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folklore-girl · 1 year ago

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WILDEST DREAMS (hana’s version)

word count: 1.1kish?

a/n: so “hana’s version” means that i’m writing this heavily based on taylor’s music video, but also with my own hcs. also this is purely for entertainment purposes, though mostly just a writing practice for me since i haven’t written since ages. also, thanku @trashmeowcan for helping me warna i would’ve still been overthinking abt this ILYSM. gif creds to @komhacoustic !!

warnings: too many taylor references and lots of cringe too teehee

hope you enjoy!

[ lights , camera and ... action !! ]

he was so perfect.

his eyes were such a startling shade of grey—that if you look closely, you’d see the emotion twisting in them, swirling behind those dark clouds. his lips tasted like the cigarettes he smoked and his voice had been frequenting my dreams lately. all of him, his face, his jaw, his shoulder—he was the most beautiful sculpture i’d ever seen.

he whispered to me, “let’s get out of this town, drive out of the city, away from the crowds...”

i was screaming internally, thinking of the implication of his words in a wordless script when the director yelled cut.

of course we were pretending.

of course, none of it was true.

. . .

we were shooting in the african deserts, and it was a short film about the magic, madness, heaven and sin that was love.

on the day we arrived to the location, the director had explained the script and the portrayal of love that this film wanted to show, the same as she had done on the phone call. she explained how our chemistry would be the magic, the madness would be evident when both of us would be ready to leave the life we knew to start a new one with each other, heaven would be when he’d touch me and sin because our love was forbidden in the script—he was a pilot, and i was an actress. the entire film had no dialogues or as the director said, our expressions will “say all that is needed to know”.

it was two week’s work and then we’d be out of the scorching dry deserts of sahara. that was the plan. at least until i met him.

after i did, i knew i’d gladly burn in this heat for a few more weeks —or even an entire lifetime— than letting go of him. i’d risk it all smiling.

it was absolute madness.

. . .

our characters were crazy in love.

he, the pilot, had flown miles just to see the actress for a few hours everyday, while she worked on her new movie. the pilot is tall and handsome as hell, while the actress is beautiful, and has such an irresistible charm that the pilot cannot help but fall for her humor and wits.

we were the perfect casting, although the others kept saying it would be fairly difficult to show it all in expressions, no words at all.

but for me, it proved to be fairly easy. i was lovestruck, and there was no hiding it from him because he knew it. he had to, from the way he smiled and the way he touched me, or maybe i was simply delusional.

probably the latter, but oh well. it was all a pretend anyways. none of it was real.

it could be though.

. . .

it was pure magic.

the way he looked at me, the way he held me close and how my knees felt weak after our first kiss onscreen.

i felt every moment of it. goosebumps on the back of my neck whenever he whispered in my ear. his fingertips grazing my skin, and when he held me close, his hand on my waist.

i lived those moments a thousand times and i’m sure he did too, he must have.

so i took my chance and said, “no one has to know what we do,” and no one did. what we did in my tent at night was no one’s business, and nobody had the slightest clue.

all i know is that i woke up with his clothes in my room, and the vague memory of his hands in my hair, his body on mine. i knew heaven was a place on earth, with him, in his arms.

. . .

we were lying on the bed, our bodies a tangled mess and the clothes thrown on the ground in a hurry. his hand caressed my waist and i peered through the tiny window of the tent, at the nighttime stars and thought.

i thought of the dangerous game i was playing and how one week is no time at all. blink, and it would all be over.

but oh, he was kissing my neck and i couldn’t think straight. he was definitely going to be the death of me.

. . .

“ready for the last scene?” he took my hand and whispered to me.

“yes,” i smiled a little. “are you?”

he gave me a sad smile and said, “maybe..”

and the camera started rolling. the actress was in a stunning red dress, with her hair pinned up masterfully by her movie stylist—she’d sneaked out of the movie set to meet him—and the pilot was in his uniform, all ready to go. the sun was slipping down the horizon, and the clouds were streaked in a beautiful mess of warm colors in the sky whilst the moon rose, accompanied by the barely visible stars, scattered like peppers.

his face changed ever so slightly, as he conveyed that he needed to go but didn’t want to. he tucked a loose strand of my hair and i knew what it meant—he loved me too much to give what we had away willingly. i stared painfully at him, then at the ground. the actress didn’t want to let go of her lover either.

a few moments later, he smiled and lifted my chin, conveying that the distance would just create fondness between the two. their love is stronger than anything and the actress knows too, so she smiles back, sweet and soft.

they have their very last kiss and the actress worries if her lover would remember her, the memories they have together and this very moment. and so i spoke with my eyes, “say you’ll remember me, standing in a nice dress, staring at the sunset, babe...”

she made him promise they’ll meet again, and that would be soon.

“red lips and rosy cheeks, say you’ll see me again, even if it’s just in your wildest dreams ah-ahh…”

. . .

it was the premiere night.

i was in my vintage off-shoulder, sparkling silver with a heavy white scarf and my hair up in an updo similar to my hairstyle in the short film.

i was dressed as my character, the enchantress.

the moment i arrived at the red carpet, cameras were flashing and i was smiling. i was seeing him again tonight, so the smile was genuine. at least until i saw him, with her.

we talked a little, and he introduced his new girlfriend and i smiled wide. and when she complimented my acting in my past movies, i smiled even wider and thanked her.

little did she know, what she was about to see wasn’t me acting. not even close.

we entered the cinema hall and the short film began. it was a 90’s romance, all black and white.

halfway through the movie, i realized i was done smiling. i leaned ahead in my seat and we made subtle eye-contact before i turned and left the hall, murmuring about a sick stomach.

the moment i stepped out, i felt something wet on my cheek and ran as fast as i could wearing a vintage dress, my heels clicking furiously. i knew he was following me, trying to stop me from leaving and i knew that but by the time he’d reach me, he’d be too late.

in the backseat of my car, i wondered about how we were built to fall apart.

hope u liked it!! also i’m writing after, like, 6 months or more so i promise i can do better than this shit lol

likes and reblogs are appreciated !! <3

tagging ppl who might be interested:

@cordelia-street @born-to-be-suburban-legends @indiansapphic @girlatreus @tiredandcaffeinated @prembharidhun @maya-why @carelikeribbonsinyourhair @shefollowedthestars @folkloregurl @doyouknowwhoyouare13 @manjulika-fanblog

might make a taglist too later so we msg me if u want to be tagged/removed xx

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lycanlovingvampyre · 2 years ago

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MAG 110 Relisten

Activity on my first listen: putting up a new fence

This is one of my favorite episodes!

Okay okay, everybody is like Tarantino here, Tarantul- aaaah Tarantino there. But what about Neil Lagorio!! I have been puzzled about this for so long... Because when I think of "the name in practical creature FX", I think of Stan Winston. But the stop motion doesn't add up. Here I would think of Phil Tippet or Ray Harryhausen. Not sure if Harryhausen isn't a bit too old, already starting his career in the 40s and 50s, while Stan Winston and Phil Tippet started their careers in the 70s - like Lagorio. Stan Winston also has the parallel of suffering from an illness and eventually succumbing to it. I mean it's totally possible that it's a mix of FX artists. But I would really love to know if there was an inspiration.

"But we are the true artists. A director may quite literally call the shots, but it is the cinematographer that makes them. We choose the angles, the lighting, pretty much everything that you see on the screen. The camera is a brush, and we are the hand, the arm, the eye. The director’s basically just the mouth, making pointless noise while the hand does the actual work. Almost every famous director that you know who has a distinctive visual style has simply managed to lock down a talented DoP." Yes, yes, this is about visual here, but can we please take a moment and think about the hilarity that is Alex, the director of TMA, reading a statement that roasts directors?? OMG wait, didn't the statement-giver in MAG 108 also roast the director? And it's also read by Martin/Alex!

"If you’re wondering how easy it is to recreate shots that only exist in the hazy memory of an eccentric, or to frame scenes when you only get the typo-riddled script the morning before, I can tell you: not easy. Not easy at all." Maybe it's all a bit much?

"Dexter clearly wasn’t sleeping. He had insisted on using old equipment, and avoided digital almost entirely, to the point where several of the crew were using pieces of kit they’d never even seen before." Hm, I mean, none of the statements record digitally, not just Web ones. But it's the Web that needs them on tape...

"I stood there, unable to step inside, not because of fear, but because this space inside was threaded all over with film strips. Up and down, one side to the other, wrapping around and through each other. I gingerly reached out and touched one. And as I did, Dexter seemed to emerge from the darkness. At first I thought he was taller than usual, but then I realized that he was suspended ever so slightly by the strips of film, his feet a good couple of inches off the floor." A fine material to spin a web with ::::)

MARTIN: "I mean, I think it sounds like a Jurgen Leitner book. About spiders. Hm. Good John didn’t have to read this one, anyway. I know he’s not a fan. Although, this one wasn’t too bad, actually! I – yeah. Anyway." The last episode featuring Martin, MAG 108 was a Lonely statement and he also said it wasn't too bad. And now it's a Web statement and he doesn't find it too bad. Walking along a thin line of Lonely and Web there.

Hm, that transition into the tunnels was a bit quick for my liking..

Something distantly related. I was looking up something in the episode discussion posts on Reddit a while ago, initially looking for something in MAG 111. Somehow I also took a look at this episode. There were people discussing the possibility of Elias being Jonah! Like, HOW? How did they predict that at this point? I mean, Martin and Basira are talking about Elias' memory insertion ability and people in the Reddit post also talked about this and about him potentially being able to insert memories of an entire life - bodyhopping like this. There were also discussions of Elias possibly targeting Martin next, but yeah... There was also something about the statement - the Web being close to the Eye? It was a Web statement, but cameras are usually Eye.

@a-mag-a-day

#a-mag-a-day #mag 110 #tma #tma spoilers

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the-rewatch-rewind · 1 year ago

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Heaven, I'm in heaven...

Script below the break

Hello and welcome back to The Rewatch Rewind! My name is Jane, and this is the podcast where I count down my top 40 most frequently rewatched films in a 20-year period. Today I will be discussing number five on my list: RKO’s 1935 musical comedy Top Hat, directed by Mark Sandrich, written by Allan Scott and Dwight Taylor, and starring Fred Astaire and Ginger Rogers.

American dancer Jerry Travers (Fred Astaire) comes to London to star in a show produced by his friend Horace Hardwick (Edward Everett Horton). The night before the show opens, Jerry’s tapdancing in Horace’s hotel room awakens model Dale Tremont (Ginger Rogers) in the room below. She calls the manager to complain, who calls the room above hers, and Horace answers the phone. Because he can’t hear over Jerry’s dancing, he leaves to see what the manager wants. Tired of waiting for the noise to stop, Dale storms upstairs to confront the dancer. Upon seeing her, Jerry immediately falls in love, and the next day he starts following her around in a mildly creepy but mostly charming way. However, he never tells her his name, and when Dale learns that her friend Madge Hardwick (Helen Broderick)’s husband is staying in the room above hers, she naturally assumes that Jerry is Horace Hardwick. All of this results in much confusion, hilarity, and of course, dancing.

Top Hat was one of the many old movies that my mom introduced me to in 2002, and it has been among my favorite films ever since. I had already seen it several times before I started keeping track, and then I watched it five times in 2003, three times in 2004, three times in 2005, once in 2006, once in 2009, twice in 2010, three times in 2011, four times in 2012, once each in 2013, 2014, 2016, 2017, and 2018, twice in 2020, once in 2021, and once in 2022. This was the first Fred and Ginger movie I ever saw, and while I’ve since watched and enjoyed all nine others multiple times, none could top Top Hat, in my opinion.

This was the fourth film that Fred and Ginger made together, but only the second in which they had starring roles, and the first that was written specifically for them. Two of their previous films – 1933’s Flying Down to Rio and 1935’s Roberta – gave them relatively small parts, although their scenes were unquestionably the highlights. In Flying Down to Rio, they got fourth and fifth billing and are barely in it, but they caused a splash with their one dance number, and an iconic duo was born. They got second and third billing in Roberta, in which they basically function as the B romantic pair, with Irene Dunne and Randolph Scott as the A couple. Fred and Ginger’s first starring roles had been in 1934’s The Gay Divorcee, which was an adaptation of the Broadway musical Gay Divorce. Critics of Top Hat (including Astaire himself) complained that it was basically a rehash of The Gay Divorcee, and like, I can see their point: both films have a weird mistaken identity story and feature essentially the same cast filling very similar roles – with the notable change from Alice Brady to Helen Broderick in the “Ginger’s older relative/friend” role. But while I also enjoy The Gay Divorcee, somehow I feel like Top Hat just works better. The story makes at least a little bit more sense, and they didn’t devote a quarter of the runtime to a single interminable musical number like The Gay Divorcee did with the frickin Continental… although The Piccolino came dangerously close to replicating that. After Top Hat, Fred and Ginger made five more films with RKO in the 1930s: 1936’s Follow the Fleet, in which they were basically the B couple like they had been in Roberta, although they did get top billing in this one; 1936’s Swing Time, which is mostly very good and would probably have made it onto this podcast if not for that one blackface number; 1937’s Shall We Dance, which I kind of slept on for a while but now I think is probably my second favorite of theirs, although the ending drags a bit; 1938’s Carefree, possibly their weirdest movie, which involves hypnotism; and 1939’s The Story of Vernon and Irene Castle, which I find to be disappointingly forgettable. Then, after 10 years apart, they reunited for MGM’s The Barkleys of Broadway in 1949, which is basically Fred and Ginger fan fiction and it makes me so happy that it exists.

While there were lots of other dancing musicals being made in Hollywood around this time, the Astaire/Rogers ones feel like their own genre, and not just because of the stars. I think a big part of what makes Top Hat feel like the quintessential Fred and Ginger film is the supporting cast. Edward Everett Horton, Helen Broderick, Erik Rhodes, and Eric Blore were each in at least one other Fred and Ginger movie, but this is the only one that has all four of them. Edward Everett Horton excelled at playing the kind of guy who thinks he’s in control of every situation, but actually has no clue what’s going on, and he’s especially in his element as Horace Hardwick, convinced that he can get to the bottom of everyone’s strange behavior while never suspecting that he could end all the confusion just by meeting Dale. Helen Broderick delivers wisecracks in a brilliantly dry, cynical tone that contrasts with Horton’s bumbling to great comedic effect. Their characters don’t seem to have a very functional marriage, but they also don’t really seem to mind that. Typically the “haha, married couples hate each other” types of jokes really irritate me, but Horace and Madge are such ridiculous characters that it’s actually kind of funny when they do it. And then there’s Erik Rhodes, whose absurdly over-the-top Italian characterization in Top Hat and The Gay Divorcee so offended Mussolini that both those films were banned in Italy. Personally I feel like Top Hat’s portrayal of Venice as a giant white soundstage is probably more insulting to Italians than a guy doing a bad accent and being silly is, but I don’t know, maybe it’s still offensive. To me, as a non-Italian, I just think Erik Rhodes is very funny as Alberto Beddini, the dressmaker whose clothes Dale is modeling. He has some truly excellent lines, like, “Never again will I allow women to wear my dresses!” and “I am no man; I am Beddini!” Despite his declarations of love for Dale, he is extremely queer-coded, while also interestingly being one of the most masculine characters in the film, which is…kind of the opposite of how male characters are typically queer-coded. So Alberto is very silly but also quite fascinating. Eric Blore was in half of the Fred and Ginger movies and he’s always hilarious. In Top Hat he plays Horace’s valet, Bates, who always refer to themselves in the plural (“We are Bates, sir”), so the next time someone complains to you about this so-called newfangled trend of young people messing with pronouns, feel free to point out that at least one middle-aged man was doing that way back in 1935. One of my favorite exchanges in the movie is when Horace is trying to explain to Bates that Jerry seems to have gotten into a perilous situation with a woman by saying, “He has practically put his foot right into a hornets’ nest” and Bates respond with, “But hornets’ nests grow on trees, sir.” “Never mind that. We have got to do something.” “What about rubbing it with butter, sir?” “You blasted fool, you can’t rub a girl with butter!” “My sister got into a hornets’ nest and we rubbed HER with butter, sir!” “That’s the wrong treatment, you should have used mud – never mind that!” It has nothing to do with anything but it makes me laugh every time. This supporting cast adds a silly, somewhat Vaudevillian aspect to Top Hat that no Fred and Ginger film would be complete without.

