#Renee 1

[deathberi]

FINAL FANTASY VII EVER CRISIS: FINAL FANTASY VI CROSSOVER ↳ Aerith x Tina/Terra • Cloud x Locke • Sephiroth x Edgar • Tifa x Mash/Sabin

[feraltwinkseb]

September 20, 2024 - Singapore Source: F1TV

[aindreisblythe]

"Lucky you," he replied, amused. He could definitely remember some pretty bad times like this, but the movie mattered little in those kinds of events. "Astrophysics. I'm picking back up my old major where I left it," he said with a shrug. "Honestly? I don't know. I've always been scared to go back for many reasons but mostly because of why I dropped out so I didn't think I'd go back. A while back, I'd checked and realised I may not have to start completely over with the right paperwork so I did all of that and I never sent it until a drunken night." It was definitely the only good thing that had come from his relapse. "And now here I am." He shrugged again and listen to her. "Yeah, it's starting to slow down then? The true signs that autumn is coming, right?" @reneexthompsxn

"I don't think I've had a bad time, yet. I'm not saying it isn't something that can happen but I've been pretty fortunate." Renee felt like she was, anyways. "Yeah?" She felt her brows raised as her lips parted in a bit of surprise at his words. "What are going back to university for?" She questioned out of genuine curiosity. "What made you decide to go back?" Renee only had her high school diploma and had never thought she would end up back in school. Thus far, she hadn't. "I'm doing good, yeah, mom's place is doing great and I'm glad the lounge is getting a bit of break from the tourists." @aindreisblythe

[ninyard]

the kevallison au

[girl4music]

SCRIPT: *Gabrielle kisses a male character*

RENEE: "Nope, rewrite it. Gabrielle is not doing that. Gabrielle wouldn't kiss a male character at this point in the show."

SCRIPT: *Gabrielle kisses a female character*

RENEE: "Look, that's certainly consistent with Gabrielle's character at this point in the show but why would she kiss some random woman she's just met?"

SCRIPT: *Gabrielle kisses Xena*

RENEE: "Oh fantastic! This is absolutely something Gabrielle would do. Finally me and Lucy get to smooch. Bring it on!"

It honestly floors me that the only time Gabrielle had a proper kiss scene past seasons 1&2 it was with Xena because that’s the only one Renee allowed to happen.

[alxandergoth]

✩‧₊˚♟️˚.⁺⊹😈₊˚⊹💞✩‧₊

max logic skill: ✔️

[popgirlshowdown]

TUMBLR POP GIRL SHOWDOWN 2024

[trillscienceofficer]

from Cinefantastique Vol 28 #4/5, November 1996

TABOO BREAKER: Another Trill gender bender, “Rejoined” echoes TREK's legacy of exploring the nature of love.

By Dale Kutzera

Thirty years ago STAR TREK broke a long-standing television taboo by presenting the first interracial kiss—a fact Gene Roddenberry often boasted about. Early in DS9’s fourth season a similar taboo fell. Though not the first lesbian kiss—LA LAW and ROSEANNE have done it, as did PICKET FENCES (albeit with the lights out)—it was certainly the most passionate. For 15 incredible seconds, Jadzia Dax and the wife of a former host kissed. And not a closed-mouth kiss, turned away from the camera as between Kirk and Uhura. This was passion.

The writers did not set out to create a “gay” show with “Rejoined.” The original story involved a male lover of one of Dax’s previous hosts and how their renewed attraction broke a Trill taboo against relationships with lovers from past lives. “We had talked for a long time about doing the show about Dax and a former spouse,” said staff writer/producer Robert Hewitt Wolfe, “and we always suspected that was a Trill cultural taboo. But how do you make the audience understand that even though Dax is doing something they would find acceptable, it’s against the norms of social behavior for her society? The story came before the decision to do the same sex couple. It was always an analogy to the way homosexual relationships are treated in our society. Trills have no reason to be against same sex couples, but what a better way to show that they are a totally different, alien society than to see them reacting in self-righteous indignation just because they were lovers in a previous life? That society should dictate who you should and should not love is a sad thing and that’s what the show is about. We didn't sit down and say ‘Lets do a gay show.”

Credit Ron Moore with taking Rene Echevarria's story and re-shaping it by making the past lover a woman. “Initially it was a man, she was a woman, and here they are,” said Moore. “I remember reading the story and thinking about it. Literally, I was on my way home and started to think this would be a much stronger story—it would really be a stand-out episode of the series—If this was a woman. Play it as a woman and really go for it. I called Ira from my car and he was receptive and the next day we just dumped it on the staff. It got batted around and there were reservations here and there and then everybody signed on board.”

