#Professional Victim
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hainethehero · 4 months ago
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Oh no, the buddie stans can't handle a taste of their own medicine...
So, now they're saying "actresses who played Buck& Eddie's love interests often hate on buddie stans or like posts that attack buddie stans" ...and they're doing the same with Lou now.
Lemme tell y'all something
YOU DON'T GET TO PLAY THE VICTIM NOW, IF* OR WHEN LOU LIKES POSTS THAT ARE ANTI-BUDDIE. (that shit probably isn't even true with the way yall make up shit to fit your narrative).
BUT YOU DON'T GET TO PLAY THE INNOCENT VICTIMS NOW, WHEN YOU'RE BEING CALLED OUT AFTER YOUVE BEEN SENDING THAT MAN DEATH THREATS & SPAMMING THE COMMENT SECTIONS OF ANY CAST/CREW MEMBER WHO POSTS SOMETHING WITH LOU.
yall have called him "that thing" "ugly" yall have CONSTANTLY bullied both the actor AND the character on socmed, and now that you're being called out, you're gonna pussy out and play victim?
Are you for real? And not to mention, HOW BUDDIE SH*TSTAINS LOVE TO SKEW THE NARRATIVE like this ⬇️
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Framing the narrative like this as if to promote the idea that Lou has been "attacking" b*ddie stans? And when people hold you accountable for your VERY obvious bias, it's time to "play victim"? COPE
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onenakedfarmer · 6 months ago
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The fragility of the white man in America so far beyond unbelievable.
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newnitz · 7 months ago
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I came across a post today by tikkunolamresistance (yeah, that alone should tell you what you're in for) linking to an article from last year titled 'Jewish settlers stole my house. It's not my fault they're Jewish' by Mohammed El-Kurd. And I was just struck by the sheer lack of self-awareness or accountability in it. This is an excerpt from towards the end.
'Here is where I stand. There is a Jew who lives–by force—in half of my home in Jerusalem, and he does so by “divine decree.” Many others reside—by force—in Palestinian houses, while their owners linger in refugee camps. It isn’t my fault that they are Jewish. I have zero interest in memorizing or apologizing for centuries-old tropes created by Europeans, or in giving semantics more heft than they warrant, chiefly when millions of us confront real, tangible oppression, living behind cement walls, or under siege, or in exile, and living with woes too expansive to summarize. I’m tired of the impulse to preemptively distance myself from something of which I am not guilty, and particularly tired of the assumption that I’m inherently bigoted. I’m tired of the pearl-clutching pretense that should such animosity exist, its existence would be inexplicable and rootless. Most of all, I’m tired of the false equivalence between semantic violence and systemic violence.'
"Centuries-old tropes created by Europeans" and "real, tangible oppression". I mean...for fuck's sake. Zero acknowledgement of the fact that the Palestinians were active participants in the oppression of Jews alongside those Europeans. Nor that the only reason he thinks of Jews being oppressed as not a "real, tangible" thing, is because they were forced to militarize to fight off those who would attempt to repeat that oppression.
Not to mention many of these houses were actually stolen from Jews. Like they killed and displaced us in our own land for centuries.
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"Those who claim to be hurt by words must be led to expect nothing as compensation. Otherwise, once they learn they can get something by claiming to be hurt, they will go into the business of being offended." -- Jonathan Rauch (Kindly Inquisitors, 1993)
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moochilatv · 5 days ago
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Mona Lissa Chanda presents: Professional Victim
A celebration of healthy, with the unique voice of Mona Lissa Chanda.
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Mona Lissa’s latest song and video, 'Professional Victim', released on January 31, 2025, is a celebration of healthy boundary-setting with a catchy Motown groove. It is the lead single from her first full-length album, Queen Of Games, scheduled for a spring release. 'Professional Victim' is not a song for the faint at heart, but rather it is for those with a big heart who give selflessly to others. While that’s a great quality to have, it is important to realize when you have given too much for too long, to the wrong kinds of people. This song is a friendly reminder to start putting your own needs first.
'Professional Victim' is the ultimate act of courage and self-love. Mona Lissa wrote the lyrics and melody loosely based on her own experiences with codependent relationships, as well as the tragic stories of other people who have been exploited by so-called “professional victims.” Her vocals are a bold, unapologetic expression of her indignation at these events. 'Professional Victim' was musically arranged, performed, and co-composed with Montreal-based songwriter-producer Paul Cargnello. His infectious guitar hooks help this track to shine, while the classic Motown rhythm will have you up and dancing!
Stream Professional Victim in YouTube:
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Professional Victim Credits:
Music Credits :
Vocals: Mona Lissa Chanda
Lyrics: Mona Lisa Chanda
Musical composition: Mona Lisa Chanda & Paul Cargnello
Arrangement: Paul Cargnello
Guitars, bass, drums/percussions, keyboards, and backing vocals: Paul Cargnello
Recording engineer: Paul Cargnello (Upper China Studios)
Mixing & mastering engineer: Maxime Philippe (Studio Fast Forward)
Video Credits:
Female lead actress: Mona Lissa Chanda
Male lead actor: Alex Sazonov
Storyline & script: Mona Lissa Chanda, Alex Sazonov, Alex Pacifici & Gianni Giovanni Gallo
Directed & filmed by: Alex Pacifici & Gianni Giovanni Gallo (Collective Studios)
Editing & color by: Alex Pacifici
Makeup & hair: Ruby Valentine
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The upcoming album Queen Of Games, also produced in collaboration with veteran troubadour Paul Cargnello, explores Mona Lissa's love of blues-rock and classic soul/R&B, with a tip of the hat to Americana. 
The result is a timeless collection of songs that makes you feel as if you are discovering hidden vinyl gems.  The Queen Of Games album launch party takes place on Saturday, April 12 at Casa Del Popolo in Montreal, QC. Click here for more information https://www.facebook.com/share/1D9f6hZYDg/
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copwatch2024 · 29 days ago
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Ricky L Pinzon Abuses Pamona Courthouse with vexatious frivolous lawsuits
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dykedvonte · 3 months ago
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You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.
