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[seat-safety-switch]

When you go to school for computer science, one of the things they try to teach you is that a computer can be anything. It doesn't have to be a bleepity-bloopity thing, stimulating rocks with canned lightning. It doesn't have to be a room-filling automaton made entirely out of fancy light bulbs. And it sure as fuck doesn't need to be some rocks that you move along on a piece of wood to count things. No, a computer can be anything, as long as it follows some basic rules. A dog can be a computer.

Recently, as part of my court-ordered requirement not to touch electronic computers and mobilized smart telephones, I've been training the neighbour's dog to access the internet. You might think that this is difficult, or impossible, but again: computer science theory says that the dog can do it. Rufus can be a computational device. At the very least, I can train him to run over to the neighbour's computer and read my newsgroups for me.

You might think that this is difficult work, but time is on my side. Without the cruel bonds of "productive employment," I can spend all day leaning out of my kitchen window and yelling random words at the dog. Eventually, I seem to hit on what I assume is some kind of command-injection fault. Rufus stands shock-straight, looks at the sky for a moment, and immediately bolts inside the house. Minutes pass, and then he emerges with a print-out of alt.autos.plymouth-volare, which has not seen any posts since the last time I checked. It's almost as if nobody else is posting there, but I feel relieved having reconnected to my people.

There's just one problem: Rufus, it turns out, is a narc. He has made more than one printout. In the time he was gone, he was delivering the other one to my parole officer. The judge doesn't appreciate my clever application of theory to practice. It wouldn't be so bad, except that from my prison cell, I can look out the window. It's there that see and hear the dog receive a medal from the Mayor Himself for valour. This is bullshit. He's no hero. He was just following orders.

[mostlysignssomeportents]

Epic Systems, a lethal health record monopolist

Epic Systems makes the dominant electronic health record (EHR) system in America; if you're a doctor, chances are you are required to use it, and for every hour a doctor spends with a patient, they have to spend two hours doing clinically useless bureaucratic data-entry on an Epic EHR.

How could a product so manifestly unfit for purpose be the absolute market leader? Simple: as Robert Kuttner describes in an excellent feature in The American Prospect, Epic may be a clinical disaster, but it's a profit-generating miracle:

https://prospect.org/health/2024-10-01-epic-dystopia/

At the core of Epic's value proposition is "upcoding," a form of billing fraud that is beloved of hospital administrators, including the "nonprofit" hospitals that generate vast fortunes that are somehow not characterized as profits. Here's a particularly egregious form of upcoding: back in 2020, the Poudre Valley Hospital in Ft Collins, CO locked all its doors except the ER entrance. Every patient entering the hospital, including those receiving absolutely routine care, was therefore processed as an "emergency."

In April 2020, Caitlin Wells Salerno – a pregnant biologist – drove to Poudre Valley with normal labor pains. She walked herself up to obstetrics, declining the offer of a wheelchair, stopping only to snap a cheeky selfie. Nevertheless, the hospital recorded her normal, uncomplicated birth as a Level 5 emergency – comparable to a major heart-attack – and whacked her with a $2755 bill for emergency care:

https://pluralistic.net/2021/10/27/crossing-a-line/#zero-fucks-given

Upcoding has its origins in the Reagan revolution, when the market-worshipping cultists he'd put in charge of health care created the "Prospective Payment System," which paid a lump sum for care. The idea was to incentivize hospitals to provide efficient care, since they could keep the difference between whatever they spent getting you better and the set PPS amount that Medicare would reimburse them. Hospitals responded by inventing upcoding: a patient with controlled, long-term coronary disease who showed up with a broken leg would get coded for the coronary condition and the cast, and the hospital would pocket both lump sums:

https://pluralistic.net/2024/06/13/a-punch-in-the-guts/#hayek-pilled

The reason hospital administrators love Epic, and pay gigantic sums for systemwide software licenses, is directly connected to the two hours that doctors spent filling in Epic forms for every hour they spend treating patients. Epic collects all that extra information in order to identify potential sources of plausible upcodes, which allows hospitals to bill patients, insurers, and Medicare through the nose for routine care. Epic can automatically recode "diabetes with no complications" from a Hierarchical Condition Category code 19 (worth $894.40) as "diabetes with kidney failure," code 18 and 136, which gooses the reimbursement to $1273.60.

Epic snitches on doctors to their bosses, giving them a dashboard to track doctors' compliance with upcoding suggestions. One of Kuttner's doctor sources says her supervisor contacts her with questions like, "That appointment was a 2. Don’t you think it might be a 3?"

Robert Kuttner is the perfect journalist to unravel the Epic scam. As a journalist who wrote for The New England Journal of Medicine, he's got an insider's knowledge of the health industry, and plenty of sources among health professionals. As he tells it, Epic is a cultlike, insular company that employs 12.500 people in its hometown of Verona, WI.

The EHR industry's origins start with a GW Bush-era law called the HITECH Act, which was later folded into Obama's Recovery Act in 2009. Obama provided $27b to hospitals that installed EHR systems. These systems had to more than track patient outcomes – they also provided the data for pay-for-performance incentives. EHRs were already trying to do something very complicated – track health outcomes – but now they were also meant to underpin a cockamamie "incentives" program that was supposed to provide a carrot to the health industry so it would stop killing people and ripping off Medicare. EHRs devolved into obscenely complex spaghetti systems that doctors and nurses loathed on sight.

But there was one group that loved EHRs: hospital administrators and the private companies offering Medicare Advantage plans (which also benefited from upcoding patients in order to soak Uncle Sucker):

https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8649706/

The spread of EHRs neatly tracks with a spike in upcharging: "from 2014 through 2019, the number of hospital stays billed at the highest severity level increased almost 20 percent…the number of stays billed at each of the other severity levels decreased":

https://oig.hhs.gov/oei/reports/OEI-02-18-00380.pdf

The purpose of a system is what it does. Epic's industry-dominating EHR is great at price-gouging, but it sucks as a clinical tool – it takes 18 keystrokes just to enter a prescription:

https://jamanetwork.com/journals/jamanetworkopen/fullarticle/2729481

Doctors need to see patients, but their bosses demand that they satisfy Epic's endless red tape. Doctors now routinely stay late after work and show up hours early, just to do paperwork. It's not enough. According to another one of Kuttner's sources, doctors routinely copy-and-paste earlier entries into the current one, a practice that generates rampant errors. Some just make up random numbers to fulfill Epic's nonsensical requirements: the same source told Kuttner that when prompted to enter a pain score for his TB patients, he just enters "zero."

Don't worry, Epic has a solution: AI. They've rolled out an "ambient listening" tool that attempts to transcribe everything the doctor and patient say during an exam and then bash it into a visit report. Not only is this prone to the customary mistakes that make AI unsuited to high-stakes, error-sensitive applications, it also represents a profound misunderstanding of the purpose of clinical notes.

The very exercise of organizing your thoughts and reflections about an event – such as a medical exam – into a coherent report makes you apply rigor and perspective to events that otherwise arrive as a series of fleeting impressions and reactions. That's why blogging is such an effective practice:

https://pluralistic.net/2021/05/09/the-memex-method/

The answer to doctors not having time to reflect and organize good notes is to give them more time – not more AI. As another doctor told Kuttner: "Ambient listening is a solution to a self-created problem of requiring too much data entry by clinicians."

EHRs are one of those especially hellish public-private partnerships. Health care doctrine from Reagan to Obama insisted that the system just needed to be exposed to market forces and incentives. EHRs are designed to allow hospitals to win as many of these incentives as possible. Epic's clinical care modules do this by bombarding doctors with low-quality diagnostic suggestions with "little to do with a patient’s actual condition and risks," leading to "alert fatigue," so doctors miss the important alerts in the storm of nonsense elbow-jostling:

https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5058605/

Clinicians who actually want to improve the quality of care in their facilities end up recording data manually and keying it into spreadsheets, because they can't get Epic to give them the data they need. Meanwhile, an army of high-priced consultants stand ready to give clinicians advise on getting Epic to do what they need, but can't seem to deliver.

Ironically, one of the benefits that Epic touts is its interoperability: hospitals that buy Epic systems can interconnect those with other Epic systems, and there's a large ecosystem of aftermarket add-ons that work with Epic. But Epic is a product, not a protocol, so its much-touted interop exists entirely on its terms, and at its sufferance. If Epic chooses, a doctor using its products can send files to a doctor using a rival product. But Epic can also veto that activity – and its veto extends to deciding whether a hospital can export their patient records to a competing service and get off Epic altogether.

