#Ontario Director
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#kinda have been thinking of going back to school for funeral directing and embalming#i have my makeup artistry degree so i could do mortuary cosmetology butttt its rly had to find a place looking for only that#since funeral directors are also qualified to do mortuary makeup and most places will just have them do it#like it’s not impossible to find a place looking for only a mortuary cosmetologist its just way harder n i’d have way better chance if i#went to school for funeral directing and did the whole process ya know#idk#i just hate that the only places offering the program in canada are sudbury and toronto in ontario or some place in bc too#if i do it in bc though my license wouldn’t be valid in ontario and vise versa#jas rants
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A Guide to Business Liability Insurance for Small Business Owners in Ontario
As a small business owner in Ontario, it is crucial to understand the importance of business liability insurance. This type of insurance provides protection against claims of injury or damage that may arise from your business operations. In a litigious society, having adequate insurance coverage can mean the difference between financial stability and bankruptcy. Below is a guide to business liability insurance for small business owners in Ontario, including an overview of professional liability insurance, business liability insurance, and directors and officers insurance.
Professional Liability Insurance:
Professional liability insurance Ontario, also known as errors and omissions insurance, is designed to protect professionals who provide services or advice to clients. This type of insurance is crucial for businesses such as consultants, accountants, lawyers, and healthcare providers, who may face lawsuits alleging negligence or errors in their professional services.
Professional liability insurance in Ontario typically covers legal fees, court costs, and settlements or judgments that may arise from a claim of professional misconduct. It is important to note that professional liability insurance does not cover intentional acts or criminal behavior. Therefore, it is essential to consult with an insurance professional to determine the appropriate coverage for your business.
Business Liability Insurance:
Business liability insurance is a broad category that encompasses various types of coverage, including general liability insurance, product liability insurance, and commercial property insurance. General liability insurance protects small business owners against claims of bodily injury, property damage, and advertising injury that may arise from their business operations.
Product liability insurance, on the other hand, covers businesses that manufacture or sell products in case of defects, malfunctions, or injuries caused by their products. Commercial property insurance provides coverage for damage to buildings, equipment, and inventory due to fire, theft, or other covered perils.
Small Business Liability Insurance:
Small business liability insurance is essential for protecting your business assets and personal finances. Without adequate insurance coverage, a lawsuit could spell financial ruin for your business. By investing in small business liability insurance, you can minimize the financial risks associated with legal disputes and claims of injury or damage.
Directors and Officers Insurance:
Directors and officers insurance, also known as D&O insurance, provides protection for the personal assets of company directors and officers in case of lawsuits alleging wrongful acts in the performance of their duties. This type of insurance is crucial for small businesses with a board of directors or executive team, as it can help attract and retain talented individuals who may be hesitant to take on leadership roles without adequate protection.
In conclusion, business liability insurance is a critical investment for small business owners in Ontario. By understanding the different types of coverage available, including professional liability insurance, business liability insurance, and directors and officers insurance, you can protect your business assets and personal finances against potential risks. Consult with an insurance professional to determine the appropriate coverage for your business and secure peace of mind knowing that you are protected in the event of a legal dispute.
#professional liability insurance ontario#business liability insurance#small business liability insurance#directors and officers insurance
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Pete Thistlethwaite - A Seasoned Business Professional
A true business professional with a contemporary flair, Pete Thistlethwaite is a master at managing operations and exceeding customer expectations. Pete creates a positive and productive work environment with his strong leadership skills and dedication to staff development. His expertise in purchasing, safety standards, and social media promotion sets him apart from the rest.
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Corporate Lawyers In Agreement
Corporate And Business Lawyers
#Mississauga #Toronto #Brampton #Etobicoke #Oakville #GTA
Incorporation and corporate reorganizations
Asset and share purchase and sale agreements
Business closing
Partnership Agreements
Shareholder Agreements
Licensing Agreements
Franchise Agreements
Directors and Officers' Liability
Corporate Governance
Shareholders Disputes
Protection of ideas, technology, and business identity
Commercial Lease Agreements
#Lease Agreements#sale agreements#Business closing#mississauga#brampton#lawyers#lawyer#business lawyers#ontario#canada#businesslawyer#Partnership Agreements#Shareholder Agreements#Licensing Agreements#Franchise Agreements#Directors and Officers Liability#Corporate Governance#Shareholders Disputes#Protection of ideas#technology and business identity#Commercial Lease Agreements
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The Toronto International Music Video Festival is Happening and Mac Downey Speaks All About It on TLOY TALKS
For Toronto music video directors, producers, directors of photography, production crews and artists alike, there’s an actual festival happening for you all and it’s the Toronto International Music Video Festival (TIMVF). In its inaugural year, The Toronto International Music Video Festival (TIMVF) will be a one-day event—at the Beaches’ own Fox Theatre—showcasing the best filmmakers and…
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#director#director of photography#fox theatre#international music video festival#mac downey#music video#music video festival#music videos#producer#the fox#Toronto#toronto international music video festival#toronto ontario#toronto ontario canada
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A Web Series Outline About Love
I am posting the outline to my story, A Hook ‘n Peg Affair – which I wrote several years ago, when an ex girlfriend from the 60s told me that she had learned that her husband had been having an affair with her best friend for over thirty years! I wrote it for her as a tribute to our friendship – with the hope it would make her feel better. But she didn’t like it because she did not want to hurt…
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#actors#Danny St. Andrews#Director#fiction#Grips#Oshawa Ontario#Photographers#Producer#pub location#screenplay#script#Sound crew#Web Series#web series outline#White Rock BC
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That year, the NHL was embroiled in one of its periodic work stoppages, this one a lockout.Players were allowed at practice facilities, but team officials were not.
Crosby took on the role of media relations director. A day in advance, he’d tell the media what time Penguins players — usually around a dozen — would be working out. One time, in a particularly endearing moment, players canceled the next day’s workout. So, Crosby called me and asked me to tell the rest of the media not to show up. It was a very strange time for hockey and especially for Crosby, who had just lost 100 games in his prime due to a concussion. Now, he was missing more time in his prime because of a lockout.
Also because of the lockout, Crosby had plenty of time for introspection along with his hockey player and media relations duties. He had time to pay close attention to the rest of the hockey world, too, a privilege he typically isn’t afforded in October.
Two hours north of Pittsburgh, a 15-year-old sensation had arrived in Erie, Pa. — Connor McDavid was taking the Ontario Hockey League by storm. I had decided to travel to Erie with Penguins broadcaster Paul Steigerwald on Saturday, the night of McDavid’s second home game, when the Erie Otters were taking on the London Knights.
On the game’s first shift, McDavid split defensemen Olli Määttä and Scott Harrington and then scored to finish off a highlight reel goal.
Dan Bylsma, then coaching the Penguins, was there. Following the game, he chewed out Määttä and Harrington, a couple of Penguins draft picks, for allowing that goal on the game’s first shift. After seeing the interaction, I joked to Bylsma, something along the lines of, “I don’t know, that McDavid kid is kinda good.”
