#OH MY GOD SOMEONE WRITE THIS

[keferon]

The moment I saw Orion Pax flipping off the authorities I knew that this is going to be my perfect transformers movie

Because YES of course Optimus Prime is all serious and responsible and polite and stuff. He has to be that way. And of course Megatron is all charismatic and powerful. He has to be that way too.

BUT

Between their past selves??

Orion is the one who jumps off the roofs to fight jets in the air even though he can't fucking fly himself

And Megatron is the one who hides under the table during the bar fight

And I absolutely love them being that way

Transformers one gives me everything I need ahahah

[cryptid-cave]

Currently thinking about a reader who, while having a full-time job and playing the part of a “real adult” pretty well for the most part, is still kind of lost and pathetic. It feels less like they’re living and more like they’re surviving, getting by on their own with just a cat for company.

Enter John Price, who’s currently on medical leave and just itching for a project. Maybe reader works at a store near his home that he shops at almost every other day, or works at the library where he goes when he needs to get out of the house. Either way, he spots this pretty little thing who clearly needs some love and guidance, preferably from a strong, gentle hand - and who better to do that than him?

Anyways, save me bossy and demanding Price with a savior complex, save me

[daphnalia]

and they were galpals

[oh-phoenixx]

"Fire" - Jegulus microfic @into-the-jeggyverse - 209 words

-

Regulus was not one for PDA. He could express his love for a person perfectly fine in private. He didn’t understand why some couples felt the need to shove their tongues down each other’s throats in front of people. And in his mind, that was all PDA was; groping each other, making out, and making everyone else around you uncomfortable.

When Regulus started dating James, though, he felt this strange urge to touch him every time he saw him. Not in a sexual way, just…touch him. Brush the hair from his forehead, trace the moles on his face, play with his hands. There was something so warm about him, drawing Regulus closer.

James and Regulus were sitting by the fire in the Gryffindor common room with some of James’s friends. And really, it wasn’t Regulus’s choice to touch him. James was so perfect, flames dancing in his eyes, fire casting his face in an orange glow, hair falling in all the right places. It wasn’t Regulus’s choice.

All Regulus did was lean his head on James’s shoulder, reach a hand up to play with James’s hair. James beamed down at him, though he didn’t mention it.

Regulus didn’t hate showing affection in public, really. Not when it was James.

[s3rrrpentine]

ghost!ghost wip

[mydiazboys]

ok whatever you do don't think about tommy coming to pick up buck from a shift, with plans for them to have a lazy day (mostly in bed). he's walking into the station, and he's greeted by members of Shift B who remember him. buck's still getting washed up from their last call, and getting changed. hen & chim are already halfway out of the door, and all buck can hear is chimney excitedly yelling tommy's name, and the three talking happily about something, nothing. buck glances out of the window to see his boyfriend chatting easily with his friends, and he feels... relief. because not once has he had this with his previous partners, there was an awkwardness around abby (due to him still being somewhat buck 1.0) and then he never really merged his other girlfriends into the fam. eddie comes up beside him, putting his hand on the shoulder. "you okay?" and buck grins, it's his tommy grin. "yeah, everything's great." then he walks out to see his boyfriend, who goes all doe-eyed at the tired golden retriever he's dating. soft greetings are exchanged, and buck plants a chaste kiss to tommy's lips, just because. cause he can. cause he wants to. and of course, chimney, eddie and hen are teasing him - but it's different from before. they're happy for him. and it's just BLISS. don't mind me, i'm just HAPPY that buck is HAPPY

[artuurle]

"who knows if i draw them like this again" - says the person who immediately draws them like this even more (and a godpoke as a treat) . shut upppppp

[the-one-that-weeps]

Every time someone in this godforsaken fandom says "I think we've talked about misogyny enough" I want to hit them with a hammer. No we haven't.

We haven't even talked about the deep "Ruikasa&Akitoya Vs. literally everyone else" imbalance enough but imagine all of the people that get pressured into writing specifically for male/male ships simply because otherwise they won't get any appreciation.

