#SEE THIS THE SHIT I’M TALKING ABOUT

[matrixwhore]

don’t mind me. just thinking about what the writers of iwtv gave us in season 1 and the fact that they weren’t properly compensated.

[hijinxinprogress]

Billy definitely thinks about random things during fights and decides the internet needs to know immediately

[defsiarte]

My hate for tumblr users knows no bounds. Do you know how fucking weird it is to defend being a fan of a guy and his media bc you have depression. When he has a plethora of allegations going back decades. Get a new interest oh my goddd

[mkzmerryfriend]

*cracks knuckles* we know Tyler isn’t the original Clancy right? Y’all caught that? Clancy’s bishop was Keons, Tyler’s is Nico, and now “Clancy” is Tyler. Because “scaled and icy” is an anagram for “Clancy is dead” and that album was the one where dema was using Tyler’s popularity for their own purposes. Clancy failed to stop the cycle on his own, and despite already being used as a figurehead for dema, Tyler decided to take up the role of “Clancy” in the wake of what seemed like a total collapse of the Banditos. Their leader had been taken out, and now they had no one to organize them.

But Tyler taking on the name Clancy isn’t him taking on the role of leader or even organizer. He is showing us (the Banditos) that we all can be our own inspiration, we don’t need a figure to follow, we don’t need a leader to lead us. We can do this, fight dema, ourselves.

Y’all got that, right?

[azure-clockwork]

I love three houses discourse because I'm pretty sure everyone just picks their route based on which house leader they're the most gay for and then tries to defend their pick by pointing out the other sides's war crimes via twitter memes. Reader, all four of them do substantial quantities of war crimes. So many. We're just here because the woman with Issues and a big fuck-off axe said so, and then we gotta justify everything she did in the name of dismantling the class system. I mean, I'm here for that, but you could also try justifying Charm Man uses poison and perfidy to try to stop racism, A Sad Little Meow Meow gives no quarter instead of doing therapy, or the Thicc Pope tries to bring back her mom via human experimentation, depending on your tastes

[ghostdrinkssoup]

girls don’t want hannibal season 4 girls want a spin-off show that’s basically master chef but hannibal is the only judge and the rest of the cast are contestants except the catch is they don’t know all the ingredients are people-based (except will who’s desperately trying to convince everyone while also having homoerotic tension with hannibal) and it’s filmed like the special features clips on the shrek 2 DVD

[interlagosainz]

we need to have the conversation of how charles fans treat his teammates without falling into the accusatory zone that we want to harm charles by having this conversation.

i mean charles no harm, but it is something that is getting extremely out of hand and it needs to be talked about. some charles fans have gotten too freely with being cruel to others drivers.

people used to call sebastian vettel a CORPSE. yes, scuderia ferrari screwed him. yes, everyone loves sebastian vettel again NOW (because he is far away from it and free from this hell) but back in 19/20? charles fans, mainly on twitter, made his life miserable. he couldn’t win. he couldn’t make anyone happy. if he won, he was taking something from charles that belonged to charles rightfully. it he lost, he was old and bad and should retire already and this sport wasn’t for him. he wasn’t a team player. he didn’t care about ferrari. he wanted to screw charles over.

if you just got here, if carlos is your first experience of how charles’ teammates are treated, let me tell you. everything that is being said about carlos has already been said about sebastian. and it is crazy for some people to understand that because everyone loves sebastian again, so you can’t even imagine what he went throught.

and i’m sorry for generalizing all of charles fans, im a charles fan, but it is something we need to stop and look at and talk about. how long will we let it go. how long until it starts to happen to lewis hamilton, of all people. how long until they dismiss his victories and say he is old and should give up of this sport so charles can win.

and you know one of the worst part? charles loves to race. every time he had to fight for it, he loved it. when he and carlos race in that track, he comes out with a big smile and talking about how he loves to race carlos. how this is real racing. he loves to fight for it. to prove himself. to have to sweat for it.

all while his fans try to make everyone just bow down their heads and give him things in a plate, already chewed and easy to get. as if he would like that. as if he can’t prove himself worth otherwise. as if he isn’t good enough to fight for it.

