#Perpetual Journey

[turiyatitta]

The Unending Ascent

Embracing Continuous Learning and Growth Amidst Peaks of Consciousness In the intricate tapestry of spiritual exploration, there exists a profound truth that often goes unspoken: the journey does not culminate at the peaks of consciousness but continues to weave through the valleys of continuous learning and growth. During my dialogue with Steve James on Guru Viking, I delved into this aspect,…

[garlicsunshine]

@kkgiweek day two prompt: one bed

listen, i know canonically kk sleeps fine, but i just cant believe thats true 😂

[daisyachain]

I’ve made this post before but I can’t be bothered to find it. In what we commonly consider a ‘traditional’/patriarchal European society, the paths in life are: marriage with children (acceptable), bachelorhood (frowned upon, locked out of certain professions/roles), spinsterhood in servitude to parents (probably suffering), religious servitude. An unmarried person is a servant either of the local lord, the Lord, or the parents. The parental relationship has a built-in hierarchy of the senior parents and the underling child. All pressures push down and toward marriage as a form of (highly limited for women) freedom.

One of the few ways around this system is the sibling relationship. Sticking with a sibling can provide an avenue to independence from hierarchy via a peer relationship, a person who moves in with a married sibling is protected under the auspices of that marriage (though somewhat dependent on the sibling) and is not automatically subordinate as with aristocracy/religious orders/parents. I’m interested in the sibling relationship as a kind of lifeline or shield against the buffets of social expectation specially in a world where there is some kind of censure against unmarriage and in which marriage is seen as the final step in growing up. Siblings are the playmates of childhood, they are biological family, to remain part of s biological family unit is acceptable, to remain unmarried is not, the sibling is the last line of defense against a spouse without submitting to hierarchy and/or could be read as the last line of defense against growing up.

This isn’t coherent. I like the idea of two siblings choosing to remain close into adulthood not because they necessarily like each other that much, but because they understand the consequences of abandoning someone to social forces. Siblings as a kind of delayed maturation, a sign that something is wrong, a failed evolution, a vestigial relationship, you’re supposed to be close growing up and then split into different clans, but they have failed to do so and have closed the loop to return to childhood.

[sainz100]

2024 Hungarian GP | x (edited)

[itsclydebitches]

Jonelias thought of the day is that Elias must come across as so stuffy and boring to those at the Institute - which, you know, very much helps hide his true nature - but as an avatar of the Eye and a man determined to avoid the End, Elias is someone whose entire being revolves around the interplay of knowledge and experiences. He's compelled to Know it all and his efforts to avoid death invite him to Experience it all too, a fascinating combination of passive observer and, by virtue of being a 200+ year-old in search of true immortality, an active participant too. This is a man whose longevity and thirst for knowledge invites an obsession with life that contradicts the 'Sits in his office doing nothing but spreadsheets all day' image he's learned to cultivate. (Though, to be clear, he does love the spreadsheets.) And I don't just mean "obsession with life" in the sense of him avoiding the finality of death, but actually loving the act of being alive.

I think a lot of what the fandom (rightly) jokes about in regards to his characterization is a reflection of that obsession. Elias has a relationship with Peter Lukas that goes far beyond the cold practicality of an alliance, hinting at a romance (if you steer towards a LonelyEyes reading), or just Elias' desire to still be able to place bets with someone while he's trying to end the world. Similarly, his powers ensure that he's never truly alone - if he dies, he takes the rest of the Archive with him - forever supplying him with a warped companionship that doesn't threaten him like he perceives he was threatened as Jonah Magnus, with his acquaintances working to complete their own rituals. In true Beholding style, he's got the heart of a fucked-up scientist who's endlessly curious about the world around him: 'Oooh what happens if I let my friend waste away in the Lonely?' He shows up at Jon's birthday party not just to secretly gloat and keep an eye on things (ha), but because he legitimately wants cake. Who wouldn't want cake? What's the point of living forever if you can't have cake?? Well, for an avatar the exquisite sweetness of fear is just as good, but my point stands. Beyond his fear of death, that enjoyment is at the heart of Elias' goal, with Jon describing his experience as the Pupil as a kind of agonized bliss and Elias confirming this by saying he was having the most wonderful dream. Morality aside, he likes interacting with the horror of the Entities, something we saw all the way back during the "[PLEASURED EXHALATION]" scene. Learning new things feels good. Experiencing news things is enjoyable. Learning and experiencing Bad Things is especially nice given his patron. Consistently, Elias' setbacks are met with interest, or a mild annoyance that then eventually settles into satisfaction because they are also new experiences for him and the Eye: going to jail, getting to psychologically torture Martin, having his own secrets exposed. There's a lot throughout the series to imply that Elias enjoys watching Jon become the Key, not just because it means he's succeeding in his goals, but because there's genuine interest and pride in seeing him "grow" by Elias' standards. The repetition of "our world," "our patron," etc. implies a connection; the intention to experience this new world with another, to enjoy it rather than simply exist in it for the mere sake of existence. Elias is a man whose entire essence boils down to, "I NEED TO KNOW ALL THE THINGS, EXPERIENCE EVERYTHING, AND LIVE FOREVER WHILE ACHIEVING THAT, TO UNDERSTAND IT ALL SO I CAN CONTROL IT ALL AND HAVE A DAMN GOOD TIME IN THE PROCESS, EVEN WHILE I SUCCUMB TO THE PRIMAL FEAR THAT DRIVES ME I WILL PARADOXICALLY EMBRACE IT, AND YEAH THAT'S LARGELY BECAUSE I SERVE THE LITERAL GOD OF JUDGY SURVEILLANCE BUT ALSO THAT'S JUST ME."