Bylsma looked at me and said: “He’s 15. They shouldn’t be getting split like that.”
I relayed this story to Crosby, who asked if Bylsma really said that. Then he took my side.
“Doesn’t matter how old he is. He’s different,” Crosby said.
Oh?
Crosby always politely answers questions about players, but he doesn’t typically go out of his way like that.
Then it occurred to me that Erie Otters games aren’t televised in Pittsburgh. I had assumed that Crosby had never seen McDavid play.
“Got some time on my hands these days,” Crosby said with a smile. “I’ve seen him. I’ve seen highlights of him.”
The greatest player in the world is checking out YouTube highlights of a 15-year-old hockey player?
“Yep,” Crosby said.
Then he said something I’ll never forget. Sensing that he saw something in McDavid that was different, I asked him if McDavid reminded him of anyone. In a non-arrogant way, Crosby quietly said, “He reminds me of me.”
Make no mistake, he admired all of the players who were compared to him. He once told me that, if he could shoot the puck like Alex Ovechkin, he wouldn’t pass as much as he does. I once saw him shake his head when he watched Patrick Kane stickhandle around an opponent on TV.
But he never anointed other players, even if he would marvel.
With McDavid, stylistically, Crosby saw himself. And he saw talent that was out of this world.
Crosby didn’t feel threatened. He understood that someone else always comes along.
from the athletic
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“In an effort to dispel what she says are myths about the impact a Fredericton addictions clinic has had on businesses and residents in the downtown, the head of the clinic spoke before a city council committee Thursday.
Dr. Sara Davidson said the River Stone Recovery Centre has not resulted in an influx of illicit drug users to Fredericton and has not worsened the issue of homelessness in the city's downtown. “
…
“But she also spent a chunk of her time at the podium rebutting a list of what she says are myths that some people in the city are perpetuating about how the clinic operates and the knock-on effects it's having.
"I just yesterday had someone tell me that a paramedic had said to them that a busload [of people] gets shipped in from Ontario on a regular basis to take part in our program," said Davidson, in an interview after her presentation.
"I don't know where that came from."”
What? That’s such a deeply nonsensical claim!
“Davidson said her clinic's program is not making the city's homeless problem worse, but rather has improved things.
She said 60 per cent of the patients who were homeless when they started the injectable opioid-agonist therapy program reported being housed after 12 months, and 90 per cent reported finding a home after two years.
She said 85 per cent of participants in the same program also reported they no longer were stealing to survive.”
Strangely, the clinic for changing your relationship with substances leads to people doing that.
The panicky conservatives of Fredericton have always been this evil and dense, and LOVE the spectre of buses of evildoers being trucked in from Somewhere for Reasons
@allthecanadianpolitics
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HER STORY IS INCREDIBLE EVERYONE SIT DOWN AND LEARN FROM THIS QUEEN ⤵️
Kiana Scott, who played minor hockey system for 11 seasons, including four seasons on boys teams, gravitated to scouting from watching her brother’s games and critiquing his strengths and weaknesses.
Unaware of jobs available in hockey, she enrolled in makeup artistry college after high school, but knew her heart was in the sport.
She eventually enrolled in an online hockey general manager scouting course.
Scott joined the International Scouting Service Hockey mentorship program in 2018 and scouted for the service for two years while holding down two jobs.
“I love scouting future prospects, and the evaluation process,” she said. “I think that's kind of where my passion lies. It's just the evaluation process. And it's exciting, building a team.”
Scott spent two seasons as a full-time scout for Erie before she took a bold step and left the organization to move to Calgary and became an independent scout in June 2022.
“I just kept practicing my craft and kind of paid my own way, like, throughout the whole year,” she said. “All of the tickets to every game, all of my travel expenses, everything. I just put all my money into scouting and trying to evolve and then I ended up getting my (Avalanche) internship the next year.”
Scott had some financial help from her family for the move and she supplemented her income by working as a bartender at a Calgary casino, a job with hours that allowed her to scout games.
If all that wasn’t enough, she also enrolled in the University of Florida’s online sports management program.
“I've always had the mindset to just keep betting on myself and working hard and evolving,” she said. “I think I've taken a lot of risks to get to where I am, but I wouldn't try to change the journey for anything.”
Scott said she hopes women, women of color and people who don’t come from a so-called “traditional” hockey background will follow her on the journey.
“I grew up playing hockey, but I didn’t play professional hockey, I didn’t go to college or university for hockey,” she said. “I just had a passion for it. I love scouting. I worked at it, and I continue working at my craft.
“People that don’t necessarily come from the traditional background, I hope they see themselves in me and believe that they can put their minds to it and get it done.”
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The 2024 NHL Draft was as eventful for Kiana Scott as it was for the players who were selected in the seven-round event at Sphere in Las Vegas last month.
The 25-year-old Barrie, Ontario, native signed with the Colorado Avalanche at the draft to become a full-time amateur scout, fulfilling a goal she has had since she was a teenager.
“This is something that I've worked really hard for my whole career to be able to sign my first NHL contract,” Scott said. “I was elated. The Avs have been really good for me the past year, and I’m excited to keep building with them.”
Scott joined the Avalanche after working as an intern for the organization.
Colorado general manager Chris MacFarland said he and executive director of hockey operations Suzanne Borchert “were impressed with her work ethic and her passion."
MacFarland said: “Kiana was on our radar when she was scouting in major junior circuits ... and it worked that a few years ago we had an internship opportunity for her.
“She did a good job in that role and was an integral part of our amateur scouting department. We’re excited to see her contributions moving forward in her full-time role as an amateur scout.”
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Scott made history when she became the first woman scout in the Ontario Hockey League with Erie in March 2020.
She was among the initial of a wave of women who were hired in recent years as scouts at all levels of hockey, including Cammi Granato (Seattle Kraken), Blake Bolden (Los Angeles Kings), Krissy Wendell-Pohl (Pittsburgh Penguins), Meghan Hunter (Chicago Blackhawks), Gabriella Switaj (Anaheim Ducks) and Brigette Lacquette (Chicago Blackhawks).
Granato moved on from Seattle to become an assistant general manager for the Vancouver Canucks on Feb. 10, 2022, and Hunter was promoted to assistant GM by the Blackhawks on June 22, 2022.
“When I first started scouting, I didn’t know of any women in the industry already,” she said. “Cammi Granato got her job with the NHL a year after I started scouting. That’s when I kind of knew it was possible. But I never had anyone to look up to. I just had this dream and the passion for hockey. I knew that I had to the talent and skill to do it, and to try to keep building on them.
"That’s what I’ve always gone off on -- keep evolving, never give up on what you love.”
#kiana scott#colorado avalanche#nhl#erie otters#ohl#hockeyblr#women in hockey#diversity in hockey#minorities in hockey
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Please follow the link to view the whole 24 minute segment. It's quite enlightening (whenever Issac Bogoch isn't yapping, that is.)
