#Odin Makes

[bryanvegaslash]

Youtube Tag Team Fighter "What if" Roster

[comicaurora]

Was listening to the Open and Shut midseason Q&A, happy to say you are now the second search result for bileyg

not if we make it 2025's most popular baby name. I believe in us

[jamieontheroof]

Random things I noticed while playing What Remains Of Edith Finch

There was a poster of the cannery that Lewis worked at on the boat.

2. Edith Jr wears what appears to be an engagement on a necklace. Whether this is her ring or her mothers is not mentioned.

3. At the start of the game, Milton's missing posters are EVERYWHERE. There is even a giant pile of them in a nearby lake.

4. The dragon slide that crushed and killed Sven is still outside.

5. As you walk toward the house, the music gets louder.

6. The swing that Calvin flew off decades ago is still looped around the branch.

7. There was a spare peep hole in the garage that didn't have any names or dates on it.

8. At multiple points throughout the game you can hear a train in the background, despite the fact that the train tracks are clearly destroyed.

9. There are multiple pots throughout the Finch house that looks like they have eyes.

10. One of the books the Finches possessed was 'King in Yellow', a book known for making anyone who read it insane.

11. The house sounds alive, or like there are people constantly moving around it.

12. Walters bedroom is painted with both ocean and train designs. One of the paintings is the old house that Odin tried to bring to America.

13. There are drag marks on the ground of Walters bedroom (most likely made when his drawers were taken out of his room.)

14. The entrance to the tunnels is hidden by a book called 20,000 Leagues Under the Sea, a classic sci-fi story about a sea monster.

15. Molly's room is filled entirely with animal books.

16. There is a jelly fish on Molly's bed (possible connection to the monster??).

17. Molly has a chalkboard in her bedroom where she is a princess in an underwater castle and Sven is about to get attacked by a sea monster (slightly resembling the dragon slide).

18. As shark!Molly starts falling down the cliff, she passes a road where headlights are briefly scene.

19. When the monster gets back to Molly's room, the window that cat!Molly jumped through is still open.

20. There are still Christmas decorations in Molly's room.

21. The curse is 500 years old. That is a lot of dead people.

22. In Odin's viewfinder, it states "His [Odin's] daughter, Edie, is already dreaming of new Finch house" showing that even though her own father died not even a week ago, Edie has already moved on.

23. The house is filled head to toe with books about death, including two that Odin wrote.

24. Sven's shrine does not have a log painting like the rest of the family. His portrait is painted on a simple canvas.

25. Edie has a number of strange tapes in her room including one titled "conspiracy now".

26. The toys from Gregory's final bath are still in the bathroom.

27. There is an old bottle of alcohol in the bathroom bin.

28. A lot of Sam's photos are based on Calvin (a swing, astronauts).

29. All of Milton's drawings are based on the death. (Molly = cat, Barbara = pumpkin)

30. There are cigarettes and gin on Sam's side of the room he shared with Calvin.

31. Calvin already had bruises, Band-Aids and a cast on his leg when he died.

32. Sam blames himself for challenging Calvin.

33. In the story, Calvin doesn't fall. He keeps flying.

34. Barbara's birthday cake is still in her room.

35. Barbara is holding crutches in her portrait.

36. There are totem-esc styles statues of both Calvin and Molly

37. Barbara's outfit is over the railing.

This is the same way the Hook-Man falls

38. "Performance of her life" can also mean that it is the performance she is known for.

39. There are spare portrait logs in the basement.

40. There is a fake window in the basement.

41. Edie's grave is finished despite her dying and then nobody else going to the house.

42. There is no grave for Milton.

43. Lewis' grave has a crown on it.

44. There are times wear it seems like you can hear sobbing (this one may just be me).

45. There is a box of Kay's old stuff in Sam's bedroom.

46. Odin has a park named after him.

47. This isn't a fact but I think this may be one of the funniest photos of the game (LIKE SIR? YOUR DAUGHTER IS SOBBING!).

48. Both Calvin and Dawn are on Sam's shrine.

49. Gus has a skateboard over his name.

50. Gregory has the soap bottle from his final bath in his shrine.

51. The music cuts out when Gregory isn't moving.

52. Same also blames himself for Gregory.

53. Gus never met his step mother.

54. Gus was crushed by the (totem) statues of his deceased relatives.

55. Dawn's light switch is the only one on

56. Most of the rules are about past deaths. (No playing outside without permission : Calvin, No answering door for strangers : Barbara, No messes after dark : Molly (???)).

