#Paisley Ontario

[thelensofyashunews]

TORONTO HOMETOWN HEROES AR PAISLEY AND ALI GATIE STAKE A CLAIM ON TORONTO'S RAP SCENE WITH HEARTFELT HIPHOP RELEASE ‘MIA’

Tapping longtime friend and now collaborator, platinum recording artist Ali Gatie, Toronto’s AR Paisley releases ‘MIA’. The single, which features Jay Track’s cinematic production, brims with reliability and vulnerability. ‘MIA’ follows Paisley's recent release “Supply and Demand” with rising Punjabi artist Harsh Likhari.  It is an addictive melody fueled by Paisley's sharp wordplay, complemented by Gatie’s lush vocals, bearing a heartfelt message of life’s complex tides and relationship toils.

The new track, which arrives alongside cinematic visuals directed and shot by director masterminds Tango and Shot by Savvy and edited by Charlton Visuals, captures the striking landscapes of Los Angeles alongside passionate clips of estranged lovers. Underscoring a message of resilience to weather the storm of heartbreak and uncertainty, MIA is a reminder of the nature of love and opportunity.

AR Paisley is quickly securing his status as the new titan of Toronto rap. With previous releases ‘Only You’ and ‘Supply and Demand’ nodding to a nostalgic era of hip hop Paisley reveals his views on relationships on the new release stating, “Relationships come with a lot of conflicts. Up & downs, I wrote my verse about the negative aspects of a toxic relationship” The song bears significance to both Paisley and Ali Gatie, who met in elementary school, and established a tight bond. The release also marks a full circle moment for both artists, who grew up on Paisley Blvd, a community which played a large role in shaping them as artists. ‘MIA’ stands as their first official collaboration since first connecting for Ali's first studio session years prior. 

Of the sonic sanctuary for the brokenhearted, Ali Gatie says, "Everyone has that experience with a person that’s constantly in and out of their life, always indecisive and never sure of what they want. That’s what we wrote MIA about" 

[inkednotebook]

Thank you @kaylinalexanderbooks and @willtheweaver for the tags!

Rules: answer the prompts for an OC

Tagging @meerawrites, @illarian-rambling, @mjparkerwriting, @bardic-tales, and @peachesandghosts

From my WIP Icing Waved Off

Full name: Theodore Alexander Wilson

Age: 24

Gender: Cis male

Species: Human

Appearance: Pale skin with pink undertones, no birthmarks or freckles, really. Short, chocolate-brown hair, often swept back; faded shave around the ears and nape of the neck; longest pieces touch the top of his ear. Hazel-coloured, slightly downturned eyes. Angular features (nose, cheeks, and jaw). 6'1" or about 185cm. Broad shoulders, boxy-shaped torso. Strong, muscular legs (especially thighs).

Occupation: Pro/NHL hockey player

Family members: Isn't super close with them, in part because he lives relatively far away for his career. As such, I haven't fully developed these characters yet. His dad, Greg Wilson, is a cop. He was pretty hard on Teddy and his brother growing up, but it's because he wanted them to succeed and wanted them to work hard (though he could've done a better job at showing them love). He has some pretty traditional gender views (e.g., "man" of the house, heteronormative but not necessarily homophobic). Teddy's mom, Libby Wilson, is an elementary school librarian. She's much softer than Greg, but never really spoke up if/when Greg was being hard on the boys growing up. Teddy's brother Nicholas is a few years older and is doing his PhD in psychology and has a habit of psychoanalyzing people and situations rather than listening. He's engaged to his fiance Kylee.

Teddy's extended family is spread out across New Brunswick and eastern Ontario (Canada). On his dad's side, he has an aunt and uncle who live in Moncton, NB, and a "dickhead uncle" (as James calls him) who lives in Fredericton, NB with his grandparents. He has cousins in Ottawa, ON - his Moncton aunt and uncle's kids. On his mom's side, he has an aunt and uncle who live in Kingston, ON, and who have a couple kids a few years younger than him. He also has his grammie who lives in Kingston - she lives in a retirement community where she found "her new beau" (also according to James).