-Shrimp Anon
The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.
Get ready cause this is a yap session:
Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.
I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.
The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.
This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.
Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...
These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.
I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.
Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.
It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.
I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.
It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.
There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.
End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.
#i also think it is because mouthwashing is first and foremost a game about rape culture and the patriarchy especially in work spaces#regarding women and centering conversation around Curly a man rubs people wrong because it does overshadow that commentary#but it still mixes other topics into its initial theming and message on how abuse conditions you to accept certain things that are harmful#and how getting used to a culture/enviornment does not mean you are happy healthy or most importantly safe in it. I personally like to#explore those aspects where it mixes all the themes so we can discuss the ways you have to watch out for things because there is a differen#in the idea Curly enabled Jimmy just because they were bros and because he was an example of another man afraid to step out from what#is a still oppressive system that does try to punish those who act against it even if they fall in the category of those who would benefit#from it as Jimmy and PE 100% represent that sort of misogynistic system where men that would be “good” are altered until they follow line#in a way both on the personal and professional level as PE is the corporate lock out and Jimmy represents the social and its just the issue#that the discussion of it sounds like “in defense of men” when I am more so trying to discuss how it is much deeper than men being scared t#upset other men but complacency is rewarded by not becoming another person subjugated hence as all the moments Curly does try to do#something we can tie it back to how Jimmy reacts and a possible penality from PE where we now need to address the ways to combat those#two concepts so we dont get cases like Curly or Daisuke or Swansea where male avoidance of the issue is considered neutral or even good.#i think most of this boils down the perfect victim mentality to where if someone who underwent or is being abused is not a perfect example#or accpetible type than their abuse can not be considered a valid or substantial reason for effects on their behavior compounded with the#fact that Anya's abuse at the hands of Jimmy is a systematic issue that Curly is a part of even if unwillingly and was more physically#violating and topical cause sometimes i have to remind myself that all media is still critiqued through the lens of the culture it came out#in cause i do think about what if this game came out inlike 2014 like the conversations would be sooooooo different could you imagine it?#but back the before statement Curly isn't perfect but I feel like boiling it down if hes a good person or man is not the point of the game#but more so good people can still be part of the problem and the idea of condemning a person for one act creates a false sense of#rightouesness and justice that does not aid the victim and in fact aids the abusers in escaping blame for their mulitple behaviors as we se#how the men on the ship tend to blame Jimmy for just one act against them including himself while there is a plethora of things Anya is#concerned about with Jimmy#and its not that Curly just made one mistake with Jimmy but more so we consider his actions more damning because he didn't stop Jimmy#instead of focusing on the fact Jimmy did what he did regardless of Curly and the consequence because we already know he's bad n maladjuste#which is problem in the conversation where the individuals are blamed but the system and perputrator are overlooked in a sense of acceptiab#complacency as we know how they are and the lack of tangibility to personally affect them on a larger scale like I should just make a post#on like cutting out the face when it comes it confronting systems of oppression rather than tag talking but just ask me to clarify if#you want that like im jus trying to say we avoid talking about Jimmy and PE so much cause it is obvious what they do wrong that we make#the initial and inherent problem out to be one aspect someone in this case Curly does and the the constraints they use to force actions
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idk-redstone · 27 days ago
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tubbo stream liveblogging: it would be so easy for dream to be like ‘wow no you’re right i should have been clearer with that’ and then MOVE ON but he PHYSICALLY CANT
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knivestothroats · 5 months ago
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In The Woods Somewhere + Professional//Victim Crossover AU
@victimeyez and I like to play with our OCs together like dolls. We came up with a number of ways Tommy ends up with Fletcher but this is a "my mom sold me to one direction" type AU where Fletcher buys Tommy to basically replace Buck.
CW: long term captivity/human trafficking, withholding food (in past), physical violence, burning, dubious consent sort of, guns in places they shouldn't be
read In The Woods Somewhere here || read Professional//Victim here
Scene 1
Tommy hadn’t experienced a thunderstorm in years.
It rained sometimes when he was on his way to a client, but having lived in a basement for the last five years, he had forgotten their intensity. How loud the incessant, arrhythmic rainfall echoed down from the roof. How lightning could suddenly illuminate the whole room in a flash. How he could feel the house shake with the roar of thunder. Or maybe it was just him shaking. He felt like a dog on the fourth of July. 
It was stupid, after everything he’d been through, to be afraid of the weather.
A bright flash through the window again, followed shortly by a crack of thunder that he could feel in his chest. They were getting closer together. 
There’s no way Tommy could sleep. He was sitting up in his bed in his new home, knees to his chest with his arms wrapped around. 
As much as he loathed Caius, he did provide comfort at times. It was twisted, but it was something. Fletcher… he wasn’t sure about. They had been more reserved so far, treating him with a sort of casual amiability. But Tommy was well aware how Fletcher reveled in inflicting pain. He just hadn’t figured out yet when and why they shed the wool to become the wolf.
Another flash. Tommy tried to brace himself, but he still jumped at the thunder.
Tommy swung his legs off the bed. He stared at the door for a second before going through into the hallway. It was still strange to not be locked in.
He walked gently down the dark hallway. He knew where Fletcher’s room was - they had pointed it out on his first day with a strict do not enter.
Tommy stood outside Fletcher’s bedroom door. He rubbed his hands over his arms. 
This was ridiculous. Going to Fletcher for comfort? Like a child waking up their parents after having a bad dream? During a thunderstorm of all things. He should just go back to - 
Flash. Crack.
Tommy knocked on Fletcher’s door. He tried to listen for movement over the sound of the rain. They probably hadn’t even heard him over the din. Maybe he should knock again, or maybe he should go back - 
Fletcher opened the door, wearing just a t-shirt, gym shorts, and bed head. They squinted at him in the dark.
“What?”
“I’m sorry,” was the first thing out of Tommy’s mouth. “I, um. I can’t sleep and, um…”
Fletcher was silhouetted as their room lit up. The thunder followed so quickly behind, rumbling through the house, that Tommy didn’t have time to count. 