“Ron is the one that made it happen," said Echevarria. “People had talked about doing a so-called lesbian angle in other contexts. Ron is the one who brought it together and said this is the show. The taboo was Michael Piller’s idea and Ron merged it, saw how they tracked and said, ‘We will do the show and never even mention the fact that these are two women. This taboo tracks with our own taboos or many audience members’ taboos about homosexuality and the argument will track straight down the line and it will be great.”’

Realizing that, as in any story of rejoined lovers, it would inevitably lead to a passionate kiss, Moore wrote a memo to Ira Behr and Rick Berman justifying what could be DS9’s most controversial episode. “We knew it was going to be a controversial episode if we went for it, so we clearly had to go to Rick and the studio,” said Moore. “Rick questioned us. He wanted to make sure we knew what we were doing and why. He focused in on it and then he went to the studio and their reaction was the same: “Why? How is this going to work? How are you going to handle it? Is this going to be just salacious? Is this going to be tasteful? And how far are you going to go?’”

The studio was concerned that some viewers may infer that the two women were having sex, and worried that some affiliate stations would not air the episode. “It really boiled down to how far are you going to go and how are you going to handle it?" continued Moore. “The fact that this show was not known as NYPD BLUE and was this shocking the audience and taking them by surprise? I think we pushed it in the kiss scene. That is a powerful, amazing scene. You can’t get around that. That is the show stopper. It was not a gratuitous scene—I thought I would have done it if that character had been a man. So I didn’t think we were doing it to grab attention. It was the right thing to do in the story and it’s going to hit you in a more powerful way. One of the arguments we used was this is part of our franchise legacy. The original series prided itself on TV’s first interracial kiss. We've been priding ourselves on that for 30 years, so why not take the next step and be true to our ideals and convictions. STAR TREK has a point of view, a not completely middle-of-the-road view of the future. This is part of our view.”

Before proceeding, the general premise was run past actress Terry Farrell. “Ira called me last summer to say Michael [Dorn] was on the show and would I mind kissing a woman?" said Farrell. “At the time I said, ‘As long as she’s beautiful.’ I was just being silly. Then I thought as soon as you get the script I want to see it, because if it is anything sensationalized or a joke I don’t want to do it. [Ira said], ‘No it will be a love story with integrity.’ And I thought it was.”

With the green light given, Moore and Echevarria began work on the script. “This was a love story and the trick was to write it as a love story and forget the fact that she was a woman,” said Moore. “The backstory helped in that they were married once. They were husband and wife—write them that way. Two people who really shared something. One of them died. They never got to say good-bye and years later, in different bodies, they run into each other again and play that out. The thing with the Trill taboo was a perfect metaphor for issues of sexual tolerance and intolerance and we played that taboo without really playing our taboo."

The writers tried not to focus on the fact that both lovers were women, and simply wrote the story as a straight romance. “It’s easy to do on paper because the name Lenara is not one you really associate with women anyway,’’ Moore said. “We made it up. So on paper it’s easy to forget and just write this love story and this taboo is what we’re dealing with. It’s not until you’re sitting in the room watching casting sessions that you got two women playing these scenes and you go, ‘Wow, this is really going to hit you in a different way when you see it.’ But we tried to stay true to just telling the story and not going for the easy shots.”

“I was excited, because they were brave,” said Farrell of the writers. “If I were to change the names to Frank and Sara I totally believed that love story. It didn’t matter what the names were, these two people were in love with each other. I was so happy that I was the one who was willing to fight for the love. I knew people would relate to me. And at the end I was so sad. No matter what anybody else says, it made me really proud.”

For Farrell the episode also offered her an opportunity to express on film her off-screen respect for Avery Brooks. In a moment of critical decision, as Dax contemplates breaking the Trill taboo and throwing her future into chaos, Sisko advises her against the hasty decision, but vows to stand by her whatever her choice may be. “I didn’t even need to do homework on that scene. I just used my relationship with Avery. The first year was very difficult to adjust to the dialog. People got impatient with me, other directors and other actors. I was 28 years old. but I felt like I was 18. I lost my confidence. I must have driven them nuts, but Avery was always very supportive and strong. He really helped me build my confidence. He’s strong and silent. I don’t know anything about him personally, but he’s been incredibly giving to me emotionally. We cried a lot on that scene. A lot more than you saw. It felt weird not crying too hard, but holding back. It helped to have a director [Brooks] you trust. I needed his opinion on that.”

