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WHY AUDIO NEVER GOES VIRAL Is This Thing On? (One of the Best Pieces Ever)

Stan Alcorn

· Jan 15, 2014

With a community of creators uncomfortable with the value of virality, an audience content to watch grainy dashcam videos, and platforms that discourage sharing, is a hit-machine for audio possible? And is it something anyone even wants?

Skip Dolphin Hursh

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Last October, several dozen audiophiles gathered in a basement auditorium for an all-day conference about “the future of radio in a digital age.” Reddit founder Alexis Ohanian finished a talk he’s been giving to college campuses about the Internet and the transformative power it can unleash when it mobilizes a mass of people around an idea, a video, a website, a tweet. When he took questions, I asked: Why does the Internet so rarely mobilize around audio? What would it take to put audio on the Reddit front page?

Ohanian leaned back, contemplating the question, apparently for the first time. “That’s interesting,” he said. “I’m thinking of a lot of the viral content.” You could practically see the memes and GIFs pass across his brain. He started to point out that most viral videos are under three minutes, while the best audio storytelling was usually longer, but interrupted himself with a story about Upworthy.

When the founders pitched him on their plan — to make “socially good content” “go viral” — Ohanian invested “out of passion,” not because he thought it would work. Now Upworthy is one of the fastest growing media properties on the Internet. Sure, sound may not go viral today, but Ohanian is optimistic. “Probably someone here in the audience is going to show us all wrong,” he said, “and a year from now we’re going to look at the Upworthy for audio."

“So go make it.”

Easier said than done.

Cat Video Vs. The Cat’s Meow

Bianca Giaever has always been obsessed with radio. As a child, while she biked her newspaper delivery route, she listened to an iPod loaded exclusively with episodes of WBEZ’s “This American Life.” At Middlebury College, she stalked her classmates, dragging them to her dorm room to record interviews she edited into stories for the college station and smaller audiences online. “I was fully planning on working in radio,” she says. “My whole life.” That is until, the day after graduation, she became a viral video star.

When she painstakingly crafted moving audio narratives, her parents and brother listened. When she added video to her final college project, “The Scared is Scared” — a 6-year-old’s dream movie brought to life — “It just. Blew. Up.”

“At first I was like, ‘Wow. A lot of people are sharing this on Facebook,’” she recalls thinking, “‘I have such nice friends!’” Then it was friends of friends. Then strangers. By the time websites like Mashable and CBS News picked it up, she could only picture the audience as a number. Waiting on the tarmac for her post-grad vacation to begin, she watched on her phone as that number spiked into the thousands, then hundreds of thousands, seemingly crashing the site that hosted it. “These French people were yelling — because I had my phone on as we were taking off — that I was going to kill them,” she recalls. “They were like, ‘Is whatever you’re doing worth our possible death?’ And I was like, ‘Maybe? This is the biggest thing that’s happened in my life!’”

Of the 100 most-shared news articles on Facebook, three were from NPR, but none included audio. Two of these were reblogs of YouTube videos.

I’m a public radio reporter and this doesn’t happen in my milieu. There is no Google Sound, no BuzzFeed for audio, no obvious equivalent of Gangnam Style, Grumpy Cat or Doge. If you define “viral” as popularity achieved through social sharing, and audio as sound other than music, even radio stations’ most viral content isn’t audio — it’s video. A 17-minute video interview with Miley Cyrus at Hot 97 has nearly 2 million views. An off-the-rails BBC Radio 1 video interview with Mila Kunis: more than 12 million. In June 2013, the list of the 100 most-shared news articles on Facebook included three from NPR, but none included audio. Two of these stories were reblogs of YouTube videos (this one and this one), found on Gawker and Reddit.

“Audio never goes viral,” writes radio and podcast producer Nate DiMeo. “If you posted the most incredible story — literally, the most incredible story that has ever been told since people have had the ability to tell stories, it will never, ever get as many hits as a video of a cat with a moustache.”

It’s hardly a fair fight, audio vs. cat video, but it’s the one that’s fought on Facebook every day. DiMeo’s glum conclusion is an exaggeration of what Giaever reads as the moral of her own story: “People will watch a bad video more than [they will listen to] good audio,” she says.

Those in the Internet audio business tend to give two explanations for this disparity. “The greatest reason is structural,” says Jesse Thorn, who hosts a public radio show called “Bullseye” and runs a podcast network called Maximum Fun. “Audio usage takes place while you’re doing something else.” You can listen while you drive or do the dishes, an insuperable competitive advantage over text or video, which transforms into a disadvantage when it comes to sharing the listening experience with anyone out of earshot. “When you’re driving a car, you’re not going to share anything,” says Thorn.

The second explanation is that you can’t skim sound. An instant of video is a still, a window into the action that you can drag through time at will. An instant of audio, on the other hand, is nothing. “If I send someone an article, if they see the headline and read a few things, they know what I want them to know,” a sound artist and radio producer told me. “If I send someone audio, they have to, like… listen to it.” It’s a lot to ask of an Internet audience.

For some radio makers, social media incompatibility is a sign of countercultural vitality. Thorn has called his own work “anti-viral,” and believes that entertaining his niche audience is “still so much better than making things that convince aunts to forward them to each other.”

“That’s A-U-N-T-S,” he clarifies.

But when I suggest the situation doesn’t seem to concern him, he interrupts, “To say that it doesn’t concern me — it concerns me profoundly. I think about it all the time.” In his view, social media warps our consumption patterns, and not for the better. “It’s a serious problem in my life. And not just in my media-making life, in my day-to-day life.”

After Giaever’s video went viral, she turned down an internship at “This American Life” — “my dream since I was nine” — to become a “filmmaker in residence” for Adobe. She gets paid to make her own movies, which she still approaches as radio stories with added visuals. It’s the proven way to get people on the Internet to listen. “The entire concept of what I’m doing seems problematic to me,” she says. “What’s so beautiful about radio is you can’t compete with what people are imagining in their heads, right? And yet I still continue to do it.”

Because audio doesn’t go viral.

Except that sometimes, it does.

Kids Say The Darndest Things

Most viral audio wasn’t intended for the Internet. Recordings made for some other purpose are excerpted and uploaded: voicemails, speeches, and calls to 911 and customer service hotlines.

One category of viral audio is the document, bits of audio that serve as evidence in a news story. It’s easy to imagine text transcripts being distributed in audio’s absence: Bradley Manning’s testimony, the 911 calls of the Trayvon Martin case, Obama’s oft-quoted “clinging to guns and religion.” The primary advantage of audio over text is that it lets the listener confirm a quote with her own ears and determine if meaning is altered by nuances of emphasis or emotion.

Another category of viral audio is the rant or comic diatribe, where emphasis and emotion are the entire point. For instance, an irate San Francisco Chronicle reader chewing out the editor for referring to a “pilotless drone,” or a voicemail becomes an increasingly laugh-filled narration of the aftermath of a car crash. A transcript of these would be like lyrics without a melody.

Somewhere in between these two is a subcategory that could be called “celebrities gone wild”: Alec Baldwin cursing out his 11-year-old daughter, Christian Bale cursing out his director of photography, Mel Gibson cursing out his ex-girlfriend, etc.

These brief, emotional, sometimes-newsworthy clips of people speaking have cousins in viral video. In fact, the two are sometimes difficult to distinguish. Mitt Romney’s infamous “47% comment” was captured and distributed as a video featuring blurry donors’ backs. A recent viral “video” titled, “Potty Talk! [Original] 3 year old contemplates the effects of his diet on the toilet” is merely a shaky shot of a bathroom door. When documenting a primarily auditory event from the vantage point of a single recording device, adding a video camera to the microphone gives slightly more information, and the advantage of keeping the eyes occupied.

But these amateur, one-shot videos are a small and shrinking section of the viral video pool. “We’re seeing a lot more professional work in [the viral video] space, and I don’t just mean advertisers,” says YouTube trends manager Kevin Allocca. The “top trending videos” of 2013 were all intentionally shot and edited for an Internet audience: music videos (“What Does The Fox Say?”) and ads (Volvo’s “epic split” with Jean-Claude Van Damme) but also low-budget productions like the Norwegian army’s “Harlem Shake.” They all have had over 90 million views.

Analogous audio — deliberately constructed and virally distributed — is a rarer and more recent phenomenon.

Ask a public radio journalist for an example of viral audio, and one piece comes up again and again: “Two Little Girls Explain The Worst Haircut Ever.” It’s two minutes and fifty seven seconds of cute, as five-year-old Sadie and three-year-old Eva tell the story of an ill-advised haircut to their patient interviewer and father, WNPR reporter Jeff Cohen. For public radio, Cohen has covered gangs, unemployment, and the aftermath of the mass shooting at Sandy Hook Elementary school. He won a magazine writing award for a story in the Hartford Courant about Connecticut’s first Iraq war widow.

“I’ve done a lot of work as a reporter that I’m pretty proud of,” he says. “I will never be recognized for anything for the rest of my life, except for this.”

It, too, resembles a viral video: it’s short, self-contained and driven by cute children. But not only does it lack any images of said children, it isn’t a straightforward record of what unfolded in front of the microphone. Cohen recorded two interviews, one with each daughter, and then carefully edited them into a fast-paced, seamless whole. Unlike Alec Baldwin’s voicemail, “Two Little Girls” is a showcase of audio’s power to create what appears to be an unedited version of reality, but is in fact a tightly constructed story, with a beginning, middle and end.

To explain why millions of people have listened to “Two Little Girls” — and why this is still so exceptional — you have to look at its convoluted path to fame.

What We Mean When We Talk About ‘Viral’

Taken literally, “viral” brings to mind an infectious agent bumping around inside its host, spreading accidentally by breath or touch. When “viral marketing” emerged in the 1990s, the medical referent was apt. The disease vector typically took the form of email and “virals” — as such ads were then called — that lived in the inbox. Invisible to the wider world, they spread from individual to individual, as when Hotmail stuck a sign-up ad beneath its users’ signatures. Or when the movie “American Psycho” sent compulsively forwardable emails from its psychotic main character, Patrick Bateman.

Today, those seeking to “go viral” have the same essential goal — to increase their audience by reaching the audience’s audience (and their audience, ad infinitum) — but the web has changed beyond the dynamics of disease transmission. Instead of invisible, one-to-one emails, today’s Internet infections spread by a cascade of publicly visible, one-to-many “likes,” “shares,” “tweets,” and “reblogs,” accelerated and amplified by an expanding web publishing industry. “Sharing” implies a deliberate effort, but social media sharing skews toward a mix of self-representation and what Tumblr creative technologist Max Sebela refers to as “speaking in content”: You might share Rebecca Black’s “Friday,” not because you want people to watch the video, but to make a joke about the fact that today is Friday.

“How does it happen,” YouTube’s Kevin Allocca asked in a 2011 speech called “Why Videos Go Viral.” “Three things: tastemakers, communities of participation, and unexpectedness.”

Tastemakers are like virus broadcasters, picking up outstanding, or “unexpected,” Internet phenomena that might otherwise never spread beyond their initial communities, and spraying their spores onto larger followings.

For Cohen’s “Two Little Girls,” the key tastemaker, without whom it may well have languished in Internet obscurity, was Gawker’s Neetzan Zimmerman. (Note: I spoke with Zimmerman before he announced his plans to leave Gawker to become editor-in-chief of a social network startup called Whisper.)

Zimmerman is the closest thing to a one-man embodiment of what he calls “the viral industry.” When Gawker hired him in early 2012, his boss A.J. Daulerio approvingly called him, “a total freak” for his ability to methodically scour the corners of the Internet for the video, memes, and Internet ephemera that would grow to popularity after being seeded with Gawker’s audience. “Before I used to do basically 20 hours a day,” Zimmerman says. “Now there’s a night shift, so I don’t have to worry as much.” In the last three months of 2013, his posts were responsible for more than half of Gawker’s pageviews and two thirds of the site’s unique visitors — nearly 40 million in total — according to Gawker’s public stats. For comparison, that’s more than 1/3 of the traffic of the entire the New York Times website.

Zimmerman’s work is a more extreme version of the new, upside-down dynamic of web publishing. Instead of the publisher’s megaphone guaranteeing its articles an audience, the publisher only has an audience insofar as the articles “go viral.” Tens of thousands of readers see most of the dozen items Zimmerman posts each day, but millions see his blockbusters.

For those hits, the content and the clickbait headline are as important as the timing. He describes “going viral” like surfing: boarding a wave at the earliest possible point. “You don’t want to wait too long because you’ll miss that initial cresting,” he says. “It’s a race against everyone else.”

Zimmerman chooses what to cover by scanning for signs of that wave rather than looking deeply at the constituent molecules of content. “The way the system works is I keep a mental note of instances of occurrence on a certain tier of sites,” he says. This lets him identify “viral momentum,” even when his personal judgment might suggest otherwise. “The purpose of the system is to override my biases and to override whatever personal feelings I have.”

Sometimes this lets Zimmerman not only beat the competition, but also popularize something that might otherwise never bubble into the mainstream from a less-trafficked corner of the Internet. But the system — Zimmerman’s and that of the “viral industry” more generally — has an obvious bias of its own toward content that is already being shared on the Internet.

For Bianca Giaever’s “Scared” video, first college and radio friends shared it on Facebook, then Vimeo made it a “staff pick,” then major media websites like CBS News, BuzzFeed, Jezebel and Mashable blogged about it. Within three days, hundreds of thousands were watching.

For Cohen, it took four months, and a lot of luck.

‘Invisible As the Radio Waves Themselves’

Jeff Cohen had interviewed his daughters many times, in the same way other fathers shoot home videos. “I’m sappy that way,” he says. But he thought enough of the haircut piece to play it for colleagues at the radio station. “It was about five minutes long, and my boss and friends said, ‘Cut it down to three minutes and put it on PRX.’”