Fletcher saw Tommy flinch hard, drawing his shoulders up by his ears.
“You’re scared of thunder?”
Tommy felt his face redden, in spite of himself. He should be incapable of embarrassment at this point, after all the humiliation he was put through, but he just felt childish.
“Alright, come in,” Fletcher said with a yawn, moving aside to make way. “Don’t try to kill me in my sleep.”
“Really?” Tommy asked, perking up. He took a hesitant step into the room. “Can I, um, do you mind if I share the bed?”
“Yeah I assumed that was what you were asking,” Fletcher grumbled, shutting the door behind him.
Fletcher took their side first, and Tommy took the other. He laid stiff in the bed, making sure they had a gap between them. Tommy had wondered if sharing the bed would come with a cost, putting himself in a vulnerable position within Fletcher’s grasp. But Fletcher had turned their back to him, sleeping on their side.
He was still on edge. Was sleeping beside Fletcher really better than being alone?
There was a flicker of lightning, followed by a grumble of thunder. Not as loud this time, but enough to make Tommy nervous. 
Tommy turned on his side as well and carefully scooted over until his back was brushing against Fletcher’s. He held his breath, but they didn’t react. 
Tommy could feel their warmth seep into him. He let out a slow breath. It was definitely better than being alone.
~
Fletcher had managed to tune out the storm into white noise, but they were a light sleeper, forever on edge. They opened their eyes in the darkness, listening to Tommy murmur and shift in his sleep.
Fletcher rolled over and draped their arm over Tommy’s middle.
“Shhh,” they hushed gently.
Tommy’s shirt had ridden up, and he whimpered when Fletcher made contact with his skin.
Fletcher tensed up at the noise. Tommy was definitely asleep, but that whimper was perfect. They wondered if he practiced it for his clients. It was difficult to resist the urge to wrap their arm tight around him and squeeze, trying to elicit the sound again. 
Fletcher moved their hand over Tommy’s bare torso. They could feel his ribs too distinctly beneath his skin. Caius and the others probably had him skipping meals. Whether to keep up his waifish victim aesthetic, to keep him weak, to punish him, or just from neglect.  Fletcher figured he would put on weight quickly here. He was going to need to, if he was going to keep up with the work Fletcher had for him to do around the lodge. 
~
“Get up.”
Tommy gasped awake as a hand jostled him from his sleep. He looked around quickly, getting his bearings, and saw Fletcher leaning over him.
“I’m getting up, you can’t stay in my room alone,” Fletcher said.
“Oh,” Tommy rubbed his eyes. “Right. Okay. Thank you… for letting me sleep here.”
“Uh huh,” Fletcher said. “I’m making breakfast.”
“Do you want me to help?”
“Mm, I’ll let you know.”
“Okay… do you want me to make your bed?” Tommy offered, trying to show his gratitude.
“No,” Fletcher said flatly. They gestured to the door. 
“Right, sorry.” Tommy hurried out of the room. “Um, would it be alright if I took a shower? Or do you want me to wait?”
“All yours, bud,” Fletcher said, closing the door shut behind them. “Just don’t take too long. You want to get the breakfast while it’s hot.”
~
Tommy turned the water up as hot as he could stand. It staved off the chill that seemed to linger in the lodge. He allowed himself a few moments to just stand under the stream after he had washed, but Fletcher had told him not to take long, and he didn’t want to push it.
Tommy dried and dressed quickly, scrunching his hair with the shirt he had slept in and finger-combing it out of his face. He made his way to the kitchen, which was already calling his name with rich, savory smells.
Fletcher was standing at the stove, stirring one pan with a spatula while another sizzled away next to them. 
“What smells so good?” Tommy asked, trying to peer into the pans.
“Onions and bacon, mostly,” Fletcher said.
“Do you need any help?” Tommy offered.
There was a pop, pop as a pair of bagels sprung up from a two-sided toaster.
“Yeah, grab those bagels for me and add butter and cream cheese. There’s plates in that cabinet, silverware in that drawer.”
Tommy moved swiftly to do as he was told. 
When he had plated them, Fletcher carried over the first pan.
“Okay, get out of my way.” 
It was said lightheartedly, but Tommy still leapt back.
“Just take a seat,” Fletcher nodded to the kitchen table. “It’s ready.”
Tommy sat down and watched as Fletcher assembled the plates, but their body was blocking his view. It wasn’t until they set his breakfast down in front of him that he was able to take it in. 
Scrambled eggs with multicolor peppers, strips of bacon, a sausage, and the bagel he had prepared.
He couldn’t believe how much his mouth was watering.
“It’s veggie sausage,” Fletcher said. “I only had a couple left. Oh - you want coffee?”
Tommy looked up at them wide eyed. Fletcher had told him on the first day that he could help himself to food in the kitchen, but he had been too afraid to touch their coffee maker. Even when there was a pot already made, he had been too anxious that he wasn’t supposed to take any.
“Yes, please.”
“How do you take it?” Fletcher asked, getting a mug from the shelf. It was designed to look like a can of Campbell’s tomato soup. 
“A lot of sugar and cream,” Tommy said. “Please. If you don’t mind.”
Fletcher heaped two spoonfuls of sugar into the mug and then looked in the fridge. 
“Mm, I just have oat milk right now.”
“Okay, that’s fine, thank you,” Tommy said, even though he had never tried it before.
Fletcher splashed some into the mug before pouring the steaming coffee on top. They gave it a stir and set it down in front of Tommy.
Tommy hadn’t touched his food. He stared at the spread before him, not quite believing it was really for him.
Fletcher settled down across the table with their matching meal and began to eat.
“I don’t know where to start,” Tommy said in a small voice.
“Eggs,” Fletcher provided.
Tommy scooped up a forkful of the scrambled eggs and took his first bite. 
It wasn’t just peppers, there were onions and cheese mixed in as well. The texture was perfect - they weren't dry or runny. 
“Wow,” Tommy said. He followed it with a long sip of coffee. It wasn’t as sweetened as he would have made it for himself once upon a time, but it was hot and rich and maybe the best cup he’d ever had.