Best friends: James Parker

Pets: None. He never had any growing up because his brother's allergic to most animals and his parents didn't want any reptiles or anything. With his job being so hectic, he doesn't have the right lifestyle for a pet at the moment.

Describe their room: Mostly decorated by his fiance Eleanor. Large king-sized bed with pale blue sheets and teal, paisley-printed duvet. White bookcase near the window with novels, trinkets, and pictures. A small armchair next to the bookcase; black suede with a pale blue throw blanket and matching pillow. White dresser across from the end of the bed with jewellery boxes/displays atop. White bedside tables with books and magazines on top. A walk-in closet near the back corner, next to which is the entrance to the master bath.

Way of speaking: His voice is pretty even-toned most of the time. He uses a lot of sports slang in his speech. Hesitates and stumbles over words when anxious. Ontario accent.

Physical characteristics: Nothing I didn't already mention.

Items in their bag/purse: When they're on roadies, his carry-on usually has: a sleeping mask, a book, phone charger, his meds/vitamins, noise-cancelling headphones, a pack of playing cards, an extra sweater, a Sudoku book + pencil, lip balm, pack of gum, snacks (assorted nuts, granola bars, and maybe an apple or banana), and a water bottle.

Hobbies: Other than playing hockey, he enjoys reading (especially mystery novels), playing video games (not really open world/story-based ones, but ones like Mario Kart, Mario Party, NHL The Show, MLB The Show, and fun party/co-op games), watching Star Trek, watching baseball and sometimes football, and doing puzzles (both brain puzzles and physical puzzles).

Favourite sport: Hockey, duh.

Abilities/talents/powers: He's very athletic (again, duh). He's a great hockey player. He's a pretty fast reader. He's an okay cook. He's good at brain puzzles (like Sudoku).

Relationships: At the beginning of the book, he's engaged to his high school sweetheart Eleanor Montgomery. Their relationship is very much based on emotional co-dependency from when they were teens. They "...fell in love young" and "What do seventeen year olds know about love anyway?" (-El). Not a healthy relationship on either end. Teddy pushes down his feelings and hides parts of himself around her and he ignores his gut telling him something's wrong.

With his teammates, he's much more comfortable. He's open and free and goofy. He lets himself relax and even lets himself break down at times. He still pushes down his feelings when around others a lot, and he isn't good at vocalizing his feelings with certain people. He's closest with his teammates James, Marcus, and Mickey.

Fears: Failure. Disappointing loved ones. The unknown.

Faults: Oh boy, he has many. He's a flawed individual, especially at the beginning of the book. Kind of touched upon it, but he's not good with feelings. Or at least he has a habit of shoving down his actual feelings to please others. He can be selfish at times without realizing it. He sometimes turns to alcohol and cigarettes to cope with his thoughts.

Good points: He cares so deeply about people. He's a hard worker. He's a good listener. He's open-minded. He's witty/can make people laugh.

What they want more than anything else: To win the Stanley Cup. But also just be happy with who he is.

[thecrochetcrowd]

Crochet Spinning Top Lapghan Pattern + Tutorial

Crochet Spinning Top Lapghan Crochet Spinning Top Lapghan The Crochet Spinning Top Lapghan is an adaptation from my original Peppermint Pinwheel Afghan. It’s been adapted by my friend, Cathy Lund from Paisley Ontario. Free Pattern: Crochet Peppermint Pinwheel Afghan The adaptation is based on keeping the pinwheel a solid straight shot out from the center instead of breaking up the pinwheel like…

[if-you-fan-a-fire]

"THRILLING CHASE, USE OF FIREARMS PRECEDE CAPTURE," Toronto Globe. September 22, 1933. Page 1 & 2. --- Police Scour Bruce County and Catch Quarry at Dinner-Table ---- THEFT CHARGES LAID --- Heartbreaking vigils, an automobile chase, rifle shots, and the alleged attempted running down of officers of the law all preceded the arrest at a farmhouse dinner table of Elmer F. Rankin, long wanted by many Eastern and Western Ontario police chiefs for alleged housebreaking, thefts of automobiles, gasoline, and butter, and eggs by the truckload.

