#REMEMBER PIECEMEAL???

[twilitkingzant]

I totally forgot about this show.

...And, I used to watch it. IT WAS SO GOOD! I miss this show, to be honest. I miss a lot of Cartoon Network shows.

[theinfinitedivides]

blinked and i had 700+ words of an Armand POV one-shot when i still haven't watched the show. someone talk me out of this now

[sysig]

Muscles are fun (Patreon)

[verysaint-tropez]

Finally continuing with TMA and im starting episode 14 and i already needed several moments. The absolute idea that they are suggesting to kill someone with magic is brilliant

[ojirocardigansniper]

:hesthonk: maybe i should talk about inoush (lahil's predecessor) on da blog next. i don't have a lot for uem personally or even need much, mostly just uer relationships with ayirine+lahil and uer post, but i could probably talk a little about the basics of uiranour lore.... although if i use the word uiranour then i have to Decide finally if that refers to only the offering-eater or the offering-oracle pair together. i have to do a little made up fake bullshit etymology in my mind just for me. which IS a treat. but it is an additional step

[duckuwu]

so many of my friends have lost their jobs lately, and it's only getting started. my heart hurts being unable to help any of them.

[stag-beetle-and-skeleton-bloom]

god I should stop reading online discussions on fighting games. Every single justification I've read for people wanting characters to be locked before playing some amount of single player (or even comparing older games with locked characters, to modern DLC characters???) is so fucking silly. Christ

[oliviawebsite]

disabled trans woman needs help staying housed!

i know you are probably sick of me asking for help but none of the costs stop accumulating even when I don't have a job. I am putting hours a day into applying for jobs and still have not received any offers besides one that got retracted on the day i was supposed to start. this job search has been killing me and my options are limited due to a disability that makes things like climbing and lifting almost impossible for me. i have looked into ssdi disability but the process is currently unbearably slow and i keep getting denied no matter what i do. now that another month is ending i'm due up to pay back an automatic installment on a shitty loan i took out to escape an abusive environment AND rent is going to be due. i am asking for a larger amount than i would ever feel comfortable asking for. i am really hoping to get a job offer by mid april so i don't have to do this shit again. i am sorry for being so desperate and needy. i really need a lot of help getting by right now. this is my only support system. my family no longer supports me and i am mostly left to fend for myself.

anything and everything will help. i just don't wanna be homeless again. i'm doing everything in my power to prevent it but no amount of piecemeal gig work or minuscule music sale proceeds is enough to get me more than a couple days worth of groceries and gas in my car. please help and share. whatever you can do i deeply appreciate you. i will remember you forever. thank you

20/1200

links:

bandcamp link (buy my music directly! Material exchange for your money!~)

[thegodemperorsmycopilot]

Oh, yes, the Tales of the Horus Heresy run a veritable gamut of stories and sagas that range from the mediocre to the epic and beyond.

https://gaming.kylebb.com/hhtimeline/

These may help you on your quest towards rough chronological order and flow.

I’ve bitten the bullet and admitted that if I want to know which Horus Heresy books are worthwhile I’m going to have to read them all, start to finish, rather than just dabbling around, scanning the lore and looking for recommendations.

Book 1 is pretty baller so far, the Luna Wolves are a wonderful gang full of fine sentiment. It’s like little Ani casting Vader’s shadow on the wall

[ceilidho]

take me home, country road

[ao3]

prompt: 1800s price/reader…. reader flees to his town where Price is the sheriff after a murder in her previous town only to be mistaken for the mail order bride that Price just sent for ….and he’s not interested in hearing any of her excuses when she tells him that he’s got the wrong girl (part 5) part 1, part 2, part 3, part 4

-

As it happens, the sun does rise the next day. 

You wake up gummy-mouthed, brow furrowing before your eyes even open. Sunlight filters in through the curtains, diaphanous and left open from the night before. Warmer than usual. It draws you back into its arms for a brief moment, ensconced in its warmth, bathed in the fuzzy in-between of wake and sleep. 

