#Popularity Of Satin Jackets

[thomsonsharon347]

Making a Splash in Satin Jackets Has Never Been This Easy!

Satin is a shiny material that drapes beautifully and comes with a soft, smooth touch. The shine is such that it offers every outfit a hint of luxury, making it perfect for people who love to go dressy. Now, coming with a certain vintage touch, the satin jacket has been crazy popular for the last; Continue reading to Make a Splash in Satin Jackets Has Never Been This Easy!

[solefoodbrand]

SFB Premium Virginia State University "I Know That Ain't Who I Think It Is" Satin Pullover (Duck Cam)

Satin inner lining

Duck Camo sublimation

ribbed collar

ribbed sleeve cuffs

Professional stitch tackle twill letters

2 side pockets

Jackets feature a wider fit than series 1 jackets (traditional) cut.

All sizes are unisex.

SOLE FOOD BRAND INFO

Sneaker Culture in its purest form: literature and the fashion that created it

 BLOG: http://solefoodbrand.tumblr.com/

Twitter: @solefoodbrand

Instagram: @solefoodbrand

Email: solefoodbrand@gmail.com

Sole Food Brand strives to provide the best possible shopping experience for all of our visitors. Below, we have provided some useful resources to help answer any questions you might have before making your purchase.

Returns and Exchanges

 Sole Food Brand is happy to accept returns/exchanges, only if the the wrong item is shipped. If your order is eligible for a return/exchange, the item(s) must be unused and in the same condition when received. The item(s) must also be in the original packaging. For any further questions regarding your return, please contact us. In order to expedite the return process, we will require your original order number. Once your return is received and inspected, we will confirm that we have received your returned item(s) via the email address provided at the time of purchase. At this time, we will also confirm the approval or rejection of your return. If approved, your return will be processed and the exchange item(s) will be shipped within 3 to 5 business days. If we make a mistake and send you the wrong item, then your shipping costs Refunds WILL be refunded.

Refunds

All sales at Sole Food Brand are final. Returns/exchanges are available, only if the wrong item is shipped.

Cancellation Policy

At Sole Food Brand we take pride in expediting the ordering process. To ensure this, most orders are processed and shipped within 24-72 hours of original purchase.

In the event you need to cancel your order, please contact us with the subject "ORDER CANCELLATION" as soon as possible. We will do our best to accommodate your request. In the event your order has already been shipped, a cancellation is not possible.

[gentandjerkpod]

SFB Premium Virginia State University "I Know That Ain't Who I Think It Is" Satin Pullover (Duck Cam)

Satin inner lining

Duck Camo sublimation

ribbed collar

ribbed sleeve cuffs

Professional stitch tackle twill letters

2 side pockets

Jackets feature a wider fit than series 1 jackets (traditional) cut.

All sizes are unisex.

SOLE FOOD BRAND INFO

Sneaker Culture in its purest form: literature and the fashion that created it

 BLOG: http://solefoodbrand.tumblr.com/

Twitter: @solefoodbrand

Instagram: @solefoodbrand

Email: solefoodbrand@gmail.com

Sole Food Brand strives to provide the best possible shopping experience for all of our visitors. Below, we have provided some useful resources to help answer any questions you might have before making your purchase.

Returns and Exchanges

 Sole Food Brand is happy to accept returns/exchanges, only if the the wrong item is shipped. If your order is eligible for a return/exchange, the item(s) must be unused and in the same condition when received. The item(s) must also be in the original packaging. For any further questions regarding your return, please contact us. In order to expedite the return process, we will require your original order number. Once your return is received and inspected, we will confirm that we have received your returned item(s) via the email address provided at the time of purchase. At this time, we will also confirm the approval or rejection of your return. If approved, your return will be processed and the exchange item(s) will be shipped within 3 to 5 business days. If we make a mistake and send you the wrong item, then your shipping costs Refunds WILL be refunded.

Refunds

All sales at Sole Food Brand are final. Returns/exchanges are available, only if the wrong item is shipped.

Cancellation Policy

At Sole Food Brand we take pride in expediting the ordering process. To ensure this, most orders are processed and shipped within 24-72 hours of original purchase.

In the event you need to cancel your order, please contact us with the subject "ORDER CANCELLATION" as soon as possible. We will do our best to accommodate your request. In the event your order has already been shipped, a cancellation is not possible.

[cuntressgoingdigital]

needed a break from writing serious things, so here's more mma! abby x model! reader shenanigans - pt 1 if you care

cw: alcohol ment., minor nsfw

srry this is pushing 1k i got a lil too excited

☆ being one of the hottest celebrity couples, you get invited to the met gala. this is by no means your first time in attendance. not by a long shot. you were expecting the call from your agent about the guest list, but this time she tells you abby is invited to come along. abby is hesitant about the whole ordeal, but ultimately concedes after weeks of begging. 

what you (purposely) failed to mention is that there are a million and a half fittings that she had to suffer through before the day came. she was a fighter, not a model. she didn’t even take fashion seriously until you started dressing her. this was her personal hell. 

when the day finally came she was antsy sitting through the hours long hair and makeup process. if you hadn’t been there to take her mind off of everything, she definitely would’ve left in a huff. 

“how the fuck do you do this all the time?”

you shrugged. “i love hair and makeup! are you not having fun?”

“absolutely not.”

her attitude changed the moment you two stepped on the red carpet. abby was dressed in a deep cut off white suit jacket embellished with silver flower detailing along the sleeves and hem. the pants were made of white satin, matching the train that sat beneath her jacket. somehow, the hairstylist had tamed her long blonde hair into a slicked back bun with the hair atop her head falling in ringlet curls. this was one of her first times wearing makeup to an event, the both of you wearing marie antoinette inspired looks, dramatic eyes, heavy blush, and lipstick in the shape of a heart. 

you’d trained her on how to pose, when to pivot her head for different cameras, and how to answer interview questions. like a lost child, she didn’t let go of your hand the entire time. your matching emerald jewelry caught the camera flashes with every snap of the shutter. 

as you moved along the carpet you gave her reassuring whispers with every step. 

“you’re doing perfect. i love you so much.” 

she was trying so hard not to stare at you the whole time. she couldn’t give less of a fuck about everything going on around her, she was in constant awe of your beauty. you two had been strictly instructed not to kiss each other or touch your makeup in any way, but if you’d been allowed she would have in that moment. 

one of the interviewers approaches the both of you. you had seen her in years past, so you had already established a rapport. 