He might actually start crying. 
“The secret is cream cheese,” Fletcher said, gesturing to his eggs with their fork. “And to scramble it in the pan. How’s the coffee?”
“So good,” Tommy said. “Thank you.”
“Mhm.” Fletcher started to pile their eggs and bacon onto the bagel. “How often were you being fed before?”
“Um, twice a day, usually,” Tommy said. “Sometimes… less.”
Fletcher nodded. “Figured. You need to start increasing your caloric intake. I need you to do work around here and I don’t want you passing out after an hour in the garden.”
Tommy took a bite of the bagel. The layer of butter under the cream cheese felt so indulgent. 
“If it means I get to eat like this every day, I am more than happy to oblige,” Tommy said.
“Well, I’m not cooking every meal for you,” Fletcher said. “But I want you to eat.”
I want you to eat.
Even if it was to work him like a dog, it was so much better than being worked like a dog on an empty stomach. Despite Fletcher’s generally cold aloofness and passing threats, despite having been the victim of their bloodlust in the past, Tommy felt oddly cared for.
He took another bite of the eggs and hoped he could get Fletcher to teach him how to cook like this.
Scene 2
Fletcher had their sleeves rolled tightly up above their elbows. On their hands they wore black disposable gloves. Tommy watched as those hands deftly sectioned the chickens into pieces, their well-sharpened knife effortlessly cutting through the flesh. 
Tommy had to let his eyes drift away. He watched Fletcher’s arms instead. They tended to hide their form under layers, but every time they rolled up their sleeves, it revealed their muscle tone. Tommy wondered why they didn’t show it off - most people would. He noticed as well, as he watched, that Fletcher had some lighter lines on their skin - old scars haphazardly slashed into their arms. He imagined them getting into knife fights. He imagined them holding someone down by the throat with both hands, arms tensed, as their victim clawed at their skin to no avail.
Fletcher moved the chicken pieces into a bowl of marinade. Spice bottles were cluttering the counter around it. 
Fletcher covered the bowl and set it aside. They cleaned up, discarding their gloves and disinfecting their work space. 
Tommy had been tasked with washing the potatoes he and Fletcher had harvested from the garden. Fletcher had asked him to take his time, making sure each one was free of dirt in the divots, as they wouldn’t be peeling them. He was worried, when Fletcher turned to him, that they would be angry he hadn’t gotten through the whole crop, but they merely began to take from the clean pile and start cutting them into chunks. 
“When you’re done with that can you go through the green beans and just make sure to snap all the stems off?” Fletcher asked.
Tommy nodded. “Sure.”
They had picked the beans together as well. It felt nice to be doing something actually productive for a change. 
When they were done, Fletcher dumped the potatoes into a big pot of water but didn’t light the stove. They sighed, looking at the clock and chewed their lip a moment.
“I should’ve started this earlier. I’m already starting to get hungry,” Fletcher said. “I just want everything to be done at the same time.”
Fletcher shook their head like they were hoping the thoughts would fall into place. They took a baking sheet and returned to the chicken, laying the pieces out.
“I’m done,” Tommy said from his spot at the table with his bowl of beans. He swept the stem pieces into his hand and got up to dump them in the trash.
“Ah-ah!” Fletcher waved their hand at him, causing Tommy to stop abruptly. “Compost.”
“Right, sorry.” Tommy ducked his head.
“Just give the beans a rinse and then you’re done for now,” Fletcher said. “I’ll call you back when it’s ready.”
It was a while later when Fletcher called Tommy back into the kitchen. He was sitting out on the back deck, just feeling the sun on his skin and listening to the birds, when Fletcher opened the door and leaned out.
“I need your help,” they said.
Tommy jumped up and followed them in.
“I forgot to make fucking gravy,” Fletcher growled. “I just need you to mash the potatoes for me while I whip this up. And just shake the pan with the green beans occasionally to move them around.”
The kitchen was hot now, and Tommy quickly shrugged off his sweatshirt before taking over the potatoes. Fletcher was mixing ingredients when there was a thud above them, followed by an indiscernible shout, followed by, “Fletcherrrrr!”
“Jesus Christ,” Fletcher rolled their eyes. “Okay in like two minutes you need to take the chicken out of the oven and check it. 165. Don’t forget to shake the pan.” They rattled off instructions as they marched out of the kitchen. 
Tommy kept an eye on the clock, rolling the beans in their saute oil. They looked kind of brown? He looked closer, not wanting Fletcher to come back and find them burned. Hm, no, he was pretty sure it was whatever they were being cooked in. Balsamic maybe? There were chopped onions in with it as well, and those similarly looked a little brown but not burnt. 
He checked the clock again. Okay, two minutes. Tommy looked around the counter, seeing the thermometer but no oven mitts. There was one pot holder laying out, and he folded the towel hanging off the oven door to go with it.
The tray was heavily laden with the chicken, heavier than Tommy expected it to be. He tried to adjust his grip so it didn’t tip backwards, but his adjustments shifted his fingertips off the towel. 
Tommy quickly pulled his hand away from the heat. Now holding the tray with one hand, it began to go sideways. Instinctively he tried to catch it, only serving to touch the hot metal again. This time, his brain - desperate to keep him from making the same mistake a third time - drew back his hands completely and the tray clattered to the floor, scattering the chicken. 
Tommy’s heart leapt to his throat. He dropped to his hands and knees and picked up a piece of chicken, dropping it immediately.
It’s hot, it’s all fucking hot, he berated himself. He started using the towel to scoop up the chicken. He didn’t know what to do with it, so he piled it back onto the tray. His heart was beating so loudly in his ears he didn’t hear Fletcher’s footsteps. It wasn’t until he saw their boots that he looked up.
As if they had materialized before him, summoned by his fuck up, Fletcher stood glowering down at him. They held a bloody rag in their hand from whatever they had been dealing with upstairs.
“I’m sorry,” Tommy said. “I’ll… I’ll…” Fix it? How was he going to fix it?