PRX is the Public Radio Exchange, and as the name suggests, its website is a marketplace where station managers shop for stories. After Cohen uploaded his new, tighter version of “Two Little Girls” in February of 2012, it was discovered and licensed by a handful of local stations: KOSU in central Oklahoma, KUT in west Texas, KSJD in southwest Colorado.

But to the Internet, all this was invisible as the radio waves themselves. “PRX is designed as a business-to-business marketplace,” says PRX CEO Jake Shapiro. “We’re not designed for listeners… yet.”

The circuitous route that “Two Little Girls” took to Gawker didn’t start with PRX, but at a monthly event called “Ear Cave” hosted by one of Cohen’s colleagues at a coffee shop in Hartford, Connecticut. “I call it BYOB, BYOE,” says the event’s creator Catie Talarski. “Bring Your Own Beer, Bring Your Own Ear.” She dims the lights, sets up chairs, and projects a photograph of an old radio, so the audience has something to look at while a chosen curator presses play on a laptop. That April, “Two Little Girls” was the grand finale.

“It was just a huge hit,” recalls Adam Prizio, an insurance auditor who was in the audience that night. Two months later, Prizio, with the voices of Eva and Sadie bouncing around his head, decided to google it. Finding the audio on PRX, he posted a link to community blog MetaFilter, with no description other than a mysterious quote (“It happens three times in every life. Or twice. Or once.”) and the categorization “SLAudio,” a riff on “SLYT” (Single Link YouTube).

Overnight, the comments swelled. “Amazing.” “Adorable.” “Better than the Car Guys.” “OH MY GOD THIS IS FUCKING BALLER.” There were fewer comments than a link published ten minutes later — “Fundamentalist Christian schools in Louisiana will soon be citing the existence of the Loch Ness monster as proof that evolution is a myth” — but they were comments of single-minded delight. The next morning, Zimmerman saw the thread in his morning Internet regimen, and within an hour had put up his own post that would go on to gather some 1.3 million views entitled, “Public Radio Reporter Interviews His Two Little Girls After One Gives the Other the ‘Worst Haircut Ever.’”

“It didn’t really matter that it was audio,” says Zimmerman. “It was more about how it was being received online.”

In one sense, it followed the same trajectory as all viral content, or what YouTube’s Kevin Allocca has defined as a combination of “community participation” and “tastemakers.” Something becomes popular in a niche community, whose public enthusiasm attracts the notice of a tastemaker, who then repackages it to suit a larger audience, where the entire process repeats on a larger scale.

But really “Two Little Girls” succeeded in spite of its immediate community. Cohen first had to be convinced to put it online at all, and even then it was on a website searched only by public radio station managers. While Cohen says it made the rounds of his Facebook friends, it only took off after audio enthusiasts heard it at a coffee shop.

Compared to other media, even young, tech-savvy audiophiles are less likely to share audio on a weekly basis, and when they do, they’re more likely to use email instead of social media.

The barriers that nearly blocked “Two Little Girls” from finding a larger audience are a mix of culture and technology. While home videos make the leap to YouTube all the time, audio makers tend to keep their scraps to themselves. When I took an unscientific poll (n=60), it backed up what I heard anecdotally: Compared to other media, even young, tech-savvy audiophiles are less likely to share audio on a weekly basis, and when they do, they’re more likely to use email instead of social media.

Several echoed the sentiment of occasional radio producer Laura Griffin, who said, “I tend to assume that most people don’t have the same patience and appreciation for audio that I do, so I am selective about what audio I share and with whom.”

Others pointed to technological limitations. The files themselves are large and often forbid downloading. Audio-hosting websites employ an inconsistent potpourri of players, many of which disallow the embedding that has helped make online video ubiquitous. (Some PRX audio can be embedded, but Gawker had enough trouble with its player that they uploaded the audio into their own.) “I often don’t share NPR audio because their player isn’t embeddable and requires going to another website to listen,” notes multimedia producer Will Coley.

There is one standard format for distributing digital audio, but rather than resolving these barriers to sharing, it may be their most perfect expression: the podcast.

The Podcast Problem

If you don’t know what a podcast is, you’re in the majority.

Technically, it’s an RSS feed containing links to files (“podcast” typically implies an audio file). Using podcast-listening (formerly “podcatching”) software, you can “subscribe,” setting your computer or smartphone to automatically download the new and get rid of the old.

It’s hard to appreciate in 2013 the enthusiasm with which this simple idea was met by the mid-2000s media.

“I haven’t seen this much buzz around a single word since the Internet,” computer programmer Carl Franklin told the New York Times in 2004.

By letting everyone become broadcasters (or really “podcasters”), it was supposed to disrupt radio in a way that was predicted to parallel that other online media format with a horrible portmanteau name: blogging. In fact, the name “podcast” was tossed off by the Guardian's Ben Hammersley between the alternatives “audioblogging” and “GuerillaMedia.”

It wasn’t all hype. Anyone can start a podcast, just as anyone can blog. The podcast did close the loop, in its clunky way, between where people download and where they typically listen. And aficionados can point to a long list of programs, especially covering technology and — more recently — comedy, which never would have existed otherwise.

12% of Americans listened to a podcast in the last month, the same percentage as three years ago.

But while much of online publishing now takes the form of the blog, interest in podcasting seems to have flatlined. According to Nielsen Audio (formerly Arbitron), 12% of Americans listened to a podcast in the last month, the same percentage as three years ago. It is a substantial niche, but smaller than the percentage of people who create online videos, and less than a sixth the number who watch them.

“There was a huge wave of initial excitement around podcasting changing and disrupting and turning upside-down radio seven years ago, or longer,” says PRX’s Jake Shapiro. “And then it kind of just petered out.”

While the number of podcasts has proliferated, the vast majority of episodes have audiences in the double or triple digits, judging from the experience of podcast hosting giant Libsyn. “If you want to do the average, our mean podcast? Now you’re looking at like 200, 250 downloads per episode,” Libsyn’s Rob Walch told NextMarket Insights's Michael Wolf. The majority of top podcasts, far from being grassroots disruptors, are major public radio shows: “This American Life,” “Wait Wait Don’t Tell Me,” and “Radiolab.” It’s the dominant way of finding an on-demand audio audience on the Internet, but it’s more Hulu than YouTube.

The absence of disruption is, in part, baked into the technology. “It’s clearly the number one barrier to wider listenership,” says Jesse Thorn. Apple gave the format a big boost when it brought it into the iTunes store in 2005, but that walled garden of a market has come to delimit the podcast’s reach. To watch a YouTube video, you click play, wherever it exists on the web. With another click you can immediately share it by putting a player in the feed of your Facebook, Twitter, Tumblr, or even LinkedIn accounts.

To listen to a podcast, however, you have to search for it on an app or in the iTunes store, sign up for it, wait for it to download. (Of course there are other ways to download podcasts, but the majority of podcast downloads occur through Apple.) Click “share” on Apple’s podcasting app, and you’ll be prompted to post an RSS feed, which is a bit like trying to share a new Tom Junod article and instead passing on a password that readers can use to subscribe to Esquire.

These hurdles don’t hamper podcasts that are already well known. Thorn’s podcast audience has been growing steadily by approximately 50% each year. “Radiolab” and “This American Life” — public radio shows that are among the most popular podcasts and the aesthetic guiding lights for young public radio producers — are both approaching a million digital listens for each new episode. For these shows, the occasional episode will get shared more than others, but that “viral” bump is on the order of 10 to 20 percent, and even that seems driven less by social media than old-fashioned word of mouth. “Google is a much bigger referrer to any given episode [than Facebook],” says WNYC’s Jennifer Houlihan Roussel. In other words, podcasts don’t go viral. Nor are they designed to.

As the Guardian’s technology editor, Charles Arthur, points out in the Independent back in 2005, “Podcasts take content and put it into a form that can’t be indexed by search engines or be speed-read, and which you can’t hyperlink to (or from). A podcast sits proud of the flat expanse of the Internet like a poppy in a field. Until we get really good automatic speech-to-text converters, such content will remain outside the useful, indexable web.”

A Cloud Atlas?

If there is any company attempting to create a modern web alternative to the podcast, it’s SoundCloud.

“Podcasting: It’s a fairly old school method of distribution,” says its co-founder and CTO Eric Wahlforss. “We are certainly of the opinion that SoundCloud is the superior way of broadcasting your show across the web.”

If you’ve played audio from Facebook, Twitter or Tumblr, you’ve likely seen it: the slow crawl of orange across a gray waveform. This omnipresent, embeddable player is what has most clearly attracted the moniker “YouTube for audio.” Hoping to make sound as sharable as video, SoundCloud delivers this content via a streaming player instead of a dressed-up file download.

In a Facebook message, data scientist Lada Adamic told me: “Soundcloud does seem to have a lot of sharing activity (everything is dwarfed by YouTube but soundcloud is holding its own) [sic].” SoundCloud was the 11th most commonly submitted domain on Reddit as of March 27, 2013, according to Reddit data scientist Chad Birch, above the Huffington Post, the Guardian and Vimeo. The number of YouTube domains submitted was almost 22 times as high.

But the SoundCloud content accumulating most on social media isn’t what the company calls “audio.” “In our world, in terms of viral content, the real viral content is actually music,” Wahlforss says.

For non-music “audio,” SoundCloud lets broadcasters and podcasters have it both ways, encouraging them to make their shows available on SoundCloud’s platform, while also creating a podcast-ready RSS feed. “We are trying to blur that distinction a little bit,” says Wahlforss.

“We’re on SoundCloud because they have a nice player for sharing on Facebook and Twitter,” says Seth Lind of “This American Life.” But the total plays of their hour-long episodes on SoundCloud peak at roughly 3% of its digital listenership, and are usually under 1%, hovering around 5,000. A look at SoundCloud’s “trending audio” page presents a similar picture: podcast episodes and radio shows, with listenership in the hundreds or low thousands.

Clearly, technology alone doesn’t ensure the virality of an hour-long show with a headline designed for consistency rather than clickability (e.g.: “#513: 129 Cars” from “This American Life”). “It’s probably not going to be as popular as a Gangnam Style,” Lind notes, dryly. The audio that has gone viral takes a different tact: short, tailored specifically for SoundCloud, and providing a near-immediate pay-off that fulfills the headline’s promise.

Much of it is some mix of rant and newsworthy document, like AOL’s Tim Armstrong firing Patch’s creative director, or Charles Ramsey’s 911 call after he helped rescue three kidnapped women in Cleveland.

But the most heard, and most truly social example of SoundCloud’s viral audio is a New Zealand radio host’s dramatic reading of a series of text messages from a one-night stand gone unhinged: “This Is What Crazy Looks Like Via Text Messaging.” “Fletch & Vaughan” host Vaughan Smith found the texts on BuzzFeed and performed them as part of a four hour-long drive-time show. He then uploaded it to SoundCloud and shared it on Facebook to appease callers who wanted to hear the skit — but only that one skit — again.

“At the end of the weekend it hit a million plays,” says Smith. “It was mental.” With more than six million plays to date, more people have heard the version from “Fletch & Vaughan” than have read the BuzzFeed article it was adapted from — a triumph of sound over text.

It couldn’t have gone viral without a player as sharable as SoundCloud, but perhaps more importantly, it couldn’t have gone viral without the active unearthing of comedic gold buried within a longer broadcast. “In public radio, only within the last few years has there been a big value seen in disaggregating content from shows,” says PRX managing director John Barth. “And there’s still a pretty big debate about that.” These concerns echo the now-largely-obsolete resistance of other media to the Internet. They want listeners to experience the whole enchilada, not take the ingredients and re-contextualize them.

As for creating a whole new audio cuisine — work cooked up specifically for a SoundCloud audience — the successful examples are elusive. “We mostly use it as a promotional tool really,” says Smith. “We use it to promote the podcast.”

The Message Is The Medium

Last October, Reddit's Alexis Ohanian told a basement full of audiophiles to go make "the Upworthy for audio," but in a sense, we already have the Upworthy for audio: Upworthy. With its scientifically-selected, clickbait headlines, it is the reason nearly two million people have heard the future president of Ireland Michael Higgins dress down rightwing talk show host Michael Graham (“A Tea Partier Decided To Pick A Fight With A Foreign President. It Didn’t Go So Well.”) It’s the reason hundreds of thousands have heard Geoffrey Gevalt tell a small poignant story, set to music, about his daughter (“A Toddler Gets Totally Profound In a Way Most Adults Don’t”) and Summer Puente about her father (“Every Night This Dad Falls Asleep in Front of the TV. There’s a Beautiful Reason Why.”)

The Upworthy sector of the Internet economy isn’t just healthy, it’s insatiable and omnivorous in its appetite for content it can coax people into clicking and sharing. “Whether it’s audio, whether it’s video, whether it’s still images, whether it’s text: my system remains pretty much the same,” says Neetzan Zimmerman. “For me it doesn’t really matter.”

The viral industry can help solve audio’s skimming problem, but only if it can find the content in the first place. “Radio doesn’t do a very good job of marketing itself to the viral industry, for whatever reason,” says Zimmerman. “Maybe it thinks too highly of itself, or thinks of ‘viral’ as a cheapening of its content. I really disagree with that. I think there’s a lot there to be mined, and a lot that gets ignored.”

“Marketing” makes it sound like radio makers simply need to do a better job of drawing attention to their work. And it’s true: active, public sharing directed at non-audiophiles is how Zimmerman found “Two Little Girls.” If there were a website that showed what audio was “trending” in some smaller community, Zimmerman says it would become part of his system. “One hundred percent. No doubt about it.”

There are also plenty of short podcasts and single-serving radio stories that are poorly labeled on obscure web pages or presented in unembeddable players. “Nobody that I’ve seen, even the best of them, spends time thinking about how to create the metadata or the descriptions: the things that might actually catch your attention,” says PRX’s Jake Shapiro.

