#Perhaps she'll talk

[ofgeneticperfection]

@poeticphoenix Cont From : HERE

For a moment she was surprised. Not many were brave enough to grab her and threaten her. Most people couldn’t even stand to look into her piercing eyes. Genesis, however, was not a normal employee. Not only was he a Soldier, but she knew he was a product of the Science Department as well. She wasn’t quite sure what yet, but the Hollander Soldiers seemed different from the rest. She was highly amused to say the least. Her pupils dilated slightly as those flames burst to life in his hand but she wasn’t one to give away her tells. Instead of the anticipated reaction of her cowering in fear a grin is quick to spread across her face followed by abrupt laughter ringing through the silence.

She also was not a normal person and he was intelligent enough to decipher that, though she had her own games to play. With a sizzling crack a wave of lightning dances across her body, shocking him into letting her go but she doesn’t run. “Oh am I?” She asks with an arch of a brow, her laughter settling. “You won’t be learning much if you burn down the entire department.” She nods towards her fingers. “But all you really had to do was ask.” She says in an overly delightful tone, flashing him a smile.

Not only was she close to Hojo but she seemed just as crazy if not worse. “But I must warn you. What you may come to find out may be quite shocking.” She hums a note of laughter. “Seriously though, Genesis, you’ve put on quite the show. What is it you are so eager to know? I’ve seen quite a lot all my years at this place, or is it just me that you are curious about?” She folds her arms across her chest and leans back against the wall. “I really haven't had this much fun in ages.” She grins. 

She masqueraded as just the Professor’s assistant to the regular employees and outside world, but she may be capable of divulging some information to a fellow experiment. There were tensions within the department, everything seemed to be split down the middle between Hollander’s projects and Hojo’s. “You would be Hollander’s little pet, are you not?” She asks curiously. “I might say that whatever I tell you should stay between us. At least I would highly advise that.” Her gaze narrows slightly. If there was one thing she wouldn’t do would be to put Hojo’s work at risk.

[please-let-this-work-oh-my-god]

One thing I find very interesting, as a learner of German, is Isolde's usage of du when speaking to Kakania. In German, there are three main second person pronouns: du, ihr and Sie. The first two are mainly used in informal and casual settings or when talking to people you're close with (with du being singular and ihr being plural sorta similar to english's y'all) while Sie is used in more formal situations (or situations which require some form of formality) such as talking to strangers, customer service or when you're talking to a doctor/patient. Kakania abides by this and uses Sie when talking to Isolde (such as in her speech at the end of chapter 6) but interestingly, Isolde doesn't reciprocate this and instead uses du when conversing with Kakania in German.

This is super fascinating to me because it implies different levels of closeness within their relationship. Isolde's usage of du implies a level of closeness and intimacy to Kakania as Isolde herself saw Kakania as a close friend (most likely due to the fact that Kakania was once of the few people in Vienna who actually sympathized with her and saw her as a human being) but Kakania's siezen suggests a certain level of estrangement or distance between her and Isolde. Of course. this could just be her maintaining her professionalism as doctors normally use Sie when talking to patients but with how things turned out after chapters 6 and 7, I'd like to think this goes deeper than just formality standards.

[binah-beloved]

hey look. Binah would listen to you ramble about your passions and interest to your heart's content. she would sit with a cup of tea in her hand and let you talk about anything you wanted. she might not understand everything, but she can see the way your eyes light up when she extends such a simple act of kindness to you. of course, if your tea goes cold, she'll simply pour you a new one, so don't worry, okay?

[camellcat]

Ten twirls Rose around sometimes when he needs a quick escape.

It's a win-win for both of them, he thinks! Rose always seems to enjoy, even if it's usually sudden and out of nowhere, and Ten gets to make her smile and slip away before she can even figure out what's just happened.

[helenofblackthorns]

what does this mean. what does this mean CC?????

[sysig]

Being a villain isn’t all fun and games! Just mostly (Patreon)

[veilder]

🐱

Damn. I write you an explicit poem about Nines getting pegged, and I'm still moderately intimidating? XD Them's the breaks.