“abby, how does it feel to be at your very first met gala?”

she awkwardly chuckles. “you know, i never expected to be at an event like this. i’m just happy to be here with my beautiful girlfriend.” 

there were many screencaps of that interview of abby looking at you longingly. the pictures circulated with different variations of ‘how i look at my girl when she–’ captions.

that night, once the professional photos went live on social media, you reposted one of them on your story with the caption

she looks so good i should get her pregnant

☆ you’re invited to a couple’s interview with a popular media journalism group. you’re answering questions about each other to see if the answers match up and it starts to get unprecedentedly competitive. both of you are sore losers and contest each answer. 

“what do you mean you spend most of your free time reading?” you were absolutely not having it. “all you do is workout! we had to put a little chair in our gym so i can sit with you while you’re in there.”

abby huffs. “i don’t count that as free time. that’s my job.”

you wanted to argue back, but unfortunately she had a point. 

when the interviewer asked “who does more chores around the house?” god you would’ve thought she was trying to instigate world war three. for the next five minutes (all of which were cut out of the video) you went back and forth about who was right. the argument wasn’t out of malice, but neither of you wanted to be wrong. 

☆ in a recently posted photo from one of your friends while on vacation, fans point out that your middle and ring fingers are lacking the acrylic set on the rest of your fingers. 

one fan tweeted : oh so they’re GAY gay

you quote retweeted with: hell yeah we take this gay shit serious…some of us like to go acoustic every now and again

☆ the closest thing to a controversy you had gotten into was at a celebrity after party. you admittedly had gotten a little too drunk and a man referred to you as “that drunk bitch”. so of course you rip into him. abby is near the bar, but was able to filter out the music to hear your voice from across the room. she rushed to your side and asked what happened. you’re still screaming and incorrigible. once abby gathers the summation of the argument, she steps in between you and the man. everyone is expecting her to try and defuse the situation, but she joins in. 

“what the fuck did you call my girlfriend? are you fucking serious?” 

unbeknownst to either of you, the whole ordeal is being recorded. 

“dude, get the fuck away from her or i will embarrass you in front of everyone.”

the man seemingly catches the hint. no sane person would risk being in a physical altercation with one of the best ufc fighters on the scene right now. 

you leave pretty soon after that and you’re immediately all over her in the car. between kisses you tell her “that was pretty hot.”

you have some of the best sex of your life that night.

i refuse to ever write descriptions of reader's outfits bc like.....what if you don't like the outfit i picked? use your imagination

tags: @modedelagauze

[inky-duchess]

Etiquette of the Edwardian Era and La Belle Époque: How to Dress

This is a new set of posts focusing on the period of time stretching from the late 19th century to the early 20th Century right up to the start of WWI.

I'll be going through different aspects of life. This series can be linked to my Great House series as well as my Season post and Debutant post.

Today will be focusing on the rules of clothes with this time period.

A Cut for Every Occasion

As you may know, the wealthy elite and their servants lived extremely regimented lives and every aspect was governed by careful rules. They would be expected to wear the right outfit at the right time, every minute of the day. Any misstep would be noticed at once and be subject to scruntiny.

In the circles of the elite, one would be expected to change for every occasion. One simply wouldn't wear the same outfit they've been lying around the house in to attend tea at somebody's house. Fashion in this era was dictated by the clock and by the event diary of the wearer.

Ladies

Women of the upperclass would be expected to change at least six times a day. When she would rise for a morning of repose around the house, she would simply wear a house gown or a simple blouse and skirt. If planning a morning stroll, she would change into a walking suit which is a combination of blouse, skirt and jacket along with her hat usually of tweed. If running errands or paying a visit to friends, she would wear another walking suit. If riding, she would wear a riding habit and a hat. If hosting tea or taking tea in her own home, she would change into a tea gown with is a lighter more airier gown more comfortable for chilling in. If attending a garden party, one wears a pastel or white formal day gown accompanied by a straw hat and gloves. For dinner, she would change into an evening gown which would be more elaborate and show off a little more skin than her day wear. After dinner and ready for bed, she would change into her nightgown.

Female servants had an easier time of it. A housekeeper and lady's maid would simply wear a solid black gown for the entire day. A cook and kitchen maids would wear a simple day dress for working with an apron. Housemaids would usually wear a print dress with an apron and cap, changing into the more formal black and white attire you would associate with a maid.

Gentlemen

The gentlemen had an easier time but they too were subject to changes throughout the day. Men were expected to wear a suit. The most popular day time suit was a sack suit. These were comprised of plain and loose fitting jackets, worn over a starched shirt with a high collar, waistcoat and straight trousers with ironed creases. These suits were exclusively wool with cheaper ones made of a wool and cotton blend. Grey, green, brown, navy were usual but sine younger men preferred louder colours such as purple which was a trend for a time in the 1910s. These suits were worn about the house or in the city accompanied by a coat. Men would change into tweed if shooting or walking. For garden parties, a gentleman would wear a light coloured suit, usually white and a straw hat. For dinner, a man had two choices: his tails or his dinner jacket. A dinner jacket was for less formal suppers say if dining at home. This was a collection of a jacket, trousers, waistcoat, a bow tie, a detachable wing-collar shirt and black shoes. Lapels of these jackets were edged with silk or satin. Tails were worn at a formal dinner party, at White Tie events. This was made up of a tailcoat, white piqué waistcoat, a starched dress shirt with a pique bib and standing wing collar with a white bow tie. Trousers were lined with trim to hide the seams.

Male servants were soared changing. Footmen would wear their livery around the clock which would resemble white tie to a certain extent or mimic court dress of palace servants. Butler's would wear a variation of a gentleman's evening suit throughout the day. When a male servant is dressed, he usually stays that way. However, a valet or a footman may be taken to pick up during shooting parties where they would wear tweed walking suits.

Jewellery

Jewellery was an important sign of status in society. Upperclass women of this time has access to untold caches of sparklers but there were rules concerning their use and meaning. Earrings were usually clip ons as women of high status would not pierce their ears. Simple, understated earrings were worn during the day with more ostentatious sets were worn in the evening time. Broaches were popular at this time, usually worn at the throat of a gown or blouse or walking suit or affixed on hats. Large stoned rings were worn over gloves while slender bands were worn under. Jewellery was intricate and understated amongst old money whole the nouveau riche went for chunkier stones and larger settings. Tiaras were only worn at White Tie events, held after six pm and almost never by unmarried girls. One would not wear a larger tiara than that most senior lady present. Men would wear tie pins, cufflinks and pocket watches to match any occasion be it for a jaunt on the town or at a formal evening party.