More fundamental than marketing is the question of where audio makers see a market. “So far nobody is producing audio, really, for an audience that might be scanning for things to enjoy,” says Shapiro.

“It’s somewhat of a chicken and egg thing,” he says, “Until producers have any kind of confidence that there’s an audience or some money to be made — or preferably both — they’re not really targeting it.”

“If it can’t be used for pornography it’s never going to be the most popular thing.”

Perhaps Facebook will tweak its algorithms to favor audio. Perhaps SoundCloud or PRX or Apple will make a social alternative to podcasting. “It’s possible that someone will make this app that’s all about sharing audio that will be the next Snapchat,” suggests Seth Lind. “That’s obviously not going to happen,” he quickly adds, to make sure I know he’s joking. “If it can’t be used for pornography it’s never going to be the most popular thing.”

But Jeff Cohen and “Fletch & Vaughan” demonstrate that audio makers don’t have to wait for a deep shift in technology to court a viral audience. They would, however, have to create audio not for already-dedicated radio and podcast listeners, but for the distracted, impatient crowd that is the web. Audio enthusiasts would have to evangelize on that work’s behalf, not just in coffee shops or emails to each other, but online, loudly, with the same manipulative, click-chasing techniques wielded by the rest of the web.

The day “Two Little Girls” went viral, Jeff Cohen tweeted: “I fear I may disappoint new Twitter followers once they realize that I mostly write on Hartford, government, and healthcare. Not my kids…” That is still more or less his beat, though he does also have a children’s book (“Eva and Sadie and the Worst Haircut EVER!”) due out this summer.

“I don’t know anything about the Internet, really,” Jeff Cohen says. But the way he sees it, although he got lucky, he also made his own luck.

“I didn’t cut anybody’s hair. But when you see an opportunity, you take advantage of it.”

Stan Alcorn is a print, radio and video journalist based in New York City. He regularly reports for WNYC, Marketplace and NPR and is a staff writer for Fast Company's Co.Exist.

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imparateasa · 18 days ago

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Notice how Kakashi is still unmarried? isn’t it interesting that someone SOOO interested in romance is seemingly abstinent from it????

I’m here to in fact inform you that Kaskashi of the sharingan isn’t his only alias, before leading his first team, (Team 7) he was quite well known as “THE BIGGEST WHORE OF ALL THE GREAT NATIONS” fuck Orochimaru and Jiraiya this man spent his time INVENTING numerous sex jutsu, even at the cost of his skill, Why isn’t he married? he can’t be tied down to one partner. Kakashi is so strong he’s said to have copied over 1000 different jutsu! heavy emphasis on the over this mans too embarrassed to admit that the other 3,000 are all “Sensual Jutsu” in fact he’s created by some estimates 5500 of his own, and that’s just what can be confirmed by what he’s used with his OBSCENE amount of parters, god only knows what that freak bitch gets up to on his own.

it’s always “Naruto was a DEI hire for team 7” this and “Naruto is a nepo-baby who got his start by riding off Minato’s coattails”that, the 3rd Hokage Hiruzen Sarutobi (hater ass bitch) had banned Naruto from becoming a genin despite Kakashi’s near constant lobbying for his addition since Naruto’s creation of the “Sexy Jutsu”. The only reason he finally became one was because with the addition of shadow clone jutsu it became too risky for him to leave the leaf or worse become a rouge ninja.

Next i’d like to address the erroneous claim that Kakashi was only focused on Sasuke during the original series. This man had to be FORCED to give Sasuke the Chidori by Donzo and Leaf leadership, place your bets on where Leaf’s self proclaimed “Most Progressive Hokage” stood on that issue; Hint he was Tobirama’s “Favorite” student. Kakashi spent weeks teaching Naruto 1000 years of death, only reason we didn’t see him busting it out at the Chūnin exams is because Kakashi said “its been banned due to its ability to cause certain death almost all the time” when Naruto asked why he didn’t die this bitch had the GALL to smirk and say “i’m just that good 😏”

I’d also like to draw everyone’s attention to his career in the anbu black ops, more specifically root, anyone else curious about why Yamato is obsessed with Kakashi? It’s cause this freak slutted out that poor man under the guise of training his shadow clone jutsu. soon as he left anbu he ghosted him and has since never discussed the matter.

In regards to the tutelage of Naruto by Jiraiya it is by no means a coincidence that Jiraiya was in the Leaf that day for research on Make-Out Tactics. He had received a tip from President of the Make-Out fan club and Worlds #1 Make-Out Stan, Kakashi Hatake; in the form of thousands of letters sent daily talking of a prodigy “Greater than Minato” and allusions to a child prophet.

in conclusion Kakashi is our Poly king, he fucks, CONSTANTLY, he sucks that shit, BIBLICALLY, and he is quite possibly the greatest sexual deviant in all of shōnen, and has a body count that one can only be described in cookie clicker numbers.

I have some time off! And no immediate deadlines so I can finally make all the silly naruto comics that have been brewing in my head since

my first one

A third one

Fourth One

I hope you guys enjoy. The naruto cast is truly such a joy to pick up and play with like dolls.

Do not try to place this event on a timeline. Sasuke is back. Neji is still alive. Don’t think about it.

#naruto shippuden #naruto uzumaki #anime and manga #anime #naruto shitposting #naruto #jiraiya #make-out tactic #kakashi hatake #kakashi sensei #copy ninja kakashi #Konaha’s greatest master #kakashi of the sharingan #hero of the sharingan #sixth hokage #hokage #kakashi x iruka #obito x kakashi #kakashi x itachi #kakashi x guy #might guy #also he created a whole photographer persona to fuck bitches he ghosted #mostly yamato though #kakashi x yamato #kakashi and guy’s battles are only an excuse to fuck and guy still hasn’t realized that his wins are just kakashi letting him top #kakashi fucks with the mask on #except for obito who he is so down bad for he almost betrayed the shinobi alliance after finding out it was obito #kakashi fucked tobi under the guise of reconnaissance which obito allowed cause he thought it’d be funny #he was doing a bit #i fucking hate that bitch hiruzen fake ass hokage he stole that election too it should have been child naruto they should have treated him

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lumnries · 2 years ago

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┆．pairings stan marsh x gn reader ft. kenny

┆．synopsis stan’s been friends with you since 4th grade, how does he feel realizing he holds feelings for you?

┆．cw not proofread

✉️ … this is my first blog post SO i just wanna say my reqs are open !!!! hmu, you can find my rules here :D i don’t write a lot so this got a bit poor but i tried my best <\3 I FORGOT TO MENTION, THEY’RE IN HIGHSCHOOL HERE 😭😭😭

he doesn’t really realize at first, he’s always noticed how his heart beats faster whenever you were around but never really thought much about it.

it was on the first of the month he recognized his feelings for you. he doesn’t know what to do, should he tell you or keep it to himself? he ponders about it for a bit while walking down the halls. as he reached his locker, he sees you hesitantly talking with kenny. it doesn’t help that both your lockers are right next to each other, but that’s besides the point. he’s more focused on finding out what you guys are taking about.

“hey, why are you guys whispering?” he asks as he opens his locker. only then do you turn around, and god does he feel like disappearing. “stan… it’s nothing.” he stops for a moment. & stares at you, he promptly takes note of your flushed expression & mentally frowns. “well, alright. where are the others?” he closes his locker as he looks at the both of you. kenny seems indifferent but he doesn’t fail to see the slight smirk he wears. now, his dejection is plastered all over his face. an expression of dumbstruck takes over you. “stan? what’s wrong?” you ask, his previous state nowhere to be seen. “don’t worry, i just remembered i had to do something.” giving you no time to speak, stan rushes away.

“seems like he’s discovered something.” kenny disrupts you from your train of thoughts. “kenny, this isn’t the time. he was probably upset about something else.” he shrugs. before you can add on another comment, the bell rings indicating the start of the first period. “shit. let’s talk again later at lunch.” you hurriedly walk to your class as kenny follows behind you. sighing, you open the door to your classroom only to be greeted by your teachers scowling face. you apologize, walking to your seat. you sit down, fixated on your teachers discussion — unaware of a certain someone’s gaze.

suddenly, it’s already lunch. you wait in line with the others in front, allowing you to consider how you actually feel. if you’re gonna be honest to yourself, you’ve probably felt this way towards stan for months now; but you’ve never bothered to express your feelings as he’s always been interested in wendy. but, kenny has certainly made you doubt yourself. you weren’t stupid, you noticed how he seemed to fidget whenever you were around or how his face seemed to slightly burn crimson whenever you complimented him. you sigh, confused by his change in behavior.

& just like that, the day ends. you say your goodbyes to your friends as you walk home. the cool breeze hitting you. your days went on just like this, days turned into weeks & the end of the month eventually got closer. it was the 31st. your day went on how it usually was, but nobody could imagine the stunned look on your face when stan told you to meet him at stark’s pond after class. your heart was racing as you were approaching the said location. you reached the lake, seeing the familiar figure of your friend.

he himself was painted with an embarrassed look. your mind went blank as he got closer & opened his mouth. “y/n, i’m slo glad you came. this is kinda humiliating. i mean, seeing me like this.” he stammers as he talks, “okay, i know this might be sudden but i like you. recently, i’ve started contemplating about how i felt towards you. and i’ve come to the conclusion that i’m absolutely fucked whenever i think of you because i just can’t seem to get you out of my head.” your gaze follows him as he turns his head, looking away. you hold his hands, seemingly making the raven haired boy redden even more. despite this, he doesn’t seem to mind.

“stan. i like you too, you don’t understand how happy i am just being in your presence. i’ve loved you since last year, i just couldn’t stand the idea of ruining our friendship over something i can’t control. just being together with you was enough, but now i’m not so sure.” he’s finally looking at you. your heart feels like bursting. he brings his face closer to yours, as you guys embrace each other. the warmth you felt that day couldn’t be described. & as the month finished, so was the constant confusion of your relationship with the boy you’ve liked.

#☒ ⠀fluff #stan marsh x reader #south park x reader #x reader #gn reader

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atla-recluse · 2 years ago

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Some Not-So-Gentle Reminders and Points for the Gravity Falls Fandom (And for Fandoms in General) to Consider, Especially the Dishonest and Clueless “Apologists”

Note: So here’s my official first Gravity Falls post. I’m not exactly a new fan, though I am having a second wind of interest and appreciation for it and everything in it. For this particular post, I guess I just really felt like getting some thoughts off my chest and just kept going after that. Sorry for lack of pics/direct evidence. This was supposed to be quick and most of this stuff should be pretty obvious if you just pay attention and take the bias goggles off. I might come back and add images/media later. I’ll gladly correct any mistakes too, big or small, if need be.

Now consider this:

- Stan, in the scene where he allegedly “broke” Ford’s science fair project, didn’t even touch it! I repeat, Stan DID NOT touch Ford’s science fair project! What he touched, was the table it was set on when he slammed his fist down! Yet he was and still is blamed for it breaking by everyone in the fandom and show, even himself. How has this common claim so rarely been questioned by a fandom that prides itself on being skeptical and solving mysteries? Just use your eyes and rewatch the scene, people!

- The fact that Ford was so quick to accuse Stan—the one person in the whole world out of his entire life that had supported him through thick and thin and always protected him—of breaking his project based on minimal evidence at best, implies that Ford already had a low opinion of Stan by that point and probably much earlier. It implies that even if he did love Stan, he definitely didn’t believe in him. No one had ever believed in or supported Stan until Soos came into his life, followed by Wendy, Dipper and Mabel.

- No matter how you try and slice it, Ford had been outright shown time and time again, through both words and actions, to have not appreciated Stan’s love or devotion to him, or their closeness. At least not outwardly, to us viewers. His true feelings might not always show and we do get some glimpses here and there of his thoughts on Stan, but appearances matter a lot! Someone being open to doing things with another person, seemingly to keep up an air of decency and calm while they’re trapped in the same place together, doesn’t mean that person appreciates the other. It doesn’t even necessarily mean that you want a relationship with that person or to reconcile.

- Ford’s usage of the words “suffocating” and “meant for something greater” when talking to Dipper about familial relationships and specifically the boy’s connection with his sister Mabel, besides many other talked-to-death things, is very telling and shows how much he was terrified of the intimacy he had with Stan. There’s literally no nicer way to put it. He didn’t just want to escape the bullying he received or the crappy town he grew up in. He wanted to escape Stan. At some point in his adolescence, Ford seemed to have grown to view Stan as an obstacle to his success, a weight on his shoulders, a leech or spotlight hog of some sort, or just a painful reminder of awful experiences. This in itself is a very realistic reaction and when you look at the examples, the case for Ford truly being proud of what he had with Stan looks very shaky. Despite what I’ve noted here, I do think Ford did and does greatly love Stan deep down. But he also seemed to be afraid of something, which seems to have led to him wanting to run away from his feelings—and from Stan.

- Again, it’s possible to love someone dearly but still harm them or view them as harmful to you or for both of you to harm each other. If you really want to view Ford’s immediate discarding of what was supposedly both his and Stan’s dream, along with Stan himself, in a somewhat more positive (well, more selfless) light, you could argue that Ford thought he was holding Stan back (instead of solely vice versa). After all, if Stan did depend on Ford as much as we see him do in the series to the point where they were practically a (mis?) matched pair of socks, it could very well be that Ford felt like he was forcing Stan to be the ‘dumb but brawny and funny’ twin to his ‘smart but weak and weird’ self. Maybe he figured Stan shouldn’t have to keep defending him and making a fool of himself to make Ford happy and feel less alone in his ‘freakishness’ into adulthood. Perhaps he thought some separation was what they both needed to finally grow into two fully-fledged, separate beings.

