#Pupares!

[sarnai4]

Hi :D

I am very pleased to tell you that my chaotic friends persuaded me to include Pupares in my upcoming fic (okay, the persuasion was literally one please I really wanted this too) So either way, Athena will have a puppy now whether she wants to or not XD

Hi!

I love your friends 😆😆🥰🥰!!! Please tell them thank you for me! Of course, you wanting to do that anyway makes it even better! Athena, the reluctant puppy keeper. That works marvelously. I'm imagining so many scenes with her just being the epitome of 😐 as Ares is in full 🐶mode.

[mer-acle]

Snippet: Slipping Through My Fingers

Playtime (Pt. 5)

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Olympus. Athena, Ares and Hera are walking toward the healing temple. Ares is filled with anxious energy, always staying close to Athena as if he's afraid she might fall.

Athena: Ares, you can relax. It's not a serious injury.

Ares: You don't know that!

Athena: I have been in plenty of fights, I do know that.

Ares, after a moment of hesitation: You mad at me?

Athena: What? No, of course not. It was an accident.

Ares: No, but I should have-

Athena: Ares, I am the adult, the mistake was mine for playing a dangerous game with you. It is important you learn to be careful with your strength, and you will, but I'm not mad at you. I would never be mad at you for hurting me on accident, no matter how bad it is.

Hera is walking a few steps behind, watching her children intently. She can hear the tension in Athena's voice, something just underneath the surface that she will not let out. Ares sniffles a little.

Ares: Promise?

Athena, nodding: Promise.

Ares' little face lightens up a little.

They reach the healing temple and are approached by a healer, a young nymph named Iola, who bows in reverence.

Hera: They've had a little accident in a game. Please take a look at her.

Iola: Yes, my queen. Lady Athena?

Athena nods silently. Ares looks at her, fidgeting with his fingers.

Ares: Can I stay, Th- Athena, please?

Athena freezes, hesitating. Hera is standing, but watching her carefully as if she's ready to intervene. Athena opens her mouth as if to refuse, but then-

Lake Tritonis, decades earlier. In the infirmary, Athena is sitting on a low bed as a healer stitches a gash on her arm. Pallas is sitting with her, her head buried against Athena's shoulder so she doesn't have to look at the sewing, her arms wrapped around her friend. She winces more than Athena does.

Athena: Pall, you don't have to stay here.

Pallas: I put you in here, of course I wanna stay. It makes me feel better.

Cut. Back in the present. Athena breathes out.

Athena: Fine.

She doesn't meet Hera's gaze as if her expression would reveal what she thought of, reveal the vulnerability she just felt. Hera doesn't say anything about the distant look Athena had for a split second.

Hera: I'll be outside. She ruffles Ares' hair Take good care of your sister, dear.

Ares nods eagerly. Athena clenches her jaw. Iola waves them over to a narrow bed, her posture filled with quiet tension. Everyone on Olympus knows that the princess is closed off, learned to sew her own wounds to avoid exactly this, never takes off her armor in public, and yet, there Iola is, having to treat her on orders of the god queen and not knowing how it will go.

Iola: Lady Athena?

Athena, breathing out: You need me to take the armor off, I presume.

Iola nods.

Iola: Apologies, mylady, it is the only way I can assess the damage.

Athena frowns, catching both the unease and the edges of the healer's thoughts.

Athena, more softly: At ease. I have no qualm with you. Just tell me what's required.

Ares sits next to her on the bed, watching. He is too young to fully understand the delicacy of the hierarchy on Olympus. Athena grimaces when she lifts her arms to open the straps of her armor.

Ares: I can help you-

Athena: I am handling myself just fine, Ares.

She sets down the leather vest and nods at the healer in silent permission to proceed. Her blue chiton shows clearly where Ares' claws got her, ichor staining the fabric from her shoulder almost to her waist. Ares draws in a shaky breath, pulling up his legs to his chin.

Iola: May I-

Athena: I can take care of the graze on my own. The rib is what my st- the queen would like to have looked at.

Iola: Of course, milady.

Ares: But Athena... it looks pretty- pretty bad...

Athena: It isn't. I bet it won't even need stitches. I can dab some vinegar on it myself.

Ares: But Mom said-

Athena breathes out, frustrated.

Athena, to Iola: Start with the rib, please.

Iola nods, moving carefully as she touches her palm to Athena's side. The glow coming from her is faint, not healing, mainly detection. Athena stiffens, but stays still until Iola moves up a little, then she winces.