Hats

Hats were a staple in this period. Anybody respectable from any class wouldn't venture out of the door without a hat.

Men would wear hats when heading out but always remove them when entering a building, and never wear one without removing it for the presence of a lady. The bowler was seen as more a servant's headwear while a top hat was reserved for gentlemen. Flat caps would be only seen on gentlemen at shooting gatherings or in the country, they were popular among the common class for any informal occasion.

Women had more stricter rules concern hats. Hats for women were more a day accessory worn while out and about. A woman would not wear a hat in her own home even when entertaining and nor would any of the other female occupants if joining the gathering. A woman would not remove her hat when attending a luncheon or tea or any activity. Hats were held in place by a ribbon or sash tied under the chin or by a hat pin, which is essentially a large needle thrust through the hair. This was the period where women's hats became more ornate and rather large, leading to some critisism. Among servants, housekeepers and lady's maids would not wear a hat while indoors and working but a housemaid or cook or kitchen maid would cover their hair with a cap with housemaids changing into a more elaborate one come evening time. Male servants would not wear hats unless travelling or outdoors.

Gloves

Gloves are a staple in this period and worn only at the opportune time. Among servants, only footmen would wear gloves and usually only when serving. Butlers would never wear gloves. Female servants did not wear gloves.

Men did wear gloves, usually woollen or leather while outside or riding gloves when out on horseback.

Women wore gloves whenever outside. Day gloves were usually wrist length, with evening gloves stretching to the elbow. During dinner, evening gloves would be removed at the first course and laid across the lap, replaced at the last course when the ladies leave for tea and coffee after where the gloves are then removed again. Gloves are always worn when dancing and at the theatre or opera. If one is sitting in ones box and sampling some chocolate, one can remove their gloves for that.

Hair and Makeup

Make up was a no-no amongst the upper crust and for their servants in England and America, as it was seen as licentious but in France, the use of rouge was accepted. Perfume and cologne were acceptable but excessive use was frowned upon.

Hair was dressed by one's lady's maid. Bouffant updos were popular in this time period for married women. During the last years of this period, women began adopting the 'bob' but this was seen as radical and sometimes scandalous. Unmarried girls could wear their hair down, often with accessories like a bow to adorn their tresses. Servants would always tie up their hair and never be seen with it down or uncovered (though this depended on their job).

Men would comb their hair, slicking it back for dinner. Most men were clean shaven but if they wore beards, they were usually well groomed. Hair was kept short for grown men and teenagers but young boys may wear their hair longer whilst in the nursery.

[fashionsfromhistory]

Crocheted Evening Dress

Kostio de War

c.1938

Capitalizing on a broader enthusiasm for hand knitting that emerged in the mid-1930s, [Kostio de War] became famous for her unique hand-knit and crocheted evening gowns. Initially, she explored the idea in chenille thread, pairing sheaths in “loose, large mesh patterns” over slips of “lacquered satin,” as Women’s Wear Daily described in 1935. A sometimes enthusiast for surreal touches, she competed briefly with Elsa Schiaparelli for headlines, particularly when the latter also introduced several hand-knitted pieces in her winter 1935 collection. The U.S. press, however, found several distinct virtues in the elegantly practical garments made by Kostio de War: the dresses could be easily rolled up for travel and resisted wrinkling, while her heavier knitted metallic evening jackets could quickly dress up a simple dinner dress. In 1937, Paris-Soir reported on the popularity and practicality of knitted garments for sport as well as for evening wear, writing, “The more we lead busy lives, the more precious handmade goods become.” They announced that Mme. Kostio de War had recently unearthed in central Europe an amusing book from about 1830 containing instructions for a variety of unusual historical stitches, which she had used in crafting her latest collection: “For evening, she has created with threads of copper, steel, [and] platinum, gowns of the most rare sumptuousness.” In 1938, Denise Veber of the French paper Marianne called these “miracle” evening gowns of gold or silver very simple, but nevertheless of an almost magical (féerique) appearance. (Cora Ginsburg Auctions)

Cora Ginsburg Auctions (2020 Modern)

[hydrobunny]

 jump then fall (into me)

tags: fluff, established relationship, insecure reader, comfort, reo reo reo reo reo reo, lots of dialogue actually, they're drinking age, listen to jump then fall !! word count: 1.2k

“do you ever regret us?”

reo mikage jolts from his seat at his computer. the expression he fixes you with as he turns around is almost comical, all wide eyes and horror.

you can’t find it in yourself to laugh.

“what?”

you shift nervously. the satin sheets underneath you bunch awkwardly. “you know. getting together- staying together.”

he rises immediately, emails left for a later time. “what happened.” the words themselves should be a question, but his stiff tone doesn’t make it one.

you sigh, falling back on to the bed. although it’s only been two nights since the two of you checked in to this particular hotel, the bed already smells of reo’s expensive shampoo. “i dont know. sometimes i feel like i’m holding you back.”

his weight sinks into the mattress. “how the hell would you hold me back?”

you drag your hands over your face. “you’re just- you’re so you. heir to billions of yen, future ceo, hotshot football player, and you’re just barely in your twenties. shouldn’t you be out there in the wild getting into scandals every week? but you’re always just... here.”