One major selling point for Epic is its capacity to export "anonymized" data for medical research. Very large patient data-sets like Epic's are reasonably believed to contain many potential medical insights, so medical researchers are very excited at the prospect of interrogating that data.

But Epic's approach – anonymizing files containing the most sensitive information imaginable, about millions of people, and then releasing them to third parties – is a nightmare. "De-identified" data-sets are notoriously vulnerable to "re-identification" and the threat of re-identification only increases every time there's another release or breach, which can used to reveal the identities of people in anonymized records. For example, if you have a database of all the prescribing at a given hospital – a numeric identifier representing the patient, and the time and date when they saw a doctor and got a scrip. At any time in the future, a big location-data breach – say, from Uber or a transit system – can show you which people went back and forth to the hospital at the times that line up with those doctor's appointments, unmasking the person who got abortion meds, cancer meds, psychiatric meds or other sensitive prescriptions.

The fact that anonymized data can – will! – be re-identified doesn't mean we have to give up on the prospect of gleaning insight from medical records. In the UK, the eminent doctor Ben Goldacre and colleagues built an incredible effective, privacy-preserving "trusted research environment" (TRE) to operate on millions of NHS records across a decentralized system of hospitals and trusts without ever moving the data off their own servers:

https://pluralistic.net/2024/03/08/the-fire-of-orodruin/#are-we-the-baddies

The TRE is an open source, transparent server that accepts complex research questions in the form of database queries. These queries are posted to a public server for peer-review and revision, and when they're ready, the TRE sends them to each of the databases where the records are held. Those databases transmit responses to the TRE, which then publishes them. This has been unimaginably successful: the prototype of the TRE launched during the lockdown generated sixty papers in Nature in a matter of months.

Monopolies are inefficient, and Epic's outmoded and dangerous approach to research, along with the roadblocks it puts in the way of clinical excellence, epitomizes the problems with monopoly. America's health care industry is a dumpster fire from top to bottom – from Medicare Advantage to hospital cartels – and allowing Epic to dominate the EHR market has somehow, incredibly, made that system even worse.

Naturally, Kuttner finishes out his article with some antitrust analysis, sketching out how the Sherman Act could be brought to bear on Epic. Something has to be done. Epic's software is one of the many reasons that MDs are leaving the medical profession in droves.

Epic epitomizes the long-standing class war between doctors who want to take care of their patients and hospital executives who want to make a buck off of those patients.

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/10/02/upcoded-to-death/#thanks-obama

Image: Flying Logos (modified) https://commons.wikimedia.org/wiki/File:Over_$1,000,000_dollars_in_USD_$100_bill_stacks.png

CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/deed.en

[sweet7simple]

Mech Pregnancy and Protoform Development of Gestating Sparklings

Here is what I have compiled on Cybertronian "reproduction" from More Than Meets the Eye, specifically the Holiday Special and Volume 5:

Holiday Special:

So this would be the protoform development for a forged sparkling and it lends support to that, if Cybertronians gave birth to their own Sparklings, then they would likely be an egg-like form (yes, I know it's not actually a sparkling, but can we all agree that Swerve is strangely well-informed on protoform development for forged Cybertronians?)

So what would slide out from the gestation tank has no discernable features yet and still needs hours if not days before the protoform resembles an adult Cybertronian, but I still don't have an answer for the size of this thing - at what point does it reach its full size? Cybertronians before the war went to academies, so what point does the protoform receive an education instead of having relevant information jammed into its brain module right before deployment like a MTO cold construct?

(More under cut)

But, let's be honest, I am going out of order here. Let's go to Volume 5 where we encounter a hot spot of re-ignited sparks on the moon:

So this is being constructed cold.

And this is forged - as well as the official story for how cold constructed bots were made, which apparently differs from the truth. Here is the truth for how cold constructed sparks were actually formed:

So all cold constructs were made from the matrix - but what if they did come from igniting healthy sparks to make new ones?

What if you used the energy of two sparks to create an entirely new one and that sparkling attached itself to a parent spark for some time before it dropped to a gestation tank (this is common in fanfiction and I love it so much, it makes the most sense)? As these two orbs of immense power and life resonate with one another, creating waves of energy that can be interpreted as pleasurable for the interfacing bots, excess energy could gather itself into a separate orb that borrows the life code from both parents, becomes randomized, and this creates a new life code for a separate entity. It stays in the spark chamber for a period of time - I don't know, decoding or storing energy or something, I am very bad with electronics - before dropping down to an artificial gestation tank.

And this is where the valve/plug comes into play if you so desire because now we have the issue of, where is the spark going to go? It needs a protoform. It needs the materials to make a protoform. It also needs liquids.

Cybertronians seem to live off energon and anything you can make from energon, but there have been references and images in the comics of Cybertronians have oil as a waste product, so they need a separate compartment for oil away from their energon tank and they also are said to have (in fanfiction, at least): oral solvents, lubricant, transfluid, optic fluid, etc... All those will require their own compartments and they will all have either been diluted from the energon or will have an origin in a separate liquid that isn't mentioned. Let's keep in mind that they will also need some sort of oil for their hinges and their nanites for upkeep.

So I believe these gestation tanks are where the Sparklings develop their egg-like protoform with all these liquids that they themselves can't make yet, and I think they get what they need from nanite colonies as there is no umbilical cord (not unless you want the bots to have belly buttons). I like to think of them as nannyites - nanites that, once a protoform hits the gestation tank, have latent codes that becomes active and now have protoform-related tasks versus whatever tasks they did beforehand. The nannyites will likely take these resources from the carrying parent, everything from fluids to energon stores to living metal that the nannyites will adapt or make compatible for the sparkling.

So this carrying parent suddenly has fewer nanites colonies themselves, a thinner layer of living metal, and depleted storages of fluids.

Hear me out, hear me out: Valveplug interfacing helps the carrying parent because transfluid will contain necessary materials for the protoform.

I am going to take it a step further and say that it is that first shot of transfluid into the gestation tank during spark and valveplug interfacing creates input that electronically signals to the receiving parent to gather the excess energy from the spark play via centripetal force like a satellite and that force signals the excess energy to turn on life codes it recycled from both parents and create its own life code. That transfluid inside of the gestation tank also turns on those latent codes for the nannyites to get the compartment prepared. It's that first dose of necessary materials and every dose of transfluid after that is stored in the gestation tank for the protoform.

Which brings me to the idea that I have seen on AO3 where bots go into heat:

What if a mech goes into heat as a way to store transfluid from their partner?

I am largely talking out of my ass here because I don't know anything about how machines work, but I know there are a lot of hormones and signals and work that goes into human pregnancy.

The downside of this is that, if all bots were once forged and now they are, let's say, "birthed", then these constructs would be artificial: the gestation tank and the fertile centripetal force with its satellite sparkling and the interface array with its gestational passage and the nannyites and the transfluid. These would have to be constructed cold and surgically added, and you would have to create codes that turn on these cascading or stacking protocols (I don't know the correct computer term for when one event triggers another event triggers another event and so on) and you would have to manufacture filters and tanks and lines for the creation of gestational lubricant and transfluid.

This is just me rambling because I can't stop thinking about all this, but I am not ready to write a mechpreg story.

Please talk to me about Cybertronian reproduction, I am not normal about this.

[stxrvel]

coincidence! (2)

series summary. the holy grail of the seven men who ruled the country's entertainment used to be your friends at school. now, ten years later and between successes and failures, what reason would they have to want to come back into your life? pairing. eventually ot7 x f!reader. content. first of all, english is not my first language so sorry for any mistakes! curse words, we're still on the safe zone, angst if you squint, just silly writing! a/n. hi guys! finally second chapter is out! im blown away with your response!! thank u so much from the bottom of my heart! i loooooved reading your comments <33 pls remember updates are weekly or biweekly! and if you want to be tagged pls say so in the comments! see you next week ;)

series masterlist | bts masterlist | previous | next

“This is unbelievable! We're going to be rich!!!” 

“What makes you think my sister is going to give you any of that money?” 

“I created that Instagram account that was tagged in Kim Taehyung's damn story, I deserve a raise!” 

“What makes you drones think my daughter is going to give you any of that money?”

“None of you are going to get anything out of that act of feigned innocence. Honey, are you all right?”

It seemed like a light had gone on in the room, four pairs of eyes landing on your still pale, surprised face. The night had been heavy after Yuna's call and you'd had so little sleep that you didn't know how you were functioning at the moment. Maybe that was the thing: you weren't functioning at all.

When you woke up, you thought it had all been a bad dream and that definitely the first exposure you'd had to the guys in years hadn't been because Taehyung came across your books at a convention you decided not to go to and uploaded them to his Instagram account with over eighty million followers. It was impossible, wasn't it? Too crazy. 