So anyway, I keep thinking about how this characterization could intersect with S1-2 Jon: prickly, awkward, semi-isolated, desperate to be recognized by someone whose authority he believes in. AKA the boss who, at an unprecedented young age, rose to the top of the Institute they both work at, perceived by those around him as far less interesting than he actually is. Parallels, anyone? Imagine Jon getting to really talk to Elias, realizing how much he has to offer after 200 years of life (though of course he doesn't know that), and just constantly being blindsided by not just the knowledge, but the enthusiasm for everything he's learned and been through - the good and the horrifyingly awful that, despite himself, Jon is equally drawn to. Elias recognizes every quote Jon drops into a conversation and has another witty line to pair it with. He doesn't just indulge his nerdy rambles, but participates in them. He's refined in all the ways that Jon expects - books, opera, music, etc. - and also casually drops in references to acid trips and fucking orgies. Imagine an early series Jon who forms a strong bond with Elias outside of the web (ha x2) he's been weaving, becoming dependent on his friendship and just a little bit completely in love. Elias is inherently fascinating, but he's also just Some Guy, and the combination of that is just perfect for a necrotic Archivist who simultaneously wants to be guided by his 'betters' and prove that he's an equal. Why Elias would be interested in turn barely needs stating: Jon is literally Elias' everything, in a horrifyingly tragic and like, Gothic Romance sense? What would that kind of relationship have changed? It would have likely made Elias' job even easier, but what about Jon?

...I'm not saying that Jon's drive to protect humanity would have been warped into something tragically dangerous if he'd first come to see his intelligent, complex, shockingly kind (from his nonexistent self-esteem POV), secretly-an-eldritch-monster boss as the epitome of humanity... but I'm also not saying it couldn't have!

[catty-words]

[kenhowler2004]

Y'all, how often does the motif of death include a different color but in like certain eras of time? Like we mostly know it as black. Victorians saw it as black and green because of Emerald green being made with Arsenic? But how often is it paired with red because of blood? Like I was just thinking about my off my rocker phobias of Wizeman theory and I just realized that Into Dreams (and that entry's fan artists) Reala his horns shape in a way with his head like some sort of deformed skull. Why was I thinking of Reala and that theory? I discussed the true fear NiGHTS was supposed to represent in that theory but mostly glazed over Reala.

Wizeman's fear of rebellion? Makes sense, he's the authority. But if that's the case what is Reala? My brain was jumping possibilities like Manipulation, Strength, and so forth. But it just feels so... loose? Then I thought isolation because he cages NiGHTS and to fight Reala it is its own isolated thing in JoD and has an isolated day where you can play as him in Into Dreams. But according to the threat of Cerberus scene in JoD we witness it's implied that any 4 level and higher can make cages. Then I thought about death and injury.

NiGHTS is concerned and afraid when they hurt him. Usually I would brush this off as a sibling bond concern because of how in isolation they actually sit and talk. I have a sibling, I have a horrifying father, I 100% understand the fear of talking about a high authoritative figure that has a large temper. Yet it kinda rubs me the wrong way. Yes the injury is real, hell real is in his name, but it's written as bait. Even the wiki claims it was bait? Well turns out the final act in both dream paths people without the dreamdrops see NiGHTS as dead. But the same act with dreamdrops for both paths you fight Reala and coincidentally NiGHTS is alive. I believe Reala's fights with NiGHTS means to over come death. And also coincidentally the one to over come death twice in one dream is Will in JoD as Will saves Helen from her own death. We see him conquer death in his dream. Helen? Not a single fight as far as I am aware. Again that concert tree level has me in the trenches.