Memories trickle in slowly at first. It comes piecemeal; your first thoughts, a shallow pool that ripples when you dip your hands in, memories of the day previous scattering until you wait for them to come back together. You open your eyes to the window opposite you again. When you blink, it doesn’t fade like a dream. Your lips purse unconsciously because the truth is that you can’t recall ever sleeping in a room with a window. Or in a bed as comfortable as the one you’re in.

An arm around your waist pulls you in tight.

Your stomach swoops when you register the body behind you, a bracket of warmth at your back. Your immediate instinct is to kick away, go flailing off the edge of the bed and frantically search for the nearest object to brandish at the man in your bed. Then a hand runs up from your belly to cup your breast and your thoughts fizzle out again. His hand closes around the flesh and holds there, slotting your nipple between two thick fingers. Even with the fabric of your shift separating his hand from your skin, the feeling is electrifying. 

He grumbles against the back of your head and the sound reverberates through you. A full body shudder. Mildly peeved that your neck breaks out in a sweat. The sound is familiar though, as is the way he chuffs in his sleep, a brief expelling of air that glides over the naked skin of your neck. 

Something about his touch makes it click. You remember the glimmer of his badge and the rattle of the belt around his waist. The memory of his touch is bone deep; you’ve known John Price for less than two days, but you’ve felt almost every part of him by now. 

His legs tangle with yours under the sheets, a big thigh slotted through yours, giving you a perch to sit on. The two of you completely intertwined. You don’t remember falling asleep wrapped around him; maybe the slightest cuddle before rolling away to the edge of the bed.

When the hand on your breast squeezes, you inhale sharply. Loud. It echoes in the small room, the only sound apart from Price’s slow, even breaths. Part of you aches to move his hand. Again, he touches you where no one’s touched you before. You count your blessings that the sound of your gasp hardly makes him stir, sure that if Price were to wake up now, he’d never let you live down the way your nipples bead at his touch. 

As if your traitorous body answers to you these days. Your skin heats and sweats without your approval, heart always at a gallop when the man now known as your husband lingers close to you or sets a hand on your waist. Maybe in time it’ll become easier to withstand his touch, but the thought of lingering in his house even a week longer puts you on edge. 

It feels more like a curse than a blessing when his hand slowly draws back down the length of your chest. Panic sets in the moment his hand twitches, worried that Price might have woken up, but he breathes the same. Even, deep. He’s touchy in his sleep, always looking for some part of you to hold. You relax for a moment when his hand lingers on your belly. The weight is almost comforting, in a sense. Tender.

Then, it dips farther down. 

“John—John—” you whisper frantically, voice far too thin to pierce through the veil of sleep still shrouding him, trying to push his hand back up to no avail. He grunts in his sleep, curling around you. 

The hand on your belly sinks between your legs. It bunches up your shift, dragging the fabric of your nightdress between your legs. Your heart thunders in your chest. 

He cups your sex roughly, a firm hold that doesn’t budge when you try to squirm away. You’ve felt those fingers on your backside and curled around your wrist and threaded between your fingers, but between your thighs his palm feels wide. A man’s hand. The texture of his calloused fingers is dulled through the fabric of your shift, but you swear you can feel its heat.

He rocks the palm of his hand into your sex, the heel rubbing up into the apex of your thighs, making your whimpers go feathery and frail. You nearly bite clean through your bottom lip trying to stave off the moan crawling up your throat. His fingers rub at your hole through the gusset of your underwear and shift, the tip pushing just barely inside. 

A fevered, aching hotness spreads in your belly when his fingers sink in just the slightest bit. You can feel how sopping wet the fabric is, where he uses your own slickness to push inside. 

John practically growls when you finally cave and press your hand over his, tilting his hand just enough to grind the heel of his palm against your pearl. The shame is almost unbearable, so desperate for pleasure that you’d use a man in his sleep to reach your end. Hardly your heaviest sin, but it sinks into you anyway, another feather on the scale. Still, you choke back a suffering gasp and press down harder into his hand.