Athena: There. And a little higher as well.

Iola feels out the area where it hurts.

Iola: Those would be two broken ribs on your side, milady. The swelling is fortunately pretty mild and I cannot detect any internal injuries that resulted from it. It should heal back together in a few weeks with some rest. I will give you an ointment that will help cool the area and reduce the swelling, apply three times a day. It would be advisable not to wear metal armor until it is healed.

Athena: Thank you. To Ares See, not that serious.

Ares still looks unhappy. He has his thumb near his mouth, holding back from sucking on it, but clearly wanting to. Athena breathes out softly.

Athena, to Iola: By all means, take a look at the graze too.

She pulls her chiton aside just enough to reveal the first two or so inches of the wound. It is bleeding , but only sluggishly. Ares still tenses.

Iola: If you prefer, you can check if this is its deepest point yourself rather than me doing so, milady.

Athena nods in appreciation and takes a brief look at the rest of the wound.

Athena: Yeah, it doesn't get deeper, it feathers out.

Iola: I thought so. In that case, there are no stitches necessary. It is about to stop bleeding. Would you like me to give you a bandage and vinegar to treat it in private?

Athena: I have supplies myself, but thank you.

She covers the would with her chiton again. Iola nods.

Iola: Good. Disinfecting is particularly important to avoid infection for a wound like this. If any complications arise from it or the ribs, please reach out to us. Otherwise, three weeks from now would be a good point to check for progress.

Athena: I feel like someone will hold me to that.

Ares: I will make sure you don't forget.

Athena: As I was saying. To Iola Thank you for your help.

Iola, bowing low: Of course, Lady Athena.

Outside, the siblings meet back up with Hera.

Hera: Did the healer clear you to leave?

Athena: If she hadn't, Ares would not let me walk out. I've been asked not to strain my ribs for a few weeks and do some general wound care, nothing more. It is not serious.

For a moment, Hera looks as if she wants to say some more, but she stops herself.

Hera: I'm glad to hear. In that case, you should probably head inside and rest.

Athena sighs.

Athena: That seems reasonable.

Hera lifts Ares into her arms.

Hera: Alright, big boy, we'll let your sister have some time to rest now. To Athena If anything's wrong, please get back to the healer immediately.

Athena is silent for a moment, torn between being abrasive for the sake of it or conceding.

Athena: I will.

She turns and walks away. Ares slings his arms around his mother.

Ares: Will she be okay, Mom?

Hera is looking at Athena wistfully, with some quiet concern. She holds Ares tightly, protectively. Safely.

Hera: Yes, dear, she'll be okay.

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Part 1| Part 2 | Part 3 | Part 4 |Part 5

@sarnai4 hehehe

[vimogra-art]

Escarabajo mexicano del frijol Epilachna varivestis Mulsant y su Larva (...

La familia Coccinellidae, o escarabajos mariquita , pertenece al orden Coleoptera. Esta familia es muy importante económicamente porque incluye algunos insectos muy beneficiosos, así como dos plagas graves: la mariquita de la calabaza, Epilachna borealis Fabricius, y el escarabajo mexicano del frijol, Epilachna varivestis Mulsant. La larva recién nacida es de color amarillo claro y no mide más de 1,6 mm de longitud. El cuerpo está cubierto por hileras de espinas robustas y ramificadas, dispuestas en seis hileras longitudinales en el dorso. Las espinas al principio son amarillas, pero luego se vuelven más oscuras en las puntas y más llamativas. La larva tiene un cuerpo blando que se estrecha posteriormente y tiene un segmento anal que tiene un aparato similar a una ventosa para adherirse a las superficies de alimentación. La larva madura mide de 6,0 a 9,5 mm de largo y es de color amarillo verdoso. La larva muda cuatro veces durante el tiempo de desarrollo. Unas horas después de la muda, las puntas de las espinas se vuelven más oscuras, dando un color general verdoso o amarillo sucio. Las larvas tienden a agruparse en cantidades considerables para pupar. Fuente del Texto: University of  Florida Autor: Hussein Sanchez-Arroyo NOTA: Si hubieran ingresos importantes (+ de 10 €), en este video, estos se destinarían a una asociación animalista o de Naturaleza como por ejemplo: FEDENVA: Federación para la Protección y Defensa del Animal en la Comunidad Valenciana ó WWF España &  la mayor organización  internacional independiente dedicada a la defensa de la naturaleza y el medio ambiente. Fundada en 1961, hoy trabajamos en más de 100 países y contamos con el apoyo de cerca de 5 millones de miembros en todo el mundo.