So if NiGHTS disappears without Reala, what wouldn't be conquered? Death. NiGHTS is afraid of their death although all dreams come to an end, death for a nightmaren and nightopians are different than a visitor's. Death is just a way to wake up for a visitor. For NiGHTS, Reala, Owl, and Wizeman? That's permanent, they CAN'T wake up. To to beat a representation of that fear? It means to live beyond where you're not supposed to. They all fear death and death fears being ignored and undermined. Reala's own flaw is one overdose of being abandoned and ignored away from destroying everything. To conquer death is to give Reala some spotlight.

So Wizeman's two #1 fears is Rebellion (NiGHTS) and Death (Reala). Because Rebellion seems like a dream, but death is a harsh and brutal reality.

Once again I am dangling between tired and not tired enough. Tomorrow I might be normal though I doubt it.

[grimmjowjaegerjaquez]

gonna give soren, someone who no longer fights due to war trauma reasons, a moonsilver gyroscopic chakram that he was commissioned with and im gonna name it mirror's edge (like the video game)

[soracities]

Do you like to listen to music while reading? If yes, can you recommend some of your fav songs?

oh i wish i could but unfortunately music while reading is literally THE worst possible thing for me, truly...as it is i can barely read on public transport (or even outdoors sometimes) because there's just way too much going on for me to concentrate and i am in perpetual awe of people who can. anyone who does though please feel free to share your faves for anon!!

[neiptune]

listening to the first ever haikyuu opening with tears in my eyes do not perceive me

[howdoesone]

How does one convince an Olm that it’s okay to come out and see the light?

Introduction to the Olm: The Mysterious Cave Dweller The Olm, also known as the “human fish,” is an enigmatic amphibian that resides in the dark, underwater caves of the Dinaric Alps in Europe. With its pale, almost translucent skin and ability to thrive in complete darkness, the Olm is a fascinating creature of the deep. Its eyes are underdeveloped, a testament to its life in perpetual…

[bylertruther]

kinda curious why anyone cares what the general audience thinks about stranger things lol... if storytellers or artists of any kind always abided by what the GA likes or doesn't like, what they'd be able to understand and not understand, and so on and so forth, then we'd have no meaningful stories about anyone that isn't non-disabled and cishet at all. because that's the thing: they don't want to see us or our lives or our experiences. we're not allowed to have complicated, true-to-life stories. we're not allowed to be shown experimenting and being wrong and being human like everyone else is. we can exist in the background, taking up no more than a second of screentime, and be a lifeless caricature—that's totally fine. but to be part of the story? to be equal to other characters that they accept as being "normal" and "allowed"? to be shown as a human being that's just like them and not the faceless Other they believe anyone different than them to be? that's too much. it's uncomfortable for them, an inconceivable extension of their empathy, and much too "political." so, like. just Why would you give a single shit what a collective like that thinks about stories that represent a community they're not a part of? why would you want to give them any more power than they already have? if a show is in a position to do whatever they want, GA be damned, then why would you want them to kneel to them anyway? it just doesn't make sense to me lol. do you want real stories or not?

[ngeruma]

"Journey" | Perpetual Testing | Portal 2 Community Maps & Mods

By HankyMueller

The never ending quest for science isn’t about the destination! It’s all about the Journey! The companions we meet along the way, and getting those points of data to make a beautiful line. At least so they say. Personally, I’m after that 60 bucks.

Full Video

More Test Chambers

[love-songs-for-emma]

i am filled with so much love. i love you friends. i love u strangers. i love u cas, my cat who meowed for an hour straight prior to feeding time. i love u basket of clean laundry not yet put away. i love u windowsill that i finally finished sanding and fixing only for the stain color to come out gray instead of white. i love u i love u i love u

[allaboutyoupostnthings]

A Prayer for God’s Blessings on Families, Nations, and the World, Day 84, Christmas Island

Dear Heavenly Father, Thank you for today. Thank you for what you do for me each and every day and for that which I fail to notice. Thank you for taking care of my family, friends, and acquaintances. I ask that you shield and protect them and guide them in this life. Bring them safely home to you. Let them know that you are there for them. Never let me forget your presence in my life and guide…

[dreadbornesaint]

tag dump - gen