#Past Influences

[michellesspiritualblog]

The Enlightened Self: Five Steps Towards Inner Transformation

Enlightenment is not just a concept; it is a state of being that we can achieve by gaining knowledge and understanding of ourselves and the world around us. It is like turning the light on in a dark room, enabling us to see and understand things we couldn’t before. Achieving personal enlightenment is about turning that light on within ourselves, getting to know ourselves more profoundly, and…

[thp215]

Unraveling the Tape: How Words from the Past Echo in the Present

Retirement. It’s a time when the relentless march of the nine-to-five halts, giving way to space – space to think, to reflect, to confront the ghosts we’ve shelved in the hustle of daily life. Recently, in this newfound quiet, I stumbled upon an unexpected revelation about myself, a hidden truth that was both jarring and liberating. It’s funny how certain things said to us, particularly during…

[wolfythewitch]

HADES 2 SPOILERS (possibly).

*falls through the ceiling* hi sorry if this has been asked before but as you are someone who Gets It, and i am a tired classics + theater double major who gets too insane about characters. i am so curious. have you played hades 2 early access yet and what do you think of odysseus’s characterization in it?

Oh haha hello

This is going to sound a bit incomprehensible sorry I am very sleepy

But hmmm I'm. I'm kinda 50/50 on it? It's a very interesting route to take, because their characterization of Odysseus is a man very influenced by the past. He constantly references his history, he brings up men he used to fight with in the war, he still jumps at Doom, he still hears the sirens' song. (Which. Is so interesting to me. Because I love the idea that you never get the song out of your head. I just dislike the particular conversation it was in, but I digress) He admires and tends (?) to Melinoë's garden. He meets at the taverna and tells tall tales. He's very human! I really like that about him.

I just,, kind of dislike where they went specifically with his relationship with Penelope and Telemachus? To have broken up off screen, because Penelope found out about his affairs? Honestly also kind of does Penelope a little dirty too, I doubt she would be ignorant if that were the case. Hades 2 is very much about homecoming, which is probably why it's so saturated with references to the odyssey. Odysseus cited his own family when he tells Melinoë to keep hers in mind in order to urge herself forward. But in another conversation, the only thing he can say about Penelope is that they were cordial? It just feels wrong haha.

Though part of me wants to think it's a sort of way to deflect, if that makes sense? The way he speaks is so winding, it almost feels like a shield. I'm not gonna assume until I get the full game I think, but this might just be wishful thinking on my part.

(also the "weaknesses for goddesses" sure is a way to put it! Wow! But again. Shield perchance, or even just because he doesn't have any other way to describe it)

[thatkoiboi]

Sleepovers with April are the best! ...and normally accidental-

omg also i binge read dandy's "i may be invisible, but i still look good" and the reference is random but i needed it cause it was funny in the fic and references are my data collection-

[g00se-ars0nist]

[thejakeformerlyknownasprince]

What if all the yeerks suddenly died? AU

Part 3.5; Part 1, Part 2, and Part 3 are here. All you need to know from earlier parts is that all the yeerks disappeared at once after the events of #19, and that the Animorphs and ex-controllers have been trying to resume a normal life ever since.

• Hedrick Chapman wanted to be an ecologist when he grew up.  Or a veterinarian.  Barring that, he��d have settled for being rich.  At no point did he ever want to be a vice principal of a criminally underfunded public high school.  That had been a yeerk decision, not his.  Certainly not his.  And yet, here he is.

• Then again, Chapman reflects as he watches Andy Mitchell vomit into the potted plant on his desk, this job has recently involved far more working with wild animals than he initially anticipated.

“It was horrible,” Andy sobs.  “Her f-face, it… it split open.  I could see bones under the—”  He cuts off, retching more.

Probably in shock, Chapman thinks.  A perfectly understandable reaction to having seen someone morph for the first time.  “What did she turn into?”

“What?”  Andy lifts his head.  Milk-pale, except for those red-rimmed eyes.  Definitely in shock.  “What do you mean?”

“Rachel.”  Chapman didn’t get a name, but that description could only apply to so many students.  “What did she morph?”

“I don’t know,” Andy wails.  “Her face got all baggy and horrible, like the skin was coming off, and it…”  He makes a pulling motion, away from his own mouth.

“So she turned into an elephant.”  Chapman notes that down.  “Then what?”

“You don’t understand,” Andy says.  “She… she… her body was melting!”

Chapman sets down the pen, looking him in the eye.  “I believe you.  You saw her turn into an elephant.  Did she try to attack you, once she was done?”

“I don’t know!  I ran for it.”

“Smart choice.”  Chapman massages his left temple, which is where his Rachel-shaped headache seems to have taken up full-time residence in Iniss 226’s absence. “I figured as much, since we’re not having this conversation in the hospital.”

“It was horrible,” Andy says again.

“And what did you say to Tobias Fangor that precipitated this incident?”

Andy blinks.  His color looks a little better, anyway.  “How did you know that?”