- There’s an argument to be made that Ford is/was extremely narcissistic and insecure. You know what many narcissists (with or without NPD) have in common? They have low self-esteem. Low self-esteem often born from a childhood of emotional abuse and neglect and constantly being told there’s something wrong with you, that you’re not and will never be good enough. Low self-esteem and a need to hide it and look for ways to avoid rejection or coming rejection, even if it’s just perceived. It can be easy to forget that Stan and Ford were both treated terribly inside the home as well as outside it. Ford was on some level the golden child whereas Stan was the scapegoat. There are some narcissistic dynamics going on here. (They’re very prevalent in families, you know?) Childhoods like theirs are known for breeding such people. This means that Ford may have saw himself in a negative light but felt Stan’s love was exacerbating the problem because he was being led to believe that Stan was a problem; The problem child.

- Stan shows signs of extreme codependency to the point of having traits that practically mimic that of BPD/EDD/EUPD (including insecurity and low self-esteem as well). He’s clearly terrified of abandonment yet of closeness too, at the same time. This is likely also caused by his and Ford’s childhood. Many people with BPD come from homes like theirs, too. Now I understand these are cartoon characters, so the urge to diagnose, while understandable, is typically pointless. However, if we’re speaking theoretically on which disorders match up with characters the most based on what we see and find out about them, then yes, Stanley seems to be extremely codependent—especially toward Stanford—and likely suffers from other emotional trauma that was made far worse after he was kicked out.

Do we ever see it so much as implied that this concerns Stanford though? That he sympathizes with whatever current plight his brother is going through even once outside of the finale of all times, particularly before Stanley had seemingly already been erased out of existence? I don’t think we do. Well, maybe once. Stanford gave Dipper a pretty and high tech tie to give to Stanley... I guess he wanted to throw his poor, dumb dog of a brother a bone. (I kid, I kid. But not really.)

You can’t even claim that it was the same the other way around and say that Stan doesn’t pay mind to Ford’s struggles or want to help him out of them ever, because the show often goes out of its way to illustrate to us the opposite and often also makes it clear just how much Stan adores Ford. Spending their childhood protecting and sticking up for him. Dropping/giving up everything for Ford repeatedly. Being concerned over Ford’s sanity/behavior when he visited him that fateful day in 1982. Still holding out hope he’ll change his mind on their old dream despite the hell he’s been put through. Forgiving Ford for everything even after he almost ‘dies’ to clean up the problem that, mind you, FORD CAUSED TO BEGIN WITH. Ford “ruined” his own life! (And is implied or explicitly shown to have had a hand in bringing about the intense hardship of others’ lives. E.g. Stanley, Fiddleford....the evidence is there.)

- In fact, there can be no talks about “who was more responsible for Weirdmageddon” without acknowledging who was the first one to shake the devil’s hand: Ford! I mean, of course it’s mainly Bill’s fault, he’s the villain! The point is that it’s harder for others to do wrong when we refuse to help them. We know romantic relationship cheaters are jerks but what about those who knowingly help the cheaters cheat? They never get a pass, now do they? Then the same can especially be said for Stanford, who did not refuse to help Bill—even despite warnings about summoning him—until it was too late and the cat was miles away from the bag. At that point he had no one to blame but himself for the problem continuing to escalate. I mean, don’t you remember the many questionable ways he tried to contain it?!

- Stanley is not even close to being the dumb twin. Not in anyway. On top of all the skills he’s learned over the decades, he’s actually implied to be close to as smart or even equal to Stanford. His whole life is actually a testament to how amazing he truly is at surviving and, given the right tools, thriving. You know what some of you sound like when you have nothing but crap to say about this main’s relatively positive traits, irrespective of his actual wrong-doings? Stanford Pines, pre-realization of all the ways he has screwed things up for those around him. You know, who the man was only after he erased Stanley’s memory. Though a lot of you seem to self-insert and project onto Stanford to an unpleasant extent anyway, so I guess that’s not surprising. You know who else you end up sounding like? Filbrick Pines. Yeah, that one. I don’t know, seems a bit disturbing to be. You know who else you often end up sounding like? Bill Cipher, if I remember properly. In fact, wasn’t it implied that much of Stanford’s negative views of Stanley and not needing family, was influenced by Bill? Hmm.

- You can not blame Stanley for pushing Stanford into the portal while completely ignoring the context of the scene and all the actions that lead up to that point. Ford sent Stan a vague postcard (implying he may have known how to reach Stan all along). Ford allowed Stan inside and in the basement where things were bound to be the most dangerous. Ford told Stan to take the book and get as far away from him (“sail as far away as you can. To the edge of the Earth”) as possible despite knowing their were a lot of tender feelings there, especially when it came to the two of them sailing together. Ford started the fight when Stan tried to burn the book he was given, that Ford wanted to get rid of anyway! Ford pushed Stan while trying to get said book back onto a bunch of buttons which activated the portal to begin with! The accidental lever turn came after that and the Stan accidentally pushing him into the portal was just the nail in the coffin of their faux family reunion that Ford caused to happen.

No one made Ford choose an unsuspecting Stan as a tool and means to an end for the mess he put himself and possibly the whole world in. That was his choice. Either they’re both to blame or Ford is solely to blame. What you’re not going to do is put the entirety of the blame on Stan. Call me every name in the book for this, but I believe the BIGGEST innocent victim in that scenario was Stan! You don’t need to blame him for every single terrible thing that happened to Ford because Stan already blames himself for everything! Even when it doesn’t look like it could have been him responsible for it! He already is full of shame and remorse that fill every step he takes every single day. He worried every day for thirty years that the blood of one of the only people in his life that he’s loved, may have been on his own hands.

- I think it’s possible that one of the reasons Ford latched on to Bill despite all the red flags, was because Bill reminded him of Stanley. He wanted a friend. He wanted his best friend back. Bill played the role almost perfectly—until he didn’t anymore and Ford realized his mistake. This could mean that there’s a chance he realized the biggest difference between Stan and Bill since he did end up contacting the former after Bill’s betrayal, and in his own words, chose Stan because he trusted him. He still trusted Stan. It could have been less than when they were children though and all that time with someone that reminded him of Stan yet ended up betraying him ‘too’ may have caused him to start associating Stan with Bill. I can imagine that after he was sucked into the portal, Ford’s associating Stan with painful betrayal may have worsened. But bringing him out of the portal could have slightly improved it. And seeing as they finally sailed away by the end, he realized must have he was wrong to ever associate them, if he had before. I bet they’re probably still sailing around the world together over a decade later right now.

- If the thought of both twins not returning home and choosing to live with their grunkles and exploring gravity falls/world and sailing the sea together, bothers you, ask yourself how it would have been soooo much better if only Dipper had stayed while Mabel went back home? You see the issue with that now? I won’t argue whether or not it’s okay for a 12 - 13 year old boy to stay in a far off place with an adult family member. After all their parents didn’t mind sending them alone to Gravity Falls for the summer to live with their great uncle anyway, which was likely dangerous/irresponsible of them for many reasons. I just think it’s suspicious that some people can only see the issue if someone suggests that both twins should have left their parents and life in California behind to resolve the issue of the apprenticeship and keeping close to one’s sibling all at once.

- The Stan Twins told their story in ATOTS but only we, the audience, actually see it play out. The characters don’t. The way brothers explained it may have made it seem to each other like the other still had no sympathy for them and didn’t think that what they did was wrong. Stan even called Ford’s dream college “stupid” while the flashback was being shown and he was explaining his side of the story. The fact that neither apologizes for the painful things they helped contribute to in their young adulthood which affected them, probably didn’t help either.

- In one of the scenes from the ATOTS flashback, Ford yelled at Stan “Help me Stanley!” as he was slowly sucked into the portal. He wanted Stan to save him! These were Ford’s final words to him that Stan internalized and are what Stan immediately set out to do! He likely worked for decades with these last words in mind, not knowing whether Ford would still be alive when he brought him back to their world! Ford even threw the book that they’d fought over to Stan before he disappeared. How do you think that looked from Stan’s POV? Like a visual cry for help on top the audible one I bet! Also, Ford had some awful nightmares thanks to Bill. It was terrible what was done to him and pushed him to the point of insanity. However, he wasn’t the only one with fears, regrets and a troubled past. Imagine what Stan’s nightmares must have been like, especially the ones with Ford in them? The parts of Stan’s dreamscape that we got a view of were depressing. The dreary colors, the symbolism...

- Both sets of twins are extremely sensitive to and immediately take things to heart, especially insults/criticism and all of them can at times act less mature than their actual ages. They all feel inadequate in some way. They just showed these traits to different extents and unhealthily cope in different ways. Be careful with their feelings and what you say to them because all of them wear a front as a cover for protection. They also all occasionally lack common sense, act silly and say and do the oddest things at times. Plus they all need someone who genuinely loves them dearly to hold them down and would die for their family (or die of heartbreak if they didn’t get there in time).

- Stan and Ford after decades apart and so much animosity between them, are sailing on a ship. They could be together in the middle of nowhere very often. Knowing of all those negative feelings that were present, it leads me to think about all the ways their trip could have gone wrong. Many understand that their father was abusive, but what if they were or became abusive to each other? I don’t want to believe this would happen and I doubt we were supposed to consider such a thought. However, the terrible possibilities are still there. At worst, I prefer to think that things are at times bitter but then sweet.

- It’s very fascinating to me how so much “Stanford Defense” seems to be built upon throwing other characters under the bus to make him seem less culpable for his own choices. It boggles my mind how the same people who claim that characters such as Stan and Mabel are never questioned on anything (laughable to say this point, especially coming from them) seem to be the ones doing everything in their power to keep people from so much as voicing displeasure anymore at any part of Ford’s character. I swear I’m ever seeing the same names on different sites arguing with people about how wrongly ridiculed he is. It’s really is starting to look like all the “Stanford gets soooo much unnecessary HAAAAATE and is always bAsHeD” people are trying to take things in the opposite direction. Which is just as upsetting if not more so, because such behavior only leads to the shutting down of discussion and critique. That’s horrible for a fandom to go through, just like the other way around. Can’t Gravity Falls do better than that?

- Your faves won’t ever be every single person’s faves. Sometimes people will even dislike a character that you like. That’s fine! That’s life! Just don’t forget while loving said character, that this does not have to mean you approve of everything they say or do. You don’t need to jump to one’s defense whenever someone makes a point. Especially a valid one that can’t truly be disproven anyway. It makes you look delusional and like you’re in a parasocial relationship with that fictional character. Learn and never forget the difference between arguing an important point with societal implications and solely defending a character for the sake of it, please.

- Mental illness is not a joke or something to wear as a badge of honor. It’s also not something that, if noticed, should be swept under the rug. In the case of fictional characters, I think it’s quite admirable when people can see certain traits of themselves or their loved ones in characters past the stereotypical ones, but that also gives us a chance to talk about those traits and just how hard it can be to live with them and why sympathy and amnesty is so important to healing and moving forward. I believe Stan and Ford especially show signs of extreme mental illness in the show that I have a hunch were placed in them on purpose. This seems to be one of those cases where we’re supposed to see our own family dynamics in them.

- It’s asinine to claim to love a character but ignore or even outright deny their faults and flaws, even when they admit to it! If you love someone, love all of that person, even if you’re often at odds with them. When someone says they love Stanford for literally deny things about him that are proven to be true, I’m left wondering if that person actually loves him—or just the idea of him. Same with any other character this happens with. Enough with the need for our favorite characters to be pure, perfect versions of ourselves. Enough with the need to wipe away issues and to go as far as making up traits for the character, or even stealing their traits from another to make him or her look better and the other character look worse. You’re in effect masking what depth is actually present and risking putting a bad taste in the mouth of those that are neutral on them; souring them to the character and even fandom.

- Even the characters with potential who were unfortunately underutilized—such as Caryn Pines, the mother of the Stan Twins—still tended to fill their main roles in the story pretty well, even despite time restraints. Some of these and other side characters even managed to gain their own small group of fans and fan-creators on their behalf, within the larger fandom. That is pretty wild and deserves some praise. Nice one writers!

- Sometimes it really does help to just remove yourself from the story and just be meta with your takes, i.e. to distance yourself when discussing something because it helps make you less biased and more evidence-based. There are times where we really do see something in a character that indeed was not there or meant to be there. Death of the author can only allow for so much leeway in interpretations. Authorial intent will always matter. This show was very detailed and there are so many things you only noticed after looking again. Some theories exist that imply the whole story for the Pines Family would have mattered no matter what in-universe. We need to be careful when arguing things, we may be/end up wasting our time even more than we think. Oh and ...cartoon logic haha. Also no one loves or will ever love the Pines Family like the Pines Family can. Nor like the creators/writers themselves do. We also can not understand them the way the ones who made them can. When in doubt, it tends to be best to just trust them and their intentions, and your gut as a last resort.

- The Gravity Falls ending was meant to be a happy, fairytale-like ending. That’s how it’s been implied to be the case by the creator (probably not with the company known for fairytales, Disney, even asking him to) and is the reason why every character was so quick to forgive and forget, and why everyone but the ‘super bad guys’ got their ideal ending. Sometimes it’s really not about what would have been the most interesting or profound (or logical) to viewers when making directive choices but about what would make us feel most at peace.

Note: This was all written with mostly one perspective in mind. There are however, many others ones and I do think lots of them are valid takes too, some of them I may even agree with as well and may have hinted at. Also, although it can be hard to tell with so many questionable decisions made, things not done that should have been and even some writing errors here and there, I do think all four of the Pines Family members and those adopted into the family, truly love each other and express it in different ways. That’s what this whole show is really all about and how it ended: With Love for Family prevailing.

#Stanley Pines #Stanford Pines #Dipper Pines #Mabel Pines #Gravity Falls #Gravity Falls Meta #character criticism #character analysis #mental health #I needed to say all this.#I swear #It was driving me crazy.#Tiresome #None of it can ever be said enough by the looks of it.#Fandumb

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kob131 · 2 years ago

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RWBY Volume 9 Episode 1 Thoughts

I got a job during the half season break of Volume 8. Man has it been a long time.