Of course, Fred and Ginger movies are better known for a different somewhat Vaudevillian aspect: their songs. It’s very interesting to watch Top Hat from a musical history perspective because it was made before the advent of the book musical – that is, a show where the songs are fully integrated into the story and used to tell a specific narrative. The songs in this movie do sort of advance the plot, but the lyrics are generic enough that they stand alone completely out of context. It’s kind of a bridge between the disjointed songs and scenes of vaudeville and the continuously flowing story of book musicals. All the music in Top Hat was written by the legendary Irving Berlin, including two solo numbers for Fred: “No Strings (I’m Fancy Free)” which is what Jerry is dancing to in the hotel when he disturbs Dale, and “Top Hat, White Tie and Tails” which is part of his show; and three numbers for both Fred and Ginger to dance to: “Isn’t This a Lovely Day (to Be Caught in the Rain)?” for soon after they meet, before Dale thinks that Jerry is Horace, “Cheek to Cheek” when they’re in love but Dale is conflicted because she thinks he’s married to Madge, who is confusingly encouraging them to dance, and “The Piccolino” after Dale finally learns Jerry’s true identity. Both Astaire and Rogers were significantly better dancers than singers, but typically Fred did most of the singing, and the only song he doesn’t sing in Top Hat is the Piccolino, apparently because he didn’t like it, so Ginger sings it first and then an offscreen chorus repeats it. My favorite number in the film has always been “Isn’t this a Lovely Day (to Be Caught in the Rain)?” because I love the way Jerry starts dancing fancier and fancier and is pleasantly surprised that Dale can keep up with him, and it’s fun that Ginger got to wear pants for once, and I also just really enjoy that song. There was a time soon after I first fell in love with this movie when I tried to make saying the word “lovely” a lot part of my personality, mainly inspired by this song. I truly enjoy all the numbers, even if I do think The Piccolino goes on a bit too long, although, again, it’s not nearly as painfully long as The Continental in The Gay Divorcee, which it’s clearly meant to pay homage to. But Fred and Ginger’s most famous dance number – certainly in this film, and also probably in any of their films – is “Cheek to Cheek.” It is pure, breathtaking magic, and even knowing about the major drama with Ginger’s dress in no way detracts from that.

I’ve heard a few different accounts of the dress drama with slightly conflicting details, but what they all seem to agree on is that Ginger Rogers insisted that a low-backed, light blue, ostrich feather dress would look perfect during the “Cheek to Cheek” dance, and pretty much everybody else tried to talk her out of it, but she refused to back down until they were all forced to concede. And she was correct, it looks incredible, although if you’re watching closely you can see some feathers falling off while she dances, which was the main objection to the dress. Fred Astaire was reportedly extremely annoyed about the flying feathers, although he betrays none of that to the audience, and afterwards gave Ginger the nickname “Feathers,” which he continued to call her for many years. My interpretation of this is that it started as kind of an insult when he was genuinely upset about the incident but evolved to become more of a term of endearment, although obviously I don’t know for sure. As far as I can tell, apart from the occasional disagreement, Fred and Ginger got along pretty well in real life, although the studio sometimes invented or exaggerated stories about them fighting to try to generate more buzz. Personally I don’t think that was necessary; their talent spoke for itself, and audiences would have flocked to their films whether or not there was conflict offscreen.

One thing that I don’t like about old movies is that in general, most of the people who worked on them were deceased before DVDs were invented, which means that the special features are often lacking. I have watched Top Hat with commentary, but it’s by a film historian and Fred Astaire’s daughter who was born after this movie was made. It’s mostly the historian talking, but every once in a while Astaire’s daughter shares a memory of her father, and every. single. time. the historian responds with, in the most patronizing tone of voice I’ve ever heard, “Thank you for telling us that” and I hate it so much. But one thing that I did learn from the commentary that I definitely wouldn’t have noticed if nobody had told me is that Lucille Ball makes a very small appearance in this movie as a worker at the flower shop in the London hotel. She has a couple of lines, but even though I’m used to watching her in Stage Door, which was only made two years after Top Hat, I absolutely would never have recognized her. So that’s kind of fun.

Now, when it comes to watching Top Hat from an aroace perspective, even I cannot deny that this movie in general, and the “Cheek to Cheek” number specifically, is extremely romantic. The main storyline is Jerry immediately falling for Dale and flirting with her until she falls for him, and then her attempting to suppress her feelings when she thinks he’s married to her best friend. But somehow, even watching it as a young teen who had no idea that I was aroace, this felt different from other romantic films I’d seen. I remember feeling irritated the first time I read a description of Fred and Ginger’s dancing as their version of making love because “ugh, why do people have to make everything about sex?” It took me a while to realize that not only is that an apt description, but it’s also part of what drew me to them in the first place. Because despite the way the terms “making love” and “being intimate” are now used almost exclusively as synonyms for “having sex,” they don’t necessarily have to be. There are other ways of experiencing and expressing love and intimacy besides sex. It’s just that our allonormative society puts sex on such a high pedestal and portrays it as the One True Form of Intimacy that all other forms are devalued to the point that often they feel barely worth mentioning. And I do feel like when some people talk about Fred and Ginger this way, what they’re implying is “Their dances were the Hays Code era version of sex scenes.” And, granted, it’s quite possible that that was the intent. But nothing about their dancing is inherently sexual, and yet, it would be hard to deny that it’s extremely intimate. So as someone who craves non-sexual intimacy, in a world where that concept almost seems oxymoronic, it’s so encouraging to see these characters express that. Of course, I don’t want exactly what they have – for one thing, I’m a terrible dancer, despite my one year of tap lessons in 2nd grade. And for another, what they have is way too romantic for me. But although I could never have articulated this at the time, just seeing this example of extreme intimacy coming in other, non-sexual forms as a young obliviously asexual person was so important. It gave me some armor against the onslaught of allo- and amatonormative messages implying that sexual relationships are inherently more valuable and valid than any other kind of relationship. Top Hat ends with the implication that Jerry and Dale are about to get married, so I guess we’re meant to infer that their relationship will eventually become sexual, but I don’t see how anyone could watch this movie and still think that a sexless marriage consisting of dance numbers like “Cheek to Cheek” would be any less valid than a sexual marriage. Like so many of my favorite movies, it’s not exactly ace representation, but it’s easy to imagine many of the characters in Top Hat as ace, and often that’s as good as it gets.

While the subtle and probably unintentional message that sex doesn’t have to be the end all be all is great, the main reason I love this movie is because it’s just a lot of fun to watch. I’ll be the first to admit that the plot is a little ridiculous and doesn’t make a ton of sense, but I also have to admire the lengths they go to in order to maintain the mistaken identity for so long. Like the part when the London hotel manager tells Dale that Horace Hardwick is the gentleman with the briefcase and cane on the mezzanine, and Horace steps behind a chandelier before Dale can see him, and while she’s trying to get closer, Jerry runs up to Horace and says that he has a phone call, and Horace hands Jerry his briefcase and cane and rushes off, so Dale will see Jerry alone holding a briefcase and cane and therefore still think he is Horace. Or when Horace just happens to be in the bathtub when Dale comes into their room in Italy. Or how Jerry tells Madge that he’s met Dale so she doesn’t think she needs to introduce him. It’s like simultaneously the most far-fetched, bizarre plot imaginable and also kind of brilliantly executed, and I love it for that. And even if the plot doesn’t work for you, this movie is still worth watching for its truly phenomenal dancing by one of the most iconic pairs in Hollywood history.

Thank you for listening to me discuss another of my most frequently rewatched films. When compiling this list, I was very surprised to discover that Fred Astaire would only appear in one film, since I consider him one of my faves, but I hope he would at least be happy to know that that one film is in my top five. Next week, I will be talking about another Old Hollywood musical that I watched two more times than Top Hat, for a total of 33 views, which stars a man who is often compared to Fred Astaire, although I feel like, apart from being dancers, they were very different. So stay tuned for that, and as always, I will leave you with a quote from that next movie: “I make more money than…than…than Calvin Coolidge! Put together!”

#top hat #fred astaire #ginger rogers #the rewatch rewind

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fangedprinx · 9 months ago

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Monday Metamorpheus infodump continues

Orpheus was founded in the late 19th century, around 1890, and this is also where the timeline and art and culture of the Metamorpheus universe starts to strongly diverge from our own universe (plus a lot of it is more sexually open and progressive due to metahuman influence) to the extent that none of the literature, music, films, etc are the same as ours.

(although there is a film studio called Morpheus Films that produces movies that are like feverdream filtered knock-offs of movies from our world. Morpheus Films is staffed mostly by eldritch metahumans who can remember details of movies/media from alternate universes and sometimes even agree on enough to cobble together a script and production of a film)

The reason why it starts diverging at that point is that although a small number of metahumans and metahuman artefacts existed throughout human history, it was limited for a long time by the factions not having enough power or attention to spare to influence goings-on on earth. Up until this point, all four of them (eldritch, fae, angelic and demonic) were engaged in a cosmic struggle against a fifth otherworldly faction or being that wanted to devour/destroy the earth and its inhabitants entirely and leave nothing behind.

The entities which make up the factions, being rather fond of humans even if they do ultimately wish to transform all of them into beings like themselves, were allied in fighting off this mystery threat. Once they won that battle, though, it was back to being rivals in trying to seduce and transform humanity. The original entities rarely interact with earth directly, preferring to create objects imbued with their power (artefacts) and influence individuals from afar (metahumans) to advance their goal.

All the factions feed off of/get energy from transforming humans and from their desires and from the desires that metahumans continue to have, without using that up. If they ever manage to transform all of the adult population of earth, they'll still get energy from the metahumans of their factions.

Nobody is particularly aware of it at this point in the story, but Metahumans can continue to transform somewhat according to their desires - if their desires change, so can their forms. Metahumans of different factions who are strongly involved with each other can gain traits from the other faction and even become hybrids over time. This is in contrast to the original entities, which have more fixed natures and forms.

#metamorpheus #setting information #transformation #tf kink #Casually dropping bonkers metamorpheus setting lore which will never be mentioned in canon

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haichihiro · 2 years ago

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Thanks! Here's the example if you were curious - x

I'm 5'4 and I have strawberry blonde hair in a pixie. I'm a hufflepuff through and through. I enjoy baking for family and friends. I'm a dancer, I used to do ballet when I was younger. I love seeing people happy and I try to make that happen. I'm not very outgoing, I prefer to stay indoors mostly. I have a dry sense of humor for the most partI like watching cartoons and anime. I think my favorite color is purple. I enjoy gaming as well, my cousins are huge gamers and it's fun hanging out with them and playing stuff. I'm not very fashion forward, I mostly wear sweat pants and sweatshirts and get dragged for it by literally everyone 😭

I'm practical but also a very optimistic person, I like giving people the benefit of the doubt. I hate changes to my routine it makes me v v nervous lmao. I like steady and grounded people I guess someone who is practical like I am. I have a dog I love. I like animals very much, not a fan of frogs tho, they scare me. I'm studying to be a nurse .

based on your qualities i think you’d work best with javi gutierrez!

warnings: NONE! just pure fluff <3 hope you enjoy

because of javi’s line of work, it gives him the opportunity to feed into his hobbies— as well as your own

javi can be very bashful at times when talking about things he loves but he’s also very sweet and outgoing

of course javi likes to use his wealth to his advantage and explore the world but he’s also a home body

he literally has a room dedicated to his favorite films? he definitely likes to stay home watching movies or even learning how to play your favorite video games

his type of work can make him very busy at times so the both of you dedicated a day of the week for movie/game night

during those days you’d always bake him sweet treats and he’d comment, “delicious as always, cariño.” (translation: love, darling, or sweetheart.)

ever since he met you, he knew you were the one for him. you had made him the happiest man in the world

he’s very supportive of your dreams and encourages you daily to fight for them

javi is also a very optimistic person and believes anything can happen if you take the time and just believe in yourself

for example, him putting himself out there and making his script a movie

although his work may not be on the practical side, his kind, heartwarming, funny personality is what pulled you into him

and who could resist that smile and fluffy brown hair?

#pedro pascal #pedro x reader #the unbearable weight of massive talent #nic cage #javi gutierrez #head canon #agent whiskey

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trulyinspiringmovies · 2 years ago

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Glass Onion: A Knives Out Mystery

“Glass Onion: A Knives Out Mystery” overcomplicates its plot to try and cover up the huge amounts of suspension of disbelief needed to go along with it.

Benoit Blanc receives a mysterious box that includes an invitation to billionaire Miles Bron’s private island for a murder mystery party. When he arrives there, he meets a group of old friends who have all gotten rich and powerful thanks to the help of Miles. Blanc quickly deduces that each one of them has a reason to want Miles dead and that something terrible is about to unfold.

Although I really enjoyed the first film despite its flaws, this movie really pushed my limits. While I appreciate the bigger scope of this film, “Knives Out” really benefitted from having a tighter script. Rian Johnson’s signature subversion of expectation is really starting to feel like it misses more than it lands. It’s what ruined Star Wars for me. It’s what kept me from giving a five-star rating for “Looper”. It’s also what needlessly overcomplicated this movie for me. I understand that the whole twist of the movie is that Miles makes everything think it’s more complicated than it actually turned out to be, but it still doesn’t work because it creates plot holes. The biggest one that stood out to me was why Miles would ever allow the world’s greatest detective after he committed murder and then saw the person he murdered alive and well. If he really wanted to get away with it, wouldn’t he have just respectfully asked Blanc to leave after they determined Blanc wrongfully got an invitation? After all, they both understood that this was an intimate get-together for old friends. Then Miles could’ve just taken care of the fake Andi and his other friends would’ve kept their mouths shut. The movie is also littered with glaringly suspicious behavior that you know will be explained later. It’s true that it’s engaging because there’s a sense of mystery, but it also comes off as too self-congratulatory when the movie thinks the audience didn’t notice the first time around. The movie also asks for too much suspension of disbelief. I’m sorry, but I just cannot buy that these intimate friends had no idea that Helen was impersonating her sister. You’re telling me that none of these people realized she was a completely different person? Also, the part about Helen being shot and surviving due to the bullet hitting her phone felt too convenient for me. That definitely wasn’t a part of Blanc’s plan and if she had died, which there was a high chance she would’ve, then the movie would’ve been over and Miles would’ve won. It makes the victory feel more hollow due to the fact that it was earned through sheer luck. The beginning of the movie also felt like it was being undercut. Duke’s mother just knowing the answers to the invitation box took the mystique and prestige out of it. I get that it’s supposed to foreshadow Miles not being as complex as he thinks he is, but it was annoying rather than funny to me. I also want to complain about how underutilized Leslie Odom Jr. was. It feels like everyone had something to do in the movie except him. I know a lot of people were talking about the cameos in this movie like Ethan Hawke and Hugh Grant. Honestly, I don’t get all the praise for them. Yes, they’re amazing actors, but they’re just actors playing parts. Why are people gushing over their inclusion just because they’re famous and recognizable? Just like the first movie, this movie has a message. The first movie was about immigration. This one was about the evils of capitalism. That’s fine and all, but I think Rian Johnson had such a hard focus on sending a specific type of message that he asked for even more suspension of disbelief. The alternative fuel was controversial because of how volatile it was. It was even compared to Hindenburg. You’re telling me that Helen and everyone else were at ground zero of the explosion and they all got out covered in ash and soot like cartoon characters? I didn’t hate everything about this film, however. I thoroughly enjoyed the performances of all the actors and I especially loved the set design. Mile’s office space was absolutely breathtaking. The wardrobe was also fantastic and just as iconic as the first film. I get that a lot of people enjoyed this movie and I don’t want to take anything away from those people. I just wanted to share why I couldn’t really enjoy the film myself.

★★★

Watched on November 26th, 2022

#Glass Onion: A Knives Out Mystery #November #2022 #Mystery #Comedy #Thriller #Crime #Drama #PG-13 #Rian Johnson #November 2022 #3 stars

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thorntonkrell-blog-blog · 6 months ago

Text

Let's face it, although we have flashbacks, we live our lives chronologically. The scenes develop organically with one scene following the next in a sequence known as "reality".

Movies on the other hand are not shot in chronological order due to many factors including the availability of filming locations and the scheduling conflicts of actors.

I have no such problems with chronology when it comes to my writing process. None of my characters are under contract so they appear at the moment they are needed in the situation proscribed for them and all locations are available to me as soon as I imagine and research them.

My first essays don't signify the beginning of the film any more than the burning of Atlanta signifies the beginning of Gone With the Wind.

Each of my postings is a puzzle piece, part of a whole that can only be determined when I'm done with all of my writing and somebody gives a shit enough to pull them all together and make sense of it all. Every so often, I'm the guy who gives the shit and pulls some disparate parts together as they seem to complete a mystery that was being created one puzzling puzzle piece after another. Let's behind and call the process non-linear and compare it to Pulp Fictiion, Citizen Kane, and/or Eternal Sunshine of the Spotless Mind, all of which were movies that were non-chronological although the ironic possibility exists that they were filmed in the order in which they were presented.

For example, I don't know much about either Stella or Gary yet. They may be just a part of a story about the myth of ineffectuality that Rivers could be telling his writing class or an actual bit of writing that Rivers provided for his students or a stry that Krell once told Rivers that Rivers has told to his students every year as part of the first day of class or maybe it's the advice he gives them on the last day of his career in a Goodbye Mr. Chips scenario. Who knows? I don't know and I'm Rivers.