Chapman does not roll his eyes.  Because he’s an adult, and in control of his own body.  “I just so happen to be fluent in English, Mr. Mitchell.  Which is, by enormous coincidence, the language used to write your disciplinary file.  I’m also capable of basic pattern recognition.”

“What are you going to do to her?” Andy asks.  “Rachel.  What happens to her?”

An excellent question.  Bringing a deadly weapon to school results in a ten-day suspension.  But if Chapman applies that statute in this case, then he’d be forced to suspend all five Animorphs for the rest of eternity.  Threatening a classmate can result in expulsion, though it sounds like no actual threats were issued.  There isn’t a rule on the books for showing a classmate something so disturbing his brain tries to turn itself inside-out from sheer horror, although in light of recent developments there really should be.

“Not your concern,” Chapman says.  “Thank you for telling me.  Back to class.”

Andy takes several more minutes to collect himself before he goes.  Chapman uses that time to catch up on paperwork, though he does offer the young man a tissue.  And a breath mint.

• Andy is barely out Chapman’s door when it swings open again and Tom Berenson strides in.  “You have to tell my parents it’s not Jake’s fault,” he announces.

I am not your therapist, Chapman would dearly like to say.  I am not your best friend.  I am not, regardless of Iniss 226’s relationship with Temrash 114, your fucking subordinate.  I do not ‘have to’ do anything.

Not being snippy with vulnerable teenagers is probably one of those things they’d cover M.Ed. programs, if Chapman had ever actually been to school for this job.  “Why don’t you take a deep breath and explain from the beginning.”  There.  That sounds like something a vice principal would say.

“Jake.”  Tom sits down.  “My parents keep forcing him to go to school.  They think he’s, like, being a moody teenager.  Or faking it.”

Chapman may not be a therapist, or even a college graduate, but he does recognize that Jake’s entitled to as many sick days as he feels like taking, for the rest of eternity.  However, “That’s between your parents and your brother.”

“You can’t do anything?” Tom asks.  “You have the ability to give kids permanent excuses for made-up medical conditions— Iniss did it all the time—”

“I am not,” Chapman says severely, “Iniss 226.”

Tom stiffens.  “I just meant…”

“I recognize it is not your fault you have entirely too much information about the administration of this school.”  Chapman tries to soften his tone.  “But if you can do without using the Krav Maga or ability to home-assemble a working handgun that you also didn’t choose to receive, you can do without that.”

“But— Jake.  They don’t get it.”

“I will speak with your parents.  I’ll express these concerns to them,” Chapman says.  “In the meantime, might I suggest you focus on your own grades?  Thanks to Iniss, you’ve missed far too much school already.  If you want to have any hope of graduating on time, you need to catch up.”

“Why?”

He says it so simply.  It’s a question Chapman’s been asked before: Why bother?  Of all the kids who’ve asked him, only Marco Santiago has been more entitled to ask.  Why, indeed, bother with school?  Why care about Civics and Algebra when the world itself has already ended around you? 

A real vice principal would make a speech about learning being its own reward, or the importance of insuring one’s future.  “Because,” Chapman says, “when I speak to Coach Lu about letting you back on the basketball team, he’ll point out that student athletes need a minimum two-point-oh GPA.”

Tom’s whole face lights up.  Suddenly looking years younger.  Looking like a kid, for the first time in months.  “You’d do that for me?”

That M.Ed. program no doubt would have advised against bribes.  “No skin off my butt,” Chapman says.  “Now go do your homework.  And let the adults worry about your brother.”

“Yes sir!”  And he’s off like a shot.  Possibly even, miracle of miracles, off to work on that backlog of English essays.

• The first time Jake called a meeting in Cassie’s barn, even though they don’t really have a reason to meet anymore, it was to discuss what they can do to help the hork-bajir—taxxon alliance.  The second time, it was to make a plan to help Tobias get caught up in school.  The third time, he doesn’t even make an excuse.

Rachel complains about the press hounding them for a statement.  Marco complains about his parents making out on the couch while he’s in the house.  Tobias complains about Ms. Paloma’s workload, and about the hork-bajir constitution negotiations.  Jake complains about his dad’s horrifying questions about how morphing affects puberty.  Ax complains about Alloran’s frequent, extremely snobby, emails.  Cassie complains about her parents constantly asking her to morph their patients to figure out what’s wrong with them.

It’s silly.  It’s fun.  It’s playing at being teenagers with teenage problems.

“This time next week,” Jake announces, at the end.  “And if there are any major developments in the meantime, keep the rest of us posted.”

• “Tobias Fangor’s aunt called again,” Principal Walsh says, when Chapman gets to the office on a Tuesday morning.  “Don’t you think we should at least speak to her, see what she wants?”

“No,” Chapman says.  “I don’t.”

“His uncle.  This…”  She glances at the paperwork.  “Axel Mili-Esgarrouth.  Didn’t show up for last parent-teacher conference.”

Small mercies.  Chapman doesn’t explain Tobias’s living situation.  Doesn’t reveal that he owes the kid’s parents the kind of debt that cannot be repaid in an entire lifetime of favors.  Doesn’t deign to find out if Maggie Walsh knows what an andalite is.

