#Pre-Act 1 Lore

[rebootgrimm]

Pre-Act 1 Lore

Zaria’s parent’s house is on the same street as Sora’s grandmother’s house.

Her grandpa set up a bad healthcare system before he died that passed onto her father (only accessible to the rich)

Her father made it worse (lies about why people can’t get the life saving healthcare they need)

Her father was business partners with Sora’s parents

Her father is business partners with Rhiannon

Health / pregnancy issues have likely been passed onto her by both of her parents

Zaria’s father has fainting issues due to overworking

Zaria got her father’s chronic illness

She was only born as a potential heir for if her dad died

Her parents wanted a boy to run the company because of traditional values

Her uncle is head of HR

Any large change needs to get past HR, making positive changes impossible

Media and government are in on it

First memory is winning Ramshackle’s Next Top Model or whatever the fuck it’s called and being overwhelmed.

Parents were mentally abusive

Her father used his ability to get over his chronic illness to get Zaria to suck hers up

Zaria was taught to not love anything because it causes weakness

Was “friends” with Avrille but hated her

Was never taught any survival skills

Was “on-call” for modeling on Monday, Tuesday, Thursday, and Friday

The modeling instructor isn’t as harsh on Zaria due to her father having a deal with the instructor (company stuff). The other kids resent Zaria for this

She does know basic First Aid due to her father having fainting spells as a pre-teen

Almost caused an oil fire while trying to cook.

Zaria doesn’t want to marry a man, but her parents won’t accept anybody that isn’t male

Doesn’t have good memories regarding people drinking alcohol

Her father used to throw beer bottles at her

Has vague trauma reactions to angry outbursts

Got an embroidery kit at about 13-14 years old that she used mainly on Wednesdays

Zaria used her embroidery skills to fix up an old jacket

She’s had to attend meetings since she was 15 (1 year and a couple months before running away)

Zaria was homeschooled as a kid, and Wednesday’s meetings were considered part of her schooling.

She was 16 when she ran away

Act 1 happened about 2 months afterwards

With Act 1 being over as of typing I figured that I’d post the lore that we know for Zaria. This is everything that’s public for what happened before Act 1.

[piipaw]

Wait how many Tavs do you have?

This.... this is such a question 😭 in order:

Zaifaris (tiefling wild magic sorcerer)

Magrea (tiefling bard, dark urge)

Gum (Githyanki cleric of Mystra, my beloved and best Tav)

Ranch (formerly roach, drow rogue dark urge)

Sweet potato (Dragonborn Jack of all trades (every level we multiclass, but he started as a draconic sorcerer so I could have the scale pattern)

[hellothisisangle]

Hello, my name is Angle!

(Personal links)

And I’m on a BG3 kick right now, drawing my character Cae. Other than that, I doodle things and dumb comics or whatever else sparks the neurons

Use (#Cae lore) for background stuff

Cae’s Records are journal entries pre-tadpole (updating)

Crescendo follows a “cannon” retelling of my partner and I’s co-op run in Act 1 (finished)

FAQ

Program/Brushes: Procreate/Sketching Derwent

Process Videos: YouTube.com/@hellothisisangle

Is TDIAHM coming back: Yes, eventually, when I have time to work on it! Thanks for being patient!

Do you take commissions: I am always accepting inquiries, but that means I’m always working through a queue. If you send me a commission email, know that I’ll respond as soon as possible

If you’d like to support me and see all the caliente 🌶️ nsfw, join on Patreon. It super helps so I can devote time to creating more stuff, thank you so much!

[quixotical-lymbo]

I saw that your requests were open and rushed over here as quick as I could!

I would LOVE to see more D-16 and Orion Pax, maybe a poly relationship of how they would act as a dynamic. Reader would be whatever you'd like for them to be and a miner as well, maybe they are the balance for the two to keep them in check? Can be fluff or angst, I'm not picky!

Im so excited to see what you do! Keep up the amazing work!

Pairing: D-16 x Orion Pax x mech!Reader Rating: SFW-ish Summary: When a balanced duo meets a like-minded bot like them, how will this shake the dynamic between the newly formed trio? Warnings/Tags: Pre-canon, does this count as spoilers?, angst, fluff, romantic gesture(s), oil baths, secret relationship(s), Elita-1 cameo, Orion gives you a nickname, reader is an archivist (lmao WAS an archivist).  Word Count: 1600+ words 

How did you three meet?

It was a normal day sorting through the records and making sure everything was in its proper place. You adjusted your spectacles before moving the box from your hip into two servos. The corridor you were walking in was long, empty, and cold. Not a single spark in sight and you preferred it that way. 

As you pressed a button, the doors to a room slid open and you carried the box inside. Whistling a small tune, you placed the box on a table and paused when something clicked.

Looking over your shoulder, you found two pairs of optics staring at you. One as blue as the sky, the other as bright as the sun. 

"....hey?" 

"AAAAAAHHHHHH-MFPH!" 

First Impressions:

D-16

🟡 Thought you were rather skittish and weird, especially after you almost got them both in trouble had it not been for Orion shushing you with his servo.

🟡 Thankfully, you were rather understanding, a bit naive, but understanding of their innocent intentions.

Orion Pax 

🔵 You seemed like a nice mech.

🔵 A really nice mech when you didn't rat him and his buddy out to the guards when they approached the room to investigate the scream from earlier. 

🔵 Your derpy spectacles and timid mannerism (he caught onto your nervous tics) made him believe you were one of those uptight bookworms. Not the bad kind or snobbish, but not a social type of bot.

🔵 He was proved wrong twice when you had the opportunity to turn them in, but choose not to after hearing the purpose of their 'visit.' 

Shared interests: 

Oh boy, who knew you were a fan of Megatronus? Orion had a 'pleasant' time hearing D-16 and their new acquaintance ramble on about how cool and awesome the Prime was. 

When the conversation (more like fangirling) about Megatronus turned on Orion, the aforementioned mech spoke about the matrix and his goal in helping seek the location of it. 

Cue flapping servos and a squeal that was shushed by D-16's servo over your intake.

Not only were you interested in learning about the Primes, mainly Megatronus, but you also were interested in finding the lost lore of the Matrix and any information you could get your servos on. 

A friendship blossomed on that day and the three of you agreed to meet up at a bar or park whenever all of you had the time to do so. 

Overall dynamic a friends: 

You fit in pretty well with the duo. 

Your eagerness to learn more despite the consequences and sometimes good judgment was a nice balance to D-16 sticking to protocol and Orion Pax's exasperating ideas. 

Although your time spent with the two wasn't a lot compared to them working together in the mines, it didn't stop the bond from strengthening between you three. 

You were D-16's backup whenever Orion had a ridiculous plan that could lead him getting demoted severely.

You were Orion's hype mech and source of information whenever the two of you felt like you had a lead in your goals. 

You tend to call the red and blue mech Pax, even after being assured that you can call him Orion. After a while, Orion didn't mind the way you said his name, it felt…nice, like a 'special' thing between himself and you. 

Overall, I'd say the three of you were great friends. 

Until….

You picked up your pace and rubbed the glass of your spectacles from the smudge that happened to get on it. It was your off day and you wanted to spend as much of it with your friends as possible, especially when you had exciting news to share with them. 

You nearly bumped into a few bots, apologizing to them anyway, as you maneuvered around the busy streets of Iacon. It did not take long for you to arrive at the mines. You skidded to a halt when you spotted a pink femme chatting with a few other bots. 

You approached and before you could raise a digit to gain her attention she had long since spotted you. 

Elita-1 rolled an optic and jabbed a digit in one direction, then you were off--scurrying towards the showers to find your friends. 

"D? Pax?" You called as you stepped into the communal showers. The showers, which you've seen in some blueprints, were a shared space with only one or two baths built in. 

Mutterings echoed off the tiled area that appeared vacant. If it wasn't for the sound of oil, you would've assumed so. You rose a ridge before continuing to walk deeper into the area, only to stop when the murmurs grew clearer. 

"...Orion, we're going to be late…"

"C'mon, a little fun isn't going to make us late."

When you heard your designation spill from D-16's intake and more reassurance from Orion, you quickened your pace and rounded the corner to find a…well…sight to behold. 

Orion was partially submerged in the bath with D-16 straddling him. Their gazes were filled with a passion you never saw whenever the three of you were hanging out. For some reason, a pang seized your spark and you took a step back but bumped into the wall. 

The noise caused Orion and D to separate. 

"___?!" 

Energon shot to your faceplate added with the heat of the bath fogging up your spectacles caused you to stutter out a 'quick' sorry while attempting to escape. Oil splashed around as D-16 moved to the other end of the bath to cover his flushed face and Orion ran out of the bath to catch up…or rather, catch you.