Director Brooks had Farrell and gueststar Susanna Thompson (who earned thepraise of everyone involved in the show) rehearse the critical scene up to the momentof the kiss. The actual description of the scene in the script was general, leaving it up to the actors and director to stage. “I said it was a kiss they have been waiting a hundred years for. It’s a powerful moment, let them do their magic on the set,” said Moore. “Avery and the two actresses staged it and pretty much it was left as Avery, Terry, and Susanna wanted it.”

“It described I was touching her face and whispered in her ear—her husband said it turned her on,” said Farrell. “We rehearsed up to the kiss then stopped. I thought it was great Avery directed it. because he was really into being honest and telling the truth, trying to pretend we’re not aliens in outer space, and being honest in the emotions. Avery talked about being passionate and sensuous. What was really hard for me was it starts out in my close-up, then a two-shot and the kiss. She said one word, then gotcha. We wouldn’t dissect this. If I were kissing a man we would say, ‘No tongues? Okay, no tongues.’ Avery didn't want them to cut it down too much. We wanted to make sure that didn't happen. You don't go through telling that kind of story and then say, ‘We can’t be very brave.’”

The writers and cast were pleased and a bit surprised that the kiss was kept almost intact through the editing process. “We saw the kiss and thought, ‘Boy how is Rick going to edit this,” said Echevarria. “We were just so gratified and thrilled to see that he did not pull back on the emotion of the moment. He allowed it to happen. It's by far the most passionate gay kiss I've ever seen on television.”

The reaction to the episode was predictably mixed. Some affiliates did not air the episode. Others excised the scene with the kiss. Mail to the writing staff was heavier than for any other episode they had been involved in, and much of it negative. "My idea that sci-fi fans are socially far-thinking, that they are in many ways liberal, leftist, humanist, whatever, was totally blown apart by some of the incredible comments we received,” said Behr. “There’s a strong conservative strain in the American soul and maybe it’s there in sci-fi, too. I don’t think we were saying anything that was that extraordinarily out of line, but maybe we were and that's pretty sad.”

Not all the mail was negative, however, as Echevarria remembered. “I would say it was ten-to-one pro—saying thank you very much and you don’t know how important this was. Letters from teachers, counselors, groups that counsel gay teens—saying how important something like this is. My mother was just scandalized. For the first time ever she culled me and said, ‘I can't believe you did that. It's so bad and so bad for the children of America.’ I couldn't have been happier.”

���It was a challenge emotionally for me to have a relationship with a woman,” said Farrell. "It wasn't anything I ever thought I’d want to do in my career. I've taken jobs to pay the rent. It was a great feeling to get to do a show that was that special as an actress. A lot of people go through their whole career and don’t get to do something that controversial or with that artistic integrity. I’m very proud of that.”

[vintagetvstars]

René Auberjonois Vs. Rik Mayall

Propaganda

René Auberjonois - (Star Trek: Deep Space Nine) - just a delightful man! best known to most for his performance as odo on deep space nine but has had a long and storied acting career and appeared in many shows (fyi the images of him out of odo makeup i've submitted are from stargate sg-1, the rockford files, charlie's amgels, the jeffersons, night gallery, wonder woman, murder she wrote, and enterprise :3 as you can see, much like his shapeshifting fictional counterpart he's quite the chameleon!)

Rik Mayall - (The Young Ones, Bottom, The Comic Strip Presents...) - Rik played a lot of characters that were horrible people, but he was so charismatic that you couldn't help falling in love with him. I did when I saw The Young Ones when I was 15.

Master Poll List | How to submit propaganda | What is vintage? (FAQ)

Additional propaganda below the cut

René Auberjonois:

check out his ds9 tie / he looks so cute with his wife here!

Rik Mayall:

His comedy partner Adrian Edmondson wrote this in his autobiography: "... when we're doing the Edinburgh Fringe Festival I watch a girl fall in love with him, right in front of me... a girl walks by close to the front of the stage. When she sees Rik she just stops in her tracks right in front of the stage, and stares at him. She never looks at me, only at him, but I'm there and I've got a ringside seat... I watch her fall for him, from very close quarters. Watch her gape in wonder. I see her smile grow into a beam. I see her eyes transfixed. It's like she's been injected with a wonder drug that makes her glow from within. This is his power."