Yes it's a cowardly thing but when you see Ruikasa having over 4000 fics and Ichisaki having like 5 in total obviously you're going to be discouraged. Obviously you'll be biased into creating Ruikasa instead of other ships.

And as someone who depends on appreciation in particular to do any work at all obviously that's going to have a lasting consequence. Some people spend 4 hours crying in front of a screen just for 3 people to like their work and leave, it's understandable if they lose passion for creating at all, you guys killed them.

It's even in how we handle m/m ships. You go into a fic that's tagged Rui&Tsukasa(platonic), someone in the comments always goes "okay but when do they kiss". You go to an action-packed longfic, someone always ends up going "okay but when do they kiss".

Fuck you guys. Actually. This is a silly piano tiles game about Hatsune Miku, we should be one of the MOST CREATIVE fandoms in history and somehow people still get mad over two boys not kissing immediately after getting introduced. It's so fucking difficult being a content creator in this fandom because you always end up having to take the same route. They meet they tease they kiss. End of story. "Oh you're doing something "lame" instead? -1 kudo. Bring me my yaoi next🖕"

[goosecastle41]

Idk just the imagery of Kremy using Gideon for warmth

Like yeah okay we’ve all thought of this cause duh alligator man and fire man go good together blah blah

But the imagery of Kremy slinking out of his tent on a cold night out in the woods. He and Gideon have been traveling together for a good while now; started just as the weather was wearing off from winter, the warmth coming back into the world. They’ve been traveling together for so long the weathers turning bitter.

Their fire had long since been extinguished and the wind whips around their makeshift campsite. Even despite the trees, the cold air rushes through like waves, chilling Kremy’s already cold blood to ice. No matter how deeply he burrows into his tent, swathed in his blankets, he can’t seem to retain any of his heat.

I just I magine him pulling his thickest blanket tighter around himself as the wind beats against his shivering body, looking towards the second tent in the small clearing. Debating with himself; “Would he even be okay with this?” “It’s just for warmth.. He’s a god damn walkin’ heater, it only makes sense…” “But he didn’t sign up for THIS-“

Another wash of icy wind sweeps through, making Kremy flinch and pull the blanket just the smallest bit closer. He concludes as he walks to Gideons tent that, Gideon in fact DID sign up for this when they created their contract. Gideon is Kremy’s bodyguard, and in return Kremy feeds Gideon and gives him a percentage of whatever cons he helps Kremy pull off. Kremy can’t feed and pay him if he freezes to death in his tent overnight.

Imagine Kremy creeping towards the tent, seeing a soft glow emanating from inside. He can see from a crack in the tent flap the embers in Gideons hair and beard. Even in his sleep Gideon burns hot. Opening the tent flap is like opening the door to a stove; hot air rushing out at him due to the colder air outside. The warmth blankets Kremy and he can’t even begin to think about stopping the sigh that leaves him.

I imagine Gideon as a light sleeper. He never slept well while he was held on the train; hell he couldn’t even sleep laying down without his arms being hung in the air thanks to the chains attached to the car walls.. But he could and did sleep on the train. The constant noise and rattle of the cars, the sound of the fire he constantly stoked, the voices and laughter of those awful hobgoblins, the trains blaring whistle.. it was all his lullaby for years. Despite how horrible those years on the train had been, the first night he tried to sleep off of it, he laid awake in bed until sunrise.

Gideon couldn’t hear a thing over the sounds of the train. There really wasn’t much else to hear expect for the sounds stated above. There wasn’t much else to worry about. But outside of the train and it’s constant noise… there was so much more. Gideon knew what to expect from the train.

The sigh wakes Gideon from his sleep. His eyes pop open, immediately alert as he quickly scans around his tent. It takes nothing more than a second for Gideon to spot Kremy and relax the tension that flooded into his shoulders.

“Krem? Ever’thin’ ‘lright?” He’d ask, his voice thick with sleep as he moves to sit up in his bedroll.

Kremy would hesitate to open his mouth a moment, having forgotten to actually come up with what to say to Gideon. He could just be upfront and explain that he’s cold… But making up some long winded excuse that doesn’t involve looking weak willed has always been Kremy’s go to.