[444names]

hindu deities + roman emperor forenames + the entire article on arson from wikipedia in turkish

Aaemika Aakshi Acadius Acletus Acrinna Adrayi Adurgadi Agalama Aganikos Albasta Alenkale Amalian Amarlak Amavi Ammana Ammaxios Anara Andra Angala Angir Aracrius Aragni Araji Araman Arati Aratian Aratini Aratmian Aravanga Aravi Arcasu Arcus Ardha Arishi Artaura Asama Ashman Asios Asius Asıtlı Atrelli Aurani Avala Ayadius Ayava Ayimuni Ayrılı Ayrınla Ayuta Ayututhi Ayyama Ayyanta Ayyanti Ayyağlı Ağlık Bagnus Baleri Balienus Ballus Balır Basta Berudati Bhadar Bhadius Bhaemiti Bhandeye Bhara Bhari Bharti Bhaswara Bhathi Bhulinji Bhumatan Bhumius Bikos Brashata Brasian Briani Brihan Brius Budakla Budara Budragan Budrak Cadius Cadran Calarius Calinu Caradi Chala Chanus Chavashi Chhinus Chilen Clibez Comius Conirrti Contimi Conuman Dakleno Darahma Denus Devan Deves Devnath Deyda Deyen Dhadran Dhainda Dhanga Dhanshi Dhashn Dhashur Dhatius Dhumbius Diocasa Ditha Ditravra Dobuda Domiana Drahmius Elastian Flona Flortika Gabasio Gadurga Galaksh Galamına Galbinus Galel Ganiran Gantan Gelin Gelini Genasios Genaxmi Genuel Getre Ghala Ghavithi Giratina Glybra Glybraga Glyce Gordi Gorius Goros Görela Görelama Hadiya Haksh Hakti Hakçılı Harius Havitus Hemius Heodos Hertara Herus Hocan Horomuta Hriha Ilami Illian Indan Inius Iracrian Irahath Irmali Irrti Jajajan Jhumcar Joant Johna Jorian Julalar Juleri Juliti Julus Junda Jundak Juniis Justi Jyolanne Jyolma Jyoluyle Jyotha Kalamak Kalarya Kamaçla Kambhani Kanyuta Karati Karja Kasili Kasuçtus Katinu Kavitus Kaziyan Kenka Kesala Keyash Khale Khati Khilari Kioclius Kubrava Kumatmi Kunar Kundaki Kundios Kundni Kundros Kunian Lamma Lammax Lammodos Lardha Latilos Lenerme Lerus Lexan Lexani Lianus Lianuçtu Liberi Lucian Luylerta Macri Madiya Magni Mahanini Makallus Maksh Maksha Maleshma Manasati Mandanta Mandos Manian Manneran Manta Manva Marjane Masvanti Matar Mathi Matil Maurugan Maxensh Maxenume Maçla Maçlı Mhaksh Milian Modomi Mookam Moori Mukyaki Mukyama Munakti Munari Munasu Mundhi Mundios Mundius Mundos Mundro Muratin Murganda Mutus Nalexan Nanus Nathi Natmi Neenus Neeshna Nerishna Nianu Nikos Noorius Olana Olarat Olmahara Oluyla Olycerva Othitas Otina Pariama Parus Pasha Pasta Perhaina Perhan Periana Perta Pervani Petant Petus Phiscus Pracinna Prama Proba Promuna Pronini Pupar Pupasvan Purgale Purti Purtina Purudi Purudra Purus Quini Quinira Quinnati Quinuka Quinus Raaemius Racriha Ragadius Ragalır Rahan Rahati Rajanda Rajapan Ramahan Ramaxios Ranian Rantha Ratikos Ratini Ravianyu Raviva Ravradha Razarja Rbhayuda Rellian Renelian Reyenti Rugan Rumanti Saacyu Saiscus Salli Sarcinna Sarian Savanta Savarka Septi Sevar Sevitri Shagangi Shapura Shath Shinikos Shvath Shvishu Skammala Skaradro Skasa Sobasu Starılı Sureva Svatrius Swama Swarius Swarla Swati Tarcus Taspatu Therhan Thobudi Thocar Thoni Thyamani Traval Trian Trianti Tutha Tvalanus Tvandra Tvannas Tvanti Türenius Türka Umaha Umbin Uramaja Urmerini Vahaisha Vaini Valala Valax Valeshna Valık Vanda Varac Varacyu Varılı Vastus Vathael Vatrajau Vayan Vayla Venas Venori Verian Veriani Verihan Verikos Verius Verunda Veshnu Vetus Vianusti Vidya Viscus Vishi Vishvani Vithya Vitren Vituştus Vivan Yalamı Yaligus Yamalır Yamatian Yamnatmi Yangi Yanikas Yapati Yatre Yağlık Yağır Yenus Yolma Yolyce Yothya Yutus Zeneenti Zenius Çokal Ülketu