[qprpbj]

everything that happens in the outsiders - on the greasers side - is foundationally because of poverty. like literally everything comes back to the fact that these kids come from absolutely nothing and have to fight and steal and scavenge and indulge in recklessness and violence to live. nobody in the story is inherently violent or vicious. conflating being violent because of your surroundings & where you were born with violent aggressive tendencies being something you’re just like born with and can’t help as if it’s in your bones or your blood solely because they’re poor ppl who have to fight to survive is demonizes poverty!!!

also like the outsiders was written by a fifteen year old who wrote the bare bones but frankly glosses over SO much - it’s a kids book to be fair - that realistically would’ve been ever present in these kids lives. realistically, people who grow up in circumstances similar to them are born in environments chock full of addiction, self harm, mental illness, physical illness, suicide, murder, neglect, domestic violence, rape, gangs, organized crime, not having any healthy or safe food to eat, food stamps, welfare, not having water at home, utilities being shut off, dangerous unsafe houses, no houses, people selling their bodies for money, child labour, teen pregnancy, foster care, having little or no proper education, no healthy role models, few/unsafe job opportunities, being taken advantage of for your work, being underpaid, deeply foundational systemic racism, not having accessible trustworthy healthcare, issues with the court, cps, biased legal systems. the list literally goes on forever. these are all interconnected symptoms of poverty! and they are not things that are inherent to anybody’s existence!! people who are born into these severe types of situations are never given a chance to thrive and all of the greasers know this. they don’t get the luxury of indulging in most things the middle or upper class kids do, and even then, the curtis brothers are some of the LUCKY ones. they had two loving stable present parents and food on the table and lights on and extra curriculars!!! they get opportunities even others in their own gang don’t get!!!

all of this is literally WHY darry fought as hard as he did to get out and why he came home the minute he knew he needed to, why he gave up his whole future of breaking cycles to stay stuck in the poor life he grew up in, because he’s inherently nurturing and caring, and he fights both generally and for his brothers because he has to, not because he wants to. dally is proud of his record because he doesn’t have anything else to be proud of bc he’s been a victim of circumstance his whole entire life. johnny knows he’s never gonna be able to fight hard enough to get out of the cycle he was born into. & the greasers being as cavalier as they are about these kind of things happens when people are so desensitized that they don’t notice it occurring around them anymore, and generally the gang sticks to their own and tries not to cause shit with other people. they don’t fight because they want to, they fight out of necessity. even darry. even dally!!!! & i’d be remiss to mention that breaking poverty cycles and intergenerational trauma and abuse when you’re given nothing to work with is truly one of the toughest things someone can do for themselves

tbh idek where i was even going with all this but i just rly want ppl to know that as obvious as it all might sound these are very very real things and not just like book fiction trauma porn plots nor do people wrapped up in systemic issues like these make them inherently bad or inherently violent or inherently aggressive. both these kids and real life people deserve research and care and careful choices of words and observing internal biases and to be talked about, but talked about correctly!!!

[dykedvonte]

Curly had two days to act and Swansea had two months.

I think it’s just interesting that every defense of Swansea not immediately acting are the same ones that are argued against for Curly. “He didn’t want to alert Daisuke or makes things worse for Anya either Jimmy!” I mean people also assume that about Curly and the crew. “He has to think about his plan of action and a right moment!” Again so did Curly, power and authority aside, he still would have to think of what he had to do. “He makes sure he doesn’t have to be around Jimmy!” So did Curly and they only do this to an extent, both give Jimmy more than a few opening to keep harassing Anya.

This isn’t defense of Curly nor a damnation of Swansea. Their actions are very parallel to each others in tragic and sour ways when it comes to how they approached helping Anya. In the grand scheme of it all they both did the same thing: Nothing. No action either took stopped the inevitable outcome of her death nor Jimmy’s continued damage to themself.

The only real difference is Swansea didn’t like Jimmy which is pretty substantial, but also just as damning as Curly knowing how bad Jimmy could get to an extent. He had even less of a reason to wait, even more of a reason to act seeing as he was now worried for Anya AND Daisuke. He is not bound by the possible procedure as Captain and actively does not care about what happens next. So what does it matter if he acted in the moment? Why did he wait? I think he’s just as morally complex and grey as Curly and we hold him on a pedestal that still perpetuates things in rape culture the game critiques.

It’s not just enough to dislike and be abrasive to predators/abusers like Jimmy. It’s not enough to just put yourself between them and the other person. It’s not enough to hold tensions when you know someone is vulnerable. He and Curly do the exact same things but on different sides of the coin. I ask how is it better to not turn a blind eye but still not really do anything about what you are seeing? Not until it affects you atleast…

The game makes a big point to not put men doing the bare minimum or who wait to do more on pedestals and I’m actually surprised so many are missing that point.

[spaghetticat3899]

When you absolutely despise something a lot of people like, and no matter what way you look at it you cannot see the appeal, but you know you can’t talk about it in public or else you’ll get dogpiled to hell and back, so you just kinda sit there frothing at the mouth like this

[thelilylav]

I’ve gotta admit as much as I know Darabella is a flawed ship (and some of the ppl who are anti for it have legit criticisms I love y’all for pointing it out cause it frustrates the hell out of me too trust) they’ll always just kind of be it for me.