Running in a slippery area was not a good idea. 

You crashed onto the floor and shrieked when your ankles were snatched and you were pulled back toward the bath. Clawing at the floor, your futile attempts at breaking free caused Orion to drop your ankles and walk around to your front to grab both sides of your helm. D-16 watched as he leaned against the edge of the bath.

"____."

"Yes?" You squawked. 

Orion smashed his dermas against yours. You felt weak and nearly melted into the kiss had it not been for the 'd'aww' coming from your other friend. You found the strength to withdraw from Orion and scoot back until you were a reasonable distance from both. 

"What..why…huh??" You pointed to the two of them, you and Orion, and then to your dermas. 

"We've…been meaning to tell you," D-16 started. 

"Just hadn't found the right moment, but now that you know…we can finally tell you how much we like you!" 

 "...classy." 

"Whaaat? ___ deserves to know about us and how we feel about them! All these secrets just felt..wrong, anyway-" Orion turned to look at you with a wide smile. "Whaddya say, starlight? You in?" 

 

"Call a medic cause  I'm about to have a spark attack." 

Cue them panicking along with you. 

And that's how you managed to become more than friends with your…well, friends. 

First date? 

A bar :) 

Twas a fun time walking the two of them back to your home when they were drunk off of their processors  

In the morning, you all comforted each other with the hangover pains 

First kiss? 

Orion already stole your first official kiss.

You and D's first kiss happened on the second date when you managed to 'borrow' some merch of his favorite Prime at a invite-only Iacon event. D legit swept you off your peds and kissed you hard enough you felt like you were seeing stars.

Demotion…

Yeah…courting a mech who's becoming notorious for sneaking into archives to look at restricted and sensitive data did not go over well with your higher ups. 

You were demoted to a lower title that stripped you off your access to most records. 

To say you were devastated was an understatement. 

You couldn't even look at Orion in the optics for a while. 

Arguments

This incident definitely caused a few disagreements in your relationship

First, D stopping Orion from visiting you too much so that you could have the space you needed 

You felt like scrap for the boiling resentment you were feeling toward yourself, the relationship, and with Orion.

It all boiled over when Orion disregarded D's warning  to stay away and managed to catch you during your working shift. 

And…it didn't end nicely. 

Names were called, not-so-good things were brought up, and you even called Orion a fragging screw up.

Making up 

After the big fight and 'cold war' that was going on between you three, mainly you and D-16 vs Orion. Things…settled down when all of you sat down to talk about it for once. 

Starting the conversation wasn't the easy part, discussion and apologizing was, especially when you and Orion were 'fighting' over how sorry you two were. D-16 had to shut the two of you up by holding you two idiots close in a hug.

Lots of servo-holding and cuddles happened that day :3

 Overall dynamic as a polycule: 

Healthy when communication isn't disrupted.

It's easy to play mediator if something does arise between two of you, but when all three of you are angry at each other? Eh, let's say there is a rule in the relationship to never bottle up your emotions for too long and communicate if you're upset about anything.

Jealousy….ohhhh, it doesn't happen often, but when someone gets a little too close Orion and D are on you like a starved bot on a pile of energon cubes. 

Your relationship is discrete, only a few bots (including your higher ups) know of the true nature of your relationship with D-16 and Orion Pax. 

Overall, it's a beautiful relationship....hopefully nothing bad will happen in the future wink wink.

😼 - I do not give permission for anyone to translate, copy, republish, or plagiarize any of my written works. I provide no permission for any of my literary works to be used in artificial intelligence. banner(s) by @dollywons !!

[wlwmedarda]

I'm honestly just looking to rant and this might be long depending on how fast I get irritated the more I type so if this isn't coherent or well written I apologize in advance. Since it looks like Ambessa will take on a more antagonistic role in arcane season two, I would like to unpack the fandom's antiblackness that you guys are either blind to or aware and too pussy to call it out as my gut is telling me it's gonna increase and if no one is gonna start the difficult conversation then I sure as hell will.

Sevika:

Mel:

Starting off strong with the definition of "you guys want complex female characters but can't even handle her". Mel Medarda is in quite the predicament seeing how she's morally grey, a black woman, AND "gets in the way" of a mlm ship so she was kinda screwed from the start. A cunning politician disowned for her pacifism who acts as a sort of bridge to Noxus' slow introduction, and is THE ONLY CHARACTER IN THE SEASON 1 MAIN CAST SPECIFICALLY CREATED FOR THE SHOW. She's treated like satan incarnate or a Jezebel (highly suggest looking into that if you don't know what that is), GOOD character analysis is rare, and when she is talked about positively, it's so often chalked up to appearances that I'd rather yall not talk about her at all. Oh you love Mel? Then can we talk about her relationship with her mother? Unpack her dynamic with Jayce? Maybe more fanworks centered around her? I've seen yall's fake asses dropping the shittiest fucking takes about her only to turn around and gush over how pretty she is, and yall think you're slick about it and you're not. I would say I prefer the ones who are loud and proud about their hatred but that'd be a lie, they're two cheeks on the same ass; annoying and couldn't give a decent break down of her character if a gun was pointed at they head even she's perfect to dissect. I could talk about her more but we'd be here all day and so many black women even from outside the fanbase have already talked about yall so there's no need for me to add on 🤷🏾‍♀️🤷🏾‍♀️🤷🏾‍♀️🤷🏾‍♀️.

Quick question, have you guys ever tried to talk about her in a non sexual way? Yes, Sevika is undeniably sexy and you could argue that true stans of hers talk about her outside of horny time, but a good half of the fandom is a different story. In a similar case to Mel's, deep dives into her character are rare to find which is crazy when she acts as Zaun's own "kingmaker". She's loyal to her city and the cause, never to a specific person and will not hesitate to betray you. She could be your right hand man one day, and the next she might find a better kingpin to follow and stab you in the back like it all meant nothing. "Were you tempted?" "Not for a worm like him". Simple and subtle and probably my favorite Sevika scene; she comes to realize Silco is no longer the best leader for Zaun, but he's as good as it gets for now and so she sticks by him. I remember a YouTube comment breaking down how she's essentially the quintessential Zaun: a brute warrior molded by her environment, who defied Vander's peaceful ways and embraced Silco's cruelty. Her mindset and goal is interesting and you'd think it'd result in some fascinating meta or exploration of her upbringing when we got a hint that she potentially has some daddy issues right? Obviously, but what do we get instead? White sapphics treating her like nothing more than a sexual object. How delightful!

Ekko:

This might partially be Riot's fault because — and I hate to sound like a league lore nerd — Ekko is quite underdeveloped compared to the richer origins of his former pre arcane self, but I'm gonna hold off on that till the season finale to see how they handle him. Anyways, at this point the fandom clearly sees him as Jinx's trophy husband. When you talk about him, she is brought into the convo 90% of the time. That's exactly why I prefer black timebomb shippers over the nonblack ones because I trust they actually love Ekko as a character on his own. Even though I have my complaints regarding how's been written so far, I still know he's too good to be reduced to Jinx's loverboy. He fights and cares for his city, the only character that you can confidently say is pure of heart, and is the revolutionary leader Zaun really needs. He's just as smart as Jinx too, he is literally going to create TIME TRAVEL. Why does no one wanna talk about that? Can we be excited for his character development and arc not just for the timebomb scenes you'll get out of it?

Ambessa:

Can't even deny this woman is awful but her presence on screen enthralled me after a couple of rewatches and I also love bad mothers in media so I've settled on a love/hate relationship. Yes, she's definitely gonna have some influence on Caitlyn, which makes sense since she has now lost her mother; she's vulnerable and as we have seen, naive. She's practically free real estate for Ambessa. My recent worry though has been how the fandom seems to be willing to put all of Caitlyn's actions on her as if Cait isn't a grown ass woman who can make her own decisions. Of course being grown doesn't mean you're immune to manipulation, but I've seen some Silco and Jinx comparisons and it is NOT the same. Mind you we haven't even seen the first three episodes; we don't know how far Ambessa's manipulation is going to go and we can't really tell what the dynamic is gonna be like based off of clips and trailers that are likely shown out of context on purpose to throw people off. I'll never defend her actions, hell I'll join in on the lashings, but my black ass is also not gonna sit here and let yall talk about her weirdly or pin all of this on her.