[dawnleaf37]

oh there’s oupperts today

[teredo-navalis]

Se volete delle gioie a poco prezzo: comprate la verdura dal fruttivendolo, conservate in un contenitore i bruchi che trovate e aspettate che pupino e diventino farfalle!

Io ne avevo messi da parte tre e il primo a pupare si è "schiuso" oggi. Ho visto tutta quest'agitazione nella vaschetta, ho sollevato la pellicola ed è uscita lei! che ha preso a volare come un'ossessa per tutta la stanza, che emozione aaaaaaaaa🥺😍��

[sciatu]

EMMA DANTE - LE SORELLE MACALUSO

THEATER AND SICILY - NEVERENDING AUTHORS

I have already told you how the theater in Sicily has a long history, a language that privileges it and a culture in which it is deeply rooted. Talking about the authors I have to start by saying that most of them are unknown, in the sense that many of the great and small Sicilian authors who have taken turns in the history of the Sicilian Theater are not known. The Sicilian Theater is characterized, from the Middle Ages to today in various forms. There are Carnival Farse in which the people made fun of themselves or a social class, so that, being popular expressions, there were hardly any well-defined authors. Then there were the "Intralazzate" of the sacred representations in which they were told the sacred events that had more educated authors than those who created the farces but still unknown. Similar to the Farse were the Vastasate, purely popular representations in which the "vastasi", that is the poorest part of the people, represented his life, with the pains, the dramas and the criticisms of the other social classes. Next to these depictions there was the Opera dei Pupi, that is the puppet theater that put in scenes, in a codified way, the "Canzone di Rolando" and the Paladini of France. Also here, the pupars created the texts and recited them in a traditional way. In the late 1800s and early 1900s the first great authors appear, some of whom as Nino Martoglio were also directors, captains and authors of the first feature films. Among the first authors I cite De Roberto for personal reasons, an author who spoke of the failure of the Risorgimento and of the disenchantment of the Sicilians in front of the new Italian state realized by the Piedmontese kings. After De Roberto here is Luigi Capuana who applied to the Sicilian reality the naturalism of Emilie Zola who was baptized "Verismo". Capuana with Martoglio, director and director of music, and then with the actor Angelo Musco he found the ideal interpreters of his works. Martoglio himself and Musco did not hesitate to fish, from time to time, in the stories of Verga that of Verismo was the greatest exponent. On this fertile ground appears Luigi Pirandello who with his works creates a modern theater, with his characters hiding behind masks and his ironically tragic works. Contemporary of Pirandello and his great friend, we have Rosso di San Secondo which takes up the tragic side of the Sicilian soul. Among the modern authors we have Leonardo Sciascia whose works became successful theatrical texts. I also mention Giuseppe Fava, killed by the Catania mafia whose last play "The Last Violence" is perhaps a prophetic present of what would happen to him. But there are many modern theater writers and among the many I have chosen for this post Emma Dante that as well as director is perhaps primarily author with many strongly Sicilian works that, together with the tragedy, unite, like in the "Macaluso Sisters" the Sicilian irony . Emma Dante represents the many and infinite authors who make the Theater one of the Arts in which Sicily, is mirrored and wonders, recreating and reinventing itself to each new generation.