Fletcher closed their eyes and dug the heel of their palm into their temple. 
“Do you have any idea the amount of effort that went into this dinner?”
“I know, I’m sorry-” Tommy started again.
Fletcher cut him off. “You don’t know. I had to drive an hour and a half just to get these chickens. Every time I have to leave the lodge it’s a fucking ordeal. I don’t know if you’ve noticed this, but there’s not much around here. I can’t run to the grocery store without making a day of it. I can’t order fucking take out to fix this. You do know how long this took me today to put together.”
“I do, I know, I’m sorry, I’m sorry-”
Fletcher reached down and slammed Tommy’s head against the cabinets. 
“Stop fucking saying you’re sorry! I know you’re fucking sorry! What happened?”
Tommy held his head, trying to blink his vision back after it whited out.
Fletcher crouched down on their haunches and grabbed Tommy by the front of his shirt, giving him a quick shake. 
“Hey! What the fuck happened?”
“I, uh, I burned my hand…” Tommy said, keeping his eyes low. He held back another “sorry.”
“You burned your hand?” Fletcher repeated unsympathetically. “Where?”
Tommy glanced up at them and hesitantly opened up his hand to them. Fletcher grabbed his wrist with more force than necessary.
“You think this is a burn?” They snarled. “I’ll show you a fucking burn.”
Fletcher took Tommy’s hand and pressed it down against the still hot metal pan.
Tommy screamed and Fletcher allowed him to jerk his arm away. He cradled his hand to his chest, tears escaping from his eyes.
Fletcher stood again, looking down on him.
“Don’t bother getting up. You’re going to be scrubbing the floor.”
Fletcher turned around to storm off, only to see the three trainees leaning around the doorway to observe.
“The fuck are you looking at?” Fletcher snapped.
One held up their hands and made themself scarce.
“Does this mean there’s no dinner?” Another asked.
“There’s potatoes,” Fletcher grumbled. Then they suddenly turned back and dashed to the pan of green beans, taking it off the heat. They inspected the vegetables, ignoring Tommy sniffling on the ground, trying to scoop up the chicken with one hand. “Yeah, these are fine. There’s also green beans.”
Scene 3
Tommy had experienced more types of pain than he could count, but burning was usually off the table to clients. Too much deep tissue damage. It was scary to think that his hand may never be the same. And if it was to recover, it was going to do so at the slow, agonizing crawl of natural healing. 
Tommy did his best not to flinch as Fletcher applied the cream to his burns. He just had to suck air between his teeth and not complain. 
“How’s it feel?” Fletcher asked once they had finished wrapping the gauze. 
“It stings,” Tommy said pitifully. “It feels like I’m still being burned. Do you think… do you think it’s going to be okay? Eventually?”
“Well, if you want to give me the information of that doctor you used to see, I’m sure he can give you a magic healing potion or whatever the fuck. Once I decide you’ve suffered enough.”
Tommy’s stomach flopped. He would take a burn any day of the week if it meant he never had to see Sam again.
“Please don’t take me back to him,” Tommy begged softly. 
Fletcher raised an eyebrow, but said no more on the subject. They peeled off their gloves.
“Then here’s how it will go. It’ll hurt, and then it will blister, and then the blisters will pop. You have to keep it clean so it doesn’t get infected. If you find yourself unable to do simple tasks because you can’t use one of your hands, you can come find me…” Fletcher took his chin in their hand. “And beg for my help.”
~
Tommy slept with his hand cradled against his chest. There was a brief moment of peace when he awoke before he began to feel the throb of the burns. 
He kept his arm close to his torso as he walked to the kitchen, trying to think of what he could make for himself. Surely he could manage a bowl of cereal with one hand.
The box was easy enough. Tommy got the milk from the fridge. Oh yeah - oat milk. He held the container between his arm and his side, twisting the cap off with his good hand. Looked like milk.
He thought about pouring some into a glass to try, when Fletcher walked in, carrying dirty dishes to the sink.
They glanced in Tommy’s direction, then away, saying nothing. 
“I can-” it came out quiet and hoarse. Tommy cleared his throat and tried again. “I can wash those.”
“Can you?” Fletcher asked without looking back at him. 
“Um, I can, well, I can try…” Tommy offered. 
Fletcher turned to face him now, leaning back on the counter. “If you drop something, and it breaks,” they said, “I am not going to be happy.”
Tommy paled. “Is there - is there something else you would like me to do?”
“Not really,” Fletcher said. They walked out of the room. 
Tommy wasn’t sure what he was supposed to do. They hadn’t told him not to do the dishes, just not to break them. And if he misinterpreted their response as a no, and they came back to find that he hadn’t washed them, they might be angry.
His strategy for washing dishes with one hand was to lay them in the sink, scrub them there with one hand as best he could, and then move them into the stream of water.
It took longer, and was more awkward - they kept sliding around - but he was able to do it.
When Tommy found Fletcher next, they were out behind the lodge chopping wood. He watched them raise the axe over their shoulder and swing down on the log, cleaving it easily in two. 
“Do you want any help?” Tommy called out, keeping his distance.
“No,” Fletcher called back, setting up the log again.
Tommy hesitated. “Is there anything you would like me to-“
“What the fuck did I just say?”
Chop.
Tommy left them alone the rest of the day. He kept to his room, trying to give Fletcher space now that they had made it clear they didn’t want him around. For a while he tried to read, but he struggled to find a comfortable way to both hold the book and flip the pages. He ended up pacing the floor, filled with anxious nerves that urged him to do something.
He had been having such a… if not good, unquestionably better time here than he’d had with Caius and the rest. This was a bad turn. It didn’t have to be like this. He just had to make it up to Fletcher somehow; get back in their good graces
He had tried to make himself useful around the house without much success. It was true that what he could do would be limited while his hand was injured. Which meant he had to rely on other skills to make himself useful.
~
Everyone else had gone to bed. It was just Fletcher sitting on the couch, illuminated only by the fluctuating light of the TV screen. They had a beer in one hand, resting on the arm of the couch.