Thus we arrive at the linear/non linear/dead/alive dilemma at the heart of existence be it fictional, non-fictional or metaphysictional. The big difference is that neither Stella nor Gary has any choice in the matter.

Stella could be attacked by a barracuda while lacing a starfish in the water. Gary could save her and transform from an uncaring jerk to a dashing hero. He don't know. She don't know. The barracuda don't know and neither do I but we'll find out before I die in real ife or stop caring enough to stop writing which ever comes first and even then it's possible that the story of Stella, Gary and the Starfish stranding will live on beyond me in the memory of one of my students who has read every thing not only that I have written but also everything that Dr. Bradley Kaye has written and that student's name is Ellie and she has a friend named Jackie who is a big baseabll fan because her Mom Diann was a nurse who was around for th fnal weeks in the life of Old Joe White.

Hmmm.

Movies aren't typically shot in chronological order due to a variety of practical and creative reasons:

Location Availability: Filming locations might not be available in the order they appear in the script. It's often more efficient to shoot all scenes at one location in one go, rather than going back and forth.

Actor Availability: Actors might have scheduling conflicts, so filmmakers shoot scenes involving certain actors when they are available, rather than waiting to shoot all their scenes together.

Efficiency: Shooting out of sequence allows filmmakers to maximize the use of sets, crew, and equipment. It can be more efficient to shoot all scenes that require a particular set or prop at once, rather than setting it up multiple times.

Weather and Lighting: Outdoor scenes often rely on specific weather conditions or lighting. Filming out of sequence allows filmmakers to capture these conditions when they are ideal, rather than waiting for them to occur in the script's chronological order.

Creative Considerations: Sometimes, shooting out of order can enhance the storytelling. Directors may want to establish character arcs or build tension by juxtaposing scenes from different parts of the story.

Overall, while shooting in chronological order might seem more logical, the logistical and creative considerations of filmmaking often necessitate shooting scenes out of sequence.

You

what are the most famous out of order scenes in American cineamChatGPT

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Several American films are famous for their out-of-order storytelling techniques. Here are a few notable examples:

"Pulp Fiction" (1994): Directed by Quentin Tarantino, this film is renowned for its non-linear narrative structure. The story is presented in a series of interconnected vignettes that are not shown in chronological order, creating a captivating and unconventional storytelling experience.

"Memento" (2000): Directed by Christopher Nolan, "Memento" tells the story of a man with short-term memory loss who is trying to solve the mystery of his wife's murder. The film's scenes are presented in reverse chronological order, with black-and-white sequences interspersed throughout to provide context.

"Eternal Sunshine of the Spotless Mind" (2004): Directed by Michel Gondry and written by Charlie Kaufman, this film explores the concept of memory and relationships. The narrative jumps back and forth in time as the protagonist undergoes a procedure to erase memories of his ex-girlfriend.

"The Usual Suspects" (1995): Directed by Bryan Singer, this crime thriller unfolds through a complex series of flashbacks narrated by a conman with an unreliable memory. The film's nonlinear structure keeps audiences guessing until the final reveal.

"Citizen Kane" (1941): Directed by Orson Welles, "Citizen Kane" is often considered one of the greatest films ever made. The story of Charles Foster Kane's life is revealed through a series of flashbacks and interviews, as a reporter tries to uncover the meaning of Kane's dying word: "Rosebud."

These films showcase how non-linear storytelling can be used effectively to engage audiences, create suspense, and explore complex themes.

You

how about first scenes that were shot much laterChatGPT

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Films occasionally shoot their opening scenes much later in production for various reasons, such as scheduling conflicts, logistical constraints, or creative decisions. Here are a few examples:

"The Shawshank Redemption" (1994): The iconic opening scene of Andy Dufresne (played by Tim Robbins) being arrested for the murder of his wife and her lover was actually one of the last scenes filmed. Director Frank Darabont chose to shoot it late in production because he wanted Robbins to lose weight to convey the passage of time in prison.

"Apocalypse Now" (1979): The opening scene of Captain Willard (Martin Sheen) alone in his hotel room was actually filmed towards the end of production. Sheen had a heart attack during filming, which delayed production, and director Francis Ford Coppola took the opportunity to shoot the scene later.

"The Godfather" (1972): The opening wedding scene, which introduces the main characters of the Corleone family, was one of the last scenes filmed. Director Francis Ford Coppola wanted the cast to have developed a strong rapport by that point, which would be reflected in their performances during the scene.

"The Shining" (1980): The iconic aerial shots of the Overlook Hotel were filmed at the end of production, as they required specific weather conditions and were dependent on the availability of a helicopter. Director Stanley Kubrick chose to shoot these scenes later to ensure optimal visual impact.

"Raiders of the Lost Ark" (1981): The opening scene, set in the Peruvian jungle, was actually filmed in Kauai, Hawaii, due to logistical challenges in filming in South America. This decision allowed the crew to take advantage of Hawaii's lush landscapes and favorable shooting conditions.

In each of these cases, shooting the opening scenes later in production allowed filmmakers to address specific challenges or take advantage of opportunities that arose during the filming process.

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How about CasablancaChatGPT

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In "Casablanca" (1942), the opening scenes were shot later in production due to the evolving nature of the script and production schedule. The film's screenplay underwent several revisions during pre-production and filming, and certain scenes were adjusted or added as the shooting progressed.

One notable change was the addition of the character of Captain Renault, played by Claude Rains, who became a significant presence in the opening scenes of the film. The character was not originally as prominent in earlier drafts of the script, but as filming progressed, the role was expanded to provide a counterbalance to Rick Blaine, played by Humphrey Bogart.

Additionally, the opening sequence featuring the iconic song "La Marseillaise" was added later in production to heighten the emotional impact of the film. The scene, which depicts a group of patrons at Rick's Café Américain defiantly singing the French national anthem in response to German soldiers singing "Die Wacht am Rhein," serves as a powerful introduction to the themes of resistance and patriotism that are central to the story.

Overall, while the specific reasons for shooting the opening scenes later in production may not be extensively documented, it's clear that adjustments were made to the script and filming schedule to ensure that "Casablanca" achieved its desired impact and effectively conveyed its themes.

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what was the first scene that Bogart and Bergman did togetherChatGPT

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The first scene that Humphrey Bogart and Ingrid Bergman filmed together in "Casablanca" (1942) was actually the iconic airport scene near the end of the film. In this scene, their characters, Rick Blaine and Ilsa Lund, confront each other on the tarmac as Ilsa tries to convince Rick to help her and her husband, Victor Laszlo, escape from Casablanca.

It's worth noting that the filming of "Casablanca" was not done in chronological order, so the airport scene, which is one of the most memorable moments in the film, was actually one of the first scenes Bogart and Bergman shot together. Despite this, their chemistry and performances in this scene are often cited as one of the highlights of the film.

You

had they just metChatGPT

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Humphrey Bogart and Ingrid Bergman were already established actors with successful careers before they worked together in "Casablanca" (1942). While it's unlikely that they had just met when they began filming "Casablanca," their collaboration on this film was their first time working together on screen.

Both Bogart and Bergman were seasoned professionals by the time they starred in "Casablanca." Bogart had appeared in numerous films, including "The Maltese Falcon" (1941), which solidified his reputation as a leading actor in Hollywood. Bergman, a Swedish actress, had already gained international acclaim for her performances in films like "Intermezzo" (1939) and "For Whom the Bell Tolls" (1943).

Despite not having worked together previously, Bogart and Bergman's chemistry in "Casablanca" is often cited as one of the reasons for the film's enduring popularity. Their performances as Rick Blaine and Ilsa Lund, respectively, helped elevate "Casablanca" to the status of a cinematic classic.

You

the endng was a mystery during productionChatGPT

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Yes, during the production of "Casablanca" (1942), the film's ending was uncertain and underwent several revisions. The screenplay, based on the unproduced stage play "Everybody Comes to Rick's" by Murray Burnett and Joan Alison, underwent continual changes throughout the filming process.

In the original play, the character of Ilsa Lund leaves with her husband, Victor Laszlo, at the end. However, as filming progressed, the decision was made to change the ending to have Ilsa leave with Victor, leaving Rick behind in Casablanca. This change was made to heighten the emotional impact of the film and to emphasize Rick's sacrifice for the greater good.

The uncertainty surrounding the ending of "Casablanca" during production is a testament to the collaborative nature of filmmaking and the creative process. Despite the initial ambiguity, the film's ending ultimately became one of its most memorable and iconic aspects, contributing to its enduring popularity and status as a cinematic classic.

You

the first scene shot was the iconic airport scene?ChatGPT

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I apologize for any confusion. The iconic airport scene was not the first scene shot in "Casablanca" (1942). While it's one of the most memorable moments in the film, it was not filmed first.

The shooting of "Casablanca" did not follow a chronological order. The first scenes shot were actually the ones that took place in Rick's Café Américain. These scenes included the interactions between Rick (Humphrey Bogart) and the other characters frequenting the café, setting the stage for the film's plot and themes.

The airport scene, which is near the end of the film and features Rick and Ilsa, was likely filmed later in the production schedule. Despite not being the first scene shot, it remains one of the most iconic and emotionally resonant moments in the film.

You

what was the first scene with rick and IlsaChatGPT

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In "Casablanca" (1942), the first scene featuring Rick (Humphrey Bogart) and Ilsa (Ingrid Bergman) together takes place in Rick's Café Américain. The scene occurs early in the film when Ilsa unexpectedly enters the café with her husband, Victor Laszlo (Paul Henreid). Rick is taken aback by her presence, as he had not seen her since their tumultuous past in Paris.

This scene sets the stage for the complex relationship between Rick and Ilsa and introduces the central conflict of the film. It establishes the tension and unresolved feelings between the two characters, which play out over the course of the story.

You

what scene between Rick and Ilsa was shot firstChatGPT

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The first scene featuring Rick (Humphrey Bogart) and Ilsa (Ingrid Bergman) shot in "Casablanca" (1942) was not the iconic airport scene, nor was it the scene where they meet again in Rick's Café Américain.

The initial scene shot between Rick and Ilsa is often referred to as the "Paris flashback" scene. It's the scene where Rick and Ilsa are shown in flashback, deeply in love in Paris before the German occupation. This scene is pivotal in establishing the depth of their relationship and sets the emotional tone for their interactions throughout the film.

It's worth noting that while this Paris flashback scene was one of the earliest scenes shot between Bogart and Bergman, the exact chronological order of filming within the production schedule might vary. However, this scene is significant in showcasing the chemistry and history between Rick and Ilsa, which drives much of the narrative tension in "Casablanca."

You

Movies are shot non chronologically.. What famous openeing scenes were shot late in productionChatGPT

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Films sometimes shoot their opening scenes later in production due to various reasons, including scheduling constraints, script changes, or creative decisions. While it's not always documented which specific opening scenes were shot late in production, here are a few examples where significant scenes were filmed towards the end of the production schedule:

"The Shawshank Redemption" (1994): The opening scenes featuring Andy Dufresne's arrest were among the last scenes filmed. Director Frank Darabont wanted actor Tim Robbins to appear visibly thinner, so they shot these scenes towards the end of production after Robbins had lost weight.

"Apocalypse Now" (1979): The opening hotel room scene with Captain Willard (Martin Sheen) was filmed later in production due to various challenges during the filming process, including Martin Sheen's heart attack. Director Francis Ford Coppola used this delay to shoot the scene towards the end.

"The Godfather" (1972): The opening wedding sequence of "The Godfather" was not one of the first scenes shot. It was filmed later in production to allow the cast to develop a strong rapport, contributing to the authenticity of the scene.

"Raiders of the Lost Ark" (1981): While not the very first scene, the opening sequence of Indiana Jones retrieving the golden idol was one of the last sequences shot. This was due to various factors, including the availability of locations and the complexity of the scene.

In each of these cases, significant scenes, if not the exact opening scenes, were shot later in production for reasons related to logistics, scheduling, or creative considerations.

You

what memorable s enes in famous movies were the first scene shotChatGPT

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Pinpointing the first scene shot in a famous film can sometimes be a bit elusive due to variations in production schedules and filming sequences. However, some notable instances where significant scenes were among the first shot include:

"The Godfather" (1972): The very first scene shot for "The Godfather" was the opening scene at the wedding of Don Corleone's daughter. This iconic scene introduces numerous characters and sets the tone for the film's themes of family, power, and tradition.

"Citizen Kane" (1941): One of the earliest scenes filmed for "Citizen Kane" was the famous breakfast montage in which the audience is introduced to Charles Foster Kane's childhood. This scene utilizes innovative filmmaking techniques and serves as a crucial foundation for understanding Kane's character.

"Gone with the Wind" (1939): The first scene shot for "Gone with the Wind" was the burning of Atlanta. This epic sequence, which required extensive planning and special effects, sets the stage for the film's epic scale and dramatic narrative.

"The Wizard of Oz" (1939): One of the first scenes shot for "The Wizard of Oz" was Dorothy's arrival in Munchkinland after the tornado. This iconic moment, transitioning from sepia-toned Kansas to Technicolor Oz, is one of the film's most memorable and visually striking sequences.

These examples demonstrate how certain pivotal scenes were among the first to be filmed in their respective movies, setting the tone and establishing key elements of the storytelling.

You

had Vivien Leigh been hired at the burning of Atlanta sceneChatGPT

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No, Vivien Leigh had not been hired yet during the filming of the burning of Atlanta scene in "Gone with the Wind" (1939). The burning of Atlanta sequence was shot early in the production schedule, and at that time, the role of Scarlett O'Hara had not been cast.

The search for the actress to play Scarlett O'Hara was extensive, with many actresses being considered for the role. Vivien Leigh was ultimately chosen for the role after extensive auditions and screen tests. Her performance as Scarlett O'Hara is now legendary, but she was not part of the production during the filming of the burning of Atlanta scene.

You

was Buddy Ebsen still the tin man when the first shot of wizard was madeChatGPT

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No, Buddy Ebsen was not the Tin Man when the first shot of "The Wizard of Oz" (1939) was made. Buddy Ebsen was initially cast as the Tin Man and even began filming scenes for the role. However, due to a severe allergic reaction to the aluminum dust in his makeup, Ebsen had to be replaced.

Jack Haley was ultimately cast as the Tin Man, and he re-shot Ebsen's scenes. Therefore, by the time filming commenced on the first shot of "The Wizard of Oz," Buddy Ebsen had already been replaced by Jack Haley in the role of the Tin Man.

You

Was the opening wedding sequence in the Godfather one of the first scenes shot or one of the lastChatGPT

ChatGPT

The opening wedding sequence in "The Godfather" (1972) was one of the first scenes shot during production. Director Francis Ford Coppola deliberately chose to film this sequence early on to allow the cast to establish a sense of familiarity and chemistry with each other. Shooting the wedding scene early in the production schedule also helped set the tone for the rest of the film and allowed the cast to develop their characters within the context of the Corleone family dynamics.

You

what famous films were shot chrono;ogicallyChatGPT

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Shooting a film chronologically, where scenes are filmed in the order they appear in the final story, is relatively uncommon in the film industry due to logistical and practical reasons. However, some filmmakers have opted to shoot their films mostly chronologically or partially chronologically. Here are a few examples:

"Russian Ark" (2002): Directed by Alexander Sokurov, "Russian Ark" is known for being shot entirely in one continuous take, which means that it was essentially filmed chronologically. The entire 96-minute film was shot in a single Steadicam sequence without any cuts.

"Birdman" (2014): Directed by Alejandro González Iñárritu, "Birdman" is another film known for its seemingly continuous shot style. While the film includes hidden cuts, it was largely shot in chronological order to maintain the continuity of the performances and the narrative flow.

"Victoria" (2015): Directed by Sebastian Schipper, "Victoria" is a German film shot in a single continuous take, following a young Spanish woman who gets involved in a bank robbery in Berlin. The film was shot chronologically over the course of one night.

While these examples involve films shot mostly chronologically, it's essential to note that the majority of films are not shot in this manner due to the complexities of production, including factors such as location availability, actor schedules, and technical considerations.

You

American films?ChatGPT

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While it's less common for American films to be shot entirely chronologically due to the logistical challenges of filmmaking, there are still instances where certain films have been shot predominantly in chronological order or have incorporated significant chronological elements:

"Boyhood" (2014): Directed by Richard Linklater, "Boyhood" was famously filmed over the course of 12 years, following the life of a young boy named Mason. The film was shot in sequence, allowing the actors to age naturally over the course of the production.

"Before Sunrise" (1995), "Before Sunset" (2004), "Before Midnight" (2013): These three films, directed by Richard Linklater and starring Ethan Hawke and Julie Delpy, follow the evolving relationship between two characters, Jesse and Céline, over the course of several years. Each film was shot over a relatively short period of time but takes place chronologically in real time.

"Babel" (2006): Directed by Alejandro González Iñárritu, "Babel" features a non-linear narrative structure, but each storyline was shot sequentially in the order they appear in the film. This approach helped maintain consistency in the actors' performances and ensured coherence across the interconnected plotlines.