TEATRO IN SICILIA - AUTORI SENZA FINE

Ti ho già parlato di come il teatro in Sicilia abbia una lunga storia, una lingua che lo privilegia e una cultura in cui è profondamente radicato. Ne parlare degli autori devo esordire dicendo che la maggior parte sono sconosciuti, nel senso che molti dei grandi e piccoli autori siciliani che si sono avvicendati nella storia del Teatro Siciliano non sono noti. Il Teatro Siciliano si caratterizza, dal medioevo ad oggi in varie forme. Vi sono le Farse del Carnevale in cui il popolo prendeva in giro se stesso o una classe sociale, per cui, essendo espressioni popolari, difficilmente vi erano degli autori ben definiti. Vi erano poi le “Intralazzate” delle rappresentazioni sacre in cui venivano raccontate le vicende sacre che avevano degli autori più istruiti di quelli che creavano le farse ma pur sempre ignoti. Simili alle Farse erano le Vastasate, rappresentazioni puramente popolari in cui i “vastasi”, cioè la parte più povera del popolo, rappresentava la sua vita, con i dolori, i drammi e le critiche alle altre classi sociali. Accanto a queste rappresentazione vi era l’Opera dei Pupi, cioè il teatro delle marionette che metteva in scene, in modo codificato, la “Canzone di Rolando” e dei Paladini di Francia. Anche qui, i pupari creavano i testi e li recitavano in modo tradizionale. Sul finire del 1800 ed inizio del 1900 appaiono i primi grandi autori, alcuni dei quali come Nino Martoglio furono anche registi, capocomici e autori dei primi lungometraggi. Tra i primi autori cito De Roberto per motivi anagrafici, un autore che parlò del fallimento del Risorgimento e del disincanto dei siciliani di fronte al nuovo stato Italiano realizzato dai re Piemontesi. Dopo di De Roberto ecco Luigi Capuana che applicò alla realtà siciliana il naturalismo di Emilie Zolà che da noi venne battezzato “Verismo”. Capuana con Martoglio regista e capocomico e quindi con l’attore Angelo Musco trovò gli interpreti ideali delle sue opere. Martoglio stesso e Musco non esitavano a pescare ,di tanto in tanto, nei racconti del Verga che del Verismo fu il massimo esponente. Su questo terreno fertile appare Luigi Pirandello che con le sue opere crea un teatro moderno, con i suoi personaggi che si nascondono dietro a maschere e le sue opere ironicamente tragiche. Contemporaneo di Pirandello e suo grande amico, abbiamo Rosso di San Secondo che riprende il lato tragico dell’animo siciliano. Tra gli autori moderni abbiamo Leonardo Sciascia le cui opere diventarono dei testi teatrali di successo. Cito anche Giuseppe Fava, ucciso dalla mafia catanese la cui ultima opera teatrale “L’ultima Violenza” è forse un profetico presentire di quello che gli sarebbe successo. Vi sono però molti scrittori teatrali moderni e tra i tanti io ho scelto per questo post Emma Dante che oltre che regista è forse principalmente autrice con molte opere fortemente siciliane che insieme alla tragedia uniscono, come ad esempio nelle “Sorelle Macaluso” l’ironia siciliana. Emma Dante rappresenta quei tanti ed infiniti autori che fanno del Teatro una delle Arti in cui la Sicilia, si specchia e si interroga ricreandosi e reinventandosi ad ogni nuova generazione.

[luispinango1992]

Esta larva de Sphingidae es posible verla alimentándose sobre Ipomoea sp. (Convolvulacea). En común que sea parasitada por avispas de la familia Braconidae. Este ejemplar muestra las lesiones dejadas por las larvas de las avispas al salir a pupar en la parte dorsal de su hospedero. Aparentemente las pupas de desprendieron al pasar la cosechadora. Venezuela, estado Aragua, Municipio Urdaneta, Finca La Mula. Cultivo maíz. #entomología #entomology #entomologist #arthopodos #insect #parasitoide #controlbiologico #mip #ipm #biodiversidad #lepidoptera #sphingidae #braconidae #hymenoptera #maiz #maize #agroentomologist #agroinsumoscapital🌱🌾 (en La Peñita, Aragua, Venezuela) https://www.instagram.com/p/Clm8-5mtWqZ/?igshid=NGJjMDIxMWI=

[sarnai4]

Post "My Goodbye"

(Athena is going through her 12th box of tissues. Ares is patting her back.)

Ares: Got you some more books.

Athena (sadly looks at them): I used to read those with Odysseus.

Ares (slides them away): How about sparring? That always makes you feel better.

Athena (sinks into pillow): Odysseus was good at sparring.

Ares (to himself): So help me, Odysseus, if my uncle doesn't kill you, I will.

Athena: Ares?

Ares: Yeah?

Athena: There IS something that might make me feel better.

Ares: What?

Athena (meekly): Well, I read that petting puppies can help.

Ares:...

Athena: It can lower stress and elevate mood.

Ares:...

Athena (baby owl eyes)

Ares (sighing): (turns into a puppy)

Athena (smiling as she gets to pet the pup)

Ares: If you tell anyone about this, I will test your immortality.