“Tobias Fangor,” he says, “is part of the one-tenth of one percent of students who are, somehow, attending this high school because they want to be here.  If you give him reason to transfer out, I will resign.”

• There are reasons that Chapman stays in this job, despite being stashed here against his will.  Not the pay.  Not the sullen ingratitude from the teens he helps.  Certainly not the parents.  It’s because he’s needed here, now more than ever.

• He stays for the times Loren’s kid comes skittering into his office, wild-eyed and muttering, “Sorry, I just, sorry, I’ll be out of your hair soon, I promise…”  Chapman knows to open the window, when that happens, knows to shove a chair already well-deformed with talon marks out from behind his desk.

•  He stays for the kids who on paper had straight As, perfect attendance, promising gigs at The Sharing — and overnight became failing wrecks with insomnia and dozens of unexplained absences.  He can explain to their teachers, to their parents, in a way that someone who hasn’t been there will never be able to understand.

•  He stays for the way Eva Santiago clasps his hand and says, “You will look out for him.”  Half-supplication, half-command.

•  He even, despite himself, stays for Tom.  Who showed up at school the day after Aegas 1909 died, trying to pretend like nothing had happened.  Who is a truly godawful actor — he took one look at Chapman, went dead-white, and ran for it.  Who was backing away even as Chapman cornered him in the parking lot.  “Wait!” Chapman had said.  “Wait! Iniss is dead too.”  And Tom had burst into tears.

•  No one else would understand them.  No one else would know why nearly every one of the seventy-three ex-hosts in this school has been sent to his office for not paying attention, for sleeping in class, for allegedly being stoned during school hours.  No one else would overlook the absolute illegal mess of Tobias’s paperwork, or give Rachel a fortieth second chance after she has yet another hair-trigger reaction to being bumped in the hall.

•  But there’s one reason above all others that he stays in this job.

“You don’t mind?” Melissa says, every single time he offers her a ride to school.  As if he’s doing her a favor, letting her take up space in the car he’s already driving that way.  As if it’s a chore to get to spend time with his daughter and hear about her day.

“You sure you don’t mind?” he always answers, smiling, and she always runs to get her bag.

It takes so little — a smile, a nod, an offer to feed the damn cat, sometimes even just a glance her way — to get her to light up with gratitude.  It breaks his fucking heart to know the reason why.

He drives her every day.  He helps her with homework every night, and cooks her dinner afterward.  He drops more than he can afford on leg-warmers and Lisa Frank and Limited Too.  He’s every parenting cliché: on a trial separation from Alison, spoiling their kid rotten because of the guilt.

Anyway, time with Melissa is worth a hell of a lot more than mere money.  And it’s almost enough to make up for dealing with parents.  Almost.

•  “But Cassie’s a good kid,” Michelle Logan says.  “She’s always been responsible, and she’s always taken care of herself.  There has to be some kind of mistake.”

Chapman looks at the good kid sitting between her parents.  Thinks of watching her rip a hork-bajir’s throat out, taking an innocent life along with the guilty one.  Trusts that she had no choice in the matter, because if it was him she’d killed instead then he would have understood.

“I recognize that Cassie has had an overall clean record thus far,” Chapman says.  “However, the Rain Forest Café is filing charges against the school for the impersonation and theft of several live animals, and I don’t have other suspects.”

“Cassie would never,” Michelle said.  “She’s a good kid.  She just fell in with the wrong crowd, that’s all.”

“Of that,” Chapman says dryly, “I have no doubt.”

Cassie lifts her head then to look straight at him.  “I’m sorry,” she says, not sounding it.  “I was trying to help the parrots.”

I.  Yes, she’s a good kid.  “It’s admirable,” Chapman tells her, “that you’re covering for your friends.”  Probably also on the list of things a real vice principal wouldn’t say.  “But there is no way that you could have acted alone.”

“Can you prove that?” Cassie asks.

“Can you even prove it was her?” Michelle says.  “What about Marco, or Rachel?  They morph.  Isn’t Tobias a bird quite often?  Who says it wasn’t him?”

Cassie and Chapman make eye contact.  Marco is one incident away from being expelled.  Rachel is about negative eight incidents away, and Chapman can only do so much to protect her.  Tobias isn’t supposed to be at this school at all, which the board will surely notice if he comes to their attention.  Cassie confessed, because Cassie can take the heat.  And Chapman’s letting her take that fall.

“It’s okay,” Cassie tells the adults.  “It’s only a week of detention.”

Because that was the lowest sentence he could propose, while still avoiding a legal proceeding.  She really is a good kid.

•  “Where you going?” Jake asks, not looking up from his Spanish homework, when Tom unlocks the front door at 8:00 PM on a Sunday.

“Sharing meeting,” Tom says casually.  “Wanna come?”

Jake sets down his pen.  He looks at his brother.

Tom stares back, smirking.

“Where are you actually going?” Jake says.

“Wouldn’t you like to know.”  And with that, Tom walks out the door.

Despite himself, Jake follows.