While these examples may not represent films shot entirely chronologically, they demonstrate instances where chronological elements were incorporated into the filmmaking process, either through shooting sequences or narrative structure.

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randomshyperson · 4 years ago

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Can I request a celebrity AU with Elizabeth Olsen and Female Reader? Where R is Vision in the MCU. And like throughout a series of interviews and behind the scenes shots, you can see how the two actually fall in love in real life. And in like the final interview they ask “Are you two dating?” And this time they can finally say yes

Hello darling, how are you? I hope well. This took me a while, and i’m not sure you’re even going to like it. But i hope you do. It was honestly kind of strange to write for Lizzie, i kept mistaken the name as Wanda. Also, i changed your idea a bit, because i could find the right way to write the interviews. But anyway, here it is. Good reading.

Elizabeth Olsen x Reader - Love is outside the screen

Summary: The one where Reader plays Vision in the MCU and she falls in love with her co-worker Elizabeth Olsen.

Warnings: None.

Words: 4.308 words //// Read on AO3

Marks: @wandamaximoffpuppy

Part. 2 || Part 3

Eight years ago

Your agent was calling you for the third time, and you thought you should answer before you lost your contract.

Letting out an impatient sigh as you reached for your cell phone, you left it on speaker.

- Hello, Sara. - You say with a slight irony as you relax your body in the water of the jacuzzi again.

- It's not polite to ignore someone who keeps you employed. - she said irritated, making you laugh.

- Sorry, but I told you I was on vacation. - You reminded her. - And what did you keep doing? Oh yes, calling me.

- Don't be so grumpy, woman. - She replied with a light humor in her voice, and you could hear the clatter of keystrokes, suggesting that she was working. - I have an opportunity for you.

You raised your eyebrows in curiosity, but said nothing. And by your silence, Sara kept talking.

- Tell me, have you ever thought about being a superhero?

You let out an incredulous laugh, thinking it was a joke.

- I'm not going to make any weird latex movies, Sara. - You warn her, and she lets out a laugh.

- Actually, honey, it's Marvel.

You blink in surprise, and then turn to rest your arms on the edge of the jacuzzi and look directly at your cell phone.

- What are you talking about?

- Ah, caught your interest, huh? - She remarks. - You actors are all the same, one famous name and you fall to your knees.

- Sara...

- No, it's okay. - She giggles. - They want a openly queer actress to play a lesbian heroine, I think. And then they called me.

- Wow, Marvel doing something like that? - You comment. - It sounds like a lie.

Sara giggles.

- It pays well anyway. - She says, and then a notification pops up on the screen. - I just sent you the script. Let me know if I can confirm your audition.

You let out a sigh before saying goodbye and hanging up, grabbing your cell phone to read the script.

It is the scene description of your character's appearance, and there is also a note for the chemistry test. You bite your lips thoughtfully. You were known in the media for roles in international, indie and cult films, mostly lesbian romance. You had a few academy nominations, and had been awarded twice by the critics. Superheroes were not really what you were looking for. But then you remembered how much you missed having a lgbt reference in media like this, and then you are sending a message to your agent confirming your audition.

//-//

Present

You are twiddling your thumbs in your dressing room. It must be the ninth interview in less than two weeks. Letting out a sigh, you stand up, momentarily looking at your appearance in the mirror. The make-up team did a good job, you look well. And then you are walking outside, to the dressing room next to yours.

You knock on the door, and are soon answered. But Elizabeth doesn't smile when she pulls you inside.

- Hey, Lizzie, what's up? - you ask worriedly as you close the door. The next second she's hugging you tight, and you sigh. - You're anxious, aren't you?

- I feel like my heart is going to burst out of my mouth. - She grumbles and you start stroking her back, trying to calm her down.

- Remember that exercise we practiced, okay? - You ask her tenderly as you move your feet so that you move together toward the sofa in the living room. You break the embrace slowly, to sit Lizzie down on the couch as you kneel in front of her. She looks on the verge of tears, and you place your hands on top of hers. - Breathe with me, okay?

It will take you many minutes to calm her down, but you don't care. And then she smiles, and brings your foreheads together.

- Thank you. - She whispers before kissing you. She walks away too quickly in your opinion, but you can't say anything because the producer is calling you next, announcing that the interview starts in two minutes. You smile at Liz before getting up.

//-//

Seven years ago.

You had just finished filming your last scene in Age of Ultron when your agent called you. Scrolling your finger quickly across the screen, you answered while your cell phone rested on the table in your dressing room, and you kept your hands busy trying to pin up your hair.

- I'm leaving the studio, Sara, what's up? - you told her.

- I wanted to congratulate you on the affair, although I'm surprised it happened so quickly. - She says and you frown in confusion, finishing up with your bun. You pick up your cell phone next.

- What are you talking about?

Sara giggles, and sends you an attachment. You pull your cell phone away from your ear to look at it. It is a photo of you and Elizabeth, your teammate and romantic partner in the franchise, taken the same day you discovered Liz had social anxiety and took her out for coffee with you to take her focus off the celebrity world for a while. The paparazzi managed to capture the exact moment when you kissed her on the cheek in farewell.

- This is all over the gossip sites as Marvel's mysterious romantic couple. - Your agent commented, and you rubbed your fingers across your forehead in irritation.

- You want me to publicly deny a relationship, is that it? - you ask, walking around the dressing room and gathering your things.

- What? No! This is great for advertising. - she says with slight excitement in her voice. - Especially after the movie comes out! Fans love couples who fall in love behind the screen.

You roll your eyes, switching your cell phone to your ear.

- I'm not going to make a relationship contract if that's what you're thinking! - You say with irritation and can imagine Sara rolling her eyes on the other end of the line.

- Yes, yes, we've been over this, Miss Morally Correct. - She scoffs lightly. - But I really called to talk about the premiere. We have details to discuss.

Sighing, you ask her to wait. Then you finished putting your things away, and grabbed the phone as you walked out the door.

//-//

Six years ago, California

Interviewers can be motherfuckers when they want to be, you thought as you bit the inside of your cheek, trying to keep your face impassive as you watched the woman in front of you list the "missed moments" from the Avengers set. You knew that your agent had talked to the show's staff about the authorized questions, and yet here you were on live television, having to declare whether the timely photos taken on the Avengers set meant that you had a secret relationship with your best friend Elizabeth Olsen.

A slideshow was playing on the screen behind you. There were pictures from the footage, many where you and Liz were laughing together, or having lunch together. There were some where she was sitting on your lap, or vice versa. Your expression softened when you noticed one where she was looking at you adoringly. It was so strange to be an artist sometimes. You smiled politely at the presenter.

- Come on, Ellen, you know how these things are. - You said. - Things are different on camera, Lizzie and I are friends.

The audience let out a chorus of displeasure, and Ellen laughed lightly.

- You know that many of the fans would like this rumor to be true, especially since you two play a couple and you are openly queer. - She says, and you wiggle your fingers in your lap, uncomfortable with where this conversation is going, but you nod in agreement. - Furthermore, you say that the paparazzi cameras are deceiving, but what about the stories you post on your personal networks?

She asks with a chuckle, and then other videos are playing on the screen, and you force yourself to smile and watch.

The vast majority are harmless, and platonic. You spend a lot of time at Liz's house because when she moved in, you were her reference and tour guide, and so you got into the habit of checking up on her. And then you became friends and you spent more time at her house than at yours.There were many videos and pictures on yours and her instagram where you two were tending a garden, playing board games, cooking together, or watching sports. You bit back a smile as you watched the memories through the images.

- See?It's hard to believe that this is just platonic. - Ellen insisted again, and the audience laughed. You tried to cover it up with a smile. - But since you claim to be single, we're going to play a game now. It's called "Who Would You Rather?

The audience applauded and you giggled, straightening your posture in your chair. And then the studio screen had a sign with the name of the game.

- It's very simple, you just have to choose which of the artists you would rather. - She explains, and you blink.

- Rather what?

Ellen lets out a giggle, and you understand, nodding in embarrassment. The audience laughs. The picture changes to two pictures.

- Who would you rather, Scarlett Johansson or Chris Hemsworth?

- Wow, that sounds like a trap. - You comment awkwardly, making the audience laugh. And then you bite your lips. - I think Scarlett.

Ellen gives you a suggestive look, and the audience chuckles, you force yourself to imitate them. The picture changes again.

- Scarlett or Sebastian Stan?

You laugh, smoothing your hair slightly.

- I don't know, I think Seb. - You answer. And then the picture changes again, and you want to run away when the audience gives a chorus of excitement.

- Sebastian Stan or Elizabeth Olsen?

- There it is the trap. - You comment clumsily, causing the audience to bust out laughing. You swallow dryly and look down at your lap before saying. - I'd say Elizabeth Olsen.

You played for a few more minutes, and then the game ended with you choosing Elizabeth at the end, which got the audience cheering and celebrating. When the interview was over, Sara was calling you, and you were massaging your forehead when you answered.

- I thought you said you two weren't dating. - She teased, and you grumbled in irritation.

- I thought you had discussed these matters with the staff. - You retorted, slightly irritated. - She only asked me about Lizzie and dating the entire interview.

- Honey, you're America's sweet couple. - She sneered. - Ellen wants viewers and will ask the questions that the audience wants to know.

- That's ridiculous. - You said and then sighed. - Why did you call me anyway?

- I have your new shooting location, so get your coats and jackets ready.

//-//

Six years ago, Berlin.

You are laughing at Anthony's imitation of Robert. Sitting in the shared dining hall, you were having a good time over lunch with your other colleagues while you were recording Civil War.

And then you were in scene again, many minutes later, and you found it strange that the nervousness was crossing beyond your character during a specific scene in which you were counteracting with Elizabeth.

You saw her laughing at a comment your character made, and you should have this expression of surprise and embarrassment, but you didn't even have to act it out. Your cheeks reddened naturally at the image of Liz laughing. And then the director said cut when you were done and you were rushing out to clean up your makeup.

Later that day, after the shoot was over, the team wanted to visit a local pub, and you accepted the invitation, ignoring the previous event, and smiling when Elizabeth touched your arm to get your attention.

- A toast to the Avengers! - shouted the camera crew chief when you were all gathered at the bar, you thought maybe he had had too much to drink, but you joined in the toast.

You stood next to Lizzie and Chris at a table while sipping a dark drink that might have been craft beer, or something German.

Your cell phone vibrates with a notification and you choke in surprise at the content of the message. Sara had sent you a note from TMZ, stating that your secret romance with Elizabeth Olsen was threatened because you had been seen leaving a coffee shop with Katie McGrath.

Chris and Lizzie look at you curiously, and you just lay your cell phone down on the table for them to see while you turn the entire glass of beer in your mouth.

- Wow, so your type really is super heroines. - Chris commented with a smile, and you laugh, pushing him away slightly.

- I swear, I can't be seen talking to any woman that she is automatically my girlfriend. - You say irritated as you put your beer glass back on the table. Your gaze returns to Lizzie, who has picked up your cell phone from the table and is reading the news. Then she hands the phone back to you, and gets a strange look on her face that you can't read very well, but she forces a smile.

- At least you cheated on me with a pretty girl. - she says and you frown in surprise. Chris laughs at the joke, but before you could have any other reaction, the rest of the team is joining you.

//-//

Five years ago, California.

You gave up fighting the questions about your relationship with Elizabeth. They would happen anyway, whether your agent talked to the teams or not, so you just smiled politely when you told people you were just friends and remained truthful in your statements.

Usually the interviews with Lizzie were easier, because you went into protective mode and your brain was ready to give sharp, snappy answers to keep Elizabeth from being embarrassed.

So here you were on the Night Show, with one of your favorite interviewers, and your best friend by your side. Jimmy was asking good questions, and he was funny. You hoped he wouldn't ask anything too embarrassing.

After many questions about employment, and worldview, which was refreshing, he finally asked you about the rumors of your secret relationship.

- Girls, you know that the public wants to know. - He began with a smile, and you laughed lightly, exchanging a look with Lizzie. - And actually, we have arguments this time.

- Here we go. - You commented with light irony which made the audience laugh.

Your latest posts on instagram were visible on the big screen.

- Last Tuesday, both of you posted these stories on your personal accounts. - Jimmy started with excitement. - And it rocked the internet completely, because the location was visible on your instagram, Elizabeth.

Lizzie let out an embarrassed giggle.

- Well, if the public's doubt is whether we were together there, they can confirm it. - She said, and Jimmy let out an excited exclamation. Lizzie waited for the audience to stop their celebratory chorus before speaking again. - But this was a special celebration, since it was my birthday.

- And I took her on a trip to Mexico. - You completed the story with a slight smile. The audience let out a chorus of happiness and you looked at them in confusion. - Guys, friends do this!

Jimmy and the audience laughed for a moment and then the image came off the screen.

- Come on girls, you're giving us material. - He remarked with a smile. - And you're still going to deny the relationship like you always do, I imagine.

You and Wanda exchange a short chuckle.

- Look, Jimmy, all I have to say is that Lizzie is amazing, she really is. - You saw yourself confessing. - Anyone would be lucky to date this brilliant, spectacular, sweet, fun-loving woman. But that person is not me.

Jimmy lets out an exclamation of sadness along with the audience, but then they applaud your words, and you smile wryly. You risk a glance at Lizzie for a second, and she has slightly flushed cheeks, and looks surprised at your words.

You ignore the nervous feeling at the pit of your stomach, and decide to keep your posture polite as you answer the next questions.

//-//

Four years ago.

You had to kiss Lizzie. And then you shook your head. No, not you. Vision. Your character, Vision, had to kiss Lizzie's character, Wanda Maximoff. And you repeated this like a mantra as you walked from your dressing room to the set.

The day you read this scene, you smiled politely at your agent, and disguised any apparent nervousness. And then you spent the last few weeks pretending that if you didn't think about it, eventually the director would make a change and the scene wouldn't even exist. But here you were, trying to have one last drop of professionalism.

You weren't even recording the scene officially, it was just the rehearsal of lines and marking, and you had sweaty hands.

As you walked through the studio, the staff smiled and greeted you, and then you spotted Lizzie and ignored the uneven beating of your heart.

- Let's get started girls. - announced Russo as soon as he caught sight of you. He signaled for you to follow the team's prearranged schedule. You smiled at Lizzie as you took your place. - We can test the order of the scene directly. I need to know which angle is best to have Vision ask Wanda to stay with her.

And then you started recording. And now you were Vision. There was no time to think about how naturally your hand fit into Lizzie's, or how good it felt to feel her hugging you. And then Russo shouted cut again.

- That's pretty good. - He commented, looking at the monitor. - Let's shoot the stone scene okay, then the action scene.

The scene started, and you said your lines the way you were supposed to. And then you were looking at Lizzie, and she kissed you as the script said. You held the sigh in your throat, and pulled away. Vision doesn't sigh, so you shouldn't either. And then you are smiling as written, and the director closes the scene again.

You were getting pretty good at hiding how affected you are by Lizzie the more you kiss her onstage. And then you wrap up the day's shooting, and you are mentally exhausted. You want to sleep in your dressing room, but you decide to go home.

And as you are walking back to your car, Lizzie calls out to you.

- Hey, partner. - She greets me by walking beside you. - Don't you want to go for a drink tonight?

You let out a sigh, ignoring the urge to shout that you would go anywhere with her, and thinking about how tired your body is.

- I'm exhausted, Lizzie. - You tell her, and she looks upset, but you add with a smile. - But I'll take it if it's something at your place.

Lizzie's face lights up quickly, and she nods, and then says she'll leave something in her car. She returns when you are already in yours.

- All set? - You ask to confirm, and she smiles and nods. And then you start the car and drive out of the studio.

Lizzie turns on the car stereo a moment later, and you begin humming the song.

- You've been distant lately. - She comments distractedly as you drive away. - You know you can talk to me, right?

You smile, ignoring the feeling in your stomach.

- Yes, Lizzie. - You say without taking your eyes off the road. - I'm just busy, that's all. It's nothing.

Lizzie makes a noise of agreement and looks away. You think maybe she believes you're not telling her the truth, and you feel guilty. So you decide to change the subject.

- How are things at home, Liz? Are Mary-Kate and Ashley well? - you ask, and she looks at you quickly.

- Everything's fine. - she says, and then she bites her lip. - Did I do something?

You frown, glancing quickly at her before looking down the street again. The light was red. And when you turn your head toward her, she lets out a sigh.

- You don't talk to me anymore. - She says seriously, looking at you. - Since Berlin, you're just distant. Always busy, and with ready-made answers. And now you try small talk, even though you hate it. I wish you would tell me what I did wrong.

Your heart is racing at the accusations, because she is absolutely right. And then you swallow dry, and prepare to speak, but then Liz is pointing ahead, the headlight has opened. And you have to drive, and she crosses her arms and looks away to the window.

You drive the rest of the way to her house in silence, and when you park the car in the driveway, she mumbles a goodnight before getting out.