“y/n.” even through tightly shut eyes, you can feel reo’s intense gaze on you. “is this really because you think i want to be out there making a fool of myself?” his hand gently brushes over your hair. “also, why would i get into scandals when i have you?”

you roll away with a groan. “it's not that. just- shouldn't you have had more relationships than just me? you know, all the first meetings and awkward flirting and shit.  you were popular as all hell in high school, but somehow you’re still with me? isn’t it boring?”

his hand freezes, and you feel a small inkling of guilt bleed through your heart.

after a long moment, reo rises from the bed without another word. He grabs his jacket from the chair as he pads out of the room, away from you.

you shove a pillow over your face and fight the urge to scream, sigh in relief, suffocate yourself, anything.

twenty minutes later, when you’ve reached a point of contemplating if those roses in the hotel vase are fake- (they’re in water, but you swear they smell exactly like those essential oils in scented candles)- your phone vibrates from its place on the desk.

you reluctantly lift yourself up, sliding your feet into your waiting fluffy slippers. reo’s computer is still turned on from before he left, some fancy computer program steadily running. you spot a hint of a message thread with nagi before you tear your eyes away.

the notification is from your messages, from none other than reo 🦎💜 himself.

the message itself is pretty short, unlike the usually wordy messages reo sends you consistently throughout the day.

come down to hotel bar. look nice

it takes you some time to actually comprehend the message, more than a few seconds spent blinking at it blankly.

and then you’re immediately digging into your suitcase for anything considered “nice.” honestly, did reo expect you to be able to procure outfits without any hint of the dress code? was he expecting family dinner or clubbing?

and what the hell was even with this request anyway? you were pretty sure your boyfriend had a business meeting in barely forty minutes, and it’s not like you two had ended your conversation on good terms.

either way, you settle on something in between wholesome and provocative, a pretty flattering cocktail dress you hadn’t really even planned on bringing. after a moment of contemplation, you leave your hair down, sliding in a pair of glittering earrings.

honestly, you weren’t even sure why you were trying so hard.

but when you arrive at the bar some minutes later, reo isn’t there. in fact, there’s no one there except for a stiff bartender slowly wiping down a glass. you hesitate from your place by the doorway, shooting off a here. dont see you? message.

he leaves you on read.

it takes you another six minutes of disbelief before you finally walk into the bar, and then it’s a short two minutes of fuming before you call for your first drink.

throughout it all, you see no hint of anyone; no reo, no drunk couples, no rich guests, no one. it would actually be kind of creepy if you had it in yourself to look around or care, but you really don’t.

ten minutes later, it’s when you’re nursing your second drink of the night ( a daiquiri that honestly is not getting you drunk fast enough ) that you hear another human voice.

“haven’t seen you before, pretty. can i pay for that drink?”

your mood immediately plummets as you turn with a scowl, ready to tell whoever it is enough curses to- oh.

reo smirks at you, flashing his card towards the bartender. you stare at him in disbelief. he’s in a completely new outfit from when you saw him last, something that is definitely not appropriate for his upcoming meeting. he has a leather jacket on, for gods’ sake!

“what the fuck are you doing?” you manage to say, realizing that you’re supposed to be mad at him. “do you realize how long i’ve been waiting?”

he pointedly doesn’t respond. “another round please, for me and the lonely lady!” he says before turning back to you. “so. what brings a girl like you here?”

you literally have no idea what he’s doing. you open your mouth to respond - with what, you couldn’t say- but then reo winks at you, quick enough that you barely notice.

the words fall out of your mouth without you even realizing. “what’s it to you?”

he hums, looking you up and down. “is it wrong to want to comfort a clearly sad stranger? come on, spill out all your secrets.”

you fight the urge to smile. “well, if you say it like that…i guess i’m trying to heal my broken heart.”

he responds a beat too late. “really? what idiot broke your heart?”

“no, i was the idiot,” you sigh, looking back towards your glass. “i was a bitch for no reason. got too caught up in my head, you know?”

his hands fly to yours. “i do know. and i’m sure your idiot knows as well. in fact, if i was the guy in question, i would have told you that nothing you can do would hurt me. that any time spent with you is infinitely better than time spent with any other women.”

you meet his eyes and smile. “and if you happened to be that guy, i would probably kiss you right then and there.”

reo swallows, hard. “yeah?”

you lean toward him. “too bad you’re not him.” you stand from your seat, grinning at how your boyfriend sputters instantly, almost knocking over his cup.

your shoes click clack a rhythmic beat onto the hotel floor as you head back toward the elevator.

seconds later, reo’s familiar form bumps into you, arm linking around your waist.

“i think that was first date was awkward enough, yeah?” he says breathlessly.

you lean further into him. “it was perfect. but i think i prefer my boyfriend.”

“good thing you’re looking at him. which means..”

you laugh, stopping. “which means this.”

you tiptoe upward and finally kiss reo. he tastes like watermelon chapstick and expensive rum.

// bonus//

“hey, reo?”

“yes?”

“did you rent out that entire bar so we would be alone?”

his silence is response enough.

I loveee reblogs and comments !! <33

[resplendentoutfit]

Edwardian Fashion: A Brief Overview

The Edwardian era (1901-1914) is the last period in British history to be named after the monarch who reigned over it. Although Edward VII reigned from 1901 to 1910 to be succeeded by George V, the Edwardian period is generally considered to have ended at the outbreak of the First World War in 1914. The Edwardian age was known for the excesses, elegance, and strict social rules modeled by the wealthy.

The era's fashion was characterized by expensive fabrics and trimmings, and a mature, distinguished look. Some notable features of Edwardian fashion include: Corsets and long skirts were still common, and women often wore high collars during the day. Evening gowns featured silk satin fabrics, empire waists, and column silhouettes, and were often embroidered with beads or lace. The Gibson Girl style was also popular, featuring embroidered blouses, shirt collars, and waists worn with ties or cravats.

The Edwardian silhouette was that of the S curve – a shape that pushed the hips back and the bust forward, exaggerated by floppy blouses that hung over the waist at the front.

Lingerie style dresses were the preferred attire of tranquil femininity and upper-class lleisure.

Widely caricatured in newspapers and propaganda throughout the 1890s and 1900s, the New Woman was denounced for adopting more masculine styles of dress such as tailored jackets, and bloomers or 'bifurcated skirts' for cycling – not to mention her implied sexual freedom and shockingly masculine habit of smoking.

Dramatically large hats such as this one that almost covers two heads, were seen everywhere in the Edwardian era.

The S silhouette was achieved with a corset that put less pressure at the waistline by pushing a woman's chest forward and her hips back. Also helping the look were dress tops and blouses that were looser than Victorian clothing previous was.

[chic-a-gigot]

The Delineator, no. 4, Vol. XLVIII. Autumn Number. October 1896. Published by the Butterick Publishing Co. London & New York. Colored Plate 18. Figures D39 and D40. Promenade Toilettes. Internet Archive, uploaded by Albert R. Mann Library

Figure D 39. — LADIES’ STREET TOILETTE.