Pleasure suffuses through you when he grinds his palm just right. First, utter relief, the tension draining from between your shoulder blades and dripping onto the bed under you. Then, burning hotter than before, chewing your lip to keep quiet, terrified that you might wake John. Terrified that he might not, might keep you hovering over the edge with your feet kicking out. 

You’ve played at touching yourself before, but never with a firm, steady hand. Never without the aftertaste of guilt. It whispers in the back of your mind even now, a thorny prick, but then it whispers something else. It’s not sinful if he’s your husband, mumbled deliciously into the whorl of your ear, in John’s voice somehow. A husband doesn’t ask forgiveness for spreading his wife’s thighs open. He takes what’s his. 

John ruts against your bottom, huffing into your neck when you bite off a wail and breathe out heavier instead. The heavy shaft between his legs that you’d gotten a glimpse of the night before presses into the curve of your backside to nearly the small of your back. Thicker, hard as it is; you can only imagine how it’d feel to have that inside of you, to have him lay you flat on your back and bury his length into you. 

His hand tightens over your mound, gripping harder than before. Two fingers nudging at your entrance break you. It sends you down the side of a waterfall, frantically trying to swim your way back before plummeting down into the frothy depths, directionless in the water until you surface. 

John spills inside his trousers against your back. You feel it when he grunts and jerks against your backside one last time. 

You lie there, basking in the aftermath while the sun warms up the room. It’ll be at least an hour before the heat truly sets in. For now, it’s a gentle warmth. John’s hand is a loose hold between your legs now, petting your sex softly in his sleep. You feel your guilt just on the periphery, waiting with bated breath for you to come back down to earth. 

You feel John shift behind you and then a kiss is pressed into the crown of your head. Every inch of your body stills. 

“Morning, darlin’,” your husband croons, the smile thick in his voice. “That was a nice way to start the day.”

You’ve felt embarrassment before. You’ve felt shame, humiliation, horror, terror, guilt, and a medley of other sentiments that are part and parcel of living at the behest of others. So it’s not embarrassment that leaves you lying frozen in bed while John climbs out of the other side of the bed, but perhaps its cousin. 

It weighs on you so heavily that you can hardly even bring yourself to twist your head towards him. 

“You were—” your voice is brittle-thin when you speak “—awake?” 

He divests his nightwear with ease, pulling out a new day’s pants and shirt from the chest of drawers and then rounding the bed to take a knee by your side and cup your cheek. Not the same hand, you think wildly, staring at him wide eyed, still lying on your side. Frozen there. Tempted to say something else until he leans forward to press a firm kiss to your forehead. 

“I’m an early riser,” he says, a warm smile spreading across his face. He’s got a lovely smile, you think in a daze. 

He leaves you alone in the room, whistling on his way down the stairs. They creak one-by-one under his weight. When you finally sit up in the bed, you can vaguely hear him rummaging around in the kitchen. A pot clanging against a counter before the sound of the screen door shutting behind him. He must’ve gone to the well to fetch water. 

It takes an age for you to find the strength to get up out of bed. There’s still a wet spot on the front of your shift that makes you blink when it brushes against your legs. Then heat up like a roast duck. You’re tempted to change into your daywear and maybe bury the shift somewhere out back where you never have to acknowledge it ever again, but when you look over at the chest of drawers, all you can think of is John dropping trou just a moment ago. 

Your stomach aches all over again.

You limp hot-cheeked down the stairs to the kitchen for breakfast. The smell of fresh brewed coffee wafts from down the hall. You take a peek out the front window before joining him. Still hesitant, embarrassed like you’ve been caught. And you have been, you know. Caught and reeled in. Dragged to a courthouse and married to a man who hasn’t yet called you anything other than darling and honey. You wonder if he even remembers your name—or, your supposed name. 

Beyond the dirt trampled horse pen, a thick blanket of wild grass sways gently in the morning breeze, dotted with white wildflowers. Hardly a cloud in the sky today. Bluer than the bluest sea. This early, the sun only glints in the eye, a spectral everywhereness about it. In the noontime, it’ll hover overhead and glare down balefully, a sweltering curse. 