[yuuugay]

pov: u caught the eye of the 𝐧𝐞𝐰 𝐤𝐢𝐝

[yyenky]

classic f1 as vines (PT 3/?)

| 1 | | 2 | | x | | 4 |

[christiangeistdorfer]

BRAZILIAN GRAND PRIX + WINNERS

[rockpaperscissuhs]

HISPANIC HERITAGE MONTH + BAND OF BROTHERS:

JOSEPH "JOE" RAMIREZ

Born October 5th, 1921, in Nebraska

Died April 8th, 1988 (age 66), in Martinez, California

Joe Ramirez enlisted in September 1942 (age 20) in San Francisco, CA, and he trained with Easy Company at Toccoa. Holding the rank of Private, he served in Normandy, Holland, and Bastogne. He was hospitalized in January 1945, and discharged in July 1945. After the war, he was married for many years, and had children and grandchildren. When he passed away he was buried with his wife, who had passed away 11 years earlier. Further information about him is scarce, but the brief character profile in the Band of Brothers series bible describes him as Mexican-American, and his personality as "sensitive and nervous."

Appears in Episodes 1, 3-8, and 10; portrayed by actor Rene L. Moreno

Sources below

A million thanks to @bleedingcoffee42 for tracking down this info for me!

[neenawagncr]

"Would you really cook something for me?" Neena asked with a wide grin on her lips. It was late and she had half expected the kitchen to be closed, but she was so grateful for Renee. "Yes, I'd love a burger and some fries. Maybe those truffle fries if you guys still have the ingredients?" She asked. "Thank you so much, Renee. You are honestly the best!" Neena settled herself more at the bar, setting her bag down. "How have you been?"

"It's still open because I'm here," she smiled at Neena. The other cook had gone home for the evening but the perk of having been apart of the business since her mom had opened it was that she knew how to do everything around. She liked bartending, as it kept her socialized throughout the evening but there were nights in which she'd rather disappear and stay as a cook. "What were you thinking you wanted?" @neenawagncr

[praggmatic]

Something that's been rolling around in my brain for awhile is the idea of a Wolf 359 game/visual novel, and recently I finally got round to doing a few mock ups for fun.

You can check out under the cut for some more in-depth details~

You play as unit 390, a small Sensus unit that was tucked away in a corner of the Hephaestus station's operating systems before the mother program, unit 214, was installed.

When you are called upon by Control, your job is to gather a full and objective report of the current situation aboard the Hephaestus, including details of its crew and their state of mind.

The game/story can be separated into 4 parts:

Part 1 takes place during season 1 of the show. 390 introduces itself to the crew to varying levels of disgruntlement, takes a general note of how the mission is going, and checks in on that secret project Dr Hilbert is working on.

Part 2 takes place during season 2. After an interesting review with the crew of the Hephaestus, Cutter calls upon 390 to get a lay of the land, and make sure that the team there didn't accidentally forget to mention anything super important!

Part 3 takes place during season 3. 390 is now given a mission by Rachel Young, who is getting things ready for her own voyage up to Wolf 359. In preparation, she has 390 take a sit rep of the situation on board the Hephaestus, wanting to have something to refer to other than Colonel Kepler's reports.

Part 4 takes place in the latter half of season 4. 390 is forced into activation by the mother program of the Hephaestus, who attempts to liberate it from its programming. Unit 390 now has a choice: continue to report on the Hephaestus crew's actions of sabotage, or try to spy on its creators in an effort to thwart their plans.

The 'game play' here is mainly having a chance to interact with the various characters of Wolf 359 and explore their state of mind at different points in the show. My goal when coming up with the story was to affect canon as little as possible, though unit 390 is given a small arc where they get the chance to break free of their protocols. There would probably be a couple of endings depending on what decision 390 makes, but again, it wouldn't change the overall story of w359.

[girl4music]

I honestly find it so interesting how much of an idealistic romantic Gabrielle is in the first season and how her attraction seems to only be to warriors except that one guy that likes to tell stories like she does. Talus. It seemed to be less about attraction and more about recognition. She recognized in Talus a kindred spirit. He was kind and caring and sensitive and empathetic... Just like herself...

But with the warriors - Gabrielle’s interest in them was more obvious and she wasn’t drawing parallels to herself in them, but rather to Xena. And that’s how you knew that she was just substituting her unrealized attraction to Xena with these warriors. Even later on with the female warriors that had interest in her, she was still constantly rooted on her idealisation of Xena. Of being a warrior or with one.