Reference archived on our website
It was more than four years ago when the World Health Organization declared COVID-19 a pandemic and the world shut down. Now, things have largely returned to the way they were, but the virus still remains. How dangerous is COVID-19 today? And have people forgotten that the disease poses health risks and some are still feeling the effects of poor mental health? For insight, The Agenda welcomes: Isaac Bogoch, an infectious diseases specialist at the Toronto General Hospital; Dawn Bowdish, executive irector at the Firestone Institute for Respiratory Health and professor of medicine at McMaster University; and Kwame McKenzie CEO, Wellesley Institute and director of health equity at the Centre for Addiction and Mental Health (CAMH).
#mask up#covid#pandemic#covid 19#wear a mask#public health#coronavirus#sars cov 2#still coviding#wear a respirator#long covid#covid conscious#covid vaccine#covid is airborne
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The endangered spiny softshell turtle was on track to disappear entirely from the Thames River in the London, Ont., region until researchers stepped in nearly 30 years ago. Today, the turtle population is not only recovering where researchers have concentrated their efforts, but is increasing downstream. “Without the efforts of SOARR (Southern Ontario At Risk Reptiles), we would lose between 99 and 100 per cent of all softshell turtle nests each year,” said director Scott Gillingwater, who is also species at risk biologist with the Upper Thames River Conservation Authority (UTRCA).
Continue Reading.
Tagging: @politicsofcanada
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CANADA-ENTERTAINMENT-FILM-FESTIVAL-TIFF
(L-R) US actor John Turturro, Irish actress Caitriona Balfe, English actor Orlando Bloom and English director Sean Ellis attend the premiere of "The Cut" during the Toronto International Film Festival at the Princess of Wales Theatre in Toronto, Ontario, Canada, on September 5, 2024. (Photo by Geoff Robins / AFP) (Photo by GEOFF ROBINS/AFP via Getty Images)
Irish actress Caitriona Balfe poses with a fan as she attends the premiere of "The Cut" during the Toronto International Film Festival at the Princess of Wales Theatre in Toronto, Ontario, Canada, on September 5, 2024. (Photo by Geoff Robins / AFP) (Photo by GEOFF ROBINS/AFP via Getty Images)
TORONTO, ONTARIO - SEPTEMBER 05: (L-R) Caitriona Balfe and Orlando Bloom attend the premiere of "The Cut" during the 2024 Toronto International Film Festival at Princess of Wales Theatre on September 05, 2024 in Toronto, Ontario. (Photo by Emma McIntyre/Getty Images)
TORONTO, ONTARIO - SEPTEMBER 05: Caitriona Balfe attends the premiere of "The Cut" during the 2024 Toronto International Film Festival at Princess of Wales Theatre on September 05, 2024 in Toronto, Ontario. (Photo by Emma McIntyre/Getty Images)
TORONTO, ONTARIO - SEPTEMBER 05: (EDITORS NOTE: Image has been converted to black and white) Caitriona Balfe signs an autograph at the premiere of "The Cut" during the 2024 Toronto International Film Festival at Princess of Wales Theatre on September 05, 2024 in Toronto, Ontario. (Photo by Emma McIntyre/Getty Images)
TORONTO, ONTARIO - SEPTEMBER 5 : (L-R) John Turturro, Caitriona Balfe, and Orlando Bloom attend the premiere of 'The Cut' during the 2024 Toronto International Film Festival at Princess of Wales Theatre on September 5, 2024 in Toronto, Ontario. (Photo by Mert Alper Dervis/Anadolu via Getty Images)
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How General Commercial Insurance Protects Small Companies in Ontario
Running a small company in Ontario comes with its own set of challenges and risks. From potential lawsuits to property damage, there are various threats that can pose a significant threat to the financial stability of a small business. This is where general commercial insurance comes in to play, offering a safety net to protect small companies from unexpected events that can have devastating consequences.
One of the key components of general commercial insurance is directors and officers insurance, which provides coverage for the personal assets of the company's directors and officers in the event of a lawsuit. This type of insurance can be crucial for small companies, as it can help to protect the personal finances of those in leadership positions within the company. In an increasingly litigious society, having directors and officers insurance is essential for small companies to safeguard against costly legal battles.
Additionally, small company insurance is another important aspect of general commercial insurance that can provide protection for small businesses in Ontario. This type of insurance typically includes a range of coverage options, such as general liability insurance, property insurance, and business interruption insurance. With small company insurance, small businesses can have peace of mind knowing that they are covered in the event of property damage, lawsuits, or other unforeseen events.
Another important form of insurance that small companies in Ontario should consider is builders risk insurance. This type of insurance provides coverage for construction projects, protecting against risks such as theft, vandalism, and property damage. For small companies in the construction industry, builders risk insurance is essential to ensure that their projects are protected from potential threats that could lead to costly delays and financial losses.
In conclusion, general commercial insurance is a vital tool for small companies in Ontario to protect themselves from the myriad of risks that they may face. Whether it be directors and officers insurance, small company insurance, or builders risk insurance, having the right insurance coverage can make all the difference in safeguarding the financial stability of a small business. With the right insurance in place, small companies can focus on growing their business and achieving success, without having to worry about the potential pitfalls that can come their way.
#general commercial insurance#directors and officers insurance#small company insurance#builders risk insurance ontario
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the girl next store; luke hughes
summary: she always tried not be in love with her best friends little brother but she can’t push away her feelings forever
cynthia jade brown x luke hughes
part one, part two, part three
taglist: @chelawrites @faithm120601
Cynthia Jade Brown the only child of the Brown family. Her father, Christopher Brown a famous movie director that has directed many films that have received oscar’s, he used to be a hockey player up until he graduated collage along side his best friend Jim Hughes. Then he met his wife, Anna Woods an inspiring and rising artist at the time and now has many famous art museums around the world. Christopher and Anna moved to Ontario around similar time as the Hughes, making the three Hughes brothers and Cynthia grow up around each other. The two families always have been very close and more like one family, as they lived next store to each other.
Cynthia having followed her mothers passion in art but loving to design clothes and modeling the most, she became a model at a young age, but that’s not saying she didn’t love hockey like how her father and the Hughes, it just wasn’t something she wanted to do as a career, she played most of her life and had offers to go professional but couldn’t see herself doing so, so she decided to stop playing on a team but still practices and plays fun games with the Hughes brothers as much as possible.
Cynthia and Jack were born on the same day a year apart making the two act like twins and Jack insisting that the two are twins and best friends, They have always had a special bond, a bond that is completely platonic. Jack and Cynthia are always been on each other others sides. Jack has always been very protective of his best friend. The two have always lived near each other as Cynthia and Jack went to New Jersey the same time and lived with their friend Ty for a few years before Cynthia got her own penthouse that was close by but the two have always lived within a few minutes of each other. They were also pretty young when they moved away from their family so they started a lot of traditions just the two of them as they celebrated most holidays and birthdays together, when one of them were sick they would take care of each other, when they were just having a bad day they always have each other.