Tommy approached slowly, tugging on the hem of his shirt with anxiousness. Fletcher didn’t acknowledge him, even when he was standing in front of the couch. He kept to the side enough not to block their view.
It was only when Tommy lowered himself to his knees that Fletcher said, “What?” without taking their eyes off the screen.
“I’m really sorry about the dinner,” Tommy said. His stomach rippled with anxiety.
“I know,” Fletcher said flatly. “You’ve said.”
Tommy swallowed. He hesitantly leaned in and nuzzled his cheek against Fletcher’s leg.
Fletcher finally looked down at him.
“I would like to make it up to you.”
“How’s that?”
Fletcher said it flatly. Disinterested, still annoyed. There was no flirtation nor cruel amusement in their voice. 
Tommy swallowed. Was this a bad idea? Or was he not making it obvious enough? Most people would jump on him at the mere suggestion. 
Tommy put a hand on Fletcher’s knee and ran in gently up their thigh. Not far, not overstepping. Just trying to give them the right idea. He looked up at them with his best wet dog expression.
“Okay,” Fletcher said. 
They set their beer down on the end table and shifted their pose, spreading their legs a little more. Tommy dutifully shuffled in between.
Nothing you haven’t done before, he told himself. It’ll be better afterwards. 
“Close your eyes.” Fletcher said. And once he had, “Open your mouth.”
Tommy opened his mouth, sticking his tongue out a little. He waited, listening to Fletcher shift on the couch. Probably opening their pants. A click, that must’ve been their belt buckle. 
What entered his mouth was too big, too hard, too metallic. 
Tommy’s eyes flew open as the barrel of the gun forced his jaw wider. He tried to pull back, but Fletcher snatched a fistful of his hair and held him in place. 
Tommy whimpered that beautiful whimper, but it was more rounded, more frantic.
“Breathe through your nose,” Fletcher said.
Tommy squeezed his eyes shut and followed the order. He tried to breathe deep and slow through his nose. He tried to keep his tongue down as far as he could, to not gag and to not taste the oiled metal.
“I want you to look at me now.”
Tommy slowly opened his eyes. Fletcher was staring down at him impassively.
“Don’t try this shit with me again.”
Tommy couldn’t nod, so he did his best to make an “Uh huh” noise. 
Fletcher withdrew the gun. Tommy doubled forward and hacked. His mouth was left with an awful taste.
“Don’t spit on the floor,” Fletcher said. They picked up a magazine from the cushion beside them and slid it back into the gun. “Go.”
Tommy clamored to his feet and ran off. He managed to get to his room and close the door before fully breaking down into sobs, sliding down to the floor.
He had just been trying to make things better.
~
Tommy cried himself to sleep. Nothing new. He had just hoped to break the habit. 
He shuffled into the kitchen in the morning, and froze when he saw Fletcher sitting at the table, nursing a mug of coffee.
Tommy dropped his gaze quickly. He tried to decide quickly whether he should leave now, or grab some food and then leave. 
“Hey,” Fletcher said. It was softer than Tommy expected. “Sit.”
No running now. Tommy drew out the chair across from them and sat down, still avoiding their gaze.
“I recognize… that I have been harsh,” Fletcher said.
Tommy slowly lifted his eyes towards them, trying to read their expression. Was this a trick? Was he supposed to tell them he deserved it all? Was he supposed to believe them, and be lulled into a false sense of security?
“I didn’t give you a concussion, but, you know, the head can be tricky. And your hand…” They looked for the words. “I try to - I want to keep you in working condition. Nothing that’s going to really put you out of commission for a while. So that probably won’t happen again. Not to your hands. And the gun…” Fletcher ran a hand over their face. “The gun was a lot. That was uncool of me because, you know, gun safety rules.”
Tommy’s mouth was hanging slightly ajar. Was this an apology? At least, as close as Fletcher could get to one? He had expected something closer to, I recognize I’ve been harsh, but if you behaved I wouldn’t have to do these things.
“I know how it feels to have a gun on you,” Fletcher continued. They were the one to look away now. “And I… forget, I guess. That most people aren’t used to it. Can’t shake it off.
“Look, I’m not… not gonna say it will never happen again, but it probably won’t be this bad most of the time. Plenty of days will go by without incident, I’m sure. But I am… a violent person. I have violent tendencies, and I get angry. And I’m not trying to curb these tendencies because I enjoy indulging in them. So…” They tapped their knuckles on the table and shrugged. “That’s the situation. We’re square, for now. So you don’t need to be skulking around anymore. And… nevermind, I was going to say something mean.”
Tommy shifted uncomfortably. “About last night?”
“Yeah.”
“What, I’m not your type?”
Fletcher chuckled. “I was going to say when I want to take sexual advantage of you, I’ll let you know; you don’t have to initiate.”
“Right,” Tommy muttered, looking down again.
“I’m joking,” Fletcher said. “You can tell from my lighthearted expression.” They pointed at their face, purposely putting on a grumpy look. “Anyway, I’m planning my lesson for today. Might have to throw you around a bit for the demo. Nothing personal.”
“Oh,” Tommy said. “Okay, um…”
Fletcher was already up, carrying their coffee out of the room. “Get some breakfast,” they reminded him. “Three meals a day.”
~~~
hm i kind of thought our taglists would overlap more. good luck everyone.
@suspicious-whumping-egg @whumpyourdamnpears @generic-whumperz @lonesome--hunter
@whumplr-reader @theelvishcowgirl @sunshiline-writes @dont-be-gentle-please @galesgallery
@2in1whump @sparrowsage @apokolyps @whumpinggrounds
@morning-star-whump @leviiio @alexmundaythrufriday
@defire @jumpywhumpywriter @watermelons-dont-grow-on-trees
@light-me-on-pyre @slighlydisturbedbeans @dislexiher @paperprinxe @desert-dyke
@just-a-whumping-racoon-with-wifi @burtlederp @whatwasmyprevioususername @cursedandtired
@whump-only @misspelledwitch @redstainedsocks @thehopelessopus @im-just-here-for-the-whump
@thatsthewhump @aqua-blogging  @utopian819 @whumpinggoodtime @pretty-face-breaker
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victimeyez · 1 year ago
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Professional//Victim
Introducing...