Because as much as it was an “I can fix him” trope, as much as Rosabella could be selfish and Daring’s flaws got cranked up to 1000, she was also the first person to look at him after his destiny, the thing he dedicated his life to, failed, when people were questioning him as a prince and putting pressure on his and Apple’s relationship and tell him that, like, maybe it would be alright? Maybe this wasn’t his destiny, and maybe that was okay.

And the part that really gets me? She’s the first person after this happens to tell him that it doesn’t matter what’s on the outside, which as much as you can like other Daring ships or him whatever he desperately needed to hear. Not even cause he was selfish, that’s not what I’m saying, but bc he placed his whole identity on this image that people concocted for him based on him appearing the perfect prince. He was handsome, he was talented, and he was handsome! So who cares about him as a person?

Idk man. You spend four seasons (I watch the specials on Netflix so that’s why four idk if it’s three to some ppl or whatever tho) watching him be praised for his looks, watching girls fawn over him, and of course he enjoys it so nobody really questions how much he enjoys it. And then you get this girl, this girl who owes him nothing, this girl who (contrary to popular belief apparently) has a life of her own and people she cares about outside of him, and she’s nice to him. And she’s the first person after everything happens to just be nice to him, for the sake of being nice. Something about that will always hit different for me

[no-where-new-hero]

omg I need your thoughts on the terminally o line author culture bc ngl it makes my eye TWITCH, there are authors I deliberately avoid even tho I've heard their stuff is good bc they're like that 🙈

HHHHH oh good lord, okay, from how I see it, there are two angles on this, both aggravating and sad: the official decree one and the spontaneous ecosystem one.

The officious one is that the nature of publishing nowadays demands an author have an online presence. You need Twitter/X. You need to let every potential reader know your book is coming out. You need engagement through reviews and pre-orders incentives (if you buy now you’ll get a special keychain!!) and word of mouth assurances from your peers that yes your book is as cool as you say it is. You need a newsletter with links (more buying! more voting on lists that are simply popularity contests!) and promises you’re still working on the next thing, don’t forget about me in the morass of everyone else doing the same thing. You need an Instagram and TikTok now to post pretty pictures and videos because one or two authors made it big off this kind of promotion and now everyone thinks it’s the ticket to the bestseller list (sadly, it seems to be working). You need an OnlyFans (a joke but I do recall a twt spat that was a joke/not joke about how rupi kaur will always be more beautiful than her critics and people who took issue with the conflation of beauty with talent). At the end of all this, you’re basically an influencer, a content creator creating content for the content you should be focusing on creating, the finished novel. And the novel itself seems to be disappearing behind the masks used to promote it (fanfic-style tropes, moodboards, playlists, memes) until I now no longer trust the book that I’ll pick up to have any resemblance to the enticements that brought me here. I’ve seen an author or two complain about the stress all this self-promotion generates, but it’s become such an entrenched part of the industry, I think people just accept it. And thus spend too much time online hoping that if they tweet just a little more, produce just one more reel, maybe that’ll be the difference between a sale and no sale.

The other side of this, distinct but obviously connected, is the ecosystem created by this panic of being perpetually visible coupled with the fact that so many of the new authors came of age during the rise of internet fandom culture. That opinionated community mindset that blurs the line between anonymity and friendship is the lens they bring to their own work. I mean, it makes sense I suppose—if you love yelling about characters and words, why wouldn’t you do that once you start to produce your own? This really came home to me hearing about that reviewbombgate “scandal” and how people involved were in reylo circles and that was used to provide receipts. You’re interacting with your readers and peers about your intimate work but they are also all strangers. They will not always give you the benefit of the doubt, and now—as opposed to the past when maybe the worst that could happen was a handful of bad reviews in newspapers—you will either be tagged in hate reviews, sub-tweeted, explicitly called out, demanded to atone for your sins. It’s no longer the morality of consumption but the morality of production. Of course, the easy answer is just log-off, touch some grass. But that can work only when you and everyone else are separated by anonymous accounts or when you have no platform to maintain. As an author trying to make your livelihood from this, suddenly it’s do or die. We’re in a strange moment of authorship bringing the Internet’s echo-chamber and claustrophobic into the real world (this is a lie: publishing now is no longer the real world. But it looks like it) and thus you can kind of no longer escape things.