[tadpal]

ive finished the laundry and cleaned the kitchen and bathroom and even swapped my mattress with the spare (my bed is now noticeably higher foam mattresses are crazy im in like a princess and the pea situation with my stack of foam mattresses) and im quickly running out of tasks and there's still hours left in the day and i don't have work until monday idk guys

[bigcats-birds-and-books]

....honestly i think part of the reason i don't give readers the version of my manuscript i intend to Query is because at that stage i absolutely cannot stomach the idea of making more revisions based on feedback lol

[tortoisesshells]

For the WIP Guessing Game: Death, Deserve, and/or loyalty

I feel strongly that in any other chapter, I'd have about a half dozen hits for all of these, but alas, chapter 28 of Customs is a little dry. I have nothing for "deserve" or "loyalty", and as far as "death" goes:

One of the more annoying questions of mortality, she told herself, dismissively – as though everything that was tied to such thoughts could be as easily done away with: that her heart hurt because she was afraid of the clear, short path between Boston and the grave she could see for him – that she had come again to the common mortal condition of loving what death could close its hands around – that there was no escaping bereavement, again.

and

“You asked me if I feared death. I did not give you an answer. I do.”

There's a lot of talk about dying this chapter, but alas, those are the only two uses of "death" at present.

WIP Guessing Game!

[girlscience]

anyone else feel like they are playing dress up all the time and no matter how you present yourself it's always wrong? or is that just me.

[sirensquadron]

I think of her siblings Lira is the one her dad would have had the hardest time "letting go of" so to speak, even under normal circumstances, so the fact that she's the only one left alive means that her father does come off as overprotective at times and then also over corrects for that sometimes.

Like Lira is not the youngest, but she is his sweet, gullible baby who wants to do good so badly she'll hurt herself and sometimes others on the way.

[writers-potion]

Writing Female Fighters

The Heroine Must. Fight.

Today's female protagonists cannot sit on the side crying and breaking down or whimpering as the battle ensues.

Readers want to see autonomous female fighters who can at least defense themselves with courage and adequate skill.

Not all women are the same, but the heroine should get her butt moving.

Less Muscle, but More Flexibilty

The average woman is shorter than the average man, which makes it more difficult to wield a long sword or slam something down on the opponent's head.

A woman who works out can plausibly be stronger than a male couch potato, but if her male counterpart works out as much as her, the man is going to be much stronger.

On the other hand, the center of gravity in a woman's body is lower than a man's which makes it harder to knock her off her feet.

She is also more flexible, which gives her advantage in grappling fights, making use of complex landscapes, or deflecting blows.

A woman's small size can also be an advantage if her opponent has only ever trained with male opponents. His big hands might not get a good grip on her slender limbs.

In historical fiction, giving your heroine good muscule build can be tricky as exercise was generally considered harmful for women, with some exceptions for horseriding any maybe archery at best.

In such cases, make your heroine an accomplished dancer or an eager horsewoman, or the only girl whose father considered to be son replacement and thus, gave her a boy's education.

Women of lower classes who couldn't afford to be fashionably weak will be plausibly stronger, perhaps even more than an idle gentleman.

More Room for Negotiation, but Prolonged Ruthlessness

In the Suspense part of your fight scene, females are more likely to negotiate and talk more, strategically trying to descalate the situation rather than attacking on a momentary impulse.

Generally, women are less aggressive than men and remain level-headed longer than her male counterparts, opting for non-violent methods first before using force.

Exceptions apply if she is trying to protect her children (or someone who she cares for as a child). Mothers can be tigresses.

A female pre-fight conversation may be: "If you had not done so-and-so and betrayed me with so-and-so, we could have been good friends as I thought we would be." "What do you mean? It was in fact you who brought bad blood between us. I can still hear you laughing with so-and-so, taunting me, purposefully making me look bad -" "But that was so long ago! If you want me to say sorry about something so insignificant, you should have just said so: I'm sorry. There. Satisfied?" "Ha! I can't believe you say that so easily. You still don't get it, do you?" "Who's being petty and unreasonable now?"