Squeezing the steering wheel in your fingers, you take a deep breath. And then you get out of the car, and the noise of the door opening surprises her because she turns to look. But you are walking toward her, and raising your hand to the back of her neck, bringing your mouths together. Lizzie chokes in surprise, but in the next second she melts against you as she kisses you back.

You part breathlessly, holding your foreheads together.

- I am in love with you. - You confess. - I'm sorry I was a complete idiot, but I was terrified.

Lizzie giggles, kissing you again quickly before hugging you. And then she is breaking the embrace to look at you, a shy smile on her lips.

- I'm in love with you too. - she says. - I'm glad that's the problem and not something else.

You laugh, and kiss her one last time before entwining your hands and walking toward her house.

You decide to take things slow, so naturally, two weeks later, you ask her to be your girlfriend over dinner. Lizzie smiles all night, but you know that if this is a secret, she can't wear the ring.

Public relationships mean contracts, and agents, and unwanted questions, and lots of opinions about your lives. And you two wanted to keep that to yourselves for the time being.

So when directors comment that your onstage chemistry is amazing, you two just nod and thank them. When the interviewers ask if you are together, you deny it as before.

The first time you sleep with Lizzie, you almost break the bed. And it's all right, because you two are laughing with happiness and pleasure, and she pulls you in for another kiss. And you entwine your hands, the commitment rings on your fingers.

A year and a half later, you are getting very busy with your participation in a youth series, and there are many rumors that you are dating your co-star, so Lizzie is jealous and you can't blame her.

You decide that the secret cannot go on any longer, at least not to your friends and employers. So you talk to Lizzie, and you both call your agents. Sara laughs for ten minutes when you tell her, but she is happy to talk to Lizzie's agent. You are not public yet, but it is important that all parties are in agreement. You hate bureaucracy, but you don't mind as long as Lizzie's hand is in yours. Your friends are very happy, and the other cast members tease you constantly about it.

When you shoot the last movie, you think you are going to be fired because your character has died. But then you and Lizzie get a series together.

You try not to overthink how you will deny the rumors on television, but Lizzie kisses you on the cheek and tells you that you will face it together.

It takes three more months for you to propose. You think your chest will explode with happiness when she accepts.

And then you are calling your agents again, and Sara almost faints when you tell her that you got married in secret at some registry office in the Caribbean and she needs to get the paperwork sorted out. When you get back to California, there is a small ceremony with your family members.

//-//

Present

You and Lizzie are sitting side by side in the interview. The questions about WandaVision are over, and now you know from Jimmy's expression what he is going to say.

- The last time you were here, I had only an instagram post as an argument for your secret relationship. - He says, making you, Lizzie and the audience laugh lightly. - But now I have talked to the production and they prepare a presentation.

- My goodness. - You remark, making him laugh. And then he waves to the big screen, and you try to disguise your nervousness.

A presentation of images began to play to the audience to the sound of "honeybee" by the band "The Head and The Heart". There are several studio shots, from photo rehearsals to behind-the-scene moments. There is a picture from the day you met, from the first cast test, from the Avengers taping, paparazzi shots of you laughing in the parking lot, or in the open areas. There are pictures of you walking around Los Angeles together, pictures of your rides, or your travels. There are clippings from instagram stories where you spend time together, laughing and hugging. The presentation ends with the BTS photo of WandaVision from the first day of recording where you have your arm around Lizzie, and the two of you are laughing.

You clear your throat away the emotion, but Lizzie wipes her eyes lightly.

- That was very beautiful. - She comments as Jimmy hands her a piece of tissue paper. The audience bursts into tears of excitement.

- I guess we can get to the part where you deny everything now can't we? - Jimmy jokes and you smile and straighten your posture.

- Actually, Jimmy, we have something to announce.

#wanda maximoff #wanda x reader #wanda x you #wanda maximoff x reader #wandaxyou #elizabeth olsen #elizabeth olsen x reader #elizabeth olsen x you #wandaxreader #wandamaximoffxreader #wandamaximoffxyou

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oonajaeadira · 3 years ago

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A Girl Walks Into a Bookshop: Chapter 1: Something Tender Inside

Pairing: eventual Ezra (Prospect film) x f!reader

Rating: T for now. Soft AF.

Warnings: None.

A/N: @grogusmum put the idea of bookkeeper Ezra in my head and I couldn’t stop thinking about him. (Although, I can’t stop thinking about Ezra just in general.) If y’all like it, his may be a soft little slow-burn series, not much will happen, just a pile of fluff to curl up with when you need something disgustingly soooooooooooft and chewy and dreamy (or if you’re @cannedsoupsucks and need a little Ezra + books to help you through a migraine). This is set a couple of years or so after the events of the film.

Summary: You’ve passed by this bookshop a hundred times. But today, Ezra convinces you to enter.

TAGLIST: you can always request to be on the taglist for this or any of my work. If you’d like to be on taglists for upcoming fic, please sign up here –> TAGLIST

MASTERLIST - BOOKSHOP MASTERLIST

_________________

The book is a work of art. Red binding, gold lettering, scrollwork. The Streamer Girl. When was the last time you sat down and read something new? Held a beautiful volume like that in your hands and smelled the pages? Watched the curling script fall over sentences and create worlds in your head? It might do you good, just to take an evening to let your mind wander away from things. You’ve been low for far too long. It really isn’t good for your health to fixate on your failures over and over….

But not this book. Not this expensive looking book in this quaint little bookshop window. You’ve passed by this shop a hundred times, meant to check it out, but tore yourself away. You had books back at your workshop you could read again. Points were scarce and new books were a luxury you weren’t able to justify at the moment. You knew if you ever entered the shop it would just break your heart for not being able to bring them all home with you. And so you usually tucked your head down and moved on. But today, that unexpected transmission from your ex…. You made bad choices, babe, told you you’d be sorry….You were in a haze of self-doubt and not really paying attention to your errands and this little red book just caught your eye. Took you on a stream-of-consciousness tangent. Screamed out “you need a little escape.”

What was this place called again? You’ve been staring at the book in thought for a few minutes now and when you lift your eyes to read the sign above the door, you jump when you catch instead the eyes of someone on the other side of the glass who’s obviously been watching you. Crooked smile under a rough mustache. Patch of blonde hair over one temple among a thatch of brown. He’s got a canvas apron on, must work here. Leaning forward over the window display not a foot away from your face. How long has he been there? Weirdo.

You huff a short laugh and give him the universal look of “you scared the shit out of me, buddy,” which only causes the smile to creep up further on one side of his face. He jerks his head, “come on in.” And you throw a smile that doesn’t travel up to your eyes and wave your hands, “no, just looking, sorry” and start to move on.

But as you pass the door, he’s leaning out, calling apologetically. “It seems you are in want of a good book, gentle wanderer. The volume you were sizing up is indeed a fine choice.” You might just harden, wave him off and pass by, but now that the door is half-cracked, there’s the whisper of a pull to enter the shop. There’s also something warm in his tone, a fringeling twang that you’re a sucker for, something you don’t hear often on Kassiot.

“Ah, thank you. I was just looking.”

“I could see that. You were looking, but you were also wanting. How many times have you passed by this establishment and fought within your fine person the want to come in and explore?”

He...has an eccentric way of speaking that you find both fascinating and a bit of a red flag. If you stop for a conversation, you might find yourself trapped with someone you can’t nicely break away from. But you also can’t resist a character and make the decision to engage with thinly veiled amusement.

“How do you know this isn’t my first time seeing this shop?”

“Well, I could answer that, but it might betray the amount of time I spend looking out of windows.”

“Hm. Sounds like a lot.”

“Enough to notice.”

Wait. What does that mean? Has this guy been watching you? Is it time to get confrontational? “Yeah? What have you noticed.”

“It is the nature of the human beast to detect the gaze of a face that turns their way, as yours does toward these windows ‘most every afternoon. You’re the one whose eyes linger when her feet will not. But today, they did. And here you are.”

Something in this sincere, poetic reflection softens you, tugs at you. Like he hears a yearning within that you thought was quieter than it was. But it’s not his job to analyze you. It’s his job to sell his wares.

“Honestly...I love books. I do. I just...it’s a luxury I can’t afford right now. And this is just the kind of shop I think would ruin me.” You look up to the sign--The Queen’s Lair--and behind him to the dark wood paneling and high ceilings and chaotic but tightly-packed shelves, exactly the type of shop you’d wrap around yourself for comfort, but would feel guilty about spending hours in without buying anything.

The man smiles again, this time not so crooked, but it crinkles his eyes and throws a light into them. “Well then, you’re in luck! We have a traders and borrower’s policy here--nobody should go without a story in their clutch if they are in need.” He steps out to open the door for you, and it’s here that you notice his right sleeve is neatly folded and pinned up over a missing arm. “If you would be so kind.”

You might have said no. But he’s the one asking your favor, asking to be the one to serve you, with that dialect and some kind of rough charm…. And so you step in.

It’s exactly as you feared, dense rows to get lost in, narrow passages weaving back Kevva knows how far, wandering paths lined with books from floor to heaven, shelves higher than can be reached. But above that, the ceiling is painted deep blue with gold stars.

He notices you gasp a little at the detail. “My niece’s embellishment. Insisted on it. Enchanting, are they not? You’ll want to step over this way. I’ll ask you to mind the stacks, if you would.”

You barely hear your footsteps on the floor as the space is so muffled, so softly deadened of all harsh noises by the masses of bound paper all around you, nothing but the welcome creaks of the wooden floorboards. There’s something in the air that’s giving off a clean smell over all the leather and old paper, something of fresh--you spy jars of fillianweed in some of the corners and on shelves. Of course. Filianweed is poisonous to book mites. Lightly fragrant and useful. The little jars stuffed all around give the shop a bit of an arcane apothecary feel.

He leads you over to a small side room of the store with books stacked up in piles on the floor, the shelves mostly empty but with a few loose volumes haphazardly thrown on. Looks like he’s in the middle of a re-shelving project here. You’re barely able to squeeze in next to him, a little closer than you’d like, being that you seem to be the only two in the shop. He’s a large-ish man, a little backwater roughness in him, but he doesn’t come off as untrustworthy. In fact, you feel oddly safe around him. He’s not what you would expect in a place like this. Seems too sturdy. Built for harder labor. Which, you suppose, could be lifting and staking books after all.

His voice brings you back to the matter at hand.

“This is the kipper’s room,” he gestures to the piles, “I hope you’ll forgive its not-so-temporary disorder. Volumes tend to come and go fairly regularly here and I have not had the time or help of late to make it more presentable. But you’re welcome to skitter things around at your discretion.” He picks up an impressive amount of books with his one broad hand and plops them on a shelf, uncovering a paperback that he grabs and wags at you, gesturing as he speaks. “Initiates can take a book from this room free of charge. If I never see it again, well, that’s on me. But you can return it for trade or bargaining. You do that enough times, and I’ll discount a newer model for you. You bring in more, well, then we’ll have a spirited conversation regarding worthwhile compensation.”

“Really? You just...give books away.”

“Well, if you can learn to look past an inelegant cover, you just might find something tender inside. As you can see, many of these are well-loved and worth more for their stories than for their looks. Hard to sell. Probably been on many a freighter trip. But a book’s a book. I’m not going to turn one away to the scrap heap if it means another soul might find some comfort in it. Now if it’s the one you’re pining for in the window, I don’t currently have that particular story on loan at the moment, but this one,” he hands you the paperback, tapping a finger on the cover, “may be on the same cue. Little mystery, little adventure, but a bit more of a...ripened theme. It’s got a hell of a love story will knock you back on your softer sections.”

You feel your stomach twist and you breathe out a nervous laugh to cover it. “Oh no. Thanks. Ah...I can’t do anything with romance right now.”

He’s quiet for a second, his eyes sinking into the slightest sad squint as his bottom lip purses his mouth and mustache up. Damn. That was revealing too much and now this peculiar man is pitying you. I don’t know you, sir, please don’t ask questions…..

But just as you’re about to backpedal and make unsteady excuses, he quickly lifts the book away in as much motion now as he was stock still just moments ago. “Okay. Then may I suggest--” he bobs his head searching a couple of stacks before grabbing and moving a few handfuls off one to uncover a smaller, less worn book. “This one starts off on an amorous note, but let me assure you, the man is a scoundrel and it does not take long for the heroine to kick him cleanly aside and find a more heartening adventure.”

The book fits into your hands like it was made for you to read. The Shillytern. The blue cover just shows a picture of a fairy tern, a tiny bird native to Kassiot, one that can fly over oceans without rest, but makes its nests in high places, building them out of rare purple bellflowers. There’s an old Kassiot song about a fairy tern that grows tired of purple flowers and flies out over the ocean to find those of pure white, never to be seen again. Rather than assume the bird has died, the lyrics imagine that she triumphantly finds a land of white flowers and better mates. An old classic for heartbroken lovers. Fly away, shillytern, go follow your heart’s desire. You haven’t seen a fairy tern or heard that song since you were a child and the picture twists a nostalgic dial within you. Happier memories. A means of escape.

You nod. This is the one you’ll take. “Do I need to fill out a loan card or something?”

He throws his head back just a little, his smile cocky enough to hold pride that he’s picked out the right book for you, but also kind--he’s happy to have been of service. “Not at all. Just need your name.” His voice is low and soothing; for someone who just met you, he genuinely seems to care and know that you’re not having the best day. He holds out his hand to you.

If you can learn to look past an inelegant cover, you just might find something tender inside.

You slip yours within his. But not with your opposite as in a handshake. Something grateful comes over you and you take his hand like a friend and squeeze it, give him your name and thank him, surprising yourself with this strangely intimate and awkward gesture in this cramped space.

His hand is warm and dry from handling books, it circles yours greedily, burying it, dwarfing it within his sturdy fingers. You can feel the heat rising to your cheeks. But you don’t care because this man magically appeared out of nowhere and just gave you something you didn’t even realize you desperately needed today. Just a small thing, just a book, the hint of a memory, the promise of a little tranquility, the invitation to enter an environment that closes around you like a warm hug and smells like a long ago you’ve never seen.

He chuckles softly and squeezes back. “Name’s Ezra. And I am more than delighted that we’ve found something to your liking, but I’ll be needing the book to mark it with a loan stamp.”

“Oh.” Of course. The book. That heat in your cheeks shifts to a different kind of embarrassment as you realize now what he was actually reaching for. “Sorry.” Shit. Now who’s the weirdo here.

“No need for atonements, gentle friend. Far be it from me to turn down a gesture of connection or kindness from one who gives it in sincerity, nor from one who seems to crave its return.” Ezra’s keen eyes search your own before he nods his head around you in the direction you came in from and the rest of him follows, stepping over a short tower of books so as not to crowd you as he moves through the passage. “Front desk’s this way.”

He’s an odd mix of arresting stillness and sporadic energy, mirroring both the quiet atmosphere and visually busy aesthetic of the shop. If you’d laid in bed after waking and had to guess what twisting turning kind of a day you’d have, you never could have written this plot. The stinging slap of the transmission from your ex. The low morning. The burned toast. And then the moment you zoned out on your way to the markets, it brought you this little adventure with this strange character and his wondrous shop.

As he fumbles with the balance of opening the back cover and placing the stamp one-handed, you avert your eyes back to the painted stars overhead.

“Is this shop yours then?”

“It is. Bought and branded. The whole caboodle.”

“Huh. So is there a second floor?”

“There is, but it is devoid of books. That is where I lay my head at the end of a day tending to them.”

“You live upstairs? I didn’t think this sector was zoned for living quarters.”

“Squatters rights. You privately buy and sell on a piece of land, you have a right to sleep on it as well. All the enterprises on this street enjoy that little luxury.” He taps the spine of the book on the counter to get your attention. “Your paper fantasy awaits. Treat her like you love her.”

The little book passes reverently from his hand to yours, your thumb catching the back cover to peek at the insignia marked there--a classic English Q with an integrated L surrounded by little stars. “Must be nice, living above a bookshop,” you muse. “If you can’t sleep, you just have to come downstairs and grab a story to help.”

His dark eyes read you, judging your own set of strangeness, as if nobody else would point that out. Surely it’s not a unique thought. He must get that all the time.

“It does have its perks.”

There’s that stillness again as he watches you benignly, warmly, as you examine the paperback. Nothing more to say. The transaction is complete, he’s done his job, got you in the door and a book in your hands. Although, it’s not like there was a profit or currency exchange. Just a… an exchange of… what? Time? Kindness? You’re suddenly a little overwhelmed by it, sorry you’d resisted at the beginning.

“Well. Thank you. Ezra. It's nice to have a place to…” You gesture generically to your surroundings. “I’ll be sure to come back to exchange it.”

“I have no doubt. I anticipate it and look forward to your thoughts on it. No need to be carrying a book to step through that door. The shop is always welcome to wanderers. The novels like to be surveyed from time to time, and I would not mind the company in the quieter hours.”