When he does actually open his mouth to start on the second option, another blast of cold air hits and makes Kremy shiver hard, eyes squinting against the torrent of sharp winds. He ducks deeper into his blanket cocoon, anything he could have said blown away with the wind.

Gideon watches this and immediately gets the picture here. Gideon can be.. a dense man. He’s not exactly the sharpest knife in the drawer ya know. But he cares for Kremy. Kremy’s done so much for him over the time they’ve been together.. He’s given Gideon some kind of purpose. He’s given Gideon a sense of belonging. He’s given Gideon a constant companion… He gave Gideon that little comb, the first thing anyone has ever given to him of their free will.

The least Gideon can give back is some warmth.

“Geez, man, get in here and close that behind ya, would ya? Lettin’ all the heat out.” Gideon would say, moving to lay back down again while shuffling to the side to allow Kremy into the warm spot that had been beneath Gideon.

Kremy blinks once, twice.. Unsure. A smaller gust beats at his back, forcing Kremy into the heat of Gideons tent. He quickly secures the tent flaps closed before he practically dives into the warmth Gideon has offered.

Kremy curls up on the warm patch of tent ground Gideon had just been on moments before while Gideon is radiating heat to Kremy’s back that he can feel even through his blanket burrito. Kremy closes his eyes, more than content with the way these events have gone.

That is until he feels Gideons hand on the blanket. Kremy’s eyes pop open again as he hears Gideon speak,

“Share. You’ll get warmer faster and stay warm.”

He feels Gideon pull one side of the blanket out from under him, moving to pull it over himself before he shuffles back closer to his original spot. He’s practically pressed against Kremy’s back, hardly an inch separating them. Kremy stiffens up like a board, waiting with almost bated breath to see what comes next… But Gideon just settles behind Kremy, not touching him but just a hairsbreadth away from it…

“Can’t have you freezin’ on me now…” Kremy hears Gideon mutter behind him.

“Yeah… who would feed ya if I did?”

[rejaytionships]

cannot believe i gotta say this but please don't follow me if you're comfortable selfshipping with canon racists. i don't care if you headcanon them as otherwise, because if their racism against a real group of people is a key facet of their character (much less incredibly important to the telling of the story that this character is a racist) then i do not wanna see it. this is not the safe space for you

[fun-esta]

[laurrelise]

someone talk with me about an AU where delores is a real girl who somehow survived the initial apocalypse and spends it growing old with five and keeping him sane

someone talk with me about delores being five’s age when he discovers her body in the rubble and thinks she’s dead before he notices the small rise and fall of her chest before he pulls her out and desperately tries to help her breathe normally again and watches the life fill her eyes with tears in his own that he’s finally no longer alone

someone talk with me about delores being an only child to parents who she wasn’t close with leading her to become dependent on herself until she meets five and learns to trust other people before finding out about his huge family and doing everything in her power to help him not only because she cares about him and wants him to be happy but also because she wants to experience the family she’s never had

someone talk with me about how delores never had powers but survived for the 40+ years in the apocalyptic wasteland of the future due to her seriously genius mind (and five’s help) and lives to help five figure out how to save his family

someone talk with me about young five and delores searching for anything they can find to survive before they stumble upon a half-broken mannequin with a surprisingly intact polka-dotted blouse that five says would suit her so she puts it on out of boredom from looking for materials before five looks at her with the most genuine, in-love eyes she’s ever seen and she decides to keep it just for him

someone talk with me about five always making sure delores has a comfortable place to sleep, to rest, to eat, etc

someone talk with me about five explaining his childhood so nonchalantly one day once he realizes that he can trust delores to her surprise, and she asks why he suddenly had the strength to tell her and he looks her in the eyes and says “believe it or not, you’re stuck with me, and i’m stuck with you, and i want you to know who i am when we’re kicking this apocalypse in the ass”

someone talk with me about teenage five teaching teenage delores how to defend herself with the training he was given during his childhood but reassuring her that he’ll always be there to protect her if something were to happen (to which she reminds him that she appreciates it, but knows she can defend herself with the spite and sheer willpower she has to survive)