A male pre-fight conversation will be shorter: "Who's the coward now?" "You're wrong." "Prove it." "Bastard."

Compared to men, it will take more time for a woman's fight hormones (adrenaline, neurotransmitters and such) to kick in.

She would be slower to engage initially, throwing reluctant punches and thinking, but she'll grow more and more violent and lose all rational thought and compassion, and once she's in full flow, may not stop even when her opponent begs for mercy.

When writing a male-female duo, you can show him going for the first blow while she observes and strategizes first. When he's past his peak and panting, she is flying about left and right. Later when the tension wears off and she becomes wobbly and teary, she can rely on him to have recovered faster and distract other teammates so that they won't see her cry.

Plausible Skills and Backstory

In many cultures and time periods, the general attitude of society towards girls is that they have no place in fist fights or martial arts, unlike how it is encouraged for boys of the same age. So if your heroine has physical prowess that surpasses typical 'fitness' or is hidden, build a backstory of how she's obtained it.

For modern heroines, it can be as simple as signing her up for martial arts classes or yearly membership at the local gym. For historical fiction or girls with strict 'feminine' upbringing, it can be trickier.

It can be related to profession: maybe she was an erotic wrestler, catfighter, or an assasin who thought killing was more honorable than prostitution. They may have dabbles with it for a short time and is now trying to hide their past from their respectable employer or fiance.

It can be family backstory: Perhaps her mother was an accomplished martial artist or she had to fend for younger siblings on the streets from an early age. Maybe she was the only girl in a family of many boys who refused to be the punching bag.

Inexperienced Female Fighters

A woman with no fighting experience or training is likely to resort to one of these on instinct:

Try to talk herself out of the situation, attempting to persuade or negotiate for her life.

Grab something to use as a weapon. This instinct seems to be stronger for women than it is in men.

Use her hands to try and break free, or kick (often wth little success)

Pull hair

Scratch.

In a serious fight, pulling hair and scratching won't be helpful, except when the police come to find her body, they would find the opponent's DNA under her fingernails.

Plausible Weapons and Clothing

All of the above applies to scenes where both parties have no weapons, or has the bare minimum (like one dagger each).

Weapons are equalizers, and if your heroine is pointing a gun at her opponent she will definitely NOT hesitate to be the one to shoot first.

When giving your female character a weapon, choose one she can plausibly use. It would take an unusually brawny woman to wield a great medieval longsword.

For historical fiction, give your heroine something she'll plausibly own. Swords and firearm were a no-go for women, but archery was borderline acceptable.

For clothing starters, you definitely CAN NOT dress her in a tight miniskirt and chainmail bra with long, flowy hair and multiple silver chockers. Unless she's trying to seduce her way into her opponent's bedroom, and he has a chainmail bra fetish.

A practical heroine will have her thighs covered, preferably with leather but at least with fabric, since a lot of blood flows through the thighs and a slash would be critical.

She'll keep her hair tied, tucked under a helmet, braided back, etc. so that it won't impede her vision.

She'll support her breasts with a strong sport bra. In a historical eprioid, she'll either tie her breasts tight with a fabric bandage or support them with some kind of leather corset.

Invent a female version of male fighter clothing of the time you are writing about if it doesn't exist.

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[jq37]

Aelwyn is sixteen and preparing for midterms at Hudol. Uniform pressed and starched, head full of incantations and spell components. She doesn't mean to bump into Adaine and get orange juice all over her shirt but today isn't the day she's going to start showing weakness.

"You know, you really should watch we're you're going," she says archly, playing off the clumsy mistake as a purposeful jab.

Playing it off a bit too well because, the next thing she knows, Adaine is flipping her off and a bolt of queasy looking, green energy is coming towards her. Ray of Sickness. And she can't spare the spell slot for Counterspell because she needs it for her exams.

"You little bitch!" Aelwyn says once she's emptied the contents of her stomach down the front of her shirt.