 • It’s an under-21 nightclub that Jake vaguely recognizes as being a front for The Sharing, but the crowd spilling onto the lawn around it is truly all ages.  There’s a giggling pair of 10-year-olds standing too close to the beer keg for his comfort, a middle-aged guy handing out glow sticks, and a woman with gray hair and a hand-knit sweater smoking a joint on the curb.

“Tommy-boy!” That’s the guy standing next to the door, an ex-controller Jake thinks is named Bill.  He throws out his arms and, before Jake can react, has grabbed Tom, spun him around, dipped him, and kissed him on the mouth.

“Hands off, asshole,” Tom says, laughing as he pulls loose.  “You are so fucking drunk.”

“Sssshhhhhh,” Bill says, not disconfirming the accusation.  He points to the Employees Only printed on the door.  “Just meat-puppets tonight.  Ditch the tagalong.”

“Oh, come on.”  Tom gestures at Jake.  “The kid was a controller for a hot second last November.”

Bill squints at Jake.  “Wait, really?”

Jake shrugs.  He doesn’t want to talk about it.  “Yeah.”

“Well all right, then.”  Bill ruffles Jake’s hair, Tom slaps Bill on the ass, and they shoulder their way inside.

• The club is jammed full of bodies, most of them sweaty and partway naked.  Jake retreats until his back is against the nearest wall, looking over the mess of dancing humans.  Tom has split off, chest-bumping with some other guy Jake doesn’t know and stealing a drag off his cigarette.  None of them are acting remotely like controllers, which is reassuring, and now he’s wondering if it’d be rude to leave without Tom about 10 seconds after having arrived.

 No one would notice if he turned into a bug, he decides after about an hour of this.  Seriously.  This crowd would not notice, and it’s not like they’d care if they did.  Tom can find his own way home.

A small form sidles up next to him.  “Hi, Jake.”

“Melissa!” he says too loudly, glad to see a familiar face.  “Hi.”

“You want some drink?”  She holds up a clear plastic cup, three-quarters full of liquid.  “There’s plenty more over…”  She points to the punchbowl behind her.

“Drink?” Jake asks.

Melissa shrugs.  “From the empty bottles, it’s mostly beer and tequila, with a little bit of Bloody Mary mix.  Which is probably why it…”  She grimaces down at her cup.  “Looks, smells, and tastes like urine.”

“Um.”  Jake peers at her cup; her assessment isn’t wrong.  “I think I’ll pass, thanks.”

“Cool.  There’s also a guy around here with E, if that’s more your speed.”

“Gee.”  Jake looks back over the crowd, which includes several couples openly pawing at each other, a group of four with hands inside each other’s clothes, and Tom apparently attempting to eat some woman’s tongue before she can eat his.  “There’s ecstasy here?  I never would’ve guessed.”

“People are just glad the war’s over,” Melissa says.  “And your brother’s a really good kisser.”

It’s official: this is worse than the gathering of alien slugs plotting Earth’s destruction that Jake expected to find.  It’s not even a proper orgy, just a whole crapton of giddy ex-hosts hugging each other and then getting too enthusiastic about the hugs.

“Look,” Jake says.  “This has been nice, but I have school tomorrow, so…”

•  Which is when the commotion breaks out near the door.

“Gatecrasher!”  That’s Bill, brandishing a mason jar as he continues to yell.  “We have a gatecrasher!”

Several people crowd around him to get a better look, someone holding up a glow stick to reveal that, sure enough, the jar in his hands contains a single wolf spider.  Among this crowd, animals that act strange or aren’t native to California don’t go without notice.

«I’m innocent!  And even if I’m not you can’t prove anything,» the spider says.  «Maybe I just wandered by accidentally, and this is all a big misunderstanding.»

“This thing’s for full members only,” Tom says, straight-faced.  “There’s a sign on the door, can’t miss it.”

«Maybe I want to join the Sharing?» the spider suggests.

This gets him several unamused looks.  “Toss him out,” Li says.  “And let’s get back to the keg stands.”

“Nah, let him stay!”  That’s Koko, piping up from the back.  “God knows every person in this bar owes the Animorphs a drink.”

Looking between them, Bill turns back to the jar.  Finally he lifts it up to eye level, starting at the spider’s middle two eyes.  “Repeat after me,” Bill intones.

«Uh-huh.»

“What your mom doesn’t know…”

«What my mom doesn’t know…»

“Will not hurt her.”

«Dude, I wouldn’t narc on you!  What do you take me for?»

“A chip off the old block,” Tom mutters.

“Repeat it,” Bill says severely.

«What my mom doesn’t know, won’t hurt her.»

“Great!”  Bill unscrews the lid of the jar, dumping it out on the ground.  “Welcome to the Sharing.”

“If it makes you feel better,” Melissa says to a slowly-demorphing Marco, “I got the same speech.”

“It really does.”  He presses a hand over his heart.  “Now, someone mentioned buying me a drink?”

•  A small nightclub on the outskirts of the city burns to the ground, shortly after having every piece of its furniture and glassware smashed in a pile in the middle of the floor.  The local police force, over 30% of whom were controllers three months ago, elects to ignore this development.