Quinn has always remembered having Cynthia in his life and having been told from a young to protect his younger siblings that just made him assume that included Cynthia as well, it wasn’t till he got older he realized that she wasn’t actually his sister but that didn’t change anything, he’s always been the most protective of her and has always had a huge soft spot for his little sister. Cynthia does tend to have a jobs in Vancouver or Seattle and will always make it into a little trip to visit Quinn for the few days and watch his game. Cynthia always thought of Quinn as her big brother and her biggest protector.
Now Cynthia and Luke have always been more complicated, if you asked Jack he would say he thought the two treated each other like siblings but if you asked anyone else in either of their families they would tell you Luke has always had the biggest heart eyes for Cynthia. As Luke grew the more he realized what he felt for Cynthia and there were years where he could barely speak to her or be anywhere near her without blushing or stuttering over his words. Cynthia though has always been hesitant for what she felt for Luke as Jack has always been her best friend and she doesn’t ever want to betray his trust by falling for his little brother, Cynthia never realized what Luke felt for her and she didn’t want to start something with him that could end bad if he never felt the same. Cynthia has always treated him kindly and she treated the softest out of everyone but she tried to pretend that her feelings for him was platonic.
Ellen and Cynthia have always had an adorable relationship, Ellen having always wanted a daughter, has one in Cynthia. Ellen and Anna have been best friends since childhood. There’s been many days where the mom’s and Cynthia will go shopping and have a girls days, most of those times the three boys would complain that the moms were taking their Cynthia. Ellen is the only Cynthia has talked about her feelings for Luke. Ellen has always know Cynthia was made for Luke and she knows the two will end up together one day. It was Ellen who suggested the name Cynthia to her parents and they chose it for her name.
Jim and Cynthia are just as close, Cynthia enjoying just watching hockey games with Jim and her father, she’s always enjoyed spending time with Jim always thinking of him like a second father. Jim and Christopher met on their first hockey teams as children and have been best friends since. Jim always enjoyed Cynthia destroying his boys on the ice as she’s always been an amazing hockey player, one even the boys have hard time keeping up with.
Christopher and Anna had always planned for lots kids, they wanted a very big family but the birth of Cynthia was a very very dangerous one and it caused Anna to not be able to have any more children, and at first the two were devastated they couldn’t give their daughter siblings and have a big family but the more they thought about it Cynthia was perfect for them and in the end they ended up gaining three sons in Quinn, Jack and Luke. Their family felt full and completely with all of them. Cynthia has always been the perfect mix of her parents, her sparkling hazel eyes from her father, her button nose from her mother, her chestnut brown hair from her mother, her determination and passion of hockey from her father, her ability in everything art from her mother, her stubbornness definitely from both of her parents, her cheekiness from her father, her kindness from her mother.
Cynthia started collage in 2019 having graduated high school a year early, going to The Fashion Institute of Technology in New York, the number one collage for fashion. She started living with Jack as her collage is only a few minutes away from New Jersey. She started at a new agency for modeling and she started her classes to get her degree in fashion design. After finishing her first year at college she knew this is where she wanted to live for a long while.
August 14, 2023
Cynthia was cuddled up in her bed in her room at the Hughes lake house, sketching a new design in her sketch book, hearing a knock at the door and calling a come in. She looked up seeing Luke shyly peaking his head in the room holding something behind his back, She smiled patting the spot of her bed next to her, “Hi lukey.”
Luke smiled walking over ignoring the heat rising to his cheeks, “Hi jj.” Luke the only person who’s ever been aloud to call her that, Luke having picked the nickname from her middle name Jade. Luke sat down next to her bringing his hand forward showing a napkin filled with something as he gently unfolded the napkin revealing a bunch of warm chocolate chip cookies, “Mom made cookies so i grabbed a bunch before the rest of them could steal them all.” He brushed back a curl off his forehead avoiding eye contact with the girl he’s always been in love with.
Cynthia heart soften the way it only ever did around Luke, a reminder of what she will always feel for him despite trying to hide it with one night stands and short relationships, “Your the sweetest Lukey, Thank you.” She smiled squeezing Luke arm in thankfulness before grabbing a cookie and munching on it. Cynthia looked up at a Luke seeing him yawn and his eyes drooping the way they do when he’s tried and needs a nap. She pulled back the covers on the other side of the bed patting it while looking at Luke.
“What?” Luke looked at in confusion trying not to get his hopes up that she wants him to lay next to her.
“Come here silly i can see you falling asleep from here.” Cynthia gently smiled, watching the red hue appear darker on his cheeks before he got up and slid under the covers resting his head on the pillow before looking yp at her eyes looking for something, something she wasn’t sure what before he scooted forward and cuddled into her side and his arm draped across her stomach. Cynthia tensed slightly before relaxing running a tentative hand through Luke’s curls becoming more comfortable at the happy sound that left Luke and how he melted even more into her.
“Thank you baby.” Luke voice was deep with sleep his eyes already fluttered shut falling asleep so quick he didn’t even realize the name fall for him lips, but Cynthia did, making her hand freeze and her eyes widen in surprise looking down at a peaceful sleeping Luke.
Maybe that was a sign, a sign to her Luke does feel something for her. She thought back to all her memories with Luke and the way he’s always been sweet and wanting to be around her, she remembers how his cheeks are always red around her and tried to remember a time she’s seen him with a girl where his cheeks were blushed, maybe she’s been so involved trying to push her feelings away she’s missed all the signs in front of her. Maybe she should try with Luke not missing out a change of an epic love with him for Jack. She has a feeling now that for the first time in five years that they are going to live close by each other again, things are going to change and that filled her with an odd amount of excitement.
cynthia.brown posted
liked by lhughes_06, trevorzegras, jackhughes and 12,378,666 others
cynthia.brown 👙✈️🏇🚤📸💍🕶️🌅🇬🇷
trevorzegras i made it to cynthia browns page, my life is complete.
↳ cynthia.brown lucky z
lhughes_06 🍪
↳ cynthia.brown 🍪
↳ _quinnhughes ?
_quinnhughes 💙💚
↳ cynthia.brown 💙💚
dior 💗
_alexturcotte💅🏻
↳ cynthia.brown 💅🏻
voguemagazine 📸
user4564 icon!
user12111111 if i ever look as pretty as her i would die happily
↳ user!!!!! sameeeeee!!!
September 6, 2023
Luke groaned throwing his head back as the pillow fell to the floor having not been able to block the sounds coming from the room across from him. Luke pulled his phone out of his pocket opening up his text messages with Cynthia.
Jj🤍
luke: You home?
cynthia: about to be, why?
luke: Can i come over? Jack has a girl over.
cynthia: course lukey🤍
luke: ❤️
Luke clicked his phone off throwing his legs off the side of the bed, hitting the floor with his feet, he slid on a pair of air forces. He grabbed his hockey bag that was hanging from his desk chair, he grabbed another outfit knowing he’s staying the night and have practice in the morning so there’s no point to come home first, he grabbed some of his toiletries throwing them in his bag before grabbing his hoodie and throwing it, quickly walking out the apartment trying to avoid hearing anymore sounds for him brother and the girl he had over.