"Good luck with your exams," Adaine says sweetly.

Aelwyn is eighteen and the oldest, mangiest cat she's ever seen in her life has just vomited on her shoes.

"My," she says, casting a shield spell around her ankles to stop the cat from clawing at them. "You weren't kidding. He is a little bastard, isn't he?"

The shelter volunteer looks mortified. "Oh, gods! I am so sorry. I tried to warn you--I mean, not that I'm blaming you but--"

"No, it's alright. I did ask you to show me stragglers."

The shelter worker gestures to another pen on the other side of the room. "I can show you the kittens we just got in or there are some very well behaved older cats as well if you'd--"

But Aelwyn cuts her off, scooping up the old cat--though she holds him at arm's length for now, just to be safe. "No need. I haven't changed my mind. I'll take this one." She looks at the tag on his collar. "Hector."

Aelwyn is three and, as of a month ago, no longer the youngest Abernant.

She's had baby dolls in the past but never a baby sister and this is exciting new territory. She's full of questions. When is she going to be able to walk? When is she going to be able to talk? When will she be old enough to have lembas bread instead of formula?

Her parents seem less fascinated by the new addition to the family than she is but her mother is amused when she slaps away the hand of a colleague of her father's who tried to touch Adaine before sanitizing his hands, standing between the much larger man and her sister.

"So defensive. Perhaps she'll be an abjurer."

When Aelwyn asks what that is, her mother says that it's a kind of magical protector and she likes that a lot. That sounds like a good thing to be.

At night, Adaine cries. Except, she doesn't hear it because the mobile above her crib is etched with runes that cast the Silence spell.

"But what if she gets hurt?" Aelwyn asks.

Her father brushes her off. That's what the Unseen Servants are for. But she thinks that's what an abjurer might be for too and even though she isn't one yet, that doesn't mean she can't start practicing.

So, every night, Aelwyn waits until her parents have put Adaine down for bed and then tiptoes into her room. She checks to see if Adaine is silently wailing and if she is (and even sometimes if she isn't) she presses her face between the bars of the crib and sticks her little hand over Adaine's face.

"Don't cry," she says, even though the Silence spell mutes her words as completely as the tears. "Mum said I'm an abjurer. Nothing will get you. Don't cry, baby."

Adaine grabs her hand with impressive grip strength for something so small and, within a few minutes, she's trancing peacefully.

Aelwyn is seventeen and her sister is off to save the world again. This time from a Night Yorb--whatever that is.

It feels cruel that Adaine should have to go risk her life again so soon after she just almost died--not almost died, she did die before being raised by her cleric.

She wants to come with, to help in some way. Surely she could be helpful--last quest they brought Gilear for Helio's sake!

But Adaine doesn't ask her and she can't bring herself to say the words she needs to have the conversation she wants. So, instead, she lightly whaps Adaine on the shoulder with her spellbook as she's packing for the quest.

"I know you haven't done much studying lately what with your grades being based on how many hobgoblins you kill or whatever ridiculous system Aguefort has cooked up," Adaine rolls her eyes at that, "But if you don't mind a little cram session before you leave tomorrow, I can show you how to cast Teleport like I said. Might help you stay a touch less dead on your quest."

Her tone is light but her eyes betray her: Please, please, please don't die again.

Adaine's expression softens but then she scoffs, playing her half of their game. "I don't know what a Hudol dropout who's been in jail for the past year is gonna teach me but do your best."

Aelwyn is seven and her father is cross with her.

"Really Aelwyn," he says and even though they're talking via crystal she can feel the frost of his glare. "You thought it was appropriate to call me at work for no good reason? How many times have I told you and your sister to not bother me while I'm working."

She hates the word bother. She doesn't want to be a bother. She tries very hard not to be. Maybe she just didn't explain herself well enough.

"I know, father. But Addy got really scared and panicky on the playground. She was breathing really hard and--"

Her father makes a noise of disgust. "I don't have time for this. She is in primary school now. Stop coddling her. And her name is Adaine, not Addy. Please speak properly. I'm raising you better than that."