•  Chapman loathes paperwork to the absolute depths of his soul.  Nothing, absolutely nothing, is worse than filing paperwork to get permission to file paperwork, and yet here he is.  The state of California cannot possibly need this many copies of Ashley Shawn’s transcript.  This has to be a torment invented by an evil god to punish him for everything he did aboard the Jahar.  There is no other explanation.

So when Ms. Hanna comes skidding into his office and announces “Science wing! There’s a brawl!” his first thought is, oh thank god.

His second thought is to wonder why she came to get him, skipping the security officer and Principal Walsh, but they’re already running by the time that occurs to him.

When they get there the press of screaming-chanting bodies fills the hall from end to end, but kids still find room to crowd out of the way when they see Chapman coming.  The circle of spectators breaks long enough to reveal the melee at the center, and—

Oh hell.  Chapman can tell exactly why Ms. Hanna got him first.

Fiona Aherne has one hand fisted in the collar of Tom Berenson’s shirt, and is punching him repeatedly in the face.  Joe Lassen catches her around the middle and rips her off Tom, tossing her to the floor, only to be caught in a side-tackle by Li Saren.  Beyond them, Hailey Ng and Bill Renaldi are hanging onto Asher Reed, until Asher suddenly rolls forward and body-slams Bill to the floor.

Chapman winces — so much for not using that Krav Maga. He's knocked aside as Jake shoves past him and dives in to the fray.

Principal Walsh is across the battlefield, staring in bafflement.  Shouting ineffectually for everyone to stop.  She doesn’t know, of course, what Tom and Joe and Asher all have in common.  What Bill and Li and Fiona and Hailey do.

Li has Tom by the throat from behind, which is why Jake throws himself onto Li with the gracelessness typical of a high-schooler.  Li head-butts Jake, only to have Jake, snarling, bite him in the face.

“Stop!” Chapman bellows.  “ALL OF YOU!  STOP!”

Jake drops off Li.  Hailey drops Asher.  Slowly the others lower their fists, glaring.

Good to know everyone’s fear of Iniss 226 is still good for something.

“Everyone in the Biology classroom,” Chapman barks, pointing at the door.  “Bill’s lot near the windows, Tom and the others by the door.  Move it!”

Principal Walsh stares at Chapman in confusion, which deepens when everyone obeys him without question.  He beckons first to Ms. Hanna, then to Mr. Tidwell, pointing them into the room as well.  They also take their places without question, Mr. Tidwell supervising the voluntary half of the room as Ms. Hanna covers the involuntaries.

Pausing in the doorway, Chapman turns at last to face Maggie Walsh.  His boss.  Who has the ability to fire him, if she misunderstands the situation.  “It’s about yeerks,” he settles for telling her.

Her look of bafflement doesn’t fade.  “How?”

Chapman opens his mouth. Hunts for words.

“Jake had nothing to do with this.”

Chapman doesn’t have to turn his head to know who spoke from the involuntary side of the room.  What a surprise, a Berenson kid running his mouth.

“Thank you for your input, Thomas.”  He spins around.  “That isn’t your call.”

Tom crosses his arms.  Between the fingernail marks down his cheek and the broken knuckles of his right hand, he looks the very picture of delinquency.

“He’s right,” Joe says, from the voluntary side of the room.  “It’s nothing to do with Jake.”  In Chapman’s peripheral vision, Maggie Walsh blinks several times.  He’ll explain later.  Or try to.

“Fine,” Chapman says.  “Jake, get back to class.”

Jake lifts his chin, blood striping the lower half of his face.  “I chose to get involved,” he says.  “I’ll take my punishment.”

“Oh yeah?” Tom says.  “Then what was the fight about?”

Jake looks from one side of the room to the other.  Both sides have ninth graders, twelfth graders, jocks and nerds, white and Black and brown kids.  Jake’s probably smart enough to identify several ex-controllers, and to guess at the rest, but unable to tell how or why they sorted themselves like they did.  Nonetheless, after a second he opens his mouth.

“That’s what I thought,” Chapman cuts him off.  “Anyway, if I suspend you then Marco and Rachel will have burned down the school within a week.  Fix your nose, then back to class.”

Knowing when he’s beat, Jake leaves.  Chapman makes a note he’ll also have to explain to Maggie how morphing works, and that he didn’t just order a 14-year-old to hand-set a broken nose.

“The involuntaries started it,” Bill announces, the moment Jake is gone.

“Yeah,” Tom snaps, “and the voluntaries are the ones who—”

“Who were lied to, instead of being coerced?” Mr. Tidwell suggests.

Tom shuts his mouth.

“Asher called me a traitor.”  Li points a finger across the room.

“Six months ago Li told me,” Asher says quietly, “that I should really join the Sharing.”

“And so,” Chapman drawls, “you had no choice but to punch each other in the face.  Is that correct?”

Tom mutters something under his breath that Chapman chooses not to catch.  He can’t threaten them, not this crowd.  Most of them have survived worse hells than the Geneva Convention ever dreamed of.  Detention means nothing.