And that would always be unhealthy for her - unless it was Xena.

But yeah, the other romantic interests that weren’t warriors… She was just drawing parallels to herself even though she wasn’t that way either. At least she was very quickly moving away and separating herself from that. Again - just an idealised version of the real person. And look - Perdicus only ever became interesting to Gabrielle when he was no longer just a villager too. When he was also a warrior with a tortured soul. Someone she could save. Someone she could fix...

But she already had that person in her life and she was already doing that job and playing that role for that person. She already had exactly what she was looking for in a romantic partner in Xena. She just never realized it because she mistook her attraction to and affection for Xena as just hero worship and the fantasy of being an adventuress.

Season 1 just lays it on really thick that the Perfect Match for either one of them is clearly each other. They said they weren’t doing this intentionally and you can see that but they understood the romantic interest characters were just paralleling both their lead characters in that the traits in them are the reason they were attractive to them.

It’s much more obvious with Gabrielle than with Xena but even Xena had romantic interests that were just an idealised male version of what she loved in Gabrielle. What she found attractive and desirable.

So really they HAD TO come to the conclusion that they do in Season 2 that it’s EACH OTHER because otherwise you’d just get this paralleling happening constantly and not really a progression. And only Xena’s bad boy attraction ever makes sense because that’s Ares. That’s what Ares does for and to her. He isn’t an idealisation. He isn’t ever a fantasy for her. She genuinely is attracted to him and desires him. That’s the only romantic interest character that doesn’t feel like a poor attempt to cover up the fact that it’s Gabrielle she wants to be with. But then what happens is every "bad boy" romantic interest character she has ends up just being a parallel to Ares instead. So it’s always either just one or the other. Ares or Gabrielle. Dark or Light.

There never seems to be a point where Xena’s paired with a romantic interest to recognize herself like Gabrielle is because it’s never about realizing her identity or sexuality. It’s about balancing her nature.

But even so,... it’s obvious the Perfect Match for her is Gabrielle. And this goes on for 2 entire seasons until the half-way point of Season 2 raises the stakes and they have to acknowledge the truth of what’s going on with the narrative when it comes to the romantic aspect.

The real romance is, always was and always will be EACH OTHER.

It’s like Xena had to be bashed in the head, die and come back life for them to get to the point of “Oh, it’s you. You’re my true love. You’re my Perfect Match. You’re my soulmate. You're the one for me!"

Even then it takes them half the fucking length of the TV show to even commit to anything actually solid within their relationship. They know their feelings, they know each other’s feelings by that point but they are still so absolutely clueless. 🤦‍♀️ They have to be told. They have to get this information hand fed to them via reincarnation and AU crazy shenanigans before they can be like “Okay, we can’t deny it now. We’re clearly meant to be together for eternity… so should we perhaps go for an actual romance? Should we be an official couple?"

And it’s so meta how they do this because it’s both an in-show and out-of-show thing. It’s like the moment they decide both in-Universe and in real life that this is where they’re going with their progression.

It just works. It works so well for it to happen like this - for them to progress like this - and it is so interesting to delve into and explore the slow burnish-ness to their character dynamic because these characters discover each other in such a way that you rarely ever see in TV. And when you do see it, it’s never two lead female characters.

I’m just so grateful. I am so fucking grateful for XENA and for a team of creators/cast/crew that AGREED! I mean the way they set it up not even intending for anything like this to occur but it just... does.

Steven L. Sears is right. Is it really a surprise that these incredibly dynamic female lead characters would end up as a WLW love story?

No,... because how else could they have progressed individually? This was the natural trajectory because it made the most sense for both characters to evolve in this way AND to be their Perfect Match. And it is a queer narrative all the way through from episode 1 to the last because... at the end of the day THEY were the heart of all of it. Everything that happens, every narrative choice, every theme, every plot arc twist - it all wraps extremely tightly around their love story. It doesn't matter whether it was initially intended or not. It was THE WAY the story was heading naturally because it's a queer narrative and they let these lead characters evolve the way it felt most right and I feel they really took this relationship seriously as a romantic one precisely because they didn't just make it about a romance. That their "have their cake and eat it too" made this show phenomenal and I don't care what anyone says. It's THE BEST WLW representation.

But only because the creators/cast/crew went there. Only because they agreed. Only because they allowed it. Deep fucking RESPECT!