Figure D 39. — This consists of a Ladies’ jacket or blazer, a vest and skirt. The jacket pattern, which is No. 8669 and costs 1s. 3d. or 30 cents, is in thirteen sizes for ladies from twenty-eight to forty-six inches, bust measure, and may be seen again on page 437 of this publication. The vest pattern, which is No. 6398 and costs 1Od. or 20 cents, is in thirteen sizes for ladies from twenty-eight to forty-six inches, bust measure, and is shown again on its accompanying label. The skirt pattern, which is No. 8643 and costs 1s. 3d. or 30 cents, is in nine sizes for ladies from twenty to thirty-six inches, waist measure, and may be seen again on page 445 of this number of The Delineator.

Fawn faced cloth is here pictured in the jacket and cream-white cloth in the vest, both garments being finished with machine-stitching. The skirt is made of wine-colored zibeline. The jacket or blazer is here worn open and made with rounding lower front corners, but it may be closed at the bust and have square lower front corners, if preferred. Side-back and under-arm gores and a curving center seam render the jacket close-fitting at the sides and back and extra widths underfolded in box-plaits below the waist produce the popular outstanding ripples. A broad sailor collar that is curved to form three points at the back extends below the bust and shapes a point on the front of each sleeve. The newest effect is seen in the one-seam leg-o’mutton sleeves, which flare in puff style at the top and fit closely below. Pocket-laps having rounding lower front corners give a natty finish to the loose fronts; they are completed with machine-stitching to accord with the edges of the jacket and collar.

The low-cut vest is close fitting and is fastened at the center with buttons and button-holes; with it is worn a striped percale chemisette having a white linen Piccadilly collar and a black satin band-bow.

The six-piece skirt is made with a straight back-breadth and has straight edges that meet bias edges in the seams; it falls in flute folds at the sides and back and flares stylishly at the front.

Pleasing effects may be attained in the toilette by the association of harmonious colors and materials. The most successful jackets, in point of fit and style, are made up in this manner of broadcloth in either light biscuit shades or in the deep, rich Autumn tints of dahlia, green, mulberry, chestnut and wood-brown and various shades of blue and gray. Machine-stitching is the usual finish, although the trim self-strappings are not at all in disfavor, being, in fact, preferred by many fashionables. An inlay of black silk was added to the collar of a jacket made from green mixed cheviot to accompany a black vest and a green canvas skirt. For the skirt, the new camel’s-hair, serge, heather mixtures with their artistic commingling of subdued colors and broadcloth are suggested.

The brown felt hat is stylishly trimmed with ribbon, lace, feathers and flowers.

Figure D 40.— LADIES’ COSTUME.

Figure D 40. — This illustrates a Ladies’ costume. The pattern, which is No. 8658 and costs 1s. 8d. or 40 cents, is in thirteen sizes for ladies from twenty-eight to forty-six inches, bust measure, and may be seen in four views on page 414 of this number of The Delineator.

Canvas wool suiting and velvet are associated in the costume in this instance, and a ribbon stock and pipings of silk and small buttons add refined and elegant decorative touches. The basque, which is closely fitted by double bust darts and the usual seams, is in rounding outline in front, where it terminates at the waist, while at the back and sides it extends in a short skirt that is shaped to stand out in stylish, rippling folds. Gracefully tapering revers extend down the front at each side of the closing and impart a dressy effect to the waist, being slashed to form two tabs over each sleeve ; the tabs are trimmed with small buttons and the revers are prettily piped with silk. The one-seam sleeves flare in leg-o’mutton puffs at the top and fit the arm closely below; they are completed with pointed, flaring cuffs that are piped with silk. A ribbon stock covers the standing collar and is stylishly bowed at the back.

The seven-gored skirt is gathered at the back and possesses the grace and elegance characteristic of the newest styles. At the sides and back it ripples fashionably and at the front it flares broadly.

The new rough-surfaced goods—canvas wools or boucles—will make up stylishly in this manner, and the novel zibeline wools belonging to the camel’s-hair family are also commended, as well as faced cloth, with velvet for the small accessories and pipings of silk and small buttons for decoration. A ribbon stock is quite essential to a dressy effect and there are so many methods of arranging and trimming this fashionable bit of lingerie that no suggestion of sameness is ever given by its use.

The hat is trimmed with bright rose ribbon having a velvet edge, and a fancy buckle in front is chic and pretty.

[octuscle]

Hey, could you help me ? I've had the weirdest thing happen to me, and I don't know who to turn to...

See, yesterday, after going to bed a bit early since I was tired, I didn't wake up in my bed... but rather on a rather fancy couch in, you know, one of those modern cubic manors the other side of town... Worse still, there was visible traces of alcohol, and even other people sleeping in the living room I was in, all of them young popular-looking guys and girls... It looked like the aftermath of a party, yet I don't drink alcohol, I'm not sociable at all, I'm not fashionable and I hate parties !

Although I was able to leave without being noticed, I'm still unsure of how in hell I ended up over there. So, could you help me understand what happened ?

The next morning is even stranger. You're lying naked on silken sheets in a huge bed. Your body nestled close to a young man with the body of a Roman god. Your hard-on is downright painful! Until you realize that this is not a dream. You slide off the bed, gather up your clothes and tiptoe out of the room and out of the house. Shit, traces of a party everywhere… This is what you imagine a modern version of the great Gatsby to look like. You get dressed on the lawn in front of the house. The expensive Hanro underwear isn't really yours. And although you can unlock it with your face, the brand new iPhone isn't really yours either. Something strange, something very strange is going on here!

During the day, you receive a whole series of messages from people you don't know, but whose contact details all seem to be saved in your address book. I wonder if you're meeting for an aperitif before the party today. What you are going to wear. Whether they should give you a lift or whether you should take a cab. You're sitting at your desk, processing claims and wondering what's going on. Should you answer? Should you ignore things? You decide to ignore it. At some point you call it a day. On the way home, you grab something from the Vietnamese restaurant. And eat it in front of the TV.

This time you wake up on a lounger by an impressive pool. At least you're not naked this time. You're wearing a golden thong. And you have no idea where your clothes are. Only your cell phone is lying on the floor next to you. So what? There are plenty of clothes lying around. From different people. None of it is yours or even your style. But you can't walk around naked. So you're waiting for a cab in a satin suit and sandals and you feel incredibly ridiculous. Until you find your wallet in the inside pocket of your jacket. Well, at least a wallet with your ID and driver's license. It's from someone who looks different from you, but who has your name on it. What the hell is going on here?