Fine.  Persuasion it’ll have to be.  Fuck his life.  Chapman raises his voice to address the involuntaries.  “They—” He points to the voluntary side of the room.  “Are not the enemy.  The yeerks are the enemy, and the yeerks are dead.  Don’t start doing their work for them, you hear me?”

There’s a long silence.  Asher scuffs the toe of his shoe on the floor.

“Yeah,” Tom says at last.  “We hear you.”

“Everyone get checked at the nurse’s office,” Chapman tells the room at large.  “You’re all suspended for the rest of the week.”

Maggie Walsh takes a seat next to Chapman, even as the kids all file out.  Yeah.  He owes her an explanation.  Taking a deep breath, he tries to sum up what just happened.  Hopefully in a thousand words or less.

Don Tidwell, coward, takes that opportunity to slip out the door.

•  “Does anyone have anything to report?”  Jake looks around Cassie’s barn.  It’s still odd to see Ax and Tobias sitting out of morph and in the open.  There was a brief collective panic when Cassie’s mom poked her head in earlier to ask if they want any lemonade or feeder mice.

“I have,” Marco says grandly, “a date… with Destiny!”

«Oh, you mean Destiny Trembull in tenth grade?»  Tobias immediately undercuts this, because of course.  «She seems nice.»

“And we don’t even have to spend the next three days following her around,” Rachel comments, which gets Marco to lob a horse comb at her head.

«I have accessed one-hundred twenty-three additional channels on my television,» Ax adds.

Cassie and Jake exchange a glance.  “How’s it going, getting a ride home?” Cassie asks.  “Any word on that?”

Ax shrugs — he isn’t even going to fit in on the andalite homeworld anymore when he does finally get there — and looks away.  «I’ve been told that there are more important priorities concerning the Navy.»

«Their gratitude,» Tobias drawls, «is overwhelming.»

•  Chapman explains to Jake’s parents that Jake needs a therapist, and also permission to miss school if he needs to.  Chapman explains the Yeerk Empire and how exactly they recruit humans to Li Saren’s parents for the third, then the fourth, then the fifth time, until they are in tears and begging their son’s forgiveness for doubting him.  Chapman explains to the district that he has no idea how the school ended up with a staircase leading from a supply closet to the alien sinkhole, but that he wants it sealed up posthaste.  Chapman explains himself to Naomi Berenson, and then he does his best to explain Rachel as well.

• "No," Chapman tells the officious-looking little man sitting across his desk. "I don't know of anyone like that. I'm sorry, I wish I could be more help."

The man — he's probably a real detective, he has a badge — leans across the desk to push the photo array a little closer to Chapman. "You're sure? None of these individuals is a..." He glances at his notes. "Voluntary controller."

Chapman looks at the array, which includes images of nearly 100 students. Some of whom weren't controllers at all — that's Tobias Fangor in the upper left corner. Some of whom were lied to by the Sharing, and then lied to by the Yeerk Empire. Some of whom, like Bill Renaldi and his absolutely debilitating major depression, felt they had no choice but to give up their bodies. "Sorry," Chapman says. "None of these individuals appear to be voluntary controllers to the best of my knowledge."

The detective stares at Chapman, waiting for more information. Chapman stares back, waiting for the detective to get bored. He can do this all day, literal hours of silence if that's what it takes. He doubts any mere civilian can say the same.

Sure enough, the detective breaks first. "You see," he says, "we know for a fact that some of these individuals did, in fact, collude with the Yeerk Empire. And we have CCTV footage indicating that you might have been one of those colluders yourself. So anything you can do to help us out..."

Chapman lets the silence go for another minute, long enough for the detective to shift in place. "You're mistaken," he says at last. "About what it means to be a voluntary controller. Or an involuntary one, for that matter. The distinction you're seeking does not exist."

"I'm sorry." The guy has his notepad out now, pen moving. "You're saying... there's functionally no difference between the voluntary hosts and the involuntary ones?"

"Yes," Chapman says, unaware of the hell he's about to unleash. "That's exactly what I'm saying."

•  “Ms. Paloma’s being a butt,” Melissa says, spinning her chair with a toe on the floor.  “I told her that I have a French test the same day as the Bio one, but she just said that means I have to learn to manage my time.”

She just walked into his office.  Without knocking.  Without asking if he’s busy, if he minds, if he’s sure.  Without apologizing for her existence.  She walked in, she sat down uninvited, and now here she is complaining to him like any normal teenager.

“That sounds stressful.”  Chapman is choosing his words with infinite care.  He’s six years old again, holding a butterfly cupped in his palms and knowing that even a millimeter’s clumsiness will crush this precious living jewel.  Thinking this.  This is what I want.  “I’m sorry to hear that,” he says.

She came in unprompted.  She just walked right in.

“I hate French.”  Melissa spins the chair again.  “It’s all those lists of vocab words, and I can’t even say half of them correctly…”

“Do you want me to help you study?” Chapman asks.

Her head pops up with the force of her surprised, pleased smile.  “You’d do that?”

That’s it, then.  He’s never leaving this job.  Paperwork and all.