CW: Drugged whump, captivity, collared whumpee
~
“Here.” 
Tommy stared at the hand outstretched to him, holding a large white pill in the flat of their palm. 
“What is it?” 
“You want me to put it in some peanut butter for you? Fucking take it.” 
He eyed the pill warily. Drugs usually meant something bad was going to happen and they didn’t want him struggling. Tommy mechanically took the pill in his hand.
 “Can I have something to take it with?” Rory sighed dramatically in irritation, but stomped to the sink and poured him some water. He thrust the cup half-filled with tap water into Tommy’s hand a little harder than necessary. In spite of his mood, he was about as relenting as he’d ever be.
 “If you’re good, you can have a little soda when we get there.” 
(Put pill in mouth. Raise glass to lips. Swallow the pill with well water. Try not to wince at the taste. Drink everything you’ve been given while you can get it.)
“Thatta boy Tommy.” Rory clapped him on the shoulder and shook it a little. 
“You’re gonna wanna sit down.” 
By the time the others were ready to go, the pill had kicked in mean. Tommy was too weak to walk and was unceremoniously dragged out to the car. It was all he could do to try not to drool on himself, this one was strong.
 He was buckled into the back seat, and he slumped against the window, struggling to keep his eyes open just so he could look outside. It was rainy and gray. What luck. He struggled to prop his head up with a heavy arm so he could watch the outside world pass without pressing his forehead to the glass. 
The guys were arguing about something outside the car, and then Rory slid into the seat next to him. “I’d tell you not to start shit, but I’d kinda like to try to see you run when you’re this fucked up.” 
Tommy’s mouth was so dry. So uncomfortable. The world drifts in and out of focus. He tries to shake his head to clear it, but his movements come slow and small. Dry swallows.
 “Where are we going?” 
“That’s not your fucking business, Tommy!” Rory answers cheerfully. 
Another car door shuts, and a bag is passed back to sit between him and Rory. Probably snacks. Road trip then. He feels queasy from taking the pill on an empty stomach. (Don’t complain.) His arm against the window is cold. (Don’t complain.) The last door shuts and the car starts. Rory reaches over to grab his seatbelt and pulls it out all the way, letting go to let it click click click retract back. It tightens painfully on Tommy and locks, restricting him to only the tiniest increment of movement. Every breath fought against the seat belt, pressing painfully on his chest and stomach.
He doesn’t complain.
The last client did a number on him, and he hasn’t been outside the house in weeks. Tommy hungrily takes in the bleak scenery as they roll out of the neighborhood. A podcast starts over the speakers, a tech one Michelle likes. Rory groans and starts moving around beside him. Five years in and it’s all predictable. Tommy doesn’t have to look to know he’s rummaging through his pack for headphones. He watches the houses and the trees pass as long as he can keep his eyes open. It doesn’t last long. 
-
Tommy woke up to a jab in the ribs. “You’re drooling.” He startled blearily and rubbed at his mouth with the back of his fist and it came away wet. He’s too tired to be embarrassed.
-
He must have dozed off again, because the next time he woke up, he was being shaken. They were parked in front of a hotel. It was getting dark, maybe late evening. Hard to tell in the spring when the sun still set so early. The car door was open and Caius leered over him from outside, unbuckling his seat belt and pulling him out without finesse. Tommy struggled to get his feet out under himself, and he had to lean heavily on Caius just to shuffle out. 
There are other people milling around the hotel lounge when they walk through the doors, but Tommy was rendered mute by the drugs, and Caius gave an apologetic smile to onlookers who stared. Clearly his friend had too much to drink. What a nice young man to help him back to the hotel.
They get in the elevator, which was mercifully empty. It smelled like chlorine. Tommy couldn’t keep track of the floors they passed, but Caius dragged him out at last, after a few seconds or maybe a decade. 
Another painful yank, and Caius unlocked a door with a keycard before dumping him unceremoniously inside. Tommy laid on the carpet and waited. He could still see the room.
“How much longer?” Rory asked, staking his place on one of the two king-size beds. 
Michelle was shuffling through his pack on the other side of the bed. “Should be about six more hours. Checkout is at 11, we can grab some food and hit the road. Tommy will be sobered up by the time we get there and ready to rock.”
“I brought a bump just in case,” Rory offered.
Michelle nodded. “Guy doesn’t want him strung out, but it’s good to have on hand.”
Caius was sorting through his bag on the other bed, when he suddenly paused.
“Tommy didn’t have lunch, right? We should get some food in him. I need to grab a cot anyways, I don’t want him to be too stiff tomorrow from sleeping on the floor. What did he have this morning?”
Awkward silence.
“Rory?”
Rory shrugged, avoiding Caius’s stare. “Just the pill.”
A pause. 
"You gave him a high-dose sedative with no food?! He hasn't eaten since, what, 6 on Thursday? That's over 26 hours, you fuckin' prick," said Caius, doing quick math.
"It's not my fuckin' job to feed him," Rory said.
"Yes the fuck it is!" Caius snapped back before storming out.
"Whatever, he'll live!" Rory called after him. And when the door was safely closed, added, "Fucker."
Tommy closed his eyes, and sought sleep.
-
He slept surprisingly well through the night, after briefly being woken up for a rushed shower and some food before being dropped back into a worn cot by the beds. Michelle’s alarm went off early enough to grab breakfast, and he was starting to feel a bit more human by the time they were ready to get back on the road. 
Caius approached him and crouched down beside his cot. 
“You know the drill.”
Tommy chewed his lip, but lifted his head when Caius slipped the collar around his neck. With a twist of the collar and a little pressure from his thumbs, Caius sank the curved metal barbs inside the collar into Tommy’s neck before locking it in place. It still hurt, but he didn’t flinch.
“Same as always. Start shit, get fried.”
He held up the small round remote and pressed the button.
All of Tommy’s muscles seized at once, an excruciating cramping after a day of drug-induced weakness. He vaguely registered a hard hit to the back of his head, as his spasming made him smash his skull on the frame of the cot.