Maybe not as crazy as waking up to your parents banging on your bedroom door saying that over a hundred thousand orders had been placed overnight and they didn't have enough book production for that much demand. 

Be that as it may, Yuna and your mother took care of the communications on the account. You went from having twenty followers (including your family and friends —your father had created an account exclusively for that and only followed you—), to almost sixty thousand in at least twelve hours. The posts you had worked so hard to create and put together were finally getting the attention they deserved, but it had all happened so fast and suddenly that it was too strong to process calmly. 

Weighing which was stronger, whether Taehyung's acknowledgment of your existence after so many years of zero contact or that your book sales shot up so immeasurably that they couldn't even keep up with demand, even if a month went by, didn't make things any easier. 

“She's obviously still in shock,” Yuna replied to your mother at your lack of response from the living room, right across the dining room where you had been sitting since you had come down from your room. Your breakfast was still untouched on the table, but that seemed to be the least important thing in the room with all the more important news. 

“Have the printers answered yet?” your brother's voice through the speaker of your father's phone rang as you blinked, reality settling too slowly on your shoulders. You didn't even want to think about what it meant that Taehyung had done that. Maybe it was simply an altruistic act, wasn't it? Maybe he felt guilt and wanted to ameliorate it somehow. What better way than to do an act of charity?

“I'm on it,” your father was sitting across from you in the dining room, his laptop on the glass of the table as he moved his hands over the keyboard and stared through his glasses at the full tip of his nose. From the way his eyes narrowed, your mother snorted. 

“Why don't you get those glasses adjusted if you know you don't see well up close, let alone on electronic devices?” the woman reached over, dragging your father's glasses until they were almost glued to his eyebrows. Your father barely gave her a goofy grin as your mother started shaking her hands. “You better move. I'll do it. You write too slow; you're getting on our son's nerves.” 

“Nah, I'm fine. I don't know if y/n is tho.” 

Silence returned and you growled internally. Well, that was enough conjecture and assumptions without any information to substantiate them, it was time to get down to business. 

 “Do you think we should take over this business now?” Yuna completely ignored your stretch and you sent her a confused look. 

Your brother exclaimed from the phone in agreement. “I call dibs on the treasury!” 

“There's no way you can keep the accounts right! You're studying law.” 

“Seojun is good at numbers, Yuna.” 

 “Ha, with all due respect Mrs. I/n, he must only be good at counting sheep.”

 “Hey,” you tried to get attention, getting up from the chair. 

 “y/n, don't talk, you're still in shock. Can you believe he once called me from the supermarket to ask if he got his change right? He didn't even move from the checkout counter. There were people booing him.” 

 “Ow, my poor baby.” 

 “I told you not to say that to anyone!” 

 “I can't keep quiet if they're speaking lies about you!” 

 “This wasn't lies! This is about my pride!” 

 “Nonsense. I'll handle the treasury. I double majored in finance and international relations for a reason.” 

 “You can't run anything without starting bossing everyone around!” 

 “It's not my fault you're a good-for-nothing!” 

 God. It was going to be a long day. 

- 

Sorting out the whole printing issue and the number of orders was difficult, but with a couple of stories, interactions with new followers and express delivery of the few copies you'd already had at home for months, the waters calmed down a bit. Now, in the stifling silence of your room, you wanted to run. 

 “Are you going to stare at the ceiling all night?” 

 “Maybe.” 

Yuna watched you from the bed while all you could do was stare as notifications continued to pop up on your Instagram account and your mail because the requests simply wouldn't stop, even though you had made a thousand clarifications to all the new followers. You were trying to focus on the bright side of things, regardless of whatever reasons there may have been for everything to have happened that way, but with your friend's incessant gaze lying on your bed it made it a little difficult. You knew she wanted to pierce your skull from curiosity, but you wouldn't know how you would answer her questions. 

 “Is there anything you'd like to share with the class?” 

 The tension had become a little more latent during the last few minutes, when Yuna saw a specific notification on the account. Kim Taehyung and Park Jimin had followed you. To describe your look of shock might be an understatement, and all you did for the next half hour was run across the room and throughout the house vociferating that you were living a nightmare. 

 Yuna has known all along that you had never been a fan of the siamese or their clan of friends, but she never knew why exactly. You had to tell her that you weren't interested in fashion, that you didn't like the kind of music Jungkook made, that hip-hop was never your thing, that you weren't interested in dilfs and you weren't interested in dance either. You had to tell her that all the things you once did with them didn't matter to you because it was painful, even if it was hard to accept.

 You couldn't remember the times you would go shopping at the small mall in town to buy the trending clothes to put together different outfits with Taehyung and Jimin, then go try them all on at your house and invite the others and even your parents to do an impromptu runway show. You couldn't remember how the genre of music that Jungkook and you listened to all the time on his iPod and your MP3 player was the same one that his entire music career focuses on. You couldn't remember the nights when Yoongi would share his writings with you and you would help him compose a song or two on the piano when he felt brave enough. Or the times when you would accompany Hoseok to his workouts and then watch him create dance routines to his favorite songs while Jungkook sang in the background. You also didn't want to remember the times when Namjoon and Seokjin would sponsor their trips and give everyone gifts without expecting anything in return. 

You couldn't remember those things. It was too much to bear for such a weak heart. 

“What do you want to know?” you sighed, your body sliding on the chair as the notifications grew. 

“How did all this happen?” 

“Why do you think I have an answer for that?” 

Yuna clicked her tongue, sitting on the bed with the cell phone still in her hands, still staring at the notification that snapped her out of her sanity. 

“It's just… this is all unbelievable, magnificent and unreal. But how come you're not so excited about what happened?” Yuna slid across the sheets, to be right in front of you, but you refused to look away from the computer. Every time you thought you had overcome and grown around everything that happened so many years ago, something would pop up to remind you that you still had a long way to go. Maybe the nostalgia was strong, but so was the anger. “Regardless of how things turned out, because I know you're not as big a fan as me, this opens a million doors for you and I don't know why you're not celebrating it like we are.” 

 “It's…complicated.” 

 “I don't think so. Tell me.” 

Yuna was unstoppable when she wanted to get answers out, but besides the obvious, of course there was something else that bothered you and kept you from enjoying this boom so much. 

 “It's just that all of this doesn't feel like it was a product of my effort,” you began, letting your gaze wander over the desk. The copies of your books you kept for yourself, the first ones you'd ever printed several years ago, lay there, as tattered as your failed accomplishment. “It doesn't feel like an achievement that my work had exploded thanks to a celebrity whose fans would buy even the toilet paper he uses. A lot of those people won't even read the book. They will just buy it and take a picture of it to say that they have the same book that the great Kim Taehyung read. Many of those books will never have a life, they will just be dust collectors and be reminders that all this did not happen because of my effort.” 

“What the fuck are you blabbering about? Of course it's the fruit of your effort! Of course you deserve it!” Yuna got up from the bed and moved the chair around the back to leave you in front of her disgruntled and almost offended face. You could see the words drawn in her face. “You worked so many years to pull this off and after so many bumps you finally can! You deserve to have what you wanted so badly. This recognition will last just the same because many other people will read them and love them and they may not be many, but you will form a solid foundation as time goes on with people who will be truly unconditional and supportive and that will grow over time. Don't look at this so negatively, maybe you skipped a couple of steps, but you had every right to. It was what you deserved after all the effort and dedication you put into this project for so many years.” 

 Yuna didn't hesitate for a second. Her very serious expression sent a shiver down your spine and you could tell from her furrowed brow that she really was angry at your perception. Perhaps she was right, but without knowing the full background of this specific situation, you were only left to shake your head in assent and send her a grateful smile. 

“I guess you're right,” you lifted a shoulder, turning your gaze back to your mail notifications.

“Of course I am!” the smile returned to her face and it didn't take long for her to look back down at her phone with sparkling eyes. “Now that we got the emotional charge out of the way, would you mind telling me how you know Taehyung?” 

Your breathing stopped for a second and you cursed yourself because it sounded too loud as you almost choked on your own saliva. 

“Oh?” 

Play fucking dumb. 

“What, did you think I wasn't going to notice? He wrote it crystal clear.” 

Yuna wasn't even looking at you, too focused on running her finger over the row of notifications. Her nonchalant demeanor only caused you to panic more. It was as if she had caught you red-handed. 

One of the best writers I've ever met in my life, damn you Kim Taehyung. 