Some might say I'm overthinking this, but I've been here since November 2021 and have sat back and observed for 2 years. You don't have to write deep, philosophical conversations 24/7, I'm sure it's not all in bad faith and I won't act like I don't thirst over Sevika or marvel at Mel's beauty. I'm not saying you have to like these characters and that you're racist if you don't. My frustration comes from the lack of nuanced conversations and hypocritical opinions surrounding black characters in this show. When you try to say something about this, you're hit with excuses; it reminds me of how man obsessed fujoshis act when they're questioned for not giving two fucks about female characters. They're either reduced to one character trait, only admired for their looks, or only discussed when it's about the white character they're connected to. Do NOT under ANY circumstance be black and morally ambiguous, you WILL be held to higher moral standards than everyone's wittle blorbos who can do wrong and are defended from all sides when you dare to take the rose colored stan glasses off and criticize them. What's really ridiculous is you hear the "complex characters" bullshit every two to three business days and some of you have the nerve to boast about this series being diverse while simultaneously ignoring the complexities in the characters of color. This is the main reason I took a step back and with season two around the corner I thought "Hey, maybe it'll be better this time!" and it was a mistake. Good to know yall still have an underlying racism problem you don't wanna address but with some extra classism thrown in. "What will we do once Arcane ends?" hopefully get a job, touch some grass, and reflect. Lord knows yall need it. The faster yall sizzle out the better. I'm done that's all I have to say lol goodnight 👍🏽👍🏽👍🏽👍🏽.

[absolutehomosexuals]

The Infamous "Durge Is a Man" Essay

I - INTRODUCTION

There's one simple question that led us to developing this theory: "would Bhaal want a female heir?"

Bhaal created Durge to be his ideal successor: the hand who would've reaped death in the world, conquering it in His name.

Every detail we get about Durge's lore is tied to this objective, the entire purpose of Bhaal's creation.

The cult is obviously shown to us as patriarchal, which is hinted at from the sole fact they worship a male deity: the argument may come off as silly at first, since one could argue Gods do not understand nor care for the concepts of gender.

It would be a valid counterpoint, if it wasn't for the fact Bhaal used to be a human, having navigated the world as a fully grown man before he eventually became a God.

If we believe he created Durge in his ideal image, it seems much more intuitive for his offspring to be male.

II - THE MATTER OF SUCCESSION

We must note that Bhaal's plans heavily rely (as we can read in Durge's "diary" tab) on reproduction ; e.g "siring lots of Bhaalspawn".

This alone isn't coded as one sex or the other but, if we think of it in terms of convenience, a female heir wouldn't be your first choice for the task: women can only gestate one child per year and conceive in very specific windows of time within their cycle, while men can potentially impregnate countless women in the same time span and not suffer any physical disadvantages during gestation.

We should also consider women tend to develop a bond with their newborn and the latter needs to rely on them for survival during the first few months of their life, while a man:

1. has no such obligations from a social point view (especially in a medieval context, where bastard children were the norm)

2. isn't strictly needed by the child for survival, biologically speaking.

I doubt Bhaal was expecting his heir to keep track of her cycle, gestate for nine months with all the drawbacks that come with it, give birth risking death and spend the following months caring for a newborn – all of this, on repeat for years if not centuries.

"But he's a God, he could potentially speed up the process!"

Technically true, but why would he go through such trouble, if he could craft his ideal child as a male and avoid complications?

The game itself seems to agree with this theory, since you get the "Bhaal's stallion" line regardless of your Durge's gender, in one of the bad endings.

We could also consider the idea that reproduction = power, "spreeding the seed", to be a typically patriarchal concept.

Bhaal himself isn't fond of the idea of raising children, as he let Durge be raised by an adoptive family – a "regular" one no less, meaning he didn't even concern himself with choosing one.

III - IN-UNIVERSE MYSOGINY

There are many aspects of the religion that seem to glorify manhood, and for its leader to be a woman (by Bhaal's choice, no less) seems inconsistent.

Let's think of the infamous blessing granted to Bhaal's favourites, the Ecstasy of Murder, which basically consists in a pseudo prostatic orgasm.

Then we consider the presence of predominantly-male sexual crimes, both coming from Durge and other important figures within the cult.

We cannot deny necrophilia, for functional reasons, is extremely uncommon amongst women: necrophilic acts are typically carried out by penetrating a dead body, as it's almost the only pleasurable act you can perform on a corpse ; Durge being a known necrophiliac pre-lobotomy could be one of the many hints the character is meant to be read as male.

Not to mention the horrendous way in which Bhaalist female characters are treated in-universe, between Sarevok sexually abusing his daughter (and this concept being treated as completely normal by the narrative, as far as we know of) and Orin being constantly belittled.

We never hear of any male cultists undergoing the same treatment, meaning abusing women is the norm amongst Bhaal's faithful – yet again, a telltale sign of a patriarchal religion.

"But Orin isn't mistreated because of her sex, she's mistreated because she's not the true heir!"

Orin is, indeed, not Bhaal's biological daughter: she's related to Him by blood, but as Durge himself says, her blood is "diluted".

However, while he acknowledges she's not his biological sister, he still addresses her as such in multiple sources, meaning the cult leader himself doesn't care about her actual origins.

She's constantly portrayed as someone who gets talked down to, cast aside and her beliefs are harshly criticized both by Durge and others influential members such as Sarevok.

For Larian to choose a woman to fill this role could have been accidental, but we must admit the symbolism is quite clear.

Orin interprets murder as a form of art, while her Bhaalist peers frequently accuse of her misunderstanding her own faith, considering her too immature to lead the flock.

She's the only Bhaalist female character we're shown as remarkable, and she's coincidentally used as an example of someone the cult does not respect ; she's even biologically related to Bhaal and yet, she had to seize power by force.

IV - ROMANTIC SUBTEXTS

Another interesting matter are the characters commonly paired with Durge in fanworks: Durgetash and Durgestarion are the most popular romantic pairings according to ao3, and we cannot blame the fandom for catching up on the subtext.

Durge's "admiration" (as he calls it himself) towards Gortash is viewed as controversial and arises suspicion in-universe, to the point he feels the need to apologize to his Father and repent for an implicit sin.

While it would be scandalous to fraternize with Gortash even in a platonic matter – he's practically the leader of the rival cult –, the emphasis put on justifying their interactions has been interpreted by fans as romantic subtext.

The letter in which Durge addresses the issue is titled "Letter for Forgiveness", despite Gortash only being mentioned at the beginning, while the rest of the letter focuses on different topics entirely.

Right after expressing guilt for the way he views Gortash, Durge proceeds to repeat Bhaal's plan and promises to follow it, stressing that he would have made his Father proud regardless.

The letter overall comes off as an attempt to justify being attracted to Gortash and reassuring Bhaal that it wouldn't come in the way of their plans, as it would pose an enormous threat otherwise.

Durge being attracted to Gortash – if we choose to interpret him as a man – would come with a handful of important challenges: first of all, sympathizing with the 'enemy', implying Durge could abandon the idea of betraying him or even allow Gortash to do the same to him.

Second of all, being capable of such vulnerability that would come in the way of being a sentient weapon: a killing machine isn't supposed to feel pity, let alone experience something as foolish as forbidden love.

And thirdly, for Bhaal's heir to prefer the company of men is simply a disgrace, as it would come in the way of reproduction and possibly undermine his public image.

While all of this may have not been meant as a homosexual allegory, the fact you can find the Letter for Forgiveness on Durge's corpse if you play as Tav, still comes off as "bringing a secret to the grave".

Not to mention the note at the end of the letter, written by another cultist, reading: "Ha! Orin was right about her sibling." which is clearly a jab at what we mentioned above.

When you go to confront Orin in Act III (as Durge) about the fact she has been following you around town, she replies: "The little lordling has been whispering in your ears? He always knew how to tumble and twist your mind matter, leaving you knotted in his chords."

The matter of Durge's attraction to Gortash is seen as something silly and shameful at the same time: it's an open secret cult members dare to joke about, because they find it ridiculous.

If a hypothetical female heir of Bhaal had the slightest possibility of reproducing with the Chosen of Bane, I'm pretty sure they wouldn't find it as humorous – they find it hilarious because it's taboo, a powerful demigod developing a "school crush" on a male ally.

We should also talk about some of the in-game implications about Gortash, such as being someone who possibly "slept his way to the top": managing to charm and daze a much more powerful man on purpose sounds surprisingly in-character.

What we find even more interesting are the implications that come with Durgestarion, a pairing the writers are openly fond of.

We know both characters were characterized by the same writer, the latter going out of his way to include personalized romance interactions between the two: unlike other characters, romancing Astarion as Durge gives the player access to tons of new dialogue lines and greetings, sometimes making for a completely new experience compared to romancing him with a regular Tav.