[mer-acle]

Snippet: Slipping Through My Fingers

Playtime (Pt. 4)

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Olympus, Hera's garden. Hera is reading a letter in the shade of a tree. Suddenly, she flinches slightly and looks up in alarm, as if she's heard something. Without hesitation, she dematerializes the letter and heads outside. Ares dashes over the field, his pants quick and frightened. He meets Hera on the path toward Olympus.

Hera: I sensed you and Athena, what's wrong?

Ares barks urgently.

Hera: Words, dear.

Ares growls, but shifts back, his sentence half-cut-off by the transformation

Ares: -playing, and I- she's hurt, and she's bleeding, and I don't know what to do, Mom!

Hera: Slow down. What happened?

He takes her hand and pulls her along toward the field.

Ares: We were playing... and I was hunting her... for fun though, just for fun, and then- when I caught her, I was... I was too strong, and she got hurt. I can't- I can't see it, but she was breathing wrong and she's in pain.

He's cut off by a sob. Hera runs her fingers over his knuckles.

Hera: I see. Was she talking when you left her?

Ares nods tearfully. She ruffles his hair.

Hera: That's good. We'll help her, okay?

Ares nods again, then shifts back into a dog to run ahead. Hera doesn't scold him, following him in quick strides.

Near the forest, Athena has gotten to her feet, standing less straight than she normally would. Every breath stings way more than she would care to admit. She can hear Ares bark before she sees him, then there he is, skidding to a halt near her and transforming back. For a moment, she allows herself to think he's alone.

Ares, out of breath: I got help.

Athena looks like she really wants to say something abrasive, but she stops herself. Hera steps into view, her eyes quickly checking Athena for injuries. When she gets closer, Athena takes a step back, grimacing slightly at the movement.

Hera: You got hurt?

Athena: Suppose so.

Hera: Let me see.

Athena takes another step back.

Athena: It's fine.

Hera: Athena-

Athena: It's fine. He got scared by the blood, it's not serious.

Hera: That's why you won't take a deep breath?

Ares: She said she had a brok- a broken rib maybe.

His voice is still very small and scared.

Hera: That's what it looks like. Her voice softens. Athena, I have no interest in hurting you, I just want to see how badly you're injured.

Athena presses her lips into a thin line.

Athena: I said no.

Hera doesn't let her expression falter, her voice becoming firmer.

Hera: Good. The options you have are letting me look or coming along to the healers. You're not walking this off. If you can't do it to be reasonable, do it so your brother can have some peace of mind.

Athena glares at her, but when she looks at Ares' round pleading eyes, she sighs.

Athena: Healer it is, then.

She turns and walks ahead, one arm wrapped around her torso. Ares quickly catches up to walk beside her as if he's scared she'll suddenly keel over. Hera follows a few paces behind, her expression wistful. She's holding the sorrow back. It is more reasonable this way anyway, Athena will in all likelihood need medical attention whether or not Hera looks at it first. But she knows how much Athena hates being at the healers'. She's never liked people she didn't trust touching her. It still stings that these days, that includes Hera, too.

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Part 1| Part 2 | Part 3 | Part 4 |Part 5

Dammit I thought we would be done in four lol

@sarnai4 well i can hardly stop tagging you now can i ;)

[valorousimperial]

I went back to work, stopped letting Karkat handle it and everything. He's been great, but he needs a break.

When I'm not doing that, I'm with my kids and lovers.

Urriel's lost some of his wiggler fat, Liosin's put on weight. Amolin is holding steady and they're not milling through their teeth as fast as they were.

Tiumia is speaking common!! They love songs about animals and their favorite one they've seen so far is a giraffe. Why? Who knows. I hate giraffes so much.

Dezzel, Kiirum, and Nahtie are still bundled up, but Lycori hasn't...they hatched two weeks late, but didn't start puparing two weeks after their siblings. I'm worried, but they seem healthy! Even Porrim's been less cold with them!

[marsdavidfurtado]

street foods

beondegi: South Korea

This is found in street markets and food stands around this country. Beondegi is a handful of boiled, lightly-season silkworm pupar. They sometimes are served in small bowls with toothpicks.

cobra heart: Vietnam

this dish is accompanied by a thick glass of cobra blood, the cobra heart is still beating! 

This is a dish that doesn't look tasty at all, personally i wouldn't want to be eating a snakes heart while is beating alongside its blood.

Balut: The Philippines

this is a fertilized duck embryo meaning that you would be eating a duck foetus, with some tiny facial features and all. Balut is still one of the popular street foods in The Philippines, sometimes its eaten alongside with a cold beer. 