You suddenly notice how still the shop is, the way the dust rides the sunlight, undisturbed. You’ve seen more people here, seen folks step aside at the door as someone entering makes way for a patron exiting with an armful of books. There must be little pockets of slow periods like this, and you can imagine him tooling around the shelves, dusting, replacing the jars of fillianweed, lazily stocking and rearranging...even staring out the window in thought. You bet he whistles... If he’s inviting company, that means he must run the place by himself.

“Do you… need anything?” You ask before you even know what you mean.

Ezra’s head tips back as he looks down at you in amusement, and his body leans forward, his elbow on the counter. “That is a simple question with many complicated answers could fill several afternoons and easily keep me from my vocation.”

It’s the first time you’ve genuinely smiled today. “I mean. It seems you work on your own here. Do you need...I don’t know. Can I run and get you some lunch or something? A coffee?”

The crooked grin from earlier returns. “I do appreciate the offer. But I assure you that for today at least, I am wholly content.”

Weirdly on cue, the door opens and an older man totters in, grizzled and greying, carrying a paper bag smelling of something freshly grilled. “Hey Ez,” he coughs and grumbles, setting the bag on the counter as you back off to give him clearance. “Brought your order. Ma says hello and wonders if you have that new Caldwell novel.”

“I believe I do. I’ll return with it shortly.” A short nod and a small smile float your way before Ezra disappears between the stacks.

It takes a moment to adjust back to the warm sunlight and the sound of insects when you reach the street. Where were you going? Supply market for parts. Farmer’s stall to see what’s available for fresh vegetation. FrieghterPost...that’s right, there’s a paper transmit in your pocket, an angry message back to your ex. Hmm. Scratch the FrieghterPost. You’re only half the heartbroken you were this morning, and a lot less angry for sure; you’ll just recycle the paper when you get home. The book fits nicely in your jacket pocket as you head off toward the market, hardly weighing you down at all. In fact, you couldn’t feel lighter in your heart and on your feet. Day’s taking a better turn after all.

________________

Chapter 2: Has a Glow in It -->

I’d just like you to squee over this wonderful illustration Maia did of our boy and the bookshop:

Illustration by @mjpens Original post can be found here at here.

Taglist: @extraterrestrialdork @14mcmd1122 @grogusmum @cannedsoupsucks @melobee @bruschi3 Also tagging @honestly-shite because of this post and its comments....and mostly for the mutual love of Ez + books.

#soft ezra #ezra (prospect)#ezra x reader #ezra x you #ezra (prospect) x reader #ezra (prospect) x you #book keeper ezra #book seller ezra #pedro pascal #soooooft

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marvelandsuchstuff · 4 years ago

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Sleepless Nights and Golden Sunlight (Corpse husband x reader)

A/N: helllllooooo everyone, I think like most of the internet I have been obsessing over this man for the past week and couldn’t help myself. I would however like to take this time to say that I will fully respect this man and if he ever does want this taken down - I will do so :). Anyways I wrote this shit in 12 hours and it’s now 2:45 am lol but I hope you enjoy!

Warnings: None, unless I can kill you with softness

It was well past 6 am when the sun had crept through the sheer curtains of the room (y/n) lay asleep in. The golden light streamed on to the grey bed in which she was peacefully in her own world. She was curled up around one of the pillows, with a small smile cracking through her soft lips.

In one of the other rooms, a man sat at a desk trying to record a video for the third time in the past four hours. He was growing increasingly furious with the script in front of him, no longer wanting to attempt reading it out. Put it down to the lack of sleeping for more than three hours or the fact that he was pushing himself too hard again with the rapid rate of growth over these past couples of weeks. But what he did know is that he needed to finish this video, however, no matter what he did, he just couldn’t seem to do it.

That’s when he finally gave up and slammed his hands down on the desk in front of him, not noticing how loud it had been. He sighed and looked at the time on the side of the screen and starred as the minutes passed. Great. Another sleepless night had passed him by without a shutter of a thought. That’s when he heard a sleepy girl’s voice from the doorway.

(y/n) awoke from her peaceful state when she suddenly heard a forceful thump from down the hall. She hurriedly pulled herself up, dazed and confused and still half asleep, slowly gathering her surroundings. The golden sun bursting into the room now blinded her eyes as she tried to look around at where she was. (y/n) put her hand up blocking it from her line of sight and sighed with relief as she realized she was at corpses' house, in his bed. Safe.

Although this fact comforted her, she still was mildly distressed at the sound she heard moments before. Almost immediately she noticed how she was alone in the king bed, which wasn’t surprising, in fact, it was normal for her. She knew corpses’ sleeping habits often kept him awake until ludicrous hours in the morning and often he would only end up getting a few hours sleep before returning to reality. Often she would have to drag him to bed, only for him to leave once she had fallen asleep in his arms and he made sure she wasn’t worried about him. So, she decided to go find out what was happening and where her boyfriend had gotten to.

She put her hand down and slowly swung herself out of the warm covers onto the cold hardwood floors. She pushed herself off the mattress, steadily gaining her balance and then slowly walking to the door, still very tired from not having enough sleep. She then opened one of the bedroom’s double doors while leaning on it for a bit of support. (y/n) roamed down the hallway, her feet cold from the wood under them, searching for her boyfriend.

She noticed the dark purple glow coming out of his gaming room, which only could mean he was in there. As soon as this realisation occurred, she felt her legs growing even weaker and used her last source of strength to get over to the door frame. She quickly lent herself against it to support herself before she entirely collapsed onto the floor.

Once (y/n) had gathered herself again, she glanced over toward the computer monitor and lo and behold saw corpse staring at something on the screen. He seemed like he was in a different world, taking no notice of the small girl behind him. After about a minute (y/n) built up enough energy to let out a small and soft “hi”.

The chair swivelled around to face her, and a weak smile crept onto corpses’ face, “hey baby”,

However, he soon realised the state (y/n) was in and quickly dashed over to her before she completely fell to the floor.

“Princess, what are you doing awake?” he asked with concern as she sank deep into his chest for some stability.

“Hmmm, I’m ok”

“You sure, because right now you're clinging onto me as if gravity didn’t exist” he chuckled lightly.

“Yeah,” she whispered and giggled a bit, “Anyways I heard a loud noise and wanted to make sure no one had come to kidnap you,”

He laughed again, “Well I’m standing here are I? So I must be fine unless I’ve been given some drug to make me hallucinate the most beautiful person in the world. Which in that case I want to be on this forever.”

(y/n) laughed and smiled into his chest. They both just stood like this for a moment taking in the silence and the warmth of each other. Their breaths aligned creating a bliss in which the earth itself shattered away and nothing else mattered. Two souls becoming more intertwined with each second passing by. Heaven.

Corpse was the one to finally break the silence, softly asking, “Do you want to go back to bed?”

(y/n) nodded into him, “mhm, can you come with me?”

“Of course princess, I wasn’t planning on leaving you anytime soon” he mumbled.

Then suddenly he manoeuvred around her, still making sure she had balance. He carefully picked the girl up bridal style and moved over to turn the lights off. At first, (y/n) was a bit taken aback by this but quickly adjusted to his body and curled into him. She closed her eyes softly caving into the darkness but wanting to stay awake until they got into the bed.

Corpse carried the girl in his arms down the hall, no longer concerned about the video he left or the lack of sleep he had. All that mattered was his wonderful and sweet little girlfriend who kept him sane at the worst of times. He looked down at her and he wondered how she ended up with him.

“Why’d you choose me?” he whispered, not sure if she heard him.

This made (y/n) open her eyes, now full of concern. “Because I love you, I knew it then and I know it now”

They both recounted the night they met. It wasn’t much, the met when poki had invited (y/n) to play a couple of games of among us and he was there. (y/n) remembers instantly feeling overwhelmed by even the few amount of people there. Corpse realised this a couple of rounds into the game after poki kept asking why she was so quiet compared to normal. He had seen her talk in poki’s videos a few times and was wondering the same because she was often more vocal in those videos. So he decided to message her to see if she was ok, seeing the same signs as he does with himself. For some reason (y/n) decided to tell him what was going on in hopes that he could help, knowing that he also struggled with these things.

After that, they immediately became really close and both were happy that they finally found someone who fully understood one another. The rest became history and now they were here, together.

“I love you too. So much,” Corpse said, smiling as he pushed the second of the double doors open. He then walked over to the opposite side of the bed and then carefully laid the girl down on the mattress. He moved the pillow she had been curled up against to make sure her head was supported.

After he put her down he went to the wall with the control panel and lowered the blackout blinds so they wouldn’t be disturbed by the already light sky outside. Then, he went back around to the other side of the bed and climbed on top of the grey sheets. He pulled the covers over both of them and tucked them into (y/n) side to keep her even warmer. Then snaking one hand over her torso and leaving one to play with her hair, he pulled closer to her body

“Are you going to tell me what was that noise I heard now?” (y/n) quietly asked,

“It was nothing, I just got mad at a video I was trying to film”

With this, (y/n) turned over to face him, searching for the emotions on his face. A strange look of sadness and anger and hatred she knew all too well. Very often this was corpses’ permanent emotional state where it is for something like a video or mean tweet, or more often himself. Every time she sees this side of him, it breaks her heart because he, of all the people in the world, definitely doesn’t deserve to feel like this.

The worst part is, however, often she feels as though there is nothing she can do to help. The best way she has found is to be there for him, whenever and whatever he needs because she knows he would do the same for her.

“Can I do anything?”

However, what she didn’t realize was how much she already does to help, just by being there. Because often if she’s happy and doing ok, he would always come back to her. His own personal light in the dark.

“Get some sleep for me baby. That’s all that I want you to do,” He replied, running his hand through her hair.

“Ok, but please stay with me?” she asked as she fell back into her own little world of dreams.

“Of course princess, I wasn’t planning on leaving you anytime soon”

#what the fuck do i tag this #uhhhhh #corpse husband #corpse husband x reader #i guess #youtubers #help it's 3 am #youtuber x reader #idk

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bestiesenpai · 4 years ago

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Youtuber Sukuna pt3

Dearly beloved, we are gathered here today to get through this thing called life! I never thought youtuber sukuna would be so popular, so thank you everyone for giving me encouragement to continue this lil series. This will be the final part, but who’s to say we can’t have an OVA episode?? I smell a beach episode...or maybe a trip to an onsen? Who knows!

Part one --- part two

This had to be the stupidest thing he’d ever done. It certainly felt like it. Scrolling on Pinterest was the last thing he wanted to do, in fact it was something he openly mocked in the past, but now per your advice, he was looking at thousands of photos of home decor.

Sukuna was hesitant to admit to you that he had no furniture in his home. After seeing how well decorated and lived in your home was, it only made his shame increase at being a grown man with foldable furniture. But you took it in stride and offered to help, even making him share a Pinterest board with you so the two of you could get inspiration for a shopping trip.

That’s how he found himself at IKEA on a bright and early Saturday morning. You’d begged him to let you come shopping with him, and Sukuna was a man unable to refuse any request you made of him.

“Ah, this is going to be so exciting!” You shouted, nearly running to the carts at the front of the store. You were clearly more excited than he was, your energy seemed to know no bounds as you bounced on your heels and waited for him to trudge to the front door.

“What’s so exciting about furniture?” He grumbled, subconsciously taking the cart from your hands. Pushing into the store, Sukuna felt like he had been transported to another world. With staged living quarters that looked more real than his own home, he was at a loss for words.

“Sukuna, c’mere!” You were already ten paces ahead, standing at the entrance to one said fake home. Coming upon it, Sukuna nearly gagged at the color palette. There were bright orange tufted couches with a blue area rug and more pillows than he had owned his whole life. With white accents and gunmetal colored lamps, it looked far too much for him.

“It’s ugly.” He said, not caring about the other people around you that seemed to enjoy it.

“Really?” Taking another look around, you shrugged your shoulders and took a step back. “You’re right, it doesn’t really fit your whole vibe.”

That was definitely correct. If Sukuna had to give a name to his personal style it would be ‘who the fuck cares as long as it works’. He wasn’t one to dwell on his looks for too long, just content grabbing clothes that were easily accessible and trendy, ones that he knew would help him fit in. And that habit had bled into his furniture choice as well.

“Okay, you seemed to pin a lot of pictures that look like this-” Leaning over, he watched you scroll past picture after picture of what almost looked like the same thing, a living room with dark colored couches, a white rug and dark colored walls, almost always with a metal or dark wooden coffee table.

“Yeah, it fits me.” Wandering through the store, Sukuna glanced at an all white room with a window frame encasing a faux view of a city lit up at night. “None of this shit.” He made a vague gesture to the room, and the one following it that looked similar.

“You don’t want any bright colors at all?”

“My hair’s already pink, what more do you want?” That made you snort and giggle, and in turn made Sukuna smile.

“Okay but you can’t just have all black furniture, it’ll make your house feel like a dungeon.” Your hand came to rest on the handle of the shopping cart, dangerously close to laying on top of his. “Promise we’ll get at least a little color today? Maybe a yellow, or a pink to match your hair.”

“S-sure.” Sukuna couldn’t look at anything except for your hand. Your pinky finger was just barely touching his, almost enough that Sukuna could slide his hand under yours and interlace your fingers together.

“Ooh, what about this for your bedroom?” And just like that, you were gone. Dashing off to a display on the wall for bed sheets. “You said you only have a plain white one, right?”

“Yeah.”

“How about this? This design is really trendy right now.” You were pointing to one that was a deep navy, white grid lines crossing over to make big squares.

“I like it.”

“Awesome! Now, do you have a queen or a king bed?”

After picking out the bed sheets, Sukuna slowly opened up more to the idea of shopping. He was able to recognize pieces he’d seen on Pinterest, picking them out as things he readily liked and would enjoy looking at in his house. He was even persuaded to get a few area rugs for different places in his house, and before he knew it you had piled the basket high with things.

“Ah, today was so much fun!” You sang, bouncing in your seat on the way home from IKEA.

“Now I just need to build all this shit.” Sukuna was amazed at how much you’d convinced him to buy. He had new furniture for his bedroom, a new couch was going to be delivered, a dining table and chairs and even a new desk and chair for his office setup in the corner of his living room.

“Lemme help!” You looked far too eager to help him build, and although Sukuna wanted to tell you no - he really didn’t want you to see how he was currently living - he wasn’t going to pass up the opportunity to have you in his house with him, working together on something.

“Alright. Let’s stop somewhere and get food though, I’m hungry.”

One quick fast food meal that Sukuna loathed later, you were carrying things up to his apartment. He refused to let you carry the heavy things even if he could really use the help with some of the oblong boxes. But he didn’t want to risk you getting hurt, so you carried the small things.

When everything was inside the house, Sukuna watched your reaction to his place. You hadn’t made a sound when you first arrived, you were probably too busy trying to bring everything in from his car.

“Sukuna…” Scanning his apartment, your eyes landed on his abysmal furniture.

“Yeah?” He screwed his eyes shut, dreading what you had to say.

“This is totally what I expected from you.” You laughed, unpacking some of the fake plants you made him buy. “It totally fits you.” Letting out the breath he’d been holding in, Sukuna grabbed one of the boxes containing his new desk.

“Let’s get started.”

If Sukuna thought cooking with you was hard, building furniture with you was the final boss level. He had you read the instructions while he laid all the pieces out, and when you let out a whine at how many steps there were, Sukuna could have died happily right then and there.

It was easy to build the furniture he bought, but it wasn’t easy to work with you. There was no problem with your actual work, but the fact that Sukuna had to be so close to you at times, nearly hugging you when he had to hold up a piece for you to put a few screws in, it was too much to handle.

He quickly banished you to work on another project. It was your fault he kept getting distracted and forgetting what step he was on, so the only solution was to work on separate things. Plus, watching you flit around his house, hearing you change the bed sheets and lay down a new mat in the bathroom made him feel like you were newlyweds decorating your first home together.

“It looks so good in here!” It was well past dark when you finished everything. It truly did look like a brand new space, and not just in the living room. The touches you’d added, with bright pillows, fake plants and some actual art on the walls, made Sukuna happy to be home. His place finally felt like a home and not just somewhere to crash at the end of the day.

“You did a great job picking shit out, I woulda never been able to do all this.” Putting his arm around your shoulder, he gave you a squeeze.

“Are you gonna do a house tour when the couch and table come?” A house tour? Why would he do that? Knitting his brows together, Sukuna sent you a look. “C’mon, you know what a house tour is! All the popular Youtubers do them.” You giggled, wiggling your eyebrows. “And aren’t you a popular Youtuber?”

“I-” Well, you had him beat there. His subscriber count was well into the millions at this point. “Okay, I’ll do one when the rest of the stuff comes.”

“Yes!” Bouncing up and down in joy, you clapped your hands together. “I’ll help you film, I know how bad you are at angles.”

“Hey! I’ve been getting better!”

In a week, you were back at his place, more excited than him to film this video. You’d helped prepare a little script should he need it, and you were fluffing all the pillows so they looked nice on camera.