Some hints may point to Durge being the "canonical" romance for Astarion, as many fans have speculated ; while one may disagree with that sentiment, we must admit it's not far fetched.

If we consider all of Astarion's canonical past relationships (meaning, the few ones he actually deems important and genuine) were with men, and the emphasis put on Durge's "admiration" towards Gortash + the incessant pressure Bhaal puts on him to reproduce, the thought of these characters romancing each other in an alternative timeline actually sounds liberating.

Some Durge-specific lines Astarion says during his romance arc seem to be aimed at a male character, rather than sounding gender neutral: the first example that comes to mind is "Are you alright now, or is today a 'I will wed you with a delicate veil of blood blooming over your white curls' kind of day?"

Astarion sarcastically references Durge "wedding him", thus putting the player in a stereotipical "groom" role from the start, with the veil resembling the one brides typically wear during the cerimony.

If we consider all other aspects mentioned in this theory, the line reads as somewhat... male-coded.

If we want to be truly insane about this theory – and of course, we do – , we could even add a "gay allegory" element to the equation.

A vampire and the spawn of an evil deity, excluded members of society who'd usually feel a compulsion to hide, are implied to fall in love by the narrative.

V - ACTING CHOICES

Finally, we come to the voice actor: while a specific actor was chosen to play the character and is regarded as the iconic Durge VA, Larian didn't concern themselves with choosing a female voice actor to include the possibility of a female Durge, which is why we can only hear his intro in Neil Roberts' voice.

VI - CONCLUSION

With all of this taken into account, a female Durge seems to be an after-thought, if not directly a fantasy or a headcanon that the game gives you the possibility to play out.

The original narrative, as we can see, best accomodates a male character.

[crystallizsch]

“Oh? *I* get to be in charge of our lovely Princes? Hehe. I graciously accept the challenge.”

[SR] Yuusha Tala -> GROOOOVY!! Glimmering Soirée (fan event by @starry-night-rose)

Groooovy!!: Hehe. If you want to dance with me, you’re gonna have to keep up with me first.

Set Home: Yeah, yeah… I know I’m just a glorified attendant and I don’t really have any say over the Princes... Look, just let me have this.

Home Idle 1: Helping Deuce act like a Prince has been really hilarious. But credit where credit is due, seeing him try his best is really charming.

Home Idle 2: Wow. Somehow Azul became less insufferable after being trained as a Prince. ….Wait. Nevermind. He’s still the same.

Home Idle 3: Kalim and Hornton seem to be a natural at this. I guess I should have expected that. It’s really nice to see them shine.

Home Idle - Login: Has anyone seen Grim? I swear I saw him lurking around here somewhere…

Home Idle - Groovy: I could go for "Belle of the Ball" if I really wanted to, especially since I'm the one who helped take care of everything after all. But alas, why would you vote for the magicless prefect..? Wait, unless.….

Home Tap 1: Where did I put that ghost camera? I was just holding it just a while ago… Huh? It’s around my neck? Well, that’s embarrassing. Oh stop laughing at me, will ya?

Home Tap 2: The others say I’m like a different person when I go into "manager" mode. …And they say it either like a compliment or an insult so I’m getting mixed messages.

Home Tap 3: Ugh. This cape is cool and all but people keep getting caught by it. So annoying.

Home Tap 4: Would I compete in being the Belle of the Ball if I wasn't taking care of the Princes? Depends. Would you vote for me? ~ ♡ …What do you mean you’ll give me a "pity" vote.

Home Tap 5: No, I’m not staring "longingly" at that band! …But hypothetically, do you think they’d let me play an instrument with them?

Home Tap - Groovy: Oh, wow. Crazy that they totally just left this violin here. Hmmm…..

notes:

i had fun with the voice lines aaah but it might have some changes when i’m done with the groovy (and i’ll properly put her in an actual card template)

also slight lore drop from one of the voice lines: yuusha has experience hosting formal parties pre-twst. basically she just locks in (a bit too heavily) when she has hosting duties.

(some of the voice lines also foreshadow the groovy 👀)

anyways i was just messing around a lot with the outfit design and the colors hgsdfjds

i tried my best making her purple color scheme agree with the limited color palette and i think it worked out??? idk idk--

also the cape was supposed to have patterns similar to the ceremonial robes so as to label her as someone from nrc.

i wanted to include a LOT more ruffles too but i had no patience for lining all of that 🤧

(bonus sketches/concepts below)

at first i based off her suit on hans frozen but then (because of pinterest giving me ideas) i realized i wanted a more fun outfit and so here i am-

(also help me i meant to have the voice lines to be just talking to anyone but it just hit me that it sounds like she’s talking to jamil 💀 girl they just can’t leave me alone they live in my head 24/7 rent-free)

[rpgchoices]

Astarion origin playthrough: what to expect/what is added

So I did a speed run on easy mode of the Astarion origin playthrough, which is where you choose Astarion as your main character. I wanted to write a bit about the extra lore the game gives and in general what is added (and what is lost).

I added some of the videos I have taken in case you are curious. Keep in mind that some videos are embedded, others are in link for my twitter or this blog.

SPOILERS. Just know that I went through the main plot points and the quests I know Astarion has dialogue about in a Tav game, so I did not do all of the quests/areas.

First of all... I don't think there is enough content to justify losing Astarion as a companion, as Astarion will be not voiced when you play as him, and in general you actually get less characterization.

ACT 1

Act 1 is the one with the most amount of extra content.

There are a few extra lines from the narrator about you standing in the sun for the first time, and your past.

You get a whole personal quest about hiding your vampirism or revealing it. There are different ways to reveal it:

You simply tell the companions (when you think about it the narrator will ponder about how much your companion trusts you and if they will react well)

You can use "bite" on an enemy when your companions are around (or on a companion)

You can be caught while you bite someone at night

The night bite happens after a nightmare, so you will also get a Cazador nightmare where Astarion hides/attacks/cowers before Cazador (video here). After the nightmare Astarion will think about finally being free and breaking one of Cazador's rules. You can decide to bite a companion or not.

If you do not bite a companion you will have no other option to do the bite at night, and the only reveals can happen in the other two modalities. Honestly, I am not sure how long you can drag it... pretty long, I think. One time I need to find out if you can go almost the whole game without revealing it.

If you tell a companion about it you will have to pass a check, but nothing bad happens if you fail, you just get a bad reaction (Gale yelled at me).

Other extra content from act 1 is about meeting the monster hunter. If you meet him pre-reveal, he will not say your name, btw. But it is pretty much the same as in Tav playthrough.

ACT 2

In act 2 you will have another nightmare (video here). This time you do not see what happens, you just see Astarion curling in his bed and thinking about his scars. This is to introduce the scars, as we have no idea he has them, and it will happen before you meet Raphael.

You can ask Raphael about the scars, but sadly none of your companions react.

Then the rest proceeds as usual. The sad part for me was meeting the drow lady who asks for a bit in exchange of a potion, and she is so different. She suddenly is very deferential, and asks quite nicely. Astarion can refuse or agree, but nothing happens, it is just almost a funny scene if he agrees and suddenly she tastes very bad. So yeah, you get the potion and no insight.

ACT 3

Act 3 is the one which has the same content but slightly different, as you will meet the spawns and Cazador from Astarion's pov.

When you meet the Gur outside BG3 the scene is exactly the same as in Tav play, minus Astarion's funny lines. When you meet Petras and Dalyria at the tavern, you get an extended scene.

You can just talk with them and convince your sister to tell you about the ritual, or you can show them that you can walk into the sun (by walking up to the window), or you can grab Petras and threaten him into the sun. If you fail to grab him, he will insult you and call you the runt of the litter. The whole scene clarified a bit that there is really a lot of animosity from Petras towards Astarion, and that Astarion was definitely the scapegoat of Cazador.

When Leon attacks you at night you also get more insight. First, you can see that if you try to explain, Leon is quite quick to hear you out, differently from Tav's playthrough. You will also find out that Cazador ordered them to take you home broken, so if you agree to go with them they will still attack you.

Another extra scene comes from the brothel one. I posted a video on my blog a couple of days ago, but basically you can talk with the drow twins and this line will pop up:

You can basically tell them that you used to be in their position too, but for you it was not consensual.

The rest of the game is the same.

The Cazador palace scenes are also the same, with Astarion commenting on the rooms. You will have extra from meeting Godey, of course. He will comment about Astarion needing to be broken and needed to respect the master. Video here.

When Astarion meets Sebastian you find out that he doesn't really immediately remember Sebastian's name. Astarion also has a "deception" check to tell Sebastian he really cared about him. You can see the video here. But the rest is pretty similar, same with meeting the children of the Gur, you can actually recognize their hunger and feel compassion for them.