He hangs up before she can say anything else.

Aelwyn is eighteen and most of the claw marks on her arms have healed, which is nice. On her lap asleep is Hector who has apparently decided he likes her enough to use her as a radiator but not enough to submit to medical treatment without using her arms as a scratching post.

"You little heat vampire," she says as she slides her thumb across the screen of her crystal, searching for a video that will help her out. Eventually she finds one that looks promising and she calls it up.

On the screen, a halfling is standing next to a cat who is actively shredding her sweater with its claws. "You're going to be tempted to use some kind of a shield spell when applying the ointment," says the halfling. "But cats can smell abjuration magic and they don't love it. You won't get close enough to do the job. Isn't that right my darling?"

In response, her cat hacks up a hairball.

"Darling indeed," she says under her breath.

But even laced with sarcasm, the word is sweeter against her tongue than she anticipated.

She sinks her hand into Hector's fur and scratches his back for a few moments before tentatively speaking aloud. "Sleeping well, my darling?"

Hector says nothing--he's asleep and a cat. But warmth blooms in Aelwyn's chest--more than enough to make up for what Hector is leeching from her.

Aelwyn is seventeen and her father has just given her the most horrible command she's ever received in her life--and she's counting being made to sink a ship full of people in that calculation.

She knows her father doesn't expect her to delicately extricate the knowledge he needs from Adaine's mind. He expects her to get it at all costs. To ransack and pillage the memories if necessary with no heed of the consequences on her psyche. He'd probably prefer it that way--the more broken Adaine is, the easier it will be to mold her into a version of herself that is more useful to him.

Aelwyn is usually a smooth talker and a convincing liar but now, she stumbles all over her words, babbling out a stream of deflections and pleas as her heart squeezes tighter and tighter in her chest until she can't hold back the truth that she's been suppressing for years anymore.

"Adaine's just…she's a baby."

Aelwyn is eighteen and her apartment is full of cats.

She's always thought that the phrase, "One thing led to another" was a bit of a cop out--clearly there were key steps between point A and point B being glossed over--but in this case, there is truly no better way for her to articulate how she went from zero cats to ten cats in such a short amount of time.

She's sure that if she was still living with Jawbone, he'd have something to say about it but that's exactly why she isn't currently living with Jawbone.

She portions out food for all of the cats, saving Hector for last because he likes to eat curled up next to her.

"My darling baby boy," she says, lifting him onto the couch with her because the jump up is a bit much for him and his old bones. She kisses him on the top of the head and then pulls out her crystal. She scrolls mindlessly for a bit before checking her messages despite the fact that there's conspicuously no notifications.

Not that she has many people to expect texts from but she hasn't heard from Adaine in a few weeks and it's unsettling. When they weren't getting along, they were still living under the same roof. She was able to keep tabs on her, more or less. Now, they're closer than they've been in ages but barely talking.

I'm the older sister, I suppose, Aelwyn thinks. I should take the initiative.

She pets Hector with one hand and drafts a message with another: Are you alive, bitch?

She's about to press send but then she frowns and deletes the draft. After a few moments of thought, she taps out a new message: Can't believe I'm gonna say this. Miss my little sister. Everything all right?

Aelwyn is seventeen--though she doesn't feel like it.

Her mind is telling her that she's sixteen and that she was just been broken out of a jail cell in Solace but Adaine is telling her that she's just been broken out of an entirely different prison after being tortured for months even though she doesn't remember any of that.

But her body feels frail and Adaine says she's been in her mind which means she must have used the hard reset.

She's suddenly feeling very vulnerable--not because of the disorientation or the of the levels of exhaustion she can feel weighing on her like leaden chains. No, it's because of the fact that Adaine using the reset means that she must have read the treacle-y note that she left there for her to find.

It was just an insurance policy, she tells herself. There was wisdom to buttering up your savior to make sure she'd do what you needed her to do.