In the kitchen, John pours coffee into two cups. Rich stuff, not the bitter sludge served on the train or the watery cocoa that your aunt used to make to carry you through the brutal east coast winter months. You get a whiff of chicory. 

It must amuse him to hear you hovering in the doorway before creeping tentatively into the kitchen because he looks up with a little smile. You keep shame as a periapt around your neck these days, it seems; it must jingle when you walk. 

“Good morning,” John says. 

“You know—I didn’t know you were awake,” you blurt out, fists clenched at your sides. 

His eyes twinkle. “I caught on to that when you froze like a mouse.” 

The comparison makes your lips twitch. “You should’ve told me that you were awake.” You don’t have any right to scold him. Even as the words come out of your mouth, you know how foolish they sound and what they say about you. Little harlot that chases her pleasure with her sleeping husband’s hand. 

“Told you?”

“It’s only polite.”

“Polite.” There’s a teasing note in his voice that ruffles your feathers.

“It’s only right.” 

“Well then. Want me to wake you up the right way next time?” he asks instead, leaning back against the countertop. 

You frown. “The right way?”

He holds out a hand, beckoning you to him. You go, but with a stumbling step, nearly tripping into him when you take his hand. Without the barrier of your shift, you can feel the calluses on his hand when your fingers run over his palm. A shiver races down your spine. He reels you into his chest and holds you in place with a hand on your low back, pulling you so close to him that you’re practically leaning against him, as tangled as you were upstairs in the bed. 

John lets go of your hand to tip your chin up. “Barely got my hand wet, darling. Next time, I’m gonna pull that little shift up around your waist…wake you up nice and easy with my mouth. Drown out that voice in your head giving you a million and one reasons to leave. Yes, I can—” he huffs a laugh when you squirm in his arms, held steadfast to his chest “—I can tell you’re not yet settled. Maybe itching to run even, take the next train out. Go back to your old ways. But I said I’d make it good, darling, and I will. You just wait for tomorrow and the next day and the day after that. I’ll make it good enough to give you a reason to stay.”

Your mouth is dry when you rasp, “Your mouth?”

“Every morning,” he promises, sun-sweet. “I’ll make it so you don’t have a care in the world apart from when you’ll come next.”

Flustered doesn’t even begin to cover it. His words make your stomach pull in taut, leave you a threadbare, panting mess. Like a new language, spoken in stuttered breaks when you repeat it back in your head; the words somehow sutured together into a phrase that you know you’ve dreamt and forgotten. 

In the wispy daylight hours, it’s hard to see where the edges of you diverge from his. You’re still back in the bed upstairs with your legs tangled in his and his arms pulling you in close, the burr of his beard scratching the back of your neck. Touching the dark hair of his forearms, the groves of the muscles there, the softness of skin giving way to the hard musculature underneath. 

And then he dips his head for a morning kiss, his rough whiskers against your lips breaking the spell. 

“You haven’t brushed your teeth,” you complain, face puckered up at the stale taste of his mouth. When he smiles against your mouth, you can feel his beard drag up your skin the slightest bit. He draws back. 

“Well, guess I oughta wash up. Think you can start breakfast ‘till I get back?”

Cooking you can handle. You coat the pan with a lump of butter that melts over the iron. Two eggs cracked and sizzling in the butter. When he comes back, John cuts thick slices of bread that you heat in the pan with the eggs, the butter making the bread golden crisp. And it’s quiet. It’s quiet and there are birds twittering outside in the trees, chickadees and red-winged blackbirds. 

“Do you have any fruit?” you ask. More of a mumble. 

He hums. “Canned peaches in the pantry. Jam too.”

The pantry’s well stocked. Jams and jellies, cured and salted meats stored away in jars. Cornmeal and other grains. Pickled and canned vegetables. It’s the fruit you’re after though—the preserved peaches with the gingham fabric nestled under the sealed lid. Thick, juicy slices that come out of the jar coated in their own syrup that spreads out on the plate and touches the edge of your toast, softening the hard crust. 