-A lot of the episode was used in promotional material before it aired. While it makes it feel less special...let’s be honest here, it just follows too well to just cut it up for the sake of a first viewing.

-The first person perspective of V8′s climax from Ruby’s POV really helps sell just how chaotic and confusing the whole mess was as well as how little Ruby actually knows. Good idea, CRWBY.

-Neo trying to kill Ruby even as they seemingly fall to their demise below. It’s almost respectable how petty she was in what could have been her last moments. Truly a follower of Roman’s.

-Little questioning just who Ruby is, as blunt as it is, really brings up an important point about how people can lose sight of who they are as life goes on. ANd sometimes you need to re examine yourself.

-Nice touch of never showing Weiss’ face when she’s questioned about what happened after they fell.

-I can feel the horny radiating after the vine scene.

-The Jabberwalker is rather interesting. It does take elements from the Nucklavee and Hound which can and will undercut its fear factor (a friend of mine already expressed that) but what sells it to me is how...calm it is. It doesn’t scream like the Nucklavee or growl like the Hound, it’s just...talking, thinking. It’s not an insane creature of destruction and hate like the Grimm- it’s just...wrong, just like Salem.

-’Yang never cares about Ruby anymore-’

RWBY: *Shows Yang’s concern for Ruby first*

Get fucked.

- ‘I wish you weren’t here.’ That was really sweet of you, Yang. You knew it was possible that you would never see Ruby again and yet cared more for her safety and wellbeing than your own. You’re a hell of a woman...now if only your stans would stop taking Ruby’s self sacrificing nature and stapling it onto you. That’s getting VERY annoying.

-’You must have forgot who raised.’ Good CRWBY. You kind of screwed up with Fairy Tales and having Tai read to Ruby without acknowledging Yang. Good on you here.

-OH HEY, RUBY FAINTED. SURELY IT COULDN’T HAVE BEEN BECAUSE TENSIONS WITH HER HAVE BEEN BUILDING FOR FIVE FUCKING VOLUMES. THAT’S ALMOST LIKE RUBY HAS CHARACTER DEVELOPMENT. BUT THAT CAN’T BE RIGHT- EVERY CRITIC HAS BEEN SCREAMING AND BETTING THEIR SOULS THAT SHE HASN’T. THE CRITICS COULDN’T POSSIBLY BE SO EARTH RENDINGLY WRONG, RIGHT?!

-’I’m fine’

For those of you who don’t speak depression, let me translate-

‘I am not fine but I hate people worrying about me so please leave me alone.’

- ‘We’re in a fairy tale’

*flashes back to FGO’s Lostbelt 6*

Burn it to the ground. Salt the earth so nothing may live here again.

-Oh, I also speaking anime opening!

Opening: *beating you with a bat* “DO YOU GET IT? DO YOU GET IT? RUBY IS BREAKING DOWN! THE WORLD IS ALIEN! RUBY IS BREAKING DOWN! RUBY IS BREAKING DOWN!”

... Honestly, I still don’t expect people to get it.

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makeste · 4 years ago

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but I just feel too tired to be fighting

this is a follow-up post to what I said in my recap the other day about this arc being the Deku Angst arc, as opposed to the Villain Hunt arc or the Deku SIXQUIRKS Exhibition arc. I feel like the fandom discussion tends to focus on the flashier parts of the chapters -- the sexy villains and the new quirk reveals and the Shindous -- each week, and so the quieter emotional beats sometimes get overlooked, especially since the character arc here is playing out in little bits and pieces over time rather than all at once.

this has always been a very reactionary fandom, and there’s a tendency to judge the chapters week to week without ever going back to look at how they all fit into the big picture. so I figured I would try to attempt that, and basically go chapter by chapter here to look at what exactly Horikoshi is setting up and how it all fits together.

so let’s start with the end of chapter 306, which is when the arc officially kicks off. specifically with the very last page:

this is imo one of the best pages Horikoshi has ever drawn. I got the sense that this was a scene he’d had in his mind’s eye for quite a long time, and that he was excited to finally get to this part of the story. it’s extremely effective as both a chapter-ender, and an arc-opener. like, look at this:

it establishes the initial premise of the new arc -- the world is in chaos, and Deku is now seemingly on his own

it leaves the readers with a number of questions. why did Deku leave U.A.?? is he really on his own now?? why does he look so beat-up and exhausted?? what is he up to?? what is the world like now that all these villains have been unleashed and the heroes have been decimated?? and most importantly of all, what the fuck is going to happen next??

it pays homage to some of Horikoshi’s comic book influences -- Batman in particular

it dramatically hits us with that “THE FINAL ACT BEGINS” and lets us know that shit is getting real now

that’s some good shit. so much so that I think people tended to overlook the other notable thing about this page amidst all of the initial excitement and discussion and speculation about where the series was headed. and that is the fact that the final panel in this chapter is NOT the panel of Deku standing above the city. the very last panel, the one that this chapter actually ends on, is instead the close-up of Deku’s face. his face, which is covered in shadow; and his eyes, which have dark circles under them and are prominently missing the usual flecks of light that give him his signature “sunny optimistic shounen protagonist” look.

not to mention this last line here, which is a call back to the very first time we saw the 14-year-old Deku way back in chapter one.

I don’t think it’s a coincidence that Horikoshi chose to throw this reference in. nor is it a coincidence that THIS is the scene he actually chose to end the chapter on. what this does is show us the drastic shift in Deku’s emotional state of mind, and his attitude towards being a hero. he’s gone from being thrilled and excited to being jaded and exhausted. he’s matured, but at a great cost. it’s always been his dream to be a hero, but “be careful what you wish for” is a popular adage for a reason. and right now he looks the furthest thing from happy.

and this is the emotional beat that Horikoshi chooses to end the chapter on. this is the panel that closes out the War arc, and begins the final act. to me the message could not be clearer -- this arc will be about the exploration of Deku’s character, and his struggle as he tries to live up to the expectations that have been placed on him as the Last Holder of OFA and quite possibly the World’s Only Hope.

it’s a character arc that builds on a lot of the things we’ve already learned about Deku over the course of the series, such as the fact that he is reckless, and that he focuses on others often at the expense of himself. but more importantly, it’s an arc that finally expands on the dark side of what has up until now been a net positive for Deku -- the power of OFA. up until this point, despite its ups and downs, it’s been a boon for Deku overall and has allowed him to pursue his dream. but now we’re finally reaching the point where the monkey’s paw part of the OFA blessing/curse finally starts to come into play. OFA gives Deku more power than he could have ever dreamed of, but it also comes with a built-in destiny that he can’t opt out of whether he likes it or not. AFO is on the loose and out there trying to destroy the world. and now everyone has pinned their hopes on this sixteen-year-old kid, and the question of whether or not the sixteen-year-old kid is ready is apparently not one that anyone feels inclined to ask (possibly because they’re afraid that the answer might be “no”).

he doesn’t have a choice in the matter. he has to do it, because there’s no one else who can. that’s the kind of pressure that is on Deku now.

and on that note, we begin the Deku Angst arc.

chapter 307

this in hindsight was mostly just a set-up chapter to better establish the current state of the BnHA world at large (spoilers: it’s not good), while also providing an answer for one of the big initial questions of the arc -- namely, “what happened to all of those villains that AFO released from Tartarus?” these are important things to touch on, but the pacing could definitely have been better, and the bulk of the chapter was dedicated to providing fanservice to all of the Shindou fans who spammed the most recent popularity poll (which, whatever lol). anyway, so this was the sole chapter thus far with absolutely no Deku development. thankfully the arc picks up from there.

chapter 308

on to the next one! this was the one and only chapter thus far which I think actually qualifies as an “exhibition fight.” this was definitely all about showing off Deku’s current powerset, as well as introducing us to another of the SIXQUIRKS. however, there was Deku development here as well, most notably in this scene:

this is the scene that got a lot of people speculating that this arc was going to focus on Deku hunting down all of the old villains. but I think people got so caught up in that speculation that they overlooked what this scene tells us about Deku’s mindset. and yes, there is new information being revealed here, and it’s not just a rehash of the stuff we already knew. like yes, we know that Deku was shaken up by the recent encounters with Dabi and Tomura, and we know that made him start questioning why villains become villains in the first place, and all that good stuff, and that’s great. however, there are two additional important things that this scene helps establish for us.

the upcoming battle with TomurAFO is weighing heavily on Deku’s mind. this is something that will become a recurring theme in this arc. Deku is thinking about this constantly. the question of what to do when he finally encounters TomurAFO again is knocking incessantly at the back of his mind, and this won’t be the last time it comes up.

Deku is using these villain encounters as test runs. can Tomura be redeemed?? is he just being stupid and naïve?? or is this really something worth attempting?? the interesting thing about this is that Deku’s resolve to save people is usually so strong and unwavering that it’s more than enough to overcome any doubts that he might have. but this time it seems like the repeated objections posed by the Vestiges and Gran Torino have really gotten to him. it’s possible I’m just reading way too much into things, but to me it really feels like Deku’s recent attempts at Talk no Jutsu were meant to do more than just show his growing awareness that the line between heroes and villains is thinner than he once imagined. they’re also serving as trial runs for the real test, when it finally comes. if he can “save” even a villain like Muscular, there’s hope for him being able to save Tomura as well. and so that moment when Muscular rejects him out of hand is all the more disappointing to him, even if it wasn’t really unexpected. basically it wasn’t the answer that he had been hoping for.

aside from those little notes though, like I said, this was unquestionably an exhibition fight first and foremost. which is fine; we needed to establish where Deku is currently in terms of strength, and it was also just fun to see him kick some ass, ngl. in terms of story purpose this chapter was similar to 219, which showed us how Shouto and Katsuki had powered up after getting their provisional licenses. people who don’t care about those characters might argue that these fights weren’t necessary, but as someone who stans all three characters hard, I would disagree! but anyways, moving on.

chapter 309

in contrast to the previous chapter, this chapter focuses more on establishing Deku’s current mental state, as opposed to his physical state. and this is what we learn:

(1) Deku is ~technically~ being shadowed/accompanied by All Might and the Hawksquad (but in practice he’s avoiding them).

(2) it was Deku’s own decision to leave U.A., and he did it because he didn’t want anyone else getting hurt in order to protect him.

and finally, (3) Deku’s game plan is to stop Tomura and All for One before they reach full power.

this last part is very important, because it means there’s a countdown in effect. as far as Deku is concerned, there’s only a finite amount of time before TomurAFO becomes unstoppable. which means that he’s not only under “gotta get stronger” pressure, but time pressure as well. he doesn’t have the luxury of taking his time and training in safety. he’s being rushed now; this is do-or-die.

this chapter is also the first in this arc in which we get to see Deku’s expressions without the hood covering up his face, and what we see is very telling. as previously stated, the light is gone from Deku’s eyes. he keeps his expressions very neutral, and the only time we even see a hint of a smile is when he hugs his mom in the flashback, and it’s clear from the dialogue (“it’s okay, I’ll come home to you”) that he’s doing it for her sake in order to comfort her.

but aside from that, this is very much not the Deku we’ve grown accustomed to. this is the chapter that really establishes his current mental state imo. above all else, he’s afraid that more people will get hurt because of him, and so he’s distancing himself from everyone around him. and he’s also morbidly preoccupied with the inevitability of having to face TomurAFO again, and soon. the chapter ends on the flashback of Gran giving him his cape, and telling Deku that “killing can be another way to save someone.” there’s a lot on this kid’s mind, to say the least.

chapter 310

this chapter opens with a gang of civilians who are trying to open fire on a nice fox lady whose only crime was walking around in the rain at night. Deku intervenes to save her, and it’s the first time in this arc that we see anything close to the “old” Deku, who just wanted to save people with a smile.

but it’s bittersweet, because all the lady can talk about is how scared she was, and how horrible everything is right now. and so Deku, who feels responsible in a lot of ways for everything that’s happened, just feels that much more pressure to somehow make things right again.

there’s also this extra throwaway line which is especially heartbreaking:

“I can’t afford to be around anyone.” fucking ouch. just reinforcing once more how incredibly isolated Deku is right now -- not by choice, but because he feels like it’s not safe to let anyone else get close to him. and so he’s out here running around this dystopian cityscape in the middle of the night in the pouring rain all on his own, and neglecting himself to the point where All Might practically has to force a bento on him.

but does he complain? of course not. because his focus is never on himself. instead, when he settles down to eat, his thoughts immediately drift back to, guess who...

it’s that time pressure once again. “unless I draw out One for All’s full power, I can’t stop any of this.” it’s just nonstop, I have to get stronger, I’m running out of time, I have to do better, and constantly thinking about that inevitable confrontation.