57. Milton's garden has a castle (reference to the Unfinished Swan)

58. There is a small Sanjay shrine in the classroom

59. Edith JR did an assignment on her family history.

60. Lewis drew on his desk.

61. There is no death date for Milton on his peephole.

62. Edith JR wrote Milton's death date as 2003 (the year he disappeared).

63. The door from the flip book is in Milton's room.

64. Lewis' dream Palace is decorated with fish.

65. The gnomes scattered around the house are outside the original house in Edie's story.

66. The credits roll in reverse order.

AND THAT'S IT!! I had a few others I thought didn't need to go in.

[deadhaven]

Have you learned enough yet, Allfather?

(motif designs originally by Jonas Lau Markussen; redraw of this)

[oofouchstovehot]

Some mostly Dreamswap themed doodles ft. some vaguely vampiric afterdeath

[worstloki]

AU where Loki doesn’t interfere with Thor’s banishment at all and it takes Thor years to prove himself worthy and when he returns to Asgard everything is just. The same. Nothing seems to have changed at all and everyone greets him like his absence was a minor obstacle that didn’t fundamentally change Thor and the worst part is Loki stepped down from the place as regent without any delay and Thor can’t help but feel there’s something underlaying the way his brother looks at him now and won’t let him touch him and Thor doesn’t know what he could have missed because he doesn’t think he would have found anything wrong with the things around him and how everyone behaves if he hadn’t spent time on Earth reflecting.

[voluntarysubmission]

And a bonus

[bitchliteraria1906]

Asgard royal family headcanons! (Specifically about Loki and how he relates to each family member).

• I really like the headcanon that Frigga was pregnant before Odin took Loki, and she lost the baby. Mostly because it makes sense logically (that would make Loki easy to explain! He's not some random baby that spawned out of nowhere, they can just say he's the child she was pregnant with!). But also, it adds another layer to their relationship: he's an adopted rainbow baby.

• Because of this, she remembers baby Loki very fondly, romanticizing the memories a bit. I'd even dare to say she remembers Loki as an easier baby than Thor, even though, objectively speaking, that's not true at all. Loki cried more, screamed more, needed special care. Which was to be expected: he was way too young to be separeted from his mom, and the bright lights and warmer weather of Asgard (in comparisson to Jotunheim, that is) were bad for him. Odin even feared that it would be too much to Frigga, that she would beg him to take Loki back or something, but his fragile state just made Frigga want to take care of him more, and she rarely, if ever, complained.

• Odin's feelings were very different, of course. He remembers Thor as the easy baby, because Thor was predictable. Familiar. He didn’t need special lights for sensitive eyes or cold cloths pressed into his forehead to be able to sleep in hot nights. He did all the things, both cute and annoying, that an Asgardian baby is supposed to do, expected to do. Nothing more and nothing less. And of course, he wasn't a secret and a stolen child.

• The golden child vs black sheep dynamic was set from the start, is what I'm saying.

• Odin's treatment of Loki has so much layers that it probably deserves it's own post, so I won’t talk much about it here.

•Constanly comparing him to Thor. Sometimes it was subtle, but sometimes it was literally just saying "Why can't you be more like your brother?"

• I'm not sure what Asgard's stance on physical punishment would be. Like, I can definitely see some people thinking it makes kids stronger or whatever, but Idk.

• Regardless of what the common Asgardian stance on hitting your kids is, I don’t think is something Odin and Frigga would automatically jump to with young Thor and Loki. Frigga doesn't want to hurt them, and Odin prefers other forms of discipline.

• He's definitely not above hitting, though. It may not be his go-to method to actually teach them things, but a smack for talking back from time to time? It has happened, especially with Loki.

• Every punishment happened more with Loki, actually. Odin knew he specifically hated time out, because of how it forced him to think about what he did wrong while completely alone in his room. Sometimes he'd come out ashamed of himself, sometimes he'd just be angry. Either way, he wouldn't willingly talk to Odin for the rest of the day, either completely isolating himself or clinging more to Frigga. Most of the time, Odin wouldn't even notice, and for Loki, that was the most painful part.

•Frigga genuinely loved Loki, but she also had a hand in perpetuating the racism against frost giants (either by action or by compliance) and let a lot of Odin's treatment of him slide. She also had a "defending the person who isn't in the room" approach to conflict, so in the rare occasions that Loki vented to her about Odin, though she was a good listener, she didn't really validate his feelings that much? It was always "I know your father can be difficult, but he just wants what's best for you!" or "I guess he could've been nicer about it, but is he wrong, honey? You already know he doesn't like it when you do that."