“Ah… I didn't… I didn't really know him so let's just say…”

“He couldn't have said that for nothing, don't you think? No celebrity would do that unless it was a person they hold in deep regard.” 

Yuna had just caught you totally off guard. Maybe you should've focused a lot more on what Taehyung had written before you blocked his user from your personal account and threw the phone in the bottom of your drawer the night before and tried hard not to think about the rest for the rest of the night and all that day. 

“It's just that… uhm… we studied at the same school. But for a short time actually. I don't even remember it well actually, ha, ha.” 

Your laugh came out too constrained under your friend's narrow-eyed stare. You knew you'd have a hard time convincing her because you were a lousy liar. 

“You know, it always struck me as odd that you weren't a fan. Taehyung and Jimin are like the two extremes of your ideal type.” 

“Whaaaat?”

“And Jungkook's music is literally the kind of music you listen to, you just don't listen to his. All the other artists in the same genre you do listen to.”

“That has nothing to do with…” 

“And even your parents don't claim to know Kim Seokjin when your mother was literally a nurse. She probably worked with him.” 

“What does that have to do…?”  

“And your brother is a hip-hop fan. How come he doesn't listen to Agust D? He's the best rapper of the last few decades and he's been trending for a long time.” 

“…” 

At what fucking moment? 

“And all of them, plus Hobi and Namjoon, they all went to the same school. They're all friends. And you say you went to school with Taehyung?” 

“Ahm… well, yes, but it's not like I would have met the others.” 

Yuna looked at you, really looked you straight in the eyes as if that way she could tell what it was you were hiding or as if that solved all her guesses. It was impossible for her not to figure it out if she had already tied up all the damn loose ends. 

Since the boys had left one by one, clearly your family was the first to realize how much their departures had affected you. In the beginning there was communication and all, but when Jungkook was the last to leave you lost any kind of link with them completely. You never knew exactly what happened because no matter how hard you tried to contact them you couldn't, not even your parents could talk to the boys' parents. Perhaps they had simply grown up, matured, completely forgetting about their ordinary life in that town. 

They seemed to have disappeared from the planet. 

Until your family moved to the capital. Jungkook was just starting out as an idol, but he had an amazing debut. He had captivated the entire audience and was too successful almost from the second one. It was a torment to watch them grow professionally little by little because, although you were happy for their achievements and all, you couldn't forget that they had basically abandoned you. And your parents and Seojun had noticed. They had noticed how much seeing them all over the place was bumming you out, so unreachable when at one point they were all in your living room eating your mother's delicious kimchi and listening to your father's anecdotes. Everyone was affected by their departures, but clearly no one as much as you. 

That's why, of course, your parents and brother had made a silent vow to keep all media about the boys away from you, because they didn't even talk about it by accident in the house, at least not when you were present. 

“It must be a huge coincidence…” Yuna continued and only at that moment did you realize how much you got into your head. Your vision slightly blurred. “I shouldn't accuse you of anything for things like that, should I? What nonsense.” 

You were probably as white as a sheet of paper. 

“Yeah, it would be too weird… ha, ha.” 

God, you had to stop letting out those giggles when you were nervous. 

“Anyway, should we order fried chicken for dinner?” 

“I think I heard mom say she was going to make japchae.” 

“Ohhhhhh, Mrs. l/n's japchae is delicious!” 

You let out a laugh watching your friend spring up from the bed and head for the door. She stopped halfway out and pointed her index finger at you. 

“Don't tell my mom I said that.” 

You made a gesture to zipper your mouth shut and Yuna finally left. 

The previous conversation had been so tense that you already felt tired and ready to sleep at seven o'clock at night. Really the whole day had been so heavy for everyone that you didn't know how the lights in the house were still on. For now, you couldn't do anything else, even if orders continued to come in, now everything depended on the printer and how fast the books would come out, so you would have to wait. 

Maybe you should rest. You had asked your boss for the day off, but tomorrow you would have to continue working hard. Regardless of the incredible growth you'd had, you couldn't let your work go to waste. 

Tomorrow would be a new day. A quieter one, preferably. 

-

a/n: i'll try to have ready part 3 for next week! see you on june 13 at 11:59 pm - GMT5 time!

tag: @rinkud @futuristicenemychaos @pastelpeachess @parapiop7 @kokoandkookie @midiplier @thunderg @lizzymizzy-blogg @ladymorrie @butnotmontana @lovelgirl22 @jjeonjjk7 @aurorathi @ot7stansthings @kunacat @borahaetelevision @mylovingstars @ghostlyworld @talyaaas-blog @slowlyshycomputer @jjk174 @maynina @saintomie @damn-u-min-yoongi @juju-227592

[askagamedev]

I remember watching a documentary on the development of Jedi: Fallen Order and seeing a part where they are focusing on a stable build. They apparently had 1,000+ bugs they needed squashed to accomplish this. As a gamer, this seems like an unrealistic amount.

Is it? How is it possible they were able to not only introduce, but also find that many bugs? Even for a studio that's a subsidiary of Electronic Arts, I can't imagine the Quality Assurance team finding even over 100.

Sorry for the longer question, but this always blew my mind. Thanks!

How do they find that many bugs? Consider - in AAA games, we bring on entire teams of QA to test every day during production. Imagine 50 testers each find only five bugs a day from a full eight hours of testing. That's logging a combined 250 bugs daily. In a week, you've got 1,250 bugs. After a month, that's 5,000 bugs. A year would be 60,000 bugs. Most testers can find more than five in a day, especially early in development.

To give you an idea of what things are like in the trenches, take my example. Two days ago, I personally fixed bug number 522,096 on my current project. I'm currently working on bug number 474,991. These are not randomly generated numbers. When I joined the team (roughly two years ago) I started working on bugs and tasks numbered in the mid 30,000s. QA finds and logs a lot of bugs.

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[felassan]

Article from Bloomberg by Jason Schreier, under a cut due to length.

"New ‘Dragon Age’ Game Faced Turbulent Development The studio head of EA’s BioWare says ‘Dragon Age: The Veilguard’ received nothing but support from EA throughout its lengthy production cycle EA’s BioWare label hopes to find redemption with the release of Dragon Age: The Veilguard Today we’re getting in-depth on the new Dragon Age game A new age for dragons In late 2020, when Gary McKay took over as studio head of BioWare, the Electronic Arts Inc. subsidiary best known for making big roleplaying games, the climate was dire. BioWare, which is headquartered in Edmonton, Alberta, had released two critically panned games and was facing turbulent development on a new one — while trying to cope with a worldwide pandemic. “We needed to shift how we were thinking about building our games,” McKay told me in a recent interview. BioWare, founded in 1995 and purchased by EA in 2007, had won over millions of fans with hit single-player RPG franchises such as Dragon Age and Mass Effect. But a 2017 entry called Mass Effect: Andromeda was widely panned, and the studio’s next game, the 2019 multiplayer shooter Anthem, flopped both critically and commercially. Both games had also gone through brutal development cycles that drove many BioWare veterans to exit the studio. At the end of 2020, studio boss Casey Hudson was planning to step down and called McKay to ask if he would take over. “We had a few conversations over the course of the next month around the people and the culture,” McKay said. BioWare’s next big project would be a new game in the popular fantasy Dragon Age franchise. But the game, which had been in development for years, was facing turmoil and had been rebooted from a single-player game into a live-service game with a heavy multiplayer component, which EA had been pushing across many of its subsidiaries in the late 2010s. Hudson, too, was interested in multiplayer games and had been the lead visionary on Anthem. Some employees jeeringly referred to the next Dragon Age as “Anthem with dragons,” which worried fans after I reported on the game at Kotaku. Enthusiasts of the series wanted another single-player game, not a repeat of BioWare’s biggest mistake. When he took over, McKay began to feel similarly. “We were thinking, ‘Does this make sense, does this play into our strengths, or is this going to be another challenge we have to face?’” McKay said. “No, we need to get back to what we’re really great at.” In the months that followed, McKay met with leadership across BioWare and EA and ultimately decided to reboot the next Dragon Age a second time, pivoting back to single-player."