Deku is a thinker, you guys. and when left to his own devices he will overthink, every time. his mind will run in endless loops while he mentally works his way through all of the possibilities. and that’s one of his greatest strengths, don’t get me wrong, but at a time like this it’s also one of his greatest weaknesses. it’s just so fucking easy for him to get stuck in his own head, in his endless rambling thoughts and analyses. and without anyone else there to help distract him, or help him focus, he’s become fixated on his mission, and it’s slowly consuming him.

this, incidentally, is also the chapter in which we finally see Two and Three’s faces, and learn why Two in particular is so reluctant to lend his power to Deku. he appears to be the lone holdout at this point, so stay tuned on that, because I don’t doubt this will wind up being crucial to Deku’s future development, however it winds up playing out.

chapter 311

this chapter flips back to the Hawksquad for the first half, so we get a brief respite from the ongoing Dekuangst. right before we switch back though, we do get confirmation of something we had pretty much already guessed:

like, that much was already apparent based on what we’d seen (the bags under his eyes; the fact that he refused to sit still in any one place for very long even at night), but it’s always nice to get the official confirmation so that people can’t dispute it lol. so yeah, Deku isn’t sleeping much. and not eating much either, if all he’s getting is the occasional bento from Dadmight. so basically not taking care of himself at all, huge shocker there. but this is something that’s important enough to the story that Horikoshi took the time to point it out in the dialogue, in addition to all of the visual clues we’d already gotten.

and just in case we needed to drive that point in any further, this chapter ends with the appearance of Lady Nagant! like yeah, no shit Deku isn’t getting much sleep, what with him having to fend off racist civilians and hired assassins every five fucking minutes. smdh. can he live??

chapter 312

so this is the chapter that properly introduces Lady Nagant, who maaaay or may not be one of the primary antagonists of this arc?? like, it’s really unclear right now tbh, but she gets hyped up by Hawks and AFO, and has a flashback and a mysterious past and a weird trump card (where did you go, Overhaul) and all that good shit, so yeah? one can hope at any rate.

but anyway. so to his credit, Deku’s first thought is to retreat, but he quickly abandons that plan once he figures out Nagant’s location. this is played off like a logical strategic decision at first, but the subsequent chapter quickly makes it clear that Deku’s decision to take the fight to Nagant is less rational than he might have you think.

chapter 313

so yeah. last but not least, the most recent chapter, in which Deku’s real reason for targeting Lady soon becomes apparent:

what’s more, it quickly becomes clear that he miscalculated and probably would have been better off following Hawks’s advice, seeing as he promptly gets himself shot, and subsequently realizes that AFO gave Nagant an extra quirk, something he hadn’t taken into account. but instead of cutting his losses and running at this point, he doubles down instead and not only breaks out Smokescreen, but also the Third’s quirk which he has never even used before.

it’s worth noting that both En and the Third start telling him to chill at this point, and warn him that what he’s attempting is too dangerous. but tbh if they were expecting him to listen, they haven’t been reading the same arc I’ve been reading. once again, Horikoshi makes it clear that Deku has one thing and one thing only on his mind right now.

of course. once again it all comes back to this. hunt down AFO. it doesn’t matter that he’s exhausted. it doesn’t matter that he’s just been shot twice. it doesn’t matter that Hawks, despite knowing what Deku was capable of with his OFA abilities, specifically warned him away from this one person only. it doesn’t matter that even the Vestiges are trying to tell him you’re going too fast and you’re trying to do too much and it’s too dangerous.

he just doesn’t care. long story short, the only thing that matters to Deku right now is tracking down and defeating TomurAFO. and as the person who knows him best once so aptly put it, “he doesn’t take himself into account.” and therein lies the major challenge of this arc.

and so this is where we’re currently at now. and this has been a very long post, but if nothing else, I hope I was able to get this one point across: there is absolutely no way that Deku will be able to defeat TomurAFO as he is now. not a chance in hell. somehow he’s managed the uncommon feat of waging a war of attrition against himself, which is really quite an accomplishment. he’s not taking care of himself, and he’s refusing to listen to sound advice from the people surrounding him, and is trying to skip ahead to the final boss battle before he’s ready, because the guilt and pressure from feeling responsible for the current situation are eating him up. the only way that the world can go back to normal is if he can defeat AFO; therefore he has to do it as soon as possible, because time is running out and everyone is counting on him. this is who Deku is. and this is what inevitably happens when his saving mentality is taken to extremes, and left unchecked.

anyway so to wrap up this post now, I do think this arc is a lot more cohesive than it’s gotten credit for thus far, and Deku is the glue holding it all together. I for one am loving the exploration of his character and all the subtle little angsty touches as we build up to the big moment, whenever it finally comes. just keep in mind though that if his decisions right now seem reckless and short-sighted, it’s because they’re supposed to seem that way, because Deku is not in a good mental state right now. the cracks are finally showing in our perfect protagonist, just like everyone has been wanting this whole time. he is just a kid. he is doing his best. he is trying far too hard to do his best, and it is hurting him so badly, but he doesn’t even realize. this arc is not an endorsement of the Angsty Nomad Hero lifestyle, lol. it’s the exact fucking opposite, and I think it’s being wildly misinterpreted with all of the emphasis on “oh look at that, he mastered another quirk with no effort”, as opposed to “oh look at that, he is shutting down emotionally and is a few more missed nights of sleep away from a complete and total breakdown.”

tl;dr the overarching storyline of this arc is all about Deku slowly falling apart due to his trauma from Jakku, and the subsequent pressure that was put on him by the Vestiges with their whole “GUESS WHAT, YOU’RE THE LAST USER OF OFA, THAT’S RIGHT, IT’S ALL ON YOU BUDDY” pep talk. and mark my words, things are not going to go according to plan. something is going to go terribly wrong here. whether it’s something happening to All Might, or AFO setting up a trap for him, either way Deku is being set up to fail in a major way. unless of course, someone (or a group of someones) manages to intervene first, and possibly stage an intervention or something. it’s what he needs right now, but idk if Horikoshi is going to make it that easy.

anyway, but in other words, the point of this arc is not to show how much stronger Deku has gotten and how he doesn’t even need his friends anymore. it’s the exact opposite -- the point of this arc is to show that Deku needs his friends now more than ever. that in spite of OFA and all of its mystical trappings and fancy SIXQUIRKS, Deku can’t do this alone. he needs his friends. that’s the core message. and right now, we are at the “I can get by on my own” part of the story. and the part we are all waiting for, but which is coming -- I guarantee it is coming, you guys -- is “the thing is, you don’t have to.”

and that shit is going to slap hard you guys. and I for one can’t wait. but until then, enjoy the angst.

#bnha 313 #midoriya izuku #bnha meta #deku meta #bnha #boku no hero academia #bnha spoilers #mha spoilers #bnha manga spoilers #makeste reads bnha #long post #like 'long' is really an understatement here lol #our little green protagonist is really going through it you guys #and I just have a lot of thoughts and feelings about it

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ur-a-banditlikeme · 3 years ago

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here’s the thing about mileven that confuses me, we only ever really see them kiss and smile at eachother. like there’s never a moment where they seem to genuinely be bonding. even when mike is giving that monologue in s4, he only ever praises her for her powers. it’s almost like that’s all he sees her as. and i know this isn’t a new topic of discussion, but i just find it so bizarre how there is little to no substance in their relationship at all.

we never really hear mike talk about why he cares for eleven. all he ever says is ‘you’re a superhero!!! you can move mountains!!!!’ . and it’s like okay yeah that’s cool but what else do you like about her? her kindness? her loyalty? the only time mike compliments her is about her powers. like at the beginning of season 4 el is practically begging mike to just see her as a person since her powers are gone, but mike continues to call her a superhero. even in the monologue when he seemingly hasn’t changed how he sees her, el is just cool with it? (at least that’s what millie says, which i take that fact with a grain of salt lol) el just wants to feel normal, like she belongs somewhere, but mike continues to view her as anything but that. (he has good intentions i’m sure, but that’s just not what el wants to be told constantly)

(part of me wonders if maybe this is because mike grew up being a comic book nerd with his friends. they grew up seemingly idolizing these hero’s and constantly reading their stories. it’s no wonder he only became intrigued with el after they realized she had powers.)

if the suffer brothers really wanted us to root for their relationship, why do we barely know anything about them and their dynamic? all they do is smile and kiss, and when they’re not doing that, they’re lying to eachother. that has basically been their entire dynamic the last two seasons, making googley eyes and kissing eachother, or lying and not wanting to open up to eachother. it’s so bizarre. why can they both not be honest with eachother after all that they’ve been through?

honest to god i’m not even a m*leven hater, i just honestly don’t understand why they’re supposed to be ‘the main “it” couple’ of the show when their relationship just doesn’t feel fleshed out at all. their dynamic is honestly just predictable and not interesting to watch anymore. i thought they were a cute puppy love in s1 and 2, but now i just don’t get the hype about them. anyways stan brett gelman.

(one last thing, if they’re really going to make milkvan endgame, the least they can do is flesh out their dynamic a bit more, and make it easier to root for them, not constantly set them up for failure only for them to quickly get back together in the end. until then, byler just makes more sense to me.)

#stranger things #byler #anti mileven #stranger things 4 #this is just my opinion lol

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jiangwanyinscatmom · 3 years ago

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I’m so sick of the way JGY stans call him female-coded. It’s a read that has basically no basis in canon, and in canon JGY is just a misogynistic man who doesn’t value women other than his mother and subjects women, namely the sex workers, to rape and murder.

He's a what now???

Alright, if we're going to talk about this, I refuse to freaking use the term "coded" because that term is trash and offensive to me as well as heavily derogatory on multiple levels to use for either lgbt media or an excuse to not use actual ethnic terms. ON TO THE POINT, the one who subverts actual gender expectations, is Lan Wangji.

Lan Wangji is the one from the start who is placed as the maiden and love interest of the plot. He is the one that is pursued. Wei Wuxian at each turn is the one to reach out to Lan Wangji, when it comes to romantic overtures. He gives flowers, he flirts, he teases, he is the one to instigate physical romantic kisses. Lan Wangji is the one who quietly pines like many of the female leads who are of the quiet but deep love within the genre to the man that seems larger than life. MXTX also pushes jokingly to remember that Lan Wangji is in fact the maiden of the plot as his line of characterization within the many side notes she had made.

To note, Lan Wangji also resembles many of the lovestruck girls who are in love, that begin to secretly learn about sex due to their interest. He keeps little keepsakes from his crush. He is also deeply hurt when Wei Wuxian references when they sleep together as "just a thing men do when they are bored". He has to be the one that is confessed to as he is the shy closed off one, his love has to be shown to be reciprocated.

Even within their marriage domestically, he takes up the tasks seen for the wife. He lovingly waits, he cooks, he pours the liquor, and he bathes Wei Wuxian. For all intents and purposes outside of their sex life, he is the seemingly docile one that is elegant. The pig ate the cabbage indeed.

On to Jin Guangyao, he is 绿茶婊 (lu cha biao/green tea bitch). Which often intermingles as an insult to "white lotus/白莲花" bai lian hua. One, is the innocent, cute, sweet, forever pure and "weak" who you want to always protect (think Bingmei). The other uses this facade to actually scheme, cutthroat, and make ruin for others they hate as, well... a bitch (sound familiar yet?).

Note that a lot of chinese insult go to's are anything to do with dogs as you can see the overlap of " blind loyalty=stupidity and base". Jin Guangyao outwardly tries to be the white lotus where as Lan Wangji for all inner personality aspects, is that.

#mdzs #mo dao zu shi #lan wangi has done nothing wrong ever #jin guangyao stans block me (｡･ω･｡)

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lyssalikesstuff · 3 years ago

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Had the pleasure of seeing Elizabeth Ritacco and Sam McLellan in the Anastasia tour last night and man, I loved their portrayals and chemistry SO much. The tour really amped up the amount of Dimya moments and I was so here for it.

I also loved the added spunk of Lizz’s Anya. She did a wonderful job of showing Anya’s lost soul, but not heart. With her vulnerable moments also comes the courage and feistiness of Anya when she feels she needs to defend herself. Her characterization was such a welcomed change to what I’m used to seeing. Her line delivery during certain moments changed the feeling of the dialogue in a really fun and interesting way. Her Anya feels a little more sure of her character despite being so lost. She truly gave it her all in delivering emotional impact, you could feel her seething anger at Dmitry after Everything to Win and it stung. I’m not really sure how to describe the vibe of her Anya, but it felt so new and exciting to me. You could tell she really studied the character and made it her own!

And Sam’s Dimitry. Oh my god. He was the perfect balance of youthful energy and slightly condescending shadiness. His Dmitry seems like he knows how shitty the world around him is, and is just playing the game all while making it as enjoyable as he can. Using humor to distract from the chaos around him. I loved watching his and Bryan’s (Vlad) small moments of camaraderie throughout the show, and his little reactions to Anya throughout caught my eye (watching him mouth "I don’t know her!" to Vlad before In My Dreams made me smile for some reason). Watching Dmitry grow throughout the show, becoming more genuinely caring towards Anya and simply happier was a joy. Everything to Win was lovely to watch—the culmination of fear, anxiety, and longing could really be seen in that moment. His Dmitry really played into the use of humor as a distraction during that, a nice nod to the beginning where it’s basically written into the lyrics of Rumor in St. Petersburg. The ending where he finally stands still and faces the truth really stuck with me after it all, and I think he might’ve even teared up in that moment. Loved the boyish excitement and investment into making Dmitry’s development a focus. I’m a Sam McLellan Dmitry stan now.

Their portrayals matched together so wonderfully, and it could really see why the two characters fell in love. They really clicked during the dance sequence in Learn To Do It, and feel like different sides of the same coin. Both stubborn and filled with spunk, lots of times starting to bond with each other in unexpected ways only to both pull back when it starts to get intimate. Two characters with similarities that play into each other so well, as well as having differences where each character provides the other something they haven’t had. Anya having someone to provide her comfort in her struggle, showing her she can be proud of who she is despite seemingly coming from nothing, and Dmitry finding someone he can be vulnerable with, that shows him that life is more than materialistic values and money, and being with the people you love means more than anything you could buy. So many more moments felt pivotal in building their relationship, and no line felt wasted by either actor in progressing it.

Anyways. Lizz Anya and Sam Dmitry supremacy. I will never shut up about them. Do talk to me about them if you want.

#anastasia musical #anastasia tour #elizabeth ritacco #sam mclellan #broadway #musicals #anastasia 2nt

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morizoras-cave · 5 years ago

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Persistent (Request)

Marvel cast x f!teen!co-star!reader

Genre: angst-ish, fluff

Request Description: Hellooo! Could you write a all the marvel cast men x teen! reader? Like they all go out to eat and hangout at a mall or something and when she goes in the women’s part of a store while they are all on the men’s side, some creepy dude keeps on hitting on her and like after she tries to politely decline his attempts and stuff rdj and the rest are like nuh uh this ain’t happening lol

Warnings: language, hints at smexual stuff, harassment, persistent asshole

(A/N): this story includes anthony mackie, winston duke, sebastian stan, chris evans, robert downey jr and mark ruffalo. im sorry i didnt include alllll of the marvel dudes, but i just find it hard to cram them all into one fic :((( ALSO sorry if the ending is shitty hgssghsgsh

“You don’t have to bring me with you.”