•When it came to defending Loki (or speaking up about how Odin was raising both him and Thor in general), she mostly worked in the shadows. She’d argue with Odin about it when they were alone, but never in front of others, and Loki took her silence as agreement, basically thinking "Well, if Mother doesn't speak up when Father is so harsh to me, maybe it's because she agrees. And if she, who is the kindest person I know, agrees, maybe I actually do deserve it."

•Despite all these issues, she was still the person Loki felt the safest around, and a very self indulgent hc I have for them is that they had a special place they would go to when Loki was exceptionally upset. Maybe it was a special room in the palace, or a library, or a garden, or even a little house in some woods nearby. Regardless, they'd stay there for some hours until Loki was feeling better and ready to face the world again.

•At some point Loki decided he was too old to keep needing her this way and that he needed to change that if he wanted to be taken seriously, so he stopped going to said comfort place with her and overall leaning on her too much. She was pretty heartbroken, not only because of that "Damn it, my kid is growing up and changing" feeling that leaves a lot of parents distraught, but also because, knowing Loki too well, she knew that this sudden change came from a place of insecurity and wanting to be taken more seriously by Odin, Thor and his friends, mentors, and pretty much everyone.

•Thor and Loki's relationship as kids was innocent and simple and pretty much what you'd expect from 2 kids who are royals and raised in a culture that values warriors and strenght: lots of competion and sibling rivarly, play fighting, but also a lot of teamwork.

•Thor took his big brother title very seriously as a kid. Yes, he teased Loki a lot, but he was also protective and sweet. Whenever they went on little adventures together, like exploring some place they weren't supposed to go, he'd put Loki's safety before his own.

•This might have been half fueled by Frigga saying "Take care of your brother" whenever they went out to play, or by Odin constanly saying that Thor was the strongest one between him and Loki (see 6th headcanon). Probably both.

•The real problems started in their teenage years, when the golden child vs black sheep dynamic became more obvious. Thor was the perfect stereotype of an Asgardian warrior and king, and was surrounded by friends (and potential romantic partners) who also reached some amazing standards. Meanwhile, Loki was a quieter, more fragile looking and weirder person, with an interest in magic, a different way of fighting, an aversion to most social gatherings and no friends. Most of Thor's friends just tolerated him. Some took interest in him the same way someone would take interest in an exotic animal: they'd listen to him for a while, just enough to see if he really was as weird as he looked, and then leave as soon as they got their answers and their fun.

•This, along with Odin's favoritism becoming even more obvious, really soured Thor and Loki's relationship, leading to some arguments in which pretty cruel words were said by both of them (I might write this).

I could go on but I'm tired lmao. Maybe another day.

Some inspiration was taken from @taw-k and @unityrain24 btw!

[thisdorkyblogthing]

Thorki AU where Thor and Loki start a band when they're teens but it's mostly just the two of them because they're messy little fuckers who constantly butt heads and no one can stand to be around them for too long. Somehow, they're still really good and end up getting picked up by a record label and become a hit. This, of course, makes them even messier fuckers and their constant drama makes them an even bigger draw to more people. They manage to find a small team of people who are (mostly) willing to stick it out with them and make a few hit albums and get through a few tours. (They just barely manage to get through them by the skin of their teeth, but still!)

Unfortunately, their latest album hasn't done as well critically or commercially and the tension between Thor and Loki has been at an all time high, which has really made touring unbearable for everyone involved. A particularly rough performance the night before ended up with Loki and Thor getting into a(nother) nasty little ruckus that had their manager calling up the front desk of the hotel with a preemptive "I'm sorry for whatever happens to that suite, we'll pay for the damages, please don't call the cops, thank you."

They show up to the tour bus the next morning and something's... different. Sure, usually after a bad argument they're a bit quiet and sulky until one of them cracks a joke that makes the other laugh and everything's good again until the next shitfit ensues, but this time they're real quiet and avoiding looking at each other(and everyone else) and everyone's getting worried that this might be the fight that finally breaks them up.

Except actually they had an angry fuck after Loki said 'We'Re NoT EvEn ReEeEeAl BrOtHeRs!!?!' for like, the 700th time and Thor was like 'FINE!' and smashed their mouths together. Things Happened and now they're a bit shell shocked and trying to figure how to feel about it. (And trying valiantly to convince themselves It Wasn't That Good.)

(It was That Good. Oops.)

[anabimelo]

[crystalclearwright]

He told me I was born to be a King.