The choice was obvious in many ways. Anthem had flopped while EA’s Star Wars Jedi: Fallen Order, a single-player action-adventure game, had sold more than 10 million copies, helping prove to the publisher that not all of its games needed to be online. BioWare games were popular because of their focus on character dialogue and player-driven narrative decisions, which did not mesh with multiplayer gaming. “Once we made that decision, a lot of things started to fall into place,” McKay said. In the years that followed, he would go on to consolidate more of the studio’s projects, shutting down an attempt to reboot Anthem and selling off the rights to the online game Star Wars: The Old Republic to a separate studio. The goal, McKay said, was “focus.” BioWare then spent the next three-and-a-half years developing what would become Dragon Age: The Veilguard, the fourth game in the franchise. Out this week, the game has received mostly positive reviews and so far topped charts, although EA has not yet revealed sales numbers. Some things went right during development. McKay said they “had the game end-to-end playable” earlier than any previous BioWare product, allowing them to spend extra time iterating. A reorganization at EA, which split the company into divisions called EA Games and EA Sports, allowed Dragon Age: The Veilguard to receive more support from internal teams that might otherwise be stretched thin, such as research and data insights groups. “That gave us an extra boost in terms of the support and focus from the company,” McKay said. But the development of Dragon Age: The Veilguard still faced plenty of obstacles. The pandemic led BioWare to shift to hiring remotely, which McKay said made for cultural challenges. The game slipped past its original target date, although McKay wouldn’t say how much extra time it needed. “I’m never going to call it a slip,” he said. And it went through significant scope changes over the course of development. Then, last summer, BioWare laid off 50 people, including veterans with decades of experience. McKay told me the reduction, which arrived during a period of widespread layoffs across the video-game industry, “was all about focus at that time.” “When you have a really large team, you’re always compelled to keep everybody busy all the time,” he said. “When you have a smaller team, you have the right people in the right roles at the right time, some incredible momentum is gained at that point.” The stakes are high for the release of Dragon Age: The Veilguard. Fans and pundits have worried that a third failure in a row might have devastating results for BioWare. McKay wouldn’t comment on the specifics of what would make the game a hit in their eyes. But said he has felt supported by EA Entertainment & Technology President Laura Miele. The game is so important to BioWare’s future that the company brought in its second team, which has been incubating a new Mass Effect, to help out during the final stretch of development. The Mass Effect team played a major role in finishing and polishing Dragon Age: The Veilguard. Other companies across EA, such as its Motive studio in Montreal, also supported the game. Now, the company will look to see how players react to the next Dragon Age — and, McKay hopes, “bring BioWare back into the conversation as a top game studio.”

[source]

[theambitiouswoman]

Hormone disrupters are chemicals 🧪 that interfere with your body’s endocrine system, which regulates hormones. They can be found in a lot of every day products like:

Plastic bottles and food containers

Pesticides in agriculture

Cleaning supplies

Chemicals used for clothing

Personal care products like lotions, shampoos & makeup

❌ These are hormone disrupters found in common every day products that you should stay away from ❌

- Bisphenol A (BPA) (plastics and can liners)

- Phthalates (personal care products, fragrances, flexible plastics)

- Parabens (makeup & personal care products)

- Triclosan (antibacterial soaps and cleaning products)

- Polychlorinated Biphenyls (older electrical equipment and industrial products)

- Flame Retardants (furniture, textiles, electronics)

- Pesticides (agriculture)

- Perfluorinated Chemicals (stain resistant treatments, non-stick cookware)

- Dioxins (industrial processes, combustion byproducts)

- Lead (older paints, pipes)

- Dye chemicals (textiles and clothing)

- Water repellents (outdoor clothing, upholstery)

- Stain repellents (carpets, fabrics)

- Formaldehyde (wrinkle free and anti-shrink treatments for fabric)

- Mercury (fish, some thermometers, dental amalgams)

- Cadmium (batteries, some fertilizers)

- Atrazine (herbicides)

- Glyphosate (weed killers)

- Perchlorate (rocket fuel, fireworks, fertilizers)

- Arsenic (contaminated water, pesticides)

- Styrene (plastics, rubber, insulation materials)

- Phosphates (detergents, fertilizers)

- Nonylphenol ethoxylates (industrial detergents, cleaners)

- Organotins (PVC plastics, marine antifouling paints)

- Benzophenone (sunscreens, plastics)

- Octinoxate (sunscreens, makeup)

- 4 Methylbenzylidene camphor (sunscreens, makeup)

‼️ Exposure to these can lead to health issues like reproductive problems, developmental issues and cancer.

🌿 Needless to say, that in order to protect our hormones 🫶 it’s important to recognize these risks and take measures to reduce our exposure them.

[waxystore]

WAXY Electronics Travel Pouch at reasonable price

Waxy Store's Electronics Travel Pouch is the perfect solution to keep your gadgets and accessories organized while on the go. With multiple pockets and compartments, this pouch can store your phone, power bank, cables, and more electronic items. Made of durable and water-resistant material, it provides excellent protection for your electronics.

[quixoticanarchy]

Finished reading Cobalt Red by Siddharth Kara and he does a good job showing how the cobalt supply chain is inextricable from incredible human suffering, near-slavery, rampant exploitation, environmental devastation, and child labor. And it’s very clear that no promise a tech or battery manufacturer makes that their supply chain is clean means literally anything bc industrially and artisanally mined cobalt are mixed into the same supply untraceably. And the book also covers the fact that cobalt supplies are finite and when the DRC’s cobalt is exhausted the industry will move elsewhere, rinse and repeat, and the people in the Congo will be left with the ongoing and unremediated -maybe irremediable - damage. All of this so that we can have smartphones, electric vehicles, iPads, electric scooters, almost anything with a rechargeable battery.

It’s also clear that the tech and battery industries are interested in good PR and making empty statements about human rights when they should be taking responsibility for the working conditions of small-scale miners (and minors) dying at the bottom of their supply chains. What Kara doesn’t really address is the demand side of this equation, not just the demand by companies whose products use cobalt-containing batteries but also the consumers sustaining that demand, who buy every new smartphone and eagerly pin their hopes on electric vehicles to let us keep our car-dependent world without the fossil fuel guilt. The book takes it for granted that cobalt will be required in high quantities for consumer electronics and for “green” tech, and to some extent this is true - as in, none of those demands or uses will cease overnight and in the meantime we should worry about how to address industrial and business practices and government corruption in order to treat Congolese miners as human beings.

But it feels incomplete without also asking questions like: should that demand continue? Can it? Do we need this many devices? What costs are acceptable? Can we really have our cake (smartphones, EVs, etc) and eat it too (slavery-free, non-exploitative supply chains that don’t kill the people at the bottom and lay waste to the environment)? What if - as the book would seem to suggest - we really cannot? If one goal of the book is for people to realize what conditions underlie the extraction of cobalt, what action is then incumbent upon us? Personal consumer choice will not undo all this harm, but it is a necessary step in rethinking or attempting other ways to live. Is it a right to have a smartphone, a new one every year or two, if it comes at the price of other people’s human rights? At what point do we say that it is not an acceptable cost that the extractive industries are perpetuating neocolonialism and near-slavery in order that we should have comfortable lives?

We know we have to stop relying on fossil fuels or we’ll burn down the planet (to a greater degree than is already locked in) but the “green energy transition” is not clean at all. Capitalism seeks the lowest price for labor and the highest profits; obviously these extractive relationships owe a lot of their horror to being conducted in a capitalist milieu. But even thinking about, say, a socialist world instead, if it aspires to still provide smartphones and electric vehicles en masse and maintain the comforts and conveniences of the “Western” lifestyle then we would still be relying on massive amounts of resource extraction with no guarantee of less suffering. The devices are themselves part of the problem. The demand for them and the extent to which “modern” life in “developed” countries relies upon them is part of the problem. It is unsustainable. It is built on blood and it makes a mockery of purported values of dignity, equality, and human rights. The lives of Congolese cobalt miners are tied to how we in the “developed” or colonizer countries live and consume. I do not think their lives will change substantially unless ours do.

[a-d-nox]

pluto in aquarius: a prediction of what's to come

this is a huge astrological event, pluto is moving into aquarius for the first time since the late 1700s. last time pluto was in aquarius america fought for independence from britain, uranus was discovered, the french revolution began, the bill of rights was ratified, etc.

so for day one, i want to create predictions of what is to come!

some house matters!!!