You sit across from him to eat. Breakfast is a quiet affair interrupted only by your eyes flickering up to his face with each bite. Interrupted only by your skittering heartbeat. It’s hard not to be drawn to him, tempted to sneak a glance. Though dressed in his daywear, the edges of sleep still cling to him faintly, in the lines around his eyes and the folds of his forehead. You catch your eyes caressing those spots with a tenderness that makes your heart flare red for a moment, troubled. Like a red hot iron glowing at its hottest point. 

There’s no denying that you’d like to stay the course. Perhaps just out of curiosity. 

You’re ruled by your history though. Again, you look over at him, watching him silently and wondering what it must be like to live without that pressed upon you. To not be fixed like a violet between parchment paper. You’ll leave eventually, you know; when the moment presents itself. Even now, though he stares down at his plate, contemplating something that he doesn’t vocalize, you know that he’s aware of your every move. If you should so much as twitch, he’d know. 

A day or two won’t matter, you hope at least; there’s always a chance that your name might come across his desk, but there’s little chance at this moment that he’ll link it back to you, not thinking of you as his wife of another name that he refuses to say. It sits in his mouth like chaw. What you can’t wait out are the men surely following your scent, dogs with their noses to the dirt, sniffing you out. 

There will be a moment when his attention shifts. You just have to wait him out. 

The next train out, you think, scrapping butter onto your toast, picking at the crust with nervous fingers. You set a peach slice on top to make the perfect bite, bashfulness sinking back when you have to brush the crumbs from the corners of your mouth. Good etiquette finds you wanting here, sitting at the breakfast table in your thin shift with nipples pebbling in the cool air, crumbs all over your face. 

John reaches across to drag his thumb just under your bottom lip, wiping up a drop of syrup. “Messy girl.”

The hammer comes down on the iron again, liquid metal poured back into the crucible. Swallow with a dry mouth. You just have to wait him out. 

[ephemeralart-nelandra]

"In the glow of fading suns, I remember the place where the world felt endless and my heart was free. Take me back to the Eden of soft skies and boundless hope, where every step felt like home."

After long thinking and quite a few days of plotting I decided to draw another Eden piecem This time with more colours and with all the others being silly in the back.🦋🌿

[lordnot]

It is flattering, of course, when someone tries to blame "The Left" for a Democrat's loss. But it is pure fantasy. The only scenario where Jill Stein voters, or Bernie Bros who stayed home have any impact on the outcome is when The Democrat absolutely shits the bed.

The problem is that when you surround yourself with an Echo Chamber of people who agree with you, you simply don't understand how badly they shit the bed and why.

Biden and Harris touted the great accomplishments of Build Back Better. You and the people in your Echo Chamber combed through all the details of the bill and lauded all the ways it was a Big Fucking Deal. The average commuter saw a bunch of construction projects start on roads they were pretty sure were just fine to drive on beforehand, and vaguely remembered talk of a another stimulus check that they never received.

Biden and Harris touted how great Bidenomics was, and you and your friends in the Echo Chamber shared articles about how wages were going up in certain sectors. The average voter saw grocery and fast food prices skyrocket under the Biden Administration's watch, to the point where the $1 Store they relied on more than they'd like to admit was no longer selling anything for $1.

Biden and Harris promised student debt relief, you and your friends cursed The Supreme Court for blocking it, and then shared articles about the piecemeal, means-tested ways the administration continued to work around the ruling. The average student saw their student debt payments paused under Trump and resumed under Biden.

There is still the chance that Trump and Vance shit the bed even worse. Whatever instincts Trump had to sell himself as a Faux Populist in 2016 are basically gone, and he has done practically nothing to take advantage of the missteps described above. But if Harris and Walz lose, it is because they are part of a political party that has utterly failed to justify its existence as anything other than Not as Bad as The Republicans.