After a shower, you stand in front of the mirror in your apartment. Your skin looks darker somehow. You somehow look fitter. You just look different. Your phone reports that people are liking and commenting on your latest Instagram posts. You don't even have an Instagram account. You're late for work. You have to turn your phone off because it won't stop vibrating with incoming messages. Your head keeps vibrating. You get a migraine. You call in sick. You have to go to bed.

Damn, that was the best party in a long time! Shit, you've blacked out, you've overdone it again. Thank God it's only a few meters to your house. You can only hope that you don't have any appointments tomorrow morning that you've overlooked. And if you do, your manager will have to take care of that. You need to throw up now and then get some sleep. And tomorrow the party will be at your house. You have a reputation to lose as a host and as a party animal. Give it your all!

[mamadoc]

The next chapter of my most popular story, Catch of a Lifetime, is posted. Lucy and Tim *finally* make it to their first date!

Here’s how it starts:

At 6:02 Lucy heard a knock on her door. She and Jackson had rushed home, and she barely had time to change her clothes and curl her hair, but she was ready.

“Sorry I’m late,” were the first words that fell from Tim’s mouth as the door started to open. It’s a good thing he was ready to say them, because once he saw Lucy, his mouth became dry, and all other thoughts were erased from his mind.

Lucy was wearing the green dress she had purchased a couple weeks prior when she had a girls’ day with her friend Rachel. It was a deep, emerald green satin dress with a v-neck that came down just to the edges of her breasts. The skirt dress extended down to her ankles where it flowed like water around her legs with a slit or two that occasionally allowed her muscular legs to show through. Her hair was curled into long, loose waves that she had partially pulled back. She accessorized with a simple gold St. Michael pendant that the West family had given to her, small gold hoop earrings, and her favorite oval moonstone ring.

“Come in,” she said. Then she laughed softly and said, “You’re not late, it probably took you those two minutes just to come up the elevator.”

“If you’re not early, you’re late,” he replied when his brain started functioning again.

“Ah. There’s the control freak again,” she sing-songed.

Tim rolled his eyes and decided to change the topic. “You look absolutely beautiful.” Then he suddenly remembered the flowers that were still in his hand. “These are for you.”

“Thanks,” she said. Lucy let her eyes wander up and down his frame. He was wearing black slacks with a matching black suit jacket. Underneath the jacket was a dark gray button-up shirt with the top two buttons unbuttoned. As she leaned forward to take the flowers from him, she popped up on her toes to give him a kiss on the cheek. “You’re looking very handsome yourself,” she said. Then she giggled for a moment. “Particularly since you running the bases at Dodger Stadium less than an hour ago.”

Tim smiled. “I try.”

Lucy grinned back at him. “I’m fairly certain it would be impossible for you to not look breathtakingly handsome regardless of what you wear,” she said as she was looking for a vase. Finding one that would work, she stretched, wiggling her fingers while up on her tiptoes to reach it.

Tim came behind her and easily took the vase out of the cupboard. “Hmm… Quite the compliment from a woman that has made me speechless more times than I can remember. You just seem to get more beautiful every time I see you.”

They moved together to the sink where Lucy filled the vase with water and trimmed the roses’ stems. “It is oddly satisfying to break your brain every once in a while.” Then she paused for a moment, tilting her head to the side. “Do you think that will wear off as we spend more time together? That I won’t be able to stun you the way I have?”

Tim was standing right behind Lucy with both hands on her waist. Lucy could feel the rumbling of his voice against her back and the warmth of his breath next to her ear when he spoke. She felt that familiar tingling feeling spreading from her waist to her entire body. “I guess we’ll have to wait and see, but I can’t imagine a situation in which I don’t think you’re absolutely gorgeous.”

Lucy turned her head just slightly toward him. “Even when I wake up after a sleepless night and my hair looks like a small animal made a nest in it?”

“I’m sure I’ll love that bedhead look of yours. Especially if I was the cause for the sleeplessness.” He whispered the last part into her ear and then started kissing down the column of her neck.

Lucy felt a shiver go down her spine. “Okay. What if we’re out on a hike, and I fall into a big mud puddle and tear by pants?”

“Still beautiful,” he mumbled into her collar bone as he continued to kiss her.

“What if I have a stomach bug, and I’m pale and sweaty and have spent hours bowing to the porcelain throne?”

“Then I sit there with you and hold back your hair. I’ll wash off your face and cool you off with a soft washcloth. And you’ll still be beautiful.” He had reached her shoulder and then started kissing back toward her neck.

“What if I’ve had a rough day at work, and I come home covered in scrapes and bruises?”

“Come home?” he repeated in a whisper right in her ear. “If you’re coming home to me, then I’ll be the luckiest guy in the world. I’ll kiss every scrape or bruise, and you’ll still be the prettiest woman I’ve ever met.”

Lucy put the last rose into the vase. The two dozen red roses towered over the tulips and daisies he had brought earlier, but they were each associated with equally happy moments for Lucy, and she loved having this physical reminder of the time they had spent together. She turned around to look at Tim. He kept his hands on her waist as she twisted. She smiled up at him, studied his face for a moment, and then asked him a question that had been on her mind for a full three weeks. “You could have almost any woman you wanted. Angela has mentioned a few times that hundreds of women have thrown themselves at you. Sooo… Why me? There’s nothing special or particularly interesting about me. There are plenty of thinner or fitter or more beautiful or smarter or more… basebally women out there. Why me?”

Tim looked deeply into her eyes, and then breathed out her name. “Lucy… The answer to that may take more time than we have, but I think you are the most amazing woman I’ve ever met.” He moved his hand to cup her cheek and stroked it gently with his thumb. “You’re very interesting and special. Beautiful. Smart. Strong. Caring. Athletic. Kind…” With each word he planted a tiny kiss around her face. “And… Distracting,” he said with one last kiss on the tip of her nose. “We’ve gotta go. I love spending time with you here, but I have plans tonight.”

Lucy’s eyes fluttered back open as she felt him move away from her. He had practically kissed and complimented her into a trance. As her eyes started to focus again on the stunning man standing in front of her, she shook her head a couple times and took a deep breath. Blowing out the breath, she said, “Yeah. Right. Plans.” She stepped over to where she had set down her clutch purse. “Any chance you’re going to tell me what we’re doing now?”