Luke quickly hopped into his car starting the thirty ish minute drive to Cynthia’s penthouse, the drive was done before he knew it and he was parking his car and walking through the front lobby giving them the workers a nod knowing they already know him having seen him here many times before. Luke got in the elevator heading to the top floor that Cynthia’s penthouse is at. Luke walked out of the elevator heading towards the front door knocking on it, leaning against the wall waiting to hear his favorite footsteps, after a minute or two he heard a pair of footsteps rushing to the door, unlocking it showing a freshly shower Cynthia who’s dark brown hair is soaking wet falling down her back and a white fluffy towel wrapped around her, her body still wet from the shower.
“Hi Lukey! Sorry i took longer that i thought.” Cynthia smiled at her favorite boy tightening her grip on her towel that’s covering her, Luke harshly swallowed trying not to look at anything other than her eyes.
“It’s fine.” Luke smiled tightly trying to ignore the thoughts coming to his head, walking in feeling his skin spark at the slight brush of his arm to hers.
“I’ll be right back.” Cynthia quickly headed down the hall towards where he knows is her room.
Luke slipped his shoes off putting them on the self in the front entrance, he walked to the living room setting his bag on one of the chairs before taking a seat on her couch. He leaned his head back resting it against the back of the couch closing his eyes, before opening them hearing the patter of footsteps coming towards him, Cynthia wearing a knitted white sweater that loosely hung off her shoulder and a pair of grey sweatpants that were way to big for her, a pair that looks exactly like his the ones she borrowed from him.
“Are those my sweatpants?” Luke looked up at her grinning as he asked the question, he already knew the answer as the pants have his number on one of the front pockets and his old school logo. He thought she just got rid of them after she borrowed them a few years ago when she spent a weekend at his collage to watch him play.
Cynthia cheeks got slightly red, “Yes.”
Luke smiled seeing the red on her cheeks, He bit his lip to stop a bigger grin from forming on his face before patting the spot next to him, She quickly walked over to him and sitting next to him and she looked slight hesitant to move any closer, Luke saw this and put his arm slowly around her and pulled her closer. He watched as she relaxed fully against him and he heard her breathe out sigh as she cuddled into his chest, he smiled leaning down to kiss the top of her head.
Luke has felt the change between them since the lake house, Cynthia the last few years has always been more hesitant around Luke and been less touchy with him but lately she seems to have relaxed and is back to cuddling with him like she used to a lot.
“Jack has another girl over.” Cynthia quietly chucked knowing what’s its like to live with Jack, having lived with him for almost two years when they both moved to New Jersey and then she moved to New York to her own penthouse.
“Yeah it’s the same one as the last few times though.” Luke answered running a hand through Cynthia’s wet hair.
“The same one?” Cynthia asked in surprise as Jack has been on a playboy streak the last year since his break up with his ex.
“I know!” Luke laughed having thought the same thing, knowing Jack doesn’t sleep with the same person twice so it was different.
“You’re staying the night, right?” Cynthia asked hoping Luke will stay like he has the last few times he came over the last month since he’s moved to New Jersey.
“Course Jj.”
“Good.” Cynthia looked at Luke wrist looking at his watch seeing that it was already almost nine a clock at night and she was starving, “Did you eat?”
“Nope not yet.” Luke twirled a piece of her hair around his finger, “Chinese?”
“Duh!” Cynthia grinned knowing Luke loves the Chinese place she always gets food from. Cynthia quickly pulled out her phone ordering there usually for delivery and paying for it before Luke could it. She grinned as she felt Luke try to take her phone she moved forwards out of the way laughing as she submitted the order.
“Hey i was suppose to buy this time.” Luke playfully complained wrapping his arms around her waist pulling her towards him making her fall into his lap, he dug his fingers into her side where he knows is her ticklish spot and he was right soon the penthouse was filled with sound of her laugh and Luke chuckles as he watched her try to squirm away.
“I-m S-orr-y.” Cynthia tried to get out as she continued to laugh.
“No you’re not.” Luke smiled slowly stopping tickling her, Her laugh slowly died down but her smile stay bright and full, Her head turned making their noses brush, both not realizing they were that close, and not even paying attention that she is still sitting on his lap.
“Hi.” Cynthia voice was barley a whispered when she looked up Luke through her long eyelashes and her hand rested on the back of his neck, her fingers curling around one of his curls.
“Hi.” Luke whispered back watching her as he gently moved forward and bumped his nose with hers, loving how her nose scrunched in response.
She gently leaned towards him and rested her forehead against his, feeling at peace in his arms and she knew then, that she couldn’t push her feelings away anymore and she deserved a chance to love him and Luke deserves to be loved.
Luke smiled closing his eyes enjoying the closeness with Cynthia.
Cynthia pulled back from him resting her head on his shoulder feeling his hands run though her hair.
“Can i braid your hair?” Luke softly asked as both of their mothers have taught him from a young age, as he always wanted to be the one to do Cynthia’s hair for her.
“Course.” Cynthia lifted her head off his shoulder kissing his cheek and gently getting up and walking to down the hall to her bathroom, not seeing the red that grew on Luke’s cheek at the affection from her.
Luke watched as she came back with her brush and hair ties. Cynthia walked over sitting between his legs handing him the brush and relaxing at him doing her hair.
Luke gently brushed her hair out before splitting it into three sections and starting the braid as he done thousands of times before.
Cynthia wasn’t even sure if Luke knew how much she only enjoyed him doing her hair, she didn’t like when anyone else did it. She felt him reaching the end of the braid and handed him the hair tie.
“There.” Luke set the braid on her shoulder letting her see, “Beautiful as always.” He smiled down at her watching her look at him with a look in her eyes he’s sees through the mirror in his own.
Cynthia turned slightly still sitting on the floor between his legs resting her cheek on his thigh, looking up at Luke. She doesn’t know how she’s misread the look he’s giving her, a look she realizes he’s always given her.
Luke hand went towards her cheek hovering slightly from touching her looking at her for permission, He watched her smile at him before moving her head towards his hand and nuzzling into his hand. Luke couldn’t help but smile watching Cynthia.
Luke didn’t want her to sit on the floor any longer, “Come here.” Luke patted the spot next to him as he gently took his hand off her face.
Cynthia eyes flickered towards him before biting her lip before she stood up, she looked at Luke who was watching her as she slowly sat down on his lap instead on the couch. She watched his face for anything to make her get off him but all she saw was a smile grow and red rush to his cheeks. Cynthia rested her ear against his chest hearing his heart beat as she cuddled up on her lap, something that is easy to do as there is seven inches of height difference between the two.
Luke looked down smiling seeing Cynthia fully curled up on his lap, he grabbed one of her hands fiddling with the stacks of rings on her fingers. The two sat in comfortable silence for a while, before the doorbell went off, the two knowing it’s their food.