The ultimate downfall of Rankin, who is now locked up in Walkerton jail awaiting trial, was due to the untiring efforts of Provincial Constable Otto McClevis of Walkerton. Among the long list of alleged crimes for which Rankin is to answer is the theft of a car from W. Jenkins of London, Ont., on Sept. 9 last. Constable McClevis last week received information of a car car answering answer the description being parked in a bush fourteen miles west of Paisley.

When the constable arrived at the reputed location of the automobile it had disappeared, and for three days the Provincial officer with the Chief Constables of Walkerton and Paisley, searched every road and every bush in and around Bruce and Saugeen Townships. It was not until Saturday last that the car was found well hidden in a ditch bottom, but arranged so that it could make a fast getaway.

The police secreted themselves for a long wait for the car's custodian and, ultimately, they say, Rankin slipped into the machine, started the engine, and, despite the shout of the officers for him to stop, came shooting down the path directly upon them. The officers had to leap into the ditch for safety. Here it was that McClevis fired from his rifle in an attempt to flatten the rear tires of the car but without success.

A thrilling automobile chase followed, in which Rankin was bested, for he ultimately braked his car and made a run for safety through the woods. The police car smashed into the rear of the alleged bandit's machine but no one was injured. McClevis and the police chiefs chased Rankin for more than a mile, but finally lost him in the gloom.

All that night the officers maintained their vigil of the reads and the byways, but it was not until next day that they heard of a tramp being seen near the Pace farm. When they arrived they found the wanted man eating a meal provided by the hospitable farm wife. At first denying his identity, he finally, police say, admitted himself to be Rankin and quietly submitted to arrest.

According to Provincial police some of the offenses in connection with which Rankin has admitted implication are theft of 1,000 pounds of butter from Paisley creamery in March this year; theft of gasoline from a Paisley garage; theft of one car from Brighton, another from Trenton; theft of a truckload of eggs from a Paisley store in August; robbery of the railway station in Paisley; theft of a car in Elginfield Township, and theft of the Jenkins car at London, Ont.

[orchardslandingpaisley]

Things to Consider When Looking For A Rental Event Space in Paisley, Ontario

Finding the right rental event space in Paisley, Ontario, is crucial for the success of your small business training event or kids' birthday party. Consider key factors such as location, size, amenities, budget, ambiance, accessibility, and booking policies when making your decision. By doing so, you can ensure that your event goes off without a hitch in this charming Ontario town.

[hscottfitch]

JUNE 19 2020 My youngest son's wedding. A bit about me... I am a 50-Year Old father of 3...Tyler, Jenelle, and Daniel, Father-In-Law to 3...Jane, Curtis and Meagan Grandfather to 3...Annabelle, Paisley, and Charlie Married to Jennifer since I was 18, 32 Years Ago. This was me 75 LBS Ago. Was 260 then I'm 185 now. I am only 5'6" so 75 lbs has been Life Changing. Feel free to ask me anything. Scott . . . #throwback #throwbackthursday #weightlossjourney #fattofit #fatlosstips #fatloss #fatlosshelp #fatlosscoach #fatlossmotivation #fatlossprogram #fatlosstransformation #transformationthursday (at Barrie, Ontario) https://www.instagram.com/p/CmwHG9nufGY/?igshid=NGJjMDIxMWI=

[k2kid]

He is Still Living

He is Still Living

[designwallah]

Abandoned barns (4) Paisley, Ontario

[paisleypat]

Many thanks to Sascha in London for posting a cool selfie on Instagram. She's flower-shopping in her Paisley Prince Songbook face mask. Also thanks to Connie in Virginia, Louise in Ontario Canada, and Lauren in Eastbourne who all bought one of the Prince-themed masks and also Sasha (another Sasha!) in Minnesota who bought 2 of the masks. They are all dedicated Prince fans 💜. The unique design by Patrick Moriarty references many of Prince’s songs in the artwork, including Purple Rain, When Doves Cry and Kiss.