“Not a chance in the world. Let’s go,” he said while putting gentle pressure on her lower back.

Read more here: https://archiveofourown.org/works/51183676/chapters/137827918#workskin

[professorpski]

Peachy Keen: Evening Ensemble by Christian Dior, 1950s

This lovely ensemble is part of an upcoming auction on September 20th, 2023 at Augusta Auctions which specializes in vintage fashion and textiles. The color alone makes me sigh as I am soooo tired of black for evening wear and I am always charmed by the way silks catch the light. This color silk satin will make the woman wearing the cocktail dress and short jacket simply glow.

This is a clever way to pair a strapless dress with a jacket that keeps the neckline bare, but still allows a bit of coverage or of warmth when you want it. It has the clearly marked waistline that was so popular in the 1950s, coupled with the pleated skirt front and back that allowed a woman to worry a bit less about the size or her hips. And the pleats at the front of the bodice, paired with darts, help balance out the hour-glass silhouette then preferred.

The dress has a separate belt made of the same material which closes with a hook and eye. I have come to think that making matching belts for dresses, whether evening or day dresses, is the easiest way to finish them off. It avoids the sometimes fruitless fishing around your belt collection for something that harmonizes or matches. The large bow on the belt was created beforehand--in fact, almost all such bows attached to dresses were created beforehand from what I can tell--which saves the wearer trouble and the fabric wear and tear. This one probably has interfacing within it to keep that nice, large spread. These are practices well worth adopting when you want a decorative bow.

Augusta Auctions tells us that the dress is "lined in silk organza, boned bodice & interior construction typical of Dior couture." Partly this was to create the shape of the dress and partly for the convenience of the wearer. When an evening dress was custom made, the mark of haute couture, a woman did not usually have to search around for the right strapless bra to wear underneath it; the dress itself contained what amounted to a bra. Interestingly, the label tells us this dress was not made in France but in England and then it was sold by a Canadian retailer which tells you how easily Paris fashions crossed the Atlantic at a time when that city was still the center of all western fashion.

You can see this and more of the sale here: https://augusta-auction.com/auction/85

[valentinesparda]

redesign breakdown because I'm insane:

i lessened the amount of color they wear to show that they are being drained of life by haures, but also the designs in dmc5 in particular are kind of simplified and grounded in reality - with the exception of vergil

the characters are not monotone per se but they do only function off of two or three colors per character, plus accent color, so gabe is still associated with purple but they wore more of it when they were younger

did away with the chaps simply because lady also wears them and gabe and lady already share design similarities

glammed them up more though in a horrific peacock-esque brag of "im kind of rich now so I might as well dress in couture runway fashion" which is why I almost put them in plaid

their skirt is a split skort, the tie is technically satin, and the belt buckle is one thing that has remained consistent across their designs as a callback to the very first iteration of my DMC self insert and technically is a cursed object, but gone is the gold talisman they wore around their neck that purposefully resembled the gold orbs of the game, and their scarf

debated on their stockings being striped or rose-patterned

hair is showing their age now and also reflecting corruption, but I wanted blue hair self insert again (raven black i guess, but very much blue)

i might stick with the platform boots, I may just change them to shorter heels when I draw them again, inevitably

i think they should have bedazzled angel wings a la daryl dixon on the back of their jacket

the blouse is corseted and laces up in the back

i avoided drawing their weapon because I still don't know what they should have/what haures' bound weapon form looks like just yet. kinda was stuck on it being a belt that can turn into a segmented sword like ivy valentine's weapon, a scythe (which is very popular among DMC oc creators apparently), a winchester-type rifle or sawed-off remington-type shotgun, or perhaps two hand sickles like noob saibot

anyways. :)

[investoptionwin]

Unveiling the Allure of Western Fashion: A Comprehensive Guide to Western Dressing

Introduction to Western Fashion: Western fashion, with its bold aesthetics, timeless appeal, and rich heritage, holds a special place in the hearts of fashion enthusiasts worldwide. From classic denim jeans to elegant dresses and chic blouses, western attire embodies a sense of freedom, individuality, and style. In this comprehensive guide, we delve into the diverse world of western fashion, exploring its evolution, key elements, popular trends, and styling tips.

The Evolution of Western Fashion: Western fashion traces its roots back to the American frontier and the rugged landscapes of the Wild West. The iconic cowboy attire, characterized by denim jeans, plaid shirts, and leather boots, became synonymous with the spirit of adventure and exploration. Over the years, western fashion evolved from practical workwear to a symbol of rebellion, counterculture, and self-expression.

Key Elements of Western Dressing:

Denim: Denim jeans are the cornerstone of western fashion, offering durability, versatility, and timeless style. From classic blue jeans to distressed denim and high-waisted styles, denim remains a wardrobe essential for both men and women.

Plaid: Plaid shirts are another iconic element of western dressing, featuring bold checkered patterns and rustic charm. Paired with denim jeans or skirts, plaid shirts add a touch of casual elegance to any outfit, making them a staple in western fashion.

Leather: Leather boots, belts, and jackets are quintessential accessories in western fashion, exuding rugged sophistication and timeless appeal. Whether embellished with fringe details or adorned with metal hardware, leather accents add a touch of authenticity to western attire.

Cowboy Hats: Cowboy hats are iconic symbols of western fashion, with their wide brims and distinctive shapes evoking images of the American frontier. From traditional felt hats to straw cowboy hats, these accessories add a touch of cowboy flair to any outfit.

Popular Trends in Western Fashion:

Indo-Western Fusion: Indo-western outfits blend traditional Indian elements with western silhouettes, creating a unique fusion of cultures and styles. From embellished kurtas paired with denim jeans to sarees worn with western blouses, indo-western dressing celebrates the diversity of global fashion.

Bohemian Chic: Bohemian fashion draws inspiration from the free-spirited lifestyle of the 1960s and 1970s, featuring flowing silhouettes, floral prints, and eclectic accessories. Maxi dresses, fringe vests, and embroidered blouses are key elements of bohemian chic style, embodying a sense of wanderlust and adventure.

Modern Western Glamour: Modern western fashion embraces glamour and sophistication, with sleek silhouettes, luxe fabrics, and polished accessories. Tailored blazers, satin dresses, and statement jewelry elevate classic western attire to new heights of elegance and allure.