I don't think i could eat a Balut on my opinion just by looking at it, it looks pretty disgusting and just the way is coming out of the egg, it just doesn't look pretty nice.

Wasp crackers: Japan

This is a snack with a handful of dead wasps thrown into the sebei mix. Usually is eaten with aa hot cut of tea or coffee.

This seems really weird to wee, because usually you can get cookies with chocolate chips, raisins or other stuff, i wouldn't of thought that wasps would be an option as well to be combined in a cookie. This also makes me think would it be as tasty, or as sweet as eating cookies with chocolate chips.

Each country has their own weird street food, that loads of people never thought of eating, each food is completely different from each other, and their all have their own stuff that they used.

Some of the food can look disgusting from sight but it can end up being tasty in their own way.

[bagusbalibus]

Begini Cara Perum Damri Tanggapi Kehadiran Bus Listrik

Begini Cara Perum Damri Tanggapi Kehadiran Bus Listrik

Kegiatan ini berlangsung di pool Damri Cabang Bandara Soekarno-Hatta, Pupar, Jakarta Timur. Penglepasan body dan mesin dilakukan pada dua unit bus besar dan satu unit bus medium.   Selain Transjakarta, salah satu pihak yang serius dalam penggunaan bus listrik adalah Perum Damri. Bahkan pekan lalu, Damri melakukan persiapan konversi, salah satunya dengan pelepasan body dan mesin bus bersama PT…

[okebalibus]

Begini Cara Perum Damri Tanggapi Kehadiran Bus Listrik

Begini Cara Perum Damri Tanggapi Kehadiran Bus Listrik

Kegiatan ini berlangsung di pool Damri Cabang Bandara Soekarno-Hatta, Pupar, Jakarta Timur. Penglepasan body dan mesin dilakukan pada dua unit bus besar dan satu unit bus medium.   Selain Transjakarta, salah satu pihak yang serius dalam penggunaan bus listrik adalah Perum Damri. Bahkan pekan lalu, Damri melakukan persiapan konversi, salah satunya dengan pelepasan body dan mesin bus bersama PT…

[baliportalnews]