[mudwerks]

CBC radio actress Paisley Maxwell rehearses before television cameras in the CBC studios in Toronto, Ontario 

[mishifoltyn]

I wrote a text about Circular Dimensions, an exhibition of sculptural ceramics and paintings and drawings by Ontario-based artists Heidi McKenzie and Maya Foltyn. The goal was to bridge these two independent practices through echoing experiences and moments in the artists’ lives. Here is the text in full. Circular Dimensions – Heidi McKenzie & Maya Foltyn February 7 – March 1, 2020 Opening reception: February 7th from 7:30 – 9:30pmMeet the artists: February 23 at 2:00pm  Circular Dimensions merges two distinct and individual practices, taking inspiration from personal experiences and collective histories from all over the world. Artists Heidi McKenzie and Maya Foltyn bridge and cross disciplines, roles, trajectories, and aesthetic languages in this ceramics and painting exhibition founded on circular movement. Join the artists at the vernissage on Friday, February 7th from 7:30 – 9:30pm at Carnegie Gallery (10 King Street West, Dundas, Ontario) and meet the artists at a special conversational event on February 23rd at 2:00pm. A look into, around, and within Circular Dimensions, a ceramic and painting exhibition by Heidi McKenzie & Maya Foltyn Text by Agnieszka Foltyn  “Everything is a balance between control and gesture,” Maya starts. This simple statement echoes a conscious act of negotiation of change or perhaps tensions in flux within our rhythms, our perceptions, and our responses to the world. It is a negotiation of the stimuli of phenomena that makes up our understanding of the world around us: its politics, its people, where we are, who we are, but importantly, how we are together.   The practices of Heidi McKenzie and Maya Foltyn touch and separate, intersect and cross over, flow in parallel, and divide in separate directions. These are not linear trajectories but rather circular or cyclical meanderings, stimulated and affected by the machinations of society throughout time. They are dreams, thoughts, extensions of a willingness to understand or to come into contact with the unknown. They are meditative, rhythmic techniques tailored to the individual lives of the artists. They express a subtle hope.   “Everything is in flux. That we see something as static is a form of abstraction,” Foltyn states. And in this exhibition, abstraction is key. Perhaps what draws us to this concept is a negation of the direct messaging of a qualified truth. In this present of fake everything, scripted bias, and media monopolies, what abstraction does is make space. It makes room for the viewer to determine their own position – through their movement within the gallery space, peering from one work to the other, from one artist to the other and back again. The viewer has the freedom to exercise their agency, their will to decide or not to decide, to determine or to not, to look, to question, to relate, to feel wonder. Making room for agency is a powerful political act. It creates space for a diversity of voices to be heard. The artists make space through the use of a minimal visual language, the round shape, the circular trajectory becoming a symbol of a journey – their own intersecting with many others.   Heidi McKenzie’s ceramic sculptures flow, grow, shape, twist, and turn as “soul sketches”, moments of her personal journey capturing a specific moment of her own development but at the same time resonating within the entire sum of her experiences. It is a moment, but one that points to the future. McKenzie’s practice brings her all over the world, connecting to people, places, skills, and techniques. Her background traces its roots across continents and her inspirations delve even further. “As an artist, it’s important to speak in your own voice – play in your own sandbox,” she begins. “Speaking in my own voice speaks to a lot of people.” The global movements of humanity over time have shaped our cultures and our viewpoints. Values and meanings have risen and changed. These intersections, moments of meeting, create a certain effect that resonates in other people’s lives. Paisley is a recurring motif in McKenzie’s work. “It represents both sides of my cultural heritage,” she states, referencing her Indo-Caribbean, Anglo/Irish roots. She draws a simple outline of its journey, originating as an almond shape in South Asia before making its way into the Scottish textile industry. While at a residency in Australia, she found herself exploring a particular shape. “That form came out of me in Australia,” she states, her arms outstretched. “There is a humanity that is connected to this shape.” The word excavate appears several times. To excavate: to dig something out, to expose something that is made meaningful in a new time. These works trace stories, identities through time and place, affected by meetings with other people, their cultures, and their traditions. These narratives are assertions of identity. But they stay away from appropriation, rather they comment on how interconnections with the unknown or the Other impact the ways we live now – and also how we move into the future.  