[mercifullymad]

i feel passionately about the need to enfold people experiencing (or diagnosed) with "just" depression or anxiety into the mad pride project. the more people who view themselves as mad, the better. much as the rhetorical move from "neurotypical" to "neuroconforming" emphasizes the artifice & social construction of "neurotypicality," so too will expanding identification as "mad" expose the sane/mad dichotomy as a false one.

it's true that (some) people with "just" depression and/or anxiety have an easier time navigating the psych system than people who have more stigmatized diagnoses. but this is not to say that they necessarily have an easy time — the carceral psych system is hostile to everyone subsumed by it, even the most "privileged" patients. we should of course critique & examine how our experiences are shaped by various intersections of privilege, but we cannot forget or ignore how someone with "just" a depression/anxiety diagnosis can still experience the full force of the carceral psych system brought down upon them (including but not limited to involuntary institutionalization, police intervention, & forced medication or other forced treatment).

we must encourage, if not insist, that those with the least-stigmatized diagnoses view their difficult experiences navigating the psych system as bound up with the liberation of people who have more stigmatized diagnoses &, often, a more violent experience of the psych system. we need more people to drop the "i have anxiety/depression but i'm not crazy" line and say loudly, "i have anxiety/depression & i am crazy. my access to just treatment is linked to the conditions of all other crazy people, who are my allies, peers, & friends. we are united in our cause & we all deserve a more liberating system of care."

[kitocrystal]

Checking out other Quest AUs as I wait for my will to come back to continue with Inky Mystery.

(The conflict has not let down yet and I’m starting to feel dread)

Anyway, go check out this neato retell of the og Quest story by @thequestfortheinkmachinecomics. The characters’ designs are nicely touched up, their personalities seems more natural now, the art is really cool and oh no, I’ve run out of juice for words… I just know that this retell will be good so I’ll be on along for this ride.

[yuwuta]

gojo would kill your work husband. but if he were the work husband, that's a different story

REAL!! he’s such a hypocrite because if someone mentioned you had a work husband, his entire world would stop and he wold devise the absolute worst plans to make sure that your co-worker, everyone at your job, and everyone in the next building over knew that he was happily committed to you 

but if he is the work husband, he’s very........ dutiful in his role. there’s a loose office/lawyer au in my head where satoru is your secretary, and for all intents and purposes, your personal assistant, and he’s good at his job, but mostly because he considers his job to be pleasing you. he has coffee for you when you arrive, he moves your schedule around without you asking, he has answers to questions before you can even ask them, he has fresh flowers on your desk weekly, pokes into your meetings to pretend to hand you a file that’s really just maybe a single document in a manilla folder with candy on top of it—he’s made himself your business, your partner; he’s made himself irreplaceable, and he loves to remind everybody of that fact. 

he’s also extremely loyal. sure, he could day a week’s worth of work done in about a day, but that doesn’t mean he’ll just use his talents for anybody. he’s your secretary, so he’s at your beck and call, and everyone knows it. they know he’s the best, but also that he’s off limits—not because you won’t share him, but because satoru won’t let himself be shared. 

he also extends his duties beyond work, of course. when he hands you a print out of your schedule for the day and you’re confused by the three-hour block of time you have in the middle of the day, satoru just helps you shrug your coat of your shoulders and smiles, “that’s for the lunch date you have with me, of course!” hanging up your coat in your closet for you, “i’m paying, see you soon, sweets.” and because you’re great at your job, and satoru helps you be great, nobody really questions when the two of you have time for a 13-course tasting menu at 1pm on a tuesday afternoon. and if they did, all satoru would say that you two had a lovely date 

[genericpuff]

I'm not sure if anyone else has made this connection, but I've never seen it mentioned before. I think, similar to Lolita, RS was also inspired by the art of Trevor Brown. His work has a lot of young girls and medical fetish themes (to put it lightly) in a style reminiscent of RS's earlier stuff.

sigh

CW: medical fetish art often depicting children / child-like characters and medical equipment such as needles, gas masks, etc. seriously don't hit the jump if medical equipment or young girls in nurse's outfits or with open wounds makes you squeamish, I will not blame you for turning around now LOL

OP I was about to just... dismiss this. Wave it away as a funny coincidence that is indeed funny, but doesn't have any real evidence to back it up. I had a post typed up in response already declaring this, after which posting I was gonna move on with my day, work on Rekindled, play some XIV.

Because sure, there are a lot of resemblances between Trevor Brown's work and Rachel's old art, but nothing that can't be dismissed in good faith as a simple coincidence of being within the same genre of fetish art (first three are Trevor's, last three are Rachel's).

But then that little voice in the back of my head whispered in my ear, "Puff. You should double check. Just to be sure. Do your due diligence." And I once again found myself on the precipice of the rabbithole that somehow becomes deeper every time I jump. This time though, I knew it couldn't be that bad, I mean, I had enough confidence in knowing that there's no fucking way she listed Trevor Brown as one of her favorite artists-

God fucking dammit. How in the world did I miss this? I mean, I suppose I missed it simply because I'm not familiar with the works of Trevor Brown, but you can bet your ass I became familiar with it in my digging. Yeah, this guy is a supreme creep.