She manages to mostly believe it. But the small, truthful part of herself that knows how deeply she meant the words is so uncomfortable that she antagonizes Adaine until she's annoyed enough to hit her with a spell, sending her into blissful unconsciousness.

Aelwyn is nineteen and she's going to kill her mother.

Well, not alone of course. Adaine deserves the kill at least as much as she does if not more. It'll be a group effort.

It's a strange mix--the cold fury at her mother mixed with the warmth she feels for her sister, sitting across the table from her. She summons a flame to her palm, a preview of what their mother has waiting for her. She watches Adaine's eyes harden with resolve and she sees the face of her baby sister, left to wail alone silently for hours, soothed by her presence. "Let's get her."

"Yes, my dear," she says, the endearment coming freely as if this has always been their dynamic. "We'll get her."

But there will be time for that later. Right now, it's time for ice cream and seeing Adaine so content in such a simple pleasure causes the warmth in her to surge so suddenly that it would be startling if it wasn't so pleasant. The urge to voice it is so powerful that she doesn't know that would have been able to stop it at any point in life, let alone now.

"I hope we get to eat ice cream and cast magic forever," she says, words that would have been impossible for her to say one short year ago and impossible not to say now.

And, to her delight, Adaine agrees.

[prael]

Not Quite Home

Kinktember Day 15: Stand & Carry

Kepler Youngeun x male reader smut

words: 1,495 Kinktember Masterlist

She is everything you're not. Everything you hate. How can someone refuse to have a place to call home?

All this about being a free spirit and experiencing everything that the world has to offer all sounds well and good but how is a tree supposed to grow if it has no roots? But Youngeun insists that is exactly what she is after, the constant thrill, the constant novelty, the rush and urgency. In every interaction, she seems to have been in search of the next big adventure.

And you think you do her a disservice by not understanding.

Perhaps if you had met each other under other circumstances, things might have gone better for the two of you. But now, you resent how she feels like a stranger whenever you're together. She once brought an element of excitement and risk to a routine, drab life, but that grew exhausting and more than once made you feel like you were suffocating. You grew to loathe her carelessness.

"Your parents?" You ask as she stands in your bedroom for the third night in a row, "Have you even told them you're back in town?"

She shakes her head in lieu of an answer, "You know how they are."

"You're going to blame them for wanting their daughter to visit for once?"

Youngeun laughs. It's one of your least favourite traits—her incapability to take anything seriously. "Not your business. Besides, seven nights, remember?"

Yes. Seven nights. This is what she told you, another expiry date on another chapter of whatever the fuck this is between you. Another unspoken contract was signed for the hell of it. A time limit, for something that isn't even real.

"Just think about it," you continue, hopelessly, "talking with your family. It'll clear your mind."

"Know what clears my mind? The wind in my hair, sun on my skin, music in my ears," Youngeun runs her hand through her silky hair, "Landing in some new town, finding a new local hang out to try something exotic and then exploring whatever is hidden in that town's history, picking up a new person, hooking up with them, letting the excitement course through my veins, knowing there's always something else waiting on the horizon."

Another insufferable thing that she does. It's been maybe fifteen minutes since you tangled limbs in the bed and now she's standing across the room naked making no secret of the fact that she picks up guys and girls wherever she goes. Youngeun looks down at you on the mattress and runs her eyes up and down your body, her fingers resting lightly over her collarbone.

You follow the line of her fingers, nails cut short with traces of peeled black nail paint. A callus on her finger is a reminder of how often she played the guitar. She runs them down her chest, thumb catching a nipple in the process of doing so.

"Look at you. You get hotter every time I come back." And just like that, Youngeun drops a compliment, casual and effortless and you question who's benefiting from this relationship because it clearly isn't you.

You're gonna fuck her again tonight. Tomorrow too, and another three nights after that. After which she'll be gone for another six months to a year. There's a weird emotional emptiness to this routine—you give and she takes and this is all she asks.

"Come here, will you? Pin me to this wall already. Make me feel you." Her hand cups her breast and another traces its way down her abs, a clear intention.