PUPAR Temukan Hanya 14 DTW Ramai Kunjungan Wisatawan di Kabupaten Buleleng

BALIPORTALNEWS.COM, BULELENG - Pusat Unggulan Pariwisata Lembaga Penelitian dan Pengabdian kepada Masyarakat Universitas Udayana (PUPAR LPPM Unud) menemukan hanya 14 daya tarik wisata (DTW) ramai kunjungan wisatawan. DTW di Bali Utara terdapat 86, yakni Buleleng Timur (12 DTW), Tengah (59 DTW) dan Barat (15 DTW). Kondisi ini mesti disikapi pemangku kepentingan untuk kerja keras, komitmen maupun kolaborasi yang kuat untuk memajukan sektor pariwisata di kawasan tersebut. Hal itu diungkapkan Sekretaris PUPAR LPPM Unud Dr. Nyoman Ariana, SSTPar, M.Par pada Focus Group Discussion (FGD) “Pola Perjalanan Wisata Deskriptif Melalui Jalur Darat di Bali,” di Desa Wisata Sudaji, Kabupaten Buleleng, Rabu (27/7) kemaren. FGD tersebut diselenggarakan atas kerjasama Dinas Pariwisata Provinsi Bali, dengan PUPAR LPPM Unud. Kegiatan tersebut diikuti pemangku kepentingan pariwisata di Kabupaten Buleleng. Menurut akademisi pariwisata asal Kintamani itu, DTW yang tergolong ramai di Kabupaten Buleleng diantaranya DTW Air Sanih di kluster Buleleng Timur, sedangkan kluster tengah yang cukup ramai Air Terjun Gitgit, Danau Tamblingan, Pura Beji Desa Sangsit. Sementara itu di Buleleng Barat diketahui ada DTW Air Panas Banyuwedang, Taman Laut Pemuteran, Pura Pulaki serta Taman Laut Menjangan. “Ini kesimpulan sementara kami, tim peneliti PUPAR setelah melakukan pengamatan langsung ke seluruh DTW yang ada di Buleleng, dan wawancara dengan para pemangku kepentingan,” ujarnya. Dr. Nyoman Ariana berharap temuan tersebut bisa dikritisi para peserta FGD sehingga kajiannya bisa lebih valid dan komprehensif. Kajian tersebut serangkaian penyusunan buku acuan pola perjalanan wisata deskriptif melalui jalur darat di Bali yang akan diterbitkan Bidang Destinasi Dinas Pariwisata Provinsi Bali. Tim pupar dipercaya memperkuat data dan analisa untuk buku yang dijadikan acuan bagi pelaku pariwisata dalam mengembangkan paket wisata sekaligus memasarkan DTW yang ada di Kabupaten Buleleng. Menanggapi hal tersebut, Kepala Bidang Pemasaran Dinas Pariwisata Kabupaten Buleleng Agus Widya Suputra, SE., MAP mengaku sedih mengingat pelaku industri pariwisata asal bumi Panji Sakti masih enggan memasarkan DTW yang ada sehingga sebagian besar DTW di Kawasan tersebut masih sepi pengunjung. “Kata mereka, mengembangkan paket wisata dan memasarkan di Kabupaten Buleleng berat diongkos alias mahal, itu menjadi alasan pemasaran DTW di Buleleng masih tersendat-sendat,” tuturnya prihatin. Agus Saputra menambahkan masih sulitnya aksesibilitas ke masing-masing DTW di Kabupaten Buleleng menjadi kendala utama peningkatan kunjungan wisatawan. Pembangunan jalan pintas (short cut) menjadi solusi mengatasi kesulitan akses tersebut. Pengusaha wisata asal Desa Sudaji I Ketut Susana Zanzan mengapresiasi hasil kajian PUPAR Unud dan Diparda Bali tersebut dan menyatakan siap berkolaborasi dengan pemangku kepentingan lain memajukan kepariwisataan di Kabupaten Buleleng. “Pemangku kepentingan pariwisata Buleleng harus minum vitamin C agar daya tahan tubuh dan kinerjanya terus meningkat. Sedikitnya ada 4 C yang harus dikuatkan yakni create (ciptakan DTW), connection (kembangkan jaringan), commitment (keteguhan hati membangun pariwisata serta collaboration (harus disadari dalam membangun pariwisata harus bekerja sama bukan bersaing),” tutur pengelola home stay Ommunity Desa Sudaji Itu. FGD yang dipandu Dosen Agribisnis FP Unud Dr. I Made Sarjana, SP., M.Sc tersebut dibuka Kepala Dinas Pariwisata Provinsi Bali Tjok. Bagus Pemayun diwakili Kabid Destinasi Ida Bagus Adi Laksana, SE., M.Si. Dalam sambutannya Kadisparda Bali Tjok Bagus Pemayun meminta peserta FGD memberikan masukan secara serius sehingga kajian tersebut mampu menjadi pedoman bagi penyusunan paket-paket wisata unggulan di Buleleng. Paket wisata yang dikreasikan berdampak positif bagi peningkatan pendapatan masyarakat lokal. Sementara itu, tim PUPAR lainnya yang hadir saat FGD yakni Agus Muriawan Putra, STTPar., M.Par., IGA Oka Mahagangga, S.Sos., M.Si, Putu Perdana Kusuma Wiguna, M.Sc. dan I Gusti Bagus Arya Yudiastina, S.TP. (unud.ac.id/bpn) Read the full article

[bonanzamx]

Las mariposas son polinizadoras y podadoras naturales. En México 🇲🇽 hay 1817 especies aproximadamente y 425 en la Península de Yucatán, 6 de ellas son endémicas es decir solo se encuentran en ésta región. La mariposa que te presentamos en la imagen es la Mariposa Búho, los mayas la llaman Péepem. Es una mariposa diurna, la hembra pone gran cantidad de huevos en las plantas y estos eclosionan de 3 a 5 días después. El primer estadio son las larvas que luego desarrollan pelos y una corona de 4 cuernos en la cabeza. Luego encuentran un lugar suficientemente alto para pupar e iniciar el proceso de metamorfosis. La Mariposa Búho emerge y bombea sus alas, y después busca alimento. #BonanzaMx 🐴❤️🇲🇽 #Mariposas #naturaleza #bienestar #Cancun #PeninsulaDeYucatan #Yucatan #StayAtHome #QuedateEnCasa #CuarentenaEnFamilia #DisfrutaLaNaturaleza #RediscoverRivieraM #Mariposas #naturaleza #bienestar #Cancun #PeninsulaDeYucatan #Yucatan #StayAtHome #QuedateEnCasa #CuarentenaEnFamilia #DisfrutaLaNaturaleza #RediscoverRivieraM#maraya #DiaMundialDelArte (en Bonanza Mx) https://www.instagram.com/p/B_A1tCKDy-9/?igshid=w0t508b702mq