Cynthia grumbled slightly as she was starting fall asleep in the comfort of Luke, Luke smiled slightly brushing her baby hair off her forehead, “Come on baby, we’ve got to get up.” Luke didn’t even realize what he called her, to focused watching her reluctantly getting off him and heading towards the kitchen. Luke shook his head fondly before standing up and heading to the door grabbing the food that was set on the floor in front of the door, he locked and closed the door behind before heading to the kitchen where he saw her waiting for him.
Cynthia head was rested on the kitchen island as she sat on one of her barstool chairs when she heard him walk into the kitchen setting the food down, She lifted her head helping him unpack the food, Luke slid into the chair next to her as they shared all their favorites.
They are in silence before they both finished and they both got up to throw their trash away. Luke turned around from the trash can taking the trash from Cynthia’s hand throwing it away. He turned back around seeing her lean her body against the kitchen island looking at him. Luke walked closer towards her, looking down at her noticing how her eyes were moving around his face slowly but kept flickering back to his lips, he gently put his hand on her waist and easily picked up her setting her up on the kitchen island.
Luke rested his hands on both sides of her legs leaning towards her slightly, “Tell me to stop and i will.” Luke voice was barley a shaky whisper, he knew if he kissed her once he would never be able to stop. The tension between the two had been there for years, filled with unspoken feelings and yearning for each other.
Cynthia took a deep breath, she didn’t want to hide her love for Luke anymore, she wanted to be with him despite what might happen with Jack, Ellen once told her she needs to listen to her heart and not her head so right now she going to listen to her heart. “Kiss me Luke.”
And that’s all it took for Luke to leaned towards capturing her lips with his, her hands went to the back of his head pulling him closer as the two kept kissing, both of their hearts beating so loud and the only though they had was each other. They both could feel the others smiles grow as they kissed. The two slowly pulled back to both catch their breaths.
“I’ve been wanting to do that for a long time.” Luke shyly confessed his cheeks red and his breath slight short from kissing her so long, he watch her smile turn shy and pink dust her cheeks, a look that makes her look even more beautiful.
“Me too.” Cynthia admitted looking up at him with a smile reserved just for him, “I’m sorry it took awhile.” She grabbed one of his hands squeezing it with both of her hands before pressing the back of his hand to her lips.
“It’s okay.” Luke face was set in a permanent smile, he knew they needed to talk more about everything but right now he was content with just holding her, he scooted as close as he could with her sitting on the counter, feeling her head rest again his chest. Luke leaned his head forward kissing her head before resting his chin on her head. He could feel the soft yawns coming from her.
Luke gently stepped back from her making her look up at him, “Come on baby let’s get you to bed.” She looked up with him puppy eyes that are impossible to say no too, she wrapped her arms around his shoulders.
Luke just smiled easily lifting her off the counter and feeling her legs wrap around his waist and her head nuzzling into his neck. Luke gently held her as he walked across her penthouse towards her room, He walked towards her bed pulling back her white and pink flowered duvet covert and gently leaned down with her letting her back hit the bed and feeling her gently let go of him as she cuddled into her bed. Luke brushed a stray hair off her forehead before kissing her forehead and standing up turning away and going to head to his guest room when a voice called out.
“Lukey where are you going?” Cynthia voice was soft as she lifted her head slightly seeing Luke starting to walk towards the door.
“My room?” Luke questioned not knowing if it was too early to stay in her bed.
Cynthia just looked at him and smiled, she turned over in bed pulling up the other side of the duvet and patting the bed while looking towards Luke.
Luke smiled before pulling his hoodie and shirt off and setting them on the couch in front of her bed before sliding into the bed, next to her feeling Cynthia instantly cuddled up next to him and breath out a sigh of relief.
“You’re never not sleeping next to me you’re so warm.” Cynthia mumbled cuddling up as close as possible, enjoying the warmth Luke always seem to carry on him and she is usually always very cold.
“Okay Baby.” Luke smiled kissing her head, feeling her already falling asleep and it wasn’t soon before he fell asleep.
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cynthia.brown fashion month* ✔️ 💐❤️
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↳ user11 for real!! the flowers and the smile, our girl has to to be with someone
#jack hughes x reader#nhl x reader#luke hughes x reader#luke hughes#quinn hughes x reader#jack hughes#nico hischier x reader#nj devils#vancouver canucks#vogue magazine#chanel#dior#christian dior#model reader#luca fantilli x reader#adam fantilli x reader#trevor zegras x reader#jamie drysdale x reader
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Dame Maggie Smith
A distinguished, double Oscar-winning actor whose roles ranged from Shakespeare to Harry Potter
Not many actors have made their names in revue, given definitive performances in Shakespeare and Ibsen, won two Oscars and countless theatre awards, and remained a certified box-office star for more than 60 years. But then few have been as exceptionally talented as Maggie Smith, who has died aged 89.
She was a performer whose range encompassed the high style of Restoration comedy and the sadder, suburban creations of Alan Bennett. Whatever she played, she did so with an amusing, often corrosive, edge of humour. Her comedy was fuelled by anxiety, and her instinct for the correct gesture was infallible.
The first of her Oscars came for an iconic performance in The Prime of Miss Jean Brodie (1969). Miss Brodie’s pupils are the “crème de la crème”, and her dictatorial aphorisms – “Give me a girl at an impressionable age, and she is mine for life” – disguise her intent of inculcating enthusiasm in her charges for the men she most admires, Mussolini and Franco.
But Smith’s pre-eminence became truly global with two projects towards the end of her career. She was Professor Minerva McGonagall in the eight films of the Harry Potter franchise (she referred to the role as Miss Brodie in a wizard’s hat) between 2001 and 2011. Between 2010 and 2015, in the six series of Downton Abbey on ITV television (sold to 250 territories around the world), she played the formidable and acid-tongued Dowager Countess of Grantham, Lady Violet, a woman whose heart of seeming stone was mitigated by a moral humanity and an old-fashioned, if sometimes overzealous, sense of social propriety.
Early on, one critic described Smith as having witty elbows. Another, the US director and writer Harold Clurman, said that she “thinks funny”. When Robin Phillips directed her as Rosalind in As You Like It in 1977 in Stratford, Ontario, he said that “she can respond to something that perhaps only squirrels would sense in the air. And I think that comedy, travelling around in the atmosphere, finds her.” Like Edith Evans, her great predecessor as a stylist, Smith came late to Rosalind. Bernard Levin was convinced that it was a definitive performance, and was deeply affected by the last speech: “She spoke the epilogue like a chime of golden bells. But what she looked like as she did so, I cannot tell you; for I saw it through eyes curtained with tears of joy.”
She was more taut and tuned than any other actor of her day, and this reliance on her instinct to create a performance made her reluctant to talk about acting, although she had a forensic attitude to preparation. With no time for the celebrity game, she rarely went on television chat shows – her appearance on Graham Norton’s BBC TV show in 2015 was her first such in 42 years – or gave newspaper interviews.