TWO PLUTO RETROGRADES WILL OCCUR - june 11th - jan 20th, 2024 is the first so we won't see too much wildness just yet as pluto will return into capricorn during this time and THE FINAL RETROGRADE BACK INTO CAPRICORN will be september 1st, 2024 - november 19th, 2024. then we are full steam ahead with pluto in aquarius until march 9th, 2043.

i personally am NOT a witch or anything wild, everything i am saying is purely theoretical - it is not fated to happen just because i am saying it. i am simply socially aware. i know what's up generally in the world today and what was up in world in the 1700s - "history typically repeats itself."

i live in the usa so my post likely will be slightly more focused there examples wise so i apologize in advance! feel free to comment, dm, or reblog with other examples from your country based on my prediction key phrases.

i am going to start light and get darker so mentally prepare yourself for that (tw: STI/STD outbreaks, war, 9/11, COVID-19, and other abrasive topics that may make people uncomfortable depending on where they are currently reading from) - but we are talking about pluto so... expect the unexpected?!

let's do this.

renewable energy sources

aquarius is electricity, light, inventions, electronics, telephones, televisions, etc while pluto can be change! i recently bought a new tv and the back of the remote has a solar panel instead of a battery pack. i do believe we will see more evolution with technology; perhaps we will see solar changed phones! otherwise pluto is also pollution and natural disasters - the climate is in crisis mode perhaps we will see more responsibility and thus changes in our sourcing of energy! example: recently i read that japan has a great source of geothermal energy. currently the conversion to using this source (instead of coal, gas, and nuclear energy) is being held up by a higher up in the hot spring business who claims switching to a new energy system "threatens centuries-old traditions" (bang - a capricorn term - tradition - so perhaps after the retrogrades are through we will see a major shift in energy sourcing).

general technological advancements/inventions

last time pluto was in aquarius the cotton gin was invented; which aided in quicker production of goods and higher demand for american cotton. i strongly believe this is a general indicator that AI is going to become an even bigger part of day to day life. i have seen AI already replace those who take orders in the panera drive thru, there is a higher demand for philosophy/english grads to help teach AI, etc. aquarius is also new teachers/occupations so AI could become the new teachers OR new careers could be coming in the area of interacting with AI generally so it gains more consciousness. so it could be AI or it could be something else that is only just a dream in the back of someone's mind at this moment in time.

altruistic extremists

we may see utopian dreamers rise up! they are likely to advocate for the deconstruction of pre-existing political institutions in favor of either self governance or egalitarian policies. they will likely do whatever it takes to make this statement; we may see more protests / political statements similar to wynn bruce's.

fanatical/extremist announcers radio/tv

we already have biased stations and channels (fox, abc, cnn, nbc, etc). we are likely to see a further rise in politically biased newscasters and announcers.

demonization of astrology

astrology is aquarian in nature but pluto is fanatics, evil, demonics, etc. the community has been saying about the next world war for a while now. we are moving out of conservative pluto in capricorn, so we may find that those of deep belief systems accusing us [astrologers] of conspiring with the devil if/when something militant arises (similar to how the tarot community gets told constantly by christians that they must be satanists).

something with birds

i don't have this nailed down yet specifically, but both aquarius and pluto are rulers of birds. aquarius is large birds while pluto is wading/swamp birds and/or flesh eating birds. no one freak out and start thinking that i am indicating something like the 1963 horror film the birds. if anything i can see more bird-spread illness and/or parasites. OR pluto can be archaeology! there may be a bird related discovery or something to do with the distant relative of the bird - aka the raptor (dinosaur related).

a new STI/STD discovery/outbreak

aquarius represents the distribution of bodily fluids while pluto is often representative of sexual activity. this could either be an outbreak because pluto can be death, extremes, catastrophes, and/or casualties OR pluto can be ph balance in the body (possible new discoveries for feminine sexual health), kidneys (perhaps a discovery will be linked to the diminished functionality associated with syphilis, hiv, etc and how to combat more symptomatic issues), and even purification (aka a cure perhaps to help viral carriers to no longer pass the sti/std to sexual partners).

collapse of congress / house of commons/representatives

i mean it only stands to reason that the bill of rights was created/approved last time pluto was in aquarius that either those rights will disappear (pluto also represents dictators) OR simply the people rise up and demolish the institution as it stands: "...whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government..."

airplane catastrophes

aquarius rules over planes and pluto can represent accomplices, catastrophes, casualties, b0mbs, and t3rr0r!sm. we may experience another event similar to 9/11 OR we may see air strikes in a potential world war 3 scenario.

societal change: crime, war, leadership, and more

world war 3 is on the horizon so say pluto in aquarius (probably in the wake of election year in the US - when the final retrograde into capricorn concludes). but this could also just be governmental restructuring - this could be seen as rebellions (similar to the French Revolution), the rise of organized crime if good become more scarce, religious shifts (pluto is the antichrist, aquarius is freewill (first amendment), and capricorn is the old church (christian schools of thought)), etc.

aquarian terms i can't think of change in but seem important to note / keep in mind: freethinkers, hamburg germany, heart weakness (biden - perhaps the early death of a president in office?), motion picture (already changing as more theaters close), photography, psychology (we are already starting to care more about everyone's mental health), science (general scientific discoveries?), social affairs (there is always something going on - the question is how big will this be?), society, sweden, syria, and xray.

plutonian terms i can't think of change in but seem important to note / keep in mind: abductions (aliens - ufo sights?), aliases, alibis (governmental riffing similar to how no plan was in place when for COVID-19), assass!nat!0n (hopefully not), betrayal, bootlegging (bootleg tiktok if america bans it?), cemeteries (removal of that method if too many are dying at any giving time - mass graves?), convicts (prison release due to overcrowding? the mega-prison of el salvador?), corruption (governmental likely?), demolitions, earthquakes (more environmental issues?), electrocution, executions (war?), fanatic, extremes, floods (environmental? emigration - society is aquarius after all?), liars, massacres (the rise of crime?), murder, nihilism (the rise of philosophy at the time of war?), ransom (war?), satire (rise of political satire?), stolen goods, and taxes (trump-esque no?).

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© a-d-nox 2023 all rights reserved

[srbachchan]

DAY 5969

Jalsa, Mumbai June 21/22, 2024 Fri/Sat 3:41 AM

🪔 ,

June 21 .. Ef Rajeev Sharma .. please confirm if birthday date is on June 21 or June 17 ?? .. love ..

June 22 .. birthday greetings to .. Ef Ashwini from Sydney - Australia 🇦🇺 .. and Ef Asmaa Ghansar from Ryad - KSA 🇸🇦 .. 🙏🏻❤️🚩

day before yesterday's Blog was written at work yesterday and today am writing yesterday's Blog .. and life is still as confused as it was yesterday by the today of the DAY ..

make sense .. ?

probably not .. it is coming on to 3:49 at night or rather 3:49 AM of the 22nd June .. and generally by this time matters do NOT make sense ..

so apologies and my regrets for troubling them that are still within time to read it now almost live .. er .. from the Western hemisphere !!

.. and what do you think of this .. at work .. lights and production effects and all .. ??

I am actually asking about the hoodie ..!!

🤣 🤣

YES YES YES .. the hoodie .. designed by moi .. me , I .. seriously !!

It's from the work place I work at .. and its

Macmerise.com .. !

Pick up the phone .. go there .. you shall get an order form, or such .. fill in the PROJECT portion .. the style you may imagine .. put it in for a hoodie, or t shirt, or mug or bag or phone cover .. for hoodie put in the size .. like S, M, L , XL, XXL .. your name , address , mobile and on , and within seconds the site will give you several designs of what you thought of .. pick one .. put it in the form .. and within a phataphat number of time it shall be delivered at your doorstep !!

I thought of 'a Tiger, with flowers' and here we are ..

Yaaaa ..

it's Macmerise.com ..

super is it not .. !

I did mine myself .. and you can do yours too ..

looooovvvvvvvvv eeee it baby .. !!!

do not worry about the green tabs on the Hoodie .. they could be the design you want ..

OR .. they are the markings for the VFX to put in on the Hoodie the design you have thought of ..

COOL na .. !!??

... the studio camera light .. gentle small does not affect the eyes and delivers more than what we were exposed to in my time .. big huge BRUTS they were called .. hot as hell and bright .. wow .. had problem opening the eyes ..

but we did it .. managed somehow ..

and still trying to manage ..

with all the costume heavy and the prosthetics .. and make up for hours and hours for KALKI .. the trailer of which has been released today ..

and yes the Hindi version - the song sung by moi .. tough for a non singer, but recordists today do unbelievable magic with their electronic equipment .. and ,, BADUMMBAAA , a song comes out ..

it's on YouTube .. and on my social media .. Twitter and FB and Insta ..

A learning today from one of the this generation ..

make a call on mobile , hear the bell ringing, but if it saying on the top 'calling' .. the call is not going through .. if it is saying 'ringing' then it is ..

Never knew about this at all .. gosh I am such a dodo .. know nothing at all ..

the learning graph is spiraling downwards .. 😳

the dark glasses .. to hide the eyes from the glare ...