Aesthetics are visual languages laden with symbols and meanings from the past and the present. They advance certain ideas, certain markings through moments in time and history. These languages have been used, appropriated, and redefined. “And why shouldn’t I?” McKenzie counters, when asked about this choice of visual language. Specifically the languages of minimalism and modernism have historically championed the division of the sexes and a Eurocentric viewpoint, erasing particularly women and people of colour from the annals of art history. But these movements originated in functionality, forms of categorization, and a use-function with the person in mind. “The fact that I am a woman of colour, it never made me repulsed by this aesthetic.” She continues, “What am I going to do that makes it different? And how am I going to invite a broader more pluralist audience to engage with these genres?”  A position is easy to betray or contradict. But a presence brings something completely different to the table – a seat. If we see the table as a place in which dialogue, community or exchange can happen, then taking a seat at this table is the most important act of all. It is a willingness to meet with the Other, a gift in a way, where the artist takes the first steps in reaching out, saying something of themselves with the hope of a response, a beginning. We assert our positions in this world through presence by bearing witness. In an age of increasing turbulence and concerns about our collective future, being visible is important. Being visible together is an act of solidarity.  “It’s important to have ideas and to make artwork,” Foltyn states. Art is a dynamic bodily happening. It is an expression of a specific spatio-temporal context. The phenomena of the surrounding environment, the thoughts and dreams and lived or imagined experiences are understood and come out through the actions of the body. Foltyn describes her work as a combination of interior and exterior landscapes, stemming from the junction of the mind and the body. It is a blend of memories and experiences, reacting into the moment through bursts of gestural movement and controlled, skilled technique. “I was never good at or drawn to react to the world realistically,” Foltyn states. She describes the teaching approach of professors in Poland in the 1980’s, which focused on the development of a specific individual style and on the mastery of technical skill within it. But for Foltyn this instruction was limiting. Education is for experimentation, with a freedom to try, to innovate, and to make mistakes. “Sometimes a mistake brings forth a new experiment.” She continues, “Art speaks to your perspective and point of view. It is what draws people in and what pushes them away. Those who are left are to be nurtured and grown from.”  Working across multiple pieces and compositions at once is an approach Foltyn uses to moderate between these two elements. “What is most important are the ideas that rise to the surface, that come out.,” she states. They come after a night’s rest, in the shower the next morning. Intensity and repose is also a rhythm. We often find that ideas come at moments of rest, during which the mind is free to dream. “It is the collection of different elements coming together,” she continues. “You pull them out, they come in. Sometimes it’s so intense you cannot sleep.” Abstractions don’t come from nowhere. She describes an intensification of many stimuli, phenomena, and emotions that are processed during moments of rest. “It’s not that it all comes from an experimentation of different gestural forms,” she says. But this is way of learning, too. The movement of the body taking internalized forms of being and translating it into visual forms of articulation. They say something. These are wishes, not only coming to the artist from the outside but also hopes for something else. This embodied method of working provokes ideas, thoughts, drawn from the subconscious more than from reality but having lived it all. Musing is an important process of understanding.  The artworks seem to be landing points for both artists – acts of making that serve as temporal reference points in the development of ideas, echoing rhythms of control and gesture. Alternate and embodied forms of articulation engage different types of knowledge. This process underlines the importance of making as a method of learning, sorting through information in an embodied way – taking part in the world, physically, emotionally, and mentally. We are corporeal beings. Through the act of making we come to a fuller understanding of being in the world. We also cement our presence – within the cannons of history, in art, in daily life, situating ourselves within histories in which many narratives have been omitted or made invisible.   The works in this exhibition convey very clearly the artists behind them, in a firm but accessible way. This exhibition is full of contrasts, brimming with nuance, time, and change. The viewer has room to feel it out on their own but always in relation to something there – the wondering of time immemorial, the cultures and roles of the people throughout history, the space we inhabit, and how we navigate our societies, perhaps our society as a whole. 