Will the average reader who isn’t aware of all these machinations care about reviewbombgate? Would a reader browsing at Target think about the controversies around Lightlark? Very likely not. But the impression I’m getting more and more is that the average reader isn’t the one buying all the books. Or shall we say—a bestseller’s status relies on bookstore stock. Bookstore stock is only huge when they know a book will be a good investment. They’ll only know a book is a good investment if it and its author has street cred based on booktokkers, bookstagram, bloggers and reviewers (have you noticed how many books out these last maybe 1-3 years have these kinds of accounts thanked in the acknowledgments? Yeah), and THESE are also chronically online people who will Know. And decide the cast of fate.

Honestly, @batrachised, I see why you avoid these kinds of writers, though I wonder how long it’ll be before the disease becomes epidemic.

[crimson-constellations]

Talking about them isn’t enough i need an entire show of them living together in whatever universe they got teleported to right this moment

[mysticpenguincreation]

okay. im going to post again and break my own promise because i also want to address another side of the argument.

people saying how they can’t watch part 2 now because luke manipulated the fans and they feel that the magic is ruined.

remember. we are talking about real people here. they are not the fictional characters they play on screen. let’s go over this one by one, i LOVE making numbered lists for arguments:

1. Luke and Nicola provided us with a fabulous tour. They owe us NOTHING.

It’s US who should be greatfull to them for doing hard work. A long press tour with that amount of promotion must have been absolutely exhausting no matter how much you love your job.

2. Luke isn’t obliged to fall in love with Nic and date Nic.

3. Nic isn’t obliged to fall in love with Luke and date Luke.

4. MULTIPLE times they addressed the fact that they are good friends. People were giddy making gifs saying “no, ur lying”.

Now imagine someone coming up to you and saying “You’re in love with me”. You answer “No i’m not”. They tell you “Nah, you’re lying”. It’s all in good fun until it grows into a straight up disrespectful delusion.

5. The personal life of actors shouldn’t affect how you feel about fictional characters. ESPECIALLY if they did not a fucking thing wrong. I wish really creepy and predotary people in the industry got at least half of the shit Luke is going through right now because Luke dared to have a fucking relationship. Or a relationship not with Nic.

6. We should be thankful to Nic and Luke for being kind, professional and respectful. We should be in love with their beautiful friendship, and not push either of them to cater to desires of fans who cannot, will not, do not want to distinguish between show and real fucking life. They have no obligation to you to start dating because their onscreen counterparts did and you liked it.

7. Again, I do not want to speculate. I have no idea if it was their decision or if it was PR. If they were encouraged to hide their relationship during promotion (imagine waiting this fucking long), or if they were encouraged to show that they’re together right after the show dropped. I do not know AND IT DOES NOT MATTER. Even the idea of restraining your personal life due to PR is sad and makes me sick. I hope they’re just going with the flow, staying true to themselves and are being HAPPY.

“Was it a wrong PR decision?” does not fucking matter because it should be their fucking decision to begin with. The fact that PR is created for this exact reason - to do damage control when people lose their shit over something normal is bind-boggling. It is insane that we came to this fucking point in human history.

8. The phrase “Luke’s hard launch” disgusts me. Fans are talking about Antonia like she’s an object and not a real person. JUST STOP!

9. Try to be fucking kind and touch the fucking grass once in a while. Grass is lovely - take Penelope’s advice.

Seeing this makes me think that the comments are coming from two groups of people:

1. Toxic stan’s who want Nic with Luke and can’t grasp the idea that they are not their characters. “Luke is a lot like Colin” from interviews does not fucking equal “Luke is in love with Nic”. Following this delulu logic he should have fallen for Claudia then because they said multiple times that Claudia is a lot like Pen and Nic is a lot like Eloise. There is no fucking connection in these statements. Fucking none.

2. People who loved the idea of Luke being single because it allows them to fantasize about Luke falling in love with them. It’s okay, we’ve all had celebrity crushes, but when it gets to the point of you throwing hate at the person, it becomes creepy and unhealthy.

To all the haters and “sympathizers” - get some help and get your shit together.

[yourdeepestfathoms]

as hyped as i am for P3, i’m so scared that the fandom will sideline and ignore Clara even more than she already has been

[stari-hun]

I do think in a way it’s swung back around from losing the plot to poetic irony with the way a lot of the fandom erased Curly’s autonomy and personhood after the crash. A huge point is how Jimmy doesn’t think of Curly as a person who can think outside of what he decides for him, it’s a total loss of agency for him after becoming heavily disabled. Something that so many disabled people experience with being treated like dolls or props. It’s swung around from losing the plot to the full irony of replaying it