And if you are surprised, you need to take a long look at where you are getting your views and information.

[ot3]

hey, i only just recently finished bridge to turnabout (the final case of the aa trilogy) and wanted to go back and see your thoughts on godot since personally i have very mixed feelings on him altogether. you can just reply with a link to a post where youve already explained how you feel in more detail (i remember seeing a post where you have but tumblr search function is ass so i cant find the one i was thinking about) or use this as an opportunity to bitch about him if youd like. but i generally think that you have a knack for putting opinions i already have into words perfectly and wanted to revisit ones on him specifically with a new set of eyes now that i finally understand the context behind everything. peace and love ✌🏽

ohhhhh man godot. a lot to unpack there. I feel like for the most part whatever thoughts i've posted about godot have been kind of piecemeal so ill try and put it into something more coherent and comprehensive here. well first of all congrats on finishing the trilogy i hope you enjoyed it!!! bridge to the turnabout is SUCH an excellent case on almost every level but. the writing centered around godot really spoils it and stops it from living up to it's full potential....

i was warned i wasnt going to like godot going in so i was really surprised that up until bttt, i actually did end up liking him! i thought he was hysterical! and i still do. but i really can't Like him because of what the writing centered around him does to the integrity of aa3's arc. I don't like what it does to mia's place in the narrative and I think it undercuts the emotional realism that makes ace attorney's slapstick ass nonsense murders manage to land right. i guess ill address each one of those points on their own?

I don't like what godot's writing does to mia's place in the narrative!

Mia's death is something that's completely within her own agency; it is her own phone call with her own sister, talking about evidence for the case she herself has spent years building, that gets her killed. None of this has anything to do with phoenix. She is no strings attached presented as his mentor figure and I think this dynamic is what prevents Mia's death from feeling like fridging despite it technically being something that has to happen to allow phoenix to take center stage in the upcoming events of the game.

then godot comes in and the narrative he imposes on her death feels like it retroactively turns it into Fridging! I mean 'is this character death the Fridging Trope or the Death of the Mentor Trope' is kind of milquetoast tvropes brained level media critique here but im really using these concepts as a shorthand for the level of agency a female character is allowed to have in her own death, and the degree to which that death is used as a tool for men's emotional development. but anyway the point being that the fact that godot views mia death as phoenix's responsibility is an inherently misogynistic bit of character writing. their power dynamic is such that mia was the one responsible for phoenix's wellbeing if anything, as his boss, his senior, and his mentor; the only reason godot presumes phoenix to be responsible for mia's death is because he a man who was in proximity to her! which fucking suuuucks.

Something I don't see talked about a lot is that godot also has beef with phoenix for being dahlia's stooge, which i think is a MUCH more interesting angle for his character. but that's presented as a separate thing from his feelings about mia's death

Godot: …… I never liked you. Six years ago… …you helped the woman who put me to sleep by hiding her bottle of poison. And then… While I was sleeping… …you let Mia die. But you didn't care. You just kept living your pathetic, happy-go-lucky life. You even had the nerve to follow in her footsteps as a lawyer. I could never forgive you. That's what I thought.

now to be clear i don't think the narrative frames his blaming phoenix as something we're supposed to agree with. Godot has his whole confession at the end where he admits he views himself as responsible for failing to protect her. but it does basically mean that her death stops being something that was About herself and the choices she made and her relationship to her family, and instead becomes About the effect it had on the men in her life. which i really don't like!

NUMBER TWO. I think godot's writing lessens my ability to get emotionally involved in this case

Even within ace attorney's fucking moon logic bridge to the turnabout pushes my suspension of disbelief past its breaking point. I don't care about the pendulum horseshit. I don't care about the ghost possession. I'll accept all of that. What I can't accept is: why does no one EXCEPT godot himself seem to care that this entire murder could have been avoided if maya at any point been warned about it? Misty and Iris just as guilty of this as godot is, but the biggest difference between them and godot is that 1. misty has been a deadbeat for ages and is now just Dead. Her primary established character trait is not talking to her fucking kids. 2. Iris has been working as dahlias accomplice for her entire life and so the idea that she would willingly conceal this has much more legitimacy to me.