“It’s too late, we’re bringing you.”

“But-”

“Y/n, you are not spending your birthday alone!”

You and Anthony were bickering like always. There was a short break in filming the next marvel movie, and while many people, including you, were planning on going home for the week, Sebastian, Anthony, Winston, Chris and Tom and arranged a ‘guys night out’, if you will.

You were going to enjoy your birthday that day with your family, but a couple of days before your family had cancelled, because of exams and overloading work. They promised you’d celebrate some other day, but you were still bummed out.

Anyway, Anthony had somehow reluctantly made you admit that you were celebrating alone, and had decided to instead drag you with him and the guys to their ‘night out’.

“I don’t wanna come and just be a bother to everyone,” you mumbled. Anthony sighed and looked at you. He then diverted his eyes back to the road.

“You’re not bothering anyone, N/n.”

“Well, you’re gonna have to cancel your plans to the strip club or whatever you were gonna do!” You stressed. Anthony gasped like a TV mean girl.

“Did you really think we were gonna go to a strip club? Y/n, that’s private business, you don’t do that with your guys.”

“Well, what then?”

The mall, apparently.

You and Anthony both stood with your necks craned to look at the proud and boasting sign, ‘mall of America’. He’d shut up after your question and just parked the car, leading you to stand exactly there, in front of that famous mall.

“You’re gonna go shopping?” you looked at him.

“Yeah, and what about it?”

Before you could start another argument with Anthony, you heard a familiar ‘hey!’ and snapped your head in the direction of the caller. Winston, Sebastian, Chris, Robert and Mark were all gathered together, seemingly waiting for you two.

“Hey, there you are! We were waiting for you,” Chris said with his usual big, dorky smile on his lips. Him and Anthony hugged and then he pulled back to look at you.

“Y/n, you okay with spending your birthday with us?”

“Whatever, man,” was all you could say, making the group burst into laughter.

You would never admit it to Anthony, or any of the others for that matter, but it was actually a lot of fun. You went into many stores for no apparent reason. The guys bought and helped you make a Build-A-Bear, which you named Svenbjorn, and he had a little detective suit and a little bag.

You ate at a Denny’s, where Mark unfortunately, but rather predictably, spilled maple syrup on himself. Then you looked around stores for fancy suits and clothes and gifts for their loved ones. Your mood was brightened, and the guys sure didn’t seem to be displeased that you were there.

“Let’s go in here real quick,” Sebastian had said, and everyone walked with him into the clothing store. You hadn’t actually bought anything that day, so you decided that maybe it wouldn’t hurt to look around a bit.

“I’m gonna go to the women’s section,” you said, pointing to the area at the other end of the store.

“Sure,” Robert waved you off, as him and the others crowded around a blue suit. You rolled your eyes and bounded off to the women’s area.

Your eyes found a pretty yellow shirt hanging on a rack near the back. You quickly made your way to it, standing and admiring it, checking the fabric and the price.

“Hey, babygirl,” a cocky voice sounded beside you. You turned your head to see a boy around your age, an ugly smirk on his lips. His words almost made you vomit the Denny’s pancakes you’d just eaten, but you shook off the feeling.

“Uh, hey,” you mumbled, turning back to the shirt. Now you fiddled with it nervously.

“What’s a pretty girl like you doing here alone, huh?” his voice was strangely predatory, something about it just didn’t sit right with you. It made you feel alerted and uncomfortable.

“Looking at shirts..”

“I bet you’d look good in this one,” he said. You didn’t have to look to know he’d found some sheer-ass, see through, titty exposer. You did however peep, and, yes.. You were right.

“Look, I’m not interested,” you sighed.

“That’s too bad, girlie, I could make you feel real good.”

You scrunched up your nose in disgust. Your fingers gave up their grasp on the shirt, deciding that it would be best to just get out of there. The sound of your boots hitting the shiny floor sounded, as you began padding away.

“Hey, wait, where are you going?” you heard him walking behind you, the action of persistence making your heartbeat speed up. You were now panicking.

“Hey! Why are you following her?” you breathed out in relief. Winston was standing not too far away, Sebastian and Anthony behind him. He had lowered his voice to sound more threatening, which you normally would laugh at, but considering the situation, you were pretty relieved he did it.

All the three men looked pretty damn angry. You didn’t know how much of the conversation they’d heard, but obviously enough. Hearing another set of boots, you snapped your head to see Chris, Mark and Robert jogging towards the scene. You made eye contact with Chris, who furrowed his brows in confusion.

The boy was now looking at the six angry and buff men, swallowing fearfully. He was shaking and surely starting to sweat. You smirked. Asshole. You walked over to stand between Sebastian and Chris.

“Are you okay?” they both murmured, searching your eyes worriedly. The fact that they were so protective of you made you smile a bit. Although, the thought that you needed several men with you to the mall to protect you kind of sucked.

“I’m alright,” you said. Meanwhile, Winston, Anthony and Robert were approaching the kid with disapproving looks.

“Didn’t your mom ever tell you to respect women? Huh?”

“What’s your issue, kid? You had such a big mouth just a moment ago?”

“Don’t ever talk to any woman like that ever again, you hear me?”

They didn’t even touch him, just the anger and seriousness in their voices and on their faces was enough to get the message into the kids head. He nodded, breath shaking. Then, he dashed off between Winston and Anthony, running out of the store, like a dog with its tail between its hind legs.

When the other three turned back to you, they were still angry.

“I can’t believe him! I can’t believe that asshole!” Anthony muttered, disbelief ridden in his voice. Winston had grown softer, looking down at you in concern.

“Are you okay, N/n? He didn’t touch you, did he?” You could tell he was actually worried.

“No, no, nothing like that. It’s okay, guys, it really wasn’t that serious,” you explained, wanting them to calm down. You couldn’t be the reason why their ‘guys night’ was ruined.

“Not that serious? Y/n, he wasn’t backing off when you told him to!” Robert seemed even angrier that you were denying the severity of the issue. You just shrugged.

“This kind of stuff happens all the time, this time I just had you guys with me,” you explained. By the looks on their faces, that wasn’t the most reassuring answer. In fact, even Chris and Sebastian and Mark (the sweetest human being ever, theoretically incapable of feeling anger) were angry now, scoffing.

“That’s not- That’s-” Chris put his hands on his hips like an angry mom. Sebastian squeezed your shoulder, making you look at him, to see his jaw clenched.

“Y/n, if that ever happens to you, no matter how big or small, just call us, please,” Anthony said, eyes catching yours to express how serious he was. You nodded. “I mean that shit.”

“Yeah, yeah, I’ll call you.”

There was a moment of silence where everyone just basked in their anger, before Mark spoke up.

“Hey, how about we just continue as planned and go watch a movie at the cinema?”

Reluctantly, everyone started walking to the cinema. You noticed how your walking formation had changed, almost caging you in, protecting you. Although you, Mark and Winston kept a pretty solid conversation, you couldn’t help but overhear the other’s talking about how angry they still were. Of course, they had every right to.

The night turned out alright again, as they slowly shook off their anger. The movie was great, and it created something new to talk about other than the ‘disrespectful little shit from earlier’.

When Anthony drove you both back to the hotel you were both staying at, he had another serious conversation with you. He talked about staying safe and keeping a backup weapon and such.

He wasn’t usually serious, so you listened carefully. You were thankful that they had been there that day. So were they. And from that day on they all were a little bit more protective with you - whether it was in interviews or just in daily life - they kept you close and was always slightly suspicious of anyone talking to you.

It meant a lot to you, and you thanked them, both for their protection, for an awesome birthday, and for one bitchin’ build-a-bear :)

___________________________

Tag List:

@hera-the-writer @marvel-madness @40srogcrs @whatthefuckimbisexual @snarky–starky @garbage-potato @eviemarvel @lozzypoz321 @allthecreativeonesaretaken @missamericana713 @rororo06 @shady80smusicsingercolor @ireadfanficforfun

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yeolmae-s · 4 years ago

Text

a chanbaek analysis from a veteran exo-l

before anything else there are a few disclaimers i'd like to make:

i am writing this analysis right now because as a non exo stan i'm not into chanbaek that much anymore. of course i like them to some degree since i'm writing this and all but it's nothing in comparison to the way i felt about them two years ago. so i feel like it's easier to keep a less clouded (?) state of mind being where i'm at right now, mentally, in regards to them. i feel like i can look at things more objectively, which is why i decided to write this and share it with you all.

for all the smart asses out there, this is a ship analysis. yes, i’m reading too much into everything. that’s what an analysis is.

all translation credits goes to @/fyeah-chanyeol

i'm a chanyeol stan. this analysis will, most likely, have more information about him in comparison to baekhyun. this is simply because i consumed more content about him since he's my bias (such as magazine interviews, fancams).

i don't stan exo anymore, but it's not because of anything they did. i liked them for a long time and made a lot of different friends because of this fandom, therefore i experienced a lot of hurt, scandals, fights and didn't deal very well with many things, so i decided to leave. this didn't happen because of exo themselves and neither did it happen because of the fandom itself. it happened because of the relationships i had.

that being said, i haven't been following them closely for the past year and a half, but i still keep up with stuff a bit, although not chanbaek related stuff since i gotta dive in kinda deeper for that lmao. so this analysis is mostly in depth for 2012-2018. if anything that you perceive as significant happened after 2018 i'm more than willing to hear your opinions about it.

so, let's get started!!

MAMA ERA

I have always felt like Chanyeol and Baekhyun's relationship was strange. I started shipping them when they debuted and more specifically because of the 130128 ISAC. When I was younger I didn't see a lot to discuss in their ISAC interactions besides it being cute and shippy, but I've started to look at it differently now.

I think everyone knows how ISAC is known for being basically a stage for fanservice. The whole "dating ground for idols" issue aside, judging from the amount of attention they direct towards the fans who manage to attend the event, idols are clearly instructed to perform fanservice. EXO's first ISAC had to be full of it, obviously, and they did give fans a lot to be happy about, content we still get giddy about to this day, and I'm sure they were instructed to act like this to please us. I don't believe that fanservice equals "false interactions": if two individuals are talking, touching each other, they are interacting, even if it is a carefully planned setting made specifically for pleasing fans. They still get reactions out of one another through these interactions, it is still relevant to the way these people's relationship will develop; even though these acts are done with the intent of pleasing a crowd.

Don't get me wrong, though. I don't think the 2013 ISAC fanservice changed anything in Chanbaek's relationship. In fact, I just want to use it as a way to illustrate something I will explain later on.

To be remembered in an industry you must have an image. You won't be getting anywhere without a carefully constructed visual image. Marilyn Monroe is always used as an example of this: she's someone you can easily make a costume of and people will instantly recognize it as her. She's basically a concept by now: blonde hair, red lips and white hair. These aspects take our mind back to her instantly. Of course, most celebrities don't achieve this type of icon status, but it is still important to cling to a specific concept/image of what you want your celebrity self to be perceived as. Without this, you'll be forgotten as soon as your career ends.

When Chanyeol debuted, he clung to the first trait they gave him: being a happy person, a.k.a "happy virus". If you were not an EXO fan back in 2013 then it's likely you're not even aware of this nickname that was given to him, but it's basically just what it sounds like (lol). He was bright, energetic, had a "teeth rich" smile (another nickname that was given to him back then), was able to give 10/10 laughter reactions to MCs and to his members jokes, was always enthusiastic to interact and smile towards fans. He even introduced himself as "happy virus Chanyeol" in interviews (and later on that changed to "EXO's voice Chanyeol" or "EXO's rapper Chanyeol").

I feel like Chanyeol was very much aware of this "must have" that I mentioned, this need to have an image pasted into yourself and have that image be what people will remember you as. We're all complex and multifaceted individuals, but the general public needs something simple to grab on to, something easy to remember. That happy guy from EXO? I know who he is! I'm sure this is the path Chanyeol chose, back when he debuted: to pick a trait given to you by the public and make it a huge part of your image.

However, that image of him didn't last very long. It certainly became tiring to worry so much about how he was being perceived, to carefully construct something so his career would last, specially when his group had so many scandals and went through a sudden burst of popularity that changed their lives completely. By 2017, Chanyeol already had a change of mind in relation to his career, these changes being mostly due to how he felt about music and what he wanted to do with it.

He recognized himself as having always being impatient, which might be the reason why he clung to a specific image so fast right after debuting:

From Fall Magazine in 2017

"At the moment I just want to enjoy myself with the music as it comes, without feeling as though I have to do something. It isn’t a greed from impatience, I could call it more of a greed to do better."

"When I first debuted I thought I was very optimistic, but as time has passed I think a more reserved side of me is showing."

"I think I've grown in many ways. Maybe it’s because it’s as though I perform everyday, but the stage has become comfortable for me. Shall we say I’ve become more calm and composed? [...] I think I’ve become more mature."

He matured. He's still bright and energetic but he's also more reserved. He managed to keep up the fanservice that his fans adore in a way that is more fitting to his actual personality. It still is an image, but an image that's not as exhausting as his previous one, with its strict demands to act in a certain way all the time. I remember specific interview with MCs demanding him to smile (although jokingly, of course) saying things like "Aren't you EXO's happy virus?", so I'm sure he felt pressured.

This is interesting to think about when put side by side with his relationship with Baekhyun. Back when they debuted, Chanyeol and Baekhyun were close friends that clearly felt comfortable with each other, and it isn't surprising to think that Baekhyun would be Chanyeol's first pick when he thought about doing fanservice with someone. Of course, I can't exactly pinpoint their first fanservice moment since I'm not a walking EXO encyclopedia anymore, but I can say with certainty that both of them felt like it worked as soon as they first tried it with the fans, and that's the reason why they kept doing it. Conveniently, they were both good friends, so all was good.