Then he told me that my birthright was to die as a child, cast out.

So what else did he lie about, besides my origins?

Did he lie every time he said he loved me?

[finngualart]

missed these biches. loki's pose is based on of @jookpubstock's ref pics

[theofreakingbell]

what if laufey was just doing that scandinavian thing where they let babies sleep outside alone to help their immune systems and odin just very badly misread the situation

[hershelchocolateart]

"I can't tell if the image is frozen or not, but after watching her increasingly erratic behavior, I can't shake the feeling that she's looking at me."

[achillean-knight]

AAAAND THAT'S 2 FORMS DONE!

I WAS thinking of doing the final boss form right after this, but I want to save that for when I... well, have ideas for the entirety of the story so ik what I want to strive for. NONETHELESS, I got the rough design of an Odin form done atleast! Unfortunately, I think I made him resemble Bahamut more than Odin lmao but yolo.

Next up is Frisk-- I'm torn for the designs colours specifically for them, because Bahamut- the summon actually used for Frisk, is pretty mute in colours, so I'm wondering if I go mostly grey??? but hhhrgggg it'll take a bit and a lot of trial and error. ANYWAYS enjoy Asgore in both his normal king form, and his Odin armour >:3 I had alota fun with these! And yes, his horns do extend more when he's... in his Odin form shghsdsd bc alot of Odin designs in FF have wacky ass, very curly and large horns :>

[jonsnowunemploymentera]

Something rubbed against his leg beneath the table. Jon saw red eyes staring up at him. “Hungry again?” he asked. There was still half a honeyed chicken in the center of the table. Jon reached out to tear off a leg, then had a better idea. He knifed the bird whole and let the carcass slide to the floor between his legs. Ghost ripped into it in savage silence. His brothers and sisters had not been permitted to bring their wolves to the banquet, but there were more curs than Jon could count at this end of the hall, and no one had said a word about his pup. He told himself he was fortunate in that too. His eyes stung. Jon rubbed at them savagely, cursing the smoke. He swallowed another gulp of wine and watched his direwolf devour the chicken. Dogs moved between the tables, trailing after the serving girls. One of them, a black mongrel bitch with long yellow eyes, caught a scent of the chicken. She stopped and edged under the bench to get a share. Jon watched the confrontation. The bitch growled low in her throat and moved closer. Ghost looked up, silent, and fixed the dog with those hot red eyes. The bitch snapped an angry challenge. She was three times the size of the direwolf pup. Ghost did not move. He stood over his prize and opened his mouth, baring his fangs. The bitch tensed, barked again, then thought better of this fight. She turned and slunk away, with one last defiant snap to save her pride. Ghost went back to his meal. Jon grinned and reached under the table to ruffle the shaggy white fur. The direwolf looked up at him, nipped gently at his hand, then went back to eating.

Jon I, AGOT

It's interesting that GRRM would dedicate several paragraphs to a seemingly unimportant exchange between a boy, his wolf, and an unfriendly third party. But there's just something about this passage that has continued to nag at me for years since I first read it because, considering how heavy handed GRRM was with the foreshadowing in AGOT, this feels important.

Jon is sitting at table full of squires - aka would be knights. We don't really know who they are or what families they belong to, but it's safe to assume that they come from a certain level of privilege; this is considering the fact that it cannot be financially easy to be a squire. And these boys already have a slew of tales detailing all their previous knightly exploits regarding "battle and bedding and the hunt" which suggests that they have some capital. So you have boys who will soon be men. And they will, presumably, become men of some power.

These lads eat their fill of the chicken until only half remains, which Jon then gives to Ghost. The direwolf's name is not so important here but what he represents is. Throughout the series, we're told that Ghost is reminiscent of the weirwood trees (because of his red eyes and white fur). He's stated to be of and from the Old Gods and since he's a personification of the weirwoods, he might as well be one of them. It's almost as if Jon is presenting whatever is left on the table to the Old Gods (Ghost). He lets them devour his offerings while he silently watches. And the motif of watching is so interesting here because it's kind of like Jon takes on a stewardship role - to watch over land/people/etc. He oversees Ghost eating the chicken, so he's overseeing whatever has been given to the Old Gods. This is not new imagery to his arc. As a brother of the Night's Watch and eventually its leader, we have several instances where he leads people to adopting the Old Gods in some fashion. In ADWD, several recruits swear their vows to the Old Gods while he watches on as their Lord Commander. The Old Gods are also primarily of the North and we're told that Jon has more of the north in him than his brothers; interesting that this also includes Bran. So perhaps whatever is being offered to the Old Gods relates to the North.