Her life she summed up thus: “One went to school, one wanted to act, one started to act and one’s still acting.” That was it. She first went “public”, according to her father, when, attired in pumps and tutu after a ballet lesson, she regaled a small crowd on an Oxford pavement with one of Arthur Askey’s ditties: “I’m a little fairy flower, growing wilder by the hour.”
Unlike her great friend and contemporary Judi Dench, Smith was a transatlantic star early in her career, making her Broadway debut in 1956 and joining Laurence Olivier’s National Theatre as one of the 12 original contract artists in 1963.
In 1969, after repeatedly stealing other people’s movies, with Miss Brodie she became a star in her own right. She was claiming her just place in the elite, for she had already worked with Olivier, Orson Welles and Noël Coward in the theatre, not to mention her great friend and fellow miserabilist Kenneth Williams, in West End revue. She had also created an international stir in two movies, Anthony Asquith’s The VIPs (1963) – she didn’t just steal her big scene with him, Richard Burton complained, “she committed grand larceny” – and Jack Clayton’s The Pumpkin Eater (1964), scripted by Harold Pinter from the novel by Penelope Mortimer.
Before Harry Potter, audiences associated Smith most readily with her lovelorn, heartbreaking parishioner Susan in Bed Among the Lentils, one of six television monologues in Bennett’s Talking Heads (1988). Susan was a character seething with sexual anger; the first line nearly said it all – “Geoffrey’s bad enough, but I’m glad I wasn’t married to Jesus.”
And the funniest moment in Robert Altman’s upstairs/downstairs movie Gosford Park (2001) – in some ways a template for Downton Abbey, and also written by Julian Fellowes — was a mere aside from a doleful Smith as Constance Trentham turning to a neighbour on the sofa, as Jeremy Northam as Ivor Novello took a bow for the song he had just sung. “Don’t encourage him,” she warned, archly, “he’s got a very large repertoire.” Such a moment took us right back to the National in 1964 when, as the vamp Myra Arundel in Coward’s Hay Fever, she created an unprecedented (and un-equalled) gale of laughter on the single ejaculation at the breakfast table: “This haddock is disgusting.”
Born in Ilford, Essex, she was the daughter of Margaret (nee Hutton) and Nathaniel Smith, and educated at Oxford high school for girls (the family moved to Oxford at the start of the second world war because of her father’s work as a laboratory technician). Maggie decided to be an actor, joined the Oxford Playhouse school under the tutelage of Frank Shelley in 1951 and took roles in professional and student productions.
She acted as Margaret Smith until 1956, when Equity, the actors’ union, informed her that the name was double-booked. She played Viola with the Oxford University dramatic society in 1952 – John Wood was her undergraduate Malvolio – and appeared in revues directed by Ned Sherrin. “At that time in Oxford,” said Sherrin, “if you wanted a show to be a success, you had to try and get Margaret Smith in it.”
The Sunday Times critic of the day, Harold Hobson, spotted her in a play by Michael Meyer and she was soon working with the directors Peter Hall and Peter Wood. “I didn’t think she would develop the range that she subsequently has,” said Hall, “but I did think she had star quality.”
One of her many admirers at Oxford, the writer Beverley Cross, initiated a long-term campaign to marry Smith that was only fulfilled after the end of her tempestuous 10-year relationship with the actor Robert Stephens, with whom she fell in love at the National and whom she married in 1967. This was a golden decade, as Smith played a beautiful Desdemona to Olivier’s Othello; a clever and impetuous Hilde Wangel to first Michael Redgrave, then Olivier, in Ibsen’s The Master Builder; and an irrepressibly witty and playful Beatrice opposite Stephens as Benedick in Franco Zeffirelli’s Sicilian Much Ado About Nothing, spangled in coloured lights.
Her National “service” was book-ended by two particularly wonderful performances in Restoration comedies by George Farquhar, The Recruiting Officer (1963) and The Beaux’ Stratagem (1970), both directed by William Gaskill, whom she called “simply the best teacher”. In the first, in the travesty role of Sylvia, her bubbling, playful sexuality shone through a disguise of black cork moustache and thigh-high boots on a clear stage that acquired, said Bamber Gascoigne, an air of sharpened reality, “like life on a winter’s day with frost and sun”.
In the second, her Mrs Sullen, driven frantic by boredom and shrewish by a sodden, elderly husband, was a tight-laced beanpole, graceful, swaying and tender, drawing from Ronald Bryden a splendidly phrased comparison with some Henri Rousseau-style giraffe, peering nervously down her nose with huge, liquid eyes at the smaller creatures around, nibbling off her lines fastidiously in a surprisingly tiny nasal drawl.
With Stephens, she had two sons, Chris and Toby, who both became actors. When the marriage hit the rocks in 1975, after the couple had torn strips off each other to mixed reviews in John Gielgud’s 1973 revival of Coward’s Private Lives, Smith absconded to Canada with Cross – whom she quickly married – and relaunched her career there, far from the London hurly-burly, but with access to Hollywood.
She played not just Rosalind in Stratford, Ontario, but also Lady Macbeth and Cleopatra to critical acclaim, as well as Judith Bliss in Coward’s Hay Fever and Millamant in William Congreve’s The Way of the World (this latter role she repeated triumphantly in Chichester and London in 1984, again directed by Gaskill). But her films at this time especially reinforced her status as a comedian of flair and authority, none more than Neil Simon’s California Suite (1978), in which Smith was happily partnered by Michael Caine, and won her second Oscar in the role of Diana Barrie, an actor on her way to the Oscars (where she loses).
Smith’s comic genius was increasingly refracted through tales of sadness, retreat and isolation, notably in what is very possibly her greatest screen performance, in Clayton’s The Lonely Passion of Judith Hearne (1987), based on Brian Moore’s first novel, which charts the disintegration of an alcoholic Catholic spinster at guilty odds with her own sensuality.
This tragic dimension to her comedy, was seen on stage, too, in Edna O’Brien’s Virginia (1980), a haunting portrait of Virginia Woolf; and in Bennett’s The Lady in the Van (1999), in which she was the eccentric tramp Miss Shepherd. Miss Shepherd was a former nun who had driven ambulances during blackouts in the second world war and ended up as a tolerated squatter in the playwright’s front garden. Smith brought something both demonic and celestial to this critical, ungrateful, dun-caked crone and it was impossible to imagine any other actor in the role, which she reprised, developed and explored further in Nicholas Hytner’s delightful 2015 movie based on the play.
She scored two big successes in Edward Albee’s work on the London stage in the 1990s, first in Three Tall Women (1994, the playwright’s return to form), and then in one of his best plays, A Delicate Balance (1997), in which she played alongside Eileen Atkins who, like Dench, could give Smith as good as she got.