“Let’s have an entryway shot, those always look so cool!”

“Whatever you say.” Sukuna was merely a puppet on your strings, maneuvering however you saw fit. He made his hands as steady as possible getting b-roll shots of everything in advance.

“If you forget what to say, remember I made a script!” With that final warning, you were standing at the entrance to his apartment and waving your hand. “Okay, start!”

“Hi people on the internet. This is my house tour that (Y/N) is making me do.”

“Shut up!” You laughed behind the camera, trying not to shake it.

“This is my kitchen and dining room, (Y/N) picked out the table and chairs for me.” Doing a sweep over the kitchen, he transitioned to the living room. “And this is the lounge room, where (Y/N) picked out the couch and rug, and my desk stuff over there.”

“Yeah, Sukuna had no rugs in his apartment before!”

“Mhmm.” Somehow Sukuna managed to not stumble over his words, easily recalling parts of the script you had written for him. Highlighting the fake plants and cheap art on the walls, the two of you stood in the bathroom together.

“Look, it’s us!” You waved to the camera in the mirror, nudging your shoulder with Sukuna. Suddenly, the image of getting ready in the morning with you or winding down after a long day together in the bath flashed before Sukunas eyes. What would it be like to come into the bathroom while you were in the shower and join you? Give you a shoulder massage under the hot running water, or to brush his teeth and tell you to hurry up and not waste water.

“And this is the bedroom.” Quickly exiting the bathroom, Sukuna hid his blush with his hand as he entered the room.

“Hold this.” Shoving the camera in his hands, you leapt onto the bed. “This is where I sleep!” Your laugh was easy and you rolled around his bed a few times, simply having fun wrinkling the sheets.

“Uh- w-wha-” Sukuna nearly dropped the camera in shock. Seeing you in his bed, even if it was just on top of the sheets fully clothed, made his heart stop. Gripping the camera hard in his suddenly sweaty hands, Sukuna nearly tossed it to the side and joined you.

“Just kidding!” You were already climbing out of bed as soon as that thought entered his head. “But isn’t this room pretty? I picked out most of the stuff in here too.” Just like that you were back to normal, talking about some random print on the wall that he’d ordered per your suggestion.

Needless to say, Sukuna had a hard time falling asleep that night, the image of you in his bed burned into his mind like it was the only thought he’d ever have again. His imagination was going wild, and he tossed and turned all night - even after relieving some tension.

With his new desk setup, Sukuna felt motivated to edit the video as fast as he could. What you said about improving his living quarters was true; now that his place looked nice, he felt nice in turn. He even left in the part where you jumped on his bed, adding a funny break in the video like you’d shown him.

‘IT’S CONFIRMED. IT’S CONFIRMED. THEY’RE DATING’

‘sirpohdjb my ship has sailed!!’

‘I come here to see why sukunax(Y/N) is trending and it’s this bullshit?? Y’all need to get a life’

Sukuna often felt like a fool when he was with you, and sometime after as well. Even from the first comment he left on your Instagram, he knew people shipped you together and wanted you to date. He felt embarrassed more times than not, but it seemed he never learned his lesson. That scene of you on his bed had gone viral and he regretted leaving it in.

But could you blame him? You made his head spin, most of the time leaving him incapable of doing anything else beside standing in his place looking stupid. It was hard to edit the videos you did together because reliving the footage made him dizzy all over again.

(Y/N): SUKUNA. ANSWER ME ITS URGENT

It was the middle of the day in the middle of the week and Sukuna had nothing better to do than laze around and do nothing. Except now, he was texting you back with his heart suddenly pounding.

Sukuna: what?! Is something wrong where are you??

So much adrenaline was coursing through his body that he had started to shake.

(Y/N): I just got a great idea, I need to know if you’ll do a video with me!

What the fuck.

“What the fuck?” Sukuna said out loud, staring at his phone in disbelief. This is what was so urgent? Nearly sending him into an early grave for a possible video?

Sukuna: what the fuck I thought it was serious

Sukuna: I thought you were in trouble

He wasn’t upset per say, but Sukuna was definitely annoyed.

(Y/N): sorry :( i didn’t mean to scare you

Sukuna: you did more than scare me

(Y/N): I’m sorry! I won’t do it again!

Now Sukuna felt bad and it wasn’t even his fault. In all the time you’d known each other, you never had a negative interaction. He waited five minutes for you to text something, but you didn’t and it was making him anxious all over again.

Sukuna: well tell me what the idea is

(Y/N): no, it’s okay it was a stupid idea anyway

It took you another five minutes to respond, and your answer made Sukuna groan.

Sukuna: you got me all worked up and you’re just gonna leave me hanging?

He had to rectify the situation somehow.

(Y/N): I just thought...of maybe doing your makeup for a video?

Sukuna: what

(Y/N): I told you it was stupid! Just forget it

Sukuna: shut up it’s not stupid

As typing bubbles appeared and then disappeared, Sukuna could just imagine the way your cheeks puffed out indignantly.

(Y/N): here’s a link to someone else who did it with her boyfriend, they had so much fun together!

(Y/N): let me know if you wanna do it, I think it could be a lot of fun…

Sukuna only needed to look at the thumbnail to know he would say yes. The two people on the screen were very close, with the girl nearly touching her boyfriend's face with her own. They had big smiles on their faces as well, and that enticed him more.

Sukuna: I’ll do it

(Y/N): really?? That’s awesome! Come over to my place on Friday, we’ll order pizza and make a day of it!

And that’s how Sukuna found himself in your filming room, stomach full of pizza with a disgustingly cute green frog headband keeping his hair back. He’d seen this room a hundred times in the backgrounds of your videos, but now he was actually here. There were even more plushies than appeared on camera and you had a humidifier going in the corner.

“Okay now stay still, I’m going to wipe a toner on your face.” He had no idea what that meant, watching you with curious eyes pick up a bottle from the table in front of you and dab the liquid onto a cotton pad. “Usually I use my hands to apply toner, but we wanna wipe the dust off.”

With a gentle hand, you held Sukuna by the chin and swiped the cotton across his face, it’s soft chemical scent wafting into his nose. It felt nice, having you apply toner and moisturizer on his face. The most he ever applied was sunscreen, but maybe he could convince you to do his skincare for him every day.

“So today, I chose this makeup look by Beyoncés makeup artist! It’s a really popular style called ‘soft glam’.” Sukuna nodded along with you like he understood what you meant, taking a glance at the picture on your phone before you showed it to the camera. “I think Sukuna would really fit this kind of look, he is a natural beauty afterall.”

“Shut up.” He snorted, a light flush heating his cheeks.

“It’s true! There’s so many comments under your house tour video saying how good you look with the new furniture.” You spoke about the new makeup you bought for the video as you applied the products. Sukuna tried to keep up with what you were doing and saying, but he couldn’t really contribute anything to the conversation about makeup.

“Tuck your lips in so you don’t get foundation in your mouth.”

“What?” He jerked away right as you lifted the small dish you had with what he assumed was foundation.

“I don’t think you want to eat makeup, do you?” You chuckled and pat him on the cheek. “Tuck your lips in.” Doing as you asked, Sukuna flinched when you gripped the back of his head. “Try not to move too much, I want it to be even.”

As you applied the foundation and subsequently the concealer and powder, Sukuna barely moved. In fact, he barely breathed. You had leaned in far closer than you’ve ever been to him, your breath lightly fanning over his face as you worked to smooth everything out.

The hand on the back of his head dipped down to rest at the base of his neck, your body coming to lean more onto him as time went by. You were speaking, Sukuna could hear it, but he wasn’t responding. The excuse was he didn’t want to mess you up, but in truth he couldn’t find any words to say.

“Look at you!” Holding up a mirror for him, you laughed at his shocked face. “How do you like it?”

“I look so flat.” Turning his head side to side, Sukuna lifted a hand to touch his face.

“Don’t touch it, you’ll mess it up!” Snatching his hand away, you held it tightly in your grasp. Sukuna was thankful for the layer of makeup he had on now, no one could see his blush.

“What’s next? This eyeshadow shit?” He picked up a product on a whim, opening it up and staring at it. “Why’s there only two colors? Why are both of them brown?”

“That’s contour, we’ll get to that! This is the eyeshadow!”

Putting eyeshadow on Sukuna was harder than both of you thought. Not used to the feeling of the brush, he twitched every time it was swiped across his eyelid. Through plenty of trial and error, and many times of you telling him to just take a deep breath, you got through it.

“I’m gonna have to cut out so much of you flinching.” You teased, checking the camera to make sure everything was still working.

“I don’t get how you can do this shit, it’s fucking awful.” All Sukuna wanted to do was rub his eyes and face until his skin went raw.

“We aren’t even at the worst part yet: eyeliner.” Taking a seat, you lifted up a simple black pen.

“Oh god.” Hanging his head, Sukuna said a quick prayer for his eyes before straightening up and taking a deep breath.

“Sukuna, I gotta ask you something.”

“What is it?” Cracking an eye open, you were looking at him with your lip caught between your teeth.

“Can I...I need to sit in your lap to do eyeliner.” Sukuna audibly and quite loudly gasped in shock, his mouth hanging open in disbelief. “When I help my friends with eyeliner I sit in their laps! It’s just easier that way!”

“I-I uhm- okay?” He eventually forced the word out, copying your movements and turning his chair to face yours. “What uh- what should I…?”

“Sit still.” Pulling your chair flush with his, you pushed Sukuna’s legs closed and scooted up his thighs until your butt was firmly seated on him. Wrapping an arm around his shoulder, you uncapped the eyeliner. “There, now I can get started.”

Sukuna was in so much shock, he didn’t move. Even when the eyeliner tickled the inner corner of his eye, even when you moved his hands to rest near your lower back so you wouldn’t slide off, even when you did the bottom lashline, he was frozen.

If this is what heaven looked like for him, he would gladly take it and never leave. Your face was so close, he could feel it even when his eyes were closed. The soft skin of your hand held his powdered cheek gently, keeping yourself steady as you drew the lines on his eyes.

“All done.” You whispered. Sukuna opened his eyes and made a noise in the back of his throat; your face was close enough that if he tried to focus too hard he’d go cross eyed. You weren’t paying attention to his reaction at all, too focused on making sure his eyes were even.

The rest of the time went by in a blur. You’d slid off his lap after that, diving right into putting more powders on his cheeks. Swiping thick gloss on his lips is what drew him out of his stupor and into another one as you once again held his chin, swiping the corner of his mouth with your thumb when you were done.

“Sukuna, you look so good!” You said with a slight whine, showing all angles of his face off to the camera before showing him. “You have to promise when you get rich and famous and become a global celebrity that you won’t forget about me.”

“Shut up, you know I won’t.” He said with a smirk, swiping the mirror from you. “(Y/N)...I look fucking hot.” Bursting into laughter, you wiped imaginary sweat off your brow.

“Well I guess I don’t have to ask how you like it!” Patting him on the back, you got up to stretch and check the camera one last time.

“Would you fuck me, ‘cause I’d fuck me.” Sukuna said to himself, striking a few poses in the mirror and for the camera. “Hey, you watching this video you better fucking share this with all your friends. Everyone needs to see how hot I am.”

“We should have ordered you some clothes, turned you into an Instagram baddie!” You teased from behind the camera.

“Please, I don’t need fancy clothes when I’m this sexy.” Running a hand through his hair, Sukuna pointed the mirror at you. “Be honest (Y/N), you wanna date me right now. I look so hot, I bet I’m gonna have thousands of DM’s.” Sukuna’s confidence was the highest it's ever been around you. For some reason, the makeup gave him more assurance.

“Well let me know when to schedule a date with you then, I’d love to grab dinner sometime.”

“I’ll have my assistant pencil you in.” He joked, looking back at himself in the mirror. Sitting back down, you ended the video and made Sukuna wave to the camera. Not turning off the lights you used to film, you made him snap several pictures with you.

“This video was so much fun, Sukuna, thank you!” Rocking back and forth in your seat, you had a demure look while you fiddled with your phone. “And I wasn’t joking about dinner. I really like you, Sukuna.” That made Sukuna stop in his tracks, nearly throwing the mirror down in shock as he turned to look at you.

“Huh?!”

“I-I mean- I mean I like hanging out with you!” Obviously embarrassed, you leaped from your seat and began turning the filming lights off, pointedly avoiding his gaze. Both yours and Sukunas faces were burning with embarrassment, awkwardly not looking at each other.

“(Y/N)...” Sukuna half stood from his chair, forcing himself to move despite how awkward he felt. “I-”

“Let’s wash off that makeup now, I bet it’s uncomfortable.” Keeping your eyes trained on the floor, you went to the door. “I’ll show you what to use in the bathroom.”

The tension in the air was thick after that, and it remained that way for a few days after. Sukuna knew what he heard, he saw how your face looked as you said you liked him, he could hear the sincerity in your voice. But it obviously wasn’t something you were ready to say, as evident as you not texting him as much as you usually did.

When the video went up, Sukuna immediately felt butterflies in his stomach all over again watching it. Reminded of how close you were to him made him ache to have you near him, and seeing you sitting on his lap had another feeling rising in his stomach, warming him up in an embarrassing way.

He patrolled the comments as usual, but there were no mean ones that he could yell at. All of them were screaming about how the video just confirms that the two of you are dating, and surprisingly they weren’t calling out him for looking like he was in love with you.

The comments teased you this time, keen longtime viewers of yours pointing out specific timestamps where you looked embarrassed or looked like you wanted to kiss him. Sukuna checked out every single one, liking the comment for showing him that what you said earlier wasn’t a mistake.

Ever since that day, it seemed like you were promoting on Instagram and Twitter a lot more. Sukuna already had notifications turned on for all your socials and there was a definite uptick in your content posted to those platforms.

There were more sponsored posts and polls posted asking your followers for style advice, and which beauty items they preferred more. Sukuna was happy to see you got an increase in brand deals from the video you did together, a video that had now easily reached five million views and counting. He congratulated you whenever he saw a sponsored post, sending you cute little emojis along with the praise.

All week you had been hinting that there was a big announcement coming, a major event in your life that you were so excited to share with everyone. Sukuna, along with all your other followers, ate up all the crumbs you left throughout the week. Many suspected you were going to go work for a designer label, while others assumed you’d announce a sudden marriage.

(Y/N): Sukuna, check Instagram!

You texted him in the evening on Friday, but he didn’t need the update. He was already on your page when the post was dropped, waiting impatiently for the picture to load.

“A TV show, huh?” As he read the promo photo, he smiled. Appearing on a TV show was a big opportunity for you, one that was sure to lead to many more. Your role wasn’t stated in the photo, but your promo picture was a professional one no doubt taken at a studio.

“Wait, what?” When Sukuna got to the caption, he took a pause. Why were you going on a dating show? He read the words over and over, hoping for a different outcome each time. But there was no denying you’d be going on a dating show.

Checking out the show's page, Sukuna let out a groan. All the male contestants were hot and not even he could deny it. Some had muscles like he did, others were more unconventionally attractive.

Sukuna: you’re going on a dating show?

It took him a while to text you back. In fact, it took nearly thirty minutes for him to text you. Sukuna had gone through all five stages of grief several times, coming back to being in denial over and over again.

Dragging his feet to his kitchen, he grabbed a bottle of wine that one of his rich clients at the gym gifted him. Popping the cork, he collapsed onto his couch and took a long drink from the bottle.

(Y/N): yeah, I’m super nervous!

Sukuna: I bet

Oh, did he fucking bet. He’d gone through all the male contestants' Instagram pages, trying to talk them down in an attempt to lessen the blow that he could potentially lose you to one of them. Why did he have to wait so long to confess to you? Now the chance was gone, possibly forever.

(Y/N): what do you think about the show? I was kind of scared to take the deal

You didn’t want to know how he really felt.

Sukuna: it’s a great opportunity, great for exposure and it’s a lot of money

(Y/N): that’s true!! I’ll have to treat you to dinner with my first TV check!

Just great, a chance for you to gush about whoever you met on the dating show. Taking another long drink from the bottle, Sukuna crumpled even more into his couch. Back were the stages of grief, each emotion washing over him until he mustered up the courage to do something about it.

“Hello?” You answered the phone, confused as to why Sukuna called you instead of replying to your messages.

“(Y/N).” Sukuna said your name firmly, honing in on a spot in the ceiling. Swallowing around a growing lump in his throat, Sukuna forced the next words out. “I like you. I-I really, really like you.”

“What?” He could hear you gasp over the phone.

“I know, what kind of asshole confesses to you when you’re about to go on a TV dating show?” He chuckled, taking a deep breath. “But it’s true. I wanna be your boyfriend, (Y/N). I know it’s too late to back out of the show but-”

“Sukuna-”

“No, let me say this. I know it’s too late to back out, and-”

“Sukuna!”

“And I don’t want to hold you back from finding someone better suited-”

“Sukuna!”