We are supposed to accept and sympathize with the idea that protecting maya Actually Was Something He Did. I say were are expected to accept and sympathize with that because phoenix and maya sure do! I guess you could interpret this as them trying to give some comfort to a man that is clearly at the end of his rope and about to be sent to prison.

Phoenix: Y-You're wrong! You put your life on the line to save Maya! Godot: Was it really for Maya's sake...? Even I'm not really sure. [cut some lines for brevity] Godot: You were the one who made me realize my folly. You never ran away from Mia's death. Instead, you picked up where she left off, as a true defender of the people. In that one moment... I understood everything! Phoenix: Mr. Godot... Godot: I think you already know this, but if you don't... My name is... Diego Armando. Maya: M-Mr. Armando! I believe in you! I know you were trying to save me!

then, later on:

Phoenix: (So I guess it's all over... The way everything ended... Was justice really served...? The man who risked his life to save Maya is being sent to prison by my own hand...) Mia: Of course justice was served. Phoenix: M-Mia! Mia: ...I'm proud of you, Phoenix. Your defense was... truly brilliant. Phoenix: B-But I couldn't save Mr. Armando! The man who cared so deeply for you... Mia: You're wrong, Phoenix. You did save Diego. You saved him in the only way possible.

I guess technically godot did risk his life to save maya. and I do like the conclusion that basically being laid bare and brought to accountability like that is what godot needed to 'save' him. but i'm just not sure why the fact that maya was only in danger in the first place due to godot's choices doesn't factor into how phoenix feels about him 'saving' her. I just don't buy it!!!

It lacks the emotional weight that other instances of Avoidable Tragedy in the series have had. Ace attorney is at its best when the relatively grounded emotions are contrasted by the zany impossible crime antics. But i think BTTT is an instance where the emotional realism isnt taken far enough to distract me from the convoluted nature of the actual events that have just taken place. Rather than being so in touch with the characters during this case that i can tap into the Tragedy aspect of 'this didnt need to happen like it did' i just find myself frustrated by the fact that it didn't need to happen like it did. It kind of chafes the whole case for me and at the end I didn't feel any sort of cathartic victory regarding the events that had just transpired. but that was clearly the feeling they were going for

i did enjoy godots for the most part, but i think you'd need to make some serious overhauls to the storyline to have this specific case reach its full potential. it's a good case! but as the end to the entire trilogy i just can't help but resent the fact that it has the clumsiest writing out of any of the individual games' finales. and that everything i disliked about it is attributed to the actions godot took and the reactions other characters had to that.

[sofipitch]

Thinking about body horror in The Locked Tomb, specifically how the bodies of the dead are treated. Wake's skeleton tilling the fields, using her to feed an empire she hates even in death. Abigail's death not having anything to do with her but more just the inconvenience that she was there, evidenced by Cyth stashing the key in her as if she were a box. Protesilous is particularly good because you meet him as a person after you have seen his corpse used against his consent in the first book. After Cyth tells Palamedes she tossed his girlfriend and her bodyguard in the garbage she says "Don't look at me like I'm a monster". How ppl's remains are treated matter, when Crux threatened Gideon he threatened her with just that, being treated as parts.

I just have specific feelings about dead bodies and how they should be treated. I could never do anything involving cutting them without thinking this was someone's grandmother, or lover, or best friend. I distinctly remember what did this was going to see The Bodies Exhibit where you get to see a lot of preserved organs and such. I thought I would be fine, I was even super excited, I liked anatomy and physiology. But I remember looking at a sagittal cut of a head and torso meant to show off the brain and spinal cord and Idk why but I turned my head side ways and got level with the display and there was the man's face. That horrified me more than anything, his face mostly hidden so you don't remember this was a person. The ppl in this exhibit never consented to be a part of it, they are unidentified persons, no one came to get their body so it meant anyone could do what they wanted with it. Even worse popular myth for a while was that these were the bodies of prisoners, as if that made it okay to treat them with disrespect. There was writing on the wall as we left saying the bodies had been handled with respect but I would never want to be put on display in a museum, so how could we know they didn't feel the same? I also wouldn't want my index finger on display at the Vatican museum. I understand it's meant for worship but there also seems to be something rude in the piecemeal display of saints.