NAAAH ..

to hide the wrinkles around the eye .. HA HA HA ..

at 82 yrs , what do you expect ???!!!

its CONFESTIONAL time at this hour .. 😂

alright dearies .. and the loved Ef ..

shubh raatri .. GN 😴

Amitabh Bachchan

[wheelsgoroundincircles]

1969 Holden Hurricane Concept

1969 Holden Hurricane Concept

1969 Holden Hurricane Concept

1969 Holden Hurricane Concept

1969 Holden Hurricane Concept

Holden has gone back to the future, restoring its very first concept car - the 1969 Holden Hurricane Concept.

The futuristic research vehicle described as an experiment "to study design trend, propulsion systems and other long range developments" has been restored to its former glory as a labour of love by a dedicated group of Holden designers and engineers.

Code named RD 001; the Holden Hurricane is a mid-engined, rear-wheel drive, two-seater sports car which incorporates a remarkable array of innovative features and technology, much of it way ahead of its time.

Features such as electronic digital instrument displays, station-seeking radio, automatic temperature control air conditioning, rear vision camera and an automated route finder were all showcased in this ground-breaking vehicle 42 years ago. Many of these technologies have only recently made their way into mass production, demonstrating Holden's remarkable foresight into both design and engineering technology.

The Holden Hurricane stole headlines and dropped jaws nationwide when it debuted at the 1969 Melbourne Motor Show.

Michael Simcoe, Executive Director GMIO Design, said it was fantastic to see such a significant vehicle restored.

"At Holden we have always prided ourselves on our ability to look into the future through our concept cars," Mr Simcoe said.

"It's amazing to think that the features we take for granted today were born out of creative minds over 40 years ago."

As its code name suggests, the RD 001 was the first product of the GMH Research and Development organisation, staffed by a small squad of engineers working in conjunction with the Advance Styling Group at the Fishermans Bend Technical Centre in the 1960s.

The team that designed and built the original Holden Hurricane employed some advanced technologies and techniques when it came to the powertrain. Powered by an experimental 4.2-litre (253 cubic inch) V8, this engine was a precursor to the Holden V8 engine program which entered production in late 1969.

The Holden Hurricane's V8 engine featured many advanced design components such as the four-barrel carburettor - a feature which wouldn't be seen on a production 253ci Holden V8 until the late 1970s. The end result was approximately 262hp (193kW), a towering power output in 1969 and one that ensured the Holden Hurricane had the go to match its show.

But perhaps the two most innovative features were the "Pathfinder" route guidance system and the rear-view camera.

The "Pathfinder", essentially a pre-GPS navigation system, relied on a system of magnets embedded at intersections along the road network to guide the driver along the desired route. A dash-mounted panel informed the driver of which turn to take by illuminating different arrows, as well as sounding a warning buzzer.

The rear-view camera was also a ground-breaking innovation.

Engineers using a Closed Circuit Television (CCTV) system with a camera mounted in the rear bumper feeding vision to a small black-and-white TV mounted in the centre console.

Former Holden Chief Studio Engineer Rick Martin led the modern-day Hurricane team in researching the vehicle's components, systems and history in order to restore it.

"There are some genuinely remarkable ideas and technology in the Hurricane," said Mr Martin.

"From the automatic air-conditioning and magnet-based guidance system, to the inertia-reel seat belts and metallic paint, this was a car that was genuinely ahead of its time.

"The hand-picked team of engineers and designers who built the original Holden Hurricane worked in strict secrecy and began Holden's now proud tradition of ground-breaking concept cars."

RD 001 stands just 990mm high and has no doors in the conventional sense. A hydraulically-powered canopy opens upwards and forward over the front wheels, combined with twin "astronaut type" power-elevating seats which rise up and pivot forward, along with the steering column for ease of access. Occupants are then lowered to a semi-reclining position before the roof closes over them.

The wind tunnel-tested fibreglass body consists of three segments; the canopy, the engine hood and body shell and was finished in an experimental aluminium flake-based metallic orange paint.

Safety innovations included a foam-lined fuel tank, integrated roll-over bar, digital instrument readouts, ignition safety locks, interior padding and a fire warning system.

The project to restore RD 001 began in 2006 and has been a genuine labour of love for some very dedicated Holden employees. The entire restoration process has been driven primarily by volunteer labour from Holden designers and engineers in their spare time.

But the Hurricane first entered Holden Design in less than immaculate condition. RD 001 had a residency in a trade school where apprentices practised their welding on the priceless concept.

After being returned to Holden in 2006, the Hurricane restoration project has taken many thousands of painstaking man hours to lovingly restore RD 001 to concourse condition.

Holden's Manager for Creative Hard Modelling, Paul Clarke, has been largely responsible for managing the restoration of RD 001. He ensured as many of the original parts as possible have been used or remade using modern techniques to 1969 specification, in order to preserve the authenticity of this hugely important Holden.

"The entire team has done a fantastic job in bringing this beautiful concept back to life," Mr Clarke said.

"The talent we have within the Holden organisation is simply outstanding. Every time we take on a project I'm constantly amazed by the passion and talent in this company, making it a genuine pleasure to work on these projects.

"The Hurricane plays a crucial role in Holden's story and the company has such a great sense of history and heritage that it was very important to bring RD 001 back to life. It's been a challenging but incredibly rewarding process."

Since the debut of the Holden Hurricane Concept in 1969, Holden has continued to build a global reputation for envisioning and executing world-class concept vehicles. Holden is recognised globally within General Motors as a centre of excellence for concept vehicle and show car development and is one of only three GM design studios that is capable to design and build concept cars.

Michael Simcoe added that the Hurricane holds a particularly special place in Holden's history as it kick-started Holden's long love affair with concepts that has since seen the likes of the iconic GTR-X, Torana TT36, Coupe 60, the GMC Denali XT (which was requested specifically by GM for the North American market) and the award-winning Efijy.

Holden Hurricane Concept (1969)

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Q&A: The Phantom Broadway Proshot

Happy 36th Birthday to Phantom of the Opera's opening night on Broadway! We should be celebrating at the Majestic. The show never should have closed.

In order to create "new" ish POTO Broadway content, @or-what-you-will and I promised to answer your questions about the proshot on POTO Broadway's birthday. Find our summary of the Proshot here.

We got dozens of questions, which we've consolidated into 14 questions. Read them all past the cut!

Wait, what’s the Phantom Proshot?

The Phantom Proshot is an archival copy of the original Broadway cast and production of Phantom of the Opera, filmed at the evening performance with a live audience on May 25, 1988. The New York Public Library, Theatre on Film and Tape Archive at the Performing Arts Library at Lincoln Center has archival copies of Broadway, Off-Broadway, and Regional theater going back to 1970. You can’t view currently running shows, so since Phantom ran for so long, it was under lock and key.

2. How do I see the Pro-Shot? 

Pretty simple how to guide here on the NYPL website. 

We are both NYPL cardholders and made a reservation in advance. You are required to state why you are accessing the recording as they exist for archival and research purpose. Both of us are published authors and researchers under our real names. 

Here's a picture of the room we were in from NYPL's website. We had an appointment and were set up in a room with lots of monitors. We were seated at monitors next to each other with two sets of headphones and had one set of controls to pause/rewind etc. There are 20 monitors in the room and it was pretty full that day. This was not my first time at the TOFT and it’s always had a good number of people around. 

3. Can someone get a boot of it/send me the link to it? Pleeeeease? 

No. Seriously, stop asking about this. Stop joking about this. It’s not online, and never will be. All of the recordings are on digital media (videodiscs or DvDs) in the basement and only library staff get to touch them. Don’t be the person who tried to do this and ruins the archive for everyone else. You can’t even bring electronic devices into the room.

4. Why won’t they release it to the public? And who the heck does it benefit to keep this locked away?

It isn’t. It was locked away when the show was actually running. It is available to the public. We are the public! We have library cards and went to a public library and watched it for $0! It’s owned by the library so the public can see it! At the library! 

The availability of us to access it now that the show has closed is what constitutes public release. There were several other phans, members of the public there to see it after us, and the library allowed them to max out the number of monitors the library allows people to view on. They had a later appointment and were watching disc one when we were on disc two. I’m sure there was someone after them too. Were we all wearing Phantom gear? Also yes. 

(@or-what-you-will here) The library is not allowed to show recordings of anything currently running on Broadway, presumably because of fears about economic loss from those who own the rights to the musicals. The library does not own the rights to the musicals in the archive, and there are likely a lot of stipulations the library has to follow to be able to have recordings like this. 