“Better suited for you than me. I’m just a dumb, muscled up chump that-”

“Sukuna I’m a stylist, not a contestant!” You were finally able to get a word in, face flushed from the sudden onslaught of emotions going through you. Sukuna was silent on the other end, mouth hanging open as he processed the words.

“Y-you’re a...a stylist? So you won’t be dating any of them?” He whispered after a few moments, the shock starting to wear off and being replaced with humiliation.

“Yeah, I’ll be on the styling team.” Your voice also dropped to a whisper, the weight of his words beginning to settle down on the both of you.

“Oh god.” Putting the bottle down, Sukuna slapped himself in the forehead. He had never felt like a bigger idiot than in this moment. “Sorry, I’m so sorry, just- just forget it.”

“No.”

“Huh?”

“I don’t want to forget it. I...I want you to be my boyfriend too, Sukuna.” There was a pregnant pause, and you could practically hear Sukuna’s brain working overdrive.

“Let’s go out on a date!” He shouted, pushing himself off the couch and to a shaky stand. “I’m free whenever, let’s go on a date!” The alcohol was definitely affecting him more than he first thought, and Sukuna fell back down onto the couch.

“Really? Okay, how about tomorrow? That’s like the only day with good weather for the rest of the week.”

“I’ll pick you up at noon.”

Sleeping restlessly through the night, Sukuna woke up way earlier than his alarm. Taking an obscene amount of time getting ready, he was still early to your house. Taking a lap around the block, he went to a flower shop and bought you a handful of flowers.

“Hi.” Your voice was soft, almost meek as you entered his car.

“Hey. I got you these.” Handing you the flowers, Sukuna bit his lip nervously.

“That’s so sweet, thank you!” Gently hugging them to your chest, your nerves began to melt away and you smiled, making Sukuna smile as well.

Sukuna once again had you pick the cafe you were going to. This one was in a bustling downtown street, not in the middle of the countryside, and as you two walked down the street there were couples passing you left and right.

Snagging an outdoor seat, Sukuna went inside to order for you. This cafe, unlike the last, actually served coffee and Sukuna was quick to get a large cup of it. Buying a few croissants cutely decorated with various creams, he went back outside.

“Say, you’re really cute, why don’t we sit and chat for a bit?” An unknown man was standing near your table, and Sukuna caught the tail end of his sentence.

“N-no, I’m good.” Your eyes were glued to your lap, obviously uncomfortable with the attention you were receiving.

“Aw, really? A pretty face like yours shouldn’t be all alone!” The man had a sleazy grin on his face, visibly eyeing you up in a salacious manner. “My name is-”

“Baby, who’s this guy?” Sukuna had had enough. Stepping right up to the table, he nearly slammed the tray in his hands down on the table. Your head shot up, relief flashing across your face.

“Who are you?” The man scoffed, curling his lip in disgust.

“I’m their boyfriend. Who the fuck are you?” Puffing up his chest a little bit, Sukuna stared the man down.

“Boyfriend? They didn’t say anything about having a boyfriend.” The man attempted to look at you again, but Sukuna beat him to it and caught your eye instead.

“Geez baby, I know we had that fight before we came but I’m hurt! If I get rid of this creep, will you call me your boyfriend again?” Laying a heavy hand on the man's shoulder, Sukuna gave it a squeeze.

“Y-you’re always gonna be my boyfriend, dummy.”

“That just warms my heart!” Sighing loudly, Sukuna gave the man a not so subtle push away from the table. “Well, you heard ‘em. Get lost, you worthless sack of shit.” Grumbling, the man walked away and Sukuna took his rightful seat next to you.

“Thank you.” Immediately, you latched onto him, squeezing his arm in a tight hug as you pressed your face into his shoulder.

“It’s okay, I’m here.” Wrapping you up more tightly in a hug, Sukuna pressed a kiss to the top of your head. “I would have beat him up if you wanted. Men are fucking disgusting.”

“Sukuna, you are a man.” You laughed lightly.

“Exactly my point.” Rubbing a hand on your back, Sukuna picked up one of the croissants. “I hope you like these because I can already tell it’ll be too sweet for me.” You laughed again and sat up, keeping your face close to his.

“I have something sweet for you too, I hope you like it.”

“What is it?” Quirking a brow, Sukuna jumped when you planted your lips on his. The kiss didn’t last long and the taste of your lip balm and feel of your lips was permanently engraved into Sukunas brain.

“There.” Your cheeks were absolutely on fire, shame rolling off of you in waves at having your first kiss in a crowded cafe on a busy day in the city. It wasn’t even a particularly romantic setting, but something spurred you to do it.

“W-what the hell! You can’t just do that!” Sukuna gasped, his own cheeks burning a deep, scalding red. “You gotta warn a guy first!” His dramatics were drawing attention from the other patrons, making the situation even worse.

“Sshh, you’re being too loud!”

“Like I care! Kiss me again, I’m ready this time!” Grabbing you by the shoulders, Sukuna tried to kiss you.

“W-wait, there’s people watching!”

“I don’t give a fuck who’s watching!” Grabbing your chin, Sukuna kissed you much firmer than when you kissed him. It lasted longer as well, bordering on too long for what is accepted in public. “There.” Pulling away slightly out of breath, Sukuna sat back in his seat and took a sip of his coffee.

“You’re so embarrassing.” You whined, hiding your face in your hands and hitting Sukuna with your head.

“All I’m hearing is how great of a boyfriend I am.”

“No you’re not.” You countered, getting wrapped in a side hug by Sukuna.

“It’s debatable.” Picking up the croissant he dropped, Sukuna took a bite. “Hm, this is sweet but not as sweet as that kiss you gave me.”

“Sukuna!”

#jujutsu kaisen #ryomen sukuna #sukuna x reader #jujutsu kaisen fluff #jujutsu kaisen scenarios #jujutsu kaisen fanfic #jujutsu kaisen imagines

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lorelai-official · 3 years ago

Text

〈 set in January 2022 〉 - 0.45k words »

featuring :: song hei-ran , harvey , rest of camera crew

summary :: ❛ 𝐢𝐧 𝐰𝐡𝐢𝐜𝐡 𝐿𝒪𝑅𝐸𝐿𝒜𝐼 realises she can't keep the mask on forever ❜

trigger warnings :: none, i think. if you think so, please tell me シ

════════════════════════════════════════════

"Action!"

Lorelai takes a deep breath and plasters on a smile, waving at the camera lens.

"Hello, daisies! I've missed you all so much! Today, I'm in Busan!" she says, allowing the camera to pan all around her.

"I've heard Busan is famous for its pork soup so we're going to try and find some!"

"And . . . cut!"

The style crew instantly swarm Lorelai, some pulling her hair around to see which position is most flattering and others slapping different products on to her skin so that 'she can really glow'. She politely shakes them off and makes her way to Harvey, the man in charge.

"I don't get it." she states, without really giving him time to acknowledge her entrance, "It's supposed to be a vlog as in my raw reactions to things . . . so why is there a script?"

"Hei-ran, please. Without some sort of order, no one would what they were doing." he says, waving her off.

"Yeah but - I mean a script? It seems so fake, you know? "Just do what you're paid to do. Stop trying to create problems."

"I'm not trying to-" she starts.

"You have one job, do it right. All these questions are just wasting time. From the top!"

What is this? Some sort of play?

Nevertheless, Lorelai did as told. The whole day was filled with fake smiles and cheesy one-liners Harvey had written because he thought daises would label them 'iconic'. She was fed up and tired by the time it turned 9:00pm.

"Well done everyone! Let's pack all the stuff in the truck" Harvey shouted, clearly relived they had finished before midnight. Although, he know there was much left unsaid.

"Hey, can we talk?" he said, pulling on her sleeve.

"I don't know . . . is it in the script? Wouldn't want to improvise." Lorelai snaps at him.

"Look, I'm sorry, ok? The real reason it's all scripted is because . . . I don't want you to mess up. Getting hate for something you said taken out of context is the worst, believe me, I've seen it happen with so many other idols, but you really have a future, hei-ran." he says, looking down.

A smile finds itself on her lips, the realest one she's worn all day, because deep down she knows it's the truth. There hasn't been a day where Harvey wouldn't do anything for her and she wouldn't want anyone else to be her head film maker.

"I'm sorry. I just . . . it feels like lying. Lying to the people who have supported and loved me ever since I was seventeen. I just want to make them happy." "And you are. You are making them happy, but that comes with a price."

"Yeah . . . I'm starting to realise."

#« 𝐚𝐥𝐰𝐚𝐲𝐬 𝐚𝐧𝐝 𝐟𝐨𝐫𝐞𝐯𝐞𝐫 » ➝ writings ༊*·˚#« 𝐚𝐥𝐰𝐚𝐲𝐬 𝐚𝐧𝐝 𝐟𝐨𝐫𝐞𝐯𝐞𝐫 » ➝ files ༊*·˚

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mokuhchi-manuscripts · 3 years ago

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Summer Troupe with an S/O who Shares the Same Hobby

A/N: For Kumon's, I say baseball but please know I mean baseball AND softball, I just didn't want to keep writing 'baseball/softball'. Hope that's okay! Hope y'all like it!

CW(s): none

❂ Tenma Sumeragi - Acting

Tenma thinks it’s really interesting that the two of you are into acting

He’ll definitely ask to practice scenes with you, although he seems to always get flustered when practicing romantic ones -so he just avoids eye contact because the moment he looks at you he dies inside-

If you do film acting, he’ll make sure to watch every movie you’re in no matter if you’re a lead or an extra. If you do theatre acting, he’ll try to attend as many of your performances as he can. If you just like acting but don’t really participate in anything, he’ll still support you and love practicing with you

If you need to practice for an audition, he’d love to help you out. No matter if it’s critiquing a performance or helping you practice dialogue, he’ll do anything to help you be successful

“Hey Tenma, can you help me?”

“Yeah, sure, what do you need help with?”

“I have an audition coming up and I need to work on this dialogue with someone.”

“Sure, I’ll gladly help.” You went over to sit next to Tenma and shared a script between the two of you. You couldn’t help but notice how his ears turned red from the proximity. The two of you went back and forth reading the dialogue, Tenma giving pointers at times on which emotion you should convey when, when to pause, and how to effectively give the best performance you could give. Even if he could be a bit redundant at times with his pointers, he did it out of love for you and hope for your success as he knows how amazing you are, and he wants everyone else to be able to know too.

If he ever has the opportunity to act with you, he’ll take it in a heartbeat. He’d absolutely love to work with you no matter what type of acting it is

Tenma is one of your main supporters in your acting career, and you can bet that he will stay by your side through all of it

❂ Yuki Rurikawa - Fashion and Sewing

Yuki loves that you’re good at fashion; I mean, he never has to worry about whether or not you look fashionable so he knows you two are always the cutest people in the room

If you ever make him clothing in his style he’ll feel incredibly honored that you took the time to make something for him that he’d actually wear

If either of you are struggling to pick an outfit for the day, the other will help and throw out ideas

Yuki was amazing at fashion. He knew it, you knew it, and most people knew it. No matter the type of fashion, he could easily put together a concise outfit in every style that would accentuate everyone’s so-called good side. So on days like today when you had no clue what to wear, Yuki was the person you went to. You hit the video call button next to his contact and waited for him to answer.

“Hey, what’s up?” Yuki answered the phone.

“Hey, Yuki! I’m not too sure what to wear today so I was wondering if you could help.”

“Sure, I’d love to. What are you thinking so far?” You set down your phone as he spoke and held up the outfits you were thinking about.

“Right top with left bottoms would look good. They’d look really good with that one pair of shoes you own too…”

If you enjoy sewing and are good at it, you can bet that Yuki is making you help him with costumes.

If you help with sewing the costumes, you’ll most likely befriend Taichi as well and the three of you may become quite close due to the amount of time you spend together

❂ Muku Sakisaka - (Shoujo) Manga

Muku is ecstatic that you also love manga, specifically shoujo

He’ll invite you to the shoujo manga club meetings he has with Sakyo and Kazunari so all of you can talk about that meetings manga

If you actually attended, he’d be so beyond himself with excitement that he’d be basically vibrating the whole time (Kazunari thinks it’s sweet how happy you make Muku)

He’ll give you so many recommendations that he won’t expect you to read them all, but if you do he’ll be so happy

He’d love it if you gave him recommendations too! Muku would be sure to read your favorite mangas so he can talk with you about them

“Hey Muku! Look at this new manga I found! I think you’d enjoy it!” you said, walking into his room.

“Oh, hey! What’s the manga called?” he perked up at the sound of your voice and began making his way over to you.

“It’s this manga called Wotakoi: Love is Hard for an Otaku?”

“Oh, I've heard of it!”

“Really? Would you like to read it? I have the whole set if you’d like to borrow it.”

“I’d love to! Oh my gosh, I’m so excited to read this!”

“I’ll bring it over tomorrow then if that’s alright.

He just feels so accepted with you since you have the same interest in manga and he feels like he can be his full authentic self with you, just as he can be with his troupe

❂ Misumi Ikaruga - Triangles

Misumi is ecstatic to find someone with the same passion for triangles as him

He definitely calls you his triangle, and it makes him happy beyond belief you understand how much that means to him personally as you also love triangles

If you call him your triangle, he will positively melt on the spot and cover you in small kisses

Triangle hunting dates! The two of you will most definitely go out together to search for the shape

Be ready to be gifted so many triangle things- you can hardly believe how many items he finds especially to gift you but that’s Misumi for you

“I brought you a gift!” Misumi said one day as he walked into your room.

“Really?” you said, excited.

“Mhm! Close your eyes and put your hands out.” You complied with Misumi’s orders as you buzzed with anticipation. You felt a light object be placed into your hands as you heard Misumi shuffle closer to you. “You can open your eyes now.” When you did, you spotted a triangle shaped charm with a heart on the inside in your palms. You reflexively clenched your hands and held the charm to your heart. “Do you like it?” he asked. You could almost hear a hint of nervousness in his voice.

“Misumi, I love it.” a smile broke out onto his face as he heard you say that.

“Really!? That makes me so happy!” he said as he pulled you into a hug.

The rest of the company find it so odd that Misumi is dating someone with the same love of triangles as him, but at the very least the find it cute and mildly entertaining

❂ Kazunari Miyoshi - Painting

Kazunari thinks it’s so cool that you like painting as much as him!

Get ready for painting dates where the two of you just talk about everything and nothing while working on your own projects

Do you know that old social media trend where people would paint on their significant other’s back? Yeah, he’d definitely love for the two of you to do that and take a picture so he can post it on Instablam

If he’s ever stuck on a project, he’ll ask you for help

You walked into Kazunari’s room and saw his head on his desk. Before you approached your boyfriend you waved to Muku who gladly said hello.

“He’s struggling.” Muku said as he climbed down his ladder and left the room. You just nodded in acknowledgement, grabbed a chair, and went to sit next to Kazunari. “I need help.” he whined, placing his head on your shoulder in an attempt to get your attention.

You placed a kiss on his cheek and then spoke, “what is it?”

“I can’t think of an idea for the next play’s poster.

“Okay, what’s the play about?” He explained the entirety of the plot in one fell swoop, and in the back of your mind you couldn’t help but applaud Tsuzuru at his creativity.

“Okay, so I was thinking…”

If you’re ever stuck on a project, he will also always help!

If you ever need any critique he’d love to go over your works with you, and he’d also love to receive constructive criticism when he asks for it

He just loves dating someone with the same passion for art he does since you can understand where he’s coming from a bit better when it comes to talking about it

❂ Kumon Hyodo - Baseball

Although Kumon doesn’t play baseball anymore, he still loves the fact you enjoy the sport as much as he does

If you play, he’ll definitely practice with you and attend any games he can. He’s definitely one of the loudest on the sidelines but he can’t help it! He’s so proud of you

Kumon cheered as you went up to bat. He wanted to make sure you could hear that he was there watching and supporting you. He mentally wished you good luck, but in his heart he knew you didn’t need it as the two of you had been practicing very hard. He watched as you went up to bat and he sat with baited breath and he watched as you did amazingly.

After the game he went to greet you and immediately pulled you into a hug.

“Kumon, I’m sweaty!” you protested, but the entire time you were laughing and didn’t make any move to push him away.

If you don’t play but only watch baseball, he’s still excited to have someone to talk baseball about to someone/watch baseball with

He’ll definitely invite you to any professional baseball games he gets tickets for

He absolutely loves enjoying his favorite sport with you and he hopes that you do as well

· · ─────── · ☆ · ─────── · ·

Masterlists || FaQ || Requesting Rules/Remarks

#.fandom: A3!#.content: fluff #.media: headcanons/scenarios #.characters: Tenma Sumeragi #.characters: Yuki Rurikawa #.characters: Muku Sakisaka #.characters: Misumi Ikaruga #.characters: Kazunari Miyoshi #.characters: Kumon Hyodo #a3 x reader #tenma sumeragi x reader #yuki rurikawa x reader #muku sakisaka x reader #hisoka mikage x reader #kazunari miyoshi x reader #kumon hyodo x reader

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