It let up after a moment and he slumped back into the cot, trying his best to curl in on himself on the narrow bed. His heart beat hard and fast and his head pounded away with it. His hands instinctively came up to the collar, to the hot talons in his neck that it secured. He felt jittery, his teeth chattering with the aftershocks and he shivered. 
“Just a reminder. Come on,” Caius commanded, patting his shoulder a little harder than would be friendly. As if Tommy needed a fucking reminder. 
Caius helped him up onto unsteady feet. A wave of nausea came over him and he pressed a fluttery hand to his mouth.
“You can eat in the car. Let’s move.”
The lobby was much busier than Tommy would have liked. People bustling around, checking out early, grabbing the last of the continental breakfast. A handful of them looked up, curious, at the man shrinking into himself in a black hoodie and a red bandana wrapped around his neck. At the other man leading him carefully out. 
What a nice man, helping his shivering junkie friend out. 
Tommy clenched his fists in his pockets and kept his head down. He knew from painful experience that trying to reach out to them wouldn’t bear fruit.
They met the others already in the car, and this time Cauis sat beside him. A muffin, a granola bar, and water for breakfast. Dessert: a flat, chalky pill. 
“It’ll help you sleep on the road,” Caius offered, as if it was a choice. 
(Pill. Mouth. Water. Swallow.)
Tommy threw it back. He watched the outside world rush by until he was pulled back to sleep.
~
next: x
series masterlist: x
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onenakedfarmer · 1 year ago
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Martyr me, martyr me, martyr me.
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apostate-in-an-alcove · 6 months ago
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I really don't care about nun costumes and I'm stick and tired of Catholics and, really, Christians of all stripes trying to get me and all secular people to be offended on their behalf. It's a fucking costume that someone is wearing for one reason or another, you'll live.
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pleasantspark · 3 months ago
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The word Racism means nothing in today's society including Hazbin Hotel's Fandom.
1. Sera and Emily are Seraphim Angels. Which by Christian and Other related Religions are Spirits which doesn't have ANY FORM of race attatched.
2. Let's play schematics here, even if we remove religion from the equation. It doesn't change the absolute fuckery that is coloring POCs granite grey and calling it representation. Viv showed she can do POC correctly before.
3. Sir Pentious has no variations in his color palette he's just another copy and pasted pastey white guy. Nothing wrong with that racially but it's gotten to the point that there's only specifically two races and two tones on the spectrum she chooses.
4. Saints/Sinners aren't spirits. They should ATLEAST have some form of their heritage unlike angels who are spirits. St. Peter is a real man with melenin that was tarnished as with Adam.
Finally, this one is needed for all the people in the back: You can't call someone racist as a joke in a climate where this fandom will take it seriously and doxx you. Viv has literally whitewashed figures that aren't white as with Blackwashing Alastor. There's steady proof of most of the allegations and I don't care at this rate but if you're going to call someone racist atleast look INTO Viv and co first before harassing people here or grow up. Whichever one comes first. Half of you aren't even old enough to watch the show anyways. This is my final stance on this shit because it's a problem no one cares enough to point out in this fandom because people think that calling someone a racist without figuring out the Creators depictions are racist too (speaking out as the people AFFECTED) is ridiculous.
People can have their interpretations and fix the designs. If you continue to do this you're proving that the Fandom is Toxic and provides nothing BUT no criticism. I'm sick of this mess and people not being mature (WHICH IS SUPPOSEDLY THIS SHOWS WHOLE THEME?!)
If you're not being mature about any of this then don't comment.
And don't comment on topics you know nothing about because most of the arguments I see is shit the stans say over and over to justify the blatant racism.
I'm only getting mad because it's annoying as a POC and ruins actual racism. I've been a victim of RACISM before not some stupid "Hurr durr someone slightly tanned a character that's pale white!"
Note before people actually take this shit out of context: One of my family friends was a victim of Police Brutality, she was shot by the cops thinking she was holding a gun. This was a stigimatism, and it was because she was colored. (She is trans fem), this type of bullshit is WHY racism is serious, but just like with terms like Zoophile, Pedophile and Groomer, it's only used as a weapon to cancel someone without evidence and used to push a person to near brink of death. Because without evidence you can claim someone is something, it was seen with that streamer, and with DollCreep. These words are serious and by using them as a way to get people to NOT listen to them in order to paint them as some sort of degen loses it's entire meaning and ruins the credibility of actual victims. If you can't handle serious topics in a show while us grown ups educate and try to tell you WHY it's bad and why you SHOULDN'T perpetrate this at all, then you shouldn't be in this fandom.
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robinasnyder · 2 months ago
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Dumb Jon Kent headcanon, but fuck it.
Jon Kent's teeth have mamelons and they're never going away.
What are mamelons, you may ask? They're the little bumps on front teeth you see on kids.
These:
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Now, the thing about mamelons is that they generally go away after about a decade. They're there when your permanent teeth grow in, but wear down over time from chewing. These are on the incisors (front teeth). But the molars also tend to be sharper in kids and those wear down too.
Except, that is, if you have something like, say, an overbite, where your teeth aren't lined up normal. Then your bite pattern can get thrown off, and you can maintain those more child-like teeth.
Anyway, what I'm saying is that Kryptonians don't do teeth like that. Clark has really straight teeth. Nothing he eats is wearing them down, which means his teeth were just like that from the jump. But Jon is also human, and human teeth have mamelons. Thing is, Jon's teeth are also basically invulnerable. Which means that Jon manages to have mamelons on his incisors and sharp molars like a human child, even though his teeth are otherwise straight and perfect.
Also means Jon's lower teeth especially can act like a serrated knife.
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copwatch2024 · 5 months ago
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Ricky L Pinzon doing some meth trafficking.
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mockiatoh · 15 days ago
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Little known fact, no other generation buys food any more.
In the rare occasions anyone but Gen Z have to buy food, there’s a secret handshake to get into the grocery store, which leads them to special nice Before Now produce.
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