When you meet with Cazador everything is pretty similar. It is interesting that you can tell him that you are an angel of vengeance to which he mocks you. This time you do not attack Cazador but he controls you immediately and you have to pass a constitution check to get free, otherwise Astarion will end up in the ritual (and the companions can free him).

Btw, you can see here all the options you have when you meet Cazador as Astarion.

Once the fight is over, Astarion can decide if he wants to complete the ritual or not. He can ask the companions to help him and I think they always do (borrowing their eyes) even if they disapprove. Interestingly, the narrator directly says "hey, this is a bad choice, no return", basically. You have three chances to stop for performing the ritual (also you can intimidate Cazador to beg for his life).

If you do not stop the ritual, your sister Dalyria will beg you to stop before dying.

Here I posted on twitter video options of the post-Cazador's fight.

As you can see, if you decide to stop the ritual the scene plays exactly the same and it is a rare one which is actually voiced by Neil. Your brothers and sisters will then come up to you, and as Astarion you will have to decide what to do with them. If you ask them not to feed on people, Petras will get a bit annoying and you will have to persuade/intimidate him. Then you decide what to do with the other spawns.

Interestingly, Dalyria gets really disappointed with Astarion if you decide to kill the spawns or trap them.

A very nice thing is that if you refuse to complete the ritual your companion will be SO SO PROUD OF YOU, especially Jaheira, Wyll and Karlach. You can see here Karlach in video, and here Wyll and Gale, and Jaheira here.

The rest plays exactly the same. There is no extra Astarion-specific content until the end.

If you play as lord vampire Astarion there is no specific end that I could find. I am not sure why, but basically in my playthrough I had not found the dragon, so technically I had not finished Wyll's quest. When Karlach was dying I could go to Avernus with her or be with her at her death... but after that nothing happens. My Astarion talked with Gale (romanced) and that was it.

Spawn Astarion ending instead has this extra scene which I found a bit ridiculous. The first part is heartbreaking, you see Astarion run from the sun and curl into a ball behind some shade, head on his knees. Then Karlach dies alone, because Astarion cannot be in the sun, and you get this extra scene of Astarion in Baldur's Gate killing/attacking a man and living his existence as a vampire. It is strange because in the pre-ending dialogue I chose to go to another city, and in the post ending I chose to go with Gale to Waterdeep, so it felt a bit random.

[utilitycaster]

You who are wise in the way of Exandria (helps run the readable wiki), maybe you could tell me or point me in the right direction. There's been several statements that the Pantheon gets their power from their followers, that feed on their faith/worship/prayers. One of the Vanguard says something to this effect, and Deanna seems to subscribe to this belief as well, and I think I sort of thought this as well pre-Downfall. But is there any actual evidence for this?

Hey anon, thank you!

The short answer: it's really unclear even from the text precisely what's going on, likely because this is foundational lore of Exandria that's existed since pre-stream and it's changed over time as different players and GMs have brought in new perspectives. The most I would say is that the gods of the pantheon do not require worship as a condition of their existence.

The longer answer:

The gods appear to be independently powerful, which would make sense, since they are effectively extra-terrestrial or extra-planar entities of possibility solidified into specific embodiments of concepts, ie, when in physical form on the material plane they are just creatures with their own power. We see that the Everlight's power during Downfall, for example, does not seem diminished even though nearly all of her worshipers were killed by Asmodeus.

However, we also see that when in mortal form, the avatars do gain power from worship and specifically from being in places where they are worshiped. We also know that while he's not of the pantheon, the reason Artagan has the ability to grant divine power as though he were a god is because he is worshiped as one by Jester.

My personal interpretation, and I want to stress this paragraph is very much only an interpretation and not canon, is that while the gods are in mortal form, they need worship to access those truly divine abilities, but while in full godly form they do not - ie, the pantheon doesn't seem to need to be worshiped to have the powers of a god, since that is simply what they are as beings, but should they limit their forms or should an entity who is not of that same classification of being (ie, Tengarian, mortal who has used the Rites of Ascension, or whatever the fuck the Chained Oblivion is) wish to have the powers of a god, they do need worship.

Now: the above relates to entities who are on the material plane. This isn't the case with the divine gate. Because the gods of the pantheon now must act through mortals, it is functionally true that unless they have worshipers within the world, their ability to influence anything in the world is greatly limited if they don't have worshipers. The wiki source on The Everlight's influence being weakened/diminished is a Reddit post from Matt 8 years ago and again, that's influence, not raw ability. When we encounter her in Campaign 1, The Everlight is still able to do everything any other god can do; she just isn't as well-known within Exandria.

The Vanguard member who says mortals are food for the gods is Tuldus in episode 44 and he does not explain how this is. Obviously he's not going to be an objective source here, as a cult member under interrogation with valid resentment towards whatever religious institution under which he was brought up, but we have not seen evidence of the gods needing mortal prayer or worship other than again, to act within the Prime Material Plane from the other side of the Divine Gate. FRIDA says that they believe their worship "charges" the gods (episode 52) but also doesn't provide evidence; it's just their belief.

So this is a long way to say that the gods do ask things of their followers, particularly those followers who gain powers from them, but that seems to be strictly for the purposes of acting within the world from behind the Divine Gate. Any feeding off of mortal worship when in full god form and not a mortal avatar form is purely speculative, and such worship of their mortal forms as we saw in Downfall was freely, if in SILAHA's case unknowingly given, and did not seem to drain his followers in any way nor even require them to know it was worship. In terms of having power as present physical entities either pre-Divergence or in their realms post-Divergence, we don't know if they require anything. At minimum they can go a very, very long time without major worship with no loss of power.

[she-who-fights-and-writes]

How to Get Inspired to Write and Regain Creativity

The muses are fickle, especially when it comes to writers. Sometimes inspiration strikes at the worst of times—while working, in the middle of the night, etc.—and other times it refuses to strike at all. How do you get inspired to start a project, especially when you haven’t written in a very long time? 

Here are some tips and tricks that may help you get back into the writing groove.

1. Is It Writer’s Block You’re Worried About?

This post is meant to be a resource for people who don’t have any current projects or haven’t written/worked on their current projects in a very long time due to lack of inspiration and motivation. 

In contrast, “writer’s block” is usually used in reference to having a load of inspiration and motivation to write but struggling with a mental “block” that prevents you from doing so. 

These two overlap a lot, though, so if nothing on this post is working, you can find my post on combatting writer's block here!

For some extra help to get the ball rolling once you've regained inspiration, also check out the "Getting Started" section of my FAQ!

2. Set Aside Time to Be Creative

Oftentimes, creativity and inspiration can be lost due to a busy schedule. Life happens! Work, school, and a variety of other things could be restricting your ability to write or do creative things consistently. All it takes is one busy week, or month, or year, and now you feel like you’ve been thrown off of the carousel of creativity and can’t find your way back on again!

The key to combatting this is blocking out an hour or two (every day or every week) that you can use to spend time writing. Set a timer or alarm and put your phone aside (it is your enemy! It can and WILL distract you!) and sit down with the intent to write. Even if you get nothing done, getting in a creative headspace is still incredibly helpful! Baby steps!!!

By blocking out a specific length of time and putting it in your calendar, you can mentally prep to be creative and also can assure that you have ample time to get the juices flowing without worrying about being interrupted.

3.  Check Out Some Writing Prompts

Sometimes, it can be easier to start writing if you’re told what to write. A lot of writers find prompts helpful as warm-up exercises, and use them for projects on the side when they’re taking a rest from their current WIP.

It could be helpful to find a couple of prompts and see what cool things you can come up with! Even if they don’t seem like something you’d want to work on long-term, the very act of writing in and of itself will wake your “writing muscles” back up and get them in the groove of being creative again.

You can check out #writing prompts on my blog, or check out these amazing prompt blogs:

@writing-prompt-s

@creativepromptsforwriting

@promptsforthestrugglingauthor

@daily-prompts

@promptsonpaper

4. Write Fanfiction (If you’re just struggling with original works)

Fanfiction is a great way to get back into being creative because all of the hardest parts about getting started (character creation, setting, lore, etc.) have already been done for you. You don’t have to post your fanfiction or even complete your fic, just write a short scene or story about two characters with pre-established backstories, personalities, and dynamics. It’ll get you back into the basics of describing setting and writing dialogue. 

5. Make a Fun Playlist or Pinterest Board

Making fun playlists or Pinterest boards based on a certain genre, character, or piece of media you like can really get the creative juices flowing! After all, having a playlist to listen to that perfectly encapsulates the mood, tone, and pacing of your scene or story can really get you inspired! And with a Pinterest board for visual references to back you up, descriptions can come a whole lot easier!