Again, I am not going to accuse Rachel of being a pedophile because that's just not an accusation that should be thrown around without undeniable evidence. What I will say, which has largely remained the same - though even more confidently now than ever before - is that she's clearly someone who took a lot of inspiration and influence from very problematic artists when she was young (I'm talking in her late teens which has me wondering if she started making medical fetish art when she was still a minor-) and then, BEST guess, she started to drop the medical fetish stuff around the time she went to college (which was also the same time she dropped The Doctor Pepper Show, which later got reworked into The Doctor Foxglove Show which was a lot less reminiscent of her medical fetish style from the early 2000's, but still had some of her usual preferences at play) and that's led up to today where she's drawing comics that look like they're for kids but tackle heavy adult subject matter in the worst way possible that straight up perpetuates grooming.

No matter how much experience I have with this already, no matter how much I think I've already seen, I always find more, and this time was no different. In fact - though unrelated to the original topic - thanks to this one fucking ask, I even found the full Mads Mikkelson comic with the completed caption. You know, that one.

And apparently Mads Mikkelson did very much replace her crush on Jeremy Irons.

Who's Jeremy Irons?

Oh yeah.

I just... y'all I can't. This is un-fucking-real. I'm gonna go take a shower, I need to scrub myself off of this 😭

[aerithisms]

this feels like a very uncharitable assumption to make but that felt veryyy "rtd tries to do moffat but badly". like the emphasis on the power of memory (a pet favourite moffat theme), the whimsical/poetic dialogue with "there will be birds" (this dialogue style being moffat's MO), the collapse of the universe down to a small point (happens in multiple moffat series finales) and the bait and switch of setting ruby up to be a mystery only for her to be perfectly ordinary (an echo of the 7b impossible girl plot). only he did it all worse? he didn't really have as much to say about memory/the story wasn't very cohesive with this theme, the birds line felt kind of awkward, out of place and ooc for kate as a character, and the ruby mystery arc lacked bite bc it didn't have the conflict of the impossible girl arc. idk man it was undercooked i did not like it very much

[uousoupki]

he cooks when his brain cells slot together

[stonyponyofficial]

so when imbored i type out a bunch of two word icarly style t-shirt slogans and just save em to my drafts. here are my favorites so far

[nelkcats]

Space-Time apprentice

After many conversations with Clockwork, Danny decided to be his apprentice, partly because Clocky was the closest thing he had to a grandfather, and partly because he really wanted to travel back to the time of the dinosaurs.

Clockwork was well aware of that fact, which is the reason he made his lessons as difficult and cryptic as possible. And although it frustrated him, in the end Danny succeeded. Due to his core, at the end of the lessons he ended up becoming the "Master of Space", which was not the same as Clockwork but quite similar.

He didn't realize that being a "master" of literally anything was lonely. They also didn't inform him that being a halfa would give him immortality, Danny sighed sadly, at least Clocky kept him company.

Perhaps the reason for his future actions was due to that feeling of loneliness; After watching a new dimension being created, both Clockwork and Danny witnessed a baby wizard being born in Egypt on that dimension, he had immense potential (Danny found it curious that many events tended to repeat themselves as a constant in the progress of different dimensions, like the egypt creation for example)

Since he had never witnessed anything like this before and it reminded him a bit of Tucker, the Master of Space went to congratulate the little wizard. But when he said goodbye, he followed him! Like a duckling. Danny saw this and plead his mentor for help, Clockwork just shook his head, Nabu would be a future lord of order, but right now he was just a curious and lonely kid (and Danny got a headache thinking about the intricacies of the dimension).

Resigned, Danny stayed in Egypt for a couple of hundred years, he began to teach Nabu space magic and other arts he had learned over the years; Clockwork seeing that his apprentice had taken his own ward, decided to taught Nabu a bit about future vision, a useful gift for the boy. When Nabu eventually disappeared, they both decided to leave without leaving a trace behind, it was like they never existed, even if the people remembered them.

Danny just didn't expect his little Nabu to have turned into a ¿spirit? trapped in a helmet and other artifacts thousands of years later, of course he'd made some dubious decisions but thats was a little cruel for a punishment, even if he was not sure if Nabu did that to himself; The halfa felt lost, there was no manual of "I met my pupil after a long time and he is trapping people with his helmet and other objects to possess them"!? He swears, he checked on Ghostwriter library!

For their part, the Justice League was confused when the respectable and usually unflappable Dr. Fate began to jump on his heels impatiently as he looked out of the Watchtower, waiting for something, or rather someone.

[badlydrawnronpa]

Have you ever read homestuck? Because i love that your art style is similar to homestuck but with danganronpa characters (idk if whatever i said has sense)

[worstloki]

there is a difference between being born to a throne, maliciously vying for a throne, stealing a throne, and having a throne thrust upon you when you are already in the midst of an identity crisis. And I fear Loki's place in the line of succession has people unable to differentiate between any of these