You should hate her, really. Like how you hate the idea that she left home for no reason or how she wasted her potential, hate her for her indifference, for her recklessness and her cold detachment, or hate the fact that it's just meaningless sex. 

She doesn't like strings, it makes no sense to her how people commit. If she was the type of person who asked to be understood, you would probably try to, but that's never something she ever expressed. 

For all of that, you don't hate her. It's why you're still walking towards her and she's backing up into the wall.

So, what does she ask for? Her answer is pleasure and pain.

She kisses like a raging fire. Everywhere her hands roam leaves marks on your skin; she scratches deep in your back as you hook her thigh up around your waist. A hand between her legs, sliding in without any sort of preamble. She's still dripping wet, though some of that may well be your last load. She tastes of salty, sweaty sex and you relish it. She kisses and she gasps as your fingers work at her entrance; crooking them upward so you can press them into her and rub right against the sensitive spot inside her.

Her tongue slides past yours, hot and wet as she grinds up into your hand, claws digging into your lower back. Your hand fucks into her roughly with reckless abandon and her breathing gets shallow as your fingers bring her closer and closer.

It doesn't take long, she's close, you know that when she throws her head back against the wall. "Stop—wait, fuck—wait," Youngeun barely gasps and then with your name in her throat, the friction of your fingers sends her over the edge. A moan escapes as her mouth falls open, eyes clamp shut as you finger her to orgasm.

It's always been easy to make Youngeun cum, but it never loses its magic. There's something particularly thrilling to the way she moans your name in that honey-laced rasp, to the way her entire body arches upwards as the pleasure mounts. A sharp gasp cuts the air.

Her limbs slacken. She leans her head against the wall. She's struggling to catch her breath.

And this is the fucking problem. For every reason to hate her, there are so many more reasons to enjoy her.

That's when you lift her, hooking up the other thigh and holding her by her tight little ass. Youngeun hisses and she's staring daggers and that's always a part of the fun. She'll give you these looks that could kill a lesser man, but you know the only solution is to pound her into submission.

"Be rough with me. Hard," Youngeun pants, sucking air in, breath ragged. Her skin's hot to the touch.

"Like last time?" Your voice comes low, thick and gruff as you hook her legs higher.

"No, harder, faster," Youngeun replies between rapid, short breaths, she grips your arms, rolls her hips and wraps her body tighter around you, "Want me to stay? Fuck me until I can't walk out."

You're incensed and sliding your length over her slick, warm, inviting heat, before slamming her back into the wall, entering her in one long hard motion and enjoying the way her lips fall apart; enjoying the way her hot and messy, fucked-out body arches upward as you hit deeper and the way her cries pitch. You don't even wait for her to catch her breath before snapping your hips over and over and giving Youngeun exactly the type of pounding that she wants.

There's a sharp gasp. A second of silence and then a choked-back scream. You feel a palm on the nape of your neck and a sting on your shoulders as her nails dig deep and scratch. She rakes them over the broad expanse of your upper back and it fucking hurts. It fucking stings and it's delicious. You bury yourself deep inside her, stretch and fuck her all open on your dick.

"Like that. Yes! Like that! Fucking ruin me."

"Since you asked so nicely."

Her moans become a struggle now that you've run a hand roughly up her body and planted it around her neck. Squeezing, not too hard, not to cut her airflow, not to bruise, but firmly enough that she will feel it and feel that she is being held. She loves to feel hopeless. And there, that's what you like: her hot, sweaty body locked between you and the wall and helpless against you as you sink into her.

And as much as she says it doesn't mean anything. Youngeun cries out your name like it means something.

The ever-familiar suffocating grip of her wet cunt grips you as she cums again. Bodies flushed together, grinding and sweaty.

"I can't breathe—" Youngeun whimpers in that cracked, vulnerable and submissive way and you snarl. Fuck her up as promised. Hurt her like she begs for. And Youngeun loves it like nothing else, absolutely nothing, her eyes rolling to the back of her head and a strangled groan as you reach another climax and fill up her pussy again. You pound yet another load into her tight hole.

