#Quique Alcatena
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Art by Quique Alcatena
#art#beauty#aesthetic#artwork#beautiful#contemporary art#fantasy#illustration#design#digital art#Quique Alcatena#horror#horror art
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Quique Alcatena
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Batman - Legends of the Dark Knight 1995 Annual by Quique Alcatena
#DC#Comic#Comics#Batman#Batman: Legends of the Dark Knight#1995 Annual#Man-Bat#Kirk Langstrom#Bruce Wayne#Batmobile#Quique Alcatena
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The Spider: Blood Dance
by Timothy Truman;Quique Alcatena; Samuel Parsons and Tim Harkins
Eclipse
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:: Lafarium TV. Una aproximación a la oscuridad. Emisión Doce. Contenidos: El historietista Quique Alcatena nos habla sobre el lanzamiento de “Croma Cómics”, la nueva coalición de artistas y superhéroes. Harlock, estudioso y divulgador de lo oculto, se refiere a los gigantes a lo largo de la historia y culturas de la humanidad. Jorge Fantoni nos ofrece una animación descabellada, a la par que Pablo Paz y Paté Crudo iluminan nuestros espíritus con sus experimentaciones. Finalmente, escuchamos atentamente un track del nuevo disco de la agrupación “Trópico de Cáncer” ::
#lafarium#diegoarandojo#under tv#under#dark tv#dark television#quique alcatena#alcatena#harlock#occult#occultism#esoterism#weird tv#hernán ostuni#jorge fantoni#fantaloni#paté crudo#pablo paz#trópico de cáncer#fer cenzabella#fer carpenter#Youtube#croma cómics#cómics argentina#croma
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SuperMalon Fanart
The Supermalón. A great Argentinian supergroup created for a DC Comics The Flash annual by Quique Alcatena and Chuck Dixon in the 90s.Felt like trying out take on it. El SuperMalón. Un genial supergrupo argentino creado para un anual de The Flash de DC Comics por Quique Alcatena y Chuck Dixon en los años 90.Esta es nuestra versión 😊Art: Mariano NavarroColor: Hernán Cabrera
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#alcatena#art#arte#chuck dixon#color#dc#dc characters#dc comics#enrique alcatena#fanart#Flash#hernan cabrera#mariano navarro#quique alcatena#supermalon#The Flash
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Enrique "Quique" Alcatena
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August 1989. The first chapter of Tim Truman's three-issue HAWKWORLD miniseries wastes no time in presenting its thesis statement. On the planet Thanagar, a young aristocrat Katar Hol, just out of military academy and not yet Hawkman, joins his world's paramilitary police force, the Wingmen, and quickly learns what the Wingmen really do: brutal raids into the slums of Downside, Thanagar's overcrowded ghetto — ostensibly to prevent insurrection and root out caches of weapons and other contraband, but really to maintain a climate of terror for an already oppressed population of conquered beings from many worlds. As Katar is already beginning to suspect here, his cynical commander, Byth (the one speaking, above), is actually running guns and drugs to Downside, and takes advantage of these raids to rid himself of rivals and no-longer-useful accomplices, lining his own pockets while perpetuating the social inequity and exploitation on which Thanagarian society depends.
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Many elements of this miniseries are drawn from the Gardner Fox Hawkman stories of the Silver Age: Byth was the the villain in the first Silver Age Hawkman story in THE BRAVE AND THE BOLD #34, a statue of Kalmoran was seen briefly in BRAVE AND THE BOLD #43, and Illoral was a world the Hawks visited in HAWKMAN #6 in 1965. Truman (who originally intended HAWKWORLD to be a direct prequel to the Fox/Kubert stories) frames those elements in a new context, giving them much greater thematic weight.
HAWKWORLD sold well, thanks in no small part to the magnificently realized artwork, by Truman and Argentinian artist Quique Alcatena (with superb color by Sam Parsons), but it drew some criticism for the darkness of the story and its ugly portrayal of a militarized Thanagar. The reality is that Thanagar had been presented as a fascist dictatorship for about a decade by this point, something that the previous version of Katar Hol had eventually accepted and even endorsed so long as it didn't directly threaten Earth. What Truman did was to remove the pretense that Thanagar hadn't been that way to begin with, and thus reassess Katar's relationship with that brutal imperial state — whose resemblance to our world was in no way coincidental. The story (which puts Katar through the wringer in every respect) ends more or less where BRAVE AND THE BOLD #34 begins, so the full ramifications of Truman's reframing of Hawkman's origin would play out in the first 26 issues of the ongoing HAWKWORLD series by John Ostrander and Graham Nolan between 1990 and 1992.
#comics#hawkworld#tim truman#enrique alcatena#sam parsons#hawkman#katar hol#byth#thanagar#thanagarians#truman and editor mike gold thought that#hawkworld should be treated as hawkman year one#rather than a full reboot#but dc senior management thought it would sell better as a reboot#and since the previous hawkman book had recently flopped#preserving past hawkman continuity was not a high priority#gardner fox#joe kubert#mike gold
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AceroLíquido / EduardoMazzitelli / Quique Alcatena 1993
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In Preview: Alcatena 2020
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In 1979, I was exposed to a new artist. The style was dark, highly detailed and has been described as baroque steam-punk. Unbeknown to me, this was one of the first Argentinian artists to work on British comics who was heavily influenced by the American Silver Age comic greats.
The artist was Quique Alcatena– and I swiftly grew to love his work. While I devoured his work, I little realised…
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Batman - Legends of the Dark Knight 1995 Annual by Quique Alcatena
#DC#Comic#Comics#Batman#Alfred#Batman: Legends of the Dark Knight#1995 Annual#Bruce Wayne#Quique Alcatena
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Enrique Quique Alcatena
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Batman: Legends of the Dark Knight #89, Dec 1996 Writer: Alan Grant, Artists: Quique Alcatena, Jessica Kindzierski, Letterer: Willie Schubert
#batman#death#grim reaper#legends of the dark knight#batman legends of the dark knight#alan grant#quique alcatena#jessica kindzierski#willie schubert#transparent#1996
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