[deebeeus]

1968 #Gibson #ES335 with gold paisley strap by @jaykcoguitarstraps. . . #wednESday #semihollow #gibsones335 #electricspanish #guitar #guitars #guitarra #chitarra #guitarre #electricguitar #vintageguitars #vintagegibson #gibsonguitars #tone #guitargear #guitarsdaily #guitarsofinstagram #geartalk #vintagegear #gibsonsofinstagram #guitarphotography (at Toronto, Ontario) https://www.instagram.com/p/B1_0im5h6eT/?igshid=142wyf7nug5lu

[hscottfitch]

A BIT ABOUT ME... I'm a 50 year old grandpa with 3 adult married kids and 3 amazing kid-in-laws who I love like my own. So far I have 3 Grandkids...Annabelle, Paisley and Charlie👶 I've been married to my wife Jennifer for 32 years and live in Barrie, Ontario, Canada.🇨🇦 Started 2022 at 260 pounds and am currently at 185 my goal is 175.🏁 Feel free to ask me anything. Scott ⁣ .⁣ .⁣ .⁣ .⁣ .⁣ #beforeandafter #weightlossinspiration #transformationtuesday #weightlosstransformation #fitnessmotivation #slimmingworld #losingweight #transformation #weightlosstransformations #weightlossmotivation #weightlossjourney #weightlosstransformationcoach #weightlossgoals #fitnessjourney #weightlossjourney #over50 #50plusweightloss #fattofit #fat #weight #thicktothin #over40 #over50andfit (at Barrie, Ontario) https://www.instagram.com/p/CmOeJGGu8F6/?igshid=NGJjMDIxMWI=

[designwallah]

Abandoned barns (3) Paisley, Ontario

[paisleypat]

The best place to be on Friday is the PROUDLY PURPLE PARTY in Toronto Canada! Paisley Power has donated 100 Paisley Prince Songbook greetings cards to be included in the swag bags for the first 100 partygoers. This special event will celebrate the music and legacy of Prince. The party features Alphonso Starr (aka DJ Hightop), Martin Kember (former Color Me Badd vocalist) and Toronto's own Prince tribute band, The Funk Frequency. Swipe right to see poster. #princeart #princeparty #toronto_insta #paisleypattern #purpleparty #torontonightlife #princetribute #princefamily #princetheme #proudlypurple #prince💜 #purpleaesthetic #paisleypower (at Toronto, Ontario) https://www.instagram.com/p/B0QIBYfnxFU/?igshid=133lab4xwtks8

[fridayhome-blog]

LINK IN THE BIO 🎥 @shaegrantmuzik - F My Ex @youngnovacaine - Before November (Love Me) @1yungtory - Mizu @bando416 - No Diamond @houdinimusic - No Hook @trapstrrr x @slimdineroo - I Do @lococity - Do Sum @therealfalconcrest - Possessed Gun @ar.paisley - Paisley @_pillab - Why I’m Not Around #top6 #torontorappers🍁 #torontovseverybody🇨🇦 #hiphop #trap #newmusicalert🚨 #newvideoalert🆕🎥 #respecttheprocess💪🏾‼️‼️ #movethecultureforward‼️ (at Toronto, Ontario) https://www.instagram.com/p/BoKtq5jga7l/?utm_source=ig_tumblr_share&igshid=v6fdybux4inb