As someone who works in a library doing digitization work, libraries and the media they contain are very complicated. TOFT likely has the rights to show it under a very limited license, and to make copies for preservation purposes only, but things like this mean they would not be able to do anything like put it online or charge for it or do anything that would be them acting as though they owned the copyright (as opposed to the physical media). This is why when a library or archive has a book or tapes they don’t usually have the right to photocopy the entire book or digitize the entire tape and put it online (unless it is in public domain), however, if you go in person you can see it all you want. Someone else (usually the creator) owns the right to distribute or copy, and libraries and archives can get in a lot of trouble for violating it. 

The copyright is still owned by the holders of each respective musical’s copyright. It’s essentially like when you buy a DVD and you are technically not supposed to copy that DVD but you can invite your friends over to watch it at your house. Copying it and distributing it violates copyright. Putting it online violates copyright. If the library violated copyright it would likely lose the ability to archive musicals altogether. If you copied the DVD it would be a lot harder to find out who put it up because the DVD is owned by lots of people, though you could still be prosecuted by the law. If the library did, they would know immediately who did it because they are presumably the only ones with a copy of this recording. 

Likewise if someone took a bootleg recording of a show and distributed it, the copyright holders wouldn’t know it existed. If they found out that individual would then be eligible to be prosecuted under the law. Because the library is a public institution, if they were found out to be doing this, it would be the library itself that would get in trouble and it would damage their reputation, their funding, and quite possibly the funding and reputation of libraries around the world. A lot of this is done on trust. The copyright holders trust the library as a public institution and the library has a lot more stakes in the game than a single person recording the show and distributing it.

It’s a very tenuous agreement at times, and likely the library is only allowed to even record because there are so many protections in place and they have a history of enforcing these rules. These agreements also usually cover digitization and preservation, but again, violating them could have those abilities taken away as well. It’s all tied up in copyright law and the library has no control over that. I have talked to archivists where I live who have to record performances with tape over the lens because it’s considered for preservation and they want to make sure it cannot be possible to profit off of it in any way. 

When the show goes into public domain they will be able to put it online all they want without fear of repercussions, but until then, unless those agreements change, we are all limited by the whim of the copyright holders.

5. Hello! Is the pro shot you watched what this clip is from https://www.instagram.com/reel/Cp2_80CJqI3/?igsh=MWNja2wwYWw4OHUwbw== ?

I know all of us here on Tumblr were freaking out that they maybe had a copy of the pro shot when this came out. Thank you! (@imstillhere-butallislost)

Not the proshot, it's a press reel. It has its own cool story though! Answered this here.

6. How good of a shot was it? I know you said ProShot but is it a ProShot like Hamilton or just a camera recording the whole stage at once?

I’d definitely say it was Hamilton pro-shot quality as to what was available at the time between image quality and mixing up of close ups and wide shots. I’ve watched other proshots and many just park a camera in the back of the orchestra and call it good. Cats in particular had multiple cameras but just did close-ups when they felt like it, not when it made sense or added anything. As @or-what-you-will explained in their re-blog, Phantom was one of the first proshots where they had a soundboard plug in, and let me tell you, with the exception of a few moments in Act 1 where Sarah Brightman maxes out her mic, the sound was delicious. Have we talked about how Judy Kaye is singing over the overture (yes, that’s Judy Kaye, original Carlotta, warming up!)? Or that you can hear every single word of Notes I and Prima Donna and Notes II, which usually just sounds garbled because everyone is singing over one another? Actually hearing words that I sort of know exist changed my experience of the show for me. 

7. How did the tempo seem, compared to the pace of the show at the end of its run? I saw the show a few times in the last few years, and the music seemed significantly faster in person than it sounded on the London cast recording. I’ve always wondered if that was just a difference between the London and NY productions, or if the tempo just sped up over the years.

Uh…normal pace??? I’ve watched a lot of boots and most solidly clock in 2:15 of run time. This was no different. There are definitely some that run a little faster. London during Earl Carpenter’s 2023 run was notorious as he had to catch a train. It does seem to have settled back out. I will say, the music does always feel more intense in person because the whole place just vibrates. 

8. I'm curious about the comment about the Ratcatcher? I think I remember that character from a film adaptation, but was he ever in the ALW musical? (@lord-valery-mimes)

Yes, Ratcatcher is still in the musical, even now. It’s a blink or you miss it type of moment. If you hear a thud and a scream right before Madame Giry tells Raoul “He lives across the Lake, Monsieur”, the thud is the ratcatcher running across the travelator.

9. Does Christine really recognize the Phantom in PONR from his boner? 

No, but at this point she probably already know it’s him and has been trying to get through the scene, but definitely acts surprised because, well, that’s surprising. But it’s definitely the moment where the Vibes Are Officially Off. 

10. Can Sarah Brightman act? 

Yes! All three of the trio have far more nuanced performances on stage. Sarah doesn’t act the way that we do see many later Christines (including late 80s and early 90s Christines), but she absolutely created the blueprint for the role. Her “Wishing You Were Somehow Here Again” is missing some soul, but at the end of the day she was one of a kind, and she made some very strong acting choices. 

11. there anything unexpected? Any interpretation that stood out to you and particularly striking but didn’t stick around as others took on the roles and put their own spin on things?

Guys, I want to talk about Steve Barton as Raoul. The man made choice, after choice, after choice. And yet we have had so many Raoul’s that are kind of just strutting about looking pretty. Some seem to even forget they’re onstage during Final Lair. It can be such a juicy role if the actors choose to make it that way but so few do. 

Besides some small details I mentioned, the show did maintain its integrity through its 35 year run, which is truly remarkable. 

(@or-what-you-will here) Seconding what Flag said, Steve Barton brought so much more to the role than I’m used to seeing, and it really opened my mind to what Raoul could be. 

The blocking in PONR did surprise me, I knew they had changed it but I hadn’t realized how much. I always found the kind of pinwheeling arm thing Christine does with the phantom strange, so it was a pleasant surprise to find that they didn’t do that at all, the embrace from behind made more sense to me.

I also found after she took his hood off no one really ran out, the phantom and Christine got to have their moment. The blocking where they (the managers and Raoul) run out and tell Christine to stay makes no sense with their motivations to stop him. The more recent blocking where Christine motions them to stay in place as the phantom sings the All I Ask of You Reprise makes way more sense with the characters’ motives and matches this original blocking much more. 

12. Also are you truly working on a research project? If so, how is progress and where might we find your final results when it’s complete?

To quote Dr. Who, “Spoilers.” Yes, always. Both of us have day jobs that have us doing research, but I can’t promise I’ll put it on here when complete since I keep fandom and real life separate. Sorry to dodge this one but getting into specifics about this starts to identify us. 

(@or-what-you-will here) Seconding what Flag said. 

13. Hi there, I was wondering if I could ask you a general question about the NPL’s archive. Something about the language on their website made it sound like viewers could only watch a recording “once”. I wasn’t sure if that meant “once per visit” (i.e. you can’t sit there for 8 hours restarting the tape every time it ends) or “once” as in forever (like, once you’ve watched a recording you are never allowed to request it again). Did you have any clarification? I wasn't sure if the librarians explain the policies when you arrive at your appointment. Thank you for providing so many details about the Phantom pro-shot and offering to answer our questions! That's really kind of you!

You’re welcome! So if there’s nobody after you, you can hang out with the media as long as you want. However, we did have another group come in about 90 minutes after us. That gave us enough time to watch both acts with all the rewinds we wanted. We watched PONR and parts of Final Lair like five times. On a previous TOFT trip I watched two shows and was there for like six hours.  The prohibition is on coming back and watching the recording again. I have no idea how strict they are about this, although I suspect it’s to keep people from monopolizing certain media. Would I want to try to watch the proshot again in the future? Probably! I know there’s stuff I missed, or I’d see something different depending on what I’m working on. The TOFT is also an absolutely incredible resource and I have so many other shows I’d like to check out. 

(Will here) They do log on your library account when you visit that you visited and what you saw. However, if you have accessibility needs that would require you to watch in multiple viewings or something along those lines, I would talk to them about it, because I’m sure they’d be able to work with you to figure out something so you wouldn’t have to sit through the whole thing in one shot.

14. > Barton Raoul’s “There is no Phantom of the Opera” comes off more as “Christine this is just some dude” vs “he doesn’t exist at all.” 

Could you elaborate on this part? I'm having trouble imagining how that would be conveyed. (also, thanks for sharing your notes on the procast!) @clutzyangel

You're welcome! Yes, he's telling Christine that the Phantom is a human, flesh-and-blood man, not some fantastical creature. I've seen many Raouls who seem to try to convince Christine that the Phantom doesn't exist at all. Barton's Raoul seems to understand that he's a man with ulterior motives possibly duping Christine.

And he's not wrong.