I don't really use Pinterest except for art references, but if you don’t want to make your own writing playlist, feel free to borrow some of mine! Just a note: I find words in music very distracting when I write, so all of these are instrumental. Sorry if it’s not your cup of tea! 

Here’s a link to my master list of instrumental playlists.

6. Read!

I know. It’s hard. And I can’t even talk; I haven’t read a proper book in a year, probably. For me, the hardest part is starting; I drag my feet for months before finally picking up a book, whip through a good chunk of it in one or two sittings, but once I put it down, I never return to it. But reading is an excellent way to get inspired as a writer, and to improve your way of writing! 

By learning and getting inspiration from fellow writers, you not only get an idea of the creative possibilities, but also learn how different writers work their process. Fanfiction counts, too!

7. Get a Writing Buddy!

Sometimes, creative things such as writing can be hard because they’re traditionally a “solo sport” so to speak.

But having a writing buddy, someone to just be in the room or on call with you while you both be creative together, can do loads for your inspiration. Sure, there’s a chance that you’ll just distract each other and fool around, but if you really work to hold each other accountable, even getting into the creative headspace is a great way to start.

Also, you have a partner to bounce ideas off of!

Hope this helped, and happy writing!

[chadfallout76podcast]

"Deah Shroud!: A Nick Valentine Mystery" EXPLAINED and AMA

It never occurred to me to do this last year, but a lot of people have asked me questions about our Fallout 4 play in the last year in the Discord, so I wanted to open an AMA but also explain "Death Shroud!" and some of the broader themes involved in it.

**SPOILERS AHEAD**

Part 1: Pre-production

Before I get into the story, I wanted to explain how this production even came about. Over the years after working together on some official community projects with Wes Johnson through Bethesda, we became good friends. I took a couple of his acting classes and he talked about the Fallout For Hope charity initiative I started and asked for help in organizing the gaming community for his Alzheimer's Association fundraiser. The idea was to host a month-long digital event of discussion panels, game shows, improv and a play with as many different voices of video games, film and TV as we could round up. In our second year of his VoiceAPalooza fundraiser, I wanted to do an original old time radio show and see if could bring back as many of the cast that we could from Fallout 4. It was Wes who first suggested an adventure with his Silver Shroud character (that he voiced in Fallout 4's radio plays) teaming up with Nick Valentine (voiced by the amazing Stephen Russell). Valentine is, for me, one of the best written, unique companions in Fallout lore.

So, I reached out to Stephen Russell who had joined us before for charity work and he was all in on bringing Nick Valentine back to life! After that things moved fast with Bethesda's Pete Hines and Emil Pagliarulo joining us to have some fun for a good cause. We tried to get EVERY companion from Fallout 4 that we could, but schedule wrangling is tough, and some people are just impossible to track down or find. Matt Mercer would've loved to have joined us as Macready, but unfortunately scheduling didn't work, so the best we could manage would be a holotape (the only reason our snarky gun running merc had to take the big sleep in the story).

After having everyone plugged in to reprise characters, it was time to put fingers to keys and find the story...

Part 2: The Deep Lore

The origin of this story started with a thought: how would the NPC's and characters we love perceive modification of their universe by us? We, as players aren't the true creators of this universe or these characters (Bethesda is). If anything, we the players are the equivalent of "lesser gods", reshaping it in new ways, unexpected and subjective ways, and sometimes even chaotic ways (I'm looking at you avalanche of adult mods with realistic jiggle physics and Thomas the Tank Engine Vertibird).

It started with a mental image of the small ways in which we start out modding games, or even the first mods we (using the "Engine of Creation) actually create. I had a mental image of Magnolia doing her thing, singing away sultry in a crowded and smoky third rail when she looks one way, back the next and sees new curtains. A subtle thing, something a little startling, but in a universe where recreational drug use is met with a YEEE YEEEE WHEEEE...a change you simply dismiss as being overtired or a little too juiced.

I'm a sucker for old time radio. I grew up listening to classic radio horrors like The Whistler, Suspense, and Lights Out on vinyl records and cassette tapes when I'd spend summers with my grandmother on a little island off the coast of Canada. Getting the tone, feeling and sound to stage an old-time radio show was the easiest part of this whole process...it's baked into my brain lol. The key of course is finding the right narrative voice.

Enter: Bill Lobley. If you play Fallout 76, he is the announcer for the "Tales from the West Virginia Hills" holotapes, but before that he's a prolific voice actor, maybe best known for his role as the truly vile Jeremiah Fink in Bioshock: Infinite. He has a FANTASTIC transatlantic voice for old time radio and was perfect as narrator in the script.

Part 3: What Is Going On?!?!

I had the base idea, the voices to pull it off, but what was the meaning and message of the whole thing? I always start there. From a meta experience level, the story is about dealing with subjective reality that’s being torn apart. After Fallout 4 launched in vanilla, we the players changed that world and reshaped it with mods. The small changes in perceived reality are meant for the omniscient player (us) and are not meant to be perceived by the characters themselves...and yet, what if they were? And if they were...WHY?! The answer was right in front of me: there's a difference between something born into a world and something MADE into a world.

You take someone like Magnolia or Nick, both synths, that obviously weren’t naturally born from two people. They were conceived as an idea...a human idea sure, but still they were made, not born. Without even needing to say in the script, the Trickster from the Grognak comic books who shouldn't exist yet does IS also an idea. Some MADE into a world but not born...a different world sure, but still the creation of it. Nick, Magnolia, any synth as ideas themselves would sense that the world was wrong and being changed in a way no one else would because of fundamentally who they are and what they represent.

Everything that unfolds is because Nora as a keystone event in the Commonwealth, a focal point of the causal nexus making her a unique entity in that world. A causal nexus is the link between a cause and its resulting effects and ignore the science mumbo jumbo, because here's an example of how that works:

The Sole Survivor, Nora, listened to Kent's message, chose to answer him and put on the outfit of the Silver Shroud. As a unique figure she shifted perceived reality of everyone in the Commonwealth by becoming the Silver Shroud, acting like him and making people believe that a fictional character exists.

Unfettered belief and faith in an idea = manifested reality.

Rejected belief and faith in the idea = dispels that reality.

This HAS happened before in Fallout lore in the instance of people with horrifying backstories and personal tragedies choosing to become someone else such as the Mechanist (Fallout 3 and Fallout 4) or even the Ant-Agonizer (Fallout 3). This time however it was a unique figure who did this, a figure fated and meant to reshape the Commonwealth for good, bad or ugly.

This opened a door, the door through which another figure could influence and enter a new universe provided it take the form of something already in it...a reality side-step into the form of the Mechanist. Concurrently, the moment that happened, reality counterbalanced by making the Silver Shroud who was already believed to be real BECOME real as the ying to the Mechanist/Trickster's yang.

Now at home in reality, the Trickster found himself very much alive and unbound by story but had very little power to do much at all. He needed something more, an idea and faith that already existed in the Commonwealth with the infinite universe of ideas made, but not born like himself. His goal wasn't power, it was to sow chaos, reshaping reality into a realm for any and every idea despite the consequences to reality itself.

So what did he need? The belief in the Old Gods and a focus point of belief in the idea: a staff. The universe is as adaptive as it is remarkable and where the Mechanist had its opposite: the Silver Shroud, the Trickster needed its twin: enter Sheogorath...because what better staff to tear apart and reshape reality than the Staff of Sheogorath. There is a quest added in the new Skyrim Anniversary Edition in which you can build it for yourself with a few items: Branch of the Tree of Shades, Ciirta's Eye, Fork of Horripilation. In this universe it would have to fashioned with things FROM this universe.

Two eyes were needed:

The eye of a True Believer: Kent Connolly

The eye of a True Seer: Mama Murphy

Affixed to the top of a staff of the purest heartwood from a Twice Born Tree. Living wood from Harold, born a man who eventually mutated into a living tree.

Lastly, it had to be soaked in the tears of ages end: barrels of radiated blessed waters courtesy of the Cult of Atom.

The Trickster had no magic of his own in this universe in which to act, but thankfully courtesy of some powerful allies, he was able to make contact with shadowy cults and worshippers of the old gods who gave him the name of someone truly of faith in the old magic to make all of this work: Jebediah Blackhall, who in this spin of the universe did unfortunately get his hands on the cursed book: the Krivbeknah.

Finding allies was all too easy, as the events post main quest left the Commonwealth changed. To many, the Sole Survivor and his/her companions would be hailed as heroes. To others, they would be villains, particularly in light of what Nora CHOSE to do to the Railroad to end the synth threat for good. That's a lot of blood on the hands of heroes...

