#SECOND TIME IS THE CHARM

[easypeasylindyvesey]

NO

HAHAHA

[potential-fate]

Might actually get my computer back on Tuesday. Hopefully.

[byyliss]

Btw, I'm currently learning how to tattoo, and wanted to share my progress, second time actually practicing, all the other classes were only about theory, make this on a fake skin my teacher made at home.

It's not perfect, but im still so proud of it ;-;

[wasabi-gumdrop]

local ladies man’s signature move totally useless against autistic monster enthusiast. more on Kabru’s fumble era at 6

[torpublishinggroup]

Poll inspired by TJ Klune’s The Bones Beneath My Skin

“Klune has crafted a moving story of found family in this X-Files-influenced thriller perfect for fans of Paul Tremblay’s The Cabin at the End of the World. The Bones Beneath My Skin follows Nate, a journalist at loose ends, who finds a mysterious girl and her hunky bodyguard hiding out in his family’s summer cabin. He soon joins them in their dangerous quest to reunite her with her family, as her former captors follow in hot pursuit.” —CrimeReads

[smolerthanthediagram]

Abed's gonna be fine.

A post canon hurt comfort animation (animatic?) i made with one headcanon in mind in particular, being Abed starts smoking on a regular since Toy left to sail around the world. He still got some issues, even since Troy came back to live with him in LA, but it's okay, bc Troy's here.

I really like this headcanon and the fact it is a bit hinted on the series because of how it brings depth in the characterization of Abed. In my country, smoking is a really common habit amongst people (almost all my friends smoke, and almost all the adults around me when I was growing up lol). But in the US smoking is something really unusual I've heard, and so the way it is portrayed in Community is always to serve further characterization (Troy's sugar cigarettes, Britta smoking weed...). And so I've noticed that Abed doing this feels like a coping mechanism in the eyes of the fandom, and how it is empathised in the fics I've read (like angsty stuff). And I think this is a really interesting detail. So I made this.

Each time i post i'm thinking "why dont i write down every scene i have in mind?" but then i write and it doesn't feel right. Drawing is the best way i found to express myself, or my ideas.

Thanks y'all for your continued support, it's been a long time since i've drawn this much in such small time, and it feels like home again!

[xxplastic-cubexx]

apocalypse doodlings aka We Couldve Had Grey Hair Erik And Charles Is There Too I Guess

[wu-does-art]

theres not enough mono with teefs so have this. also theyre BOTH biters, c'mon guys!!

[shrimparts-blog888]

👩‍🍳👌🏻

[kbsd]

you made me want you, and all the time you knew it

OR: buck just needed a little time

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i���m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[lastoneout]

Alright everyone, it's time we settle this once and for all...

[widgenstain]

Get a man who can do both.

[l0ganberry]

Here's Howdy! Now Barnaby won't be alone. (I will NEVER separate the two)

[woso-dreamzzz]

Irene : Why is Alexia crying?

Mapi : She really drunk and reader just told them that she couldn’t be their girlfriend.

Irene : Has anyone told Alexia that she’s reader wife?

Mapi : Nah, we’re having too much fun.

Alexia just loves her wife so much

She never wants R to leave again

[typheus]

mindfang :p