We must also note that Jon initially thinks to give only a small portion, a leg, before pivoting and providing the entire thing. It feels to me a bit like the process of carving up a kingdom or something similar. The lords (represented by the squires) take what they want and leave aside what they don't; or perhaps they have eaten to their fill and can take no more. Then when his time comes, Jon first considers a small piece of land/group of people before eventually absorbing all of whatever is left behind. The concept of carving up a kingdom rings harder considering that we have several callbacks to the ideals of kingship in this chapter. Robert, Jaime, Tyrion, and even Mance though we don't know it yet, all play into this. And then there's the aspect of Jon letting the chicken slip between his legs which evokes birth/fatherhood, a very curious choice when GRRM could've just had Jon place the chicken on the floor. So land/people are carved up and Jon then uses whatever is left to birth his own type of kingdom. And this kingdom is one for the Old Gods.

This also touches on something that has been quite prevalent throughout Jon's arc. It's the concept of accepting the "others" or "those left over" who live apart from the accepted social norms. Arya (a tomboy), Sam (a gender non-confirming boy), the Night's Watch (criminals, extra sons, and men who have no future left or place to go), and even the wildlings are all examples of this. And Jon takes on a leadership/paternal role to every single one of them. He looks after them as a leader would/should. Sometimes, in the case of Arya and the wildlings, he's equated to a king. He's a steward/shepherd/king. There's messianic undertones to this:

Come unto me, all you who are heavy laden, and I will give you rest. Take my yoke upon you and learn from me, for I am gentle and humble in heart, and you will find rest for your souls. For my yoke is easy and my burden is light." (Matthew 11:28-30).

If you're familiar with Judeo-Christian tradition, you'll know that Jesus is often personified as one who spent the majority his time among the outcasts. The idea is that he came to save them too and that anew kingdom (or new earth depending on your translation) would spring up after the end of the world where he would forever rule as king; which presents the idea of a final king after the earthly ones are done away with. Now GRRM isn't so heavy handed with Christian allusions as other authors out there, but he does have a Catholic background and Jon is so overtly a Jesus figure. And in Revelation, Jesus is king and god at the very end....

One last thing: the mention of the mongrel who challenges Jon has always been rather interesting but confusing to me. A mongrel doesn't really relate to one specific type of dog. But it's interesting that Jon notes several roaming about where he is. They follow the serving girls who carry the food to be offered. Mongrels are used to describe antagonist/villainous groups in ASOIAF. Sometimes, they're used to describe slavers in Essos. But what's interesting is that most of the time, they're used to describe Euron's Ironborn especially in Victorian's POV. So I don't think the mongrel who challenges Ghost is a supernatural threat of death (i.e., the Others) but rather a human one. They represent those who are called to the scene once the lords have finished playing their games. It almost feels like a feast for (carrion) crows....

But it doesn't really matter because this mongrel isn't much of a challenge for Ghost. Though the mongrel is much larger, the direwolf is able to fend her off very effortlessly. Given that "mongrel" is used to describe Ironborn raiders, could this exchange between Ghost and the mongrel point to reavers or sea raiders who rise and fail challenge Jon kingdom? There is a historical King Jon Stark who did this....

When sea raiders landed in the east, Jon drove them out and built a castle, the Wolf's Den, at the mouth of the White Knife, so as to be able to defend the mouth of the river.[1][2] His son, Rickard, followed him on the throne and annexed the Neck to the north.

ref.

So this might shed some light not only on Jon's already published arc, but also on what we can expect in the future. We have some foreshadowing through Jon's ADWD dream that he will not only rise with the dawn (thereby live through the Long Night), but will be in a position to lead people (wildings in that chapter) to a new peace after a hard fought war. Also remember that the wildlings, rather enthusiastically, swear oaths to him as if swearing oaths to their king. In this instance, the supernatural (a dream of the war for the dawn) is followed by the natural/human. So perhaps this particular passage (and Jon's dream) can be used to predict that Jon comes out on top, and quite effortlessly too, as a leader. And he becomes a leader who rules by association with the Old Gods; or rules a kingdom for them.

To end, I think it's of note that this passage immediately precedes Jon's conversation with Benjen where he voices his desire to go out on his own - the hero's call to action. This is the adventure that's going to kickstart his growth as a man, warrior and most importantly, a leader. So it looks like before we even began, GRRM telegraphed how it would all end in just three short paragraphs.