The Dench partnership lay fallow after their early years at the Old Vic together, but these two great stars made up for lost time. They appeared together not only on stage, in David Hare’s The Breath of Life (2002), playing the wife and mistress of the same dead man, but also on film, in the Merchant-Ivory A Room With a View (1985), Zeffirelli’s Tea With Mussolini (1999) and as a pair of grey-haired sisters in Charles Dance’s debut film as a director, Ladies in Lavender (2004). Smith referred to this latter film as “The Lavender Bags”. She had a name for everyone. Vanessa Redgrave she dubbed “the Red Snapper”, while Michael Palin, with whom she made two films, was simply “the Saint”.
With Palin, she appeared in Bennett’s A Private Function (1984), directed by Malcolm Mowbray – “Moaner Mowbray” he became – in which an unlicensed pig is slaughtered in a Yorkshire village for the royal wedding celebrations of 1947. Smith was Joyce Chilvers, married to Palin, who carries on snobbishly like a Lady Macbeth of Ilkley, deciding to throw caution to the winds and have a sweet sherry, or informing her husband matter-of-factly that sexual intercourse is in order.
She had also acted with Palin in The Missionary (1982), directed by Richard Loncraine, who was responsible for the film of Ian McKellen’s Richard III (1995, in which she played a memorably rebarbative Duchess of York) and My House in Umbria (2003), a much-underrated film, adapted by Hugh Whitemore from a William Trevor novella. This last brought out the very best in her special line in glamorous whimsy and iron-clad star status under pressure. She played Emily Delahunty, a romantic novelist opening her glorious house in Umbria to her three fellow survivors in a bomb blast on a train to Milan. One of these was played by Ronnie Barker, who had been at architectural college with Smith’s two brothers and had left them to join her at the Oxford Playhouse. Delahunty finds her new metier as an adoptive parent to a little orphaned American girl.
She was Mother Superior in the very popular Sister Act (1992) and its sequel, and her recent films included a “funny turn” as a disruptive housekeeper in Keeping Mum (2005), a vintage portrait of old age revisited by the past in Stephen Poliakoff’s Capturing Mary (on television in 2007) and as a solicitous grandmother of a boy uncovering a ghost story in Fellowes’s From Time to Time (2009).
As this latter film was released she confirmed that she had been diagnosed with breast cancer and had undergone an intensive course of chemotherapy, but had been given the all-clear – only to be struck down by a painful attack of shingles, a typical Maggie Smith example of good news never coming unadulterated with a bit of bad.
Her stage appearance as the title character in Albee’s The Lady from Dubuque at the Theatre Royal, Haymarket, in 2007 was, ironically, about death from cancer. She returned to the stage for the last time in 2019, as Brunhilde Pomsel in Christopher Hampton’s one-woman play A German Life, at the Bridge theatre, London.
Cross, who was a real rock, and helped protect her from the outside world, died in 1998. But Smith picked herself up, and went on to perform as sensationally and beguilingly as she had done all her life, including memorable appearances in the Best Exotic Marigold Hotel films (2011 and 2015) and two Downton Abbey movie spin-offs (2019 and 2022). Her final film role was in The Miracle Club (2023), co-starring Kathy Bates and Laura Linney.
She had been made CBE in 1970 and a dame in 1990, and in 2014 she was made a Companion of Honour. Her pleasure would have been laced with mild incredulity. A world without Smith recoiling from it in mock horror, and real distaste, will never seem the same again.
She is survived by Chris and Toby, and by five grandchildren.
🔔 Maggie Smith (Margaret Natalie Smith), actor, born 28 December 1934; died 27 September 2024
Daily inspiration. Discover more photos at Just for Books…?
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This quote from FvF Director James Mangold can be added to the one you posted:
“Whatever had been said to me before I met Caitríona — ‘She’s in this hot TV show, huge following, former model’ — this is often the kind of thing that turns me off. But what I was confronted with was a simply remarkable actress—present, fearless, emotionally vulnerable, and smart.” - James Mangold, Director FvF
Thanks for the message, Anon. 😃 Your Mangold quote is from Vanity Fair and follows Brian’s recent post with video of Jamie Dornan’s and Orlando Bloom’s, and a tweet screenshot of Mangold’s, talking about working with Caitríona.
James Mangold and Caitríona Balfe attend the Le Mans ‘66 /Ford v Ferrari premiere at the 2019 Toronto International Film Festival at Roy Thomson Hall on 9 September 2019 in Toronto, Ontario, Canada.
Thanks for your message, Anon. 😃
What do I think “based on reviews in everything she's done in and outside Outlander?” 😂 How To Attract Unwanted Attention Without Really Trying…
I think Caitríona will be just fine, regardless of her age (45 in October) and Outlander’s ending (filming in the next few weeks, Season 8 promotion sometime before 2030…).
It’s nice to step into the unknown and see what the possibilities might be. — Caitriona Balfe, 6 September 2024
Video 📹 from Twitter
I’d argue if every other role is typecasting, every other role is something different. 😉
Let’s look at her work released since Outlander premiered in August 2014, supportive wife/mother wise:
2015 The Price of Desire ❌
2016 Money Monster ❌
2019 Le Mans ‘66/Ford v Ferrari ✔️
2019 The Dark Crystal: The Age of Resistance ❌
2019 The Christmas Letter ❌/✔️
2020 Angela’s Christmas Wish ✔️
2021 Belfast ✔️
2024 The Cut ✔️/❌
2025 The Amateur TBA*
*Will she play the murdered wife? An American CIA agent or diplomat? A foreign agent or assassin? The Amateur’s version of Mrs Kravitz? 🤷🏻♂️ What we do know is she had her own dialect coach who is “passionate about coaching accents,” and, according to someone who attended the film’s screening in Pasadena last month, “(Caitríona’s) talent and range is bigger than anything we’ve seen.”
Does she have something bigger than small parts lined up?
As you mentioned, she typically doesn’t talk about, much less name, a project until it’s announced officially. 🍿🍿🍿
I think she’ll be offered roles, big and small, and do only what appeals to her and suits her family’s** lifestyle. She still owns the rights to Here Is The Beehive and now has some experience directing. She’ll never be bored, between time spent enjoying her family** and her interest in travel, art, music, film, fashion, literature, sports, and people.
**her actual family
You didn’t ask, but I’ll offer my humble opinion, just the same. I don’t think they’ll move abroad, regardless of her having lived for several years in New York and Los Angeles. Her and Tony’s parents, siblings, nieces, and nephews all live in Ireland and the UK. As she and Tony have done for years, I see their staying abroad for long periods during filming, but not setting up a permanent residence. I think they’ll continue to make their home and raise their son in Ireland/UK… JMHO.
Photos: FarFarAwaySite (cropped by BIF), Wimbledon, 8 July 2019, London England
Remember… as long as I keep getting cast, I don't care if it's typecast. — Chris Pratt
#Tait rhymes with hat#Good times#Inbox#Anonymous#TIFF#Mangold#Received 8/Responded 10 September 2024#Future#Received 4/Answered 10 September 2024
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