Styling Tips for Western Attire:

Mix and Match: Experiment with different combinations of western and traditional elements to create unique and personalized looks. Pair denim jeans with embroidered kurtas or style a plaid shirt with a leather skirt for a fresh take on western dressing.

Accessorize Thoughtfully: Choose accessories that complement your western attire and add interest to your outfit. Opt for leather belts, cowboy boots, and statement jewelry to complete your look with flair.

Play with Textures: Incorporate a variety of textures into your western outfits to add depth and visual interest. Mix denim with suede, leather with lace, and cotton with chiffon for a dynamic and textured ensemble.

Embrace Versatility: Invest in versatile pieces that can be dressed up or down for any occasion. A denim jacket, white button-down shirt, or little black dress are timeless staples that can be styled in countless ways to suit your personal style.

Conclusion: Western fashion is a celebration of freedom, individuality, and creativity, with its iconic denim jeans, plaid shirts, and leather accents. Whether embracing classic cowboy attire or experimenting with modern western trends, there are endless possibilities for expressing your unique style through western dressing. With a blend of tradition, innovation, and personal flair, western fashion continues to captivate fashion enthusiasts worldwide, inspiring new trends and timeless looks for every occasion.

[beccasfashioncorner]

The fashion radar

Hey guys,

since a while I see a rising popularity in motorsports. What many don't know, this hype was already there a few years ago. In that time there were already collaborations of motorsport companies with high fashion labels. And exactly on these, we want to take a look today:

When you think of motorsports, what's the first thing that comes to mind? For me, it's definitely leather! So let's start with a classic: the leather jacket. This type of jacket has been popular for years now and has only changed its color or cut every now and then. The normal "biker" look is not directly out this year, but a new variation has greatly increased in popularity: Vintage Formula one jackets. Whoever is lucky enough to find something like this at the flea market is at the top of the fashion game. The runway is leading the way and has already infected us with it, so fall is the best season to try out this new trend.

Remember when Gigi Hamid rocked an all over leather look in 2018? This year we're going a little different. To participate in the Motor core, not everything has to be leather. Delicate fabrics like mesh or satin can also be used. The important thing here is that the piece have some sort of texture. Like for example the boning of a corset. This can be achieved, for example, by seams or folds. A good example of this is the dress in the photo.

If you've had enough of leather and prefer to be a little more subtle, the next item might be something for you: motorcore pattern. that means any pattern that can be found in motorsports. Stripes, block colors or logo prints. But of course the checker print may not be missing. This pattern can be found in the checkered flag as well as on the ground stripe at motorcross.

[fancyratlady]

Purchasing and Altering Your Wedding Ensemble

An incomplete guide from an apprentice

Working as a receptionist/apprentice at a business that does wedding alterations has given me a lot of valuable information I think I should share. I’ve tried to make this post several times and it hasn’t come out right, so I’m just going to go for it with a list of the most important things and elaborate later:

Don’t buy a dress or suit that’s too small so that you will loose weight. If your weight is changing rapidly or dramatically it will make it harder to get the fit correct. Your tailor wants you to feel good with the body you have, and if you don’t meet your weight goal the more expensive alterations needed to make the dress bigger will make both of you feel shitty.

Make your appointment with the tailor at least four months before the wedding. This sounds extreme, I know, but the most popular dates in my region fill up as early six months. This is especially important for wedding dresses, because most places will have you come in six to eight weeks before the wedding. Less than that and either you won’t get an appointment or you will have to pay rush fees. Make the appointment as soon as you choose your outfit, don’t wait for it to arrive.

Bring the shoes you’ll be wearing. Or ones of the same height. This way your hem will be the right length.

Big chain stores pay their employees on commission, which means they have to sell a certain number of dresses a week to make ends meet. The sales people will be more focused on making the sale than getting you the right dress. These places send customers to the tailor with unrealistic expectations and badly made dresses.

Go to local boutiques, designers, or buy second hand. The local shop may have less options, but they may be better quality and the staff will be able to give you the attention you deserve.

Consider the price of alterations. Don’t spend your whole wardrobe budget on your outfit. This goes for wedding party members as well. Most formal wear skirts and pants come long so that they can be hemmed and worn by someone of any height. If your dress has a train, you will need a sewist to attach hooks and eyes so that it can be pinned up for dancing during the reception. (This is called a bustle, and it’s probably the cheapest alteration you can do). That said:

No one will give you a quote without seeing a wedding dress or suit on you and in person. You can maybe get away with this if you’re not a bride and wearing something simple. A tailor can tell you how much it will cost to do a specific alteration on a regular garment, but there is too much variation in a big formal gown to even give an estimate. Be wary of anyone who gives you a number without a fitting. Unfortunately, this makes it difficult to budget.

Don’t buy something that’s way too big. The width of the shoulders is the most important measurement in a suit because it is the hardest and most expensive to change. If it has a bust dart, this should also be at about the same height off the ground as the apex of your bust. There is only so much you can take out of a dress without fundamentally changing it, and when they clip you into it at the shop it will all come from the back, but that’s not how it will be altered. If you take too much from any or all the seams, it will distort the proportions.

Fabrics and cut affect the price of alterations. Beading, lace, and chiffon are the big three. This is because the first two have to be removed and replaced when altering. Chiffon is just a bitch to work with because it’s slippery. You will spend more to hem a plastic chiffon skirt than a silk satin one of the same size and shape. If the button holes on your suit jacket sleeves are functioning, the tailor won’t be able to alter the length much because of the button holes.

Fabrics will also affect your comfort. Natural fibers are always going to be more comfortable, especially if your wedding will be outside. The polyester lining in many formal dresses is going to be really hot when you start dancing. If it’s a detachable slip, switch it out for something natural, even if it’s a cheap cotton blend. If you’re wearing a shirt, just buy 100% cotton or linen. It will make you so much more comfortable. There’s also companies who makes formal wear out of athletic fabrics, and I’ve seen some that are pretty nice.

Read reviews. Does the tailor’s website mention same sex couples or trans people? Does the shop have a big size range? How did other buyers like the brand? Do they carry a wide range of nude shades? Did customers feel respected and listened to? Is the location wheelchair accessible? This information is important, and hopefully you can find it online. If you’re feeling brave, call.

Anyway, the wedding industrial complex is evil and you deserve to celebrate yourself or your loved ones in comfort and style. I’m going to make more posts like this so I can get more specific, and they’ll be queer, fat, disability, and POC inclusive.