As the Mechanist/Trickster, Blackall and the Lombardos began using the staff, its changes and shifts in reality rippled backwards through time, as changing one specific thing would change its entire existence. You change some curtains and the manufacturer of those curtains only every made one pattern...the world object becomes changed universally. Tapping into the Engine of Creation to make these changes, leaves anyone MADE not born aware of them as they don't fit into the design as it shifts around them. Nick, Danse, Magnolia would all feel and see it, be thrown off for a bit before settling into the changed reality state.

At the climax when everything starts falling apart and you get everyone from GlaDOS and the Joker strolling on in, the only way to end it all is to separate the Trickster from the Staff and restore the saved intended state of reality. The Silver Shroud finds himself powerless against the Trickster...only someone from this universe would be able to intercede, hard wired into the Engine of Creation itself as an existing element connected throughout its framework and history. After sending the Trickster off packing to the moon (thanks GlaDOS), but its a little too late for reality. It collapses around them, finding themselves elsewhere...the point between the mind, creation and the outcome of reality.

After the Shroud fades away, Nick has the power and choice to roll the universe, his universe back along the tapestry of choices that led him here. They all were haunted by the choices they made the first time around, something Nora couldn't live with...that ultimately led her relationship with Danse to fall apart. So Nick decides to go back further, as far back as he can go and he finds himself back in his office with Ellie waking him up.

There are consequences to what he's done, that he's not yet aware of, ones that will become clear in our next episode. The synths remember, as he remembers...Danse, Magnolia and everyone else remembers the fall of the Institute. They all find themselves at their starting point, moving towards their intended fated position to encounter the Sole Survivor. For Nick? He's starting down the path that will led him to be held prisoner and meet the Sole Survivor for the first time.

As he'll soon discover however, things don't play out the same way this time. Moreover, while he was rolling back reality to an early saved state, he made a huge mistake and completely forgot about something and someone so incredibly important...

You'll have to wait to see what that is...

[reslari]

The lifting the lore does in glazing when none of the demigods are actually all that powerful is so funny. In fact, neither is Queen Marika.

When GRRM said, "I wrote these guys to be normal humans a long time pre-canon," he wasn't kidding.

Marika, all-consumingly powerful, can rewrite reality with the reality rewriting macguffin! Except where she can't rewrite her children AND herself not to be cursed, and can only just barely seal a couple of Outer Gods and not actually kill them. Where she can't just write the Hornsent or the Crucible out of existence, and instead has to sacrifice people for a miserable, honorless war. Turns out, she's just an average, rote god, but she has propaganda on her side, and maybe a slight homefield advantage. But she isn't special and never has been.

Radahn, mightiest demigod of the Shattering! Who got his ass kicked by some sewer-scented old man with a walking stick. Twice. Plus he couldn't properly siege Stormveil Castle. So his official score in "notable battles" is 1/3/1. That's a championship record if I've ever seen one, truly worthy of the "mightiest" title.

Malenia, the undefeated!!!! Because she had to throw her pride away just to *tie* the dude that got his ass kicked by a stinky geriatric, when she was actively trying to kill him. Sure, Caelid is a mess now, but all she did was slap an aeonia down; the scarlet aeonia and the rot itself propagated under its own power, she wasn't controlling it once it was unleashed.

Morgott: should therefore be as powerful or more than both of the above, but is a midgame boss, and not even a particularly difficult kill, with no particular skills other than a little holy magic, so who knows how he even got Radahn in the first place. Except if Radahn isn't actually as powerful as the glazing tells you he is, and therefore neither is Malenia.

And all of the above can get absolutely humbled by some naked dude with a stick.

I could also go on about how Miquella's plan makes a ton more sense if you take away the bullshit anime superpowers, but bullshit anime superpowers is what makes the video game a video game, so they gotta stay.

PS: "Prime Radahn" isn't actually that powerful; if his fight was only phase 1, he would be easier than Malenia, even before the nerfs. He is buffed by Miquella to be as punishing as he is in Phase 2 - You're not fighting "Prime Radahn" acting under his own power, you're fighting "Prime Radahn" with a pocket buff machine enhancing his abilities; it's the combined strength of Miquella and Radahn, actively trying to defeat you... and you STILL win.

But this is a poignant point about the way FromSoft makes their characters: Even in their "prime", they are still defeatable by a naked dude with a stick. Even in their "prime", they're not all-powerful. It's for the same reason FS never writes people in positions of power as unambiguously good: You are supposed to realize how falliable those in power are. You are supposed to question them, their intentions, and see through the illusion and transience of their "power". GRRM wrote the characters even weaker and more falliable than FS would, it seems, but even "buffed" - just like Radahn - they are still people, and just as susceptible to the faults that come with that.

[d8tl55c]

y ' a l l . it took me multiple weeks to start working on a pony town skin <- real <- i made SIXTEEN other ones before the one i wanted

so now you're gonna look at them :D

behold! i bring you: disheveled TCO & rehabilitated TCO

it was a long journey to get here and every freaking detail has some personal lore about it- so if you want to see some progress shots ive chronicled them below X3

ok so 💕✨\o_🎉

the original plan was to: 0. go for a cho post-Showdown and pre-Box 1. use my existing spacescug colors (so i wouldn't get overwhelmed and stop) to create interesting gradients with the black, 2. dress them in.......... WHATEVER seemed cool at the time, and 3. have fun.

SO! i did. ~

(fun facts: the spacescug is one of the 16 skins i crafted while anxiety-ing over ava/m (sometimes ill use it to SNEAK AROUND and admire people (pls say hi lol <3 )))

features. i went with the fluffiest hair i could find, a starry mask for privacy, a comfy sweater, and my two pride and joys: firetail and transparency-skirt.

see look look it's supposed to be showing the legs on the other side of the fabric :D :D :D !!! and, if you look close, it's discreetly distracting from the big shackle i added to the left hind leg. (if you look REALLY close, you'll see i drew some grass in the "hole" of the head. this is why im so excited about this i went ALL IN ;v;;;;) (transparency-skirt ruled as a concept, but in the end it didn't make it any further through my TCOs)

okay so then i spot this character.

i instantly fell in love with the way they did their head (never before seen by me), and was inspired to refine my own work a little,,, so i would fit in more with them when we hung out.

i tore the sleeves off of the cozy sweater, added a Rocket-Brand™-lookin collar, and retired transparency-skirt.

i enjoyed this version so much i didn't change it until fall rolled around....

in which, while re-doing my whole catalog of fav skins to match the new ground color, i changed like 7 entire pixels of the design which i am not going to waste your scroll bar with. <3

now it's getting real.

one day, i needed a break from a thing and decided to dev some more accessories. i had an idea to strap down the wings with one of the feather outline colors and a Waist item, and that quickly spiraled into changing several many, many, more things.

speed round! extra features include:

firetail upgrade! ++shiny

+detail on right hind leg: scars? a tracking device maybe?

aforementioned wing restraint

right cozy sleeve ripped further to install the

Rocket™ wristband: that can't be good

hair accents match accessories and each other better

Back Mane changed for ++disheveled points

Ear accessory added for ++disheveled points

Ear type changed for more fluff back there

and as you can see i bit the bullet and tried to make an homage to my new friend's head style, and i found that these closed eyes (left) look like frowny cho-eyes. :3

AND THAT WAS AWESOME. i felt great. stylish, even. i sat there with an extra 10% deduction to needless social anxiety in my new threads.

and i thought, huh. i've made this little guy suffer, mentally and physically, for fifteen outfits now. what changes if they escape The Situation? and heal?

i pondered this for a while, but i didn't get the boost to act on it until i met this MVP.

they taught everyone on that day cool and funny pony-making tricks! and they're sweet.

from them i was inspired yet again ☝

and this time, i mixed in EVERYTHING. slowly untying the ropes, healing the scars, repairing the hair. the glasses trick that TDL taught me to get the more expressive eyes. the colors and patterning i learned from making a troodon skin (another of the 16) to re-dye the hair and add a new layer of striped pattern to the clothes. yellow with the red so it nods to TDL AND represents more fire. thE SLEEVES ripped ALL THE WAY OFF!!! YEAAAH SHUCK THAT ANGST I MADE THE MARKS BASED ON HOW YOUR CURSOR INVERTS IN WORD

WHAT IF INSTEAD OF RETURNING TO GREYS THEY START DRESSING IN LITTLE EXPLOSIONS OF COLOR •-|,=-||-•|-',=•-|"/, |'['-•-|_|<,['- [,-|'"/,/_',= '////////

and

that's it.

except for ofcourse the :V s :3333333

SO THAT'S THE STORY OF THIS

WOW, haha, thank you for coming on this journey with me. if you know more about pony town than me i am so taking suggestions- i am still learning and having a great time doing it!

