expressions so well!”)

Little things a character is doing/holding/etc. that may get overlooked (”I noticed you even clenched his fists! Good job!” or “I love her tiny hair clip!” or “You painted her nails to match his eye color! I love it!”)

Details in the background/landscape (”I love the little bird nest you included in the tree branches!” or “The way you draw water is so pretty! I wish I could swim in it!” or “Is that’s Character B’s hand in the background? So cool!” or “That is the softest cat; I want to pet it!” or “That food on the table is the tastiest thing I’ve ever seen!”)

Clothing! (”Her dress is so pretty!” or “Wow, you do such a good job drawing suits!” or “Her t-shirt is so funny!” or “That hat is so cute by the way!”)

The general idea here is just to say whatever comes to your mind, whether it be literally pointing out the obvious (example: “I love that you drew this character wearing a flower crown! Flowers are so pretty!”) or pointing out how the picture made you feel (example: “This picture makes me so happy, I wish I could eat it!”). Just say what you like about it. You don’t need to know fancy art terms. Saying “Your blues are so blue!” is a perfectly wonderful way to describe the three different shades of blue the artist used to draw an ocean. As long as you aren’t criticizing, you can’t really go wrong.

me, absolutely not an artist, desperately trying to articulate how much i like adore people's fanart: ouughgh the colors. there are so MANY of them!!!! and the lines,,,,,,,,,, they are made of lines.. impeccable

[opalescent-apples]

My policy when it comes to the Homestuck epilogues is if it sounds cool through the grapevine I will steal it. Otherwise it's getting ignored.

Evil Jane Crocker? Not executed like that. Kids recreating the worst "canon" ship in Homestuck? Nope. Affair child who they named YIFFANY? No thank you.

Alt Calliope being sinister and possessing people? Very interesting. Kanaya and Rose as flawed figures instead of Davekat's little therapists? Love it. Concept of ultimate selves? Yoink.

I might even read them, but Dirk's narration makes me want to bash his head in with a rock and then my own. Mutuals keep telling me the cool stuff that happens.

[acourtofquestions]

"I have been degraded and humiliated in so many ways, for so many years," she said, voice shaking. Not from fear, but from the tidal wave that swept up everything inside her, burning alongside the wound in her leg. "But I have never felt as humiliated as I did when you threw me into the snow. When you called me a lying bitch in front of our friends and allies. Never." She hated the angry tears that stung her eyes.

"I was once forced to crawl before men. And gods above, I nearly crawled for you these months. And yet it takes me nearly dying for you to realize that you've been an ass? It takes me nearly dying for you to see me as human again?"

Lysandra put a hand on her chest, right over her own shredded heart. "I wanted it to be you," she said. "After Wesley, after all of it, I wanted it to be you. What Aelin asked me to do had no bearing on that. What she asked me to do never felt like a burden, because I wanted it to be you in the end anyway." She didn't wipe away the tears that slipped down her cheeks. "And you threw me into the snow."

[the-amber-droid-dreams]

[ID: A priest in a confession booth looking shocked]

[weezerlvr228]

It's giving the...main character syndrome. like who tf does she think she is??? Y/N???

NO OH MY GOSH ANON. LET ME TELL YOU. LET ME FRIGGIN TELL YOU.