someone talk with me about five and delores having a makeshift wedding and five’s vows being along the lines of “even if the rest of the world was alive, i don’t think i could ever hope to find someone that makes me as truly happy as you do, and i will be eternally grateful that of anyone i could get stuck in this goddamn apocalypse with, it was always you, and it will always be you”

someone talk with me about the handler showing up from the commission to recruit five as a temporal assassin and delores as a case worker because they’re both dangerously smart and incredible at surviving in harsh conditions (also, the handler approached them separately to see where their loyalties lied and they both firmly explained they wouldn’t go anywhere without the other)

someone talk with me about delores getting fed up with the handler repeatedly making moves on five despite him clearly being uncomfortable until it bubbles to a climax and she punches her square in the jaw, which results in an ER trip and zero regret (plus five falling even harder in love with the woman who endlessly sticks up for him)

someone talk with me about five and delores plotting an escape plan to get back to 2019 which all goes well, except five had once again messed up the math (or so he thought) and he and delores are placed back in their 13 year-old bodies, but she confesses that she doesn’t mind seeing the boy she fell in love with all those years ago once again

someone talk with me about delores learning to trust and love the hargreeves just as much as five, as they learn to love and trust her just as much

someone talk with me about five always keeping track of dates and specifically remembering the exact times of significant events for himself and delores, like the moment she looked at him for the first time, the moment he knew he was in love with her, and the moment they decided they were going to stop at nothing to keep each other alive and stop the world from ending

someone talk with me about five and delores, the 58 year-old couple that they are, snuggling up on elliot’s couch together because they can’t fall asleep without the other one there to remind them that they’re safe and out of harm’s way (mostly)

someone talk with me about how delores has never been the type to step down, and she continues to stand her ground and be brutally honest when shes upset or wants five to listen to her, and he admires her bluntness (and frankly, needs it) due to his impatience and expectations of honesty at all times

someone talk with me about delores knowing exactly when five needs his time alone and stepping away to help his siblings as much as she possibly can, usually by encouragement or (again) brutal honesty hidden behind a kind and genuine smile

someone talk with me about five reminding delores of his love for her whenever it’s too quiet or he thinks she’s gone too long without him showing it, in every way he can think of, like letting her know that he would’ve lost his mind in the apocalypse without her (which.. he kind of did?), finding little things that remind him of her and bringing them to her, and holding her hand whenever he sees frustration or discomfort bubbling behind her eyes

[feroluce]

Clank clank clank clank cl-

[mae-dwrites]

AU where Gothamites slowly became Liminals and they made their dear Lady Gotham - (Little Lady Gotham AU - LLGAU)

“What is wrong with Gotham?”

“They’re all crazy 😒”

“I don't think they're human at this point”

“They’re just built different”

“It’s the air they breathe lol”

“Nah there's something in the water”

Stop right there. That’s it. Gotham is a very polluted city, the sun? Non-existent! The water is black and brown and sometimes green when the moon shines on it…but mostly black.

The mass pollution is irreversible at this point, at least it’s effects on its’ people are. Pollution comparatively is much easier to cleanse.

No, death has been a deep fog surrounding the city for decades; the pain has made been in its rivers of streets for oh so long; the hope and fear and love and dread and pride and guilt and the calling have been the city’s symphony. The city always had a feeling of life underneath it all, something more to the people.

And the people, they've spent so long in this fog, walking through its’ rivers, from hearing to joining the symphony, for generations that it’s in their very souls and genetics.

They last much longer when inflicted with supposed fatal wounds, they heal as fast as thinking 1+1, physical touch is different for those from this capital of death, they move almost unnaturally to those who aren't from there, and that was before the chemicals.

The chemicals started getting made, getting poured, and spreading. No that strange change of color in the water was more than contaminated water. It was artificial ectoplasm, but with all the death already in it’s very core the waters were soaked up and soon the core in that cemetery came to life. It would have taken a few hundred more years for this core to form from just the death in the city, but she was fed. She was fed a feast, and little Lady Gotham was born.

[lesbianherald]

you leaving twitter 🤝 jayce getting out of that noxus contract

at first i was confused and then I remembered my own work and then I honked like a goose

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.