TOODLES 💕

[venomous-qwille]

So I'm hella interested to know who your faves are based off of the art and tiny lore bits that have been dropped over the last few months. It's my plan to do this poll again in another few months (once we are well into Act 1) and see how/if it's changed as we get further into the fic. If you do vote I'd love to know who/why in the tags!!

[dice-sociation]

Girls Who Don’t DnD

Quick Info

Audio Quality: High-Quality Audio, Effects, Music. (Occasional fan-submitted recordings)

Vibes: Throne of Glass, Doctor Who, Alice in Wonderland, Charlie and the Chocolate Factory, Princess and the Pauper

Extras: Patreon rewards, Discord Community with Book Club, and more!

System: 5e DnD

Campaign/ Show Length: Long Term Campaign

Average Episode time: 1.5 Hours (varies a bit)

Uploads 1 episode a month. 

Diversity: Majority Women

Platforms: Podcast, Audio Only. 

Number of Episodes This Review is based on: 30+ 

** If you want the TLDR, scroll to the bottom of the post **

Why Girls Who Don’t DnD?

How often have you said to yourself, “Man, I wish I could experience that for the first time again?” While we can’t reset your brain, you can live vicariously through the Girls Who Don’t D&D podcast. 

If you're looking for a podcast with relaxed gameplay, fantastic humor, great editing, and effects, you should read on to learn more. This wonderful adventure showcases the beautiful experience of watching three girls fall in love with Dungeons and Dragons (D&D). 

Starting the Pod

The podcast starts with Cory, the Dungeon Master (DM), explaining that he has invited three girls, Indy, Alana, and Stacey, who have never played D&D, into his world of Kalee with premade characters. If you, the listener, haven’t played before, you’ll learn a lot just from listening. Cory purposely doesn’t edit out explanations of how to play. I’m confident my experience was better because I was still learning to play the game myself as I started listening.

Right from the start you will hear how much work Cory puts into editing and pre-recording. He recruits people to voice-act for non-player characters (NPCs) or to play out memories or scenes. Some additions are just for the listeners, giving us a little extra information about the lore of the world. This includes the origin of magical artifacts, gods, and sometimes an NPC’s perspective that the players don’t get to hear.  It feels like listening to an audiobook and honestly, I think “booktok” would love Girls Who Don’t DnD. 

We learn that the three player characters, Freya, Kaa'Riin, and Morrigan, have lost their memories and need to recover them. The story and the discovery of who the player characters are and what happened to them work in tandem with the players themselves learning the game in a beautiful way. 

Power gamers and hardcore strategy? We don’t need that here. (Tosses book over shoulder). This group is made of story-tellers who usually choose to progress the narrative over strategy. At first, it's like watching Without A Recipe or the British Bake Off challenge where they have no clue what they are supposed to be making. This makes it all the more special when the players get more comfortable with the gameplay and more grounded in their characters. 

About the Team

Cory, "(who owns all the books but hasn't read them)"* completely absorbs the chaos the girls bring to the table and somehow also keeps them immersed in the story. He holds onto the rules of D&D loosely, letting his players use their abilities in different and unique ways. You still get full epic fights with no pulled punches, yet they feel more cinematic than the usual D&D grind. Outside of combat, Cory introduces challenging puzzles and encounters that present more opportunities for his players to think outside the mechanics of the game.

I adore Alana, Indy, and Stacy. I have some difficulty with telling their voices apart, but I never felt like that took away from my enjoyment of the show. Over time they develop their characters and have different play styles. They all have so much personality and bring their own flavor to the table. 

Indy, playing Freya the Rogue, has to be the most classic of first-time players, starting a little hack-and-slash happy, but eventually, she gets really into the strategy of the game. Freya is a cheeky scamp of a character and Indy leans naturally into the rogue class.  

Alana, playing Morrigan the Sorcerer, is usually the most sensible of the group. She is a leader in a way. There is so much more I want to say but I can't think of anything that isn't a big spoiler. Playing a sorcerer for your first time playing D&D is never easy, but Cory was able to ease her into the role and she runs with it.

Stacey, playing Kaa'Riin the Bearbarian (Druid with some Barbarian), has some epic combat moments. She can change from one animal to another without reverting to humanoid form, which deviates from traditional Druid rules. This decision, as well as other tweaks of the rules, help the pacing of the overall production. 

And sure, you're probably thinking their whole schtick is that they don't know D&D, so wouldn't it lose its charm after they get better? Absolutely not. Not even a little bit. This table is casual, silly, charming, and gripping. They make me feel like I am with my best friends playing our chaos gremlins together. 

A special shout to Mia Stegner (https://www.miastegner.com/) who composed and performed the opening and closing songs. It’s the cherry on top of this podcast sunday.

*Referenced from the Podcast Description. https://www.girlswhodontdnd.com/ 

About the world

“There is a saying among the good people of Kalee, when you know what is right, do what is right, and then deliver it all into the endless sea” From Episode 1: Throw it Into the Sea, Aug 16, 2021.

Cory presents a world both complex and informed by the player's choices and features some of the more bizarre parts of typical High Fantasy settings. 

There is just something so satisfying about learning the characters' backstories and how their stories are expertly baked in the many-layered cake that makes the world. Flavors include; wild magic, strange and whimsical characters, Evil Queens, “timey-wimey” stuff, super cute plans, snails, Gods, magic crystals, trapped souls, and Alan (the real star of the later episodes).

Extras

There are so many Patreon perks! You get behind-the-scenes talks, recipes from Indy, DMing tips, Lana's book reviews, and more! You can also join their Discord server where Cory is pretty active and they encourage community gaming and have a book club.

TL;DR: 

This podcast is about girls learning to play D&D using premade characters with amnesia. The girls learning to play parallels the story’s progression as they regain memories. 

Reliving the experience of learning to play for the first time all over again. 

Loosely follows the rules of 5e to keep the pacing up.

DM Cory recruits people to voice act for NPCs or to play out memories or scenes. Some additions are just for the listeners, giving us a little extra information about the lore of the world.

It's a little hard to tell the girls apart, but I don’t think it takes away from my enjoyment at all. 

Wild magic, strange and whimsical characters, Evil Queens, “timey-wimey” stuff, super cute plans, snails, Gods, magic crystals, trapped souls, and Alan. 

DM Cory presents a world both complex and informed by the player's choices and features some of the more bizarre parts of typical High Fantasy settings.

Special thanks to Artax of Who's Taking Watch for helping with editing!

No Context Gifs:

[theashesofthefirststar]

Genuine question: why do people argue that Gale couldn’t have known Mystra during his adolescence?

I made a Reddit post a week back discussing the relationship between Gale and Mystra and merely the implication that she revealed herself to him at a young age set a bunch of people off for (insert lore related reasons here). The thread got way too big and overwhelming for me to keep reading through, but the gist of their arguments, I think, was that the timelines didn’t line up. Not a timeline given in game, but the timeline created by the preexisting canon.

Which, okay. I think bg3 values thematic clarity more than it does making a 1 to 1 replica of the 5e canon, but it had been a while since I played act 1, so, I thought, maybe I misremembered.

Well, I’ve been doing a new play through and I finally got to the part when Gale reveals the story behind his arcane hunger, and i guess I was expecting something more subtle, but it’s actually more explicit than I remember. Does Gale look at the camera and say “Mystra groomed me”? No, but the implication of what he does say is pretty damning.

{paraphrasing} “I was a child prodigy. That’s what caught Mystras attention. She revealed herself to me and became my teacher. Later, my muse. Later still, my lover”. I guess you could interpret it as her becoming his teacher when he was already an established wizard/adult, but that seems like a really overly generous reading. Like, bordering on bad faith, because the sentence is structured in a way that’s meant to imply cause and effect. ‘My talent as a child caused Mystra to pay attention to me, which had the effect of her becoming my teacher’.

I know that bg3 is supposed to follow the canon of 5e, but some people were arguing she couldn’t have revealed herself to him any earlier than five years ago because (insert more lore reasons here) and that just isn’t the vibe he’s giving at all. it’s more likely to me that they made tweaks to the timeline so that it worked within the individual stories they were trying to tell.

I get that dnd super fans are going to want to defend the integrity of this world that they love. That’s fair. But I’d rather judge characters and relationship dynamics based on the themes of a story than how perfectly they align with pre-established world building.