As much as she would hate to ever admit it, this is as close to a home as she has in her life.

[lacy-oh-lacy]

Hey, can you please do Rio Vidal NSFW Alphabet?

Rio Vidal ･ﾟ: *✧･ﾟ

NSFW alphabet

Masterlist | Agatha alphabet | Wanda alphabet

CW: Switch!Rio, kinky sex, masturbation, oral sex, quickies, knife play, edging, overstimulation, orgasm denial, pain play, degradation, biting, bondage

Aftercare

Rio’s the sweetest after sex. She treats any sore spots you have while praising what a good job you did, and just name anything you want and she'll have it to you in seconds. Despite all the evil she's capable of, Rio can be so soft with the ones she loves.

Body part

She has a thing for your neck. It's something so vulnerable but it's also proof of life. She loves to feel the thrum of your pulse point under her tongue.

Cum

It drives her wild seeing her cum on your skin, your face especially, it makes something possessive inside of her very happy.

Dirty secret

She doesn't have any. If you've already accepted that she's literally Death, Rio doesn't see the point of keeping anything from you.

Experience

Rio’s had very few serious lovers, but she’s done A LOT with them. There's almost nothing new to her in the realm of sex, at least besides the unique intricacies of your body anyway.

Favorite position

As willing as she is to experiment, you can't go wrong with the basics. Her pinning you to the ground to have her wicked way with you, or just maybe the other way around.

Goofy

Even in bed Rio can make you laugh with that dry, dark sense of humor of hers, but even when she’s joking around she has a seductive quality to her. The mood isn't any less intense.

Hair

She has a dark, triangular bush. Not too messy but not too neat either.

Intimacy

Her black heart practically bleeds romance. It's almost intimidating just how intimate she is, effortlessly capable of being sweet, scary and sexy at the same time.

Jack off

She doesn't really think masturbation is worthwhile. For her, much of the appeal of sex is the connection with someone she loves.

Kinks

Oh, Rio gets freaky. She’s into domming, knife play, edging, overstimulation, denial, degradation, pain play, subbing (occasionally), bondage and so on.

Location

It's not like she cares about social norms, she'd probably fuck you in a church if you asked, but she does appreciate privacy so your place is her go to.

Motivation

You existing basically. Rio’s always a little hot and bothered around you, but especially if you're doing something that you shouldn't, that's a big turn on for her.

No

Anything less than enthusiastic consent.

Oral

Giving and receiving oral are perhaps the two best things about having human-shaped bodies in Rio’s opinion. Giving is her personal favorite, as she loves having total control over your pleasure.

Pace

She proffers to take her time, she does after all have a lot of it and what better way is there to spend it? Besides, it's adorable seeing how quickly you lose patience.

Quickie

If it's all she can get she's not complaining but, again, she'd rather take her time.

Risk

There's no risk too great for Rio. She does respect that your thresholds for acceptable risks are very different though so she's not gonna hold it against you if you’d rather play it safe.

Stamina

Her stamina is out of this world. Rio has the power of the devil and the patience of a saint.

Toys

She hasn't been especially impressed by any of the man-made toys she's seen, she'd much rather use magic to spice up your sex life.

Unfair

Rio’s the biggest tease. The way she toys with your body is downright torturous, and she never loses that smirk or her blend of saccharine praise and degradation while she's at it.

Volume

She's not too loud. She keeps enough composure to talk as she normally would for the most part, and when she does start moaning the sounds are quite low and deep.

Wildcard

She hopes you have a thing for eldritch abominations, because she would love to fuck you in her death-form.

X-ray

She can essentially manifest a dick on command by willing it so, just pick your size.

Yearning

Rio can go a long time without thinking about sex but once she has she becomes so desperately horny, you could cut the tension between you two with a knife.

Zzz

You're not even convinced Rio does sleep. She's always awake when you fall asleep and awake when you wake up. One things for sure though, she isn't leaving your side if she can help it.