Until well, it wasn't.

At some point, Chanyeol's interactions with Baekhyun seemed too eager for Baekhyun himself. There are various moments where this is visible, such as this one:

Why are you grabbing my wrist out of nowhere young man........

Or...

That one pic where Jongdae, who was in front of them, looked so damn uncomfortable I can't even bring myself to google it

Of course, they had some over the top fanservice that did work out pretty well, such as this one, both of them imitating Jonghyun's and Taemin's Internet War stage, which seems a little scripted now that I look at it properly, with Baekhyun seemingly expecting Chanyeol to do whatever it is that he did on that day. (Can you imagine this: both of them backstage, watching Jonghyun's and Taemin's performance in silence, and one of them just blurts out "We should do that too!". What the fuck was going on)

By the way, if you have never seen the original Internet War performance, you can watch it here.

This is what they were imitating.

Tumblr won’t let me upload the gifs for this moment for some reason, so here and here.

You can't tell me Baekhyun wasn't expecting it already, lol.

Now, know what this moment reminds me of? ISAC. On their Internet War imitation moment, Baekhyun seemed fine, playful, even, agreeing. During ISAC, however, doing basically the same thing again (this time on a lighter way even; since they weren't, you know. Imitating a strong performance such as Internet War.), he appears reluctant. It's a bit painful to watch.

What changed? The ISAC event happened a few months after the SMTOWN concert where they did the Internet War thing, so what made things become so different?

If this has enough likes I’ll make a second part!

#i got tired halfway through writing and i decided i needed some motivation to finish this so i'm posting it the way it is lmao #chanbaek #baekyeol #park chanyeol #byun baekhyun #exo #kpop

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maximumjinx · 4 years ago

Text

Steven Universe Gravity Falls AU

~Yknow what they say, if you run out of content, ya gotta make it yourself. This is a ? shot (I might continue or not who knows not me) please don’t ask for more I have 18 unfinished fanfics on this site.~

California was nice, Steven had to admit. The people were nice, the food was fantastic, and the weather was splendid. It reminded him a lot of Beach City. Though there were just so many people, and traveling north, Steven was beginning to long for something small and simple again.

Oregon was the perfect place for that, right?

“Ronaldo wants pictures of Bigfoot, and if anyone can find him, its you Steven.” Petey’s voice was faint on Steven’s phone speaker, tossed into the passenger seat as Steven blindly picked a highway exit.

“Sure Petey, but couldn’t Ronaldo just go to a circus?”

“Not big feet Steven,” Petey emphasized, “Bigfoot.”

“Saying it twice isn’t helping buddy.” Steven was half paying attention. He was focusing on the winding roads and the looming trees surrounding him. Deep, in the pit of Steven’s stomach, he felt something start to tug him toward one direction farther away from the highway. He wasn’t quite sure if it was a good or bad feeling yet.

“Forget it, I’m going to take a blurry photo of that mean Gem in the woods and say its Bigfoot.”

“Just don’t let Jasper catch you, she’s no joke when she’s angry.”

“I saw her ripping grass out of the ground I think I’ll be fine. Later dude.”

Steven heard a small click and smiled to himself. He’s happy to see how far the people of Beach City have come and how they’ve taken to the gems. He remembers when the Crystal Gems were once the outcasts of town that locals warned you to stay away from.

He looked up to see a welcome sign.

“Gravity falls. Well, that’s a funny name.”

—

Steven wanted small and simple but he feels he may have overshot it.

This small town had exactly three attractions. A town museum that mentioned marrying woodpeckers (Steven couldn’t figure out if that was a normal human thing, like taxes and velcro), a small diner, and as one local described it ‘some tourist trap’ deep in the woods. It was a sticky summer day and the former two attractions didn’t have airconditioning. Steven gambled on the last stop in hopes of stretching his legs and maybe finding a source to the strange feeling in his gut. It had become much stronger since he entered this small town. Alluring, but nothing related to Gems as far as Steven could tell.

He parked in the nearly empty lot and stepped out. Jacket wrapped loosely around his hips, Steven made his way inside.

A girl that looked about 13 was petting a pig on the front porch. She was incredibly reflective, and depsite the heat wore a knitted bedazzled sweater that made her glow like a disco ball in the sun.

She looked Steven up and down as he approached, a wide smile taking up her face and Steven saw bright braces with colored bands.

“Hi!” She launched upwards, startling the pig away, “I’m Mabel, but you can call me anytime.” The girl winked and stuck out her hand, palm facing the floor.

Steven blinked.

“Mabel, stop scaring away the customers!” A gruff voice yelled through the screen door, and soon an older man stepped out in a suit, wearing a fez and eyepatch.

Immediately the old man squinted at Steven, sizing him up.

Stanley Pines knew this teen wasn’t local, but he wasn’t sure if he had any money. For all he knew he was another boy trying to hit on his giftshop cashier, Wendy.

Oh well, a customer is a customer.

“Come in, come in, and see our mystical and magical wonders!”

“Magical?” This could be it, Steven could figure out why this town has felt off. Maybe it was gem related after all.

Quickly this older man who had introduced himself as Mr. Mystery gave Steven a tour of what looked like failed taxidermy projects. Now Steven may have a lived a sheltered childhood, but he felt pretty confident there was no such thing as a Sashcrotch. And so far, nothing had felt magical or mysterious.

“That concludes our tour! Here is our mistifying giftshop and it’s purchasable wonders!”

“Right...” Well, at the very least he was able to spend some time in airconditioning.

There was a girl behind the desk in plaid that looked about Steven’s age, and just a half inch shorter than him. She looked bored, flipping through a magazine as a young boy that looked a lot like Mabel made googly eyes as he swept by the door.

Steven guessed there was no harm in asking around.

“Hi, I’m Steven.” He smiled easily, walking up to the register.

“No refunds, even if an exhibit bit you.” She sighed, peeking up before turning back to her magazine.

“Oh no, nothing bit me, I just wanted to know something.”

She looked up to get a better look at Steven and gave a small smirk.

“Sure, but only because I like your shirt. Mr. Universe merch, now that’s a deep cut.”

Unbeknownst to Steven, Dipper Pines would had been watching the exchange felt a twinge of uneasiness as this out of towner talked with Wendy.

“Have you ever seen anything strange or weird actually happen in this town?”

Wendy’s smile dropped.

“Why do you ask?” Her eyes flickered to Dipper, just for a moment, and that was all he needed to rush over.

“Excuse me sir, please buy something or exit the store.” Dipper spoke in the deepest voice he could muster.

Steven looked over with a questioning expression.

“Oh sure uh-“ He blindly reached for the wad of bills that his dad had given to him before he left. Steven pulled out a hundred dollar bill and put it on the counter. Wendy looked up baffled as Steven stuffed the other cash back in his wallet.

“Boy was I wrong about you kid!” Mr. Mystery, seemingly materializing out of nowhere, now bounded over. He had loosened his tie and lost the eyepatch which turned out he never needed.

“Whaddya wanna know? I’ll tell you everything. There’s gnomes in the woods you know-“

“Grunkle Stan!” Dipper protested loudly, dragging his Stan away and harshly whispering at him.

“Did you steal that money?” Wendy asked as Steven watched the pair whisper fight in the corner. He turned back to the girl and gave a sheepish smile.

“Uh no, my dad gave it to me before this roadtrip. He’s actually Mr. Universe.”

Wendy lit up.

“No freaking way! Your dad is Mr. Universe? I only got into him since he managed Sadie Killer and the Suspects and they always perform covers of his songs on tour, I can’t believe he’s your dad!” She rambled, stars in her eyes. Steven beamed, he loved when people praised his dad’s music. Greg really deserved it.

Steven learned Wendy’s name and they swapped stories back and forth, only interrupted as the girl from outside slowly rose from the behind the counter beaming.

“A cute musician that loves weird stuff, take me now.” She swooned. Steven blushed profusely, not used to the attention.

“Sorry, my girlfriend Connie probably wouldn’t like that very much.” He said gently. Mabel looked him up and down and pouted.

“I can wait, but not forever.” She warned, and winked, bounding to break apart her grunkle and Dipper, who are now whisper screaming with arms flailing.

“I wasn’t going to mention that Dorito shaped jerk! Just the normal stuff!”

“It’s dangerous! He could be a spy, or government, or another stack of gnomes!”

Steven raised an eyebrow and looked at Wendy. She chuckled and shrugged. Steven carefully approached them.

“He can hear everything you’re saying anyways so might as well tell him!” Mabel interrupted, nodding towards Steven as he came up.

“If it makes you feel any better, I’m definitely not government.” Steven technically didn’t exist at all. He never had a social security card and didn’t have a birth certificate.

Dipper only glared. Rich strangers with an interest in the paranormal didn’t come through gravity falls without some kind of agenda.

Steven hated the conflict he was starting. No information was worth this family fighting.

“Okay,” he surrendered, hands up, “I’ll just go. I’ll stick around town until tomorrow if you change your minds”

“Wait Steven-”

“Let him go Wendy,” Dipper glared as the boy in pink walked out, “We can’t trust him.”

“But I was going to ask for Sadie tickets...” Wendy groaned, defeated.

“There’s something weird about him.”

“Great!” Mabel beamed, “He’ll fit right in.”

~.~

Steven wasn’t crazy about sleeping in his car, but was seriously considering it after seeing the state of his motel room. It looked like it hadn’t been used in decades, a thin line of dust covering every surface. He was also pretty sure they didn’t even have free ice.

“Wish Pearl were here..” He mumbled, exhausted. He curled up on top of the covers, fully clothed, and let sleep take him.

Being Steven Universe however, meant rest was sure to allude the half alien.

Steven found himself in a dark space, fog all around him. Before a word could come out of his mouth he heard a fast, repetitive muttering.

“Stranger...Wendy looked pretty today..Can’t trust...Tell no one...Ford isn’t here..”

“What, the-” Steven quietly walked toward the source of dialogue, and saw the faded silhouette of the boy from the Mystery Shack. His back was turned to him, but Steven recognized the blue vest and mosquito bitten legs.

“I thought I was over the dream hopping.” Steven spoke a tad too loudly, starting the young boy - Dipper.

“What-” Dipper’s eyes grew wide in panic, and the boy fell back harshly.

“No, no, you can’t be in my head!”

“Wait, I’m not-” Steven tried to reassure him, stepping carefully towards the boy but Dipper let out a screech of terror, sweat gathering around his temples.

“Bill sent you didn’t he?! He’s not really gone- he’s going to hurt Mable again-” Dipper began to hyperventilate.

“Dipper please,” Steven took a step back, arms in the air in surrender.

“I-”

“I’m not going to hurt you I swear on the gems.” He placed a hand over his heart. “This is a total invasion of privacy but it’s something that happens when someone’s emotions are out of control-”

“How are you here?” Dipper demanded, scrambling to his feet. “Tell me what you are and what you want.”

“I’m just passing through!” Steven insisted, then lowered his tone to calm the younger boy. “I’m kinda of magnet for weird stuff. I just wanted to help in case anything was going on.”

“We deal with things just fine around here.” Dipper spat, then watched as Steven deflated. He seemed tired, like he hasn't slept well in a while.

“So what are you anyways? How can you be here?”

Steven winced, and laughed nervously. “It’s kind of a long story..”

Dipper raised and eyebrow and swept his arm around the void dramatically.

“You have until dawn.”

“I thought that was a conspiracy theory, it wasn’t even covered by major news outlets.” Dipper look exhausted, cross legged on the unseen floor as he ran his hands through his hair.

“I think Garnet is pretty persuasive when it comes to government and reporters. They all kinda fall in love with her.”

“She’s the one that’s really two aliens?”

Steven shook his head with a small smile. “It’s hard to explain but yes, I guess that comes close.”

“That’s actually insane. I’m insane, aren’t I?” Dipper stood up, leaving Steven on sitting next to an empty space. “It’s been too quiet around here and now I’m so desperate for weird, that I’m making it all up in my head.”

“I get that feeling.” Steven smiled without humor, “but no, this is real. I’ll prove it when you wake up.” Steven felt a shift, the fog in the void getting denser.

“Sooner than I thought, you’re an early riser huh?”

Dipper looked back at Steven, panicked. “You’ll come to the Shack again right? In just a bit?”

Steven smiled. “Promise.”

Dipper woke up to his sister braiding his hair. Mabel still had her pjs on, and a make up kit next to the bed. Dipper frowned, tasting strawberry shortcake.

“Stop testing party looks on me, Mabel.”

“Stop having my face structure and maybe I will.” She grinned, covered in blue glitter.

Dipper quickly washed up and got dressed for the day, feeling like he was anxiously waiting for something but not quite remembering what.

He felt like he had a strange dream last night...

He quickly remembered, choking on cereal as Steven walked into the shack right as it opened. Hair slightly frizzy from the heat and eyes strangely tired. Maybe dream hopping took energy that he anticipated.

“Steven!”

“Meal ticket!”

“Grunkle Stan.” Mabel chastised as Dipper rushed over to the older boy.

“Good morning everyone.”

Dipper stopped short, slightly hoping that everything he experienced wasn’t just his imagination. That everything exciting and weird and interesting wasn’t always trying to kill him, ruin his life, or steal his candy.

Steven looked tired, like he had been doing this much longer than Dipper, but he had still come out with enough energy to smile.

“Not insane?” Dipper asked hopefully, quietly. Steven snapped his attention from his Grunkle and Mable bickering down to the Dipper. He gave a reassuring smile, eyes quite serious.

“Not insane.”

#I feel like I made up a strange tension but please don't ship them THEYRE FOUND FAMILY #Steven universe #gravity falls #universe falls #???#what's the tag?#dipper pines #Mabel pines #grunkle stan #stan pines #bill cipher #this is something or maybe nothing idk people need to give me plot ideas #probably no plot just one shot series

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