I feel strongly about respect for remains and idk how Muir does but there's something particularly good about Gideon being aware of her remains after death. The argument for a lot of bad treatment of corpses is "the person isn't going to know". So Muir created a character that becomes BOE's body farm experiment, until finally she has to go back into and haunt her corpse, embarrassed at her wounds and the way others can see her meat. Her first interaction is objecting to someone sticking her corpse with a needle, even though she can't feel

[yurucamp]

Since you mentioned you'd enjoyed it recently, I'd love to hear what you thought and liked about Signalis!

firstly, its presentation is impeccable; it's so polished and cohesive the fact it was made by a two-person team stuns me! i remember gasping in awe at some of the first-person scenes. it really made me think "jesus christ, i want to be a better game developer, i want to learn unity and make something like this"

i found the game itself quite fun to play, but i think i started to like it more after finishing it and watching some long videos recounting its story. the story is presented in such a piecemeal manner that it took a while for the tragedy of it to really hit me, and i think i'd like it even more upon replaying it. (i'm not sure if you've played it so i don't want to spoil, but the central conceit of the game was not at all obvious to me while playing, and looking back at it in hindsight gave me a greater appreciation of how everything fit together.)

i also love how, despite wearing its inspirations on its sleeve and borrowing so liberally from different sources, it's able to create a final product that's wholy its own. like as clear as the developers' inspirations are, it's impossible to accuse it of being a copy or clone of any specific thing, all of those sources are reflected into something new

[bsof-maarav]

I just talked to one of the handful of friends I have left from my former community and found out that a specific former mutual friend, one who particularly prides herself on being a feminist, is straight up denying the hamas rapes, demanding "forensic evidence" and claiming it's all "Israeli propaganda."

I just have no more words left. I knew it was bad and I left behind what little social media I had in the first days after October 7th because I saw enough to know that I wasn't going to be able to be in this community anymore, I saw enough to know that I wasn't going to be hanging out with this crowd ever again. But I didn't stay long enough to watch every particular individual do and say the monstrous things that it turns out so many of them have been doing and saying.

I just left. And for a lot of them, I deliberately didn't look. I deliberately didn't look too closely at anything this woman was doing, for example--I thought it would hurt too much if it was bad. I thought it was better to just consider this part of my life over, to remember these people as they were to me before. I didn't want to know. I was leaving anyway.

Piecemeal, I saw some egregious things from some of my former friends. Glorifying self immolation...calling for the genocide of Jews...Holocaust inversion...claiming the hostages deserved it...denying that Jews are indigenous to anyplace on this earth...people who have utilized our words and symbols for their own liberation movements, wholesale denying the humanity of the people who made those words and symbols in the first place.

Every new piece of news I learn about who is dehumanizing us and with what rationale is just profoundly dispiriting.

No matter how many ways these people should be able to relate and make a human connection, they refuse to. Everything in their supposed values should enable them to hold the truth of what is happening to us. But it doesn't.

They're willing to treat Jews, especially Israeli Jews, in a way they would never accept for anyone else, in a way they would strenuously resist for anyone else--in fact, they strenuously resist much less serious things for anyone and everyone else! and that just breaks me. It means they never had the values that I thought we shared. It's all been a lie.

I froze things in time for some months, to some degree, accepting it was bad enough to be over, but not wanting to know the details. But with every new detail it's undeniable: there is no moral compass there. That world should have been a home for me and for years, I felt it was, but this hate was there the whole time. I never understood the conditions of my "belonging."

I can never forgive them. Not least because they'll never stop feeling righteous about their evil.